JBL AVR580 User Manual

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Page 1

OWNER’S GUIDE

AVR580

HIGH-PERFORMANCE AUDIO/VIDEO MULTICHANNEL PROCESSOR/AMPLIFIER

Page 2

AVR580 AUDIO/VIDEO RECEIVER

Typographical Conventions

In order to help you use this manual with the remote control, front-panel controls and rear-panel connections, certain conventions have been used.

EXAMPLE – (bold type) indicates a specific remote control or front-panel button or indicator, or rear-panel connection jack

EXAMPLE – (OCR type) indicates a message that is visible on the front-panel information display

1 – (number in a square) indicates a specific front-panel control a – (number in an oval) indicates a button or indicator on the remote control

¡ – (number in a circle) indicates a rear-panel connection

A – (letter in a square) indicates an indicator in the front-panel information display

– (letter in an oval) indicates a button on the Zone II remote

Declaration of Conformity

We, Harman Consumer International

2, route de Tours 72500 Château-du-Loir France

declare in own responsibility that the product described in this owner’s manual is in compliance with technical standards:

EN 55013:2001

EN 55020:2002

EN 61000-3-2:2000

EN 61000-3-3:1995+A1:2001

EN 60065:2002

Gary Mardell

Harman Consumer International

Château-du-Loir, France 4/04

4 Introduction 5 Important Safety Information 5 Unpacking 6 Front-Panel Controls 8 Front-Panel Information Display

9 Rear-Panel Connections 12 Main Remote Control Functions 16 Zone II Remote Control Functions 17 Installation and Connections 20 System Configuration 20 Speaker Placement 20 System Setup 22 Input Setup 22 Surround Setup 24 Speaker Setup 26 Delay Settings 27 Output Level Adjustment 27 Using EzSet 28 Manual Output Level Adjustment 30 Operation 30 Basic Operation 30 Source Selection 30 6-Channel/8-Channel Direct Input 30 Volume Control 31 Surround Mode Selection 31 Digital Audio Playback 34 Surround Mode Chart 35 Tuner Operation 35 Tape Recording 36 Output Level Trim Adjustment 37 Advanced Features 37 Surround Amplifier Channel Assignment 37 Display Brightness 37 Turn-On Volume Level 38 Semi-OSD Settings 38 Full-OSD Time-Out Adjustment 39 Multiroom Operation 39 Multiroom Setup 39 Multiroom Operation 41 Programming the Remote 41 Programming the Product Codes 41 Direct Code Entry 41 Auto Search Method 41 Code Readout 42 Learning Codes 42 Macro Programming 43 Programmed Device Functions 44 Volume Punch-Through 44 Channel Control Punch-Through 44 Transport Control Punch-Through 45 Reassigning Device Control

Selectors

45 Resetting the Remote Memory 46 Function List 48 Setup Code Tables 68 Troubleshooting Guide 68 Processor Reset 69 Technical Specifications

See trademark acknowledgements on page 69.

Page 3

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket or table specified by the manufacturer or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

15. Do not use attachments not recommended by the product manufacturer, as they may cause hazards.

16. This product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions.

17. If an outside antenna or cable system is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antennadischarge unit, connection to grounding electrodes, and requirements for the grounding electrode. See Figure A.

18. An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits, as contact with them might be fatal.

19. Do not overload wall outlets, extension cords, or integral convenience receptacles, as this can result in a risk of fire or electric shock.

20. Never push objects of any kind into this product through openings, as they may touch dangerous voltage points or short-out parts that could result in a fire or electric shock. Never spill liquid of any kind on the product.

21. Do not attempt to service this product yourself, as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel.

22. When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or that have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock or other hazards.

23. Upon completion of any service or repairs to this product, ask the service technician to perform safety checks to determine that the product is in proper operating condition.

24. The product should be mounted to a wall or ceiling only as recommended by the manufacturer.

read first!

Important Safety Precautions!

Figure A. Example of Antenna Grounding as per National ElectricalCode ANSI/NFPA 70

HCGUL1492/6500 02/2003

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: To reduce the risk of electric shock,

do not remove cover (or back).

No user-serviceable parts inside.

Refer servicing to qualified service personnel.

CAUTION: To prevent electric shock,

do not use this (polarized) plug with

an extension cord, receptacle or other outlet

unless the blades can be fully inserted to

prevent blade exposure.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to

alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

Antenna Lead-In Wire

Ground Clamp

Antenna Discharge Unit (NEC Section 810-20)

Grounding Conductors (NEC Section 810-21)

Electric Service Equipment

Ground Clamps

Power Service Grounding Electrode System (NEC Art. 250, Part H)

Page 4

INTRODUCTION

Thank you for choosing JBL®! With the purchase of a JBL

AVR580, you are about to begin many years of listening enjoyment. Designed to provide all the excitement and detail of movie soundtracks and

every nuance of musical selec-

tions, the AVR580

is truly a multichannel

receiver for the new millennium. The AVR580 has been engineered so that

it is easy to take advantage of all the power of its digital technology. However, to obtain the maximum enjoyment from your new receiver, we urge you to read this manual. A few minutes spent learning the functions of the various controls will enable you to take advantage of all the power the AVR580 is able to deliver.

If you have any questions about this product, its installation or its operation, please contact your retailer or custom installer. They are your best local sources of information.

Description and Features

The AVR580 is among the most versatile and multifeatured A/V receivers available, incorporating a wide range of listening options. In addition to Dolby

Digital and DTS®decoding for digital sources, a broad choice of Matrix surround-encoded or Stereo surround modes are available for use with sources such as CD, VCR, TV broadcasts and the AVR580’s own FM/AM tuner. Along with Dolby Digital EX, Dolby Pro Logic

* II,

DTS Neo:6

, Dolby 3 Stereo, and Hall and Theater modes, the AVR580 offers Harman

International’s exclusive Logic 7

processing in both 5.1 and 7.1 versions to create a wider, more enveloping

field environment and more defined fly-overs and pans. Another exclusive is VMAx

, which uses proprietary processing to create an open, spacious sound field even when only two front speakers are available. Finally, the AVR580 offers decoding of MP3 data, so that you may listen to the latest music selections directly from compatible computers or playback devices with the power and fidelity you expect from JBL.

In addition to providing a wide range of listening options, the AVR580 is easy to configure so that it provides the best results with your speakers and specific listening-room environment. On-screen menus make it simple to enter settings for speaker configurations and bass management, and the EzSet remote measures a system’s sound levels and automatically

calibrates them for perfectly balanced sound field presentation.

For the ultimate in flexibility, the AVR580 features connections for five video devices, all with both composite and SVideo inputs. Two additional audio inputs are available, and six digital inputs make the AVR580 capable of handling all the latest digital audio sources. For compatibility with the latest HDTV video sources and progressive scan DVD players, the AVR580 also features two-input, widebandwidth, low-crosstalk component video switching.

The front panel offers coaxial and optical digital inputs for direct connection to digital recorders. Two video recording outputs, preamp-out and a color-coded eightchannel input, with complete digital bass management, make the AVR580 virtually future-proof, with everything needed to accommodate tomorrow’s new formats right onboard.

The AVR580’s flexibility and power extend beyond your main home theater or listening room. The AVR580 includes a sophisticated multizone control system that allows you to select one source for use in the main room and a different source for audio and video distribution to a second zone. Complete volume control in the second zone is possible with a separate infrared control link. To make it easy to operate the AVR580 from a remote zone, a separate “Zone II” remote is included. Additionally, the AVR580 includes the option to assign two of its output channels to the multiroom system.

The AVR580’s powerful amplifier uses traditional JBL high-current design technologies to meet the wide dynamic range of any program selection.

With

state-of-the-art circuitry and timehonored circuit designs, the AVR580 is the perfect combina

tion of the latest in digital

audio technology, a

quiet yet powerful

analog amplifier in an

elegant, easy-to-

use package.

■ A wide range of digital and matrix

surround

modes, including Dolby

Digital, Dolby Digital EX

, Dolby

Pro Logic

II, DTS®, DTS-ES

Discrete and Matrix, and DTS Neo:6

■ Seven channels of high-current

amplification with two channels assignable to either surround back or multiroom applications

■

Logic 7®processing

, available with both 7.1 and 5.1 configurations in a variety of modes, and two modes of VMAx

■ MP3 decoding for use with com-

puters and digital audio players

■

™

remote automatically

sets

output levels for optimum

performance

■ High-bandwidth, HDTV-compatible

component video switching

■ Front-panel analog A/V inputs

■ Multiple digital inputs and outputs

■ Discrete front-panel coaxial and

optical digital inputs for easy connection to portable digital devices and the latest video game consoles

■ Extensive bass management

options, including three separate crossover groupings

■ On-screen menu and display

system

■ Extensive multiroom options,

including a standard Zone II remote and assignable amplifier channels for listening to a separate source in a remote zone

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SAFETY INFORMATION

Important Safety Information

Verify Line Voltage Before Use

Your AVR580 has been designed for use with 220–240-volt AC current. Connection to a line voltage other than that for which it is intended can create a safety and fire hazard and may damage the unit.

Depending on the electrical requirements in your area or the wiring in your home, the power cords included with your AVR may not be the correct ones, and you may need to contact your local JBL distributor to obtain the correct power cord.

If you have any questions about the voltage requirements for your specific model, or about the line voltage in your area, contact your selling dealer before plugging the unit into a wall outlet.

Do Not Use Extension Cords

To avoid safety hazards, use only the power cord attached to your unit. We do not recommend that extension cords be used with this product. As with all electrical devices, do not run power cords under rugs or carpets or place heavy objects on them. Damaged power cords should be replaced immediately by an authorized service center with a cord meeting factory specifications.

Handle the AC Power Cord Gently

When disconnecting the power cord from an AC outlet, always pull the plug; never pull the cord. If you do not intend to use the unit for any considerable length of time, disconnect the plug from the AC outlet.

Do Not Open the Cabinet

There are no user-serviceable components inside this product. Opening the cabinet may present a shock hazard, and any modification to the product will void your guarantee. If water or any metal object such as a paper clip, wire or a staple accidentally falls inside the unit, disconnect it from the AC power source immediately, and consult an authorized service center.

Installation Location

■ To ensure proper operation and to

avoid the potential for safety hazards, place the unit on a firm and level surface. When placing the unit on a shelf, be certain that the shelf and any mounting hardware can support the weight of the product.

■ Make certain that proper space is pro-

vided both above and below the unit for ventilation. If this product will be installed in a cabinet or other enclosed area, make certain that there is sufficient air movement within the cabinet. Under some circumstances a fan may be required.

■ Do not place the unit directly on a

carpeted surface.

■ Avoid installation in extremely hot or

cold locations, or in an area that is exposed to direct sunlight or heating equipment.

■ Avoid moist or humid locations.

■ Do not obstruct the ventilation slots

on the top of the unit, or place objects directly over them.

■ Due to the weight of the AVR580 and

the heat generated by the amplifiers, there is the remote possibility that the rubber padding on the bottom of the unit’s feet may leave marks on certain wood or veneer materials. Use caution when placing the unit on soft woods or other materials that may be damaged by heat or heavy objects.

Cleaning

When the unit gets dirty, wipe it with a clean, soft, dry cloth. If necessary, wipe it with a soft cloth dampened with mild soapy water, then a fresh cloth with clean water. Wipe dry immediately with a dry cloth. NEVER use benzene, aerosol cleaners, thinner, alcohol or any other volatile cleaning agent. Do not use abrasive cleaners, as they may damage the finish of metal parts. Avoid spraying insecticide near the unit.

Moving the Unit

Before moving the unit, be certain to disconnect any interconnection cords with other components, and make certain that you disconnect the unit from the AC outlet.

Unpacking

The carton and shipping materials used to protect your new receiver during shipment were specially designed to cushion it from shock and vibration. We suggest that you save the carton and packing materials for use in shipping if you move, or should the unit ever need repair.

To minimize the size of the carton in storage, you may wish to flatten it. This is done by carefully slitting the tape seams on the bottom and collapsing the carton. Other cardboard inserts may be stored in the same manner. Packing materials that cannot be collapsed should be saved along with the carton in a plastic bag.

If you do not wish to save the packaging materials, please note that the carton and other sections of the shipping protection are recyclable. Please respect the environment and discard those materials at a local recycling center.

At this time you should remove the protective plastic film from the front-panel lens. Leaving the film in place will affect the performance of your remote control.

Page 6

1 Main Power Switch: Press this button to apply power to the AVR580. When the switch is pressed in, the unit is placed in a Standby mode, as indicated by the red Power Indicator 3 in the center of the

System Power Control

2. This button MUST be pressed in to operate the unit. To turn the unit off and prevent the use of the remote control, this switch should be pressed until it pops out from the front panel so that the word “OFF” may be read at the top of the switch.

NOTE: This switch is normally left in the “ON” position.

2 System Power Control: When the Main Power Switch1is “ON,” press

this button to turn on the AVR580; press it again to turn the unit off. Note that the

Power Indicator3in the center

of the switch will turn orange when the unit is on.

3 Power Indicator: This LED will be lit in red when the unit is in the Standby mode to signal that the unit is ready to be turned on. When the unit is in operation, the indicator will turn orange.

4 Headphone Jack: This jack may be used to listen to the AVR580’s output through a pair of headphones. Be certain that the headphones have a standard

6.4mm (

/4") stereo phone plug. The main room speakers will automatically be turned off when the headphone jack is in use.

5 Tone Mode: This button controls the tone control settings, enabling adjustment of the bass and treble boost/cut and balance or the removal of the tone controls from the signal path. The first press of the button displays a

TONE IN message in

the

Main Information Display ˜.

If you wish to set the tone controls to “flat,” without any treble, bass or balance alteration, press the

‹

or ›Selector Buttons )# so that TONE OUT appears in the

Lower Display Line B.

6 Speaker Selector: Press this button

to begin the process of configuring the AVR580 for the type of speakers it is being used with. For information on configuring the speaker settings, see page 24.

