Kawai CA 59 R operation manual

Page 1
Important Information
Preparation
CA59
Owner’s Manual
Basic Operation
Adjustments & Settings
Appendix
Page 2

Important Safety Instructions

SAVE THESE INSTRUCTIONS
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS
WARNING
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
AVIS : RISQUE DE CHOC ELECTRIQUE
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lighting °as h with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of su˛cien t magnitude to constitute a risk of electric shock to persons.

Important Information

Examples of Picture Symbols
denotes a prohibited operation. The example instructs that disassembly of the product is prohibited.
denotes an operation that should be carried out. The example instructs the user to remove the power cord plug from the AC outlet.
Read all the instructions before using the product.
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.
8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampliers) that produce heat.
9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prongs are provided for your safety. If the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.
- NE PAS OUVRIR.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the leterature accompanying the product.
10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11) Only use attachments/accessories specied by the manufacturer.
12) Use only with the cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13) Unplug this apparatus during lightning storms or when unused for long periods of time.
14) Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or object have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
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Règles de sécurité
CONSERVEZ CES INSTRUCTIONS
CAUTION
RISK OF ELECTRIC SHOCK
DO NOTOPEN
(Supplémentairespour le Canada)
AVERTISSEMENT
POUR REDUIRELES RISQUES
D’INCENDIE OU D’ELECTROCUTION, PROTEGEZ CET APPAREILDELA PLUIEOUDEL’HUMIDITE.
AVIS :RISQUEDECHOCELECTRIQUE
POURREDUIRE LESRISQUES D’INCENDIE OU D’ELECTROCUTION, NEDEMONTEZPAS LE COUVERCLE (OUL’ARRIERE). A L’ INTERIEUR,AUCUNE PA RTIE N’ESTREPARABLEPAR L’ UTILISATEUR. POURLAMAINTENANCE, ADRESSEZ-VOUS A DU PERSONNELQUALIFIE.
Le symbole de l’éclair avec une pointe de flèche à l’intérieur d’un triangle équilatéral met en garde l’utilisateur contre la présence de tension dangereuse, non isolée, à l’intérieur de l’appareil, dont l’amplitude peut être suffisante pour induire un risque d’électrocution d’une personne.
Exemples de symboles graphiques
Indique que des précautions doivent être prises. L’ exemple indique à l’utilisateur qu’il doit faire attention à ne pas se faire coincer les doigts.
Indique une manipulation interdite. L’ exemple indique que le démontage de l’appareil est interdit.
Indique qu’une manipulation doit être effectuée. L’ exemple indique à l’utilisateur qu’il doit débrancher le câble d’alimentation de la prise secteur.
AVERTISSEMENT
Faite attention de ne pas introduire un produit étranger à l’intérieur de l’appareil.
Ce produit n’est pas totalement déconnecté du circuit électrique lorsqu’il est mis hors tension par le bouton d’arrêt. Si l’appareil ne doit pas être utilisé pendant une longue période, débranchez le câble d’alimentation de la prise secteur.
-NEPAS OUVRIR.
Le point d’exclamation à l’intérieur d’un triangle équilatéral alerte l’utilisateur de la présence de règles d’utilisation et d’entretien importantes dans la notice qui accompagne l’appareil.
Indique un risque potentiel qui peut entraîner la mort, ou de graves lésions, si l’appareil n’est pas manipulé correctement.
L’introduction d’eau, d’aiguilles ou d’épingles à cheveux, peut provoquer une panne ou un court-circuit. Ce produit doit être mis à l’abri des écoulements ou projections d’eau. Ne jamais placer sur le produit des objets contenant des liquides, tels que des vases ou autres récipients.
Si vous ne le faisiez pas la foudre pourrait provoquer un incendie.
Si vous ne le faisiez pas, la surchauffe de l’appareil pourrait provoquer un incendie.
Important Information
Il est recommandé de placer l’instrument à proximité de la prise de courant et de positionner le câble d’alimentation secteurdesorte qu’ilpuisseêtre débranché rapidement en casd’urgence,lecourant électrique étanttoujours présenttant quela prise est branchée même si le bouton de mise en marche esten position Arrêt.
[Seuls les produits avec 3P fiche]
INSTRUCTIONS DE MISE À LA TERRE
Ce produit doit être mis à la terre. En cas de défaillance matérielle ou de panne, la mise à la terre fournit un chemin de moindre résistance au courant électrique afin de réduire le risque d’électrocution. Ce produit est équipé d’un câble avec un conducteur de protection et une fiche de mise à la terre. La fiche doit être branchée dans une prise appropriée correctement installée et mise à la terre conformément à tous les codes et règlements locaux.
DANGER - La connexion incorrecte du conducteur de protection peut présenter un risque d’électrocution. Consultez un électricien ou un réparateur qualifié si vous avez des doutes en ce qui concerne la mise à la terre du produit. Ne modifiez pas la fiche fournie avec le produit – si elle n’est pas adaptée à la prise, faites installer une prise correcte par un électricien qualifié.
Indique un risque potentiel qui peut entraîner la détérioration,
PRECAUTION
Description de la l'emplacement de la reference (Le cas échéant): Anglais phrase: The nameplate label is located on the underside of the instruments, as indicated below. Français phrase: La reference commerciale est inscrite sur une etiquette en dessous de votre instrument, conformement a l’indication ci-dessous.
Votre piano doit être placé à un endroit tel que sa position n’altère pas sa propre ventilation. Gardez une distance minimum de 5 cm autour de l’instrument pour une aération suffisante.
ou des dommages, pour l’appareil ou ses propriétés, si celui-ci n’est pas manipulé correctement.
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WARNING - When using electric products, basic precautions should always be followed, including the following.
WARNING
The product should be connected to an AC outlet of the specied voltage.
Do not insert or disconnect the power cord plug with wet hands.
Take care not to allow any foreign matter to enter the product.
The chair must be used properly (it must be used only when playing the product).
Do not play with it or stand on it.  Only one person is allowed to sit on it.Do not sit on it when opening the lid.  Re-tighten the bolts occasionally.
When using the headphones, do not
Important Information
listen for long periods of time at high volume levels.
Indicates a potential hazard that could result in death or serious injury if the product is handled incorrectly.
120V 240V230V
If you are going to use an AC power cord, make sure that its has the correct plug shape and conforms to the speciÿed power voltage.
Failure to do so may result in ÿre.
Doing so may cause electric shock.
Entry of water, needles or hair pins may result in breakdown or short-circuit. The product shall not be exposed to dripping or splashing. No objects ÿlled with liquids, such as vases, shall be placed on the product.
Doing so may cause the chair to fall over or your ÿngers to be trapped, resulting in injury.
Doing so may result in hearing problems.
Do not lean against the keyboard.
Do not disassemble, repair or modify the product.
When disconnecting the AC power cord's plug, always hold the plug and pull it to remove it.
The product is not completely disconnected from the power supply even when the power switch is turned o. If the product will not be used for a long time, unplug the AC power cord from the AC outlet.
Doing so may cause the product to fall over, resulting in injury.
Doing so may result in product breakdown, electric shock or short-circuit.
Pulling the AC power cord itself may damage the cord, causing a ÿre, electric shock or short-circuit.
Failure to do so may cause ÿre in case of
lightning.
Failure to do so may over-heat the product,
resulting in ÿre.
This product may be equipped with a polarized line plug (one blade wider than the other). This is a safety feature. If you are unable to insert the plug into the outlet, contact an electrician to replace your obsolete outlet. Do not defeat the safety purpose of the plug.
This product shall be near the AC outlet and the power cord plug in a position so that it can readily be disconnected in an emergency because electricity is always charging while the plug is in the AC outlet even in a power switch o condition.
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CAUTION
Indicates a potential hazard that could result in injury or damage to the product or other property if the product is handled incorrectly.
Do not use the product in the following areas.
Areas, such as those near windows, where the product is
exposed to direct sunlight
Extremely hot areas, such as near a heaterExtremely cold areas, such as outsideExtremely humid areasAreas where a large amount of sand or dust is presentAreas where the product is exposed to excessive
vibrations
When you close the keyboard cover, close it gently.
Before connecting cords, make sure that the power to this product and other devices is turned OFF.
Do not drag the product on the oor. Take care not to drop the product.
Do not place the product near electrical appliances such as TVs and radios.
OFF
Using the product in such areas may result in product breakdown. Use the product only in moderate climates (not in tropical climates).
Closing it roughly may trap your ÿngers, resulting in injury.
Failure to do so may cause breakdown of this product and other devices.
Please lift up the product when moving it. Please note that the product is heavy and must be carried by more than two persons. Dropping the product may result in breakdown.
Doing so may cause the product to generate

noise.
 If the product generates noise, move the
product su°ciently away from the elec trical appliance or connect it to another AC outlet.
Important Information
When connecting the AC power cord and other cords, take care not to get them tangled.
Do not wipe the product with benzene or thinner.
Do not stand on the product or exert excessive force.
Do not place naked ame, such as lighted candles on the product.
Ensure that the ventilation is not impeded by covering the ventilation openings with items, such as newspaper, table-cloths, curtains, etc.
Failure to do so may damage them, resulting in ÿre, electric shock or short-circuit.
 Doing so may result in discoloration or deformation
of the product.
 When cleaning the product, put a soft cloth in
lukewarm water, squeeze it well, then wipe the product.
Doing so may cause the product to become deformed or fall over, resulting in breakdown or injury.
Doing so may cause the illumination to fall over, resulting in ÿre.
Failure to do so may over-heat the product, resulting in ÿre.
The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a minimum distance of 5cm around the product for sucient ventilation.
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The product should be serviced by qualied service personnel when:
The power supply cord or the plug has been damaged.
Objects have fallen, or liquid has been spilled into the product.
The product has been exposed to rain.
  The product does not appear to operate normally or exhibits a marked change in performance.The product has been dropped, or the enclosure damaged.
Notes on Repair
Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and then contact the shop from which the product was purchased.
CAUTION:
To prevent electric shock, match wide blade of plug to wide slot, fully insert.
ATTENTION:
Pour éviter les chocs électriques, introduire la lame la plus large de la ÿche dans la borne correspondante de la prise et pousser jusqu'au fond.
An information on Disposal for users
If your product is marked with this recycling symbol it means that, at the end of its life, you must dispose of it separately by taking it to an appropriate collection point. You should not mix it with general household waste. Disposing of this product correctly will prevent potential negative e° ects on the environment and human health which could otherwise arise due to inappropriate waste handling. For further details, please contact your local authority. (European Union only)
Instruction for AC power cord (U.K.)
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE : NEUTRAL BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured˛ markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or˛ coloured BLACK.
Important Information
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L˛ or coloured RED. Do not plug either terminal of the power cord to the the ground od AC outlet on the wall.
FCC Information (U.S.A)
CAUTION : Changes or modiÿcations not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment. NOTE : This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of
the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment o° and on, the user is encouraged to tr y to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit di° erent from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help.
The nameplate label is located on the
Declaration of Conformity
Model Number : CA59 Responsible Party Name : Kawai America Corporation Address : 2055 East University Drive Rancho Dominguez, CA 90220 Telephone 310-631-1771
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and (2) this device must accept any interference received,
including interference that may cause undesired operation.
This applies only to products distributed by Kawai America Corporation.
Products : Electronic Piano
underside of the instrument, as
indicated below.
Nameplate
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Introduction

Thank you for purchasing this Kawai Concert Artist CA59 digital piano.
This owner’s manual contains important information regarding the instrument’s usage and operation. Please read all sections carefully, keeping this manual handy for future reference.
About this owner’s manual
This owner’s manual provides information for customers to enjoy using this instrument immediately after purchase, and
explanations about the various functions of this instrument.
Display illustrations shown in this manual may dier from the actual displays of the product depending on its version.
Nameplate
The model name and serial number of the product are indicated on the nameplate label located on the underside of the instrument.
Cleaning
Make sure to unplug the power cord before cleaning.
Clean the product body with a dry, soft cloth.
If the surface of the pedals becomes dirty, clean the pedals using a dry dish-washing sponge. Note that cleaning the gold pedals
using a cloth may cause the pedals to become dull.
Do not attempt to clean the pedals using rust-removing solvents, abrasives or les.
Do not clean the product using benzine or thinner which may cause discoloring or deformation.
Intellectual property rights
“Windows” is a registered trademark of Microsoft Corporation.
“Mac” is a registered trademark of Apple Computer, Inc.
The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc. and any use of such marks by
Kawai Musical Instruments Mfg. Co., Ltd. is under license.
Qualcomm aptX is a product of Qualcomm Technologies, Inc. and/or its subsidiaries.
Qualcomm is a trademark of Qualcomm Incorporated, registered in the United States and other countries. aptX is a trademark of Qualcomm Technologies International, Ltd., registered in the United States and other countries.
Other company names and product names mentioned or referenced herein are registered trademarks or trademarks of respective
owners.
Kawai Musical Instruments Mfg. Co., Ltd. shall have no liability for any acts in violation of the Copyright Act made by any users of
this product.
Important Information
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Table of ContentsTable of Contents

Table of Contents

Important Information
Important Information
Important Safety Instructions ....................... 2
Introduction .......................................... 7
Table of Contents ....................................8
Welcome to the Kawai CA59 digital piano ......... 10
1. Feature Highlights ............................ 10
2. Owner’s Manual Conventions ................. 11
Part Names and Functions .......................... 12
Preparation
Setting Up the Piano ................................ 14
1. Power ......................................... 14
2. Key cover and music rest ...................... 15
3. Volume and headphones ..................... 16
4. Pedals ......................................... 17
Basic Operation
Selecting Sounds .................................... 19
Dual Mode ........................................... 20
Concert Magic .......................................46
1. Performing a Concert Magic song ............46
2. Concert Magic demo mode ................... 47
3. Concert Magic settings .......................48
Steady Beat mode ............................48
4. Concert Magic song arrangement types ...... 49
Internal Recorder ................................... 50
1. Recording a song ............................. 50
2. Playing a song ................................ 52
3. Internal Recorder Edit menu ..................53
4. Erasing a part/song ........................... 54
5. Converting a song to an audio le ............55
USB Recorder ........................................ 56
1. Recording an MP3/WAV audio le ............56
2. Playing an MP3/WAV audio le ...............58
3. Playing a MIDI song le .......................60
4. USB Recorder Edit menu ......................62
5. Converting a MIDI song le to an MP3/WAV
audio le ......................................63
6. Overdubbing an MP3/WAV audio le .........64
Split Mode ........................................... 22
Four Hands Mode ................................... 24
Reverb ............................................... 26
Eects ............................................... 28
Virtual Technician ...................................30
1. Smart Mode ................................... 30
2. Advanced Mode .............................. 31
Metronome / Drum Rhythms ....................... 32
Registration Memories ..............................34
1. Selecting a Registration memory .............34
2. Storing a Registration memory ...............35
3. Registration Edit menu .......................36
Panel Lock ........................................... 37
Demo Songs .........................................38
Piano Music .........................................39
Lesson Function ..................................... 40
1. Selecting a lesson book/song .................40
2. Listening to the selected lesson song ......... 41
3. Lesson Function settings ..................... 42
4. Repeating sections of a lesson song .......... 43
5. Recording a lesson song practice .............44
6. Finger Exercises ...............................45
Adjustments & Settings
Function menus .....................................65
Basic Settings .......................................66
1. Key Transpose ................................. 67
2. Song Transpose ...............................68
3. Tone Control ..................................69
User Tone Control .............................70
4. Speaker Volume ............................... 71
5. Low Volume Balance ..........................72
6. Tuning ........................................73
7. Damper Hold ................................. 74
8. Split ...........................................75
9. Four Hands .................................... 76
10. Startup Setting ................................77
11. Factory Reset .................................78
12. Auto Display O ..............................79
13. Auto Power O ................................80
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Virtual Technician Settings ......................... 81
1. Touch Curve ..................................83
User Touch Curve .............................84
2. Voicing ........................................85
User Voicing ...................................86
3. Damper Resonance ...........................87
4. Damper Noise ................................. 88
5. String Resonance ............................. 89
6. Undamped String Resonance .................90
7. Cabinet Resonance ........................... 91
8. Key-off ect .................................. 92
9. Fall-back Noise ................................ 93
10. Hammer Noise ................................94
11. H ammer D elay ................................95
12. Topboard Simulation ......................... 96
13. Dec ay Time ...................................97
14. Release Time ..................................98
15. Minimum Touch .............................. 99
16. Stretch Tuning ...............................10 0
User Tuning ..................................101
17. Temperament ................................102
User Temperament .......................... 103
18. Temperament Key ...........................10 4
19. Key Volume ..................................105
User Key Volume .............................10 6
20. Half-Pedal Adjust ............................ 107
21. Soft Pedal Depth .............................10 8
11. D elete File ...................................12 5
12. Format USB .................................. 126
Bluetooth Settings ................................. 127
1. Bluetooth Audio ............................. 12 8
2. Bluetooth Audio Volume ..................... 12 9
3. Bluetooth MIDI ............................... 13 0
Appendix
Information about Bluetooth® ..................... 131
Assembly Instructions .............................132
Connecting to Other Devices ......................136
Jack Panel ........................................13 7
Headphone Panel ................................137
Troubleshooting ...................................13 8
Demo Song List ....................................140
Settings List ........................................ 141
Sound List ..........................................143
Drum Rhythm List ..................................14 4
EU Declaration of Conformity .....................145
Specications ......................................14 6
Important Information
Phones Settings ....................................109
1. SHS Mode .................................... 110
2. Phones Type ..................................111
3. Phones Volume .............................. 112
USB MIDI
(USB to Host connector) ........................ 113
USB Menu .......................................... 11 4
1. Load Song ................................... 11 5
2. Load Registration All ......................... 11 6
3. Load Registration Single ..................... 117
4. Load Startup Setting ......................... 11 8
5. Save Internal Song ........................... 11 9
6. Save SMF Song ...............................12 0
7. Save Registration All ......................... 121
8. Save Registration Single .....................12 2
9. Save Startup Setting .........................12 3
10. Rename File .................................. 124
* For information regarding MIDI functions and settings, please
download the supplementary PDF manual from the Kawai Japan website: http://www.kawai-global.com/support/manual/
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Welcome to the Kawai CA59 digital pianoWelcome to the Kawai CA59 digital piano

