TECHNICAL DATA /
COLOR PAPER
K OD AK PR OFESSIONAL ENDURA
Metallic P aper
p.o.p. that pops
April 2003 • E-4028
KODAK PROFESSIONAL ENDURA Metallic Paper is a
color negative paper with a u nique metallic appearance. It is
coated on a patented multi-laminate base that provides
durable, tear-resistant prints.
This paper is ideal for a variety of portrait/social
applications—for example, glamour, wedding, prom, and
special-events photography and for many commercial
applications. It can be exposed both digitally and optically,
providing consistency and efficiency in the lab.
Like other KODAK PROFESSIONAL ENDURA Papers
and Materials, ENDURA Metallic Paper features
significantly improved image stability. Other improvements
include process robustness and a dramatic increase in D-max
in digital applications. The new paper is easily distinquished
from KODAK PROFESSIONAL Color Metallic Paper by
its unique watermark on the back. ENDURA Metallic Paper
has a single gray dot under "PAPER", while Color Metallic
Paper has two dots separating "PAPER", "PAPIER" and
"PAPEL".
ENDURA Metallic Paper is available in a variety of roll
and sheet sizes. It can be intermixed with other KODAK
PROFESSIONAL Papers in KODAK EKTACOLOR
Chemicals for Process RA-4.
FEATURES BENEFITS
• New emulsion tech nol ogy
for digital and optical
performance
• Patent-pending dual layer
coupler blending
technology
• State-of-the-art image
stability
©Eastman Kodak Company, 2003
• One paper for all expos in g
devices from digital (CRT,
LED) exposing devices to
optical enlargers and
automatic printers
• Excellent latent ima ge
keeping from 5 second s to 24
hours means improved
consistency, especially in
digital devices
• Excellent print quali ty in bo th
high quality and high
productivity modes of
bi-directional printe rs
• Excellent color accuracy and
brightness
• Striking prints and flattering
portraits
• Improved color saturation fo r
blues, cyans and purpl es
• Improved light stability - over
100 years before noti ce abl e
fading in typical home display
• Significantly improv ed dark
stability - over 200 years
before noticeable fading under
most common stor age
conditions
• Superior performance in
professional applications
creating new standar ds for
image permanence
FEATURES BENEFITS
• Metallic look combined
with a smooth glossy
surface
• Patented high intensi t y
reciprocity char act eristics
• More robust proces si ng
capability in KODAK
EKTACOLOR RA
Chemicals
• Reduced develop er
replenishment rates
• 50% less calcium • Significantly reduced
• Exceptional durability and
tear resistance
• Minimum curl with humidity
changes
• Pencil writeability on the
back
• Improved raw stock color—
patented technology
• Reduced sensitom et r ic
variability
• Distinctive, cutting-edge
appearance
• Exposure range of 32 stops from 50 nanoseconds to 10
minutes
• Can be used for all types of
exposing devices, from op tical
enlargers and automatic
printers to digital exposing
devices (CRT, LED, Laser)
• Broad print engine
applicability for CRT, LED,
Laser device s
• Optimized text and fringing
characteristics in all digital
devices
• Rapid access and convenient
process i ng with other pa pers
and materi als for Proces s
RA-4
• Less sensitive to process
chemical activity variations
• Reduced sensitivity to process
fluctuations caused by:
– Image density content (low
key/high key)
– Inadvertent low level of
bleach-fix contaminat i on
– Utilization changes
– Product mix
• More complete paper
development for improv ed
consistency
• Lower process RA-4
processing costs
• Lower environmental impact
propensity for calcium buildup
• Reduced maintenanc e and
cleaner running paper
processors
• Long print life
• Improved print appe arance
and handling
• Convenience in marking prints
for identi fication
• Lighter, more neutral raw
stock color for easie r dodging
and burnin g
• Easier printer setup and focus
• More consistent quality within
an emulsion blend
STORAGE AND HANDLING
Store unprocessed paper at 13°C (55°F) or lower in the
original sealed package. High temperatures or high humidity
may produce unwanted print quality changes.