7 Surround Mode Group Selector:

Press this button to select the top-level group of surround modes. Each press of the button will select a major mode grouping in the following order:

Once the button is pressed so that the name of the desired surround mode group appears in the on-screen display and in the

Lower Display Line B, press the

Surround Mode Selector 8 to cycle

through the individual modes available. For example, press this button to select Dolby modes, and then press the Surround Mode Selector 8 to choose from the various mode options.

8 Surround Mode Selector: Press this button to select from among the available surround mode options for the major mode group selected. The specific modes will vary based on the number of speakers available, the major mode group and whether the input source is digital or analog. For example, press the

Surround

Mode Group Selector

7 to select a

major mode grouping such as Dolby or

FRONT-PANEL CONTROL

1 Main Power Switch 2 System Power Control 3 Power Indicator 4 Headphone Jack 5 Tone Mode 6 Speaker Selector 7 Surround Mode Group Selector 8 Surround Mode Selector 9 Tuning Selector )‹Button ! Tuner Band Selector

@ Set Button #›Button $ Preset Station Selector % Input Source Selector ^ TunerMode Selector & Optical 3 Digital Input * Coaxial 3 Digital Input ( Video 4 Video Input Jacks Ó Video 4 Audio Input Jacks Ô Bass Control  Balance Control

Ò Treble Control Ú Channel Adjust Selector Û Delay Adjust Selector Ù Digital Input Selector ı Volume Control ˆ Input Indicators ˜ Main Information Display ¯ Remote Sensor Window ˘ Surround Mode Indicators

Dolby Modes _ DTS Digital Modes _ VMAx Modes

DSP Modes _ Stereo Modes _ Logic 7 Modes

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Logic 7, and then press this button to see the specific mode choices that are available. For more information on mode selection, see page 31.

9 Tuning Selector: Press the left side of the button to tune lower-frequency stations and the right side of the button to tune higher-frequency stations. When a station with a strong signal is reached, the

TUNED Indicator I will be lit in

the

Main Information Display ˜.

)‹Button: When making system con-

figuration changes using the front-panel controls, press this button to scroll left through the available choices for the option being adjusted.

! Tuner Band Selector: Pressing this button will automatically switch the AVR580 to the Tuner mode. Pressing it again will switch between the AM and FM frequency bands. (See page 35 for more information on the tuner.)

@ Set Button: When making system configuration changes using the frontpanel controls, press this button to enter a setting into the unit’s memory.

# › Button: When making system con- figuration changes using the front-panel controls, press this button to scroll right through the available choices for the option being adjusted.

$ Preset Station Selector: Press this button to scroll up or down through the list of stations that have been entered into the preset memory. (See page 35 for more information on tuner programming.)

% Input Source Selector: Press this button to change the input source.

^ Tuner Mode Selector: Press this but- ton to select Auto or Manual tuning. When the button is pressed so that the

AUTO

Indicator

J lights, the tuner will search for the next station with an acceptable signal when the

Tuning Selector 9u

is pressed. When the button is

pressed so that the

AUTO Indicator J is not lit, each press of the Tuning Selector

9uéwill increase the fre-

quency. (See page 35 for more information on using the tuner.) This button may also be used to switch between Stereo and Mono modes for FM radio reception. When weak reception is encountered, press the button until the

STEREO

Indicator

H goes out to switch to Mono

reception. Press and hold again to switch back to Stereo mode. (See page 35 for more information on using the tuner.)

& Optical 3 Digital Input: Connect the optical digital output of an audio or video product to this jack.

* Coaxial 3 Digital Input: Connect the coaxial digital input of a digital audio product such as a portable audio player or video game to this jack.

( Video 4 Video Input Jacks: These jacks may be used to connect the video play/out jacks of a video game or portable video product such as a camcorder, video game or digital still camera to your system.

Ó Video 4 Audio Input Jacks: These audio/video

jacks may be used for connec-

tion to the audio play/out

jacks of a video game or portable audio/video product such as a camcorder or portable audio player.

Ô Bass Control: Use this control to boost or reduce the low-frequency output of the left/right front channels by as much as ±10dB. Set this control as you find suitable to adjust to your specific taste or room acoustics.

 Balance Control: Use this control to change the relative volume for the front left/right channels.

NOTE: When multichannel surround modes are in use, this control should be at the midpoint, or “12 o’clock,” position for proper operation.

Ò Treble Control: Use this control to boost or reduce the high-frequency output of the left/right front channels by as much as ±10dB. Set this control as you find suitable to adjust to your specific taste or room acoustics.

Ú Channel Adjust Selector: Press the button to begin the process of adjusting the channel level outputs using the source currently playing through your AVR. For complete information on adjusting the channel output level, see page 36.

Û Delay Adjust Selector: Press this button to begin the process of adjusting the delay settings for Dolby surround modes. See page 26 for more information on delay adjustments.

Ù Digital Input Selector: Press this button to begin the process of selecting a digital source for use with the currently selected input. Once the button has been pressed, use the

‹ or › Buttons )#

to choose the desired input and then press the

Set Button @ to enter the

setting into the unit’s memory. See page 31 for more information on digital audio.

ı Volume Control: Turn this knob clockwise to increase the volume, counterclockwise to decrease the volume. If the AVR580 is muted, adjusting the volume will automatically release the unit from the silenced condition.

ˆ Input Indicators: The current input source for the AVR580 will light in orange.

˜ Main Information Display: This display delivers messages and status indications to help you operate the receiver. (See page 8 for a complete explanation of the Information Display.)

¯ Remote Sensor Window: The sen- sor behind this window receives infrared signals from the remote control. Aim the remote at this area and do not block or cover it unless an external remote sensor is installed.

˘ Surround Mode Indicators: The surround mode and digital bitstream in use will light in orange. Note that depending on the specific combination of input sources and surround mode selected, more than one indicator may light. (See page 34 for more information.)

Page 8

FRONT-PANEL INFORMATION DISPLAY

A Upper Display Line B Lower Display Line C OSD Indicator D Multiroom Indicator

E Speaker/Channel Input Indicators F PRESET Indicator G MEMORY Indicator H STEREO Indicator

I TUNED Indicator J AUTO Indicator K 192kHz Indicator L 96kHz Indicator

A Upper Display Line: Depending on

the unit’s status, a variety of messages will appear here. In normal operation, the current audio and video input source information will appear on this line.

B Lower Display Line: Depending on the unit’s status, a variety of messages will appear here. In normal operation, the current surround mode name will appear on this line.

C OSD Indicator: When the OSD sys- tem is in use, this indicator lights to remind you that the other indicators in this display do not function when the OnScreen Display is being used.

D Multiroom Indicator: This indicator lights when the multiroom system is active. It will remain lit when the multiroom system is in use even though the main room system is in the Standby mode and all other indicators are dark. (See page 39 for more information on the Multiroom system.)

E Speaker/Channel Input Indicators:

These indicators are multipurpose, indicating either the speaker type selected for each channel or the incoming data-signal configuration. The left, center, right, side surround and surround back speaker indicators are composed of two boxes, while

the subwoofer is a single box. The center box lights when a “Small” speaker is selected, and the

outer boxes light when “Large” speakers are selected. When none of the boxes are lit for the center, surround or subwoofer channels, no speaker has been selected for one of those positions. (See page 24 for more information on speaker setup.) The letters inside each of the

center boxes display the active input channels. For standard analog inputs, only the L and R will light, indicating a stereo input. When a digital source is playing, the indicators

will light to display the channels being received at the digital input. When the letters flash, the digital input has been interrupted. (See page 32 for more information on the channel indicators.)

F PRESET Indicator: This indicator lights when the tuner is in use to show that the present number for the current station being listened to appears in the Upper Display Line. (See page 35 for more information on tuner presets.)

G MEMORY Indicator: This indicator flashes when entering presets and other information into the tuner’s memory.

H STEREO Indicator: This indicator lights when an FM station is being tuned in stereo.

TUNED Indicator:

This indicator lights when a station is being received with sufficient signal strength to provide acceptable listening quality.

J AUTO Indicator: This indicator lights when the tuner’s Auto mode is in use.

K 192kHz Indicator: This indicator lights when the digital audio input source has a 192kHz bit rate.

L 96kHz Indicator: This indicator lights when the digital audio input source has a 96kHz bit rate.

Page 9

REAR-PANEL CONNECTIONS

¡ AM Antenna: Connect the AM loop antenna supplied with the receiver to these terminals. If an external AM antenna is used, make connections to the

AM and

GND terminals in accordance with the

instructions supplied with the antenna.

™ FM Antenna: Connect the supplied indoor (or an optional external) FM antenna to this terminal.

£ Preamp Outputs: Connect these jacks to an optional, external power amplifier for applications where higher power is desired.

¢ Subwoofer Output: Connect this jack to the line-level input of a powered subwoofer. If an external subwoofer amplifier is used, connect this jack to the subwoofer amplifier input.

∞ Surround Speaker Outputs:

Connect these outputs to the matching + and – terminals on your surround channel speakers. In conformance with the new CEA color-code specification, the blue terminal is the positive, or “+,” terminal that should be connected to the red (+) terminal on the Surround Left speaker with older color-coding, while the gray termi-

nal should be connected to the red (+) terminal on the Surround Right speaker with the older color-coding. Connect the black (–) terminal on the AVR580 to the matching black negative (–) terminals for each surround speaker. (See page 17 for more information on speaker polarity.)

§ Front Speaker Outputs: Connect these outputs to the matching + or – terminals on your left and right speakers. When making speaker connections always make certain to maintain correct polarity by connecting the color-coded (white for front left and red for front right)

¡ AM Antenna ™ FM Antenna £ Preamp Outputs ¢ Subwoofer Output ∞ Surround Speaker Outputs

§ Front Speaker Outputs ¶ Fan Vents

• Center Speaker Outputs ª Surround Back/Multiroom Speaker

Outputs

‚ AC Power Cord Jack ⁄ Region Selector ¤ Video Monitor Outputs ‹ DVD Video Inputs

› Video 1 Video Inputs ﬁ Video 1 Video Outputs ﬂ Video 2 Video Inputs ‡ Video 2 Video Outputs ° Video 3 Video Inputs

· Component Video Monitor Outputs a Component Video 1 Inputs b Component Video 2 Inputs c RS-232 Port d Multiroom IR Input e Remote IR Input f Remote IR Output g Coaxial Digital Audio Output h Multiroom Audio Outputs

i Optical Digital Audio Output j CD Audio Inputs k DVD Audio Inputs

Optical Digital Audio Inputs  Tape Inputs  Tape Outputs  Coaxial Digital Audio Inputs  Video 1 Audio Inputs  Video 1 Audio Outputs  Video 2 Audio Inputs  8-Channel Direct Inputs  Video 2 Audio Outputs  Video 3 Audio Inputs

NOTE: To assist in making the correct connections for multichannel input, output and speaker connections, all connection jacks and terminals are color-coded in conformance with the latest CEA standards as follows:

Front Left: White Front Right: Red Center: Green Surround Left: Blue Surround Right: Gray Surround Back Left: Brown Surround Back Right: Tan

Subwoofer: Purple Digital Audio: Orange Composite Video: Yellow Component Video “Y”: Green Component Video “Pr”: Red Component Video “Pb”: Blue

Page 10

(+) terminals on the AVR580 to the red (+) terminals on the speakers and the black (–) terminals on the AVR580 to the black (–) terminals on the speakers. See page 17 for more information on speaker polarity.

¶ Fan Vents: These ventilation holes are the output of the AVR580’s airflow system. To ensure proper operation of the unit and to avoid possible damage to delicate surfaces, make certain that these holes are not blocked and that there is at least three inches of open space between the vent holes and any wooden or fabric surface. It is normal for the fan to remain off at most normal volume levels. An automatic termperature sensor turns the fan on only when it is needed.

• Center Speaker Outputs: Connect these outputs to the matching + and – terminals on your center channel speaker. In conformance with the new CEA colorcode specification, the green terminal is the positive, or “+,” terminal that should be connected to the red (+) terminal on speakers with the older color-coding. Connect the black (–) terminal on the AVR to the black (–) terminal on your speaker. (See page 17 for more information on speaker polarity.)

ª Surround Back/Multiroom Speaker Outputs:

These speaker terminals are normally used to power the surround back left/surround back right speakers in a 7.1 channel system. However, they may also be used to power the speakers in a second zone, which

will receive the output selected for a multiroom system.

To change the output fed to these terminals from the default of the Surround Back speakers to the Multiroom Output, you must change a setting in the Advanced Menu of the OSD system. See page 37 for more information on configuring this speaker output. In normal surround system use, the brown and black terminals are the surround back left channel positive (+) and negative (–) connections and the tan and black terminals are the surround back right positive (+) and negative (–) terminals. For multiroom use, connect the brown and black SBL terminals to the red and black connections on the left remote zone speaker and connect the tan and black SBR terminals to the red and black terminals on the right remote zone speaker.

‚ AC Power Cord Jack: Connect the AC power cord to this jack when the installation is complete. To ensure safe operation, use only the power cord supplied with the unit. If a replacement is required it must be of the same type and capacity.

⁄ Region Selector: Select the position corresponding to the country in which the AVR will be used (C, S or K) so that the video standard and the FM tuner’s frequency increments will be correct. See page 35 for more information on setting the

Region Selector ⁄.

IMPORTANT NOTE:

Any adjustments

made to the

Region Selector ⁄ will

not take effect unless the unit is first fully turned off by pressing the

Main

Power Switch

1 until it pops out and the word “OFF” appears on the top of the button.

¤ Video Monitor Outputs: Connect these jacks to the composite or S-Video input of a TV monitor or video projector to view the on-screen menus and the output of any standard video source selected by the receiver’s video switcher.

‹ DVD Video Inputs: Connect the com- posite or S-Video outputs of a DVD player or other video source to these jacks.

› Video 1 Video Inputs: Connect the composite or S-Video PLAY/OUT jacks of a VCR or other video source to these jacks.

ﬁ Video 1 Video Outputs: Connect the composite or S-Video REC/IN jacks of a VCR or other video recording device such as a DVD recorder or PVR to these jacks.

ﬂ Video 2 Video Inputs: Connect the composite or S-Video PLAY/OUT jacks of a VCR or other video source to these jacks.

