Copyright LinPlug Virtual Instruments GmbH 2006-2014
All rights reserved
InstrumentPeter Linsener & Pavol Markovic
SoundsBig!Tone (BT), dubhad(DH), Ján Ančic (JA)
ManualTobias Birkenbeil & Peter Linsener
All technical specifications of the products specified in this manual may be subject to change without
notice. The documents may not be changed, especially copyright notices may not be removed or
changed. LinPlug and all LinPlug product names are trademarks of LinPlug Virtual Instruments GmbH.
Cubase and VST are registered trademarks of Steinberg Media Technologies AG. All other trademarks
are the property of their respective owners.
LinPlug Organ 3User GuidePage 2
Welcome
Thank you for licensing Organ 3!
In the late 1930s, Hammond released the B3 organ. Since then, the
sound of the Hammond B3 has become one of the most common and
most recognisable sounds in popular music. The presence of the
Hammond B3 is virtually everywhere; from Gospel, Blues and Jazz, to
Funk, Rock, Reggae and Dance styles. The original Hammond B3
weighed in at over 180 kilograms and required a separate Leslie speaker
cabinet that was six feet tall and weighed almost as much as the organ
itself!
Organ 3 is a software emulation of the original Hammond B3 and further
historical electronic organs designed for creating music on your PC or
Macintosh. Organ 3 features all of the controls found on the original B3.
These include the drawbars, a vibrato and percussion section, as well as
a sophisticated dual-effects processor with a fully sync-able LeslieEmulation. All these features have been incorporated into an easy-to-use
interface, capable of producing a wide range of classic and modern
organ sounds.
This manual describes all aspects of Organ 3 and is designed so that
your use of this instrument is as efficient and enjoyable as possible.
At LinPlug we're very proud of Organ 3; it's the result of a long and
extensive period of research into the famous Hammond B3 organ and its
various components. We hope you get a lot of pleasure using Organ 3
and that it becomes an integral part of your music-making.
APPENDIX D: USING TUN FILES............................................ 45
LinPlug Organ 3User GuidePage 4
Installation
Installation on Mac
The LinPlug Organ 3 comes with its own Installer. After downloading the
Organ 3 you will find a file named "OrganInstaller3xx.dmg " located in
your download folder. Double-click this file to decompress and open the
image, then double-click the installer program to begin the installation
process. You will be guided through the installation process.
The instrument file "Organ 3" and the 3 presets will now be placed in the
right directory for virtual instruments on your Mac. The next time you
start your host software the LinPlug Organ 3 will be listed in the host's
instrument list.
Installation on PC
The LinPlug Organ 3 comes with its own Installer. After downloading the
Organ 3 you will find a file named "OrganInstaller3xx.exe " located in
your download folder. Start this program to begin the installation process.
The Installer will guide you through the installation process.
Make sure you choose the right directory, so your host software finds the
Organ 3. Refer to your host software's manual if you are unsure about
where the host software plug-in directory is located.
The instrument file "Organ3.DLL" and the presets will be placed in the
chosen directory. The next time you start your host software the Organ 3
will be listed in the host's instrument list.
Common to Mac and PC
After you've installed and opened the full version of the Organ 3, go to
the instrument's “Settings” tab. The S/N edit box should read "Enter
here". Enter the serial number you have received into the S/N edit box. If
the serial number has not been entered or it has been entered
incorrectly, the full version of the Organ 3 will not play any notes.
If you have any questions regarding the installation of Organ 3 please
contact our support team at www.linplug.com/support/support.htm.
LinPlug Organ 3User GuidePage 5
Overview
Organ 3 is a 64 note-polyphonic* drawbar organ with some extraordinary
features. It is based upon the classic drawbar organ concept und
features 3 manuals (Pedal, Lower, Upper), each with independent
drawbars and MIDI channel. The manuals can be combined using the
various stack & split modes. The output of the drawbars is then sent to
the excellent Organ 3 dual-effects processor.
