www.canondv.com
C
Specifications are subject to change without notice. Weight and
dimensions are approximate. Canon is a registered trademark
of Canon Inc. in the United States and mayalso be a registered
trademark or trademark in other countries. IMAGEANYWARE is
a trademark of Canon. “HDV” and “HDV” logo are trademarks
of Sony Corporation and Victor Company of Japan, Limited (JVC).
Other names and products not mentioned above may be registered
trademarks or trademarks of their respective companies.
Warning: Unauthorized recording ofcopyrighted materials may
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1-800-OK-CANON
www.usa.canon.com
Canon U.S.A., Inc.
One Canon Plaza
Lake Success, NY 11042 U.S.A.
Canon Canada, Inc.
6390 Dixie Road
Mississauga, Ontario L5T 1P7 Canada
Canon Latin America, Inc.
703 Waterford Way, Suite 400
Miami, FL 33126 U.S.A.
Canon Mexicana, S. de R.L. de C.V.
Blvd. Manuel Ávila Camacho No. 138, Piso 17
Col. Lomas de Chapultepec
C.P. 11000 México, D.F. México
0067W571 11/06
©2006 CANON U.S.A., INC.
PRINTED IN U.S.A.
The XH G1 and XH A1 High Definition camcorders reflect
decades of Canon leadership and know-how in the design
and manufacture of cameras and lenses for professional
video and still photography. Videographers get not only outstanding HD image quality but
also the operability, flexibility, reliability, and connectivity that professionals demand of
their gear. The Canon XH G1 and XH A1 deliver the technologies, performance, and features
that make them serious tools for the capture of creative HD content. Put them to work.
They’ll help videographers get the job done with efficiency, excellence, and expression.
Your Vision...
XH A1
XH G1
in High Definition.
54
Super-Range Optical Image Stabilization
Canon’s Optical Image Stabilization (OIS) uses a
gyro sensor to detect camera movement and activate the Lens Shift System to continuously compensate for
shake and jitter. The 20x HD video zoom lens on the XH G1
and XH A1 incorporates Canon’s Super-Range IS Technology,
which further improves low-frequency vibration control by
using two detection methods (gyro and vector). The image at
the CCD sensor is analyzed, providing additional feedback
to the lens shift element for even greater compensation and
precision. The result is highly reliable camera shake correction, even
at long focal lengths, without any image degradation.
Comprehensive Focus and Zoom Control
The Focus, Zoom, and Manual Iris Rings provide the “feel” of a
professional broadcast lens. It allows fine, smooth adjustment in
1/8th-stop increments manually. The XH G1 and XH A1 provide
superb response, enabling zoom speed control by varying the
angle of rotation of the zoom ring with a High-Speed Zoom Mode.
Zoom speed can be variable or constant with 16 possible speed
level settings. Programmable lens presets enable repetitive focus
and zoom actions to be memorized for instant recall.
True HD 1080 Capture with Choice of
Frame Rates
The XH G1 and XH A1 capture true 1080 High-Definition video, providing images of stunning clarity. Moreover, the frame rate is selectable:
Capture and output video in 60i, 30F, or 24F as needed to deliver
spectacular clarity or evoke the lookand feel of film and episodic TV. A
50i/25F option is available, requiring modification at a Canon Service
Center. Modified cameras offer the option of switching to 50i or 60i
capture in HD mode and PAL or NTSC compatibility in SD modes.
Built-In Neutral Density Filters
Two built-in Neutral Density (ND) filters (1/6 and 1/32) reduce exposure by two or five stops for added image control. They can be used,
for example, when shooting bright, sunlit exteriors or to decrease
depth of field for a more dramatic, cinematic look. A focus distance
readout in the viewfinder assists in setting manual focus.
Instant AF
Instant AF is Canon’s next-generation autofocus technology. A new
external sensor works in combination with Canon’s proven highperformance internal AF system
to dramatically reduce focusing time and increasing
accuracy, even in low-light or high brightness situations. Focusing performance is also much improved with difficult
subjects. The high resolution of HD video makes focus more critical
than ever, and Canon’s Instant AF helps videographers capture HD
images with expert precision.