‡ Video 2 Video Outputs: Connect the composite or S-Video REC/IN jacks of a VCR or other video recording device such as a DVD recorder or PVR to these jacks.

° Video 3 Video Inputs: Connect the composite or S-Video PLAY/OUT jacks of a VCR or other video source to these jacks.

· Component Video Monitor Outputs:

Connect these outputs to the component video inputs of a video projector or monitor. When a source connected to one of the

Component Video Inputs

ab is selected, the signal will be sent to these jacks.

a Component Video 1 Inputs: Connect the Y/Pr/Pb component video outputs of a DVD player, HDTV set-top converter, satellite receiver or other video source device with component video outputs to these jacks.

b Component Video 2 Inputs: Connect the Y/Pr/Pb component video outputs of an HDTV set-top converter, satellite receiver or other video source device with component video outputs to these jacks.

c RS-232 Port: This jack is used to enable the AVR580 to be controlled by an external computer or programmable remote system that uses RS-232 commands. Due to the complexity of RS-232 connections, we recommend that they be made by a trained and qualified custom installer. See page 18 for more information on the RS-232 control port.

d Multiroom IR Input: Connect the out- put of an IR sensor in a remote room to this jack to operate the AVR580’s multiroom control system.

e Remote IR Input: If the AVR580’s front-panel IR sensor is blocked due to cabinet doors or other obstructions, an external IR sensor may be used. Connect the output of the sensor to this jack.

f Remote IR Output: This connection permits the IR sensor in the receiver to serve other remote controlled devices. Connect this jack to the “IR IN” jack on JBL (or other compatible) equipment.

g Coaxial Digital Audio Output:

Connect this jack to the coaxial digital input of a CD-R/RW, MiniDisc or other digital recorder.

h Multiroom Audio Outputs: Connect these jacks to the optional external audio power amplifier and video distribution system that delivers the source selected for multizone distribution.

i Optical Digital Audio Output:

Connect this jack to the optical digital input connector on a CD-R/RW, MiniDisc or other digital recorder.

Page 11

 CD Audio Inputs: Connect these jacks to the analog audio output of a compact disc player or CD changer.

k DVD Audio Inputs: Connect the left/right analog outputs of a DVD player or other audio source to these jacks.

 Optical Digital Audio Inputs:

Connect the optical digital output from a DVD player, HDTV receiver, the S/P-DIF output of a compatible computer sound card playing MP3 files or streams, LD player or CD

player to these jacks. The signal may be a Dolby Digital signal, a DTS signal or a standard PCM digital source.



Tape Inputs: Connect these jacks to

the

PLAY/OUT

jacks of an audio recorder.

 Tape Outputs: Connect these jacks to the

RECORD/INPUT jacks of an audio

recorder.

 Coaxial Digital Audio Inputs:

Connect the coax digital output from a DVD player, HDTV receiver, the S/P-DIF output of a compatible computer

sound card playing MP3 files or streams, LD player or CD player to these jacks. The signal may be a Dolby Digital signal, DTS signal or a standard PCM digital source. Do not connect the RF digital output of an LD player to these jacks.

Video 1 Audio Inputs: Connect the left/right PLAY/OUT audio output jacks on a VCR or other video source to these jacks.

Video 1 Audio Outputs: Connect the left/right REC/IN audio input jacks on a VCR or other video source to these jacks.

Video 2 Audio Inputs: Connect the left/right PLAY/OUT audio output jacks on a VCR or other video source to these jacks.

8-Channel Direct Inputs: These jacks are used for connection to source devices such as DVD-Audio or SACD players with discrete analog outputs. Depending on the source device in use, all eight jacks may be used, though in many cases only connections to the front left/right, center, surround left/right and LFE (subwoofer input) jacks will be used for standard 5.1 audio signals.

Video 2 Audio Outputs: Connect the left/right REC/IN audio input jacks on a VCR or other video source to these jacks.

 Video 3 Audio Inputs: Connect the left/right PLAY/OUT audio output jacks on a VCR, PVR, cable set-top, satellite receiver, HDTV receiver or other video source to these jacks.

Page 12

MAIN REMOTE CONTROL FUNCTIONS

a Power Off Button b IR Transmitter Window c Program/SPL Indicator d Power On Button e Input Selectors f AVR Selector g AM/FM Tuner Select h 6-Channel/8-Channel Direct Input i Test Button j Sleep Button k Surround Mode Selector l Night Mode m Channel Select Button n

⁄/¤

Buttons

o‹Button p Set Button q Digital Select r Numeric Keys s Tuner Mode t Direct Button u Tuning Up/Down v OSD Button w Dolby Mode Selector x DTS Digital Mode Selector y Logic 7 Mode Select Button z Skip Down Button ` Transport Controls



Skip Up Button

 Stereo Mode Select Button  DTS Neo:6 Mode Select  Macro Buttons  Disc Skip Button  Preset Up/Down  Clear Button  Memory Button  Delay/Prev. Ch. ›Button  Speaker Select  Multiroom  Volume Up/Down  SPL Selector 

Learn Button

 Mute  EzSet Sensor Microphone

NOTE: The function names shown here are each button’s feature when used with the AVR580. Most buttons have additional functions when used with other devices. See pages 46–47 for a list of these functions.

Page 13

IMPORTANT NOTE: The AVR580’s remote may be programmed to control up to eight devices, including

the AVR580.

Before using the remote, it is important to remember to press the Input Selector

Button

e that corresponds to the unit you wish to operate. In addition, the AVR580’s remote is shipped from the factory to operate the AVR580 and JBL DVD players. The remote is also capable of operating a wide variety of other products using the control codes that are part of the remote. Before using the remote with other products, follow the instructions on pages 40–41 to program the proper codes for the products in your system.

It is also important to remember that many of the buttons on the remote take on different functions, depending on the product selected using the Device Control Selectors. The descriptions shown here primarily detail the functions of the remote when it is used to operate the AVR580. (See page 42 for information about alternate functions for the remote’s buttons.)

a Power Off Button: Press this button to place the AVR580 or a selected device in the Standby mode. Note that this will turn off the main room functions, but if the Multiroom system is activated, it will continue to function.

b IR Transmitter Window: Point this window towards the AVR580 when pressing buttons on the remote to make certain that infrared commands are properly received.

c Program/SPL Indicator: This three- color indicator is used to guide you through the process of programming the remote or learning commands from a remote into the AVR580’s remote code memory and it is also used as a level indicator when using the remote’s EzSet capabilities. (See page 27 for more information on setting output levels, and see page 41 for information on programming the remote.)

d Power On Button: Press this to turn on the power to a device selected by pressing one of the

Input Selectors e.

e Input Selectors: Pressing one of

these buttons will perform three actions at the same time. First, if the AVR580 is not turned on, this will power up the unit. Next, it will select the source shown on the button as the input to the AVR580. Finally, it will change the remote control

so that it controls the device selected. After pressing one of these buttons, you must press the

AVR Selector Button

f again to operate the AVR580’s functions with the remote.

f AVR Selector: Pressing this button will switch the remote so that it will operate the AVR580’s functions. If the AVR580 is in the Standby mode, it will also turn the AVR580 on.

g AM/FM Tuner Select:Press this button to select the AVR580’s tuner as the listening choice. Pressing this button when the tuner is already in use will select between the AM and FM bands.

6-Channel/8-Channel Direct Input:

Press this button to select the device connected to the

8-Channel Direct Inputs

(See page 30 for more information.)

i Test Button: Press this button to begin the sequence used to calibrate the AVR580’s output levels. (See page 27 for more information on calibrating the AVR580.)

j Sleep Button: Press this button to place the unit in the Sleep mode. After the time shown in the display, the AVR580 will automatically go into the Standby mode. Each press of the button changes the time until turn-off in the following order:

This button is also used to change channels on your TV when the TV is selected.

When the AVR580 remote is being programmed with the codes to operate another device, this button is also used in the “Auto Search” process. (See page 41 for more information on programming the remote.)

k Surround Mode Selector: Press this button to cycle through the DSP, VMAx and Stereo surround modes such as Hall, Theater, VMAx Near and Far, and Surround Off. This button is also used to tune channels when the TV is selected using the device

Input Selector e.

When the AVR580 remote is being programmed with the codes of another device, this button is also used in the “Auto Search” process. (See page 41 for more information on programming the remote.)

l Night Mode: Press this button to activate the Night mode. This mode is available in specially encoded digital sources, and it preserves dialogue (center channel) intelligibility at low volume levels.

m Channel Select Button: This button is used to start the process of setting the AVR580’s output levels to an external source. Once this button is pressed, use the

⁄/¤

Buttons n

to select the channel

being adjusted,

then press the Set Button

p, followed by the

⁄/¤

Buttons

again, to change the level setting. (See page 36 for more information.)

⁄/¤

Buttons: These multipurpose

buttons are used to change or scroll through items in the on-screen menus, make configuration settings such as digital inputs or delay timing, or to select surround modes. When changing a setting, first press the button for the function or setting to be changed (e.g., press the Surround Mode Selector k to select a sound field mode or the

Digital Select

Button

q to change a digital input) and then press one of these buttons to scroll through the list of options or to increase or decrease a setting. The sections in this manual describing the individual features and functions contain specific information on using these buttons for each application.

o‹Button: This button is used to change the menu selection or setting during some of the setup procedures for the AVR580.

p Set Button: This button is used to enter settings into the AVR580’s memory. It is also used in the setup procedures for delay time, speaker configuration and channel output level adjustment.

q Digital Select: Press this button to assign one of the digital inputs &* to a source. (See page 31 for more information on using digital inputs.)

r Numeric Keys: These buttons serve as a 10-button numeric keypad to enter tuner preset positions. They are also used to select channel numbers when TV, Cable or SAT has been selected on the remote, or to select track numbers on a CD, DVD or LD player, depending on how the remote has been programmed.

s Tuner Mode: Press this button when the tuner is in use to select between automatic tuning and manual tuning.

min80min70min60min50min

min20min10min

min

OFF

Page 14

When the button is pressed so that the AUTO Indicator J goes out, pressing the

Tuning Buttons u9≠will

move the frequency up or down in singlestep increments. When the FM band is in use, pressing this button when a station’s signal is weak will change to monaural reception. (See page 35 for more information.)

t Direct Button: Press this button when the tuner is in use to start the sequence for direct entry of a station’s frequency. After pressing the button, simply press the proper

Numeric Keys r

to select a station. (See page 35 for more information on the tuner.)

u Tuning Up/Down: When the tuner is in use, these buttons will tune up or down through the selected frequency band. If the

Tuner Mode Button s^ has

been pressed so that the

AUTO Indicator

J is illuminated, pressing and holding either of the buttons for three seconds will cause the tuner to seek the next station with acceptable signal strength for quality reception. When the

AUTO Indicator J

is NOT illuminated, pressing these buttons will tune stations in single-step increments. (See page 35 for more information.)

v OSD Button: Press this button to activate the On-Screen Display (OSD) system used to set up or adjust the AVR580’s parameters.

w Dolby Mode Selector: This button is used to select from among the available Dolby Surround processing modes. Each press of this button will select one of the Dolby Pro Logic II modes or Dolby 3 Stereo. When a Dolby Digital-encoded source is in use, the Dolby Digital mode may also be selected. (See page 34 for the available Dolby surround mode options.)

x DTS Digital Mode Selector: When a DTS-encoded digital source is selected, each press of this button will scroll through the available DTS modes. The specific choice of modes will vary according to whether or not the source material contains DTS-ES 6.1 Discrete encoding. When a DTS source is not in use, this button has no function. (See page 34 for the available DTS Digital options.)

y Logic 7 Mode Select Button: Press this button to select from among the available Logic 7 surround modes. (See page

for the available Logic 7 options.)

z Skip Down Button: This button does not have a direct function with the AVR580, but when used with a compatibly programmed CD or DVD player, it will change to the previous track or chapter on the current disc.

` Transport Controls: These buttons do not have any functions for the AVR580, but they may be programmed for the forward/reverse play operation of a wide variety of CD or DVD players, and audio or video cassette recorders. (See page 44 for more information.)

Skip Up Button: This button does

not have a direct function with the AVR580, but when used with a compatibly programmed CD or DVD player, it will change to the next track or chapter on the current disc.

Stereo Mode Select Button: Press

this button to select a stereo listening mode. The first press of the button places the AVR in a true, two-channel, left/right stereo mode with no surround processing. The next press selects either fivechannel stereo or seven-channel stereo, depending on the speaker configuration.

DTS Neo:6 Mode Select: Press

this button to select a DTS Neo:6 mode. These modes take a two-channel stereoor matrix surround-encoded source and create a full five-, six- or seven-channel sound field. (See page 34 for the available DTS Neo:6 options.)

Macro Buttons: Press these but-

tons to store or recall a “Macro”, which is a preprogrammed sequence of commands stored in the remote. (See page 42 for more information on storing and recalling macros.)

Disc Skip Buttons: This button has

no direct function for the AVR580 but is most often used to change to the next disc in a CD or DVD player when the remote is programmed for that type of device. (See page 43 for more information on using the remote with products other than the AVR580.)

Preset Up/Down: When the tuner

is in use, press these buttons to scroll through the stations programmed into the AVR580’s memory. When some source devices, such as CD players, VCRs and cassette decks, are selected using the device

Input Selectors e, these but-

tons may function as Chapter Step or Track Advance.

Clear Button: Press this button to

clear incorrect entries when using the remote to directly enter a radio station’s frequency.

Memory Button: Press this button

to enter a radio station into the AVR580’s preset memory. Once the

MEMORY

Indicator

G flashes, you have five seconds to enter a preset memory location using the

Numeric Keys r. (See page

35 for more information.)

Delay/Prev Ch.: Press this button

to begin the process for setting the delay times used by the AVR580 when processing surround sound. After pressing this button, the delay times are entered by pressing the

Set Button p and then

using the

⁄/¤

Buttons n to change

the setting. Press the

Set Button p

again to complete the process. (See page 26 for more information.)

›

Button: Press this button to

change a setting or selection when configuring many of the AVR580’s settings.