To avoid moisture conden sation on unexposed paper that
has been refrigerated, allow the paper to warm up to room
temperature before opening the package. For best results,
remove the paper from cold storage the day before you use
it, or allow the paper to warm up for the appropriate time
from the following table:
Warm-Up Times (Hours) to Reach
Room Temperature of 21°C (70°F)
From a Storage Temperat ure of
Size
8 x 10-inch
(100-sheet box)
16 x 20-inch
(50-sheet box)
20 x 24-inch
(50-sheet box)
3 1/2-inch x 775-foot roll 8 hours 6 hours 4 hours
8-inch x 575-foot roll 10 hours 7 hours 4 hours
20-inch x 50-foot roll 6 hours 5 hours 3 hours
30-inch x 100-foot roll 8 hours 6 hours 4 hours
40-inch x 100-foot roll 9 hours 7 hours 5 hours
-18°C
(0°F)
4 hours 3 hours 2 hours
3 hours 2 hours 2 hours
3 hours 2 hours 2 hours
2°C
(35°F)
13°C
(55°F)
Handle the paper carefully by the edges. The paper is
packaged with the emulsion side of all sheets facing in the
same direction. For complete light and moisture protection,
use the inner bag and the two-part card board box t o store the
paper.
Note: Be sure to use sharpened cutting equipment. The
effects of dull cutting blades will be more noticeable with
this paper than with traditional papers because of its
tear-resistant characteristics.
DARKROOM RECOMMENDATIONS
Handle unprocessed paper in total darkness. Be sure that
your darkroom is light tight. Eliminate stray light from
enlarger heads, timers, LEDs, etc.
Note: Using a sa felight will affect your res ults. If absolutely
necessary, you can use a safelight equipped with a KODAK
13 Safelight Filter (amber) with a 7 1/2-watt bulb. Keep the
safelight at least 1.2 metres (4 feet) from the paper. Keep
safelight exposure as short as possible. Run tests to
determine that safelight use gives acceptable results fo r your
application.
EXPOSURE
Digital Printing
You can expose KODAK PROFESSIONAL ENDURA
Metallic Paper with many types of digital printers. It
performs well with the following Kodak digital printers:
• KODAK PROFESSIONAL LED Color Printer
• KODAK PROFESSIONAL LED II Printer 20P/20R
• KODAK PROFESSIONAL Digital Multiprinter
• KODAK PROFESSIONAL Digital Multiprinter II
• KODAK PROFESSIONAL LF CRT Color Printer
• KODAK PROFESSIONAL RP 30 Laser Printer*
• KODAK PROFESSIONAL RR 30 Laser Printer
• KODAK PROFESSIONAL SRP 30 Laser Printer*
• KODAK PROFESSIONAL RP 50 LED Printer
* Calibration routines will become available in June 2003.
Because new digital printers are being developed and
introduced rapidly, any comprehensive list of appropriate
equipment becomes outdated quickly.
Starting values for Kodak digital printers and other
manufacturers’ equipment will be added to at
www.kodak.com/go/endura as they become available.
Look for KODAK Publication CIS-241, Digital Printer
Aims for KODAK PROFESSIONAL ENDURA Metallic
Paper, in April 2003.
Device Calibration
Manufacturers of digital printing equipment nor mally
provide specific calibration procedures with their equipment.
Note: The unique reflective characteristics of KODAK
PROFESSIONAL ENDURA Metallic Paper may require
one or two extra calibration runs.
Optical Printing
Expose KODAK PROFESSIONAL ENDURA Metallic
Paper in automatic printers or enlargers equipped with
tungsten or tungsten-halogen light sour ces or pho to enlarge r
lamps. Set up and balance the printer or enlarger according
to the manufacturer's instructions.
