Kodak E-4028 User Manual

TECHNICAL DATA /
COLOR PAPER
K OD AK PR OFESSIONAL ENDURA Metallic P aper
p.o.p. that pops
April 2003 E-4028
KODAK PROFESSIONAL ENDURA Metallic Paper is a color negative paper with a u nique metallic appearance. It is coated on a patented multi-laminate base that provides durable, tear-resistant prints.
This paper is ideal for a variety of portrait/social applications—for example, glamour, wedding, prom, and special-events photography and for many commercial applications. It can be exposed both digitally and optically, providing consistency and efficiency in the lab.
Like other KODAK PROFESSIONAL ENDURA Papers and Materials, ENDURA Metallic Paper features significantly improved image stability. Other improvements include process robustness and a dramatic increase in D-max in digital applications. The new paper is easily distinquished from KODAK PROFESSIONAL Color Metallic Paper by its unique watermark on the back. ENDURA Metallic Paper has a single gray dot under "PAPER", while Color Metallic Paper has two dots separating "PAPER", "PAPIER" and "PAPEL".
ENDURA Metallic Paper is available in a variety of roll and sheet sizes. It can be intermixed with other KODAK PROFESSIONAL Papers in KODAK EKTACOLOR Chemicals for Process RA-4.
FEATURES BENEFITS
• New emulsion tech nol ogy for digital and optical performance
• Patent-pending dual layer coupler blending technology
• State-of-the-art image stability
©Eastman Kodak Company, 2003
• One paper for all expos in g devices from digital (CRT, LED) exposing devices to optical enlargers and automatic printers
• Excellent latent ima ge keeping from 5 second s to 24 hours means improved consistency, especially in digital devices
• Excellent print quali ty in bo th high quality and high productivity modes of bi-directional printe rs
• Excellent color accuracy and brightness
• Striking prints and flattering portraits
• Improved color saturation fo r blues, cyans and purpl es
• Improved light stability - over 100 years before noti ce abl e fading in typical home display
• Significantly improv ed dark stability - over 200 years before noticeable fading under most common stor age conditions
• Superior performance in professional applications creating new standar ds for image permanence
FEATURES BENEFITS
• Metallic look combined with a smooth glossy surface
• Patented high intensi t y reciprocity char act eristics
• More robust proces si ng capability in KODAK EKTACOLOR RA Chemicals
• Reduced develop er replenishment rates
• 50% less calcium • Significantly reduced
• Exceptional durability and tear resistance
• Minimum curl with humidity changes
• Pencil writeability on the back
• Improved raw stock color— patented technology
• Reduced sensitom et r ic variability
• Distinctive, cutting-edge appearance
• Exposure range of 32 stops ­from 50 nanoseconds to 10 minutes
• Can be used for all types of exposing devices, from op tical enlargers and automatic printers to digital exposing devices (CRT, LED, Laser)
• Broad print engine applicability for CRT, LED, Laser device s
• Optimized text and fringing characteristics in all digital devices
• Rapid access and convenient process i ng with other pa pers and materi als for Proces s RA-4
• Less sensitive to process chemical activity variations
• Reduced sensitivity to process fluctuations caused by:
– Image density content (low
key/high key)
– Inadvertent low level of
bleach-fix contaminat i on – Utilization changes – Product mix
• More complete paper development for improv ed consistency
• Lower process RA-4 processing costs
• Lower environmental impact
propensity for calcium buildup
• Reduced maintenanc e and cleaner running paper processors
• Long print life
• Improved print appe arance and handling
• Convenience in marking prints for identi fication
• Lighter, more neutral raw stock color for easie r dodging and burnin g
• Easier printer setup and focus
• More consistent quality within an emulsion blend
STORAGE AND HANDLING
Store unprocessed paper at 13°C (55°F) or lower in the original sealed package. High temperatures or high humidity may produce unwanted print quality changes.