Genuine Canon 20x HD L Series Zoom Lens
HD image quality starts
with optics, and the XH G1
and XH A1 deliver the many benefits
of Canon’s world-renowned lens
technologies. The Genuine Canon 20x
HD video zoom lens is a professional
L Series lens, incorporating Fluorite
and Ultra-Low-Dispersion elements. This state-of-the-art design
ensures outstanding resolution, contrast, and color reproduction,
delivering image quality throughout the entire zoom range unmatched
by conventional optics. The 20x zoom covers an exceptionally wide
and useful range of focal lengths—from 32.5–650mm (35mm
photography equivalent), an optional 0.8x HD Wide Angle Adapter
is available—assuring unmatched versatility for a wide range of
shooting applications.
Three 1/3" Native 16:9 CCDs (1440 x 1080)
A sophisticated 3CCD design employs separate native 16:9 sensors for each primary
color. With 1.67 million pixels (1440 x 1080)
per sensor, the effective pixel count of the
XH G1 and XH A1 is significantly higher than
that of comparable HD camcorders. Canon’s
superior design thus delivers outstanding picture quality at 1080
HD resolution. It further ensures highly accurate color with wide
dynamic range and virtually no color noise.
DIGIC DV II HD Image Processor
Engineered and manufactured by Canon,
the DIGIC Digital Signal Processing chip
(DSP) uses proprietary algorithms and architecture
to deliver the highest image quality at the highest
operating speeds. The latest-generation DIGIC DV II
HD Processor is designed for HD video, operating
at 1440 x 1080 pixels with 4:2:2 color sampling. A new hybrid
noise reduction system uses dual processes to improve image
clarity in monotone and shadow areas. Color reproduction has
also been improved, especially in skin tone areas and with dark
and light scenes. The DSP also enables high-quality still image
recording in either video or digital camera color spaces.
without Super-Range Optical Image Stabilizer
True HD Image Quality...
Because Professional Standard is Canon’s Standard.
HD -SDI
HD -SDI
HD -SDI
Sync Generator
HD Switcher
Program
Out
Mixer
HDV / DV Interface
DV (IEEEE 1394) Cable
HDV (Video, Sound, Time Code)
mic 1
mic 2
Mixer
mic 1
mic 2
GENLOCK in
GENLOCK in
GENLOCK in
HDV
HDV
HDV
HDV
HD -SDI
TC inTC in
GENLOCK in GENLOCK in
VTR (HDCAM, HD D5,
DVD PRO HD etc)
VTR (HDCAM, HD D5,
DVD PRO HD etc)
Time code Generator
Sync Generator
TC in
GENLOCK in
Audio
in
GENLOCK in
Audio
out
GENLOCK in
Audio re corder
(DAT etc)
Non-linear
Editing
System
or
Linear
Editing
System
HDV
HDV
HD Live Solution
HD-SDI Solution
HD/HDV NLE Solution
Professional JackPack (XH G1 only)
While there are many situations that call for smaller,
lighter HD cameras, most such products are unsuitable for professional applications because they
lack the necessary interface capability. The Canon
XH G1 features a Professional JackPack with HD-SDI
(SMPTE 299M) or SD-SDI (SMPTE 272M) output,
Genlock input, and SMPTE Time Code in/out connectors. The HD-SDI output provides a 1.485Gbps
60i signal at 1920 x 1080 resolution and with
4:2:2 color sampling with embedded audio and
time code. Because a single industry standard
connection carries video, audio, SMPTE (LTC)
Time Code, and digital audio, cabling complexity is significantly
reduced. It enables longer cable runs, improves operator mobility,
and simplifies cabling. The Genlock input enables multi-camera
synchronization in live-switched environments. It can accept either
an SD (black burst) or HD (tri-level) sync signal when shooting HD.
A switchable SMPTE input/output port accommodates time code
requirements during multi-camera shoots and post-production.
Shutter Speeds
When shooting with the shutter priority auto exposure mode, the
XH G1 and XH A1 provide 14 different shutter speeds ranging from
1/3 to 1/15,000 of a second. The 24F mode includes a 1/48 second
setting that perfectly matches the shutter speed of a motion picture
film camera. (For NTSC 60i/30F and PAL 50i/25F, there are 13 available settings.)
Superior Connectivity
The XH G1 and XH A1 include a full complement of input and output
ports to meet just about any interface requirement. Two XLR mic/line
audio inputs accommodate professional balanced connections.
Also provided are industry standard connectors, including component
(HD/SD) and composite video outputs (BNC/RCA), an IEEE 1394
(Firewire) port, a LANC terminal, and a headphone jack.