Speaker Select: Press this button

to begin the process of configuring the AVR580’s bass management system for use with the type of speakers used in your system. Once the button has been pressed, use the

⁄/¤

Buttons n to

select the channel you wish to set up. Press the

Set Button p and then

select another channel to configure. When all adjustments have been completed, press the

Set Button p twice

to exit the settings and return to normal operation. (See page 24 for more information.)

Multiroom: Press this button to

activate the multiroom system or to begin the process of changing the input or volume level for the second zone. (See page 39 for more information on the Multiroom system.)

Volume Up/Down: Press these but-

tons to raise or lower the system volume.

SPL Selector: This button activates

the AVR580’s EzSet function to quickly and accurately calibrate the AVR580’s output levels. Press and hold the button for three seconds and then release it. Press the “

5” or “7” Numeric Key r

to indicate whether you are using a 5.1channel or a 6.1/7.1-channel speaker system with the AVR580. The test tone will begin circulating, and the

Program/SPL

Indicator

c will change colors. During

Page 15

this sequence, EzSet will automatically adjust the output levels for all channels until they are equal, as shown by the Program/SPL Indicator c lighting green for each channel. Press this button again when the adjustment is complete to turn off the test tone. (See page 27 for more information on EzSet.)

Learn Button: Press this button to

begin

the process of “learning” the codes

from another

product’s remote into the AVR580’s remote. (See page 41 for more information on using the remote’s learning function.)

Mute: Press this button to momen-

tarily silence the AVR580 or TV set being controlled, depending on which device has been selected. When the AVR580 remote is being programmed to operate another device, this button is pressed with the

Input Selector Button e to begin

the programming process. (See page 41 for more information on programming the remote.)

Ez Set Sensor Microphone: The

sensor microphone for the EzSet microphone is behind these slots. When using the remote to calibrate speaker output levels using EzSet, be sure that you do not hold the remote in a way that covers these slots. (See page 27 for more information on using EzSet.)

Page 16

Power Off: When used in the room

where the AVR580 is located, press this button to place the unit in Standby. When it is used in a remote room with a sensor that is connected to the

Multiroom IR

Input

d jack, this button turns the

Multiroom system on and off.

∫

AVR Selector: Press this button

to turn on the AVR580. The input in use when the unit was last on will be selected.

AM/FM Tuner Select: Press this

button to select the Tuner as the input to the Multiroom system. Press it again to change between the AM and FM bands.

∂

Input Selectors: When the AVR580

is off, press one of these buttons to select a specific input and turn the unit on. When the unit is already in use, pressing one of these buttons will change the input.

≠

Tuning Up/Down – Fast Play:

When this remote is used in the same room as the AVR580, these buttons may be used to change the frequency of the tuner. These buttons may also control the Fast Play or Fast Reverse functions of compatible CD, DVD or cassette decks in the same room, or from a remote room when an IR link is connected to the AVR580.

Record/Pause: Press this button to

activate the Record or Pause function on compatible CD, DVD or cassette deck products.

Preset Up/Down – Track Skip:

When the AVR580’s tuner is selected as the input source, these buttons will move up or down through the list of stations that have been stored in the preset memory. When a CD or DVD changer or player is selected, these buttons activate the Forward or Reverse Track or Chapter Skip functions.

Disc Skip: Press these buttons to

change discs on compatible JBL DVD players.

Volume Up/Down: When used in

the room where the AVR580 is located, press this button to raise or lower the volume in that room. When used in a remote room with a sensor that is connected to the

Multiroom IR Input d

jack, this button will raise or lower the volume in the remote room.

∆

Play Forward/Reverse/Stop:

Press these buttons to control compatible CD, DVD or cassette players.

Mute: When used in the room

where the AVR580 is located, press this button to temporarily silence the unit. When it is used in a remote room with a sensor that is connected to the Multiroom IR Input d jack, this button will temporarily silence the feed to the remote room only. Press the button again to return to the previous volume level.

Power Off

∫

AVR Selector

AM/FM Tuner Select

∂

Input Selectors

≠

Tuning Up/Down – Fast Play

Record/Pause

Preset Up/Down – Track Skip

Disc Skip

Volume Up/Down

∆

Play Forward/Reverse/Stop

Mute

NOTE: The Zone II remote may be used in either the same room where the AVR580 is located, or it may be used in a separate room with an optional infrared sensor that is connected to the AVR580’s

Multiroom IR Input d jack. When it is used in the same

room as the AVR580, it will control the functions of the AVR580 or any compatible JBL products in that room. When it is used in a separate room via a sensor connected to the

Multiroom IR Input d jack, the buttons for Power, Input Source, Volume and

Mute will control the source and volume for the second zone, as connected to the Multiroom Audio Output h jacks. (See page 39 for complete information on using the Multiroom system.)

ZONE II REMOTE CONTROL FUNCTIONS

Page 17

System Installation

After unpacking the unit, locating it in a place with adequate ventilation and placing it on a solid surface capable of supporting its weight, you will need to make the connections to your audio and video equipment.

IMPORTANT NOTE: For your personal safety and to avoid possible damage to your equipment and speakers, it is always a good practice to turn off and unplug the AVR and ALL source equipment from the AC outlet before making any audio or video system connections.

Audio Equipment Connections

We recommend that you use high-quality interconnect cables when making connections to source equipment and recorders to preserve the integrity of the signals.

1. Connect the analog output of a CD

player to the

CD Audio Inputs j.

NOTE: When the CD player has both

fixed and variable audio outputs, it is best to use the fixed output unless you find that the input to the receiver is so low that the sound is noisy, or so high that it is distorted.

2. Connect the analog Play/Out jacks of a

cassette deck, MD, CD-R or other audio recorder to the

Tape Input Jacks .

Connect the analog Record/In jacks on the recorder to the

Tape Output

Jacks

on the AVR580.

3. Connect the output of any digital

sources such as a CD or DVD changer or player, advanced video game, a digital satellite receiver, HDTV tuner or digital cable set-top box or the output of a compatible computer sound card to the

Optical and Coaxial Digital

Audio Inputs

&*.

4. Connect the coaxial or optical

Digital

Audio Outputs

gi on the rear panel of the AVR580 to the matching digital input connections on a CD-R or MiniDisc recorder.

5. Assemble the AM Loop Antenna supplied with the unit so that the tabs at the bottom of the antenna loop snap into the holes in the base. Connect it to the

AM and GND Screw

Terminals

¡ .

6. Connect the supplied FM antenna to the

FM (75-ohm) Connection ™. The

FM antenna may be an external roof antenna, an inside powered or wirelead antenna or a connection from a cable TV system. If the antenna or connection uses 300-ohm twin-lead cable, you must use the 300-ohm-to-75-ohm adapter supplied with the unit to make the connection.

7. Connect the

Front, Center, Surround and Surround Back Speaker Outputs

∞§•ª to the respective

speakers.

To ensure that all the audio signals are carried to your speakers without loss of clarity or resolution, we suggest that you use high-quality speaker cable. Many brands of cable are available and the choice of cable may be influenced by the distance between your speakers and the receiver, the type of speakers you

use, personal preferences and other factors. Your dealer

or installer is a valuable resource to consult in selecting the proper cable.

Regardless of the brand of cable selected, we recommend that you use a cable constructed of

multistrand copper with a

gauge of 14 or smaller.

Remember that in specifying cable, the lower the number, the thicker the cable.

Cable with a gauge of 16 may be used for short runs of less than 3 meters (10 feet). We do not recommend that you use cables with an AWG equivalent of 18 or higher, due to the power loss and degradation in performance that will occur.

Cables that are run inside walls should have the appropriate markings to indicate listing with UL, CSA or other appropriate testing agency standards. Questions about running cables inside walls should be referred to your installer or a licensed electrician who is familiar with the NEC and/or the applicable local building codes in your area.

When connecting wires to the speakers, be certain to observe proper polarity. Note that the positive (+) terminal of each speaker connection now carries a specific

color code, as noted on page 9. However, most speakers still use a red terminal for the positive (+) connection. Connect the “negative” or “black” wire to the same terminal on both the receiver and the speaker.

NOTE: While most speaker manufacturers adhere to an industry convention of using black terminals for negative and red ones for positive, some may vary from this configuration. To ensure proper phase and optimal performance, consult the identification plate on your speaker or the speaker’s manual to verify polarity. If you do not know the polarity of your speaker, ask your dealer for advice before proceeding, or consult the speaker’s manufacturer.

We also recommend that the length of cable used to connect speaker pairs be identical. For example, use the same length piece of cable to connect the front-left and front-right or surround-left and surround-right speakers, even if the speakers are a different distance from the AVR580.

8. Connections to a subwoofer are normally made via a line-level audio connection from the

Subwoofer Output

¢ to the line-level input of a subwoofer with a built-in amplifier. When a passive subwoofer is used, the connection first goes to a power amplifier, which will be connected to one or more subwoofer speakers. If you are using a powered subwoofer that does not have line-level input connections, follow the instructions furnished with the speaker for connection information.

9. If an external multichannel audio source with 5.1 outputs such as an external digital processor/decoder, DVD-Audio or SACD player is used, connect the outputs of that device to the

8-Channel Direct Inputs .

Video Equipment Connections

Video equipment is connected in the same manner as audio components. Again, the use of high-quality interconnect cables is recommended to preserve signal quality.

1. Connect a VCR’s or other video source’s audio and video Play/Out jacks to the

Video 1 Audio and Video Input Jacks

› on the rear panel. The Audio and Video Record/In jacks on the VCR should be connected to the

Video 1 Audio and Video Output Jacks

ﬁ on the AVR580.

INSTALLATION AND CONNECTIONS

Page 18

2. Connect the analog audio and video outputs of a satellite receiver, cable TV converter or any other video source to the

Video 2 Audio and Video Input

Jacks

ﬂ.

3. Connect the analog audio and video outputs of a DVD or laser disc player to the

DVD Audio and Video Inputs

‹k.

4. Connect the digital audio outputs of a DVD player, satellite receiver, cable box or HDTV converter to the appropriate Optical or Coaxial Digital Inputs

&*.

5. If you are using your television as a signal source, then connect its analog audio outputs to the

Video 3 Audio

Input Jacks

. NEVER connect the

TV’s video outputs to the

Video 3

Video Input Jacks

° or to any other inputs on the AVR580. If you are not using your television as a signal source (e.g., if you are separately connecting a cable TV box to the

Video 2 Audio

and Video Input Jacks ﬂ ), then do not connect any of the TV’s outputs to any inputs on the AVR580. In that case you should only connect the AVR’s Video Monitor Outputs ¤ to the TV as indicated in paragraph 6 below. However, you may still find it convenient to program the VID3/TV input selector on the remote control for your TV as described on page 41. If you prefer, you may connect another type of video source, such as a second VCR, to the AVR580’s

Video 3 Audio and

Video Input Jacks ° . You may

then reassign that device type to the VID3/TV input selector on the remote as described on page 45, and you will not be able to control your TV using the AVR remote.

6. Connect the

Video Monitor Output

¤ jacks on the receiver to the composite or S-Video input of your television monitor or video projector.

7. If your DVD player and monitor both have component video connections, connect the component outputs of the DVD player to the

Component Video

1 Inputs

a. Even when component video connections are used, the audio connections should still be made to either the analog

DVD Audio Inputs k or any of the Optical or Coaxial Digital Input Jacks

. Note,

however, that the

Coaxial 1 Digital

Audio Input is assigned to the

DVD source by default. For more information on reassigning the digital inputs to various sources, see pages 22 and 32. The

Component Video 1

Inputs

a are assigned to the DVD

source and may not be reassigned.

8. If another device with component video outputs is available, connect it to the

Component Video 2 Inputs b.

The audio connections for this device should be made to either the

Video 2

Audio Inputs

or any of the

Optical or Coaxial Digital Input Jacks

. The

Component

Video 2 Inputs

are assigned to the Video 2 source and may not be reassigned. If you are using a cable television, satellite receiver, HDTV or other video set-top box that has component video outputs, it is recommended that you designate it as the Video 2 source when programming the remote control.

9. If the component video inputs are used, connect the

Component Video

Monitor Outputs

· to the component video inputs of your TV, projector or display device.

10. If you have a camcorder, video game or other audio/video device that is connected to the AVR on a temporary rather than permanent basis, connect the audio, video and digital audio outputs of that device to the

Front-Panel

Inputs

&*(Ó. A device connected here is selected as the Video 4 input, and the digital inputs must be assigned to the Video 4 input. (See page 22 for more information on input configuration.)

Video Connection Notes:

• When the component video jacks are used, the on-screen menus are not visible and you must switch to the standard composite or S-Video input on your TV to view them.

• The AVR580 will accept either standard composite, S-Video or Y/Pr/Pb component video signals. However, it will not convert composite or S signals to component video.

• Component and composite video signals may only be viewed in their native formats. Thus both connections must be made from the AVR580 to the TV if both composite video and S-Video sources are used, and the appropriate input on the TV must be selected.

However, only one video connection should be made between the source (e.g., VCR) and the AVR580.

• Only the video cables (the yellow composite video; the S-Video or the green, red and blue component video cables) need to be connected to the TV or video display. The volume on the TV should be reduced to minimum.

System and Power Connections

The AVR580 is designed for flexible use with multiroom systems, external control components and power amplifiers.

Main Room Remote Control Extension

If the receiver is placed behind a solid or smoked glass cabinet door, the obstruction may prevent the remote sensor from receiving commands. In this event, an optional remote sensor may be used. Connect the output of the remote sensor to the

Remote IR Input e jack.

If other components are also prevented from receiving remote commands, only one sensor is needed. Simply use this unit’s sensor or a remote eye by running a connection from the

Remote IR Output

f jack to the Remote IR Input jack on compatible equipment.

Multiroom IR Link

The remote room IR receiver should be connected to the AVR580 via standard coaxial cable. Plug the IR connection cable into the

Multiroom IR Input d jack on

the AVR580’s rear panel.

If other compatible source equipment is part of the main room installation, the

Remote IR

Output f jack on the rear

panel should be connected

to the IR IN jack on source equipment. This will enable the remote room location to control source equipment functions.