To avoid moisture conden sation on unexposed paper that has been refrigerated, allow the paper to warm up to room temperature before opening the package. For best results, remove the paper from cold storage the day before you use it, or allow the paper to warm up for the appropriate time from the following table:
Warm-Up Times (Hours) to Reach Room Temperature of 21°C (70°F)
From a Storage Temperat ure of
Size
8 x 10-inch (100-sheet box)
16 x 20-inch (50-sheet box)
20 x 24-inch (50-sheet box)
3 1/2-inch x 775-foot roll 8 hours 6 hours 4 hours 8-inch x 575-foot roll 10 hours 7 hours 4 hours 20-inch x 50-foot roll 6 hours 5 hours 3 hours 30-inch x 100-foot roll 8 hours 6 hours 4 hours 40-inch x 100-foot roll 9 hours 7 hours 5 hours
-18°C (0°F)
4 hours 3 hours 2 hours
3 hours 2 hours 2 hours
3 hours 2 hours 2 hours
2°C
(35°F)
13°C
(55°F)
Handle the paper carefully by the edges. The paper is packaged with the emulsion side of all sheets facing in the same direction. For complete light and moisture protection, use the inner bag and the two-part card board box t o store the paper.
Note: Be sure to use sharpened cutting equipment. The effects of dull cutting blades will be more noticeable with this paper than with traditional papers because of its tear-resistant characteristics.
DARKROOM RECOMMENDATIONS
Handle unprocessed paper in total darkness. Be sure that your darkroom is light tight. Eliminate stray light from enlarger heads, timers, LEDs, etc.
Note: Using a sa felight will affect your res ults. If absolutely necessary, you can use a safelight equipped with a KODAK
13 Safelight Filter (amber) with a 7 1/2-watt bulb. Keep the safelight at least 1.2 metres (4 feet) from the paper. Keep safelight exposure as short as possible. Run tests to determine that safelight use gives acceptable results fo r your application.
EXPOSURE
Digital Printing
You can expose KODAK PROFESSIONAL ENDURA Metallic Paper with many types of digital printers. It performs well with the following Kodak digital printers:
KODAK PROFESSIONAL LED Color Printer
KODAK PROFESSIONAL LED II Printer 20P/20R
KODAK PROFESSIONAL Digital Multiprinter
KODAK PROFESSIONAL Digital Multiprinter II
KODAK PROFESSIONAL LF CRT Color Printer
KODAK PROFESSIONAL RP 30 Laser Printer*
KODAK PROFESSIONAL RR 30 Laser Printer
KODAK PROFESSIONAL SRP 30 Laser Printer*
KODAK PROFESSIONAL RP 50 LED Printer
* Calibration routines will become available in June 2003.
Because new digital printers are being developed and introduced rapidly, any comprehensive list of appropriate equipment becomes outdated quickly.
Starting values for Kodak digital printers and other manufacturers equipment will be added to at www.kodak.com/go/endura as they become available. Look for KODAK Publication CIS-241, Digital Printer
Aims for KODAK PROFESSIONAL ENDURA Metallic Paper, in April 2003.
Device Calibration
Manufacturers of digital printing equipment nor mally provide specific calibration procedures with their equipment.
Note: The unique reflective characteristics of KODAK PROFESSIONAL ENDURA Metallic Paper may require one or two extra calibration runs.
Optical Printing
Expose KODAK PROFESSIONAL ENDURA Metallic Paper in automatic printers or enlargers equipped with tungsten or tungsten-halogen light sour ces or pho to enlarge r lamps. Set up and balance the printer or enlarger according to the manufacturer's instructions.
Do not use fluorescent lamps to expose this paper. Use a heat-absorbing glass to remove infrared radiation. Because voltage changes affect light output and color quality, use a voltage regulator.
Keep negatives and the equipment optical system clean. Mask negatives to eliminate stray light. You can use the white-light or tricolor exposure method.
2 KODAK PROFESSIONAL ENDURA Metallic Paper E-4028
Printer Setup
KODAK PROFESSIONAL ENDURA Metallic Paper is slightly slower than KODAK PROFESSIONAL PORTRA and SUPRA ENDURA Papers. As a starting point, use the same printing times and include a density series to determine your preferred exposure.
Initial conversion to this paper from KODAK PROFESSIONAL Color Metallic Paper involves rebalancing your printers. Since the green speed is about a 1/2 stop faster than Color Metallic Paper, increase your magenta filtration by approximately 15CC.
White-Light Exposure Method
Control color balance with dichroic filters built into the printer or enlarger, or with KODAK Color Printing (CP) Filters (Acetate) placed between the lamp and the negative. You can use any number of filters between the light source and the negative. If you use cyan filtration, use filters with the suffix “-2,” (e.g. “CP10C-2”).
1. Start with a filter pack of 60M + 45Y to make a test print.
2. Evaluate the test print under light of the same color and brightness that you will use to display the final print. (See Viewing.”)