Audio Recording Control
Individual audio level controls, switchable 20 dB mic attenuation,
12 dB mic gain boost, and various monitoring options provide full
control over the sound as it is recorded. They even include switchable phantom power (+48V) to eliminate the need for any external
power supply with direct mic input. An external microphone holder
is provided for on-camera mounting and for an optional
professional shotgun microphone.
6
Representative Block Diagram of Interconnections between Various
Production Equipment
A Perfect Fit for Professional
Production Environments.
7
Image Enhancement
The XH G1 and XH A1 provide advanced features that improve image
viewability and maximize visual appeal. Skin Detail mode minimizes
imperfections, such as blemishes and wrinkles, without removing
detail in other areas of the image. Three intensity levels are provided,
and an alternating zebra pattern in the viewfinder simplifies
the process of selecting the desired
area for the effect. Sky Detail can be
used to enhance outdoor footage by
removing unwanted detail and noise in
the sky. Clear Scan eliminates the flicker
and black bands that usually result
when shooting a computer or other CRT
screen. Frequency is adjustable from
50.2 Hz to 200.3 Hz to accommodate a
wide variety of monitors.
Program AE Modes
Seven programmed Auto Exposure modes
simplify the selection of camera settings
for a variety of everyday and special
shooting situations.
Easy Recording—This “point-and-shoot”
mode lets the camera make all the key
decisions. The camcorder automatically
sets focus, shutter speed, aperture,
gain, white balance, and AE program
shift as required to deliver the most
pleasing video images.
Auto—Similar to Easy Recording, this
mode also provides point-and-shoot
operating simplicity. However, it gives
the operator the option of manually
changing the settings.
Shutter Priority—The user selects the
shutter speed, and the camera automatically selects the proper aperture
for correct exposure.
Aperture Priority—The user selects
the lens aperture, and the camera automatically selects the proper shutter
speed for correct exposure.
Manual—The user can select any
combination of aperture and shutter
speed. Indicators in the viewfinder
show the relation of selected combinations to the exposure as metered by
the camera.
Spotlight—This mode automatically
adjusts exposure for optimum results when the subject is illuminated by concentrated light source (such as a spotlight) while the
background is relatively dark.
Night—The camera uses slower shutter speeds to enable capture
as ambient light levels begin to fall.
Total Image Control
By giving the operator total control of more than 23 independently
adjustable variables, the XH G1 and XH A1 enable the capture of
the perfect look in HD.
Gain Settings—Select automatic gain control or one of 3 preset gains
(low, medium, or high), which can be assigned values from -3 dB
to +36 dB.
White Balance—Numerous white balance modes are provided to
ensure color accuracy in a variety of shooting situations. The automatic modes use a high-precision 128-segment through-the-lens
metering system.
Auto—Provides automatic adjustment of white balance.
Outdoor—Balances for bright sunlight (5600°K), can be customized.
Indoor—Balances for incandescent lighting (3200°K), can be cus-
tomized.
Color Temperature—Balances to a specifically selected value between
2800–12000°K in 100°K increments.
Custom Presets A and B—Enables two manual
white balance settings to be programmed for
instant recall.
Black—Three settings (STRETCH, MIDDLE, PRESS)
provide a choice of dynamic range adjustment
affecting the dark areas of the image. STRETCH
expands the range, providing greater shadow
detail. PRESS narrows the range, increasing the deep black content of the image.
Knee—Four settings (AUTO, HIGH, MIDDLE, LOW) provide a choice
of dynamic range (knee point) adjustment in the highlight areas
to control overexposure when shooting high-brightness subjects.
The HIGH setting enables high-key shooting, while the LOW setting
provides maximum protection from overexposure.
Gamma—The NORMAL gamma curve provides the best results for
conventional viewing on a TV monitor. CINE 1 creates images that
resemble the quality and appearance of film as viewed on TV. The
CINE 2 setting selects an appropriate gamma curve for images that
are to be transferred to film.
Master Pedestal—Adjustments from -9 to +9 sets the video refer-
ence black. Higher values brighten the darker areas of the image,
reducing overall contrast.
Setup Level—Black level can be adjusted from -9 to +9.
Sharpness—Image sharpness can be adjusted from -9 to +9.
Horizontal Detail Frequency (HIGH, MIDDLE, LOW)—Adjusts the H
detail center frequency. Horizontal/Vertical Detail Balance (-9 to +9)
adjusts the H/V proportion of the detail correction.
