Laney
Richter Bass
Amplification
R1
R2
R3/R3H
R4/R4H
R5
User manual
IMPORTANT SAFETY INSTRUCTIONS
WARNING: When using electric products, basic cautions should always be followed, including the following.
1. Read all safety and operating instructions before using this product
2. All safety and operating instructions should be retained for future reference
3. Obey all cautions in the Operating instructions and on the back of the unit
4. All operating instructions should be followed
5. This product should not be used near water, i.e. a bathtub, sink, swimming pool, wet basement, etc.
6. This product should be located so that its position does not interfere with its proper ventilation. It should not
be placed flat against a wall or placed in a built up enclosure that will impede the flow of cooling air.
7. This product should not be placed near a source of heat such as stove, radiator, or another heat producing
amplifier.
8. Connect only to a power supply of the type marked on the unit adjacent to the power supply cord.
9. Never break off the ground pin on a power supply cord.
10. Power supply cords should always be handled carefully. Never walk or place equipment on power supply
cords. Periodically check cords for cuts or signs of stress, especially at the plug and the point where the
chord exits the unit.
11. The power supply cord should be unplugged when the unit is to be unused for long periods of time.
12. If this product is to be mounted in an equipment rack, rear support should be provided.
13. Metal parts can be cleaned with a damp cloth. The vinyl covering used on some units can be cleaned with
a damp cloth or ammonia based household cleaner if necessary. Disconnect the unit from the power
supply before cleaning.
14. Care should be taken so that objects do not fall and liquids are not spilled into the unit through any
ventilation holes or openings. On no account place drinks on the unit.
15. A qualified service technician should check the unit if:
The power cord has been damaged
Anything has fallen or spilled into the unit
The unit does not appear to operate correctly
The unit has been dropped or the enclosure damaged.
16. The user should not attempt to service the equipment. All service work is done by a qualified
service technician.
17. Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary
considerably in susceptibility to noise induced hearing loss, but nearly everyone will lose some hearing if
exposed to sufficiently intense noise for a sufficient time. The U.S. Government's Occupational Safety and
Health Administration (OSHA) has specified the following permissible noise level exposure.
Duration Per Day In Hours Sound Level dBA, slow response
890
692
495
397
2 100
1 ½ 102
1 105
½ 110
¼ or less 115
According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Ear
plugs or protectors in the ear canals or over the ears must be worn when operating this amplification system in
order to prevent a permanent hearing loss if exposure exceeds the limits set forth above. To ensure against
potentially dangerous exposure to high sound pressure levels it is recommended that all persons exposed to
equipment capable of producing high sound pressure levels such as this amplification system be protected by
hearing protectors while this unit is in operation.
Lightning Bolt Symbol:
This symbol is used to alert the user to the presence
of dangerous voltages and the possible risk of
electric shock.
Exclamation Mark Symbol:
This symbol is used to alert the user to make special note of
important operating or maintenance instructions found in the
!
reference manual.
SAVE THESE INSTRUCTIONS
Laney
INTRODUCTION
Congratulations on your decision to purchase a Laney amplifier.
Laney products are designed with ease of operation as a primary objective, however to
ensure you derive the best from your new amplifier, it is important you take time to
read this user manual and to familiarise yourself with the control functions and
facilities available.
BEFORE SWITCHING ON
After unpacking your amplifier check that it is factory fitted with a three pin
'grounded' (or earthed) plug. Before plugging into the power supply ensure you are
connecting to a grounded earth outlet.
If you should wish to change the factory fitted plug yourself, ensure that the wiring
convention applicable to the country where the amplifier is to be used is strictly
conformed to. As an example in the United Kingdom the cable colour code for
connections are as follows.
EARTH OR GROUND - GREEN/YELLOW
NEUTRAL - BLUE
LIVE - BROWN
This manual has been written for easy access of information. The front and rear
panels of each unit are graphically illustrated, with each control and feature
numbered. For a description of the function of each control feature, simply check
the number with the explanations adjacent to each panel.
Your Laney RICHTER bass amplifier has undergone a thorough two stage, pre-delivery
inspection, involving actual play testing, as well as burn in.
1
When you first receive your Laney RICHTER bass amp, follow these simple procedures:
(i) Ensure that the amplifier is set at the correct voltage for the country it is to
be used in.
(ii) Connect your instrument with a high quality shielded instrument cable. Use of
cheap cables will compromise the sound of your instrument and your amplifier.
Care of your Laney amplifier will prolong it's life.....and yours!.