NOTE: All remotely controlled components must be linked together in a “daisy chain.” Connect the

IR OUT jack of one

unit to the

IR IN of the next to establish

this chain.

Page 19

Multiroom Connections

The AVR580 is equipped with multizone capabilities that allow it to send a separate audio source to the remote zone from the one selected for use in the main room.

Depending on your system’s requirement, three options are available for audio connection:

Option 1: Use high-quality, shielded audio interconnect cable from the AVR580’s location to the remote room. In the remote room, connect the interconnect cable to a stereo power amplifier. The amplifier will be connected to the room’s speakers. At the AVR580, plug the audio interconnect cables into the Multiroom Audio Output h jacks on the AVR580’s rear panel.

Option 2: Connect the Multiroom Audio Output

h jacks on the AVR580 to the inputs of an optional stereo power amplifier. Run high-quality speaker wire from the amplifier to the speakers in the remote room.

Option 3: Taking advantage of the AVR580’s built-in seven-channel amplifier, it is possible to use two of the amplifier channels to power speakers in the remote room. When using this option, you will not be able to use the full 7.1-channel capabilities of the AVR580 in the main listening room, but you will be able to add another listening room without additional external power amplifiers. To use the internal amplifiers to power a remote zone, connect the speakers for the remote room location to the

Surround

Back/Multiroom Speaker Outputs

ª. Before using the remote room, you will need to configure the amplifiers for surround operation by changing a setting in the Advanced Select menu, following the instructions shown on page 37.

NOTE: For all options, you may connect an optional IR sensor in the remote room to the AVR580 via an appropriate cable. Connect the sensor’s cable to the Multiroom IR Input d on the AVR580 and use the Zone II remote to control the room volume. Alternatively, you may install an optional volume control

between the output of the amplifiers and the speakers.

RS-232 Connections

The AVR580 includes an RS-232 serial port connection that may be used to control the unit via compatible optional, external keypads or control systems. The physical connection to the AVR580 from the control device is a standard D-9 connection, but to ensure compatible and proper operation, specific software commands and pin wiring schemes are required. Due to the complexity of RS-232 connections, we recommend that they be made only by trained installers familiar with their use. To obtain additional information on the use of the AVR580 with RS-232 control, please contact your local JBL distributor.

The AVR580 features a removable power cord that allows wires to be run to a complex installation so that the unit itself need not be installed until it is ready for connection. When all connections described above have been made, connect the AC power cord to the AC Power Cord Jack ‚.

The AVR580 draws significantly more current than other household devices, such as computers, that use removable power cords. For that reason, it is important that only the cord supplied with the unit, or obtained from your local JBL distributor for use in your area (or a direct replacement of identical capacity) be used.

Once the power cord is connected, you are almost ready to enjoy the AVR580’s incredible power and fidelity!

Page 20

SYSTEM CONFIGURATION

When all audio, video and system connections have been made, there are a few configuration adjustments that must be made. A few minutes spent to correctly configure and calibrate the unit will greatly add to your listening experience.

Speaker Selection and Placement

The placement of speakers in a multichannel home theater system can have a noticeable impact on the quality of sound reproduced.

The same model or brand of speaker should be used for the left front, center and right front speakers. This creates a seamless front soundstage and eliminates the possibility of distracting sonic disturbances that occur when a sound moves across mismatched front-channel speakers.

Speaker Placement

Depending on the type of center channel speaker

in use and your viewing device, place the center speaker either directly above or below your TV, or in the center behind a perforated front projection screen.

Once the center channel speaker is installed, position the front left and front right speakers so that they are as far away from one another as the center channel speaker is from the preferred listening position. Ideally, the front channel speakers should be placed so that their tweeters are no more than 60cm (24") above or below the tweeter in the center channel speaker.

Depending on the specifics of your room acoustics and the type of speakers in use, you may find that imaging is improved by moving the left front and right front speakers slightly forward of the center channel speaker. If possible, adjust all front loudspeakers so that they are aimed at ear height when you are seated in the listening position.

Using these guidelines, you’ll find that it takes some experimentation to find the correct location for the front speakers in your particular installation. Don’t be afraid to move things around until the system sounds correct. Optimize your speakers so that audio transitions across the front of the room sound smooth, and sounds from all speakers appear to arrive at the listening position at the same time (without

delay from the center speaker compared to the left and right speakers).

When the AVR580 is used in 5.1-channel operation, the preferred location for surround speakers is on the side walls of the room, at or slightly behind the listening position. In a 7.1-channel system, both side surround and back surround speakers are required. The center of the speaker should face into the room. The

A) Front-Channel Speaker Installation With Direct-View TV Sets or Rear-Screen Projectors

B) Rear speaker mounting is an alternate location for 5.1 systems. It is required for 7.1 operation.

speakers should be located so that the bottom of the cabinet is at least 60cm (2 feet) higher than the listeners’ ears when the listeners are seated in the desired area.

Rear surround speakers are required when a full 7.1-channel system is installed, and they may also be used in

5.1-channel systems as an alternative mounting position when it is not practical to place the main surround speakers on the sides of the room. Speakers may be placed on a rear wall, behind the listening position. As with the side speakers, rear surrounds should be located so that the bottom of the cabinet is at least 60cm (2 feet) higher than the listeners’ ears. The speakers should be no more than

1.8 meters (6 feet) behind the rear of the seating area.

If dipole-type speakers are used on either the side or rear walls of the room, please note that if there are arrows on the speakers they should face the front of the room for the side speakers, or toward the center of the wall for the rear speakers.

Subwoofers produce nondirectional sound, so they may be placed almost anywhere in a room. Actual placement should be based on room size and shape and the type of subwoofer used. One method of finding the optimal location for a subwoofer is to begin by placing it in the front of the room, about 17cm (6") from a wall, or near the front corner of the room. Another method is to temporarily place the subwoofer at your normal listening position, and then walk around the room until you find a spot where the subwoofer sounds best. Place the subwoofer in that spot. You should also follow the instructions of the subwoofer’s manufacturer, or you may wish to experiment with the best location for a subwoofer in your listening room.

System Setup

Once the speakers have been placed in the room and connected, the remaining steps in the setup process are to program the AVR580’s bass management system for the type of speakers used in your system, calibrate the output levels, and set the delay times used by the surround sound processor.

You are now ready to power up the AVR580 to begin these final adjustments.

No more than

60cm (24")

TV or Projection Screen

Left Front

Speaker

speakers are used

when rear-mounted

No more than 1.8m (6 feet)

Rear-Wall Mounting

Center Front

Speaker

Right Front

Speaker

At least 17cm (6 inches) from ceiling

At least 60cm (2 feet)

Page 21

1. Make certain that the AC power cord is firmly inserted into the

AC Power

Cord Jack

‚ and plug the cord into an unswitched AC outlet. To maintain the unit’s safety rating, DO NOT replace the power cord that was supplied with this product or provided by your local JBL distributor for use in your area with one that has a lower current capacity.

2. Press the

Main Power Switch 1

in until it latches and the word “OFF” on the top of the switch disappears inside the front panel. Note that the Power Indicator 3 will turn red, indicating that the unit is in the Standby mode.

3. Remove the protective plastic film from the front-panel lens. If left in place, the film will affect the performance of your remote control.

4. Install the three supplied AAA batteries in the remote as shown. Be certain to follow the (+) and (–) polarity indicators that are on the top of the battery compartment.

5. Turn the AVR580 on either by pressing the

System Power Control 2

on the front panel, or via the remote by pressing the

Power On Button

d, the AVR Selector f or any of the

Input Selectors eg on

the remote. The

Power Indicator

3 will turn orange to confirm that the unit is on, and the

Main

Information Display

˜ will

also light.

Using the On-Screen Display

When making the following adjustments, you may find it easier to use the AVR580’s on-screen display system. These easy-toread displays give you a clear picture of the current status of the unit and make it easy to see which speaker, delay, input or digital selection you are making.

To view the on-screen menus, make certain that you have made a connection from the

Video Monitor Out Jack ¤

on the rear panel to the composite or

S-Video input of your TV or projector. In order to view the AVR580’s displays, the correct video source must be selected on the video display. The on-screen menus are not available when a component video display is in use.

IMPORTANT NOTE: When viewing the on-screen menus using a CRT-based projector, plasma display or any direct-view CRT monitor or television, it is important that they not be left on the screen for an extended period

of time. The constant display of a static image such as these menus or video game images may cause the image to be permanently “burned into” the projection tubes, plasma screen or CRT. This type of damage is not covered by the AVR580 warranty and may not be covered by the projector/TV set’s warranty.

The AVR580 has two on-screen display modes, “Semi-OSD” and “Full-OSD.” When making configuration adjustments, it is recommended that the Full-OSD mode be used. This will place an option listing on the screen, making it easier to view the available options.

Making Configuration Adjustments

The full-OSD system is available by pressing the

OSD Button v. When

this button is pressed, the

MASTER

(Figure 1) will appear, and adjustments are made from the individual menus.

Figure 1

The semi-OSD system is also available, allowing you to make adjustments directly, by pressing the appropriate buttons on the front panel or remote control for the specific parameter to be adjusted. For example, to change the digital input for any of the sources, press the

Digital

Select Button

q and then press the

⁄/¤

Buttons n to scroll through the

list of options as they appear in the onscreen display or the

Lower Display

Line

To use the full-OSD menu system, press the

OSD Button v. When the menu is

on the screen, press the

⁄/¤

Buttons

n until the on-screen ›cursor is next to the item you wish to adjust, and then press the

Set Button p to adjust that

item. The menus will remain on the screen for 20 seconds, and then they will “time-out” and disappear from

the screen. The time-out may be increased to as much as 50 seconds by going to the ADVANCED menu, and changing the item titled

FULL OSD TIME OUT.

When the full-OSD system is in use, the menu selections are not shown in the Main Information Display ˜AB. When the full-OSD menu system is used,

OSD ON will appear in the Upper Display Line

A and the OSD

Indicator

C will light to remind you that a video display must be used. When the semi-OSD system is used in conjunction with the discrete configuration buttons, the on-screen display will show a single line of text with the current menu selection. That selection will also be shown in the

Upper Display Line A or

the

Lower Display Line B, depending

on which parameter is being adjusted.

Setting the System Configuration Memory

The AVR580 features an advanced memory system that enables you to establish different configurations for the speaker configuration, digital input, surround mode, delay times, crossover frequency and output levels for each input source. This flexibility enables you to customize the way in which you listen to each source and have the AVR580 memorize those settings. This means, for example, that you may use different output levels or trims for different sources, or set different speaker configurations with the resultant changes to the bass management system. Once these settings are made, they will automatically be recalled whenever you select that input.

The factory default settings for the AVR580 have all inputs configured for an analog audio input except for the DVD input, where the

Coaxial Digital Audio

Input 1

is the default. The default speaker settings are for “Small” speakers at all positions, and the subwoofer on. However, once the DSP processing system is used the first time for any input, the speaker settings will automatically default to “Small” at all positions with the subwoofer set to “LFE.” The default setting for the surround modes is Logic 7

** MASTER MENU **

INPUT SETUP SURROUND SELECT SPEAKER SETUP DELAY ADJUST CHANNEL ADJUST MULTI-ROOM ADVANCED

Page 22

Music for two-channel signals and Dolby Pro Logic II-Movie for Dolby Digital 2.0 signals, although Dolby Digital 5.1 or DTS will automatically be selected as appropriate when a source with digital encoding is in use.

Before using the unit, you will probably want to change the settings for most inputs so that they are properly configured to reflect the use of digital or analog inputs, the type of speakers installed and the surround mode specifics of your home theater system. Remember that since the AVR580 memorizes the settings for each input individually, you will need to make these adjustments for each input used. However, once they are made, further adjustment is only required when system components are changed.

To make this process as quick and easy as possible, we suggest that you use the full-OSD system with the on-screen menus, and step through each input. Once you have completed the settings for the first input, many settings may be duplicated for the remaining inputs. It is also a good idea to set the configuration data in the order these items are listed in the

MASTER MENU, as some settings require a specific entry in a prior menu item. Remember that once the settings are made for one input, they must be made for all other input sources in your system.

Input Setup

The first step in configuring the AVR580 is to configure each input. Once an input is selected,

all settings for the Digital Input, Speaker Configuration, Surround Mode and Delay Timing will “attach” themselves to that input and be stored in a nonvolatile memory. This means that once made, the selection of an input will automatically recall those settings. For that reason, the procedures described below must be repeated for each input source so that you have the opportunity to customize each source to your specific listening requirements. However, once made, they need not be changed again unless you need to alter a setting.

When using the full-OSD system to make the setup adjustments, press the

OSD

Button

v once so that the MASTER

(Figure 1) appears. The ›cursor

will be next to the

INPUT SETUP

line. Press the Set Button p to enter

the menu and the

INPUT SETUP

menu (Figure 2) will appear on the screen. Press the

‹/›

Buttons o

until the desired input name appears in the highlighted video, as well as being indicated in the front-panel

Input

Indicators

ˆ by the desired input name lighting in orange. If the input will use the standard left/right analog inputs, no further adjustment is needed.

Figure 2

If you wish to associate one of the digital inputs with the selected input source, press the

Button n on the remote

while the

INPUT SETUP menu (Figure 2) is on the screen, and the onscreen cursor will drop down to the DIGITAL IN line. Press the ‹/

›

Buttons o until the name of the desired digital input appears. To return to the analog input, press the buttons until the word

ANALOG appears. When the

correct input source appears, press the

Button n once so that the ›cursor

appears next to

BACK TO MASTER

, and press the Set Button p.

To change the digital input at any time using the discrete function buttons and the semi-OSD system, press the

Digital

Select Button

q on the remote. Within five seconds, make your input selection using the

⁄/¤

Buttons n

until the desired digital or analog input is shown in the

Upper Display Line A

and in the on-screen display. Press the Set Button p to enter the new digital input assignment.

When all needed adjustments have been made, press the

Button n until

the

›

cursor is next to BACK TO

MASTER MENU

to continue with

the system configuration.