Noise Reduction 1 and Noise Reduction 2 (both with OFF, HIGH,
MIDDLE, LOW settings)—Provide a variety of methods and levels
of noise reduction to accommodate numerous shooting situations
and desired image qualities.
Color Matrix—NORMAL, CINE
1, and CINE 2 adjust the color during the
shooting. The NORMAL setting is a matrix based on the assumption
that images will be reviewed on a TV monitor. If CINE 1 is selected,
the resulting quality and grayscale resemble those of a movie film.
This is a matrix for creating images on TV that appear like movies. The
CINE 2 setting is a matrix that is for images being transferred to film.
Color Gain/Phase—Adjustable from -50 to +50 and -9 to +9
respectively.
Master Red, Blue, and Green Gain settings—Independently adjustable
from -50 to +50, provide precise control over color balance.
Six Color Matrixes—RG, RB, GR, GB, BR, and BG matrixes, each
independently adjustable from -50 to +50, provide even finer color
control capability by altering two of the three primaries.
98
Canon Console Software
Canon Console is an advanced software package developed to
address the creative needs of XH G1 and XH A1 users. Incorporating
many of the traditional aspects of a camera control unit, Console
runs on a laptop or desktop computer and provides tools for creative
expression as well as remote access to basic camera settings and
operations. Functions, such as a vectorscope and waveform monitor,
enable critical evaluation of the
camera signal. Users can also
capture the camera’s video output
directly to a computer’s hard drive.
Console’s REC PANEL includes
five windows:
Rec Viewer—Live video, clip counter, audio meter and controls,
color/monochrome settings,
split-screen, and zebra levels.
Camera Control—Remote operation of most camera functions.
Vector and Waveform Monitors—
Professional tools for checking
video signal quality.
Focus Assist—Aids for achieving
precise focus, such as electronic zoom and black-and-white view.
Custom Preset—Multiple settings for comprehensive image control.
Console’s PLAY PANEL features three windows that enable review
of captured footage or recall of any existing clips or stills that may
be stored on a hard drive or memory card:
Play Viewer—Displays selected clip with a running counter. Users
can adjust playback speed and view audio monitor settings.
File Browser—Enables users to select the clip to be shown in the
Play Viewer.
Vector and Waveform Monitors—Enables critical evaluation of
recorded material.
Black
Noise Reduction 1
Vector and Waveform Monitors
Canon Console Software
Skin Detail
Sky Detail
Shutter Priority
Create with Precision.
Control Your Capture...
1110
Professional Operability
With Unrivaled Customization Capability.
Compact and Lightweight
The XH G1 and XH A1 share a lightweight, compact design that
employs an internal battery compartment. Size, therefore, is not
materially affected by the battery used. The compartment will
house any BP-900 series battery or DC coupler. The reduced size
and weight of these camcorders make them easily transportable
and maneuverable—major advantages for location work and
specialized “tight-space” shooting, often making it possible to
capture footage not possible with larger cameras.
An optional 0.8x HD Wide Angle Adapter is also available. Their
compactness in combination with their superb HD image quality
make the XH G1 and XH A1 ideal not only as support cameras in
larger production environments but also as primary capture devices
for smaller organizations, such as local news stations, event
videographers, and independent filmmakers.
Unique Customization Features
(see chart on page 14)
The unmatched customization capability built into the XH G1 and
XH A1 make them exceptionally versatile and flexible. The customization features enable them to be precision-tailored for different
environments, different users, and different jobs. In all, there are
23 image adjustment, 22 display option, and 21 custom function
settings that define the cameras’ performance and operating characteristics. Groups of these settings can be saved and exported to
other XH G1 and XH A1 camcorders using an SD memory card or
Canon’s Console software. Organizations that
use many cameras can take advantage of this
feature to easily set up multiple units for uniform capture characteristics.
Custom Presets
Up to 9 sets of customized image adjustments
can be stored in the camera’s internal memory for instant recall. In addition, two Custom
Keys can be programmed to provide instant
access to a number of shooting functions to
suit the user or the particular application.
Two Built-in Digital Still Cameras
In addition to the capture and recording of motion video, the XH G1
and XH A1 can also capture digital still images and store them on a
memory card. Still images can be captured at full HD (1920 x 1080)
resolution in either video color space or digital camera color space.