3. Judge print density first. If necessary, make another print by adjusting the exposure as recommended in the following table:
If your
print is
TOO LIGHT Open the lens
TOO DARK Close the lens
Do this OR Do this
aperture to increase the light level
aperture to decrease the l ight level
Increase the exposure time
Decrease the exposure time
4. Then judge the color balance. You can use the KODAK Color Print Viewing Filter Kit, KODAK Publication
No. R-25, to evaluate your test print. The kit contains 18 color-print viewing filters and instructions to help you determine filter adjustments for the white-light exposure method.
If your
print is
CY AN Magenta + Yello w
MAGENTA Cyan + Yellow
YELLOW Magenta + C yan
Subtract these
filters
(Red)
(Green)
(Blue)
OR Add these filters
Cyan
Magenta
Yellow
If your
print is
RED Cyan Magenta + Yellow GREEN Magenta Cyan + Yellow BLUE Yellow Cyan + Magenta
Subtract these
filters
OR Add these filters
5. Remove neutral density from your filter pack. For example, if you determine that a filter pack of 40R + 10Y + 10C will give you a pleasing print:
a. Convert any primary filters (R, G, B) to their
subtractive equivalents (C, M, Y):
40R = 40M + 40Y. b. Add filters of the same color: 10Y + 40Y = 50Y. c. If the new filter pack has all three subtractive colors,
cancel the neutral density by subtracting the
smallest density value from all three densities:
10C 40M 50Y
-10 -10 -10 30M 40Y =
filtration without neutral density
6. Adjust the exposure for the new filter pack. An exposure time that produced a print of satisfactory density may not produce an acceptable density when you change the filter pack. The following table gives filter factors for calculating exposure adjustments when you use KODAK Color Printing (CP) Filters.
Filter Factors for CP Filters
Filter Factor Filter Factor
05Y 10Y 20Y 30Y 40Y 50Y
05M 10M 20M 30M 40M 50M
05C 10C 20C 30C 40C 50C
1.1
1.1
1.1
1.1
1.1
1.1
1.2
1.3
1.5
1.7
1.9
2.1
1.1
1.2
1.3
1.4
1.5
1.6
05R 10R 20R 30R 40R 50R
05G 10G 20G 30G 40G 50G
05B 10B 20B 30B 40B 50B
1.2
1.3
1.5
1.7
1.9
2.2
1.1
1.2
1.3
1.4
1.5
1.7
1.1
1.3
1.6
2.0
2.4
2.9
Note: The filter factors listed in the table take into account the effects of filter surfaces.
To use the factors, divide the old exposure time by the factor for any filter you remove. If you add a filter, multiply the time by the factor. If you add or remove two or more filters, multiply the individual factors and use the result as your factor. You may need to modify these factors for your equipment.
When you adjust the filtration in equipment that has built-in dichroic filters, any noticeable differences in density
KODAK PROFESSIONAL ENDURA Metallic Paper E-4028 3
are due to differences in the color density of the print. For example, you have a print with acceptable density, but a magenta balance. When you add magenta filtration to correct the color balance, the print will become too light, so you must use a longer exposure time.
A rule of thumb for magenta dichroic filtration is to change the exposure time by one percent for every unit of change in filtration. For example, if you increase the magenta filtration by 20M, increase the exposure time by 20 percent. Changes in yellow dichroic filtration do not usually affect the apparent print density. If yo u use cyan dichroic filtration, use the filter factors in the table abo ve as starting points for adjusting exposure.
Tricolor Exposure Method
Use KODAK WRATTEN Gelatin Filters No. 25 (red), No. 99 (green), and No. 47B (blue) to give the paper three separate exposures. Do no t move the paper or the enlarger until you have made all three exposures. Typical exposure times for making an enlargement from a normally exposed negative are given in the table below.
Filter
Red 0.7 seconds
Green 0.9 seconds
Blue 1.2 seconds
*
For an enlarger equipped with a Photo Enlarger Lamp No. 212 or
No. 302; the setting may vary with other types of lamps.
Times for an Aperture Setting of f/8 8 X 10 Enlargement of a 120 size KODAK PROFESSIONAL PORTRA Film Negative)
*
for
Evaluate the test print under light of the same color and brightness that you will use to display the final print. (See Viewing.”)