Do not use fluorescent lamps to expose this paper. Use a
heat-absorbing glass to remove infrared radiation. Because
voltage changes affect light output and color quality, use a
voltage regulator.
Keep negatives and the equipment optical system clean.
Mask negatives to eliminate stray light. You can use the
white-light or tricolor exposure method.
2 KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028
Printer Setup
KODAK PROFESSIONAL ENDURA Metallic Paper is
slightly slower than KODAK PROFESSIONAL PORTRA
and SUPRA ENDURA Papers. As a starting point, use the
same printing times and include a density series to determine
your preferred exposure.
Initial conversion to this paper from KODAK
PROFESSIONAL Color Metallic Paper involves
rebalancing your printers. Since the green speed is about a
1/2 stop faster than Color Metallic Paper, increase your
magenta filtration by approximately 15CC.
White-Light Exposure Method
Control color balance with dichroic filters built into the
printer or enlarger, or with KODAK Color Printing (CP)
Filters (Acetate) placed between the lamp and the negative.
You can use any number of filters between the light source
and the negative. If you use cyan filtration, use filters with
the suffix “-2,” (e.g. “CP10C-2”).
1. Start with a filter pack of 60M + 45Y to make a test
print.
2. Evaluate the test print under light of the same color and
brightness that you will use to display the final print.
(See “Viewing.”)
3. Judge print density first. If necessary, make another
print by adjusting the exposure as recommended in the
following table:
If your
print is
TOO LIGHT Open the lens
TOO DARK Close the lens
Do this OR Do this
aperture to increase
the light level
aperture to
decrease the l ight
level
Increase the
exposure time
Decrease the
exposure time
4. Then judge the color balance. You can use the KODAK
Color Print Viewing Filter Kit, KODAK Publication
No. R-25, to evaluate your test print. The kit contains
18 color-print viewing filters and instructions to help
you determine filter adjustments for the white-light
exposure method.
If your
print is
CY AN Magenta + Yello w
MAGENTA Cyan + Yellow
YELLOW Magenta + C yan
Subtract these
filters
(Red)
(Green)
(Blue)
OR Add these filters
Cyan
Magenta
Yellow
If your
print is
RED Cyan Magenta + Yellow
GREEN Magenta Cyan + Yellow
BLUE Yellow Cyan + Magenta
Subtract these
filters
OR Add these filters
5. Remove neutral density from your filter pack. For
example, if you determine that a filter pack of
40R + 10Y + 10C will give you a pleasing print:
a. Convert any primary filters (R, G, B) to their
subtractive equivalents (C, M, Y):
40R = 40M + 40Y.
b. Add filters of the same color: 10Y + 40Y = 50Y.
c. If the new filter pack has all three subtractive colors,
cancel the neutral density by subtracting the
smallest density value from all three densities:
10C 40M 50Y
-10 -10 -10
30M 40Y =
filtration without
neutral density
6. Adjust the exposure for the new filter pack. An
exposure time that produced a print of satisfactory
density may not produce an acceptable density when
you change the filter pack. The following table gives
filter factors for calculating exposure adjustments when
you use KODAK Color Printing (CP) Filters.
Filter Factors for CP Filters
Filter Factor Filter Factor
05Y
10Y
20Y
30Y
40Y
50Y
05M
10M
20M
30M
40M
50M
05C
10C
20C
30C
40C
50C
1.1
1.1
1.1
1.1
1.1
1.1
1.2
1.3
1.5
1.7
1.9
2.1
1.1
1.2
1.3
1.4
1.5
1.6
05R
10R
20R
30R
40R
50R
05G
10G
20G
30G
40G
50G
05B
10B
20B
30B
40B
50B
1.2
1.3
1.5
1.7
1.9
2.2
1.1
1.2
1.3
1.4
1.5
1.7
1.1
1.3
1.6
2.0
2.4
2.9
Note: The filter factors listed in the table take into account
the effects of filter surfaces.