Surround Setup

he next step is to set the surround mode you wish to use with the input that was previously selected in the

INPUT

SETUP

menu. Since surround modes

are a matter of personal taste, feel free

to select any mode you wish – you may change it later. However, to make it easier to establish the initial parameters for the AVR580, it is best to select Dolby Pro Logic II or Logic 7 for most analog inputs and Dolby Digital for inputs connected to digital sources. In the case of inputs such as a CD Player, Tape Deck or Tuner, you may wish to set the mode to Stereo (“Surround Off”) as they are not typically used with multichannel program material, and it is unlikely that sur

roundencoded material will be used. Alternatively, the

Logic 7 Music mode is a good choice for stereo-only source material. See page 34 for more information on available surround modes. During normal use, when a two-channel signal is detected, the AVR580 will by default select the Logic 7 Music mode. When a Dolby Digital 2.0 signal is detected, the AVR580 will default to the Dolby Pro Logic IIMovie mode.

When selecting surround modes for digital program material, the AVR580 will always examine the data stream and automatically select Dolby Digital or DTS as applicable.

It is easiest to complete the surround setup using the full-OSD on-screen menus. From the

MASTER MENU

(Figure 1), press the ⁄/¤Buttons n until the ›cursor is next to the SUR-

ROUND SELECT

line. Press the Set

Button

p until the SURROUND

SELECT

menu (Figure 3) is on the screen.

Figure 3

Each of the option lines on this menu (Figure 3) selects the surround mode category, and within each of those categories there will be a choice of the specific mode options. The choice of modes will vary according to the speaker configuration in your system. When the

SURR BACK line of the SPEAKER SETUP

menu (Figure 5) is set to NONE the AVR580 will be configured for 5.1-channel operation, and only the modes appropriate to a five-speaker sys-

* INPUT SETUP *

INPUT :VIDEO 1 DIGITAL IN :OPTICAL1

BACK TO MASTER MENU

** SURROUND SELECT **

DOLBY DTS LOGIC 7 DSP(SURR) VMAx STEREO BACK TO MASTER MENU

Page 23

tem will appear. When the SURR

BACK

line of the SPEAKER

SETUP

menu (Figure 5) is set to SMALL or LARGE the AVR580 will be configured for 6.1/7.1-channel operation, and additional modes such as Dolby Digital EX and DTS-ES will appear, as they are only available when seven main speakers are present. In addition, some of the modes available in the AVR580 will not appear unless a digital source is selected and is playing the correct bitstream.

To select the mode that will be used as the initial default for an input, first press the

⁄/¤

Buttons n until the onscreen cursor is next to the desired mode’s master category name, such as

DOLBY, DTS, DSP(SURR) or VMAx. Next, press the Set Button p

to view the sub-menu. Press the ‹/

›

Buttons o to scroll through the available choices, and then press the

Button n so that the cursor is next to

BACK TO MASTER MENU to continue the setup process.

The following few paragraphs detail the instructions needed for modes with multiple choices.

On the

DOLBY menu (Figure 4), choices include Dolby Digital, Dolby Pro Logic IIMusic, Dolby Pro Logic II-Movie, Dolby Pro Logic II-Emulation and Dolby 3 Stereo. The Dolby Digital EX mode is only available when the system is set for 6.1/7.1 operation by configuring the Surround Back speakers to “Small” or “Large” as described on page 25. When a disc is playing that contains a special “flag” signal in the digital audio data stream, the EX mode will be selected automatically. It may also be selected using this menu or through the front panel or remote controls as shown on page 31. A complete explanation of these modes is found on page 34.

When the Dolby Digital mode is selected, there are additional settings available for the Night mode.

Figure 4

The Night mode is a feature of Dolby Digital that uses special processing to preserve the dynamic range and full intelligibility of a movie soundtrack while reducing the peak level. This prevents abruptly loud transitions from disturbing others, without reducing the sonic impact of a digital source. The Night mode is only available when specially encoded Dolby Digital signals are played.

To adjust the Night mode setting, make certain that the

›

cursor is on the NIGHT line of the DOLBY menu. Next, press

‹/›

Buttons o to

choose between the following settings, as they appear in the on-screen display:

OFF: When OFF is highlighted, the Night mode will not function.

MID: When MID is highlighted, a mild compression will be applied.

MAX: When MAX is highlighted, a more severe compression algorithm will be applied.

We recommend that you select the

MID

setting as a starting point and change to the

MAX setting later, if desired.

The Night mode may also be adjusted directly any time a Dolby Digital source is playing by pressing the

Night Mode

Button

l. When the button is pressed,

D-RANGE will appear in the lower third of the video screen and in the

Main

Information Display

˜. Press the

⁄/¤

Button n within three seconds

to select the desired setting.

When all settings for the surround setup have been made, press the

⁄/¤

Buttons n so that the ›cursor is next to

BACK TO MASTER MENU, and

press the

Set Button p to return to

the

MASTER MENU.

On the

DTS menu, the choices made

with the

‹/›

Buttons o on the

remote are determined by a combination of the type of program material in use and whether the 5.1- or 6.1/7.1-channel configuration is in use.

When a DTS source is playing, the choice of modes for 7.1 systems will vary according to the type of program source (DTS 5.1, DTS-ES Matrix or DTS-ES Discrete). Press the

‹/›

Buttons

o to scroll through the choices that are available for your system and the program in use. The DTS Neo:6 Music mode is available with analog stereo

sources and the DTS Neo:6 Cinema mode is available with analog matrix surroundencoded sources to deliver an enhanced

5.1-channel sound field.

When the 5.1 configuration is in use, the AVR will automatically select the 5.1 version of DTS processing when a DTS data stream is selected. When the 6.1/7.1 mode is selected, the DTS-ES Discrete mode will automatically be activated when a DTS source with the ES Discrete “flag” is in use. When a non-ES DTS disc is in use, you may select the DTS-ES Matrix mode through this menu to create a full eight-speaker surround mode. See page 34 for a complete explanation of the DTS modes.

On the

LOGIC 7

menu, the choices made with the ‹/›Buttons o on the remote are determined by whether the 5.1- or 6.1/7.1-channel configuration is in use. In either case, the selection of a Logic 7 mode enables the AVR580’s processor to create fully enveloping, multichannel surround sound from either two-channel stereo- or matrix-encoded programming such as VHS cassettes, laser discs or television broadcasts produced with Dolby surround.

In the 5.1 configuration, you may select the Logic 7/5.1 Music, Cinema or Enhance mode. They work best with twochannel music, surround-encoded programs or standard two-channel programming of any type, respectively. For 6.1/7.1 configurations, the Music and Cinema modes may be selected. The Logic 7 modes are not available when either Dolby Digital or DTS digital soundtracks are in use. See page 34 for a complete explanation of the Logic 7 modes.

On the

DSP (SURR) menu, the

choices made with the

‹/›

Buttons

o on the remote select from one of the DSP surround modes that are designed for use with two-channel stereo programs to create a variety of sound field presentations. The choices available are Hall 1, Hall 2, Theater, VMAx Near and VMAx Far. The Hall and Theater modes are designed for multichannel installations, while the two VMAx modes are optimized for use in delivering a full surround field when only the front left and front right speakers are installed. See page 34 for a complete explanation of the DSP surround modes.

* DOLBY *

MODE: DOLBY DIGITAL EX

NIGHT: OFF MID MAX

BACK TO SURR SELECT

Page 24

On the STEREO menu, the choices made with the

‹/›

Buttons o on

the remote may either turn the surround processing off for a traditional twochannel stereo presentation, or select 5 STEREO or 7 STEREO

depending on whether the 5.1 or 6.1/7.1 output is in use. The latter modes feed a twochannel presentation to all speakers, regardless of the number of speakers in use. See page 34 for a complete explanation of the 5 Stereo and 7 Stereo modes.

After the selections are made on the Dolby, DTS, Logic 7, DSP (Surround) or Stereo menus, press the

⁄/¤

Buttons

n so that the cursor moves to the

BACK TO MASTER MENU line and press the

Set Button p.

Speaker Setup

This menu tells the AVR580 which type of speakers are in use. This is important as it adjusts the settings that decide whether your system will use the “5-channel” or “6-channel/7-channel” modes, as well as determining which speakers receive low-frequency (bass) information.

For each of these settings, use the LARGE setting if the speakers for a particular position are traditional fullrange loudspeakers. Use the

SMALL

setting for smaller, frequency-limited satellite speakers that do not reproduce sounds below 200Hz. Note that when “small” speakers are used, a subwoofer is required to reproduce low-frequency sounds. Remember that the “large” and “small” descriptions do not refer to the actual physical size of the speakers, but to their ability to reproduce low-frequency sounds. If you are in doubt as to which category

describes your speakers, consult the specifications in the speakers’ owner’s manual, or ask your dealer.

This menu screen also allows you to enter the settings for the AVR580’s Triple Crossover feature, which allows a different crossover point to be used for the front left/right, center and surround speakers. In systems where full-range or tower speakers are used for the front soundstage or where different models are in use at the various speaker positions, this feature allows you to customize the bass management and redirection circuits with a precision not previously possible.

The factory default settings are “small” for the front left and right, center, and surround left and right speakers, with a subwoofer automatically enabled. If your system includes a 5.1 speaker system with smaller satellites for all channels and a subwoofer, then you do not need to configure your speakers and you may skip the rest of this section at this time.

It is easiest to enter the proper settings for speaker setup through the SPEAKER SETUP menu (Figure 5). If that menu is not already on your screen from the prior adjustments, press the OSD

Button v to bring up the MASTER MENU

(Figure 1), and then press the ¤

Button n until the cursor is on the SPEAKER SETUP line. At this point, press the

Set Button p to bring

up the SPEAKER SETUP menu (Figure 5).

Figure 5

The first line of the SPEAKER SETUP

menu (Figure 5) allows you to switch the menu to change either the underlying speaker size setting or the exact crossover point used for that speaker group. For the first pass through the menu, leave the setting at its default option of

SIZE, and then proceed as outlined below. Once the speaker choices have been set, you may wish to return to this line to change the option so that the crossover settings may be adjusted.

Begin the speaker setup process by making certain that the cursor is pointing toward the

LEFT/RIGHT line, which sets the configuration for the front left and right speakers. If you wish to make a change to the front speakers’ configuration, press the

‹/›

Buttons o

so that either LARGE or SMALL appears, matching the appropriate description from the definitions shown above.

When SMALL is selected, lowfrequency sounds will be sent only to the subwoofer output. If you choose this option and there is no subwoofer connected,

you will not hear any low-frequency sounds from the front channels.

When

LARGE is selected, a full-range output will be sent to the front left and front right outputs. Depending on the choice made in the

SUBWOOFER line in this menu, bass information may also be directed to the front left/right speakers, a subwoofer or both.

NOTE: When the front speakers are set to the

LARGE option and the surround mode is set to "Surround Off", or pure twochannel stereo, when an analog signal source is present it will be routed directly from the input to the volume control without being digitized or processed. If you have full-range front speakers and wish to remove all digital processing from the circuit path, select this configuration. If you wish to set this option for use with only one input, such as a CD player that uses an external DAC or an optional, external phono preamp, you may also wish to choose the

INDEPENDENT setting

on the

BASS MGR line at the bottom of this menu so that only those inputs where the analog bypass is desired will be routed in this fashion, while other analog inputs such as a VCR or cable box will be digitized for surround processing.

When you have completed your selection for the front channel, press the

Button

n on the remote to move the cursor to

CENTER.

Press the

‹/›

Buttons o on

the remote

to select the option that best describes your system, based on the speaker definitions shown below.

When

SMALL is selected, low-frequency center channel sounds will be sent only to the subwoofer output. If you choose this option and there is no subwoofer connected, you will not hear low-frequency sounds from the center channel.

When

LARGE is selected, a full-range output will be sent to the center speaker output, and NO center channel signal will be sent to the subwoofer output.

NOTE: If you choose Logic 7 as the surround mode for the particular input source for which you are configuring your speakers, the AVR580 will not make the “large” option available for the center speaker. This is due to the requirements of Logic 7 processing, and does not indicate a problem with your receiver.

* SPEAKER SETUP *

MODE :SIZE X-OVER LEFT/RIGHT : LARGE CENTER : SMALL SURROUND : SMALL SURR BACK : SMALL SUBWOOFER : SUB(LFE) BASS MGR : GLOBAL BACK TO MASTER MENU

Page 25

When NONE is selected, no signals will be sent to the center channel output. The receiver will operate in a “phantom” center channel mode and center channel information will be sent to the left and right front channel outputs. When only front left and right speakers are used, with no center or surround speakers, VMAx is a good alternative mode.

When you have completed your selection for the center channel, press the

Button n on the remote to move the cursor to

SURROUND.

Press the

‹/›

Buttons o on the

remote to select the option that best describes the surround speakers in your system based on the speaker definitions shown on this page.

When SMALL is selected, low-frequency surround channel sounds will be sent to the subwoofer output only. If you choose this option and there is no subwoofer connected, you will not hear any lowfrequency sounds from the surround channel.

When

LARGE is selected, a full-range output will be sent to the surround channel outputs, and NO surround channel signals will be sent to the subwoofer output.

When

NONE is selected, surround sound information will be split between the front left and front right outputs. For optimal performance when no surround speakers are in use, the Dolby 3 Stereo mode should be used.

When you have completed your selections for the main surround channels, press the

¤ Button n on the remote

to move the cursor to

SURR BACK. This line serves two functions in that it not only configures the setting for the surround back channels when they are present; it also tells the AVR580’s processing system to configure the unit for either 5.1 or 6.1/7.1 operation.

Press the

‹/› Buttons o on the

remote to select the option that best describes the speakers in use at the left and right back surround positions based on the definitions on this page:

When

NONE is selected, the system will adjust so that only 5.1-channel surround processing/decoding modes are available and the surround back amplifier

channels will not be used. When this is the case for your system, you may wish to take advantage of the availability of this amplifier channel pair for use in powering a second set of speakers that have their source selected by the AVR580’s multiroom control system. See page 37 for more information.