Judge the print density first. If necessary, make another print by adjusting the exposure as recommended in the table below:
If your
print is
TOO LIGHT Open the l ens
TOO DARK Close the lens
Do this OR Do this
aperture to increase the light level
aperture to decrease the light level
OR
OR
Increase all exposure times proportionally
Decrease all exposure times proportionally
LATENT-IMAGE KEEPING
Under normal conditions, you should not notice shifts in the latent image with keeping times from 5 seconds to 24 hours. Therefore, you do not need to change your printing procedures to compensate for latent-image shifts under normal temperature and handling conditions. (If shifts do occur, minimize them by keeping the interval between exposure and processing as consistent as possible.)
PROCESSING
Use KODAK EKTACOLOR RA Chemicals for Process RA-4, and use KODAK PROFESSIONAL Pro Srips Color Negative Paper Control Strips for Process RA-4 (see "Process Control").
When fully converted to this paper, your developer replenishment rate should be approximately 10% lower than with KODAK PROFESSIONAL PORTRA III and SUPRA III Papers or KODAK PROFESSIONAL Color Metallic Paper. Review your process control charts and make adjustments as needed to stay in control.
Bleach-fix replenishment rates will stay the same for Process RA-4. When using KODAK EKTACOLOR PRIME Bleach-Fix Replenisher, replenishment rates will need to increase.
For detailed information on replenishment rates and processing this paper in continuous or roller-transport processors, see KODAK Publication No. Z-130, Using KODAK EKTACOLOR RA Chemicals. For information on processing this paper in trays or rotary-tube and drum processors, see KODAK Publication No. J-39, Tray, Drum,
and Rotary-Tube Processing with KODAK EKTACOLOR RA Chemicals. Both publications are available through our
website at www.kodak.com/go/photochemicals.
Do not use drying temperatures above 93°C (200°F) to avoid damaging prints. Underdrying can produce tackiness that tends to make paper stick when it is wound into rolls before cutting. Overdrying can cause curl and complicate transport in print finishing.
Do not ferrotype this paper-its surface dries to a natural gloss without ferrotyping.
Then judge color balance:
If your
print is
CYAN Red Blue + Green MAGENTA Gr een Red + Blue YELLOW Blue Red + Green RED Blue + Green Red GREEN Red + Blue Green BLUE Red + Green Blue
Subtract these
filters
OR
Add these
filters
4 KODAK PROFESSIONAL ENDURA Metallic Paper E-4028
PROCESS CONTROL
T o produce high-quality color prints consistently and with a minimum of waste, you need to match your process to a standard for density, color, and contrast each time you process paper. In addition to monitoring process parameters such as solution times, temperature, replenishment rates, solution concentrations, etc., you should regularly run control strips to ensure best results.
KODAK PROFESSIONAL Pro Strips Color Negative Paper Control Strips / for Proces s RA-4 (CAT 12 9 8587) are designed specifically for use with KODAK PROFESSIONAL Papers and KODAK PROFESSIONAL Print and Display Materials in professional labs. These control strips are designed to detect process conditions that can degrade the quality of your finished prints. They are better able to track the papers that are processed in professional finishing laboratories.
For more information, see KODAK Publication No. CIS-202, Using KODAK PROFESSIONAL Pro Strips Color Negative Paper Control Strips / for Process RA-4.
SCANNER TOOLS
The KODAK Q-60 Color Input Targets are available on KOD AK EKTACHROME Professional Film in both 35 mm and 4 x 5 inch formats and on KOD AK EKT A COLOR Paper . Developed primarily for use by prepress houses in the printing industry, this target can also be used by professional photographers, desktop publishers, and in the emerging hybrid imaging area.
The target is designed for use in the commercial and desktop arenas as a comparative control tool to help customers calibrate their input product to the final outpu t. This target maps the gamut of color space that KODAK EKTACHROME Film and EKTACOLOR Paper can reproduce.
When used properly, customers will be able to compare their outputwhether it is separations for the printed page and four-color prin ting, or secon d-generation or iginals fro m a film recorder to the originals. This will help customers optimize the capabilities of their system for color reproduction of an extreme range of color gamut.
Scanner color characterization targets produced in accordance with ANSI IT8.7/1 (transmission) and IT8.7/2 (reflection) Standards (or ISO 12641) are available from Kodak.
The KODAK PROFESSIONAL Q-60 Color Input Target Q-60R2 is manufactured on KODAK PROFESSIONAL ENDURA Paper, and is likewise identified by a watermark with a single grey dot under PAPER. This target can be used with both the newer ENDURA Papers and older papers. The older Q-60R1 target, which has the same two-dot watermark as the older papers, can be used with the newer papers.