Welcome to the Kawai CA59 digital piano

1

Feature Highlights

Grand Feel Compact wooden-key action with Ivory Touch key surfaces and “Let-O” mechanism
The CA59 digital piano utilises Kawai’s latest Grand Feel Compact keyboard action, which draws upon 90 years of acoustic piano craftsmanship to provide an exceptionally realistic playing experience. All 88 black and white keys are crafted entirely from long pieces of wood, with nely textured Ivor y Touch key surfaces applied to assist playing control.
As with an acoustic grand piano action, the keys rest on a metal balance pin and move with a smooth seesaw-like motion, while the extended pivot length ensures a consistent, evenly-balanced touch weight – even when playing towards the back of the key. The Grand Feel Compact action also incorporates grade-weighted hammers, bass region counterweights, and let-o simulation for added authenticity, while its accurate triple-sensor key detection system allows rapidly repeated notes such as trills to be performed smoothly, without unnatural breaks in sound.
Shigeru Kawai SK-EX and Kawai EX instruments reproduced with Harmonic Imaging sound technology
The CA59 digital piano captures the magnicent tone of Kawai’s agship Shigeru Kawai SK-EX full concert grand piano. Widely regarded as the “premier pianos of Japan”, Shigeru Kawai instruments grace the stages of concert halls and musical institutions throughout the world, and are prized for their exceptional tonal clarity. In addition, the CA59 also features the distinctive sound of Kawai’s highly acclaimed EX concert grand piano, which has frequently been selected by professional pianists in such prestigious events as the Chopin, Tchaikovsky, and Rubinstein international piano competitions, among others.
Both instruments have been carefully recorded, meticulously analysed, and faithfully reproduced with full 88-key sampling using Harmonic Imaging™ sound technology. This unique process accurately recreates the broad dynamic range of the
Important Information
original grand pianos, aording pianists an extraordinary level of expressiveness ranging from the softest pianissimo to the strongest, boldest fortissimo.
Strong selection of additional instrument sounds
Supplementing the realistic acoustic piano voices, the CA59 digital piano also features an excellent selection of additional instrument sounds, ranging from electric pianos and drawbar and church organs, to strings, human choirs, and even atmospheric synth-style pads, inviting musicians to add greater variety to their performances.
Furthermore, the Dual playing mode also allows two dierent sounds, such as grand piano and strings, to be layered together, while the Split and Four Hands modes divide the keyboard into two independent sections. The volume balances for each playing mode can also be adjusted quickly and easily using the real-time panel controls.
Virtual Technician adjustments to personalise the instrument’s character
The CA59 digital piano’s Virtual Technician feature allows various characteristics of the selected acoustic piano, electric piano, or harpsichord sound to be shaped at the touch of a button, with settings to adjust voicing and regulation, string, damper, and cabinet resonances, and subtle hammer, damper, and key release noises. It is even possible to adjust the precise tuning and volume of individual notes, before storing one’s personalised instrument conguration to memory.
USB to Device functionality, with MP3/WAV le recording and playback
The CA59 digital piano is equipped with USB connectors that not only allow this instrument to be connected to a computer for MIDI use, but also to load and save data to USB memory devices directly. This “USB to Device” feature allows instrument settings or recorded songs stored in internal memory to be saved to USB for posterity, or standard MIDI les (SMF) downloaded from the internet to be conveniently played back without additional hardware.
USB memory devices can also be used to play back MP3 or WAV audio les, allowing musicians to learn the chords or melody for a new piece, or to simply play along with their favourite songs. It is even possible to record performances as MP3 or WAV les for emailing to friends and family, listening to on the move, or for further editing using an audio workstation.
10
Integrated Bluetooth® MIDI connectivity
In addition to standard MIDI jacks for connecting to other instruments, the CA59 digital piano also boasts integrated Bluetooth MIDI and Audio technology that allows the instrument to communicate with supported smart devices wirelessly. Once connected to a phone, tablet, or laptop, CA59 digital piano owners can enjoy a wide variety of exciting music-related apps that enhance their learning and playing experience, or stream audio from songs and videos through the instrument’s speakers without additional cables.
* Availability of Bluetooth function dependent on market location.
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Wide range of connectivity options
The CA59 digital piano features a variety of connectivity options, with Line-level output jacks that allow the instrument to be enjoyed in larger settings such as churches and schools. Standard MIDI and “USB to Host” connectors ensure exibility when using computers and other electronic instruments, while the Line-in jacks provide a convenient method of mixing in audio from a laptop, tablet, or other audio device.
2

Owner’s Manual Conventions

This owner’s manual utilises a number of illustrative conventions in order to explain the CA59 digital piano’s various
functions. The examples below provide an overview of the button LED indicator states and press types, and the
appearance of dierence kinds of text.
Button LED indicator states
LED indicator o:
Sound/Function is not selected.
Button press types
Normal press:
Select a sound or function.
hold
Press and hold:
Select a function’s settings, or store registration memories etc.
LED indicator on:
Sound/Function is selected.
× 2
Press twice:
Select a sound or function.
hold
Press and hold, then press X:
Combine two sounds.
LED indicator ashing:
Sound/Function is selected in a temporary state.
× 4
Press multiple times:
Cycle through sounds or settings.
Important Information
Text appearance
Normal instruction and explanation text is written in regular type at 9 pt. size.
Captions explaining the LCD display or button functions, are written in bold type at 8.5 pt. size.
* Notes about functions are marked with an
asterisk and written in 8 pt. size.
Example operations are written in italic type at 8 pt. size, and enclosed within a grey box.
Reminders about previous operations are written in italic type at 9 pt. size.
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Part Names and FunctionsPart Names and Functions

Part Names and Functions

c
d
e
a
Important Information
f h
i
g j
b
k
l
CA59
12
m
n
o p
q
OUT IN
MIDI USB to HOST
sr t
DC IN 24V
PEDAL
Page 13
a POWER button
This switch is used to turn the instrument on/o. Be sure to turn off t e instrument after playing.
* The CA59 digital p iano features a power saving mo de that can turn off the
instrument automatically after a specied period of inactivity. For more information, please refer to the “Auto Power O” setting on page 80.
b MASTER VOLUME slider
This slider controls the master volume level of the instrument’s built-in speakers or headphones, if connected.
* The MASTER VOLUME slider will also aect the volume level of the
LINE OUT connectors.
c LCD display
The LCD display provides useful information such as the currently selected sound name, settings values, and the status of other functions when active. An example of the main play screen is shown below.
Headphones statusTranspose status
Bluetooth
status
Function/Settings menuVirtual Technician
* A protective plastic lm is attached to the display during production.
Please remove this lm before attempting to play the instrument.
USB device status
Selected sound
Music menu
j REC button
This button is used to record performances to internal memory or a USB memory device as MP3/WAV audio les.
k SOUND buttons
These buttons are used to select the sound(s) that will be heard when playing the keyboard of the CA59 digital piano. Multiple sounds are assigned to each category button, and can be selected by pressing the same button repeatedly.
These buttons are also used to select Registration memories.
l REGISTRATION button
This button is used to store and recall one of the sixteen dierent registration memories. Each registration can store sound, reverb and eects settings, as well as various other panel options.
m USB to DEVICE port
This port is used to connect a FAT or FAT32 formatted USB memory device to the instrument in order to load /save recorded song data, registration memories, and MP3/WAV/SMF les etc.
n PHONES jacks
These jacks are used to connect stereo headphones to the CA59 digital piano. 1/4” and 1/8” connectors are provided for convenience, and both can be used simultaneously, allowing two pairs of headphones to be connected at the same time.
Important Information
d FUNCTION button
These buttons are used to select one of three functions/options shown at the bottom of the LCD display.
e ARROW buttons
These buttons are used to navigate around the various menus and screens, adjust values, and answer on-screen prompts.
f EFFECTS button
This button is used to turn eects for the selected sound on/o, to select the dierent eect types, and to adjust their settings.
g REVERB button
This button is used to turn reverb for the selected sound on/o, to select the dierent reverb types, and to adjust their settings.
h METRONOME button
This button is used to turn the metronome function on/o, and to adjust the tempo, time signature/beat, and volume settings.
i PL AY/STO P button
This button is used to start/stop the playback of demonstration songs, Piano Music pieces, and Lesson and Finger Exercises, and to start/stop the recording and playback of recorder songs, and MP3/WAV audio les.
o LINE OUT jacks
These jacks are used to connect the stereo output (Left/Right 1/4” phone plug) of the CA59 digital piano to external ampliers, mixers, recording devices, and similar equipment.
p LINE IN jacks
These jacks are used to connect the stereo output (Left/Right 1/4” phone plug) from audio equipment, computers, or other electronic instruments to the CA59 digital piano’s amplier and speakers.
q MIDI IN / OUT jacks
These jacks are used to connect the CA59 digital piano to external MIDI devices such as other musical instruments or a computer in order to send and receive MIDI data.
* For more information about the instrument’s connectors and jacks,
please refer to “Connecting to Other Devices” on page 136.
r USB to HOST port
This port is use to connect the CA59 digital piano to a computer using a USB “B to A” type cable in order to send and receive MIDI data.
s DC IN 15V connector
This connector is used to connect the power adaptor to the piano.
t PEDAL connector
This connector is used to connect the pedal board to the piano.
13
Page 14
Setting Up the PianoSetting Up the Piano

Setting Up the Piano

1

Power

1. Connecting the power adaptor to the instrument
Connect the AC power adaptor to the DC IN terminal located on the underside of the instrument, as indicated below.
2. Connecting the power adaptor to an outlet

Preparation

Connect the AC power adaptor to an AC outlet.
3. Turning on the power
Press the [POWER] button, located on the right hand side of the instrument’s front panel.
The instrument will turn on, and the words “SK Concert Grand” will be shown in the display, indicating that the SK Concert Grand sound is selected, and the instrument is ready to be played.
* The CA59 digital piano incorporates power saving features that can
turn off the display and the instrument automatically after a specied period of inactivity. For more information, please refer to the “Auto Display O” and “Auto Power O” settings on pages 79 and 80.
14
Page 15
2

Key cover and music rest

Opening the key cover
Gently lift the key cover with both hands, then slowly push it back, into the instrument’s body.
To close the key cover, slowly pull the handle with both hands, then gently lower it downward.
* Please close the lid slowly in order to avoid injury.
Adjusting the music rest
Lift the music rest, then lower the metal prop (rear side) into the recessed holder to set the desired music rest angle.
* The music rest can be set to one of three dierent angle positions.
Prop and holder
To lower the music rest, gently lift the prop from the recessed holder, then lower the music rest.
* Please lower the music rest slowly in order to avoid injury.
Preparation
15
Page 16
Setting Up the PianoSetting Up the Piano
3

Volume and headphones

Adjusting the volume
The [MASTER VOLUME] slider controls the volume level of the instrument’s speakers, or headphones if connected.
Move the slider up to increase the volume, and down to decrease the volume.
Use this slider to set the volume to a comfortable listening level – the middle is often a good starting point.
* The MASTER VOLUME slider will also aect the volume level of the
LINE OUT connectors.
* The maximum volume level of the speakers can be reduced by using
the “Speaker Volume” setting. Please refer to page 71 for more information.
Increase
volume
Decrease
volume
Preparation
Using headphones
Use the jacks located beneath the keyboard on the left hand side, to connect stereo headphones to the CA59 digital piano. 1/4” and 1/8” connectors are provided for convenience.
Two pairs of headphones can be connected and used simultaneously.
When a pair of headphones is connected, sound will not be produced by the speakers. In addition, the headphones icon will appear at the top of the display.
Headphones connected
Attaching the headphone hook (optional)
A headphone hook is included with the CA59 digital piano and can be used to hang headphones when not in use.
If desired, attach the headphone hook to the underside of the keyboard as shown in the illustration opposite.
* For more information, please refer to the “Assembly Instructions” on
pa ge 132.
16
Page 17
4

Pedals

As with a grand piano, the CA59 digital piano features three pedals: sustain, sostenuto, and soft.
Sustain pedal (right pedal)
Depressing this pedal sustains the sound after one’s hands have been lifted from the keyboard – greatly enriching the piano sound, while also assisting smooth “legato” passages.
The sustain pedal is capable of responding to half pedaling.
Soft pedal
Sostenuto pedal
Sustain pedal
Soft pedal (left pedal)
Depressing this pedal softens the sound, reducing its volume.
When the Jazz Organ sound is selected, the soft pedal is also used to alternate the speed of the rotary simulation between “Slow” and “Fast” eect modes.
Pedal support bolt
A pedal support bolt is attached at the base of the pedal board to aid stability when the pedals are pushed.
Turn the bolt anti-clockwise until it makes contact with the oor and supports the pedals rmly. If the pedal support bolt does not make contact with the oor, the pedal board may become damaged.
When moving the instrument, always adjust or remove the pedal support bolt, then readjust when the instrument is in its new position.
Sostenuto pedal (centre pedal)
Depressing this pedal after playing the keyboard and before releasing the keys, sustains the sound of only those notes that have been played. Any keys that are subsequently played after the sostenuto pedal is depressed will not be sustained.
Pedal support bolt
Preparation
Caring for the pedals
If the surface of the pedals becomes dirty, clean the pedals using a dry dish-washing sponge. Do not attempt to clean the pedals using rust-removing solvents, abrasives or les.
Grand Feel Pedal System
The CA59 digital piano features the Grand Feel Pedal System, which replicates the sustain, soft, and sostenuto pedal weighting of a Shigeru Kawai SK Concert Grand piano.
17
Page 18
18
Page 19

Selecting Sounds

The CA59 digital piano features a wide selection of realistic instrument sounds suitable for various musical styles.
Sounds are arranged into eight categories, with several sounds assigned to each category button. For a complete
listing of available instrument sounds, please refer to page 9 of the MIDI Settings manual.
By default, the “SK Concert Grand” sound will be selected automatically when the instrument is turned on.
Selecting a sound
Press the desired SOUND button.
The LED indicator for the button will turn on to indicate that this category has been selected, and the name of the sound will be shown in the LCD display.
Changing the sound
Several sounds are assigned to each category button.
Press the selected category button repeatedly to cycle through the dierent sound variations.
LED indicator on:
Sound category is selected.
Example: To select the E.PIANO category, press the E.PIANO button.
× 3
The  or  buttons can also be used to select sounds and cycle through the dierent sound variations.
Example: To select the “SK-5 Grand Piano” sound, press the PIANO 1 button three times.

Basic Operation

19
Page 20
Dual ModeDual Mode

Dual Mode

The Dual Mode function allows two sounds to be layered together, creating a more complex sound.
For example, a piano sound layered with strings, or a church organ combined with a choir, etc.
1. Entering Dual mode
Press and hold a SOUND button to select the main sound, then press another SOUND button to select the layered sound.
The LED indicators for both SOUND buttons will turn on to indicate that Dual Mode is in use, and the respective sound names will be shown in the LCD display.
Main sound
Layered
sound
2a. Changing the main/layered sounds: Method 1
To select a dierent variation for the layered sound:
Press and hold the main SOUND button, then press the layered SOUND button repeatedly to cycle through the dierent sound variations.
hold
hold
Example: To change the layered “Slow Strings” sound to the “Warm Strings” sound, press and hold the PIANO 1 button, then press the STRINGS button t wice.
× 2
Basic Operation
To select a dierent variation for the main sound:
Press and hold the layered SOUND button, then press the main SOUND button repeatedly to cycle through the dierent sound variations.
2b. Changing the main/layered sounds: Method 2
It is also possible to change the main/layered sound without pressing and holding buttons.
Press the  or  buttons to move the selection cursor over the main sound or layered sound.
Press the  or  buttons to cycle through the dierent sound variations.
20
hold
Example: To change the main “SK Concert Grand” sound to the “Mellow Grand” sound, press and hold the STRINGS button, then press the PIANO 1 button three times.
buttons:

Change sound variation.
buttons:
Move selection cursor.
× 3
Page 21
Dual Mode settings
The Dual Mode settings menu allows characteristics of the combined sound to be adjusted.
Dual Mode settings
Dual Mode setting Description Default setting
Balance Adjust the volume balance between the main and layered sounds. 9 - 9
Layer Octave Shift Raise/lower the pitch of the layered sound in octave steps. 0
Dynamics Adjust the dynamic sensitivity of the layered sound relative to the main sound. 10
Entering the Dual Mode settings menu
While the Dual Mode screen is shown in the LCD display:
Press the
The Dual Mode settings menu will be shown in the LCD display.
Adjusting Dual Mode settings
After entering the Dual Mode settings menu:
Press the  or  buttons to move the selection cursor over the desired setting.
Press the  or  buttons to adjust the selected setting.
* To reset the current setting to the default value, press the  and 
buttons simultaneously.
Cycling between Dual, Split, and Four Hands modes
FUNCTION button (EDIT).
* Preferred Dual Mode settings can be stored to a Registration memory
for convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
buttons:

Adjust selected setting.
buttons:

Move selection cursor.
Basic Operation
When Dual Mode is selected, press the FUNCTION button to cycle between Split, Four Hands, and Dual modes.
Exiting Dual, Split, and Four Hands modes
Press the FUNCTION button (EXIT) to exit Dual, Split, and Four Hands modes.
21
Page 22
Split ModeSplit Mode

Split Mode

The Split Mode function divides the keyboard into two sections, allowing each section to be played with a dierent
sound. For example, a bass sound in the lower section, and a piano sound in the upper section.
1. Entering Split mode
After entering Dual Mode (page 20):
Press the
The Split Mode screen will be shown in the LCD display.
* The default split point is set between keys B3 and C4.
The upper section and lower section sound names will be shown in the LCD display. The LED indicator for the upper section sound button will turn on, and the LED indicator for the lower section sound button will start to ash.
* By default, the lower section will be set to the “Wood Bass” sound.
FUNCTION button (SPLIT).
Upper section sound
Lower
section
sound
2a. Changing the upper/lower section sounds: Method 1
To select a dierent sound for the upper section:
Press the desired SOUND button.
To select a dierent sound for the lower section:
Press and hold the desired SOUND button.
LED indicator on:
Upper section sound.
LED indicator ashing:
Lower section sound.
FUNCTION button (4HAND), then press the
Basic Operation
× 2
Example: To select the “Blues Organ” sound for the upper section, press the ORGAN button twice.
* Preferred Split Mode upper/lower section sound combinations can
be stored to a Registration memory for convenient recall. Please refer to page 35 for more information.
2b. Changing the upper/lower section sounds: Method 2
It is also possible to change the upper/lower section sound without pressing and holding buttons.
Press the  or  buttons to move the selection cursor over the upper section or lower section sound.
Press the  or  buttons to cycle through the dierent sound variations.
22
hold
Example: To select the “W. Bass & Ride” sound for the lower section, press and hold the 1 FUNCTION button, then press the BASS button three times.
buttons:

Change sound variation.
buttons:
Move selection cursor.
× 3
Page 23
3. Changing the split point
Press and hold the FUNCTION button (4HAND), then press the desired split key on the keyboard.
The name of the pressed key will briey be shown in the LCD display, and will become the new split point.
Upper sectionLower section
hold
New split point
Split Mode settings
The Split Mode settings menu allows characteristics of the Split Mode sound and operation to be adjusted.
Split Mode settings
Split Mode setting Description Default setting
Balance Adjust the volume balance between the upper and lower sections. 9 - 9
Lower Octave Shift Raise/lower the pitch of the lower section sound in octave steps. 0
Lower Pedal Enable/disable the sustain pedal for the lower section sound. O
Split Point Specify the point along the keyboard that divides the upper and lower sections. C4
Entering the Split Mode settings menu
While the Split Mode screen is shown in the LCD display:
Press the
FUNCTION button (EDIT).
Basic Operation
The Split Mode settings menu will be shown in the LCD display.
Adjusting Split Mode settings
After entering the Split Mode settings menu:
Press the  or  buttons to move the selection cursor over the desired setting.
Press the  or  buttons to adjust the selected setting.
* To reset the current setting to the default value, press the  and 
buttons simultaneously.
* Preferred Split Mode settings can be stored to a Registration memory
for convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
buttons:

Adjust selected setting.
buttons:
Move selection cursor.
23
Page 24
Four Hands ModeFour Hands Mode

Four Hands Mode

The Four Hands Mode function divides the keyboard into two sections in a similar way to that of the Split Mode
function. However, with Four Hands Mode enabled, the octave/pitch of each section is automatically adjusted to
create two separate 44-key instruments with the same playing range. Furthermore, the sustain (right) pedal and
soft (left) pedal act as separate sustain pedals for the respective upper and lower sections, allowing two people to
perform piano duets using a single instrument.
1. Entering Four Hands mode
After entering Dual Mode (page 20):
Press the then press the Four Hands Mode.
* The default four hands mode split point is set bet ween keys E4 and F4.
The Four Hands Mode screen and right/left section sound names will be shown in the LCD display.
FUNCTION button (SPLIT) once to enter Split Mode,
FUNCTION button (4HAND) again to select
Right section sound
section
sound
Left
* By default, the right and left sections will both be set to the “SK
Concert Grand” sound.
2a. Changing the right/left section sounds: Method 1
To select a dierent sound for the right section:
Press the desired SOUND button.
To select a dierent sound for the left section:
Press and hold the desired SOUND button.
FUNCTION button (DUAL), then press the
Basic Operation
Example: To select the “Classic E.Piano.” sound for the right section, press the E.PIANO button.
* Preferred Four Hands Mode right/left section sound combinations
can be stored to a Registration memory for convenient recall. Please refer to page 35 for more information.
2b. Changing the right/left section sounds: Method 2
It is also possible to change the right/left section sound without pressing and holding buttons.
Press the  or  buttons to move the selection cursor over the right section or left section sound.
Press the  or  buttons to cycle through the dierent sound variations.
24
hold
Example: To select the “Upright Piano” sound for the left section, press and hold the 1 FUNCTION button, then press the PIANO2 button.
buttons:

Change sound variation.
buttons:
Move selection cursor.
Page 25
3. Changing the Four Hands mode split point
Press and hold the FUNCTION button (DUAL), then press the desired split key on the keyboard.
The name of the pressed key will briey be shown in the LCD display, and will become the new split point.
Right sectionLeft section
hold
New split point
Four Hands Mode settings
The Four Hands Mode settings menu allows characteristics of the Four Hands Mode sound to be adjusted.
Four Hands Mode settings
Four Hands Mode setting Description Default setting
Balance Adjust the volume balance between the upper and lower sections. 9 - 9
Right Octave Shift Raise/lower the pitch of the right section sound in octave steps. – 2
Left Octave Shift Raise/lower the pitch of the left section sound in octave steps. + 2
Split Point Specify the point along the keyboard that divides the right and left sections. F4
Entering the Four Hands Mode settings menu
While the Four Hands Mode screen is shown in the LCD display:
Press the
FUNCTION button (EDIT).
Basic Operation
The Four Hands Mode settings menu will be shown in the LCD display.
Adjusting Four Hands Mode settings
After entering the Four Hands Mode settings menu:
Press the  or  buttons to move the selection cursor over the desired setting.
Press the  or  buttons to adjust the selected setting.
* To reset the current setting to the default value, press the  and 
buttons simultaneously.
* Changes made to the Four Hands Mode settings will not aect the
Split Mode settings, and vice versa.
* Preferred Four Hands Mode settings can be stored to a Registration
memory for convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
buttons:

Adjust selected setting.
buttons:
Move selection cursor.
25
Page 26
ReverbReverb

Reverb

Reverb adds reverberation to the sound, simulating the acoustic environment of a recital room, stage, or concert
hall. Some sound types, such as acoustic piano, enable reverb automatically in order to improve acoustic realism.
The CA59 digital piano features six dierent reverb types.
Reverb types
Reverb type Description
Room Simulates the ambiance of a small rehearsal room.
Lounge Simulates the ambience of piano lounge.
Small Hall Simulates the ambiance of a small hall.
Concert Hall Simulates the ambiance of a concert hall or theater.
Live Hall Simulates the ambiance of a live hall or stage.
Cathedral Simulates the ambiance of a large cathedral.
1. Turning Reverb on/o
Basic Operation
Press the REVERB button to turn reverb on/o.
The LED indicator for the REVERB button will turn on to indicate when reverb is in use, and the current status will briey be shown in the LCD display.
Reverb
Reverb type
status
Reverb settings
The Reverb settings menu allows the type and characteristics of the reverb to be adjusted.
Reverb settings
Reverb setting Description Range
Typ e Changes the type of environment.
Depth Adjusts the depth of the environment (i.e. amount of reverberation to apply). 1~10
Time Adjusts the decay length/speed of the reverberation. 1~10
26
Page 27
Entering the Reverb settings menu
Press and hold the REVERB button.
The Reverb settings menu will be shown in the LCD display.
Adjusting Reverb settings
hold
After entering the Reverb settings menu:
Press the  or  buttons to move the selection cursor over the desired setting.
Press the  or  buttons to adjust the selected setting.
* To reset the current setting to the default value, press the  and 
buttons simultaneously.
Exiting the Reverb settings menu
Press the FUNCTION button (EXIT) to exit the Reverb settings menu.
* Reverb settings are independent for each sound variation.
* Any changes made to the reverb type, settings, or on/off status will
remain until the power is turned o.
* Preferred reverb settings can be stored to a Registration memory for
convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
buttons:

Adjust selected setting.
buttons:
Move selection cursor.
Basic Operation
27
Page 28
EectsEects
Eects
In addition to reverb, various other eects can be applied to the selected sound, altering the tonal character
and feeling of the instrument. As with reverb, some sound types enable certain eects automatically in order to
enhance tonal quality. The CA59 digital piano features 19 dierent eect types, with 2 combination eects, and 3
additional amplied eects.
Eect types
Eect type Description
Mono Delay Applies an echo eect to the sound, playing through both speakers simultaneously.
Ping Delay Applies a “ping pong” echo eect to the sound, giving the impression that it is “bouncing” from left to right.
Triple Delay Similar in principle to Ping Delay, but with an additional centre echo.
Chorus Layers a slightly detuned version of the sound over the original, thus enriching its tonal character.
Classic Chorus Similar in principle to Chorus, but intended for vintage electric piano sounds.
Ensemble Applies a three-phase chorus to the sound, providing additional richness.
Tremolo Continuously varies the volume at a constant speed, adding a vibrato type eect to the sound.
Classic Tremolo Similar in principle to Tremolo, but intended for vintage electric piano sounds.
Vibrato Tremolo Similar in principle to Tremolo, but with an additional Vibrato eect applied.
Auto Pan Alternates the sound output from left to right across the stereo eld using a sine wave.
Classic Auto Pan Similar in principle to Auto Pan, but intended for vintage electric piano sounds.
Phaser Applies a cyclic phase change to the sound, giving the impression that the sound is moving.
Classic Phaser Similar in principle to Phaser, but intended for vintage electric piano sounds.
Simulates the sound of a rotary speaker commonly used with vintage electronic organs.
Rotary (1~ 6)
Combination Eects
Amplied Eects
There are three dierent levels of overdrive, with and without a Chorus eect.
* The soft pedal can be used to alternate the speed of the rotary simulation between “Slow” and “Fast” eect modes.
Dierent combinations of the above eects, applied simultaneously.
* Combination eect types: Phaser+Chorus, Phaser+AutoPan
A selection of the above eects, with a vintage electric piano speaker eect applied.
* Amplied eect types: Tremolo+Amp, Auto Pan+Amp, Phaser+Amp
Basic Operation
1. Turning Eects on/o
Press the EFFECTS button to turn eects on/o.
The LED indicator for the EFFECTS button will turn on to indicate when eects are in use, and the current status will briey be shown in the LCD display.
Eect
Eect type
Eects settings
Eect type Eect setting Description
Mono Delay / Ping Delay / Triple Delay Dry / Wet Adjust the intensity of the delay.
Chorus / Ensemble Dry / Wet Adjust the intensity of the chorus.
status
Time Adjust the interval of time between each delay.
Speed Adjust the speed of the chorus.
28
Page 29
Eects settings (cont.)
Eect type Eect setting Description
Classic Chorus Mono / Stereo Toggle between a Mono or Stereo eect.
Speed Adjust the speed of the chorus.
Tremolo / Classic Tremolo / Vibrato Tremolo Dry / Wet Adjust the intensity of the tremolo.
Speed Adjust the speed of the tremolo.
Auto Pan / Classic Auto Pan Dry / Wet Adjust the intensity of the pan.
Speed Adjust the speed of the pan.
Phaser / Classic Phaser Dry / Wet Adjust the intensity of the phaser.
Speed Adjust the speed of the phaser.
Rotary Accel. Speed Adjust the acceleration speed between slow and fast modes.
Rotary Speed Adjust the speed of the rotary speaker.
Combination Eects / Amplied Eects Dry / Wet Adjust the intensity of the eects.
Speed Adjust the speed of the eects.
Entering the Eects settings menu
Press and hold the EFFECTS button.
The Eects settings menu will be shown in the LCD display.
Adjusting Eects settings
After entering the Eects settings menu:
Press the  or  buttons to move the selection cursor over the desired setting.
Press the  or  buttons to adjust the selected setting.
* To reset the current setting to the default value, press the  and 
buttons simultaneously.
Exiting the Eects settings menu
Press the FUNCTION button (EXIT) to exit the Eects settings menu.
* Eects settings are independent for each sound variation.
* Any changes made to the eects type, settings, or on/off status will
remain until the power is turned o.
* Preferred eects settings can be stored to a Registration memory for
convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
hold
buttons:

Adjust selected setting.
buttons:
Move selection cursor.
Basic Operation
29
Page 30
Virtual TechnicianVirtual Technician

Virtual Technician

In addition to the reverb and eects functions, the overall character of the CA59 acoustic piano sounds can also be
dramatically adjusted using the instrument’s Virtual Technician feature. There are two methods of using the Virtual
Technician: Smart Mode and Advanced Mode.
1

Smart Mode

In Smart Mode, the Virtual Technician intelligently performs a collection of adjustments for the player, based on
ten preset attributes such as “Soft” or “Strong”, “Brilliant” or “Dark”. This mode is recommended for musicians that
wish to enjoy dierent piano characteristics, without delving into the individual parameters of Advanced Mode.
1. Entering Virtual Technician Smart Mode
While the normal playing mode screen is shown in the LCD display:
Basic Operation
Press the
The Virtual Technician menu will be shown in the LCD display, and Smart Mode will be selected automatically.
Press the FUNCTION button (EDIT).
The list of Smart Mode presets will be shown in the LCD display.
FUNCTION button (VT).
2. Selecting the Virtual Technician preset
While the Smart Mode presets screen is shown in the LCD display:
Press the  or  buttons to selec t the desired Virtual Technician Smart Mode preset.
* Smart Mode will be disabled by default (“O” preset). When disabled,
the Advanced Mode Virtual Technician parameter settings will used.
buttons:

Select Virtual Technician preset
The Virtual Technician adjustments will be applied to the selected sound immediately.
30
* Smart Mode presets are independent for each sound variation.
* The selected Smart Mode preset will be used for the current sound
variation until the power is turned o. However, it is possible to store a Smart Mode preset to a sound. For more information, please refer to the instructions on the following page.
Page 31
Showing the Virtual Technician Help screen
Press the FUNCTION button (HELP).
A brief explanation about the currently selected Virtual Technician preset will be shown in the LCD display.
Press the  or  buttons to scroll through the explanation if necessary.
Press the FUNCTION button (BACK) to return to the Virtual Technician preset selection screen.
Storing the Virtual Technician preset to the selected sound
After selecting the Smart Mode preset:
Press the
The selected Smart Mode preset will be saved to the current sound variation, and a conrmation message will briey be shown in the LCD display.
2
In Advanced Mode, the player is given full control over every aspect of the piano’s conguration, allowing precise
adjustments over hammer hardness, action regulation, cabinet size, and a variety of other acoustic characteristics.
This mode is recommended for musicians that enjoy ne-tuning individual details of the piano sound in order to
suit their personal preferences.
* For more information about the individual Virtual Technician parameters, please refer to page 81.
Entering Virtual Technician Advanced Mode
FUNCTION button (STORE).
* The stored Smart Mode preset will be retained after the power is
turned o, and will be used automatically whenever the sound variation is selected.

Advanced Mode

Basic Operation
While the normal playing mode screen is shown in the LCD display:
Press and hold the
The Virtual Technician Settings menu will be shown in the LCD display, allowing parameters to be adjusted in Advanced Mode.
FUNCTION button (VT).
hold
* It is also possible to access Advanced Mode via the Virtual Technician
menu, or by selecting Virtual Tech. in the Function menus.
* It is also possible to make adjustments to a Smart Mode preset
by selecting it, and then entering Advanced Mode. However, any adjustments cannot be re-stored back to the Smart Mode preset list.
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Metronome / Drum RhythmsMetronome / Drum Rhythms

Metronome / Drum Rhythms

The Metronome function provides a steady beat to aid practicing the piano at a consistent tempo. In addition
to regular metronome beats, the CA59 digital piano also features a variety of drum rhythms to accompany most
playing styles and musical genres.
For a complete listing of available drum rhythms, please refer to page 144 of this owner’s manual.
Turning the Metronome on/o
Press the METRONOME button.
The LED indicator for the METRONOME button will turn on to indicate that the metronome function is in use, and a 4/4 beat will start to count.
The current metronome tempo in beats per minute (BPM) and beat of the bar will also be shown in the LCD display.
Basic Operation
BeatTem po
Press the METRONOME button again to stop the metronome. The LED indicator for the METRONOME button will turn o.
Metronome settings
The Metronome settings menu allows the tempo, beat, and volume of the metronome to be adjusted.
Metronome settings
Metronome setting Description Range
Tempo Adjust the tempo of the metronome beat / drum rhythm in beats per minute (BPM). 10~400 bpm
Beat
Volume Adjusts the volume of the metronome beat / drum rhythm. 1~10
Change the metronome beat (time signature) / drum rhythm.
* There are ten dierent time signature available: 1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, and 12/8.
Entering the Metronome settings menu
Press and hold the METRONOME button.
The Metronome settings menu will be shown in the LCD display.
32
hold
Page 33
Adjusting Metronome settings
After entering the Metronome settings menu:
Press the  or  buttons to move the selection cursor over the desired setting.
Press the  or  buttons to adjust the selected setting.
* To reset the current setting to the default value, press the  and 
buttons simultaneously.
Drum rhythms
As an alternative to the simple metronome count, it is also possible to select a drum pattern from one of 100 dierent rhythm styles.
Enter the Metronome settings menu and select the Beat setting. Press the  or  buttons to cycle through the available beats until reaching the “8 Beat 1” drum rhythm.
Drum rhythm
buttons:

Adjust selected setting.
buttons:
Move selection cursor.
buttons:

Select drum rhythm.
Continue to press the  or  buttons to select the desired drum rhythm.
* For a complete listing of available drum rhythms, please refer to page
144 of this owner’s manual.
Exiting the Metronome settings menu
Press the FUNCTION button (EXIT) to exit the Metronome settings menu.
* Any changes made to the metronome tempo, beat, or volume
settings will remain until the power is turned o.
* Preferred metronome settings can be stored to a Registration
memory for convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
Recording with the metronome
It is also possible to record songs with the metronome activated. This is useful when recording parts separately, or wishing to maintain correct timing throughout complex passages. Note that the standard metronome “click” will not be heard when the song is played back.
* For more information about the instrument’s Recorder function, please refer to page 50.
Basic Operation
33
Page 34
Registration MemoriesRegistration Memories

Registration Memories

The Registration function allows the current instrument setup (sound selections, split point, reverb and eect
settings, and various other panel options) to be stored to a memory and conveniently recalled at the touch of a
button. There are two banks (“A” and “B”) for each registration button, allowing up to 16 dierent registration
memories to be stored.
Registrations can also be loaded/saved to a USB memory device. Please refer to pages 117/122 for more information.
Functions and Settings stored in Registration memories
Functions
Selected sound (including primary sound for each category)
Dual Mode / Split Mode / Four Hands Mode (including settings)
Reverb, Eects (Type, Settings)
Metronome (Beat, Tempo, Volume)
1