Laney
R1 front
5
HIGHNORMAL
INPUTS
4
3
2
1
0
10
6
7
9
ACTIVE
8
COMP
5
4
6
3
7
2
8
1
3 3 3
9
10
0
ENHANCE BASS
- - -+ + +
0 350 0 0
1 1 1
1 1 1
2 2 2
4 4 4
5 1K 5 5
5 100 5 5
EQUALISATION
2 2 2
3 3 3
4 4 4
FREQUENCY LEVEL
P-MARA ID
2
BA
R1
7
8
9
ASS MPLIFIER
POWERON
D.I.
1
0
POWER
5
4
6
3
HORN
2
1
10
0
ACTIVE
TREBLEGAIN
VOLUME
R1 Rear
FR &S V .USE ATING UPPLY OLTAGE
MPC
AXIMUM OWER ONSUMPTION
120 W ~50/60 H
1
T2A L 115V
T2A L 115V
T1A L 230V
T1A
L 230V
~
~
ATTS Z
1.Inputs:
2.Gain:
2
3 6
4
W-ARNING T
O REDUCE THE RISK OF FIR E OR ELECTRIC SHOCK
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE
C-AUTION F
OR CONTINUED PR OTECTION AGAINST RISK OF FIRE
REPLACE ONLY WITH SAME TYPE AND RATED FUSE
C-AUTION T
O REDUCE THE RISK OF ELECTRIC SHOCK DO NOT
.N . R
REMOVE COVERS O USER SER VICEABLE PARTS INSIDE EFER
SERVICING TO QUALIFIED PERSONNEL ONLY
W-ARNING T.HIS EQUIPMENT MUST BE EARTHED
A-TTENTION R
EMPLACER LE FUSIBLE SEULEMENT PAR LE MEME
TYPE ET LE MEME CALIBRE
A-VIS R-.ISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
ATTENTION -D ’
AVANT TOUTE INTER VENTION
RISK OF ELECTRIC SHOCK DO NOT OPEN
S
ERIAL
N
UMBER
Designed And Assembled in the UK by BLT Industries LTD.
.
EBRANCHER LE COR DON D ALIMENTATION
.
CAUTION
5
.
.
.
!
12
7
8
10
9
11
Tune rOutHead Phones
13
FX Send
FX Return
14
Normal and High inputs are provided for connection of bass
guitars. High output basses, either Active or Passive should
be connected via the High socket. Low output basses should be
connected using the normal input. High output basses may
also be placed in the Normal input if pre-amp overloading is
desired.
This control is used to set the level of gain present in the
pre-amp. The higher the level of gain, the more the signal
will clip producing distortion. The GAIN control should be
used in conjunction with the VOLUME control (10) to produce
the desired signal characteristics.
3.Compressor:
4.Enhance:
5.Bass:
Engages and disengages the on-board cpmpressor. This
compresses the input-signal giving a punchier sound. In
association with the compressor are two LED s,one indicating
that the compressor is engaged and one indicating the
compressor is active. It is possible to have the compressor
engaged but it only be active during certian periods of
playing - typically the most dynamic sections. Note that the
higher the gain the greater the level of compression.
The ENHANCE control provides an increased definition at the
low-end of the frequency spectrum giving you a tighter,
punchier sound. The ENHANCE control does this by providing a
dip in the frequency-response of the amplifier at
approximately 200hz. This dip eliminates some of the
secondary-harmonics of the important low-frequencies around
40-80 Hz producing a thicker sound. Turning the control
through to its maximum has the effect of boosting both the
low and high-frequency content of the signal whilst not
effecting the mids.
Controls the low-frequency response of the pre-amplifier.
Laney
Laney
3
6.Paramid frq:
7.Paramid Level:
8.Treble:
9.Horn Switch:
10.Volume:
11.D.I:
12.Phones:
13.Tuner out:
14.FX Loop:
Selects the MID-frequencies to be cut or boosted in
conjunction with the PARAMID GAIN control (7). To access LO
mid-frequencies turn the FREQUENCY control anticlockwise, to
access HI mid frequencies turn the FREQUENCY control
clockwise.
Sets the level of boost or cut applied to the frequency set
by control(6). For frequency-boost turn the control
clockwise. For frequency-cut, turn the control anticlockwise.
Controls the high-frequency response of the pre-amplifier.
Switches the on-board horn either on or off.
Sets the overall listening level of the amplifier.
XLR socket for direct-injection of the amplifier signal to a
mixing-desk or additional power-amplifier. The XLR socket
provides a low-impedance balanced output-signal.
Headphone output for silent practicing.
Socket for connecting external tuner.
Send and return sockets are provided for connecting external
effects-units.