ILLUMINATION FOR EVALUATION OF PRINTS
Evaluation of prints for color and density requires higher illumination levels than those used in normal display conditions. A good av er age cond i tio n is a light source with a color temperature of 5000 K ± 1000, a Color Rendering Index of 85 to 100, and an illuminance of at least 50 footcandles (538 lux). Fluorescent lamps such as cool white deluxe (made by several manufacturers) meet these conditions.
You can also use a mixture of incandescent and fluorescent lamps. For each pair of 40-watt cool white deluxe fluorescent lamps, use a 75-watt frosted, tungsten bulb.
Viewing conditions should meet ANSI Standard PH2.30-1989.
RETOUCHING
If possible, do any required retouching on color negatives before you make prints especially if you plan to make more than one print from each negative. For information on retouching negatives, see KODAK Publication No. E-71, Retouching Color Negatives.
If the negative image is small, you can make corrections much more easily by applying dry or liquid dyes to small or large areas of the enlarged print. Although you’ll probably do most retouching with dyes, you may sometimes want to use black lead, colored pencils, or opaque. Because color prints have separate dye layers, you cant use an etching knife to reduce density as you can with black-and-white materials. For information on retouching prints, see KODAK Publication No. E-70, Retouching Prints on KODAK EKTACOLOR and EKTACHROME Papers.
KODAK PROFESSIONAL ENDURA Metallic Paper E-4028 5
POST-PROCESS TREATMENTS
Mounting Prints
You can mount prints with dry mounting tissue. The temperature across the heating platen should be 82 to 93°C (180 to 200°F). Preheat the cov er sheet that you use o ver the face of the print to remove moisture. Apply pressure for 30 seconds, or up to 3 minutes in the case of a thick mount.
Caution
Temperatures above 93°C (200°F) for long peroids of time can cause physical and color changes in prints. Excessive moisture can also cause color shifts. To minimize these changes, mount at the lowest temperature and over the shortest possible time.
Note: Images on KODAK PROFESSIONAL ENDURA Metallic Paper may shift towards a pink balance after heated to excessive temperatures, but will return to normal color balance when completely cooled to room temperature.
You can also use contact-type adhesive or cement for
cold-mounting.
For information on lacquering and other post-process
treatments, see KODAK Publication No. E-176,
Post-Processing Treatment of Color Prints—Effects on Image Stability, available through our website at
www.kodak.com/go/professional.
DISPLAY
KODAK PROFESSIONAL ENDURA Metallic Paper has been formulated to provide imp ro ved dye stability and print longevity for prints displayed under typical home lighting conditions (i.e., 120 lux for 12 hours a day) and typical home dark storage conditions (i.e., 20 to 30°C [68 to 73.4°F] and 50% humidity).
Photographic dyes, like all dyes, can change with time and exposure to sunlight, ultraviolet radiation, excessive heat, and high humidity. To h elp prevent changes i n photographic dyes, follow these guidelines:
Illuminate prints with tungsten light whenever possible.
Display prints in the lowest light level consistent with
your viewing needs.
If a print is exposed to direct or indirect sunlight or fluorescent light, use an ultraviolet-absorbing filter (such as glass) between the light source and the print.
If prints are displayed behind glass, maintain a slight separation between the prints and the glass.
Keep the temperature and humidity as low as possible.
Use album materials described in KODAK Publication
No. E-30, Storage and Care of KODAK Photographic Materials - Before and After Processing.
PRINTER CONTROL TOOLS
The following tools are manufactured by Kodak for optimization of printer balance and slope controls of KODAK PROFESSIONAL PORTRA Films printed on KODAK PROFESSIONAL Papers.
Product
KODAK PROFESSIONAL PORTRA Printer Control Negative Set / Size 135
KODAK PROFESSIONAL PORTRA Printer Control Negative - Normal
KODAK PROFESSIONAL PORTRA Printer Control Negative - Very Under
KODAK PROFESSIONAL PORTRA Printer Control Negative - Under
KODAK PROFESSIONAL PORTRA Printer Control Negative - Over
KODAK PROFESSIONAL PORTRA Printer Control Negative - Very Over
The following tools are manufactured by Kodak for optimization of printer balance and slope controls of KODAK PROFESSIONAL PORTRA Films printed on KODAK PROFESSIONAL Papers.