Selecting a Registration memory

Entering Registration mode
Press the REGISTRATION button.
The LED indicator for the REGISTRATION button will turn on to indicate that the registration function is in use.
Selecting a Registration memory
Settings
Basic Settings (with exceptions)
Virtual Technician Settings
MIDI Settings
* Changes made to the Auto Power Off setting will be stored to User
Memory automatically.
* For a complete list ing of the settings that can b e stored to Registratio n
memories, please refer to pages 141~142.
Basic Operation
When the registration function is in use:
Press the memory bank “A” and “B”.
Press a SOUND button to sel ect the desired registration mem ory.
The name of the selected registration memory will be shown in the LCD display.
Registration
Exiting Registration mode
Press the REGISTRATION button.
The LED indicator for the REGISTRATION button will turn o, and the button panel will return to normal operation.
FUNCTION button to toggle between registration
name
Select
Bank A/B
34
Example: To select registration memory B-3 (when bank “A” is selected), press the FUNCTION button, then press the E.PIANO (memory 3) button.
Page 35
2

Storing a Registration memory

1. Entering Registration Store mode
While the normal playing mode screen is shown in the LCD display:
Press and hold the REGISTRATION button.
The registration memory (SOUND) buttons will start to ash.
2. Selecting the Registration memory
Press the or FUNCTION buttons to select the registration memory bank “A” and “B”, then press a registration memory (SOUND) button.
The Registration name screen will be shown in the LCD display.
hold
3. Naming the Registration memory
Enter a name for the registration memory by pressing the
or  buttons to cycle through the alphanumeric characters,
and the  or  buttons to move the cursor.
4. Storing the Registration to memory
Press the FUNCTION button (STORE) to conrm the store operation, or the
Upon storing, a beep will sound and a conrmation message will briey be shown in the LCD display.
FUNCTION button (EXIT) to cancel.
Example: To store the current instrument setup to memory A-2, press the FUNCTION button, then press the PIANO 2 (memory 2) button.
buttons:

Move selection cursor.
buttons:
Select character.
STORE EXIT
Basic Operation
The current instrument setup will be stored to the selected registration memory with the specied name.
* The stored registration will remain in memory after the instrument is
turned o, or if the instrument ’s power cable is disconnected from the wall outlet.
35
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Registration Memories
3

Registration Edit menu

The Registration Edit menu allows the currently selected registration memory to be opened in normal playing
mode (for further adjustment, or simply to check which sounds are used etc.), or to be saved to USB memory.
Entering the Registration Edit menu
When the registration function is in use:
Press the
The Registration Edit menu will be shown in the LCD display.
Opening the Registration
Press the  or  buttons to select the Open Registration function, then press the
The currently selected registration memory will be opened in normal playing mode, allowing additional changes and adjustments to be made.
FUNCTION button (EDIT).
FUNCTION button (OK).
buttons:
Move selection cursor.
* For more information about storing the adjusted registration, please
refer to page 35.
Basic Operation
Saving the current Registration memory to USB
Press the  or  buttons to select the Save Registration function, then press the
The Save Regist Single function of the USB Menu will be shown in the LCD display, with the current registration selected.
* Please refer to the Save Registration Single instructions on page 122.
Resetting all Registration memories
Press and hold the REGISTRATION and REC buttons, then turn the instrument’s power o/on. All registrations will be reset to the factory default settings.
FUNCTION button (OK).
36
buttons:
Move selection cursor.
Page 37

Panel Lock

The Panel Lock function allows the state of all panel buttons to be temporarily locked, preventing sounds and other
settings from being changed. This function may prove useful in teaching environments, ensuring that students are
not distracted by changing sounds etc.
1. Activating the Panel Lock
While the normal playing mode screen is shown in the LCD display:
Press the  and  buttons simultaneously.
The Panel Lock screen will be shown in the LCD display, and the instrument will stop responding to panel button presses.
* The Panel Lock can only be activated from the main playing screen.
* When activated, the Panel Lock will remain until the power is turned
o, or the lock is deactivated.
* While Panel Lock is activated, the LED indicators for all buttons will
turn o, however the LED indicator for the ash.
FUNCTION button will
2. Deactivating the Panel Lock
While the Panel Lock is activated:
Press and hold the
The Panel Lock will be deactivated, and the instrument will resume responding to panel button presses as normal.
FUNCTION button (UNLOCK).
hold
Basic Operation
37
Page 38
Demo Songs

Demo Songs

The Demo function provides an excellent introduction to the varied capabilities of CA59 digital piano. There are
over 30 dierent demonstration songs available, highlighting the instruments’ rich selection of high quality sounds
and its power speaker system.
For a complete listing of demonstration songs, please refer to page 140 of this owner’s manual.
Entering Demo mode
Press the FUNCTION button (MUSIC).
The Music Menu will be shown in the LCD display. Demo mode will be selected automatically.
Basic Operation
Press the FUNCTION (ENTER) or PLAY/STOP buttons.
The LED indicator for the PIANO 1 button will start to ash, and the “SK Concert Grand” demo song will start to play.
Selecting a demo song
While Demo mode is selected:
Press a SOUND button to select a sound category. The rst demo song of the sound category will start to play.
Press the  or  buttons to cycle through the demo songs in the selected sound category, and the  or  buttons to cycle through the dierent sound categories.
* When the selected song has nished, the next demo song in the
category will begin to play automatically.
or
buttons:

Select demo song
Stopping the demo song and exiting Demo mode
Press the FUNCTION (BACK) or PLAY/STOP buttons while the song demo is playing.
The LED indicator for the selected SOUND button will stop ashing, and the song demo will stop playing.
Press the FUNCTION (EXIT) button to exit the Music Menu.
38
buttons:
Select sound category
Page 39

Piano Music

In addition to the sound demonstration songs, the CA59 digital piano also features a selection of popular classical
piano works from the Baroque and Romantic periods. Notated scores are provided in the separate “Classical Piano
Collection” book*, assisting the musical appreciation and study of each piece.
For a complete listing of Piano Music pieces, please refer to the separate “Internal Song Lists” booklet.
Entering Piano Music mode
Press the FUNCTION button (MUSIC), then press the  or  buttons to select Piano Music mode.
Press the FUNCTION (ENTER) or PLAY/STOP buttons.
The LED indicator for the PIANO 1 button will start to ash, and the piece “Tambourin” by Rameau will start to play.
* Depending on market location.
Selecting a piano music piece
While Piano Music mode is selected:
Press the  or  buttons to cycle through the dierent piano music pieces.
The title and composer of the selected piece will be shown in the LCD display.
Title
Composer
Replaying the selected piano music piece
When the selected piano music piece has nished:
Press the PLAY/STOP button to replay the piano music piece.
* The balance of the left hand and right hand parts can be adjusted by
pressing the FUNCTION (EDIT) button, and adjusting the Balance setting.
Basic Operation
Stopping the piano music piece and exiting Piano Music mode
Press the FUNCTION (BACK) or PLAY/STOP buttons while the piano music piece is playing.
The LED indicator for the PLAY/STOP button will turn o, and the piano music piece will stop playing.
Press the FUNCTION (EXIT) button to exit the Music Menu.
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Page 40
Lesson FunctionLesson Function

Lesson Function

The Lesson function allows budding pianists to practice the piano using a selection of built-in song books and
nger exercises. The left and right hand parts of each piece can be practiced separately, adjusting the tempo to
perfect dicult passages, before being recorded for self-evaluation.
Built-in lesson mode song books
Alfred Lesson Books
Alfred’s Premier Piano Course Lesson 1A
Alfred’s Premier Piano Course Lesson 1B
Alfred’s Basic Piano Library Lesson Book Level 1A
Alfred’s Basic Piano Library Lesson Book Level 1B
Alfred’s Basic Adult Piano Course Lesson Book Level 1
* Lesson books sold separately – please refer to the separate “Internal
Song Lists” booklet for more information.
1

Selecting a lesson book/song

1. Entering lesson mode
Press the FUNCTION button (MUSIC), then press the  or  buttons to select Lesson Mode.
Classical Lesson Books
Burgmüller 25 (25 Etudes Faciles, Opus 100)
Czerny 30 (Etudes de Mécanisme, Opus 849)
Czerny 100 (Hundert Übungsstücke, Opus 139)
Beyer 106 (Vorschule im Klavierspiel, Opus 101)
J.S. Bach: Inventionen
Sonatinen Album 1
Chopin Walzer (Chopin waltzes series 1-19)
Basic Operation
Press the FUNCTION button (ENTER) to enter lesson mode.
The name of the selected lesson book, song, and current bar will be shown in the LCD display.
2. Selecting a lesson book/song
Press the  or  buttons to move the selection cursor over the lesson book name or song title.
Press the  or  buttons to cycle through the dierent lesson books and song titles.
Book name
Song title
It is also possible to select songs by pressing and holding the
FUNCTION button (EDIT), then pressing the relevant key on
the keyboard.
40
buttons:

Select lesson book/song.
buttons:
Move selection cursor.
* Please refer to the separate “Internal Song Lists” booklet for a
complete listing of available lesson books/songs and corresponding key numbers.
Page 41
2

Listening to the selected lesson song

This page will explain how to play and stop the selected lesson song, and change the playback position.
1. Playing the lesson song
After selecting a lesson book and song:
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn on, and a one bar count-in will be heard before the song starts to play.
* If the rst bar of the song begins on an “up” beat (i.e. pickup notes),
the rst bar number will be shown as zero in the LCD display.
* The metronome will not continue after the count-in bar, but can be
turned on manually by pressing the METRONOME button.
2. Changing the playback position (Bar)
Press the  or  buttons to move the selection cursor over the third line of the LCD display (Bar).
Press the  or  buttons to rewind or cue the playback position (Bar) of the current song.
Current bar
It is also possible to rewind or cue the playback position without selecting “Bar”, by pressing the REVERB or EFFECTS buttons.
To reset the playback position to the rst bar of the song, press the REVERB and EFFECTS buttons simultaneously.
Stopping and resuming the lesson song
While the lesson song is playing:
Press the PLAY/STOP button to stop the lesson song playback.
buttons:

Change playback position.
buttons:
Move selection cursor.
Basic Operation
Press the PLAY/STOP button once again to resume playback from the stopped position.
3. Exiting lesson mode
Press the FUNCTION (EXIT) button to exit the Music Menu.
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Lesson FunctionLesson Function
3

Lesson Function settings

The Lesson Function settings menu allows the left and right-hand part volumes of the current lesson song to be
adjusted, allowing each part to be practiced separately. It is also possible to adjust the playback tempo of the
current lesson song, allowing dicult passages to be practised more conveniently.
Lesson Function settings
Lesson Function setting Description Default setting
Balance Adjust the volume balance between the left and right-hand parts. 9 - 9
Tempo Adjust the playback tempo of the current lesson song in beats per minute (BPM). Song specic
Entering the Lesson Function settings menu
After selecting a lesson book and song:
Basic Operation
Press the
The Lesson Function settings menu will be shown in the LCD display.
Adjusting the left/right-hand part volume
Press the  or  buttons to move the selection cursor over the Balance setting, then press the  or  buttons to adjust the volume of the left/right-hand part volume.
Increasing the volume of the left-hand part will reduce the volume of the right-hand part, and vice versa.
* If the Beyer lesson book is selected, increasing the left-hand value will
decrease the volume of the student’s part, while increasing the right­hand value will decrease the volume of the teacher’s part.
FUNCTION button (EDIT).
buttons:

Adjust left/right-hand volume.
Example: To practice the right-hand part while listening to the left-hand part, set the volume balance to 9 - 1.
Adjusting the playback tempo of the lesson song
Press the  or  buttons to move the selection cursor over the Tempo setting, then press the  or  buttons to adjust the playback tempo of the lesson song.
* To reset the playback tempo of the se lected lesson song to th e default
value, press the  and  buttons simultaneously.
42
buttons:

Adjust playback tempo.
Page 43
4

Repeating sections of a lesson song

The “A-B Loop” feature of the Lesson Function allows sections of the selected lesson song to be “looped” between
two points in order to practise dicult passages continuously.
1. Playing the lesson song
After selecting a lesson book and song:
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn on, and a one bar count-in will be heard before the song starts to play.
2. Specifying the start point (A) of the loop
Press the FUNCTION button (A-B) to specify the start point of the loop.
The LED indicator for the FUNCTION button will start to ash, indicating that the start point (A) of the loop has been set.
Point “A” set
3. Specifying the end point (B) of the loop
Press the FUNCTION button (A-B) again to specify the end point of the loop.
The LED indicator for the FUNCTION button will turn on, indicating that the end point of the (B) of the loop has been set.
Point “B” set:
loop active
The dened “A-B” section of the lesson song will repeat (loop), allowing the passage to be practiced continuously.
4. Cancelling the “A-B” loop
Press the FUNCTION button (A-B) once again to cancel the loop.
Basic Operation
* The Balance and Tempo lesson function settings can continue to be
adjusted while the A-B loop is in operation.
The LED indicator for the FUNCTION button will turn o, and the lesson song will resume normal playback.
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Lesson FunctionLesson Function
5

Recording a lesson song practice

The Lesson Function’s Record feature allows the left or right-hand parts of the selected lesson song to be recorded
to internal memory, and then played back for self-evaluation.
1. Starting the lesson song recording
After selecting a lesson book and song:
Press the REC button.
The LED indicators for the REC and PLAY/STOP buttons will turn on to indicate that recording mode is in use.
* It may be desirable to adjust the Balance and Tempo lesson function
settings before starting the recording.
Basic Operation
A one bar count-in will be heard before the lesson song starts to play and record.
2. Stopping the lesson song recording
Press the PLAY/STOP button.
The LED indicators for the REC and PLAY/STOP buttons will turn o, and the lesson song recording and playback will stop.
3. Playing back the recorded lesson song
Press the PLAY/STOP button again.
The LED indicator for the PLAY/STOP button will turn on, and a one bar count-in will be heard before the recorded lesson song starts to play.
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP button will turn o, and the recorded lesson song will stop playing.
44
* The Balance and Tempo lesson function settings can continue to be
adjusted while the recorded lesson song practise is playing.
* The “A-B” loop function cannot be used when recording a lesson song
practice.
* Press the REC and PLAY/STOP buttons simultaneously to erase the
recorded lesson song practice. The recorded practice will be erased automatically when a dierent lesson song is selected.
Page 45
6

Finger Exercises

The lesson function also includes a selection of nger exercises for practicing major and minor scales, arpeggios,
chords, cadences, and Hanon exercises, with notated scores provided in the separate “Finger Exercises” book.
The CA59 digital piano can also evaluate one’s practice, analysing note accuracy, timing evenness, and note volume
consistency, before displaying results for each category. Using this function, players can objectively review their
performances, and concentrate on improving a particular area of their technique.
1. Selecting and recording a Hanon nger exercise
While Lesson mode is in use:
Select the Hanon lesson book, then select a song number.
* It may be desirable to adjust the Balance and Tempo lesson function
settings before starting the recording.
Press the REC button.
The LED indicators for the REC and PLAY/STOP buttons will turn on to indicate that recording mode is in use. A one bar count-in will be heard before the nger exercise starts to play and record.
2. Evaluating the recorded nger exercise
Press the PLAY/STOP button
The LED indicators for the REC and PLAY/STOP buttons will turn o, and the nger exercise recording and playback will stop.
The recorded practice will be evaluated for note accuracy, timing evenness, and volume consistency, with the results shown alternately in the LCD display.
* Press the REC and PLAY/STOP buttons simultaneously to erase the
recorded lesson song practice. The recorded practice will be erased automatically when a dierent lesson song is selected.
3. Playing back the recorded nger exercise
Basic Operation
Press the PLAY/STOP button again.
The LED indicator for the PLAY/STOP button will turn on, and a one bar count-in will be heard before the recorded nger exercise starts to play.
Press the PLAY/STOP button once again.
The LED indicator for the PLAY/STOP button will turn o, and the recorded nger exercise song will stop playing.
* Press  or  buttons to cycle through the evaluation results. The
recorded nger exercise can be replayed even after cancelling the evaluation result screen.
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Page 46
Concert MagicConcert Magic

Concert Magic

The Concert Magic function allows complete beginners to enjoy playing the piano by simply selecting one of the
176 pre-programmed songs, then tapping the keyboard with a steady rhythm and tempo.
For a complete listing of available Concert Magic songs, please refer to the separate “Internal Song Lists” booklet.
1

Performing a Concert Magic song

The 176 Concert Magic songs are divided into banks “A” and “B”, with each bank containing 88 songs.
1. Entering Concert Magic mode
Press the FUNCTION button (MUSIC), then press the  or  buttons to select Concert Magic.
Basic Operation
Press the FUNCTION button (ENTER) to enter Concert Magic.
The bank, number, and name of the selected Concert Magic song will be shown in the LCD display.
2. Selecting a Concert Magic song
While Concert Magic mode is in use:
Press and hold the key to which the Concert Magic song (bank “A”) is assigned.
A Concert Magic song from bank “A” will be selected, with the song number and name shown in the LCD display.
* To select a song from bank “B”, press the same key again. Repeatedly
pressing the same key will alternate between banks “A” and “B”.
FUNCTION button (EDIT), then press the
3. Performing the selected Concert Magic song
Press a key on the keyboard.
hold
The song will advance with every key that is pressed. Pressing the keys gently will produce a soft sound, while pressing heavily will produce a loud sound.
As the song advances, the  symbols shown in the LCD will be replaced by
symbols. This is called the Note Navigator.
46
Page 47
4. Changing the Concert Magic playback sound
Press a SOUND button to change the sound used for the Concer t Magic song (melody and accompaniment parts).
It is also possible to select independent sounds for the melody and accompaniment parts:
Press the FUNCTION button (SPLIT), to enable Concert Magic split mode.
Press a SOUND button to change the melody sound.
Press and hold the SOUND button to change the accompaniment sound.
FUNCTION button (SPLIT), then press a
hold
5. Exiting Concert Magic mode
Press the FUNCTION button (BACK), to exit Concert Magic mode.
2

Concert Magic demo mode

This function allows all of the Concert Magic songs to be played back randomly or in designated categories.
Random playback
Enter Concert Magic mode and select the desired song.
Press the PLAY/STOP button.
All 176 Concert Magic songs will be played in a random order until the PLAY/STOP button is pressed again.
Basic Operation
Category playback
Enter Concert Magic mode and select the desired song.
Press and hold the PLAY/STOP button.
Songs in the same category as the selected song, will be played in sequential order until the PLAY/STOP button is pressed again.
FUNCTION button (EDIT), then press the
hold
Example: If the song “Row, Row, Row Your Boat” is selected, all other songs in the “Children’s Songs” category will be played.
47
Page 48
Concert MagicConcert Magic
3