To use the factors, divide the old exposure time by the
factor for any filter you remove. If you add a filter, multiply
the time by the factor. If you add or remove two or more
filters, multiply the individual factors and use the result as
your factor. You may need to modify these factors for your
equipment.
When you adjust the filtration in equipment that has
built-in dichroic filters, any noticeable differences in density
KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028 3
are due to differences in the color density of the print. For
example, you have a print with acceptable density, but a
magenta balance. When you add magenta filtration to correct
the color balance, the print will become too light, so you
must use a longer exposure time.
A rule of thumb for magenta dichroic filtration is to
change the exposure time by one percent for every unit of
change in filtration. For example, if you increase the
magenta filtration by 20M, increase the exposure time by
20 percent. Changes in yellow dichroic filtration do not
usually affect the apparent print density. If yo u use cyan
dichroic filtration, use the filter factors in the table abo ve as
starting points for adjusting exposure.
Tricolor Exposure Method
Use KODAK WRATTEN Gelatin Filters No. 25 (red),
No. 99 (green), and No. 47B (blue) to give the paper three
separate exposures. Do no t move the paper or the enlarger
until you have made all three exposures. Typical exposure
times for making an enlargement from a normally exposed
negative are given in the table below.
Filter
Red 0.7 seconds
Green 0.9 seconds
Blue 1.2 seconds
*
For an enlarger equipped with a Photo Enlarger Lamp No. 212 or
No. 302; the setting may vary with other types of lamps.
Times for an Aperture Setting of f/8
8 X 10 Enlargement of a 120 size KODAK
PROFESSIONAL PORTRA Film Negative)
*
for
Evaluate the test print under light of the same color and
brightness that you will use to display the final print.
(See “Viewing.”)
Judge the print density first. If necessary, make another
print by adjusting the exposure as recommended in the table
below:
If your
print is
TOO LIGHT Open the l ens
TOO DARK Close the lens
Do this OR Do this
aperture to increase
the light level
aperture to
decrease the light
level
OR
OR
Increase all
exposure
times
proportionally
Decrease all
exposure
times
proportionally
LATENT-IMAGE KEEPING
Under normal conditions, you should not notice shifts in the
latent image with keeping times from 5 seconds to 24 hours.
Therefore, you do not need to change your printing
procedures to compensate for latent-image shifts under
normal temperature and handling conditions. (If shifts do
occur, minimize them by keeping the interval between
exposure and processing as consistent as possible.)
PROCESSING
Use KODAK EKTACOLOR RA Chemicals for Process
RA-4, and use KODAK PROFESSIONAL Pro Srips Color
Negative Paper Control Strips for Process RA-4 (see
"Process Control").
When fully converted to this paper, your developer
replenishment rate should be approximately 10% lower than
with KODAK PROFESSIONAL PORTRA III and SUPRA
III Papers or KODAK PROFESSIONAL Color Metallic
Paper. Review your process control charts and make
adjustments as needed to stay in control.
Bleach-fix replenishment rates will stay the same for
Process RA-4. When using KODAK EKTACOLOR PRIME
Bleach-Fix Replenisher, replenishment rates will need to
increase.
For detailed information on replenishment rates and
processing this paper in continuous or roller-transport
processors, see KODAK Publication No. Z-130, Using
KODAK EKTACOLOR RA Chemicals. For information on
processing this paper in trays or rotary-tube and drum
processors, see KODAK Publication No. J-39, Tray, Drum,
and Rotary-Tube Processing with KODAK EKTACOLOR
RA Chemicals. Both publications are available through our
website at www.kodak.com/go/photochemicals.
Do not use drying temperatures above 93°C (200°F) to
avoid damaging prints. Underdrying can produce tackiness
that tends to make paper stick when it is wound into rolls
before cutting. Overdrying can cause curl and complicate
transport in print finishing.