Still images captured in video color space include time code and
camera set-up metadata. Still images
captured in digital still color space includes
EXiF metadata. Also included are numerous
advanced still camera features expected
from Canon, such as auto exposure bracketing, selectable metering modes, continuous shooting and the option to use
select EOS System Speedlite flashes. With
many pre/post production, storyboarding, and continuity applications, still image recording is just another way the XH G1 and XH A1
deliver versatility.
High-Resolution
Widescreen EVF and LCD
With both an EVF and an LCD, the XH G1
and XH A1 provide a choice of precise, informative displays for image
composition and data readout. The 0.57" widescreen EVF is approxi-
mately 269,000 pixels. The separate 2.8" widescreen LCD also provides
a clear, high-resolution image with approximately 207,000 pixels.
Operators can choose from 22 levels of displayed shooting data,
including an image-only setting that hides all information overlay.
Two focusing aids are available: peaking, which highlights the edges
of in-focus areas; and magnifying, which provides a 2x enlargement
of the central portion of screen.
Zebra Pattern Display
High-brightness portions of the image are displayed as a black-andwhite zebra pattern. The sensitivity level can be adjusted from 70
to 100 IRE in 5 IRE-unit increments.
Frame Overlays
The 16:9 color viewfinders
include aspect guides for
industry-standard picture
formats, including 4:3, 13:9,
14:9, 1.66:1, 1.75:1, 1.85:1,
and 2.35:1. Also, 80 and
90 percent picture and title safe areas can be superimposed. Other
available overlays include a center crosshair mark, horizontal level
marker, and a grid.
4:3 Output
The XH G1 and XH A1 include 4:3 output capability, which is highly
useful in field situations where a widescreen monitor is not available
for viewing 16:9 footage. The “letterboxed” 16:9 image output enables
the entire frame to be viewed on a standard-definition 4:3 set.
Memory Card Slot
The memory card slot on the XH G1 and XH A1
accepts SDHC, SD, and MultiMediaCards
(MMC). In addition to enabling camera-tocamera transfer of custom settings, memory
cards can be used to store digital still images
taken with the camcorder.
Flash Accessory Shoe
The accessory shoe on the XH G1 and XH A1 can be used to mount
optional accessories. It can also be used
with an optional flash unit for still photography. The shoe is compatible with E-TTL II
Canon Speedlite flashes, designed for use
with the Canon EOS SLR camera system,
such as the EX-series models.
28
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POWER Dial
External Control Mode
VCR/PLAY Mode
Power Off
Auto
Shutter-Priority
Aperture-Priority
Manual
Spotlight
Night
Easy Recording
Tv
OFF
A
Av
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Cassette Compartment
Start/Stop Button
STANDBY Lever
TIME CODE Switch
LOCK Switch
MIC (External Microphone) Terminal
XLR MIC ATT. Switches
Lens Hood
LINE/MIC Switch
Input Channel Selection Switch
Lens Hood Locking Screw
Switches
CH1/CH2 Input Terminals
(Pause) Button/DRIVE MODE Button
(Stop) Button/ (Metering Mode) Button
(Rewind) Button/ – Button
(Play) Button/SLIDESHOW Button
(Fast Forward) Button/ + Button
SHUTTER Dial/ Dial
Focus Mode Switch
EXP. LOCK Button
GAIN Switch
AGC (Automatic Gain Control) Switch
OUTPUT Switch
AWB (Automatic White Balance) Switch
WHITE BAL. (White Balance) Switch
WHITE BAL. Button
CUSTOM KEYS
CUSTOM PRESET ON/OFF Button
CUSTOM PRESET SELECT Button
Grip Zoom Lever
PHOTO Button
Zoom Speed Adjustment Dial
VIDEO2 Terminal
/ (Card/Tape) Switch
ZOOM SPEED Switch
DISP. (Display) Button
PEAKING Button
MAGN. (Magnification) Button
(Record Review) Button
POSITION PRESET Switch
POSITION PRESET ON/SET Switch
PUSH AF Button
Focus Ring
Zoom Ring
Iris Ring
Side Panel
POWER Indicator
Open (Open The LCD Display) Switch
CH1/CH2 Dials
SELECT/SET Dial
AUDIO LEVEL Switch
MENU Button
ND FILTER Switch
REC (Record) Button
Start/Stop Button
LOCK Switch
Microphone
Hot Shoe
Strap Mount
Handle Zoom Lever
RESET Button
MIC ATT. Switch
WHITE BAL. PRESET Switch
END SEARCH Button
Grip Zoom Lever
PHOTO Button
Zoom Speed Adjustment Dial
OPEN/EJECT Switch
Strap Mount
LCD Display
PHOTO Button
External Microphone Holder
Remote Sensor
Tally Lamp
Grip Belt
External Sensor for the Instant AF
Attachment Sockets for the Optional
TA-100 Tripod Adapter
Tripod Socket*
Viewfinder
Dioptric Adjustment Lever
OPEN (Open The Battery Compartment) Switch
Battery/Memory Card Compartment
CARD Access Indicator
Terminal
HDV/DV Terminal
HDV Indicator
(Headphones) Terminal
Video Output Selection Switch
* Do not use tripods with fastening screws longer than 5.5mm as it may damage
the camcorder.