R2 Front
HIGHNORMAL
INPUTS
1
R2 Rear
T5A L 115V
T5A L 115V
T2A L 230V
T2A
L 230V
~
~
FR &S V .USE ATING UPPLY OLTAGE
MPC
AXIMUM OWER ONSUMPTION
ATTS Z
240 W ~50/60 H
S
ERIAL
UMBER
N
Designed And Assembled in the UK by BLT Industries LTD.
1.Inputs:
ASS MPLIFIER
HORN
ACTIVEON
12
R2
BA
D.I.
13
5
4
6
3
7
8
2
1
9
10
0
ACTIVE POWERACTIVE
2
W-ARNING T
O REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE
C-AUTION F
OR CONTINUED PROTECTION AGAINST RISK OF
FIRE REPLACE ONLY WITH SAME TYPE AND RATED FUSE
C-AUTION T
O REDUCE THE RISK OF ELECTRIC SHOCK DO NOT
REMOVE COVERS O USER SERVICEABLE PARTS INSIDE EFER
.N . R
SERVICING TO QUALIFIED PERSONNEL ONLY
W-ARNING T.HIS EQUIPMENT MUST BE EARTHED
A-TTENTION R
EMPLACER LE FUSIBLE SEULEMENT PAR LE
MEME TYPE ET LE MEME CALIBR E
A-VIS R-.ISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
ATTENTION -D
EBRANCHER LE CORDON
ALIMENTATION AVANT TOUTE INTERVENTION
’.
CAUTION
OF ELECTRIC SHOCK DO NOT OPEN
RISK
COMP
3
.
5
- - -+ + +
4
3
2
1
0
ENHANCE BASS
4
.
!
8
8
M
M
I
I
RUM
RUM
FL C
FL C
0 350 0 0
6
1 1 1
1 1 1
2 2 2
7
8
3 3 3
9
4 4 4
10
5 1K 5 5
5 100 5 5
5
.
.
Extension
Extension
Loudspeaker
Loudspeaker
OHM
OHM
INIMUM
INIMUM
MPEDANCE
MPEDANCE
EFER TO SER ANUAL
EFER TO SER ANUAL
OR OUDSPEAKER ONNECTIONS
OR OUDSPEAKER ONNECTIONS
2 2 2
3 3 3
4 4 4
FREQUENCY
P-MARA ID
6
EQUALISATION
LEVEL
7
55
44
66
33
22
11
VOLUME
00
11
77
88
99
1010
LIMITER
TREBLE PRESENCEGAIN
8
10
9
14
Normal and High inputs are provided for connection of bass
guitars. High output basses, either Active or Passive should
be connected via the High socket. Low output basses should be
connected using the normal input. High output basses may
also be placed in the Normal input if pre-amp overloading is
desired.
1
0
POWER
16
FXSend
FXReturn
TunerOut
15
Laney
4
2.Gain:
3.Compressor:
4.Enhance:
5.Bass:
6.Paramid frq:
This control is used to set the level of gain present in the
pre-amp. The higher the level of gain, the more the signal
will clip producing distortion. The GAIN control should be
used in conjunction with the VOLUME control (10) to produce
the desired signal characteristics.
Engages and disengages the on-board comprssor. This
compresses the input-signal giving a punchier sound. In
association with the compressor are two LED s,one indicating
that the compressor is engaged and one indicating the
compressor is active. It is possible to have the compressor
engaged but it only be active during certian periods of
playing - typically the most dynamic sections.
The ENHANCE control provides an increased definition at the
low-end of the frequency spectrum giving you a tighter,
punchier sound. The ENHANCE control does this by providing
a dip in the frequency-response of the amplifier at
approximately 200hz. This dip eliminates some of the
secondary-harmonics of the important low-frequencies around
40-80 Hz producing a thicker sound. Turning the control
through to its maximum has the effect of boosting both the
low and high-frequency content of the signal whilst not
effecting the mids.
Controls the low-frequency response of the pre-amplifier
Selects the MID-frequencies to be cut or boosted in
conjunction with the PARAMID GAIN control (7). To access LO
mid-frequencies turn the FREQUENCY control anticlockwise, to
access HI mid frequencies turn the FREQUENCY control
clockwise.
7.Paramid Level:
8.Treble:
9.Presence:
10.Limiter:
11. Volume:
12.Horn switch:
13.D.I:
Sets the level of boost or cut applied to the frequency set by
control(6). For frequency-boost turn the control clockwise.
For frequency-cut, turn the control anti-clockwise.
Controls the high-frequency response of the pre-amplifier.
Controls the high-frequency signal-content of the preamplifier. The PRESENCE control is set at 3K.