Concert Magic settings

The Concert Magic settings menu allows the playback tempo, playing mode, and volume balance to be adjusted.
Concert Magic settings
Concert Magic setting Description Default setting
Tempo Adjust the playback tempo of the Concert Magic song in beats per minute (BPM). Song specic
Mode Change the Concert Magic playing mode (see below). Normal
Balance Adjust the volume balance between the melody and accompaniment parts. 9 - 9
Entering the Concert Magic settings menu
While Concert Magic mode is in use:
Basic Operation
Press the
The Concert Magic settings menu will be shown in the LCD display.
Adjusting Concert Magic settings
After entering the Concert Magic settings menu:
Press the  or  buttons to move the selection cursor over the desired setting.
Press the  or  buttons to adjust the selected setting.
* To reset the current setting to the default value, press the  and 
buttons simultaneously.
FUNCTION button (EDIT).
buttons:

Adjust selected setting.
buttons:
Move selection cursor.
Steady Beat mode
Steady Beat mode allows all Concert Magic songs to be played by simply tapping any key with a constant steady
beat, regardless of the song arrangement type.
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4

Concert Magic song arrangement types

Concert Magic songs are divided into three dierent arrangement types, each requiring a dierent level of skill to
be performed correctly.
* The Concert Magic arrangement type is for each song is indicated in the “Internal Song Lists” booklet as “EB”, “MP”, or “SK”.
Easy Beat
These are the easiest songs to play. To perform them, simply tap out a constant steady beat on any key on the keyboard.
The following example shows the notated score for “Für Elise”, indicating that a constant, steady rhythm should be maintained throughout the song. This is the distinguishing characteristic of an Easy Beat song.
Key on: X X X X X X X X X XX X X X X X X X X X
Melody Play
These songs are also relatively easy to play, especially if they are familiar to the player. To perform them, tap out the rhythm of the melody on any key of the keyboard. Singing along as the rhythm is tapped can be helpful.
The following example shows the notated score for “Twinkle, Twinkle, Little Star”.
* When performing fast Concert Magic songs, it may be easier to tap dierent keys with two alternating ngers in order to play at a greater speed.
EB
MP
Key on: X X X X X X X X X X X X X X
Skillful
These songs range in diculty from moderately dicult to dicult. To perform them, tap out the rhythm of both the melody and the accompaniment notes on any key of the keyboard. The Note Navigator will be very helpful when playing the Skillful type songs.
The following example shows the notated score for “Waltz of the Flowers”.
Key on X X X X X X X X X X X X X
SK
Basic Operation
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Page 50
Internal RecorderInternal Recorder

Internal Recorder

The CA59 digital piano allows up to 10 dierent songs to be recorded, stored in internal memory, and played back
at the touch of a button. Each song consists of two separate tracks – referred to as “parts” – that can be recorded
and played back independently. This allows the left-hand part of a song to be recorded rst on one track, and the
right-hand part to be recorded later on the other track.
1

Recording a song

1. Entering song recorder mode
Press the REC button.
The LED indicator for the REC button will start to ash, and the Internal Recorder record screen will appear with the currently selected song and part number shown in the LCD display.
* If a USB memory device is connected, press the FUNCTION button
(INT) to select the internal song recorder.
Basic Operation
2. Selecting the song/part to be recorded
Press the  or  buttons to move the selection cursor over the song memory or part.
Press the  or  buttons to change the selected song memory or part to be recorded.
If a part has already been recorded, a * symbol will be shown.
Part has been recorded
When recording part 1 and part 2 separately, select the song and part number carefully in order to prevent accidentally overwriting a previously recorded part.
3. Starting the song recorder
Press a key on the keyboard, or the PLAY/STOP button.
buttons:

Select song memory/part.
buttons:
Move selection cursor.
The LED indicators for the REC and PLAY/STOP buttons will turn on, and recording will start.
Recording
Metronome tempo/beat
(if enabled)
50
or
* Pressing the PLAY/STOP button allows a rest period or empty bar to
be inserted at the beginning of the song.
* Press the METRONOME button before or during the recording to
turn on the metronome. The metronome “click” sound will not be recorded.
Page 51
4. Stopping the song recorder
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons will turn o, the recorder will stop, and the part/song will be stored in internal memory.
After a few seconds, the Internal Recorder play screen will be shown in the LCD display, indicating that the song is ready for playback.
Stopped
Part Recorded
To play back the recorded song, please refer to the “Playing a Song” instructions on page 52.
Recording a second part
To record a second part, repeat the above instructions, selecting the part that has not been recorded to.
* The maximum recording capacity is approximately 9 0,000 notes, with
button and pedal presses also counted as one note.
* If the maximum recording capacity is reached during recording, the
recorder will stop automatically.
* Recorder songs will remain in memory after the power is turned o.
Recording with the metronome
It is also possible to record songs with the metronome activated. This is useful when recording parts separately, or wishing to maintain correct timing throughout complex passages. Note that the standard metronome click will not be heard when the song is played back.
* For more information about the instrument’s Metronome function, please refer to page 32.
Changing panel settings while recording
In some cases, it may be desirable to make changes to the selected sound or style while recording a song. The tables below list the various functions which will and will not be remembered during recording.
Panel operations remembered during recording
Changes made to the sound type. (SOUND buttons etc.)
Switching between dual/split modes.
Panel operations NOT remembered during recording*
Changes made to the reverb settings.
Changes made to the eects settings.
Changes made to the tempo.
Changes made to the volume balance in dual/split mode.
Changes made to transpose, tuning, touch, etc.
* Desired eects, reverb, and tempo settings etc. should be prepared
before recording a new song.
Basic Operation
5. Exiting song recorder mode
Press the FUNCTION button (EXIT), to exit the Internal Recorder and return to normal operation.
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Internal RecorderInternal Recorder
2

Playing a song

This function is used to playback recorder songs stored in internal memory. To playback a song/part immediately
after recording, start this process from step 2.
1. Entering song play mode
Press the PLAY/STOP button.
The Internal Recorder play screen will be shown in the LCD display.
Stopped
Part Recorded
2. Selecting the song/part(s) to be played back
* If a USB memory device is connected, press the FUNCTION button
(INT) to select the internal song recorder.
Basic Operation
Press the  or  buttons to move the selection cursor over the song memory or part.
Press the  or  buttons to change the selected song memory (1-10) or part (1, 2, or 1&2) to be played back.
If a part has already been recorded, a * symbol will be shown.
Part has been recorded
3. Starting/stopping song playback
Press the PLAY/STOP button.
The LED indicator for the PLAY/STOP buttons will turn on, and the selected song/parts will start to play.
* The selected part can be changed during song playback.
* To adjust the playback tempo of the recorded song, press and hold
the METRONOME button, then press the  or  buttons.
buttons:

Select song memory/part.
buttons:
Move selection cursor.
Press the PLAY/STOP button again.
The LED indicator for the PLAY/STOP button will turn off and the song will stop playing.
5. Exiting song play mode
Press the FUNCTION button (EXIT), to exit the Internal Recorder and return to normal operation.
52
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3

Internal Recorder Edit menu

The Internal Recorder Edit menu features settings that allow the pitch of the keyboard or song to be adjusted in
semi-tone steps. This menu also includes functions to delete the song, or convert the song to an audio le.
Internal Recorder menu
Internal Recorder function Description Default setting
Key Transpose Raise or lower the pitch of the keyboard in semi-tone steps. 0 (C)
Song Transpose Raise or lower the pitch of the recorder song in semi-tone steps. 0
Erase Erase a part of a recorder song from memory (see page 54).
Convert to Audio Convert a recorder song to an MP3/WAV audio le (see page 55).
Entering the Internal Recorder menu
While the Internal Recorder play screen is shown in the LCD display:
Press the
The Internal Recorder menu will be shown in the LCD display.
Adjusting the Internal Recorder settings/functions
After entering the Internal Recorder edit menu:
Press the  or  buttons to move the selection cursor over the desired setting.
Press the  or  buttons to adjust the selected setting.
* To reset the current setting to the default value, press the  and 
buttons simultaneously.
Exiting the Internal Recorder menu
FUNCTION button (EDIT).
buttons:

Adjust selected setting.
buttons:
Move selection cursor.
Basic Operation
Press the FUNCTION button (BACK), to exit the Internal Recorder menu and return to normal operation.
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Internal RecorderInternal Recorder
4

Erasing a part/song

This function is used to erase recorder parts that may have been recorded incorrectly or songs that are no longer
listened to. Once a part/song has been erased from memory it cannot be recovered.
1. Selecting the Erase function
After entering the Internal Recorder edit menu (see page 53):
Press the  or  buttons to move the selection cursor over the Erase function.
buttons:
Move selection cursor.
Press the FUNCTION button (ENTER) to select the Erase function.
Basic Operation
2. Selecting the song/part to be erased
Press the  or  buttons to move the selection cursor over the song memory or part.
Press the  or  buttons to change the selected song memory (1-10) or part (1, 2, or 1&2) to be erased.
If a part has already been recorded, a * symbol will be shown.
3. Erasing the selected song/part
Press the FUNCTION button (OK) to Erase the selected song and part.
A conrmation message will be shown in the LCD display, prompting to conrm or cancel the erase operation.
buttons:

Select song memory/part.
buttons:
Move selection cursor.
Press the FUNCTION button (YES) to conrm the erase operation, or the
Erasing all recorder songs from memory
Press and hold the PLAY/STOP and REC buttons, then turn the instrument’s power o/on.
All recorder songs stored in memory will be erased.
FUNCTION button (NO) to cancel.
54
hold
YES: Erase NO: Cancel
hold
Page 55
5
Converting a song to an audio le
This function allows recorder songs stored in internal memory to be played back and saved (converted) as an audio
le to a USB device in either MP3 or WAV format.
1. Selecting the Convert to Audio function
After entering the Internal Recorder edit menu (see page 53):
Press the  or  buttons to move the selection cursor over the Convert to Audio function.
buttons:
Move selection cursor.
Press the FUNCTION button (ENTER) to select the Convert to Audio function.
* If a USB memory device is not connected, a prompt will be shown.
2. Selecting the song/part to be converted
Press the  or  buttons to move the selection cursor over the song memory or part.
Press the  or  buttons to change the selected song memory (1-10) or part (1, 2, or 1&2) to be converted.
If a part has already been recorded, a * symbol will be shown.
Press the
FUNCTION button (NEXT) to continue.
3. Selecting the audio le format
Press the  or  buttons to select the desired le format for the converted song.
It is also possible to adjust the recording gain at this stage.
* For more information about the instrument’s audio recorder gain
setting, please refer to page 56.
4. Starting the conversion
Press the PLAY/STOP button, or a key on the keyboard.
buttons:

Select song memory/part.
buttons:
Move selection cursor.
buttons:

Select audio recorder format.
Basic Operation
The LED indicator for the PLAY/STOP and REC buttons will turn on, the selected song will play, and the convert to audio process will start.
* Notes played on the keyboard will also be recorded to the audio le.
Naming and saving the converted audio le
Please follow the “Recording an MP3/WAV audio le” instructions on pages 56~57. from step 4.
55
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USB RecorderUSB Recorder

USB Recorder

1
Recording an MP3/WAV audio le
The CA59 digital piano is also capable of recording performances as digital audio – saving the data to a USB memory
device in either MP3 or WAV format. This useful function allows professional quality recordings to be produced
directly on the instrument – without the need for additional sound equipment – then emailed to friends and family,
listened to away from the instrument, or edited and remixed further using an audio workstation.
Audio Recorder format specications
Audio format Specications Bitrate
MP3 44.1 kHz, 16 bit, Stereo 256 kbit/s (xed)
WAV 44.1 kHz, 16 bit, Stereo 1,411 kbit/s (uncompressed)
MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
MP3 codec is Copyright (c) 1995-2007, SPIRIT.
1. Entering USB recorder mode
Basic Operation
Connect a USB memory device to the USB port.
Press the REC button.
The LED indicator for the REC button will start to ash, and the USB Recorder format screen will be shown in the LCD display.
2. Selecting the USB recorder le format
Press the  or  buttons to select the desired USB recorder audio le format (WAV or MP3).
* MP3 audio les require less storage space than WAV audio les.
* A 1 GB USB memory device can store over 12 hours of MP3 audio data.
Adjusting the recording volume (Gain)
buttons:

Select audio recorder format.
Press the FUNCTION button (GAIN). The gain adjustment screen and recording level meter will be shown in the LCD display.
Press the  or  buttons to adjust the recorder gain setting.
* To reset the gain setting to the default level, press the  and 
buttons simultaneously.
56
* The gain setting can be adjusted within the range of 0 dB~+15 dB.
* Exercise caution when increasing the gain setting, as higher levels
may result in distorted recordings.
Page 57
3. Starting the USB recorder
Press a key on the keyboard, or the PLAY/STOP button.
The LED indicators for the REC and PLAY/STOP buttons will turn on, and recording will start.
The current recording time will also be shown in the LCD display.
Recording
Time
4. Stopping the USB recorder, saving the le
Press the PLAY/STOP button.
The LED indicators for the PLAY/STOP and REC buttons will turn o, and recording will stop
A conrmation message will be shown in the LCD display, prompting to conrm or cancel the save operation.
or
* Pressing the PLAY/STOP button allows a rest period or empty bar to
be inserted at the beginning of the song.
* Press the METRONOME button before or during the recording to
turn on the metronome. The metronome “click” sound will not be recorded, however drum patterns will be recorded.
* The recorder will stop automatically if no sound is produced for 10
minutes during recording.
Press the FUNCTION button (YES) to conrm the save operation, or the
FUNCTION button (NO) to cancel.
5. Naming the recorded audio le, conrming save
After conrming the save operation:
Press the  or  buttons to cycle through the alphanumeric characters, and the  or  buttons to move the cursor.
Press the FUNCTION button (OK) to conrm the save operation, or the
The recorded audio le will be saved with the specied name.
After a few seconds, the USB Recorder play screen will be shown in the LCD display, indicating that the audio is ready for playback.
To play back the recorded audio le, please refer to the “Playing an MP3/WAV audio le” instructions on page 58.
FUNCTION button (BACK) to cancel.
* “MP3SongXX” or ”WAVSongXX” will be used as the default name for
* The recorded audio le will be saved in the root folder of the USB
YES: Erase NO: Cancel
buttons:

Move selection cursor.
buttons:
Select character.
OK: Save BACK: Cancel
the recorded audio les, with the number increasing automatically.
memory device. It is not possible to save the le in a dierent folder.
Basic Operation
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USB RecorderUSB Recorder
2
Playing an MP3/WAV audio le
The CA59 digital piano is also capable of playing MP3 and WAV audio les stored on a USB memory device directly
through the instrument’s speaker system. This function is particularly useful when attempting to learn the chords
or melody to a new piece, or to simply play along with one’s favorite song.
Audio Player supported format specications
Audio format Specications Bitrate
MP3 32 kHz/44.1 kHz/48 kHz, Mono/Stereo 8-320 kbit/s (fixed & variable)
WAV 32 kHz/44.1 kHz/48 kHz, Mono/Stereo, 16 bit -
MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
MP3 codec is Copyright (c) 1995-2007, SPIRIT.
Preparing the USB memory device
First, prepare a selection of MP3 or WAV audio les, copying the data to a USB memory device.
* USB devices should be formatted to use the “FAT” or “FAT32”
lesystems. Please refer to page 137 for more information.
Basic Operation
1. Entering USB playback mode
Connect a USB memory device to the USB port.
Press the PLAY/STOP button.
The LED indicator for the the PLAY/STOP button will turn on, and the Song Browser screen will be shown in the LCD display.
Song Browser screen
The Song Browser screen provides a listing of relevant les and folders stored on the connected USB device.
The icon is used to represent an MP3/WAV audio le. The
icon is used to represent a folder.
The
icon is used to represent the current/previous folder.
An example of a typical le/folder listing screen is shown below. Please note that the visible screen height has been extended for the purpose of this illustration.
Current/previous folder
Folders
Files
buttons:
Move selection cursor.
* Files and folders will be listed in alphabetical order, with folders
shown at the top of the screen.
* When the USB Recorder play function is selected, only MP3, WAV, MID,
and KSO les will be shown in the Song Browser screen.
* The LCD display is capable of showing lenames with a maximum
length of 12 characters (+3 character sux). Filenames longer than 12 characters will be truncated automatically.
FUNCTION button:
Select le/enter folder.
58
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2. Selecting an audio le
Press the  or  buttons to move the selection cursor, then press the
The USB Recorder play screen will be shown in the LCD display.
FUNCTION button (SELECT) to select the audio le.
3. Playing the selected audio le
Press the PLAY/STOP button.
The selected audio le will start to play, and information about the le will be shown in the LCD display.
Audio le,
artist/song
Playback
volume
Controlling audio le playback
While the audio le is playing:
Press the PLAY/STOP button to pause and resume playback.
Press the  or  buttons to rewind or advance the playing position of the audio fi e.
Press the  or  buttons to adjust the playback volume of the audio le.
* The playback volume can be adjusted within the range of 1~100.
Press the FUNCTION button (A-B) twice to set the start and end points of the A-B loop.
* Pressing the A-B button for a third time will turn off he loop.
Playing position
* If the selected audio le contains embedded metadata (e.g. ID3 tags)
such as artist name and song title, this information will be also be shown beside the lename.
buttons:

Rewind/advance playing position.
buttons:
Adjust playback volume.
* There may be a noticeable dierence in volume between audio le
playback and the CA59 keyboard sound. When playing back audio data, please adjust the volume of the audio le as desired.
Basic Operation
USB Recorder Edit menu
The USB Recorder Edit menu allows the playback mode (Single, 1-Repeat, All- Repeat, Random) to be changed, and the pitch of the keyboard to be transposed in semi-tone steps. Please refer to page 62 for more information.
Overdub function
The Overdub function allows the sound of the CA59 to be recorded (overdubbed) to an existing MP3 or WAV audio le. Please refer to page 64 for more information.
4. Exiting USB playback mode
Press the FUNCTION button (BACK) to exit USB playback mode and return to normal operation.
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USB RecorderUSB Recorder
3
Playing a MIDI song le
The CA59 digital piano also supports the playback of Standard MIDI File (SMF) les and CA59 recorder songs stored
on a USB memory device, allowing a vast selection of widely accessible music to be heard through the instrument’s
exquisite Progressive Harmonic Imaging sound engine.
Song Player supported format specications
Song format Specications
MID Format 0, Format 1
KS0 Kawai Song le
Preparing the USB memory device
First, prepare a selection of MIDI (SMF) song les, copying the data to a USB memory device.
* USB devices should be formatted to use the “FAT” or “FAT32”
lesystems. Please refer to page 137 for more information.
Basic Operation
1. Entering USB playback mode
Connect a USB memory device to the USB port.
Press the PLAY/STOP button.
The LED indicator for the the PLAY/STOP button will turn on, and the Song Browser screen will be shown in the LCD display.
Song Browser screen
The Song Browser screen provides a listing of relevant les and folders stored on the connected USB device.
The icon is used to represent a MIDI song le. The
icon is used to represent a folder.
The
icon is used to represent the current/previous folder.
An example of a typical le/folder listing screen is shown below. Please note that the visible screen height has been extended for the purpose of this illustration.
buttons:
Move selection cursor.
FUNCTION button:
Select le/enter folder.
Current/previous folder
60
Folders
Files
* Files and folders will be listed in alphabetical order, with folders
shown at the top of the screen.
* When the USB Recorder play function is selected, MP3, WAV, MID, and
KSO les will be shown in the Song Browser screen.
* The LCD display is capable of showing lenames with a maximum
length of 12 characters (+3 character sux). Filenames longer than 12 characters will be truncated automatically.
Page 61
2. Selecting a MIDI le
Press the  or  buttons to move the selection cursor, then press the
The USB Recorder play screen will be shown in the LCD display.
FUNCTION button (SELECT) to select the MIDI fi e.
3. Playing the selected MIDI le
Press the PLAY/STOP button.
The selected MIDI le will start to play, and information about the le will be shown in the LCD display.
MIDI le,
artist/song
Playback
volume
Controlling MIDI le playback
Playing position
While the MIDI le is playing:
buttons:
Press the PLAY/STOP button to pause and resume playback.
Press the  or  buttons to rewind or advance the playing position of the MIDI le.
Press the  or  buttons to adjust the playback volume of the MIDI le.
* The playback volume can be adjusted within the range of 1~100
Press the FUNCTION button (A-B) twice to set the start and end points of the A-B loop.
* Pressing the A-B button for a third time will turn off he loop.
USB Recorder Edit menu
The USB Recorder Edit menu allows the playback mode to be changed, the tempo and part playback of the MIDI song to be adjusted, and the pitch of the keyboard or song to be transposed in semi-tone steps. Please refer to page 62 for more information.
Convert MIDI to Audio function
Rewind/advance playing position.

buttons:
Adjust playback volume.
Basic Operation
The Convert MIDI to Audio function allows MIDI les or CA59 recorder songs stored on a USB memory device to be converted to MP3/WAV audio les. Please refer to page 63 for more information.
Exiting USB playback mode
Press the FUNCTION button (BACK) to exit USB playback mode and return to normal operation.
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USB RecorderUSB Recorder
4

USB Recorder Edit menu

The USB Recorder Edit menu allows the playback mode of the audio/MIDI le to be changed to one of four types.
This menu also features settings to adjust the MIDI song playback tempo, to transpose the pitch of the keyboard or
MIDI song in semi-tone steps, and to control the part playback of a MIDI song.
USB Recorder menu
USB Recorder function Description Default setting
Play Mode Change the audio/MIDI le playback mode (see below). Single
Tempo Adjust the playback tempo of the MIDI song in beats per minute (BPM).
Key Transpose Raise or lower the pitch of the keyboard in semi-tone steps. 0 (C)
Song Transpose Raise or lower the pitch of the recorder/MIDI song in semi-tone steps. 0
* Tempo, Song Transpose, and Song Part settings will not be shown when an audio le is selected.
Play Mode settings
Basic Operation
Play Mode setting Description
Single The selected audio/MIDI le will be played once.
1-Repeat The selected audio/MIDI le will be repeated.
All-Repeat All audio/MIDI les in the current folder will be played repeatedly.
Random All audio/MIDI les in the current folder will be played in random order.
Entering the USB Recorder menu
While the USB Recorder screen is shown in the LCD display:
Press the
The USB Recorder menu will be shown in the LCD display.
FUNCTION button (EDIT).
Adjusting the USB Recorder settings
After entering the USB Recorder menu:
Press the  or  buttons to move the selection cursor over the desired setting.
Press the  or  buttons to adjust the selected setting.
* To reset the current setting to the default value, press the  and 
buttons simultaneously.
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5
Converting a MIDI song le to an MP3/WAV audio le
This function allows MIDI les or CA59 recorder songs stored on a USB memory device to be played back and saved
(converted) as an audio le (to the USB device) in either MP3 or WAV format.
1. Selecting the MIDI song to be converted
While the Song Browser Player screen is shown in the LCD display:
Press the  or  buttons to move the selection cursor over the desired MIDI le, then press the REC button.
The LED indicator for the REC button will start to ash, and the Convert MIDI to Audio screen will be shown in the LCD display.
2. Selecting the audio le format
With the Format setting selected, press the  or  buttons to select the desired USB recorder audio le format (WAV or MP3).
It is also possible to adjust the recording gain at this stage.
* For more information about the instrument’s audio recorder gain
setting, please refer to page 56.
* It is also possible to record a new song directly to the USB device (i.e.
not convert the previously selected song to an audio le) by changing the Mode setting to “New Song”.
3. Starting the conversion
Press the PLAY/STOP button, or a key on the keyboard.
The LED indicator for the PLAY/STOP and REC buttons will turn on, the selected song will play, and the convert to audio process will start.
buttons:

Select audio recorder format.
Basic Operation
* Notes played on the keyboard will also be recorded to the audio le.
When the end of the song is reached, the save conrmation screen will be shown in the LCD display.
Naming and saving the converted audio le
Please follow the “Recording an MP3/WAV audio le” instructions on pages 56~57. from step 4.
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USB Recorder
6
Overdubbing an MP3/WAV audio le
This function allows the sound of the CA59 to be recorded (overdubbed) to an existing MP3 or WAV audio le stored
on a USB memory device.
* This function records/overdubs to a copy of the selected le – the original audio le will not be modied.
1. Selecting the audio le to be overdubbed
While the Song Browser Player screen is shown in the LCD display:
Press the  or  buttons to move the selection cursor over the desired MP3/WAV le, then press the REC button.
The LED indicator for the REC button will start to ash, and the Overdubbing screen will be shown in the LCD display.
Basic Operation
2. Selecting the audio le format
With the Format setting selected, press the  or  buttons to select the desired USB recorder audio le format (WAV or MP3).
* It is also possible to record a new audio le directly to the USB device
(i.e. not overdub the previously selected audio le) by changing the Mode setting to “New Song”.
3. Starting the recording/overdubbing
Press the PLAY/STOP button, or a key on the keyboard.
The LED indicator for the PLAY/STOP and REC buttons will turn on, the selected audio le will play, and the recording/ overdubbing process will start.
Notes played on the keyboard will be recorded to the audio le.
buttons:

Select audio recorder format.
or
* The playback volume of the selected audio le will automatically be
set to 100, in order to prevent a distorted recording.
When the PLAY/STOP button is pressed, the save conrmation screen will be shown in the LCD display.
Naming and saving the overdubbed audio le
Please follow the “Recording an MP3/WAV audio le” instructions on pages 56~57. from step 4.
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Function menus

The Function menus contain a variety of options to adjust the CA59 digital piano’s operation and sound. Settings
are grouped by category, providing convenient access to relevant controls. Once adjusted, settings can be stored
to one of the instrument’s 16 registration memories, or selected as the default power-on settings with the Startup
Setting function.
* For more information about the Startup Setting function, please refer to page 77.
Entering the Function menus
While the normal playing mode screen is shown in the LCD display:
Press the
The Function menus will be shown in the LCD display.
Press the  or  buttons to cycle through the dierent menus. Press the Function menu.
Exiting the Function menus
Press the FUNCTION button (EXIT) to exit the Function menus and return to normal operation.
FUNCTION button (MENU).
FUNCTION button (ENTER) to enter the selected
buttons:
Move selection cursor.
FUNCTION button:
Select function.
Overview of Function menus
1. Basic Settings
Key Transpose, Song Transpose, Tone Control, Speaker Volume,
Low Volume Balance, Tuning, Damper Hold, Split, Four Hands,
Startup Setting, Factory Reset, Auto Display O, Auto Power Off
2. Virtual Technician Settings
Touch Curve, Voicing, Damper Resonance, Damper Noise,
String Resonance, Undamped String Resonance, Cabinet Resonance,
Key-off ect, Fallback Noise, Hammer Noise, Hammer Delay,
Topboard Simulation,Decay Time, Release Time, Minimum Touch,
Stretch Tuning, Temperament, Temperament Key, Key Volume,
Half-Pedal Adjust, Soft Pedal Depth
3. Phones Settings
SHS Mode, Phones Type, Phones Volume
4. MIDI Settings *
MIDI Channel, Send Program Change No., Local Control,
Transmit Program Change No., Multi-timbral Mode, Channel Mute
5. USB Functions
Load Song, Load Registration All, Load Registration Single,
Load Startup Setting, Save Internal Song, Save SMF Song,
Save Registration All, Save Registration Single, Save Startup Setting,
Rename File, Delete File, Format USB
6. Bluetooth Settings
Bluetooth Audio, Bluetooth Audio Volume, Bluetooth MIDI
* For information regarding MIDI functions and settings, please
download the supplementary PDF manual from the Kawai Japan website: http://www.kawai-global.com/support/manual/

Adjustments & Settings

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Basic SettingsBasic Settings

Basic Settings

The Basic Settings menu contains settings to adjust the pitch, tuning, and general sound of the instrument.
This menu also allows favourite panel settings to be stored, or reset back to the original factory conguration.
Basic Sett ings
No. Setting Description Default setting
1 Key Transpose Raise or lower the pitch of the keyboard in semi-tone steps. 0 (C)
2 Song Transpose Raise or lower the pitch of the recorder/MIDI song in semi-tone steps. 0
3 Tone Control Change the EQ settings of the instrument’s sound. Flat
4 Speaker Volume Change the maximum volume level of the speaker output. Normal
5 Low Volume Balance Change the dierence in volume between pianissimo and fortissimo playing. 3
6 Tuning Raise or lower the pitch of the instrument in 0.5 Hz steps. 440.0 Hz
7 Damper Hold Change the eect of pressing the sustain pedal on organ, string, etc. sounds. O
8 Split Enable the “Split Mode” function. O
9 Four Hands Enable the “Four Hands Mode” function. O
10 Startup Setting Store current panel settings as the default (power-on) conguration. -
11 Factory Reset Restore all panel settings to the original factory conguration. -
12 Auto Display O Enable/disable the instrument’s Auto Display O function. 5 min.
13 Auto Power O Enable/disable the instrument’s Auto Power Off nergy saving function. -
* Default settings will be shown in the rst LCD display illustration (i.e. Step 1) for each setting explanation below.
Adjustments & Settings
Entering the Basic Settings menu
While the normal playing mode screen is shown in the LCD display:
Press the
The Function menus will be shown in the LCD display.
Press the FUNCTION button (ENTER) again to enter the Basic Settings menu.
Selecting and adjusting the desired setting
After entering the Basic Settings menu:
Press the  or  buttons to move the selection cursor over the desired setting.
FUNCTION button (MENU).
buttons:

Adjust selected setting.
Press the  or  buttons to adjust the selected setting.
* To reset the current setting to the default value, press the  and 
buttons simultaneously.
66
buttons:
Move selection cursor.
Page 67
1

Key Transpose

The Key Transpose setting allows the pitch of the CA59 digital piano keyboard to be raised or lowered in semi-tone
steps. This is particularly useful when accompanying instruments tuned for dierent keys, or when a song learned
in one key must be played in another key. When transposed, the song can be played in the original key, yet heard
in a dierent key.
1. Selecting the Key Transpose setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Key Transpose setting.
2. Adjusting the Key Transpose value
Press the  or  buttons to increase or decrease the value of the Key Transpose setting.
* The keyboard pitch can be raised or lowered by up to 12 semi-tones.
* To reset the Key Transpose setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Key Transpose setting will remain until the
power is turned o.
* Preferred Key Transpose settings can be stored to a Registration
Memory for convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
Current Transpose state
If the Key Transpose setting is set to a value other than 0 (C), the transpose icon and transpose value will appear at the top of the display.
3. Exiting the Key Transpose setting
Press the FUNCTION button (BACK) to exit the Key Transpose setting and return to the Function Menus screen.
Transpose
enabled
Adjustments & Settings
67
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Basic SettingsBasic Settings
2

Song Transpose

The Song Transpose setting allows the pitch of MIDI les or CA59 recorder songs stored on a USB memory device to
be raised or lowered in semi-tone steps when played back.
1. Selecting the Song Transpose setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Song Transpose setting.
2. Adjusting the Song Transpose value
Press the  or  buttons to increase or decrease the value of the Song Transpose setting.
* The song pitch can be raised or lowered by up to 12 semi-tones.
* To reset the Song Transpose setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Song Transpose setting will remain until the
power is turned o.
* Song Transpose settings cannot be stored to Registration or Startup
Setting memory.
Adjustments & Settings
3. Exiting the Song Transpose setting
Press the FUNCTION button (BACK) to exit the Song Transpose setting and return to the Function Menus screen.
68
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3

Tone Control

The Tone Control setting allows the overall sound character of the CA59 digital piano to be adjusted to provide
the best sound quality within the area that the instrument is located. There are eight dierent preset EQ settings
available, with an additional “User” setting allowing ner control over the dierent frequency bands.
Tone Control setting
Tone Control type Description
Flat (default) Tone control adjustment is not applied.
Brilliance Adjusts the overall brightness of the sound, independently of the Virtual Technician “Voicing” parameter.
Bass Boost Emphasises low-range frequencies, creating a deeper sound.
Bass Cut Reduces low-range frequencies, creating a clearer sound.
Mid Boost Emphasises mid-range frequencies, creating a harder sound.
Loudness Emphasises frequencies to retain the instrument’s sound character when playing at low volume levels.
Bright Emphasises high-range frequencies, creating a brighter sound.
Mellow Reduces high-range frequencies, creating a softer sound.
User Allows the low, mid, and high-range frequency bands to be adjusted separately.
1. Selecting the Tone Control setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Tone Control setting.
2. Changing the Tone Control type
Press the  or  buttons to cycle through the dierent Tone Control types.
* To reset the Tone Control setting to the default type, press the
and  buttons simultaneously.
* Any changes made to the Tone Control setting will remain until the
power is turned o.
* Preferred Tone Control settings can be stored to a Registration
Memory for convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
3. Exiting the Tone Control setting
Press the FUNCTION button (BACK) to exit the Tone Control setting and return to the Function Menus screen.
Adjusting the Brilliance level
Adjustments & Settings
When the Brilliance tone control type is selected:
Press the buttons to increase/decrease the value of the Brilliance setting.
* The Brilliance value can be adjusted within the range of –10~+10.
Press the FUNCTION button (BACK) to exit the Brilliance setting and return to the Tone Control setting.
FUNCTION button (EDIT), then press the  or 
buttons:

Adjust Brilliance setting.
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Basic SettingsBasic Settings

User Tone Control

The User Tone Control option allows ner control over the instrument’s sound character, allowing the volume of
four frequency bands to be adjusted individually. It is also possible to adjust the frequency range of the mid-low
and mid-high frequency bands.
User Tone Control setting
No. User Tone Control Description
1 Low Adjusts the volume of the low range frequency band (20~100 Hz).
2 Mid-low Frequency Adjusts the frequency of the mid-low band (200~4000 Hz).
Mid-low dB Adjusts the volume of the mid-low range frequency band.
3 Mid-high Frequency Adjusts the frequency of the mid-high band (200~4000 Hz).
Mid-high dB Adjusts the volume of the mid-high range frequency band.
4 High Adjusts the volume of the high range frequency band (5000~8000 Hz).
1. Selecting the User Tone Control setting
After selecting the Tone Control setting (page 69):
Press the  or  buttons to select the User Tone Control type, then press the FUNCTION button (EDIT).
The User Tone Control screen will be shown in the LCD display.
2. Selecting and adjusting the User Tone Control settings
Press the  or  buttons to selec t the User Tone Control setting. Press the  or  buttons to increase or decrease the value of the selected User Tone Control setting.
* Each User Tone Control band can be adjusted within the range of
–6 dB~+6 dB.
* To reset the User Tone Control setting to the default type, press the
and  buttons simultaneously.
* Any changes made to the User Tone Control setting will remain until
the power is turned o.
* Preferred User Tone Control settings can be stored to the Startup
Setting memory for convenient recall. Please refer to page 77 for more information.
Adjustments & Settings
70
3. Exiting the User Tone Control setting
Press the FUNCTION button (BACK) to exit the User Tone Control setting and return to the Tone Control setting.
Page 71
4

Speaker Volume

The Speaker Volume setting allows the maximum volume level of the CA59 digital piano’s speaker output to be
reduced, providing ner adjustment control over the master volume. This setting can also function as a volume
limiter, preventing the instrument from being played too loudly in the home or classroom etc.
* This setting does not aect the headphones volume.
Speaker Volume setting
Speaker Volume Description
Normal (default) The instrument’s speakers will output sound at the normal volume level.
Low The instrument’s speakers will output sound at a reduced volume level.
1. Selecting the Speaker Volume setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Speaker Volume setting.
2. Changing the Speaker Volume type
Press the  or  buttons to alternate between “Normal” and “Low” Speaker Volume settings.
* To reset the Speaker Volume setting to the default setting, press the
and  buttons simultaneously.
* Any changes made to the Speaker Volume setting will remain until
the power is turned o.
* Preferred Speaker Volume settings can be stored to the Startup
Setting memory for convenient recall. Please refer to page 77 for more information.
3. Exiting the Speaker Volume setting
Press the FUNCTION button (BACK) to exit the Speaker Volume setting and return to the Function Menus screen.
Adjustments & Settings
71
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Basic SettingsBasic Settings
5