About the Terminal (LANC) stands for Local Application Control Bus System.
The terminal allows you to connect and control connected devices. Connect
only devices with the mark to the terminal.
• Operation cannot be guaranteed for connections with devices not bearing
the mark.
• Some buttons of connected devices may not operate or may operate differently
than the buttons on the camcorder.
A/V1 Terminal
COMPONENT OUT Terminal
Professional JackPack (G1 Only)
HD/SD SDI Terminal
GENLOCK Terminal
TIME CODE Terminal
Memory Card Slot
Battery Attachment Unit
BATT. RELEASE Latch
Nomenclature
1312
Customization Chart
CUSTOM DISPLAY CUSTOM FUNCTION
Description
Gamma Curve
Knee Point Adjustment
Black Stretch/Black Press
Master Pedestal
Setup Level
Sharpness
Horizontal Detail Frequency
Horizontal/Vertical Detail Balance
Coring
Noise Reduction 1
Noise Reduction 2
Color Matrix
Color Gain
Color Phase
R Gain
G Gain
B Gain
R-G Matrix
R-B Matrix
G-R Matrix
G-B Matrix
B-R Matrix
B-G Matrix
Custom
Function No.
Description
C.Fn-00 Recording Mode Icon
C.Fn-01 Camera Data 1
C.Fn-02 Camera Data 2
C.Fn-03 Zoom Indicator
C.Fn-04 Focus Distance Display
C.Fn-05 ND Filter displays
C.Fn-06 Image Effects
C.Fn-07 Focus Assist Functions
C.Fn-08 Customized Functions
C.Fn-09 HD Standard Icon
C.Fn-10 Recording Mode in Standard Definition
C.Fn-11 Frame Rate Display
C.Fn-12 Tape-Related Icons and Displays
C.Fn-13 Remaining Time on the Tape
C.Fn-14 Tape/Card-Related Displays
C.Fn-15 Light Metering-Related Displays
C.Fn-16 Still Images-Related Icons
C.Fn-17
Remaining Still Images on the MemoryCard
C.Fn-18 Audio-Related Displays
C.Fn-19 Condensation Warning Icon
C.Fn-20 Battery-Related Displays
C.Fn-21 Wireless Remote Display
Custom
Function No.
Function Description
C.Fn-00 SHCKLSS WB/GN Shockless White Balance/Gain: Softens transitions when changing white balance or gain.
C.Fn-01 AE RESPONS AE Response: Selects the speed with which the camcorder responds to changes in AE settings.
C.Fn-02
HIGH-SPEED
ZOOM
High-Speed Zoom: Constant zoom speed settings 14–16 are shifted to even faster zoom speeds.
C.Fn-03 FOCUS RING CTRL Focus Ring Control: Selects the sensitivity of the Focus Ring control.
C.Fn-04 BUTTONS OPER. Buttons Operation: Changes control button response time—longer times to prevent accidental operation.
C.Fn-05 RINGS DIRECTION
Rings Direction: The directional response of the Zoom, Focus, and Iris rings can be changed to suit
operator preference.
C.Fn-06 DIALS DIRECTION
Dials Direction: The directional response of the Shutter and Select/Set dials can be changed to
suit operator preference.
C.Fn-07 FOCUS PRIORITY Focus Priority: When ON, still images can be recorded only after autofocus is complete.
C.Fn-08 SIMULT.IMG.REC
Simultaneous Still Image Recording: Selects whether a still image can be captured to the memoryca rd
while recording video to tape.