When

SMALL is selected, the system will adjust so that the full complement of 6.1/7.1 surround processing/decoding modes are available, and low-frequency information below the crossover point will be sent to the subwoofer output. If you choose this option and there is no subwoofer connected, you will not hear any low-frequency sounds from the surround back channel.

When

LARGE is selected, the system will adjust so that the full complement of

6.1/7.1 surround processing/decoding modes are available, and a full-range signal will be sent to the surround back channels, with no low-frequency information sent to the subwoofer output.

When you have completed your selection for the back surround channels, press the

Button n on the remote to move

the cursor to

SUBWOOFER.

Press the

‹/›

Buttons o on the

remote to select the option that best describes your system.

The choices available for the subwoofer position will depend on the settings for the other speakers, particularly the front left/right positions.

If the front left/right speakers are set to SMALL, the subwoofer will automatically be set to

SUB, which is the “on”

position.

If the front left/right speakers are set to LARGE, three options are available:

• If no subwoofer is connected to the AVR580, press the

‹/›

Buttons

o on the remote so that

NONE appears in the on-screen menu. When this option is selected, all bass information

will be routed to

the front left/right “main” speakers.

• If a subwoofer is connected to the AVR580, you have the option to have the front left/right “main” speakers reproduce bass frequencies at all times, and have the subwoofer operate only when the AVR580 is being

used with a digital source that contains a dedicated Low-Frequency Effects, or LFE, soundtrack. This allows you to use both your main and subwoofer speakers to take advantage of the special bass created for certain movies. Press

‹/›

Buttons

o on the remote so that SUB (LFE)

appears in the on-screen

menu.

• If a subwoofer is connected and you wish to use it for bass reproduction in conjunction with the main front left/right speakers, regardless of the type of program source or Surround mode you are listening to, press the

‹/›

Buttons o on the remote

so that

SUB LFE+L/R appears in the on-screen menu. When this option is selected, a full-range signal will be sent to the front left/right “main” speakers, and the subwoofer will receive the bass frequencies below the frequency selected, as described below.

When all initial speaker “size” settings have been made, you now have the option to take advantage of the AVR580’s Triple Crossover system, which allows individual crossover settings to be made for each speaker grouping. The low-frequency crossover point is set by the design of your speakers. Depending on the design and driver complement of your speakers, it is defined as the frequency which is either the lowest possible frequency the speaker is capable of reproducing, or the frequency at which sound is sent to the speaker’s internal lowfrequency driver, as opposed to the midrange driver. Before making any changes to the settings for the crossover point, we suggest that you find the crossover point for the speakers in each of the three groupings, front left/right, center and surrounds, by looking at the specifications page of the speakers’ owner’s manual, by getting that information from the manufacturer’s Web site, or by contacting your dealer or the manufacturer’s customer service department. You will need this figure to accurately configure the next group of settings.

The factory default setting for all speaker positions is 100Hz. If that setting is acceptable for all channels, then no adjustments are needed and you may skip this section. However, should you wish to change one of the settings, please proceed by pressing the

⁄

Page 26

Button n so that the cursor moves back up to the top of the list of setting options. Press the

⁄/¤

Buttons n so

that

X-OVER is highlighted and the menu data will change to the screen shown in Figure 6.

Figure 6

To change the setting for any of the three speaker groups, press the

⁄/¤

Buttons

n until the cursor is next to the line where you wish to make a change and then press the

‹/›

Buttons o

until the desired setting appears. The available choices at which point low-frequency information will be sent to the subwoofer, rather than to the main speaker channel, are 40Hz, 60Hz, 80Hz, 100Hz, 120Hz and 200Hz. Pick the choice that is identical to the information for the speakers, or if an exact match is not possible, pick the closest choice that is ABOVE the speaker’s low-frequency limit or crossover point to avoid the creation of a low-frequency “hole” where your system will have no bass information.

In cases where

LARGE has been selected as the front channel speaker option and

LFE+L/R has been selected as the subwoofer option, the front channel sound information below the setting shown will be sent to BOTH the front channel speakers and the subwoofer. Note, also, that when the LARGE-LFE+L/R setting has been selected, the crossover point defaults to 100Hz for both the front speakers and the subwoofer, and may not be adjusted. This ensures that there is no “hole” in the sound field due to different crossover points at the front and subwoofer speakers.

When all crossover settings have been made, or in those cases where none are needed, change the

MODE setting to

SIZE, and press the ¤Button n

so that the cursor is next to the BASS MGR line to make the final setting on this menu.

This setting allows you to use the same speaker size settings for all inputs, or to have different settings for each input. In

most cases the factory default setting of GLOBAL will be appropriate, as most listeners do not need to have individualized speaker settings. However, some listeners, may prefer different bass management settings when listening to music through a CD player as opposed to a movie from a DVD player, VCR or cable/satellite set-top.

If you wish to customize the bass management to each input, make certain that the

MODE is set to SIZE, and that

the cursor is on the

BASS MGR line

and press the

‹/›

Buttons o so

that

INDEPENDENT appears in highlighted video. When this setting is entered by exiting the menu, the configuration settings just entered will apply to the current input ONLY, and you will need to go back to the

INPUT SETUP

menu to select another input, and then return to this menu page again to change the settings for the next input. Repeat the procedure for any input where you wish to have a different set of speaker configuration settings.

NOTE: The Independent feature allows you to select a different speaker size configuration (Large, Small or None, as appropriate) for each input source. However, the individual crossover point setting may only be set once, and the selection made during the initial setup will be used for all inputs, regardless of any changes made to the “Large” or “Small” settings for the speaker groups attached to any input. The reason for this is that while you may prefer different settings for the bass redirection (that is, which signals go to the subwoofer or the speaker group), the actual crossover point remains the same since the actual loudspeakers themselves remain the same regardless of any other setting.

When all speaker selections have been made, press the

Button n and then

the

Set Button p to return to the

MASTER MENU.

Delay Settings

Due to the different distances between the listening position for the front channel speakers and the surround speakers, the amount of time it takes for sound to reach your ears from the front versus surround speakers differs. You may compensate for this difference through the use of the delay settings to adjust the timing for the speaker placement and acoustics in your listening room or home theater.

The AVR580’s advanced software enables you to quickly and easily set delay times without the need to calculate them using a complex formula. Instead, all you need to do is measure the approximate distance between your listening position and each of the speakers in your system. When you enter those distances into the AVR’s memory as shown below, the AVR’s microprocessor does the rest of the work, calculating the proper delay time. The measurements need not be accurate to the inch, as the system is designed to accommodate a typical listening area rather than require the precise measurement to one “sweet spot” position.

Due to the differences in the way each surround mode operates, some modes allow for a greater range of delay times than others. To avoid problems, we recommend that delay times be adjusted using the Dolby Digital mode. If a different mode is selected at a later time, the AVR580 will automatically restrict the delay settings to those required by the surround mode in use.

Delay times are only adjustable for the Dolby modes, so you will notice that the DELAY ADJUST menu may not be accessed when any other mode, such as a DTS or Logic 7 option, has been selected. In addition, when a non-Dolby Digital mode such as Dolby 3 Stereo or Dolby Pro Logic II is selected, adjustments may be made to the Surround speakers only.

To set the delay time for a specific input, the

DELAY ADJUST menu (Figure 7) should be visible on your on-screen display. If the system is not already at that point, press the

OSD Button v to

bring up the

MASTER MENU, press

the

Button n three times or until

the on-screen

›

cursor is pointing at the

DELAY ADJUST line. Press the Set Button

p to call up the menu.

Figure 7

* SPEAKER SETUP *

MODE :SIZE X-OVER LEFT/RIGHT:----CENTER :100Hz SURROUND :100Hz SURR BACK :----SUBWOOFER :100Hz BASS MGR :GLOBAL BACK TO MASTER MENU

* DELAY ADJUST *

CENTER :10ft SURROUND :10ft SURR BACK:10ft UNIT :FEET METER

BACK TO MASTER MENU

Page 27

Once the DELAY ADJUST menu is on your screen, note that the default setting to enter the distances from the speakers to the listening position is in feet. If your measurements are in feet, proceed to the next step; if your measurements are made in meters, press the

Button n until the on-screen ›cursor is at the

UNIT line on the menu. Then,

press the

‹/›

Buttons o so that

METER is highlighted. When the change in measurement units is made, press the

⁄/¤

Buttons n to return

the

›

cursor to the CENTER position.

With the on-screen

›

cursor pointing to CENTER, press the ‹/›Buttons o until the distance from the center speaker to the preferred listening position is entered. Next, press the

Button n to move the cursor to the

SURROUND line and use the ‹/

›

Buttons o again to enter the distance from the listening position to the surround speakers. Finally, if the system is configured for 7.1 operation by entering

LARGE or SMALL on the SURR BACK line of the SPEAKER SETUP menu, press the

Button n again and use the ‹/

›

Buttons o to enter the distance from the listening position to the back surround speakers. Remember that this last adjustment will only be needed when you have surround back speakers installed and Dolby Digital chosen as the surround mode.

When the speaker-to-listening-position distance has been entered for all active speaker positions, press the

⁄/¤

Buttons n until the on-screen cursor is next to

BACK TO MASTER MENU

and press the Set Button p.

The delay settings may be changed at any time directly from the remote control by pressing the

Delay Button .

CENTER DELAY will appear in the Lower Display Line B, but you may press the

⁄/¤

Buttons n to select

any of the speaker groups.

Press the

Set Button p when the

desired speaker group appears, and then press the

⁄/¤

Buttons n again to

enter the distance from the speaker to the listening position. Press the

Set

Button

p again to enter the data. You

may then press the

⁄/¤

Buttons n

to select another speaker group to repeat the procedure as needed, or wait five

seconds for the system to return to normal operation.

Output Level Adjustment

Output level adjustment is a key part of the configuration of any surround sound product. It is particularly important for a digital receiver such as the AVR580, as correct outputs ensure that you hear soundtracks with the proper directionality and intensity.

IMPORTANT NOTE: Listeners are often confused about the operation of the surround channels. While some assume that sound should always be coming from each speaker, most of the time there will be little or no sound in the surround channels. This is because they are only used when a movie director or sound mixer specifically places sound there to create ambience or a special effect, or to continue action from the front of the room to the rear. When the output levels are properly set, it is normal for surround speakers to operate only occasionally. Artificially increasing the volume to the rear speakers may destroy the illusion of an enveloping sound field that duplicates the way

you hear sound in

a movie theater or concert hall.

Before beginning the output level adjustment process, make certain that all speaker connections have been properly made. The system volume should be set to the level that you will use during a typical listening session. While the AVR580 allows you to set output levels manually, we recommend that the EzSet system be used when the AVR is first installed, to establish the initial level settings.

Using EzSet

JBL’s EzSet remote makes it possible to quickly and accurately set the AVR580’s output levels without the use of a sound pressure meter, although manual adjustment is also available. However, for the easiest setup, follow these steps while seated in the listening position that will be used most often:

1. Make certain that all speaker positions have been properly configured for their “large” or “small” settings (as outlined above) and turn off the OSD system if it is in use.

2. Adjust the volume so that it is at

-10dB, as shown in the on-screen

display or Main Information

Display

˜.

3. Hold the remote in front of you at arm’s length, being sure not to cover the

EzSet Sensor Microphone

at the top of the remote.

4. Press and hold the

SPL Selector

Button

for three seconds.

Release it when the

Program/SPL

Indicator

c stops flashing and remains lit. Within five seconds, press the

5 Button r on the

remote if your system is configured for 5.1 operation with standard speakers or the

7 Button r on the

remote if your system is configured for 6.1/7.1 operation with a full speaker complement including both rear surround speakers. Once the correct channel configuration button has been pressed, the test noise will be heard from the front left speaker.

5. At this point, EzSet will take over, adjusting the output level of each channel so that when the process is complete, all levels will be equal and at the set reference point. This process may take a few minutes, depending on the extent of adjustment required.

6. During the adjustment, you will see the location of the channel position being adjusted appear in the onscreen display (if connected) and in the

Main Information Display ˜,

alternating with a readout of the output setting, relative to the reference level, and in the

Speaker/Channel

Input Indicators

E where the letters for the channel being adjusted will flash to indicate the channel from which the test tone should be heard. As the adjustment proceeds, a few things will happen simultaneously:

• The channel position being adjusted will flash in the

Speaker/Channel

Input Indicators

E. If the test noise is heard from a channel other than the one shown in the indicator, there is an error in the speaker connections. If this is the case, press the

Test Button i TWICE

to stop the adjustment. Then, turn the unit off and verify that all speakers are connected to the proper

Outputs §¶ª‚.

Page 28

• As the individual channels are set, the channel name and the adjustment offset will appear in the onscreen display (if connected) and the

Main Information Display

˜. While the level is changing, the

Program/SPL Indicator c

will change colors to reflect the output level in relation to the reference. A red indication shows that the level is too high, while an amber indication shows that the level is too low. When the indicator is green, the level is correct, and the test noise will move to the next channel.

• While adjustments are being made, the red LED under the

AVR

Selector

f will flash. This is normal, and indicates that EzSet is operating.

7. After the test noise has circulated once through each channel, it will send the tone to each channel once again, to verify the settings.

8. After two complete circulations of the tone, the levels are set. The Program/SPL Indicator c will remain green at each channel. Upon completion of the second circulation, the

Program/SPL Indicator c

will flash green twice and then go out. The tone will stop and the AVR580 will return to normal operation.

If you find that the output levels chosen by EzSet are either uncomfortably low or high, you may repeat the procedure. Return to Step 2 and adjust the master volume either slightly higher or lower to accommodate your particular room layout and your tastes. You may repeat this procedure as many times as necessary to achieve a desired result. In order to prevent possible damage to your hearing or your equipment, we emphasize that you should avoid setting the master volume above 0dB.

If the levels of the surround back speakers in your 6.1- or 7.1-channel system seem very high in comparison to the other channels, it may be due to your pointing the remote away from these speakers during the level-setting process, as the microphone sensor is located on the front of the remote (opposite the position of the surround back speakers situated behind you). This may be corrected by using the manual output level adjust-

ment process described below. While checking the level of each speaker, point the remote toward the ceiling and check the level as indicated by the

SPL

Indicator

. Point the remote toward the AVR in order to transmit the commands to raise or lower the level for a particular channel. Point the remote toward the ceiling again to check

whether the

SPL Indicatorccreflects

a correct level, or further adjustment is necessary.