Allows the on-board limiter to be defeated if desired. With
the switch in the out position the limiter is engaged. The
LIMITER is automatically triggered at high-output levels
and is designed to prevent power-amp distortion at highoutput levels. When the limiter is autpmatically triggered
an LED lights up to indicate the limiter is active. It is
possible to have the limiter engaged but not have the LED
active. The LIMITER monitors both power-amp clipping and
load so it automatically registers the cabinet-impedance and
sets itself accordingly.
Sets the overall listening level of the amplifier.
Switches the on-board horn either on or off.
XLR socket for direct-injection of the amplifier signal to a
mixing-desk or additional power-amplifier. The XLR socket
provides a low-impedance balanced output-signal.
Laney
Laney
5
14.Ext Speaker
socket:
15.Tuner out:
16.FX Loop:
R3/R3H Front
HIGHNORMAL
INPUTS
1
R3 Rear
T5A L 115V
T5A L 115V
T2A L 230V
T2A
L 230V
FR &S V .USE ATING UPPLY OLTAGE
MPC
AXIMUM OWER ONSUMPTION
ATTS Z
300 W ~50/60 H
W-ARNING T
O REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE
~
~
C-AUTION F
OR CONTINUED PROTECTION AGAINST RISK OF
FIRE REPLACE ONLY WITH SAME TYPE AND RATED FUSE
C-AUTION T
O REDUCE THE RISK OF ELECTRIC SHOCK DO NOT
REMOVE COVERS O USER SERVICEABLE PARTS INSIDE EFER
SERVICING TO QUALIFIED PERSONNEL ONLY
W-ARNING T.HIS EQUIPMENT MUST BE EARTHED
A-TTENTION R
EMPLACER LE FUSIBLE SEULEMENT PAR LE
MEME TYPE ET LE MEME CALIBR E
A-VIS R-.ISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
ATTENTION -D ’
EBRANCHER LE CORDON D ALIMENTATION
AVANT TOUTE INTERVENTION
RISK OF ELECTRIC SHOCK DO NOT OPEN
S
ERIAL
UMBER
N
Designed And Assembled in the UK by BLT Industries LTD.
This socket should be used to connect an extension-cabinet.
The impedance of the extension-cabinet must not be less
than 8 Ohms. Connecting cabinets that have a lower
impedance than 8 Ohms will result in the amplifier
overheating . Continual use in this manner may cause
permanent damage. Connecting a cabinet with an impedance of
greater than 8 Ohms will cause no damage to the amplifier but
will result in a reduced output.
Socket for connecting external tuner.
Send and return sockets are provided for connecting external
effects-units..
ASS MPLIFIER
HORN
ACTIVEON
13
R3
BA
D.I.
14
5
4
6
3
7
8
2
1
9
10
0
ACTIVE POWERACTIVE
2
.N . R
.
.
CAUTION
COMP
3
2
.
!
5
- - - -+ + + +
4
3
1
0
ENHANCE BASS
4
.
0 350 1K50 0 0
6
1 1 1 1
1 1 1 1
2 2 2 2
7
9
10
.
2 2 2 2
8
3 3 3 3
3 3 3 3
4 4 4 4
4 4 4 4
5 1K 4K5 5 5
5 100 4005 5 5
FREQUENCY FREQUENCY
LP -MOARA ID HP -MIARA ID
5
6
8
OHM
INIMUM
M
MPEDANCE
I
EFER TO SER ANUAL
RUM
OR OUDSPEAKER ONNECTIONS
FL C
EQUALISATION
LEVEL LEVEL
7
Extension
Loudspeaker
9
8
TREBLEGAIN
10
LIMITER
11
3
2
1
VOLUME
4
0
12
5
6
7
8
9
10
1
0
POWER
17
FXSend
FXReturn
Tune rOut
1.Inputs:
2.Gain:
3.Compressor:
15
Normal and High inputs are provided for connection of bass
guitars. High output basses, either Active or Passive should
be connected via the High socket. Low output basses should be
connected using the normal input. High output basses may
also be placed in the Normal input if pre-amp overloading is
desired.
This control is used to set the level of gain present in the
pre-amp. The higher the level of gain, the more the signal
will clip producing distortion. The GAIN control should be
used in conjunction with the VOLUME control (12) to produce
the desired signal characteristics.
Engages and disengages the on-board compressor. This
compresses the input-signal giving a punchier sound. In
association with the compressor are two LED s,one indicating
that the compressor is engaged and one indicating the
compressor is active. It is possible to have the compressor
engaged but it only be active during certain periods of
playing - typically the most dynamic sections.