Do not ferrotype this paper-its surface dries to a natural
gloss without ferrotyping.
Then judge color balance:
If your
print is
CYAN Red Blue + Green
MAGENTA Gr een Red + Blue
YELLOW Blue Red + Green
RED Blue + Green Red
GREEN Red + Blue Green
BLUE Red + Green Blue
Subtract these
filters
OR
Add these
filters
4 KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028
PROCESS CONTROL
T o produce high-quality color prints consistently and with a
minimum of waste, you need to match your process to a
standard for density, color, and contrast each time you
process paper. In addition to monitoring process parameters
such as solution times, temperature, replenishment rates,
solution concentrations, etc., you should regularly run
control strips to ensure best results.
KODAK PROFESSIONAL Pro Strips Color Negative
Paper Control Strips / for Proces s RA-4 (CAT 12 9 8587) are
designed specifically for use with KODAK
PROFESSIONAL Papers and KODAK PROFESSIONAL
Print and Display Materials in professional labs. These
control strips are designed to detect process conditions that
can degrade the quality of your finished prints. They are
better able to track the papers that are processed in
professional finishing laboratories.
For more information, see KODAK Publication No.
CIS-202, Using KODAK PROFESSIONAL Pro Strips
Color Negative Paper Control Strips / for Process RA-4.
SCANNER TOOLS
The KODAK Q-60 Color Input Targets are available on
KOD AK EKTACHROME Professional Film in both 35 mm
and 4 x 5 inch formats and on KOD AK EKT A COLOR Paper .
Developed primarily for use by prepress houses in the
printing industry, this target can also be used by professional
photographers, desktop publishers, and in the emerging
hybrid imaging area.
The target is designed for use in the commercial and
desktop arenas as a comparative control tool to help
customers calibrate their input product to the final outpu t.
This target maps the gamut of color space that KODAK
EKTACHROME Film and EKTACOLOR Paper can
reproduce.
When used properly, customers will be able to compare
their output—whether it is separations for the printed page
and four-color prin ting, or secon d-generation or iginals fro m
a film recorder to the originals. This will help customers
optimize the capabilities of their system for color
reproduction of an extreme range of color gamut.
Scanner color characterization targets produced in
accordance with ANSI IT8.7/1 (transmission) and IT8.7/2
(reflection) Standards (or ISO 12641) are available from
Kodak.
The KODAK PROFESSIONAL Q-60 Color Input
Target ⁄ Q-60R2 is manufactured on KODAK
PROFESSIONAL ENDURA Paper, and is likewise
identified by a watermark with a single grey dot under
PAPER. This target can be used with both the newer
ENDURA Papers and older papers. The older Q-60R1
target, which has the same two-dot watermark as the older
papers, can be used with the newer papers.
ILLUMINATION FOR EVALUATION OF
PRINTS
Evaluation of prints for color and density requires higher
illumination levels than those used in normal display
conditions. A good av er age cond i tio n is a light source with
a color temperature of 5000 K ± 1000, a Color Rendering
Index of 85 to 100, and an illuminance of at least 50
footcandles (538 lux). Fluorescent lamps such as cool white
deluxe (made by several manufacturers) meet these
conditions.
You can also use a mixture of incandescent and
fluorescent lamps. For each pair of 40-watt cool white
deluxe fluorescent lamps, use a 75-watt frosted, tungsten
bulb.
Viewing conditions should meet ANSI Standard
PH2.30-1989.
RETOUCHING
If possible, do any required retouching on color negatives
before you make prints —especially if you plan to make more
than one print from each negative. For information on
retouching negatives, see KODAK Publication No. E-71,
Retouching Color Negatives.
If the negative image is small, you can make corrections
much more easily by applying dry or liquid dyes to small or
large areas of the enlarged print. Although you’ll probably
do most retouching with dyes, you may sometimes want to
use black lead, colored pencils, or opaque. Because color
prints have separate dye layers, you can’t use an etching
knife to reduce density as you can with black-and-white
materials. For information on retouching prints, see
KODAK Publication No. E-70, Retouching Prints on
KODAK EKTACOLOR and EKTACHROME Papers.
KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028 5
POST-PROCESS TREATMENTS
Mounting Prints
You can mount prints with dry mounting tissue. The
temperature across the heating platen should be 82 to 93°C
(180 to 200°F). Preheat the cov er sheet that you use o ver the
face of the print to remove moisture. Apply pressure for 30
seconds, or up to 3 minutes in the case of a thick mount.
Caution
Temperatures above 93°C (200°F) for long peroids of time
can cause physical and color changes in prints. Excessive
moisture can also cause color shifts. To minimize these
changes, mount at the lowest temperature and over the
shortest possible time.
Note: Images on KODAK PROFESSIONAL ENDURA
Metallic Paper may shift towards a pink balance after heated
to excessive temperatures, but will return to normal color
balance when completely cooled to room temperature.
You can also use contact-type adhesive or cement for
cold-mounting.
For information on lacquering and other post-process
treatments, see KODAK Publication No. E-176,
Post-Processing Treatment of Color Prints—Effects on
Image Stability, available through our website at
www.kodak.com/go/professional.
DISPLAY
KODAK PROFESSIONAL ENDURA Metallic Paper has
been formulated to provide imp ro ved dye stability and print
longevity for prints displayed under typical home lighting
conditions (i.e., 120 lux for 12 hours a day) and typical home
dark storage conditions (i.e., 20 to 30°C [68 to 73.4°F] and
50% humidity).
Photographic dyes, like all dyes, can change with time and
exposure to sunlight, ultraviolet radiation, excessive heat,
and high humidity. To h elp prevent changes i n photographic
dyes, follow these guidelines:
• Illuminate prints with tungsten light whenever possible.
• Display prints in the lowest light level consistent with
your viewing needs.
• If a print is exposed to direct or indirect sunlight or
fluorescent light, use an ultraviolet-absorbing filter
(such as glass) between the light source and the print.
• If prints are displayed behind glass, maintain a slight
separation between the prints and the glass.
• Keep the temperature and humidity as low as possible.
• Use album materials described in KODAK Publication
No. E-30, Storage and Care of KODAK Photographic
Materials - Before and After Processing.
PRINTER CONTROL TOOLS
The following tools are manufactured by Kodak for
optimization of printer balance and slope controls of
KODAK PROFESSIONAL PORTRA Films printed on
KODAK PROFESSIONAL Papers.
Product
KODAK PROFESSIONAL
PORTRA
Printer Control
Negative Set / Size 135
KODAK PROFESSIONAL
PORTRA
Printer Control
Negative - Normal
KODAK PROFESSIONAL
PORTRA
Printer Control
Negative - Very Under
KODAK PROFESSIONAL
PORTRA
Printer Control
Negative - Under
KODAK PROFESSIONAL
PORTRA
Printer Control
Negative - Over
KODAK PROFESSIONAL
PORTRA
Printer Control
Negative - Very Over
The following tools are manufactured by Kodak for
optimization of printer balance and slope controls of
KODAK PROFESSIONAL PORTRA Films printed on
KODAK PROFESSIONAL Papers.
Product
KODAK PROFESSIONAL
PORTRA 400BW
Printer Control
Negative Set / Size 135
KODAK PROFESSIONAL
PORTRA 400BW
Printer Control
Negative Set / Size 120
The following tools are manufactured by Kodak for
optimization of printer balance and slope controls of
KODAK PROFESSIONAL T400 CN Film printed on
KODAK PROFESSIONAL Papers.