Product
KODAK PROFESSIONAL PORTRA 400BW Printer Control Negative Set / Size 135
KODAK PROFESSIONAL PORTRA 400BW Printer Control Negative Set / Size 120
The following tools are manufactured by Kodak for optimization of printer balance and slope controls of KODAK PROFESSIONAL T400 CN Film printed on KODAK PROFESSIONAL Papers.
Product
KODAK T400 CN Printer Balancing Kit / Sizes 135 and 120
Features /
Description
Size 135 Film
Includes one of
each: Very Under,
Under, Normal,
Over, Very Over
Size 120 Film
Normal
Size 120 Film
V ery Under
Size 120 Film
Under
Size 120 Film
Over
Size 120 Film
Very Over
Features /
Description
Size 135 Film
Includes one of
each: Very Under,
Under, Normal,
Over, Very Over
Size 135 Film
Includes one of
each: Very Under,
Under, Normal,
Over, Very Over
Features /
Description
Sizes 135, 120 865 3552
CAT No.
179 8511
846 0958
107 1398
841 1902
177 1302
144 5741
CAT No.
156 8286
114 4419
CAT No.
6 KODAK PROFESSIONAL ENDURA Metallic Paper E-4028
CURVES
S
)
*
y
4.0
3.0
ITY
2.0
DEN
1.0
0.0
Exposure: Process: Densitometry:
3.0
Characteristic Curves
0.5 sec.
RA-4, 95°F (35°C), 45 sec.
Status A
2.0 LOG EXPOSURE (lux-seconds)
4.0
R G
B
0.01.0
1.0
Spectral-Sensitivity Curves
Spectral-Dye-Density Curves
2.5
Process:
2.0
1.5
1.0
DIFFUSE SPECTRAL DENSITY
0.5
0.0 400
RA-4
Yellow
500
WAVELENGTH (nm
Magenta
600
Cyan
700
3.0
Yellow-
Forming
2.0
LOG SENSITIVITY
1.0
Effective Exposure: Process:
0.0 250 300 350 400 450 500 550 600 650 750700
RA-4
Layer
0.5 sec.
Magenta-
Forming
Layer
Cyan-
Forming
Layer
WAVELENGTH (nm)
*Sensitivity = reciprocal of exposure (erg/cm ) required
to produce specified densit
2
NOTICE: The sensitometric curves and data in this publication represent product te sted under the conditions of exposure and processing specified. They are representative of production coatings, and therefore do not apply directly to a particular box or roll of photographic material. They do not represent standards or specifications that must be met by Eastman Kodak Company. The company reserves the right to change and improve product characteristics at any time.
KODAK PROFESSIONAL ENDURA Metallic Paper E-4028 7
KODAK PROFESSIONAL ENDURA Metallic Paper
MORE INFORMATION
Kodak has many publications to assist you with information on Kodak products, equipment, and materials.
Additional information is available on the Kodak website
and through the U.S.A./Canada faxback system.
The following publications are available from dealers who sell Kodak products, or you can contact Kodak in your country from more information.
E-30 Storage and Care of KODAK Photographic
Materials—Before and Afte r Processing
E-70 Retouching Prints on KODAK EKTACOLOR
and EKTACHROME Papers
E-71 Retouching Color Negatives E-176 Post-Processing Treatment of Color Prints—
Effects on Image Stability
J-39 Tray, Drum, and Rotary-Tube Processing with
KODAK EKTACOLOR RA Chemicals
K-4 How Safe is Your Safelight? Z-130 Using KODAK EKTACOLOR RA Chemicals
For the latest version of tech ni cal support publications for
KODAK PROFESSIONAL Products, visit Kodak on-line at:
http://www.kodak.com/go/professional
If you have questions about KODAK PROFESSIONAL Products, call Kodak. In the U.S.A.:
1-800-242-2424, Ext. 19, M onday–Friday 9 a.m.–7 p.m. (Eastern time)
In Canada:
1-800-465-6325, Mon day–Friday 8 a.m.–5 p.m. (Eastern time)
Note: The Kodak materials described in this publication for use with KODAK PROFESSIONAL ENDURA Metallic Paper are available from dealers who supply KODAK PROFESSIONAL Products. You can use other materials, but you may not obtain similar results.
KODAK PROFESSIONAL ENDURA Metallic Pap er KODAK Publication No. E-4028
Kodak, Kodak Professional, Ektachrome , Ekta c o lo r, Endura, Portr a, Supra and Wratten
are trademar ks .
New 2-03
Printed in U.S.A.
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