16
Laney
Laney
6
4.Enhance:
5.Bass:
6. Lo Paramid frq:
7.Lo Paramid Level:
8. Hi Paramid frq:
9.Lo Paramid Level:
10.Treble:
11.Limiter:
12. Volume:
13.Horn switch:
14.D.I:
The ENHANCE control provides an increased definition at the
low-end of the frequency spectrum giving you a tighter,
punchier sound. The ENHANCE control does this by providing
a dip in the frequency-response of the amplifier at
approximately 200hz. This dip eliminates some of the
secondary-harmonics of the important low-frequencies around
40-80 Hz producing a thicker sound. Turning the control
through to its maximum has the effect of boosting both the
low and high-frequency content of the signal whilst not
effecting the mids.
Controls the low-frequency response of the pre-amplifier
Selects the LO MID-frequencies to be cut or boosted in
conjunction with the LO PARAMID LEVEL control (7). To
access low LO mid-frequencies turn the FREQUENCY control
anticlockwise, to access higher LO MID frequencies turn the
FREQUENCY control clockwise
Sets the level of boost or cut applied to the frequency set by
control (6). For frequency-boost turn the control
clockwise. For frequency-cut, turn the control anticlockwise
Hi Paramid Frequency : Selects the HI MID-frequencies to
be cut or boosted in conjunction with the Hi PARAMID LEVEL
control (9). To access low Hi mid-frequencies turn the
FREQUENCY control anticlockwise, to access higher Hi MID
frequencies turn the FREQUENCY control clockwise
Sets the level of boost or cut applied to the frequency set by
control 8. For frequency-boost turn the control clockwise.
For frequency-cut, turn the control anti-clockwise
Controls the high-frequency response of the pre-amplifier.
Allows the on-board limiter to be defeated if desired. With
the switch in the out position the limiter is engaged. The
limiter is automatically triggered at high-output levels
and is designed to prevent power-amp distortion at highoutput levels. When the limiter is autpmatically triggered
an LED lights up to indicate the limiter is active. It is
possible to have the limiter engaged but not have the LED
active. The LIMITER monitors both power-amp clipping and
load so it automatically registers the cabinet-impedance and
sets itself accordingly.
Sets the overall listening level of the amplifier.
Switches the on-board horn either on or off.
XLR socket for direct-injection of the amplifier signal to a
mixing-desk or additional power-amplifier. The XLR socket
provides a balanced low-impedance output-signal.
Laney
Laney
7
15.Ext Speaker
socket:
16.Tuner out:
17.FX Loop:
R3H Rear
T5A L 115V
T5A L 115V
T2A L 230V
T2A
L 230V
FR &S V .USE ATING UPPLY OLTAGE
MPC
AXIMUM OWER ONSUMPTION
ATTS Z
300 W ~50/60 H
W-ARNING T
~
~
O REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE
C-AUTION F
OR CONTINUED PROTECTION AGAINST RISK OF
FIRE REPLACE ONLY WITH SAME TYPE AND RATED FUSE
C-AUTION T
O REDUCE THE RISK OF ELECTRIC SHOCK DO NOT
REMOVE COVERS O USER SERVICEABLE PARTS INSIDE EFER
.N . R
SERVICING TO QUALIFIED PERSONNEL ONLY
W-ARNING T.HIS EQUIPMENT MUST BE EARTHED
A-TTENTION R
EMPLACER LE FUSIBLE SEULEMENT PAR LE
MEME TYPE ET LE MEME CALIBR E
A-VIS R-.ISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
ATTENTION -D ’
EBRANCHER LE CORDON D ALIMENTATION
AVANT TOUTE INTERVENTION
RISK OF ELECTRIC SHOCK DO NOT OPEN
RISK OF ELECTRIC SHOCK DO NOT OPEN
S
ERIAL
UMBER
N
Designed And Assembled in the UK by BLT Industries LTD.
This socket(s) should be used to connect an extensioncabinet. The impedance of the extension-cabinet must
not be less thean 8 Ohmsfor the R3, or for the R3H a Minimum 4
Ohms. Connecting cabinets that have a lower impedance than
8 Ohms will result in the amplifier overheating. Continual
use in this manner may cause permanent damage. Connecting
a cabinet with an impedance of greater than 8 Ohms will cause
no damage to the amplifier but will result in a reduced
output.
Socket for connecting external tuner.
Send and return sockets are provided for connecting external
effects-units..
.
.
.
.
.
CAUTION
!