Product
KODAK T400 CN
Printer Balancing Kit /
Sizes 135 and 120
Features /
Description
Size 135 Film
Includes one of
each: Very Under,
Under, Normal,
Over, Very Over
Size 120 Film
Normal
Size 120 Film
V ery Under
Size 120 Film
Under
Size 120 Film
Over
Size 120 Film
Very Over
Features /
Description
Size 135 Film
Includes one of
each: Very Under,
Under, Normal,
Over, Very Over
Size 135 Film
Includes one of
each: Very Under,
Under, Normal,
Over, Very Over
Features /
Description
Sizes 135, 120 865 3552
CAT No.
179 8511
846 0958
107 1398
841 1902
177 1302
144 5741
CAT No.
156 8286
114 4419
CAT No.
6 KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028
CURVES
S
)
*
y
4.0
3.0
ITY
2.0
DEN
1.0
0.0
Exposure:
Process:
Densitometry:
3.0
Characteristic Curves
0.5 sec.
RA-4, 95°F (35°C), 45 sec.
Status A
2.0
LOG EXPOSURE (lux-seconds)
4.0
R
G
B
0.01.0
1.0
Spectral-Sensitivity Curves
Spectral-Dye-Density Curves
2.5
Process:
2.0
1.5
1.0
DIFFUSE SPECTRAL DENSITY
0.5
0.0
400
RA-4
Yellow
500
WAVELENGTH (nm
Magenta
600
Cyan
700
3.0
Yellow-
Forming
2.0
LOG SENSITIVITY
1.0
Effective Exposure:
Process:
0.0
250 300 350 400 450 500 550 600 650 750700
RA-4
Layer
0.5 sec.
Magenta-
Forming
Layer
Cyan-
Forming
Layer
WAVELENGTH (nm)
*Sensitivity = reciprocal of exposure (erg/cm ) required
to produce specified densit
2
NOTICE: The sensitometric curves and data in this publication represent product te sted
under the conditions of exposure and processing specified. They are representative of
production coatings, and therefore do not apply directly to a particular box or roll of
photographic material. They do not represent standards or specifications that must be met
by Eastman Kodak Company. The company reserves the right to change and improve
product characteristics at any time.
KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028 7
KODAK PROFESSIONAL ENDURA Metallic Paper
MORE INFORMATION
Kodak has many publications to assist you with information
on Kodak products, equipment, and materials.
Additional information is available on the Kodak website
and through the U.S.A./Canada faxback system.
The following publications are available from dealers who
sell Kodak products, or you can contact Kodak in your
country from more information.
E-30 Storage and Care of KODAK Photographic
Materials—Before and Afte r Processing
E-70 Retouching Prints on KODAK EKTACOLOR
and EKTACHROME Papers
E-71 Retouching Color Negatives
E-176 Post-Processing Treatment of Color Prints—
Effects on Image Stability
J-39 Tray, Drum, and Rotary-Tube Processing with
KODAK EKTACOLOR RA Chemicals
K-4 How Safe is Your Safelight?
Z-130 Using KODAK EKTACOLOR RA Chemicals
For the latest version of tech ni cal support publications for
KODAK PROFESSIONAL Products, visit Kodak on-line at:
http://www.kodak.com/go/professional
If you have questions about KODAK PROFESSIONAL
Products, call Kodak.
In the U.S.A.:
1-800-242-2424, Ext. 19, M onday–Friday
9 a.m.–7 p.m. (Eastern time)
In Canada:
1-800-465-6325, Mon day–Friday
8 a.m.–5 p.m. (Eastern time)
Note: The Kodak materials described in this publication for
use with KODAK PROFESSIONAL ENDURA Metallic
Paper are available from dealers who supply KODAK
PROFESSIONAL Products. You can use other materials,
but you may not obtain similar results.
KODAK PROFESSIONAL ENDURA
Metallic Pap er
KODAK Publication No. E-4028
Kodak, Kodak Professional, Ektachrome , Ekta c o lo r, Endura, Portr a, Supra and Wratten
are trademar ks .
New 2-03
Printed in U.S.A.
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