Low Volume Balance

The Low Volume Balance setting reduces the dierence in volume between pianissimo and fortissimo touches,
allowing the piano to continue to be played at low volume without the sound of pianissimo notes being lost.
Low Volume Balance types
Low Volume Balance Description
5 A large amount of Low Volume Balance adjustment will be applied.
1 A small amount of Low Volume Balance adjustment will be applied.
O Low Volume Balance adjustment is not applied.
1. Selecting the Low Volume Balance setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Low Volume Balance setting.
2. Adjusting the Low Volume Balance value
Press the  or  buttons to increase or decrease the value of the Low Volume Balance setting.
* To reset the Low Volume Balance setting to the default value, press
the  and  buttons simultaneously.
* Any changes made to the Low Volume Balance setting will remain
until the power is turned o.
* Low Volume Balance settings cannot be stored to Registration or
Startup Setting memory.
3. Exiting the Low Volume Balance setting
Press the FUNCTION button (BACK) to exit the Low Volume Balance setting and return to the Function Menus screen.
Adjustments & Settings
72
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6

Tuning

The Tuning setting allows the overall pitch of the CA59 digital piano to be raised and lowered in 0.5 Hz steps, and
may therefore prove useful when playing with other instruments.
1. Selecting the Tuning setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Tuning setting.
2. Adjusting the Tuning value
Press the  or  buttons to increase or decrease the value of the Tuning setting.
* The Tuning value can be adjusted within the range of 427.0~453.0 Hz.
* To reset the Tuning setting to the default value, press the  and 
buttons simultaneously.
* Any changes made to the Tuning setting will remain until the power is
turned o.
* Preferred Tuning settings can be stored to a Registration Memory for
convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
3. Exiting the Tuning setting
Press the FUNCTION button (BACK) to exit the Tuning setting and return to the Function Menus screen.
Adjustments & Settings
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Basic SettingsBasic Settings
7

Damper Hold

The Damper Hold setting is used to determine whether sounds such as organ or strings should be sustained
continuously when the sustain (damper) pedal is pressed, or whether these sounds should decay, naturally.
Damper Hold setting
Damper Hold Description
Off (default) Organ, strings, etc. sounds will gradually decay, even while the sustain pedal is pressed.
On Organ, strings, etc. sounds will be sustained continuously while the sustain pedal is pressed.
1. Selecting the Damper Hold setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Damper Hold setting.
2. Changing the Damper Hold setting
Press the  or  buttons to turn the Damper Hold setting on or off
* To reset the Damper Hold setting to the default setting, press the
and  buttons simultaneously.
* Any changes made to the Damper Hold setting will remain until the
power is turned o.
* Preferred Damper Hold settings can be stored to a Registration
Memory for convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
3. Exiting the Damper Hold setting
Press the FUNCTION button (BACK) to exit the Damper Hold setting and return to the Function Menus screen.
Adjustments & Settings
74
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8

Split

The Split setting provides an alternative method to enabling the Split Mode function, and may prove useful in
teaching environments or situations where the function should be enabled automatically every time the CA59
digital piano is turned on.
When enabled, all Split Mode control operations are identical to those explained on page 22.
Split setting
Split Description
Off (default) Split Mode will be turned off y default.
On Split Mode will be turned on by default.
1. Selecting the Split setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Split setting.
2. Changing the Split setting
Press the  or  buttons to turn the Split setting on or o.
* To reset the Split setting to the default setting, press the  and 
buttons simultaneously.
* When Split is turned on, the Four Hands Mode will be turned off
automatically.
* Any changes made to the Split setting will remain until the power is
turned o.
* Preferred Split settings can be stored to a Registration Memory for
convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
3. Exiting the Split setting
Press the FUNCTION button (BACK) to exit the Split setting and return to the Function Menus screen.
Adjustments & Settings
75
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Basic SettingsBasic Settings
9

Four Hands

The Four Hands setting provides an alternative method to enabling the Four Hands Mode function, and may prove
useful in teaching environments or situations where the function should be enabled automatically every time the
CA59 digital piano is turned on.
When enabled, all Four Hands Mode control operations are identical to those explained on page 24.
Four Hands setting
Four Hands Description
Off (default) Four Hands Mode will be turned off y default.
On Four Hands Mode will be turned on by default.
1. Selecting the Four Hands setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Four Hands setting.
2. Changing the Four Hands setting
Press the  or  buttons to turn the Four Hands setting on or off
* To reset the Four Hands setting to the default setting, press the
and  buttons simultaneously.
* When Four Hands Mode is turned on, the Split function will be turned
off utomatically.
* Any changes made to the Four Hands setting will remain until the
power is turned o.
* Preferred Four Hands se ttings can be stored to a Re gistration Memory
for convenient recall, or to the Startup Setting memory for automatic selection when the instrument is turned on. Please refer to pages 35 and 77 for more information.
3. Exiting the Four Hands setting
Adjustments & Settings
76
Press the FUNCTION button (BACK) to exit the Four Hands setting and return to the Function Menus screen.
Page 77
10

Startup Setting

The Startup Setting function allows preferred panel functions/settings to be stored in the instrument’s memory,
and automatically recalled as the default settings every time the CA59 digital piano is turned on.
* Startup Settings can also be saved to and loaded from USB memory devices. Please refer to pages 123/118 for more information.
Functions/Settings stored in the Startup Setting memory
Functions
Selected sound (including primary sound for each category)
Dual Mode / Split Mode / Four Hands Mode (including settings)
Reverb, Eects (Type, Settings)
Metronome (Beat, Tempo, Volume)
* Changes made to the Auto Display O, Auto Power O, and Bluetooth settings will be stored to the Startup Setting memory automatically. * For a complete listing of the settings that can be stored to Startup Setting memory, please refer to pages 141~142.
Settings
Basic Settings (with exceptions)
Virtual Technician Settings
MIDI Settings
Headphone Settings
1. Selecting the Startup Setting function
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Startup Setting function.
2. Storing current settings to the Startup Setting memory
Press the REC button.
A conrmation message will be shown in the LCD display, and the current panel settings will be stored to the Startup Setting memory.
* The Factory Reset function can be used to restore all settings to their
default values. Please refer to page 78 for more information.
3. Exiting the Startup Setting function
Press the FUNCTION button (BACK) to exit the Startup Setting function and return to the Function Menus screen
Adjustments & Settings
77
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Basic SettingsBasic Settings
11

Factory Reset

The Factory Reset function clears any settings stored using the User Memory function, restoring the CA59 digital
piano to its factory default settings.
* This function will not clear registration memories or recorder songs stored in internal memory.
1. Selecting the Factory Reset function
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Factory Reset setting.
2. Restoring factory settings
Press the REC button.
A conrmation message will be shown in the LCD display, and all settings will be restored to their default values.
After competition, the normal playing mode screen will be shown in the display automatically.
3. Exiting the Factory Reset function
Press the FUNCTION button (BACK) to exit the Factory Reset function and return to the Function Menus screen
Adjustments & Settings
78
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12
Auto Display O
The Auto Display O setting can be used to automatically turn o the display when the control panel is not being
operated.
* To prevent the CA59 digital piano’s OLED display from “burn in” as a result of showing the same screen for an extended period of time, this setting
is enabled by default.
Auto Display O settings
Auto Display O Description
15 sec. The display will turn off utomatically after 15 seconds of inactivity.
5 min. (default) The display will turn off utomatically after 5 minutes of inactivity.
30 min. The display will turn off utomatically after 30 minutes of inactivity.
* When the display turns off utomatically, pressing any control panel button will turn it on again.
1. Selecting the Auto Display O setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Auto Display Off etting.
2. Changing the Auto Display O setting
Press the  or  buttons to change the Auto Display Off setting.
* To reset the Auto Display Off setting to the default setting, press the
and  buttons simultaneously.
3. Exiting the Auto Display O setting
Press the FUNCTION button (BACK) to exit the Auto Display Off etting and return to the Function Menus screen.
Adjustments & Settings
79
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Basic Settings
13
Auto Power O
The Auto Power O setting can be used to automatically turn o the instrument after a specied period of inactivity.
This function may be enabled by default, depending on the market location.
* This setting will be stored automatically, and recalled every time the instrument is turned on.
Auto Power O settings
Auto Power O Description
O The Auto Power Off unction is disabled.
15 min. The instrument will turn off utomatically after 15 minutes of inactivity.
60 min. The instrument will turn off utomatically after 60 minutes of inactivity.
120 min. The instrument will turn off utomatically after 120 minutes of inactivity.
* The default Auto Power Off etting varies depending on market location.
1. Selecting the Auto Power O setting
After entering the Basic Settings menu (page 66):
Press the  or  buttons to select the Auto Power Off etting.
2. Changing the Auto Power O setting
Press the  or  buttons to change the Auto Power Off setting.
* To reset the Auto Power Off setting to the default setting, press the
and  buttons simultaneously.
* The Auto Power Off setting will be stored automatically, and recalled
every time the instrument is turned on.
3. Exiting the Auto Power O setting
Adjustments & Settings
80
Press the FUNCTION button (BACK) to exit the Auto Power Off setting and return to the Function Menus screen.
Page 81

Virtual Technician Settings

The Virtual Technician settings of the CA59 digital piano allow the player to adjust advanced parameters such as
hammer hardness, action regulation, cabinet size, and a variety of other acoustic characteristics, in order to suit
their personal preferences. Virtual Technician settings are adjusted and stored independently for each sound,
variation, allowing exible control over the characteristics of each piano voice.
* The table below indicates which Virtual Technician settings aect to all sounds, or acoustic piano and electric piano sounds only.
Virtual Technician Settings
No. Setting Description All AP EP Default
1 To uch Curve Adjust the touch sensitivity of the keyboard. 2 Voicing Adjust the tonal character of the instrument.
User Voicing Adjust the individual voicing of each of the 88 keys. 3 Damper Resonance Adjust the resonance that is heard when pressing the damper pedal. 4 Damper Noise Adjust the sound that is heard when pressing the damper pedal. 5 String Resonance Adjust the resonance that is heard when notes are held. 6 Undamped Str. Res. Adjust the resonance produced by the topmost undamped strings. 7 Cabinet Resonance Adjust the resonance produced by the piano cabinet itself. 8 Key-o Eect Adjust the sound that is heard when keys are released. 9 Fall-back Noise Adjust the sound that is heard when the key action falls back.
10 Hammer Noise Adjust the sound that is heard when hammers strike strings. 11 Hammer Delay Adjust the delay of the hammer striking strings when playing pianissimo. 12 Topboard Simulation Adjust the position of the grand piano topboard. 13 Decay Time Adjust the decay time of the piano sound while the keys are pressed. 14 Release Time Adjust the decay time of the piano sound when the keys are released. 15 Minimum Touch Adjust the minimum key velocity required to produce a sound. 16 Stretch Tuning Adjust the level of stretch tuning for equal temperaments.
User Tuning Adjust the individual tuning of each of the 88 keys.
17 Temperament Adjust the tuning system to suit Renaissance and Baroque periods etc.
User Temperament Adjust the tuning of each note in the scale to a custom temperament.
18 Temperament Key Adjust the key of the selected tuning system. 19 Key Volume Adjust the volume balance of the keyboard.
User Key Volume Adjust the individual volume of each of the 88 keys.
20 Half-Pedal Adjust Adjust the point at which the damper pedal begins to sustain the sounds. 21 Soft Pedal Depth Adjust the depth/eectiveness of the soft pedal.
* Default settings will be shown in the rst LCD display illustration (i.e. Step 1) for each setting explanation below.
Normal Normal – 5 5 5 5 1 5 5 5
O
Open 3 5 5 1 Normal – Equal Temp. – C Normal – 5 3
Entering the Virtual Technician menu
While the normal playing mode screen is shown in the LCD display:
Press the
FUNCTION button (MENU).
The Function menus will be shown in the LCD display.
Press the  or  buttons to select the Virtual Technician menu.
Press the FUNCTION button (ENTER) again to enter the Virtual Technician menu.
buttons:
Move selection cursor.
* It is also possible to enter the Virtual Technician menu by pressing and
holding the FUNCTION button (VT) on the normal playing screen.
Adjustments & Settings
81
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Virtual Technician SettingsVirtual Technician Settings
Selecting and adjusting the desired setting
After entering the Virtual Technician menu:
Press the  or  buttons to move the selection cursor over the desired setting.
Press the  or  buttons to adjust the selected setting.
Showing the Virtual Technician Help screen
Press the FUNCTION button (HELP).
A brief explanation about the currently selected Virtual Technician parameter will be shown in the LCD display.
Press the  or  buttons to scroll through the explanation if necessary.
buttons:

Adjust selected setting.
buttons:
Move selection cursor.
* To reset the current Virtual Technician setting to the default value,
press the  and  buttons simultaneously.
Adjustments & Settings
Press the FUNCTION button (BACK) to return to the Virtual Technician menu.
Storing the Virtual Technician setting to the selected sound
After adjusting a Virtual Technician parameter:
Press the
The adjusted Virtual Technician parameter setting will be used as the default setting for the currently selected sound, and a conrmation message will briey be shown in the LCD display.
About Stored Virtual Technician settings
As mentioned above, the Virtual Technician settings are adjusted and stored independently for each sound. This allows dierent Virtual Technician adjustments to be made for each piano voice. For example, it may be desirable to voice the SK Concert Grand piano a little brighter than the EX Concert Grand piano, or increase the Damper, String, and Cabinet Resonances of the Studio Grand sound while leaving the Mellow Grand sound unchanged.
FUNCTION button (STORE).
* Virtual Technician settings are adjusted and stored independently for
each sound variation.
* Only values for the currently selected Virtual Technician setting will
be stored. In order to store all of the Virtual Technician settings simultaneously, it is recommended to use a Registration memory (page 35) or the Startup Setting function (page 77).
82
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1

Touch Curve

As with an acoustic piano, the CA59 digital piano produces a louder sound when the keys are struck with force, and
a softer sound when the keys are played gently. The volume and tonal character change in relation to the strength
and velocity of playing – on a digital piano this system is referred to as “touch sensitivity”.
The Touch Curve setting allows the touch sensitivity of the keyboard to be conveniently adjusted. There are
ten dierent preset touch curve settings available, with two additional “User” settings that allow performers to
customise the instrument’s keyboard responsiveness to suit their individual playing style.
The default “Normal” setting is designed to accurately recreate the touch of a Kawai concert grand piano. However,
if the keyboard feels too light, or fortissimo playing is achieved too easily, it may be desirable to select a heavier
touch curve. Alternatively, if the keyboard feels too heavy, or fortissimo playing is too dicult to achieve, it may be
desirable to select a lighter touch curve.
* This Virtual Technician setting will aect all sounds.
Touch Curve types
Touch Curve Description
Light (4/3/2/1)
Normal
Heav y (1/2/3/4)
O (constant)
User A custom touch curve, created to suit an individual’s personal playing style.
(default) Reproduces the standard touch sensitivity of an acoustic piano.
Light touch curves require less striking force to achieve a forte note, and are therefore recommended for players with a delicate touch. The key touch will become progressively lighter as the number inreases.
Heavy touch curves require more striking force in order to achieve a forte, and are therefore recommended for players with stronger ngers. The key touch will become progressively heavier as the number increases.
A constant volume is produced regardless of how hard the keys are struck.
* This touch cur ve intended for playing sounds of instruments that have a xed dynamic range (e.g. organ and harpsichord).
1. Selecting the Touch Curve setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Touch Curve setting.
2. Changing the Touch Curve type
Press the  or  buttons to cycle through the dierent Touch Curve types.
* To reset the Touch Curve setting to the default type, press the
and  buttons simultaneously.
* Any changes made to the Touch Curve type or User Touch setting will
remain until the power is turned o.
* Preferred Touch Curve settings can be stored to the sound’s memory,
or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
Adjustments & Settings
3. Exiting the Touch Curve setting
Press the FUNCTION button (BACK) to exit the Touch Curve setting and return to the Function Menus screen.
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Virtual Technician SettingsVirtual Technician Settings
User Touch Curve
Creating a User Touch Curve
After selecting the Touch Curve setting:
Press the  or  buttons to select the User touch curve, then press the REC button.
* User touch curves are created and stored independently for each
sound variation.
A message will be shown, prompting for the keyboard to be played.
Play the piano dynamically from very soft to very loud, allowing the instrument to examine the personal playing technique.
* More than one attempt may be required in order to create an accurate
User Touch Curve.
* Reducing the master volume fader to the lowest position before
creating the User Touch Curve may help to reduce user distractions, thus improving accuracy.
Press the PLAY/STOP button.
The new User Touch Curve will be stored to the User touch type, and selected automatically.
* If desired, press the FUNCTION button (STORE) to ensure the User
touch type is retained after the instrument’s power is turned o.
Adjustments & Settings
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2