Loudspeakers
4TM IOHM OTAL INIMUM MPEDANCE
RUMFR
EFER TO SER ANUAL OR ECOMMENDED
OUDSPEAKER ONNECTIONS
LC
17
FXSend
FXReturn
Tune rOut
R4/R4H Front
5
4
HIGHNORMAL
INPUTS
1
6
3
7
COMP
8
2
1
9
10
0
2
ONACTIVE POWERACTIVE
3
R4/R4H Rear
11
T6.3A L 115V
T6.3A L 115V
T3.15A L 230V
T3.15A
L 230V
~
~
LOUDSPEAKERS
C-AUTION R
FR &S V .USE ATING UPPLY OLTAGE
MPC
AXIMUM OWER ONSUMPTION
ATTS Z
450 W ~50/60 H
ATTENTION -S ’
HAUT PARLEURS
-.
AVIS -R .ISQUEDECHOCELECTRIQUENEPASOUVRIR
ATTENTION -R
MEME CALIBRE
ATTENTION -D ’ .EBRANCHER LE CORDON D ALIMENTATION AVANT TOUTE INTERVENTION
ATTENTION -R .N
D AERATION ET DE VENTILATION
’.
CAUTION T
REMOVE COVERS O USER SERVICEABLE PARTS INSIDE
EFER SERVICING TO QUALIFIED PERSONNEL ONLY
R.
WARNING -T
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE
CAUTION-FOR CONTINUED PROTECTION AGAINST RISK OF FIRE
REPLACE ONLY WITH SAME TYPE AND RATED FUSE
W
ARNING
E REFERER AU MANUEL D UTILISATION POUR LA CONNECTION
EMPLACER LE FUSIBLE SEULEMENT PAR LE MEME TYPE ET LE
.
EFROIDI PAR VENTILATEUR E PAS OBSTRUER LES GRILLES
EFER TO
USERS MANUAL FOR
RECOMMENDED
SPEAKER CONNECTIONS
A
THAN OHMS MAY BE
CONNECTED AT ANY
TIME
C2LASS WIRING MAY BE USED
O REDUCE THE RISK OF ELECTRIC SHOCK DO NOT
O REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
-T .
HIS EQUIPMENT MUST BE EARTHED
.
TOTAL LOAD OF NO LESS
4
.
.N .
5
4
6
3
7
2
1
9
10
0
ENHANCE BASS
4
.
15
40Hz
EQUALISATION
80Hz
160Hz 400Hz
800Hz
2KHz
6KHz
6
RISK OF ELECTRIC SHOCK DO NOT OPEN
Designed And Assembled in the UK by BLT Industries LTD.
C-F .D .AUTION AN COOLED O NOT OBSTRUCT THE FAN OR VENT APERTURES
+15 +15
- -+ +
0 0
1 1
1 1
2 2
2 2
8
3 3
4 4
5 5
0dB 0dB
3 3
4 4
5 5
-15 -15
5
CAUTION
16
BA
R4H
ASS MPLIFIER
D.I.
10
1
0
POWER
5
4
6
3
2
1
0
VOLUME
7
8
9
10
9
LIMITER
TREBLEGAIN
7
8
13
!
SNERIAL UMBER
FXSend
FXReturn
Tune rOut
12
Laney
Laney
8
1.Inputs:
2.Gain:
3.Compressor:
5.Bass:
6.Graphic EQ:
Normal and High inputs are provided for connection of bass
guitars. High output basses, either Active or Passive should
be connected via the High socket. Low output basses should be
connected using the normal input. High output basses may
also be placed in the Normal input if pre-amp overloading is
desired.
This control is used to set the level of gain present in the
pre-amp. The higher the level of gain, the more the signal
will clip producing distortion. The GAIN control should be
used in conjunction with the VOLUME control (9) to produce
the desired signal characteristics.
Engages and disengages the on-board compressor. This
compresses the input-signal giving a punchier sound. In
association with the compressor are two LED s,one indicating
that the compressor is engaged and one indicating the
compressor is active. It is possible to have the compressor
engaged but it only be active during certian periods of
playing - typically the most dynamic sections.
Controls the low-frequency response of the pre-amplifier
The 7-band onboard GRAPHIC-EQ allows extensive tonal-shaping
to be achieved. With the sliders along the centre-line the
GRAPHIC-EQ will exert a flat signal- response it is at this
point that individual frequency-bands can be cut or boosted.
Moving the slider beneath the centre-line will incur a
frequency-cut conversely, pushing the slider above the
centre-line facilitates frequency-boost. As a general rule,
avoid extreme settings of the sliders: try to set the
GRAPHIC with as little cut or boost as possible.
7.Treble:
8.Limiter Switch:
9.Volume:
10.D.I:
11.Ext Speaker
socket:
Controls the high-frequency response of the pre-amplifier.