C.Fn-09 MARKER LEVEL
Marker Intensity Level: Selects the intensity of the frame overlays and markers on screen—40% (gray)
or 100% (white)
C.Fn-10 F.AST BW-MOD
Focus Assist B/W Mode: Selects whether to change the display to black-and-white when Focus
Assist is activated.
C.Fn-11 OBJ DST UNIT Object Distance Units Display: Selects whether distance to object is displayed in feet or meters.
C.Fn-12 ZOOM INDICATOR Zoom IndicatorDisplay: Selects whether the zoom indicator is a graphic bar or a numeric display.
C.Fn-13 COLO R B ARS Color Bars Signal: Selects EBU SD (Type 1) or ARIB multiformat HDTV (Type 2) color bars.
C.Fn-14 1kHz TONE 1 kHz Reference Audio Signal: Selects the level of the reference audio tone—OFF, -12 dB, or -20 dB.
C.Fn-15 WIRELESS REMOTE
Wireless Remote Controller: Selects whether or not the camcorder will respond to wireless controller
commands.
C.Fn-16 POWER SAVE
Power Save Mode: Selects whether to shut offthe camcorder after about 5 minutes of inactivity
(under battery power).
C.Fn-17 TAL LY LAM P Tally Lamp: Controls the function of the Tally Lamp—ON, Blink, or OFF by wireless control.
C.Fn-18 LED LED Indicators: Selects whether and which set of LED indicators on the camcorder will be active.
C.Fn-19 BEEP Beep: Selects the volume level of the camcorder’s operational and warning “beeps.”
C.Fn-20 CHARACTER REC
Superimposed Character Recorder: Selects whether superimposed display characters, such as
date and time, will be part of the video recording.
Specifications
SYSTEM
Image Sensor: 1/3 in. CCD x 3 (horizontal pixel
shift), approx. 1,670,000 pixels
Effective Pixels:
approx. 1,560,000
4:3 approx. 1,170,000
16:9 approx. 1,560,000
Lens: 20x HD zoom lens, f=4.5–90mm, f/1.6–3.5,
20x HD video zoom Fluorite and UD (Ultra-Low
Dispersion) glass elements
Video Recording System: Rotary head, helical
scanning, digital component recording
High Definition Video 1080i
Consumer digital VCR SD system
Audio Recording System:
MPEG-1 audio layer 2, 16-bit (48 kHz),
Transfer rate: 384kbps (2CH)
PCM digital sound, 16-bit (48 kHz) or 12-bit
(32 kHz)
Television System:
High Definition Video (HDV) 1080i/60i
NTSC standard (525 lines, 60 fields)
color signal
Tape Format: Videocassettes bearing the “HDV”
or “miniDV” mark
Tape Speed:
18.83mm/s
SP: 18.83mm/s, LP: 12.57mm/s
Maximum Recording Time (60 min. cassette):
60 min.
SP: 60 min., LP: 90 min.
Fast Forward/Rewind Time: Approx. 2 min. 20 sec.
(with a 60 min. cassette)
Viewfinder: 0.57 in. wide, 16:9 aspect ratio TFT
color, approx. 269,000 pixels
LCD Screen: 2.8 in. wide, 16:9 aspect ratio TFT
color, approx. 207,000 pixels
Microphone: Stereo electret, Cross-layout microphone
AF System: TTL autofocus, manual focusing with
focus ring
White Balance: Auto white balance, pre-set white
balance (indoor, outdoor), custom white balance,
or color temperature setting
Minimum Illumination: 0.4 lx (60i/24F mode,
Manual mode, 1/3 shutter, F1.6, Gain 18 dB)
Recommended Illumination: More than 100 lx
(60i/24F)
MEMORY CARD
Recording Media: SDHC (SD High Capacity) memory
card, SD memory card, MultiMediaCard (MMC)*
Size of Images on the Card: 1920 x 1080, 1440
x 1080, 848 x 480, 640 x 480 pixels
File Format: Design rule for Camera File System
(DCF), Exif 2.2** compliant, DPOF compliant
Image Compression Method: JPEG compression
(Super Fine, Fine Normal)
INPUT/OUTPUT TERMINALS
Video Terminals: A/V1: ø 3.5mm mini-jack (audio
and video), V2: BNC jack (video only) 1 Vp-p/75
ohms unbalanced
Audio Out Terminals: A/V1: ø 3.5mm mini-jack