Voicing

On an acoustic piano, the shape, density, and texture of the hammers all inuence on the tonal character of the
instrument’s sound. Technicians utilise a variety of tools such as needles, les, and brushes to manipulate these
hammer felts, with the ultimate goal of achieving a balanced tonal character across the keyboard.
The Voicing setting recreates various hammer properties, allowing the overall tonal character of the CA59 digital
piano to be adjusted. There are six dierent preset voicing settings available (applied uniformly to all keys), with an
additional four “User” settings that allow players to perform custom adjustments on each individual key.
While the default “Normal” voicing setting should be appropriate for a broad range of musical genres, it may be
desirable to select a softer, more mellow tonal character for romantic pieces, or a brighter, more aggressive tone
for modern styles.
* This Virtual Technician setting will aect all sounds.
Voicing types
Voicing type Description
Normal (default) The normal tonal character of an acoustic piano throughout the entire dynamic range.
Mellow 1 A softer, more mellow tonal character throughout the entire dynamic range.
Mellow 2 An even soften tonal character than Mellow 1.
Dynamic A tonal character that changes dramatically from mellow to bright, depending on the strength of key strike.
Bright 1 A bright tonal character throughout the entire dynamic range.
Bright 2 An even brighter tonal character than Bright 1.
User A custom tonal character, allowing each key to be individually voiced.
1. Selecting the Voicing setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Voicing setting.
2. Changing the Voicing type
Press the  or  buttons to cycle through the dierent Voicing types.
* To reset the Voicing setting to the default type, press the  and 
buttons simultaneously.
* Any changes made to the Voicing setting will remain until the power
is turned o.
* Preferred Voicing settings can be stored to the sound’s memory, or
a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Voicing setting
Adjustments & Settings
Press the FUNCTION button (BACK) to exit the Voicing setting and return to the Function Menus screen.
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User Voicing
The User Voicing function allows each of the 88 keys to be voiced individually.
1. Selecting the User Voicing type
After selecting the Voicing setting:
Press the  or  buttons to select the User Voicing type.
* User Voicing is performed and stored independently for each sound
variation.
Press the FUNCTION button (EDIT).
The User Voicing screen will be shown in the LCD display.
2. Selecting the note, adjusting the User Voicing value
Press the  or  buttons to select the desired note to be adjusted.
* To select a note directly, press and hold the FUNCTION button
(+ KEY) then press the desired key.
Press the  or  buttons to adjust the User Voicing value for the selected note.
* The User Voicing value can be adjusted within the range of –5~+5,
with lower values creating a mellower sound and higher values creating a brighter sound.
* To reset the User Voicing setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the User Voicing setting will remain until the
power is turned o.
* Preferred User Voicing settings can be stored to the sound’s memory,
or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the User Voicing function
Press the FUNCTION button (BACK) to exit the User Voicing screen and return to the Voicing setting.
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Damper Resonance

Pressing the damper pedal of an acoustic piano raises all dampers, allowing the strings to vibrate freely. When a
note or chord is played on the piano with the sustain pedal pressed, not only will the strings of the notes played
vibrate, but also the strings of other notes, vibrating in sympathetic resonance.
The CA59 digital piano recreates this phenomenon, with the Damper Resonance setting allowing the volume of this
resonance sound to be adjusted.
* This Virtual Technician setting will aect acoustic piano sounds only.
1. Selecting the Damper Resonance setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Damper Resonance setting.
2. Adjusting the Damper Resonance volume
Press the  or  buttons to increase or decrease the volume of the Damper Resonance setting.
* The Damper Resonance volume can be adjusted within the range
of O, 1~10, with higher values resulting in a more pronounced resonance.
* To reset the Damper Resonance setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Damper Resonance setting will remain until
the power is turned o.
* Preferred Damper Resonance settings can be stored to the sound’s
memory, or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Damper Resonance setting
Press the FUNCTION button (BACK) to exit the Damper Resonance setting and return to the Function Menus screen.
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Damper Noise

When the damper pedal of an acoustic piano is pressed and released, it is often possible to hear the sound of the
damper head touching and releasing the strings.
The CA59 digital piano reproduces this sound, with the Damper Noise setting allowing the volume of this sound
to be adjusted. The speed at which the damper pedal is pressed will also inuence the prominence of the damper
noise, with fast pedalling creating a very pronounced sound.
* This Virtual Technician setting will aect acoustic piano sounds only.
1. Selecting the Damper Noise setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Damper Noise setting.
2. Adjusting the Damper Noise volume
Press the  or  buttons to increase or decrease the volume of the Damper Noise setting.
* The Damper Noise volume can be adjusted within the range of
O, 1~10, with higher values resulting in a more pronounced noise.
* To reset the Damper Noise setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Damper Noise setting will remain until the
power is turned o.
* Preferred Damper Noise settings can be stored to the sound’s
memory, or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Damper Noise setting
Press the FUNCTION button (BACK) to exit the Damper Noise setting and return to the Function Menus screen.
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String Resonance

String Resonance refers to a phenomenon that exists in acoustic pianos whereby the strings of held notes resonate
“sympathetically” with other notes of the same harmonic overtone series.
The CA59 digital piano recreates this phenomenon, with the String Resonance setting allowing the volume of this
resonance to be adjusted.
* This Virtual Technician setting will aect acoustic piano sounds only.
Demonstrating String Resonance
To experience the string resonance phenomenon, gently hold down the “C” key as shown in the illustration below, then play (strike and release quickly) any of the keys marked with a to hear the strings of the rst “C” key resonating “sympathetically”, thus demonstrating String Resonance.
symbol. In addition to the sound of each note played, it should also be possible
C
F GC B F G C G C E G C D E G C
hold
E
1. Selecting the String Resonance setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the String Resonance setting.
2. Adjusting the String Resonance volume
Press the  or  buttons to increase or decrease the volume of the String Resonance setting.
* The String Resonance volume can be adjusted within the range of
O, 1~10, with higher values resulting in a more pronounced resonance.
* To reset the String Resonance setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the String Resonance setting will remain until
the power is turned o.
* Preferred String Resonance settings can be stored to the sound’s
memory, or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
A
A
Adjustments & Settings
3. Exiting the String Resonance setting
Press the FUNCTION button (BACK) to exit the String Resonance setting and return to the Function Menus screen.
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Undamped String Resonance

The dampers of an acoustic piano span almost the full width of the keyboard. However, the topmost 18 keys
(approximately 1.5 octaves) do not incorporate dampers, as the shorter strings for these treble notes decay quickly
and therefore do not need to be dampened.
Undamped StringsDamped Strings
A0 C8G6
As a result, the strings of these “undamped” treble notes are free to vibrate in sympathetic resonance with those of
lower keys – independently of the damper pedal position – helping to enrich the sound with additional harmonics
and tonal colour.
The CA59 digital piano recreates this phenomenon, with the Undamped String Resonance setting allowing the
volume of this resonance sound to be adjusted.
* This Virtual Technician setting will aect acoustic piano sounds only.
Adjustments & Settings
1. Selecting the Undamped String Resonance setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Undamped String Resonance setting.
2. Adjusting the Undamped String Resonance volume
Press the  or  buttons to increase or decrease the volume of the Undamped String Resonance setting.
* The Undamped String Resonance volume can be adjusted within the
range of O, 1~10, with higher values resulting in a more pronounced resonance.
* To reset the Undamped String Resonance setting to the default value,
press the  and  buttons simultaneously.
* Any changes made to the Undamped String Resonance setting will
remain until the power is turned o.
* Preferred Undamped String Resonance settings can be stored to the
sound’s memory, or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Undamped String Resonance setting
Press the FUNCTION button (BACK) to exit the Undamped String Resonance setting and return to the Function Menus screen.
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Cabinet Resonance

While the fundamental sound of an acoustic piano is produced by vibrating strings, transmitting energy through a
spruce soundboard, the cabinet of the instrument itself also contributes a variety of subtle tonal characteristics that
enrich the playing and listening experience. The keybed, inner and outer rim, iron plate, and beams all play a role
in disseminating sound energy, which in turn gives the piano a living, breathing quality.
The CA59 digital piano recreates these natural acoustic characteristics, with the Cabinet Resonance setting allowing
the volume of this resonance sound to be adjusted.
* This Virtual Technician setting will aect acoustic piano sounds only.
1. Selecting the Cabinet Resonance setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Cabinet Resonance setting.
2. Adjusting the Cabinet Resonance volume
Press the  or  buttons to increase or decrease the volume of the Cabinet Resonance setting.
* The Cabinet Resonance volume can be adjusted within the range
of O, 1~10, with higher values resulting in a more pronounced resonance.
* To reset the Cabinet Resonance setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Cabinet Resonance setting will remain until
the power is turned o.
* Preferred Cabinet Resonance settings can be stored to the sound’s
memory, or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Cabinet Resonance setting
Press the FUNCTION button (BACK) to exit the Cabinet Resonance setting and return to the Function Menus screen.
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8
Key-o Eect
When playing an acoustic piano – particularly in the bass region of the keyboard – if a key is played with force and
released quickly, it is often possible to hear the faint sound of the damper touching the strings immediately before
the vibrations are stopped.
In addition, the speed at which keys are lifted will also aect the character of the sound. For example, when lifting
the keys quickly (e.g. staccato playing) the “release” portion of the sound will be noticeably shorter than when
lifting the keys slowly (e.g. legato playing).
The CA59 digital piano reproduces both characteristics, with the Key-o Eect setting allowing the volume of the
key-o sound to be adjusted, and the key-o release speed detection to be turned on or o.
* This Virtual Technician setting will aect acoustic piano and some electric piano sounds.
1. Selecting the Key-o Eect setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Key-off ect setting.
2. Adjusting the Key-o Eect volume
Press the  or  buttons to increase or decrease the volume of the Key-off ect setting.
* The Key-off Eect volume can be adjusted within the range of
O, 1~10, with higher values resulting in a more pronounced eect.
* When the Key-Off Eect setting is set to O, the key-off release speed
detection will also be disabled, and the speed at which keys are lifted will not aect the character of the sound.
* To reset the Key-off Eect setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Key-off Eect setting will remain until the
power is turned o.
* Preferred Key-o ffEect set tings can be stored to the so und’s memory,
or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Key-o Eect setting
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92
Press the FUNCTION button (BACK) to exit the Key-off Eect setting and return to the Function Menus screen.
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9

Fall-back Noise

When playing an acoustic piano, it is often possible to hear the faint sound of the keyboard action returning (i.e.
“falling back”) to the neutral position after a key is released.
The CA59 digital piano reproduces this sound, with the Fall-back Noise setting allowing the volume of this sound
to be adjusted.
While the default value is intended to simulate the natural volume level of the keys as they return to their neutral
position, it may occasionally be desirable to adjust the volume of this sound. For example, reducing the volume
when playing very soft pieces, where the fall-back noise may become too prominent.
* This Virtual Technician setting will aect acoustic piano and harpsichord sounds.
1. Selecting the Fall-back Noise setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Fall-back Noise setting.
2. Adjusting the Fall-back Noise volume
Press the  or  buttons to increase or decrease the volume of the Fall-back Noise setting.
* The Fall-back Noise volume can be adjusted within the range of
O, 1~10, with higher values resulting in a more pronounced noise.
* To reset the Fall-back Noise setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Fall-back Noise setting will remain until the
power is turned o.
* Preferred Fall-back Noise settings can be stored to the sound’s
memory, or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Fall-back Noise setting
Press the FUNCTION button (BACK) to exit the Fall-back Noise setting and return to the Function Menus screen.
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Hammer Noise

When playing an acoustic piano, it is also possible to hear the physical sound of the hammers striking the strings,
along with the sound of the keys making contacting with the piano keybed.
The digital piano reproduces this sound, with the Hammer Noise setting allowing the volume of this sound to be
adjusted.
While the default value is intended to simulate the natural volume level an acoustic piano, it may desirable to
increase or decrease the volume of this sound to produce a more or less prominent attack.
* This Virtual Technician setting will aect acoustic piano sounds only.
1. Selecting the Hammer Noise setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Hammer Noise setting.
2. Adjusting the Hammer Noise volume
Press the  or  buttons to increase or decrease the volume of the Hammer Noise setting.
* The Hammer Noise volume can be adjusted within the range of
O, 1~10, with higher values resulting in a more pronounced noise.
* To reset the Hammer Noise setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Hammer Noise setting will remain until the
power is turned o.
* Preferred Hammer Noise settings can be stored to the sound’s
memory, or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Hammer Noise setting
Press the FUNCTION button (BACK) to exit the Hammer Noise setting and return to the Function Menus screen.
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Hammer Delay

When playing pianissimo passages using an acoustic piano, there may be a perceived delay between a key being
pressed and the hammer striking the strings.
If desired, the CA59 digital piano can recreate this delay, with the Hammer Delay setting allowing the delay length
to be adjusted.
While the default value of “O” is intended to replicate a well-regulated concert grand piano, with an immediate
connection between the keyboard and hammers, some players may nd it desirable to introduce a minor delay, in
order to mimic dierent types of piano or instruments with a slightly worn keyboard action.
* This Virtual Technician setting will aect acoustic piano sounds only.
1. Selecting the Hammer Delay setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Hammer Delay setting.
2. Adjusting the Hammer Delay value
Press the  or  buttons to increase or decrease the value of the Hammer Delay setting.
* The Hammer Delay value can be adjusted within the range of
O, 1~10, with higher values resulting in an increased delay.
* To reset the Hammer Delay setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Hammer Delay setting will remain until the
power is turned o.
* Preferred Hammer Delay settings can be stored to the sound’s
memory, or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Hammer Delay setting
Press the FUNCTION button (BACK) to exit the Hammer Delay setting and return to the Function Menus screen.
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12

Topboard Simulation

When playing an acoustic grand piano, the position of the instrument’s topboard (lid) aects both the volume and
“openness” of the tone produced. A fully open topboard allows sound waves to reect o the polished lid surface
and project into the room, while a closed lid has the opposite eect, resulting in a darker, more opaque tone.
The CA59 digital piano simulates these characteristics, with four dierent topboard positions.
* This Virtual Technician setting will aect acoustic piano sounds only.
Topboard positions
Topboard position Description
Open3 (default) Simulates the character of a fully open topboard, with maximum sound projection.
Open2 Simulates the character of a half open topboard, with reduced sound projection.
Open1 Simulates the character of a partially open topboard, with limited sound projection.
Closed2 Simulates the character of a closed rear topboard, but open front topboard, with limited sound projection.
Closed1
Simulates the character of a closed rear topboard and closed front topboard, with minimum sound projection.
Adjustments & Settings
1. Selecting the Topboard setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Topboard setting.
2. Changing the Topboard position
Press the  or  buttons to cycle through the dierent Topboard types.
* To reset the Topboard setting to the default position, press the
and  buttons simultaneously.
* Any changes made to the Topboard setting will remain until the
power is turned o.
* Preferred Topboard settings can be stored to the sound’s memory,
or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Topboard setting
Press the FUNCTION button (BACK) to exit the Topboard setting and return to the Function Menus screen.
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Decay Time

When playing an acoustic grand piano, the length of the instrument inuences the speed at which held notes decay,
with longer grand pianos (i.e. longer strings) characterised by longer decay times.
The CA59 digital piano simulates this characteristic, with the Decay Time setting allowing the length of decay while
keys are pressed to be adjusted.
* This Virtual Technician setting will aect all sounds.
1. Selecting the Decay Time setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Decay Time setting.
2. Adjusting the Decay Time volume
Press the  or  buttons to increase or decrease the value of the Decay Time setting.
* The Decay Time value can be adjusted within the range of
1~10, with larger values resulting in increased decay times.
* To reset the Decay Time setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Decay Time setting will remain until the
power is turned o.
* Preferred Decay Time settings can be stored to the sound’s memory,
or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Decay Time setting
Press the FUNCTION button (BACK) to exit the Decay Time setting and return to the Function Menus screen.
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Release Time

When playing an acoustic grand piano, the length of the instrument also inuences the speed at which played (and
released) notes decay, with longer grand pianos (i.e. longer strings) characterised by longer release times.
The CA59 digital piano simulates this characteristic, with the Release Time setting allowing the length of decay after
keys are released to be adjusted.
* This Virtual Technician setting will aect all sounds.
1. Selecting the Release Time setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Release Time setting.
2. Adjusting the Release Time volume
Press the  or  buttons to increase or decrease the value of the Release Time setting.
* The Release Time value can be adjusted within the range of
1~10, with larger values resulting in increased Release Times.
* To reset the Release Time setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Release Time setting will remain until the
power is turned o.
* Preferred Release Time settings can be stored to the sound’s memory,
or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Release Time setting
Press the FUNCTION button (BACK) to exit the Release Time setting and return to the Function Menus screen.
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15

Minimum Touch

The Minimum Touch setting allows the minimum key velocity required to produce a sound to be adjusted. By
default, this setting recreates the extremely ne touch sensitivity of a concert grand piano, allowing a very soft
sound to be produced with the slightest of key touches. However, it may be desirable to reduce this sensitivity,
when wishing to recreate the sensitivity of a small grand piano or an upright piano.
* This Virtual Technician setting will aect acoustic piano sounds and some electric piano sounds.
1. Selecting the Minimum Touch setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Minimum Touch setting.
2. Adjusting the Minimum Touch value
Press the  or  buttons to increase or decrease the value of the Minimum Touch setting.
* The Minimum Touch value can be adjusted within the range of 1~20,
with larger values requiring greater key force in order to produce a sound. For example, a value of 10 will require the keyboard to be played with a velocity of 10 or above in order to produce a sound.
* To reset the Minimum Touch setting to the default value, press the
and  buttons simultaneously.
* Any changes made to the Minimum Touch setting will remain until
the power is turned o.
* Preferred Minimum Touch settings can be stored to the sound’s
memory, or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Minimum Touch setting
Press the FUNCTION button (BACK) to exit the Minimum Touch setting and return to the Function Menus screen.
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16

Stretch Tuning

Stretch tuning is a piano-specic tuning method used by acoustic piano technicians in which the lower octaves are
tuned slightly atter and the upper octaves are tuned slightly sharper to match the natural harmonics of an acoustic
piano.
The Stretch Tuning setting allows the degree of stretch tuning to be adjusted when Equal temperament is selected,
or for stretch tuning to be completely disabled. It is also possible to create custom tuning methods by adjusting the
pitch of each individual key.
* This Virtual Technician setting will aect all sounds.
Stretch Tuning setting
Stretch Tuning Description
O Stretch tuning is disabled.
Normal
Wide Wide stretch tuning is applied.
User A custom tuning method, allowing the pitch of each key to be individual tuned.
(default) Normal stretch tuning is applied.
Adjustments & Settings
1. Selecting the Stretch Tuning setting
After entering the Virtual Technician menu (page 81):
Press the  or  buttons to select the Stretch Tuning setting.
2. Changing the Stretch Tuning type
Press the  or  buttons to alternate between “O”, “Normal”, “Wide” and “User 1~4” Stretch Tuning settings.
* To reset the Stretch Tuning setting to the default type, press the
and  buttons simultaneously.
* Any changes made to the Stretch Tuning setting will remain until the
power is turned o.
* Preferred Stretch Tuning settings can be stored to the sound’s
memory, or a Registration memory for convenient recall. Please refer to pages 82 and 35 for more information.
3. Exiting the Stretch Tuning setting
Press the FUNCTION button (BACK) to exit the Stretch Tuning setting and return to the Function Menus screen.
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