Allows the on-board LIMITER to be defeated if desired. With
the switch in the out position the limiter is engaged. The
limiter is automatically triggered at high-output levels
and is designed to prevent power-amp distortion at highoutput levels. When the limiter is autpmatically triggered
an LED lights up to indicate the limiter is active. It is
possible to have the limiter engaged but not have the LED
active. The limiter monitors both power-amp clipping and
load so it automatically registers the cabinet-impedance and
sets itself accordingly.
Sets the overall listening level of the amplifier.
XLR socket for direct-injection of the amplifier signal to a
mixing-desk or additional power-amplifier. The XLR socket
provides a low-impedance balanced output-signal.
This socket(s) should be used to connect an extensioncabinet. The impedance of the extension-cabinet must
not be less than 8 Ohms. Connecting cabinets that have a
lower impedance than 8 Ohms will result in the amplifier
overheating. Continual use in this manner may cause
permanent damage. Connecting a cabinet with an impedance of
greater than 8 Ohms will cause no damage to the amplifier but
will result in a reduced output.
12.Tuner out:
13.FX Loop:
Socket for connecting external tuner.
Send and return sockets are provided for connecting external
effects-units..
Laney
Laney
R5 Front
5
4
HIGHNORMAL
INPUTS
1
6
3
7
COMP
8
2
1
9
10
0
ACTIVE POWERACTIVE
2
3
5
0 350 1K50 0 0
4
3
2
1
0
ENHANCE BASS
- - - -+ + + +
6
1 1 1 1
1 1 1 1
2 2 2 2
7
9
10
4
2 2 2 2
8
3 3 3 3
3 3 3 3
4 4 4 4
4 4 4 4
5 1K 4K5 5 5
5 100 4005 5 5
FREQUENCY FREQUENCY
LP -MOARA ID HP -MIARA ID
5
6
EQUALISATION
LEVEL LEVEL
7
9
BA
HORN
ACTIVEON
13
R5
ASS MPLIFIER
D.I.
14
1
0
POWER
5
4
6
3
2
1
VOLUME
0
12
7
8
9
10
LIMITER
TREBLEGAIN
11
10
9
8
R5 Rear
T6.3A L 115V
T6.3A L 115V
T3.15A L 230V
T3.15A
L 230V
~
~
FR &S V .USE ATING UPPLY OLTAGE
MPC
AXIMUM OWER ONSUMPTION
ATTS Z
450 W ~50/60 H
1.Inputs:
15
CAUTION T
O REDUCE THE RISK OF ELECTRIC SHOCK DO NOT
REMOVE COVERS O USER SERVICEABLE PARTS INSIDE
.N .
EFER SERVICING TO QUALIFIED PERSONNEL ONLY
R.
WARNING -T
O REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE
CAUTION-FOR CONTINUED PROTECTION AGAINST RISK OF FIRE
REPLACE ONLY WITH SAME TYPE AND RATED FUSE
W
ARNING
-T .
HIS EQUIPMENT MUST BE EARTHED
ATTENTION -S ’
E REFERER AU MANUEL D UTILISATION POUR
LA CONNECTION HAUT PARLEURS
-.
AVIS -R .ISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
ATTENTION -R
EMPLACER LE FUSIBLE SEULEMENT
PARLEMEMETYPEETLEMEMECALIBRE
ATTENTION -D ’
EBRANCHER LE CORDON D ALIMENTATION AVANT
TOUTE INTERVENTION
.
.
ELXTENSION OUDSPEAKER
8M
OHMS INIMUM
LI.
OUDSPEAKER MPEDANCE
C-AUTION R
EFER TO USERS
MANUAL FOR RECOMMENDED
.
SPEAKER CONNECTIONS
C2LASS WIRING MAY BE USED
Normal and High inputs are provided for connection of bass
guitars. High output basses, either Active or Passive should
be connected via the High socket. Low output basses should be
connected using the normal input. High output basses may
also be placed in the Normal input if pre-amp overloading is
desired.
2.Gain:
This control is used to set the level of gain present in the
pre-amp. The higher the level of gain, the more the signal
will clip producing distortion. The GAIN control should be
used in conjunction with the VOLUME control (12) to produce
the desired signal characteristics.
17
CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN
Designed And Assembled in the UK by BLT Industries LTD.
.
C-F .D .AUTION AN COOLED O NOT OBSTRUCT THE FAN OR VENT APERTURES
!
SNERIAL UMBER
FXSend
FXReturn
Tune rOut
17
3.Compressor:
4.Enhance:
5.Bass:
Engages and disengages the on-board compressor. This
compresses the input-signal giving a punchier sound. In
association with the compressor are two LED s,one indicating
that the compressor is engaged and one indicating the
compressor is active. It is possible to have the compressor
engaged but it only be active during certian periods of
playing - typically the most dynamic sections.
