Kodak 250D 7205, 250D 5205 User Manual

250D

5205 / 7205

Give your story more detail—in any light.

KODAK VISION2 250D Color Negative Film 5205 / 7205
is an advanced, medium-speed film that delivers
superior imaging in natural daylight, artificial daylight,
and a variety of mixed lighting situations. Expect
beautiful fleshtones, accurate color reproduction,
and—thanks to its wider latitude—increased detail in
shadow and highlight areas. Add seamless intercutting
with other KODAK VISION2 Films and you have a
versatile addition to your storytelling toolkit.

The VISION2 Film family is the first line of products
created specifically for both film and digital
postproduction. What’s more, all VISION2 Films
provide excellent tone scale and flesh-to-neutral
reproduction. With superior shadow and highlight
detail and very fine grain. VISION2 Films also maintain
neutrality through the full range of exposure. So you
can convey exactly the look you intended all the way
from capture to post.

KODAK VISION2 250D

Color Negative Film

5205 / 7205

www.kodak.com/go/motion

5

4

1

7

Original Negative
E

XPOSURE DATA

Lens: 11:1 PANAVISION

Primo Zoom (26 mm)
Filter: None
Aperture: T2.8 8/10
Incident Light Levels

Key = 64fc

Color temperature = 5350K

Base

Acetate safety base with rem-jet
backing.

Darkroom Recommendations

Do not use a safelight. Handle
unprocessed film in total darkness.

3

6

8

2

-2.8 Stops -2.5 Stops -1.4 Stops -1.3 Stops -1.0 Stops 0 Stops +.5 Stops +2.5 Stops

1

2

3

4

5

6

7

8

1

Color Balance

This film is balanced for exposure with
daylight illumination (5500 K). For other
light sources, use the correction filters

Postproduction information

When you transfer this film directly to
video, set up the telecine using negative
Telecine Analysis Film (TAF).

in the table below.

Processing

ECN-2

Storage

Store unexposed film at 13°C (55°F) or
lower. For storage of

unexposed

film

longer than 6 months, store at

-18°C (0°F). Process film promptly.

Exposure Index

Daylight (5500 K)—250;
Tungsten (3200 K)—64 (with KODAK
WRATTEN Gelatin Filter No. 80A).

Laboratory Aim Density

Time negative originals relative to
Laboratory Aim Density (LAD)
Control Film supplied by
Eastman Kodak Company.

LIGHT SOURCE

Daylight (5500 K) None 250

Tungsten (3000 K) WRATTEN Gelatin No. 80A 64

Tungsten (3200 K) WRATTEN Gelatin No. 80A 64

Tungsten Photoflood (3400 K) WRATTEN Gelatin No. 80A 64

White-Flame Arcs Color Compensating Filter CC20Y + CC10C 160

Yellow-Flame Arcs Color Compensating Filter CC30C + CC10M 160

OPTIMA 32 WRATTEN Gelatin No. 80A 64

VITALITE None 250

Fluorescent, Cool White† Color Compensating Filter CC20M 200

Fluorescent, Deluxe Cool White

Metal Halide H.M.I. None 250

*These are approximate corrections only. Make final corrections during printing.
†These are starting-point recommendations for trial exposures. If the type of fluorescent lamp is unknown,

use a KODAK Color Compensating Filter CC20M + CC10B with an exposure index (EI) of 125.

† WRATTEN Gelatin No. 82C 160

KODAK

FILTERS ON CAMERA* EXPOSURE INDEX