The structure of Organ 3 can be divided into the following sections: on
the left you find the instrument (Main Section) with its three manuals.
Located above the manuals is the Drawbar Section. To the left of each
manual are individual controls for Spread, the switches for Percussion
and Vibrato as well as the controls for Release and Volume.
The right side of Organ 3 contains the additional functions, divided into
the menus “Organ”, “Effects” and “Settings”. You open these menus by
clicking on the specific tab.
The “Organ” Menu contains the controls for Percussion, Vibrato, Master,
Glide, Volume, Pitch Bend, stack/split-modes and ECS.
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The “Effects” Section contains all controls of the dual-effects processor.
In the “Settings” menu you find the Master Tune, MIDI-settings, the
tonewheel, B3 mode and the envelopes of the three manuals.
The “Preset Browser” is located at the bottom of the right side. It is
always visible.
*depending on the power of your computer’s CPU.
Structure
Audio signals are generated by the tonewheels using the pitch
information from Organ 3´s MIDI input. The MIDI input is automatically
connected to the MIDI output of your host software.
The output of the drawbars is sent to the Vibrato section. The output of
the Vibrato section is then sent to the Amplifier ( Drive) section. The
Percussion section and the Keyclick section both send their output to the
LinPlug Organ 3User GuidePage 7
Amplifier (Drive) section. The output of the Amplifier (Drive) section is
then sent to the dual-effects processor. In the “Master Section” you can
also add Motor Noise, Keyclick and adjust the simulated “age” of the
organ.
The audio outputs of Organ 3 are automatically connected to the inputs
of your host software's mixer. Here you can set the pan position of Organ
3's output.
The design of Organ 3 imitates that of a real drawbar organ. As a result,
when notes in a higher keyboard range are played, the overall sound
becomes less bright. This is because a drawbar organ utilises a limited
range of harmonics, which wrap around at particular points in the
instrument's upper range. However, this property can also be
deactivated (described in the chapter “B3 mode”).
Hopefully, this chapter has given you a brief overview of how Organ 3
works. More detailed information can be found in the following chapters.
LinPlug Organ 3User GuidePage 8
What’s new in Organ 3
·now 3 individual manuals (Upper, Lower, Pedal)
·manual settings can be saved/loaded and copied/pasted
·Percussion
- separately adjustable for Upper and Lower
- adjustable volume
- adjustable pitch
·separately switchable Vibrato for Upper, Lower and Pedal
·Spread for Upper, Lower and Pedal
·adjustable “age”
·drive with adjustable brightness and body
·adjustable velocity response (from off to full)
·new Glide mode with “Held” mode and adjustable time
·per manual switchable Pitch Bend response
·now two effect units with either Rotary, Reverb, Delay, Chorus, Gator
or Crusher effect, all programmable
·enhanced ECS with support for endless dials and predefined
settings for the NI B4D controller and the Doepfer d3c
·controller-sliders can be inverted (for use of e.g. Behringer
BCF2000)
·microtonal support of TUN files
·12 tonewheels to choose from including Farfisa and Vox waves
·ADSR envelope per manual
·layer and split modes with adjustable split point
·+- 4 octaves transpose per manual
·switchable B3 compatibility
- foldback
- tonewheel sync
- drawbar volume
- percussion switch behaviour
- drawbar continuous / step mode
LinPlug Organ 3User GuidePage 9
Controls
Users have the option of controlling Organ 3´s dials in either a circular or
a linear manner depending on the Dial Mode setting, located under the
“Settings” menu.
Holding down the ALT key while clicking on a control changes the
selected control's value a minimum step upwards (when clicking in the
upper half of the control) or a minimum step downwards (when clicking in
the lower half of the control).
Holding down the CTRL key (PC) respectively COMMAND key (Apple)
while clicking on a control sets the control to its default value (e.g. for
volume controls it sets the control's value to -6 dB).