(audio and video) -10 dBV 47 kohmsload/3 kohms
or less, unbalanced
Audio In Terminals: MIC: ø 3.5 stereo mini-jack
(unbalanced), ATT: 20 dB, -64 dBV (Auto mode)/600
ohms, Max: -76 dBV (Manual mode, max. volume)
A/V1: ø 3.5mm mini-jack (audio and video), -10 dBV/
47 kohms
XLR: XLR jack (pin1: shield, pin2: hot, pin3: cold)
ATT: 20dB, -59.5 dBV (Auto mode)/10 kohms
(LINE/MIC switch set to LINE), Max 1: -71.5 dBV
(Auto mode, XLR GAIN UP at 12 dB), Max 2: -71.5 dBV
(manual mode, max. volume), Max 3: -83.5 dBV
(manual mode, max. volume, XLR GAIN UP at 12 dB)
HDV/DV Terminal: Special 4-pin connector (IEEE
1394 compliant) input/output
Headphone Terminal: ø 3.5mm stereo mini-jack,
-23.5 dBV (16 ohm load)/50 ohms
LANC Terminal: ø 2.5mm stereo mini-jack
GENLOCK Terminal: BNC jack, input:
1 Vp-p/75 ohms
TIME CODE Terminal: BNC jack, input:
0.5V–18 Vp-p/10 kohms; output: 1 Vp-p/75 ohms
HD/SD-SDI Terminal: BNC jack, output
only, 0.8 Vp-p/75 ohms, unbalanced
SDI 576/50i: ITU-R BT.656, SMPTE 272M, SMPTE
RP 188 (LTC)
HD-SDI: SMPTE 292M, SMPTE 299M, SMPTE RP
188 (LTC)
COMPONENT OUT
Terminal: 1080i (D3)/480i (D1) compatible
POWER/OTHERS
Power Supply: 7.4V (battery pack)
Power Consumption: 7.8W (recording with auto-
focus, HD mode)
Operating Temperature: 32–104°F/0–40°C
Dimensions (W x H x D): 6.4 x 7.4 x 13.8 in./163 x
189 x 350mm (excluding the gripbelt)
Weight (Body only):
4.6 lbs./2,100g
4.5 lbs./2,030g
HDV
DV
DV
HDV
HDV
DV
DV
HDV
DV
HDV
DV
HDV
DV
* The camcorder’s operations have been tested with SD memory card up
to 4GB. Performance cannot be guaranteed for all memory cards.
** The camcorder supports Exif 2.2 (also called “Exif Print”) Exif Print is a
standard for enhancing the communication between camcorders and
printers. By connecting to an Exif Print-compliant printer, the camcorder’s
image data at the time of shooting is used and optimized, yielding
extremely high quality prints.
CUSTOM PRESET
1514
Kit Contents
•XH G1 or XH A1
•Lens Hood
•Compact Power Adapter CA-920
•DC Coupler DC-920
•Component Video Cable DTC-1000
•Stereo Video Cable STV-290N
•Wireless Controller WL-D5000
•Shoulder Strap SS-1000
•Battery Pack BP-950G
•SD Memory Card SDC-16M
•HDV Tape HDVM-E63PR
Optional Accessories
Car Battery Adapter CB-920
This powers the XH G1/A1 or
charges the battery by plugging
into a car's cigarette lighter socket.
System Case HC-4200
This lockable and certified for
overhead airline bins case holds
the XH G1/A1 with lens hood and
battery pack attached.
Battery Video Light VL-10Li/10Li II
A small and powerful video light.
Rated at 10 watts, it accepts a
Lithium-Ion battery pack.
Zoom Remote Controller ZR-2000
When connected to the LANC terminal, this device can be used to control recording start/stop, focusing,
and 16 different zoom speeds.
Battery Pack BP-950G/970G
The BP-950G is a 9,500 mAH
battery and the BP-970G provides
over 35% more record time.
Dual Battery Charger/Holder CH-910
It can charge batteries with any
combination of Canon BP-900
series batteries one after the other.
Speedlite
Canon Speedlite EX series flashes
are for professional use with maximum guide number at up to
105mm setting.
Wide Converter WD-H72
It gives you a 0.8x wider angle
view, useful when shooting in a
confined area or scenic shots.
Filter Set FS-72U
Includes Neutral Density (ND8),
polarizing and ultra-violet filters,
72mm thread size.
Tripod Adapter TA-100
It allows you to quickly mount and
dismount the XH G1/A1 on or from
a tripod.
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