The ENHANCE control provides an increased definition at the
low-end of the frequency spectrum giving you a tighter,
punchier sound. The ENHANCE control does this by providing
a dip in the frequency-response of the amplifier at
approximately 200hz. This dip eliminates some of the
secondary-harmonics of the important low-frequencies around
40-80 Hz producing a thicker sound. Turning the control
through to its maximum has the effect of boosting both the
low and high-frequency content of the signal whilst not
effecting the mids.
Controls the low-frequency response of the pre-amplifier
Laney
Laney
10
6. Lo Paramid frq:
7.Lo Paramid Level:
8. Hi Paramid frq:
9.Lo Paramid Level:
10.Treble:
11.Limiter:
Selects the LO MID-frequencies to be cut or boosted in
conjunction with the LO PARAMID LEVEL control (7). To
access low LO mid-frequencies turn the FREQUENCY control
anticlockwise, to access higher LO MID frequencies turn the
FREQUENCY control clockwise
Sets the level of boost or cut applied to the frequency set
by control 6. For frequency-boost turn the control
clockwise. For frequency-cut, turn the control anticlockwise
Hi Paramid Frequency : Selects the HI MID-frequencies to
be cut or boosted in conjunction with the Hi PARAMID LEVEL
control (9). To access low Hi mid-frequencies turn the
FREQUENCY control anticlockwise, to access higher Hi MID
frequencies turn the FREQUENCY control clockwise
Sets the level of boost or cut applied to the frequency set
by control 8. For frequency-boost turn the control
clockwise. For frequency-cut, turn the control anticlockwise
Controls the high-frequency response of the pre-amplifier.
Allows the on-board limiter to be defeated if desired. With
the switch in the out position the limiter is engaged. The
limiter is automatically triggered at high-output levels
and is designed to prevent power-amp distortion at highoutput levels. When the limiter is autpmatically triggered
an LED lights up to indicate the limiter is active. It is
possible to have the limiter engaged but not have the LED
active. The LIMITER monitors both power-amp clipping and
load so it automatically registers the cabinet-impedance and
sets itself accordingly.
12. Volume:
13.Horn switch:
14.D.I:
15.Ext Speaker
socket:
16.Tuner out:
17.FX Loop:
Sets the overall listening level of the amplifier.
Switches the on-board horn either on or off.
XLR socket for direct-injection of the amplifier signal to a
mixing-desk or additional power-amplifier. The XLR socket
provides a low-impedance output-signal.
This socket(s) should be used to connect an extensioncabinet. The impedance of the extension-cabinet must
not be less than 8 Ohms. Connecting cabinets that have a
lower impedance than 8 Ohms will result in the amplifier
overheating . Continual use in this manner may cause
permanent damage. Connecting a cabinet with an impedance of
greater than 8 Ohms will cause no damage to the amplifier but
will result in a reduced output.
Socket for connecting external tuner.
Send and return sockets are provided for connecting external
effects-units..
Laney
Laney
11
R1 R2 R3 R3H R4 R4H R5
Power Output
Maximum Power
Consumption
50/60Hz
Input Impedance Normal/Hi
Input Sensitivity Norma/Hi
FX Loop Level
(Nominal)
Minimum Ext.Speaker
Impedance
Recommended
Minimum Extension
Speaker Power Rating
Recommended Richter
Extension Cabinets
65W 120W 165W 165W 300W 300W 300W
120W 240W 300W 300W 450W 450W 450W
1M Ohm 1M Ohm 1M Ohm 1M Ohm 1M Ohm 1M Ohm 1M Ohm
20/40mV 10/20mV 12/24mV 12/24mV 12/24mV 12/24mV 12/24mV
700mV 800mV 800mV 800mV 800mV 800mV 800mV
n/a 8 Ohms 8 Ohms 4 Ohms* 8 Ohms 4 Ohms* 8 Ohms
eg 2x8 Ohms eg 2x8 Ohms
or 1x4 Ohms or 1x4 Ohms
n/a 60 Watts 80 Watts 165 Watts* 300 Watts*
150 Watts (4 Ohms) 150 Watts(4 Ohms)
100 watts 150 Watts
n/a R115 R410 R410 R410 R410 R410
or R115 & R115 or R115 & R115 or R115
or 2xR410 or 2xR410
(8 Ohms) (8 Ohms)
Laney Amplification
Newlyn Road, Cradley Heath, West Midlands
B64 6BE
United Kingdom.
WWW.laney.co.uk
In the interest of on going product development Laney reserves the right to amend specifications without prior notification
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