All controls can be automated using external MIDI messages. To do this
you need to use Organ 3's ECS (Easy Controller Setup) which is
described in the “Organ Menu”- section of this manual.
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The Main Section
The “Main Section” of Organ 3 is located on the left side of the user
interface. This section contains the drawbars, the three manuals and –to
the left of the manuals- the special controls for each of the manuals.
The three manuals are called: the “Upper Manual“, the “Lower Manual”
(the one in the middle) and the “Pedal” (at the bottom).
Manual Controls
To the left of the three manuals you can find individual controls for the
Spread effect (the “two circles”-symbol), the Release time (the decay
time of the sound after you’ve released a key) and Volume control. There
are also two buttons: „Perc“ & „Vibr“. „Perc“ switches the Percussion
Section on and off, „Vibr“ activates/deactivates Vibrato for the according
manual.
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The Spread dial controls the intensity of the polyphonic unison, creating
a sound as if several organs were played simultaneously. Turning the
Spread dial to the right detunes those “imaginary” organs and the sound
of the manual becomes fatter. Spread doesn’t affect the polyphony of
Organ 3 but increases the utilisation of your computer’s CPU.
Note: Pedal can’t make use of the Percussion Section.
LinPlug Organ 3User GuidePage 12
The “Drawbar” Section
The Drawbar Section is the most important part of Organ 3, as this is
where the instrument's overall sound is determined. The Drawbar section
is located above the three manuals.
One of the reasons why the original Hammond B-3 became popular, and
remains so to this day, was because of its versatility. And just like its
predecessor, LinPlug's Organ 3 can sound like a wide range of
instruments and ensembles ranging from a carnival, a horn section and a
big band, to a small jazz combo, a funk group, a percussion section or a
flute. How can all these different sounds be created with one instrument?
The answer lies in the drawbars.
Organ 3's drawbars are used to set the level of the up to nine harmonics
that make up the instrument's sound. Moving from left to right these
harmonics are:
LinPlug Organ 3User GuidePage 13
16"the sub-octave -12 semitones0.5th harmonic
5 1/3"the fifth+7 semitones1.5th harmonic
8"the fundamental
4"the octave+12 semitones2nd harmonic
2 2/3"one octave and one fifth higher+19 semitones3rd harmonic
2"two octaves higher+24 semitones4th harmonic
1 3/5"two octaves and a third higher+28 semitones5th harmonic
1 1/3”two octaves and a fifth higher+31 semitones6th harmonic
1"three octaves higher+36 semitones8th harmonic
All of these except the 1 3/5" drawbar are either roots or fifths. The 1 3/5"
is a third. Each drawbar's colour indicates its relationship to the
fundamental pitch. The white and brown drawbars are called the
“consonants” and comprise all the roots and the lower fifths. The black
drawbars are called the “dissonants” and consist of the higher fifths and
the third. Using this set of harmonics, a wide range of sounds can be
created.
The Pedal only contains drawbars for the 16", 5 1/3", 8", 4", 2 2/3" and
2".
Each drawbar has eight continuously-variable degrees to which it can be
"drawn" or pulled out. A setting of eight is the loudest, while all the way in
silences the drawbar. Thus, each drawbar or "stop" can be "voiced" or
individually altered, even while the instrument is being played.
On its own, the fundamental drawbar generates a sine wave, thus
producing a pure flute-like tone. Adding odd harmonics creates a square
wave, producing a more clarinet-like tone. The odd harmonics "squared"
generate a triangle wave, thus producing a string-like tone. Finally, all
harmonics together generate a sawtooth wave, producing an oboe-like
tone.
Drawbar settings use the same kind of premise; various levels and
volumes of harmonics are used to create different sounds. There are a
limitless number of tone qualities and endless shades of dynamic level
available on the LinPlug Organ 3. Drawbar setting (00 6200 000) is an
example of a flute tone. Drawbar setting (00 4345 554) is an example of
LinPlug Organ 3User GuidePage 14
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