NOTE: The subwoofer output is not adjusted when the test tone is in use. To adjust the subwoofer output, you must use an external source, following the instructions on page 36.

Manual Output Level Adjustment

Output levels may also be adjusted manually, either to set them to a specific level with an SPL meter, or to make finetuning adjustments to the levels obtained using the EzSet remote.

Figure 8

Manual output level adjustment is most easily done through the

CHANNEL

ADJUST

menu (Figure 8). If you are

already at the

MASTER MENU, press

the

Button n until the on-screen

›

cursor is next to the CHANNEL ADJUST

line. If you are not at the

MASTER MENU, press the OSD Button

v to bring up the MASTER

(Figure 1), and then press the

Button n until the on-screen ›cursor is next to the

CHANNEL ADJUST

line. Press the Set Button p to bring the

CHANNEL ADJUST menu

(Figure 8) to the screen.

When the

CHANNEL ADJUST

menu appears, press the ¤Button n until the on-screen ›cursor is next to the TEST TONE line. Press the ‹/

›

Buttons o so that ON is highlighted and the AVR’s internal test tone will begin to circulate from speaker to speaker in a clockwise direction into all speakers. The test noise will play for two seconds in each speaker before circulating, and a blinking on-screen cursor will

appear next to the name of each speaker location when the sound is at that speaker.

NOTE: Remember to verify that the speakers have been properly connected. As the test noise circulates, listen to make certain that the sound comes from the speaker position shown in the

Main

Information Display

˜. If the sound from a speaker location does NOT match the position indicated in the display, turn the AVR580 off using the

Main Power

Switch

1 and check the speaker wiring or connections to external power amplifiers to make certain that each speaker is connected to the correct output terminal.

After checking for speaker placement, let the test noise circulate again, and listen to see which channels sound louder than the others. Using the front left speaker as a reference, press the

‹/›

Buttons

o on the remote to bring all speakers to the same volume level. When one of the

‹/›

Buttons o is pushed,

the test noise circulation will pause on the channel being adjusted to give you time to make the adjustment. When you release the button, the circulation will resume after five seconds.

Continue to adjust the individual channels until the volume level sounds the same from each speaker. Adjustments should be made with the

‹/›

Buttons

o on the remote only, NOT the main volume controls. If you are using a sound-pressure level (SPL) meter for precise level adjustment, set the volume so that the meter reads 75dB, C-Weighting Slow.

You may also adjust the output levels manually while using the level indication feature of the EzSet remote. To activate the sensor and indicator, simply press and release the

SPL Selector Button on

the remote while the test tone is circulating. The

Program/SPL Indicator c

will change color to indicate the level. Adjust the level using the

‹/›

Buttons

o until the LED lights green for all channels. When it is red, the level is too high; when it is amber, the level is too low. Press the

SPL Selector Button

when you are finished to turn the sensor and indicator off.

NOTE: The subwoofer level is not adjustable when the normal test tone is in use. The subwoofer output level may be adjusted when the channel levels are

* CHANNEL ADJUST *

FL :0dB SBR :0dB CEN :0dB SBL :0dB FR :0dB SL :0dB SR :0dB SUB :0dB CHANNEL RESET :OFF ON TEST TONE :OFF ON

BACK TO MASTER MENU

Page 29

being trimmed to a program source rather than the test tone, as shown on page 36.

When all channels have an equal volume level, the adjustment is complete. To exit this menu, press the

⁄/¤

Buttons n

until the on-screen ›cursor is next to the BACK TO MASTER MENU line, and then press the

Set Button p to

return to the

MASTER MENU.

The output levels may also be adjusted at any time using the remote control and semi-OSD system. To adjust the output levels in this fashion, press the

Test

Button

i. As soon as the button is pressed, the test tone will begin to circulate as indicated earlier. The correct channel from which the test noise should be heard will be shown in the lower third of the video screen and in the

Lower

Display Line

B. While the test noise is circulating, the proper channel position will also be indicated in the

Speaker/

Channel Input Indicators

E by a

blinking letter within the correct channel.

To adjust the output level, press the

⁄/¤

Buttons n until the desired

level is shown in the display or onscreen. Once the buttons are released, the test noise will begin to circulate again in five seconds.

When all channels have the same output level, press the

Test Button i again

to complete the process.

NOTE: Output level adjustment is not available for the VMAx or Surround Off modes.

Additional Input Adjustments

After one input has been adjusted for Surround mode, digital input (if any), speaker type, and output levels, go back to the

INPUT SETUP line on the

MASTER MENU (Figure 1) and enter

the settings for each input that you will use. In most cases, only the digital input and surround mode will be different from one input to the next, while the speaker type, crossover frequency, Night mode and output level settings will usually be the same and may be quickly entered by entering the same data used for the first input.

When all settings and adjustments have been made, press the

OSD Button v

to return to normal operation of the AVR.

Once the settings outlined on the previous pages have been made, the AVR580 is ready for operation. While there are some additional settings to be made, these are best done after you have had an opportunity to listen to a variety of sources and different kinds of program material. These advanced settings are described on pages 37–38 of this manual. In addition, any of the settings made in the initial configuration of the unit may be changed at any time. As you add new or different sources or speakers, or if you wish to change a setting to better reflect your listening taste, simply follow the instructions for changing the settings for that parameter as shown in this section.

Having completed the setup and configuration process for your AVR580, you are about to experience the finest in music and home theater listening. Enjoy!

Page 30

OPERATION

Basic Operation

Once you have completed the initial setup and configuration of the AVR580, it is simple to operate and enjoy. The following instructions will help you maximize the enjoyment of your new receiver:

Turning the AVR580 On or Off

• When using the AVR580 for the first time, you must press the

Main Power

Switch

on the front panel to turn the unit on. This places the unit in a Standby mode, as indicated by the red color of the

Power Indicator3. Once the unit

is in Standby, you may begin a listening session by pressing the

System Power

Control

on the front panel, or the

Power On Button d or AVR Selector

f on the remote. The

Power Indicator3will turn orange.

This will turn the unit on and return it to the input source that was last used. The unit may also be turned on from Standby by pressing any of the

Input Selector

Buttons

ç∂

on the

remote or the

Input Source Selector

Button

on the front panel.

NOTE: After pressing one of the Input Selector Buttons

eg to turn the

unit on, press the

AVR Selector f to

set the remote control to the AVR580 functions.

To turn the unit off at the end of a listening session, simply press the

System

Power Control

2 on the front panel or

the

Power Off Button aåon the

remote. The

Power Indicator 3 will

turn red. When the remote is used to turn the unit

“off” it is actually placing the system in a Standby mode, as indicated by the red color of the

Power Indicator 3.

•To program the AVR580 for automatic turn-off, press the

Sleep Button j

on the remote. Each press of the button will decrease the time before shut-down in the following sequence:

The sleep time will be displayed in the Lower Display Line B and it will count down until the time has elapsed.

When the programmed sleep time has elapsed, the unit will automatically turn off. The front-panel display will dim to one-half brightness when the Sleep function is programmed. To cancel the Sleep

function,

press and hold the

Sleep

Button

j until the information display returns to normal brightness; the Sleep indicator numbers will disappear and the words

SLEEP OFF will appear in the

Lower Display Line B

When you will be away from home for an extended period of time it is always a good idea to completely turn the unit off with the front-panel

Main Power

Switch

NOTE: All preset memories are lost if the unit is left turned off by using the

Main

Power Switch

for more than two

weeks.

Source Selection

•To select a source, press any of the

Input Selector Buttons eg

∂

on the remote.

• The input source may also be changed

by pressing the front-panel

Input

Source Selector Button

%. Each press of the button will move the input selection through the list of available inputs.

• As the input is changed, the AVR580 will automatically switch to the digital input (if selected), surround mode, speaker configuration, output levels, crossover frequency and night mode status that were entered during the configuration process for that source.

• The front-panel

Video 4 Inputs (Ó, Optical 3 Digital Input&or the Coaxial 3 Digital Input *may be

used to connect a device such as a video game or camcorder to your home entertainment system on a temporary basis.

• As the input source is changed, the new input name will appear momentarily as an on-screen display in the lower third of the video display. The input name will also appear in the

Main

Information Display

˜ and the selected input’s name will light in orange in the front-panel

Input

Indicators

ˆ.

• When an audio source is selected, the last video input used remains routed to the

Video 1/Video 2 Outputs ﬁ‡

and Video Monitor Outputs ¤. This permits simultaneous viewing and listening to different sources.

• When a composite or S-Video source is selected, the video signal for that input will be routed to the

Video Monitor

Output

and may be viewed on a TV

monitor connected to the AVR580.

6-Channel/8-Channel Direct Input

• There are two input choices available for use with sources such as a DVDAudio or SACD player that are connected to the 8-Channel Direct Inputs . Select the appropriate input according to the way your system and source equipment is configured:

■ 6CHDIRECT should be used

when the SBR and SBL inputs are NOT in use. It is assumed that the input source device has its own internal bass management system. This input passes the input from the source directly through to the volume control without any analog to digital conversion and it mutes the unused input jacks to prevent unwanted noise from interfering with system performance.

■ 8CHDIRECT should be used

when an input is connected to all eight

8-Channel Direct Inputs .

It is assumed that the input source device has its own internal bass management system. This input passes the input from the source directly through to the volume control without any analog-to-digital conversion and it mutes the unused input jacks to prevent unwanted noise from interfering with system performance.

Volume Control

• Adjust the volume to a comfortable

level using the front-panel

Volume

Control

ı or remote Volume

Up/Down Buttons

• To temporarily silence all speaker

outputs, press the

Mute Button

K . This will interrupt the output to all speakers and the headphone jack, but it will not affect any recording or dubbing that may be in progress. When the system is muted, the word

MUTE will

flash in the

Main Information

Display

˜. Press the Mute Buttons

K again to return to normal

operation.

• You may adjust the bass and treble

tone controls at any point during a listening session by simply turning the

min80min70min60min50min

min20min10min

min

OFF

Page 31

Bass Control Ô or Treble Control Ò until the desired setting is

achieved. You may also totally remove the tone controls from the circuit so that the output is “flat” at any time by pressing the

Tone Mode Button 5

and then pressing the ‹/› Buttons

)# so that TONE OFF appears in the on-screen display and the Lower Display Line B .

• For private listening, plug the 1/4" stereo phone plug from a pair of stereo headphones into the front-panel

Headphone Jack4. When the

headphone’s plug is connected, the word

HEADPHONE will scroll once

across the

Lower Display Line B

and all speakers will be silenced. When the headphone plug is removed, the audio feed to the speakers will be restored.

Surround Mode Selection

One of the most important features of the AVR580 is its ability to reproduce a full multichannel surround sound field from digital sources, analog matrix surroundencoded programs and standard stereo programs.

Selection of a surround mode is based on personal taste, as well as the type of program source material being used. For example, motion pictures or TV programs bearing the logo of one of the major surround-encoding processes, such as Dolby Surround, DTS Stereo or UltraStereo,

♦

may be played in either the Dolby Digital, Dolby Pro Logic II-Movie, DTS Neo:6 Cinema, or Logic 7 Cinema surround modes depending on the source material.

NOTE: Once a program has been encoded with matrix surround information, it retains the surround information as long as the program is broadcast in stereo. Thus, movies with surround sound may be decoded via any of the analog surround modes such as Dolby Pro Logic II-Movie, Logic 7 Cinema or DTS Neo:6 Cinema, when they are broadcast via conventional TV stations, cable, pay-TV and satellite transmission. In addition, a growing number of made-for-television programs, sports broadcasts, radio dramas and music CDs are also recorded in surround sound. You may view a list of these programs at the Dolby Laboratories Web site at www.dolby.com.

Even when a program is not listed as carrying intentional surround information, you may find that the Dolby Pro Logic II, Logic 7 Enhance, DTS Neo:6, VMAx, Hall or Theater modes often deliver enveloping surround presentations through the use of the natural information present in all stereo recordings.

Surround modes may be changed at any time by using either the front panel or remote control. To select a new surround mode from the front panel, first press the

Surround Mode Group Selector Button

7 until the desired major surround mode group such as Dolby, DTS or Logic 7 is selected. Next, press the

Surround Mode Selector Button 8

to choose the specific individual surround mode.

To select a surround mode using the remote, press the button for the major surround mode group that includes the mode you wish to choose from:

Dolby

w, DTS Surround x, DTS Neo:6

, Logic 7 y, Stereo or DSP

Surround

k. The first press of the button will show the current mode from that group if it is already in use, or the first available mode if you are currently using another mode. To cycle through the available modes in that group, press the button again until the desired mode appears in the

Lower Display Line B and the

on-screen display.

As the surround modes change, the current mode will light in orange in the Surround Mode Indicators ˘ list on the front panel.

The Dolby Digital, Dolby Digital EX and DTS 5.1, DTS-ES Matrix and DTS-ES Discrete modes may only be selected when a digital input is in use. In addition, when a digital source is present, the AVR580 will automatically select and switch to the correct mode, regardless of the mode that has been previously selected. For more information on selecting digital sources, see the Digital Audio Playback section below.

When the 6-channel/8-channel direct inputs are in use there is no surround processing, as these inputs take the analog output signals from an optional, external DVD-Audio or SACD player, or another source device and carry them straight through to the volume control without any further digital processing.

When your AVR580 has been configured for 6.1/7.1 operation with both left and right surround back speakers installed, selecting a 6.1-channel surround mode, such as Dolby Digital EX or DTS-ES 6.1 Matrix, will result in both surround back speakers playing the same information for the surround back channel. The surround back left and right speakers will only play discrete information when a 7-channel mode is selected, such as Logic 7/7.1 Cinema or Music, or 7-Channel Stereo, or if the 8-Channel Direct Input source is in use and is providing discrete information for the surround back channels.

To listen to a program in traditional twochannel stereo, using the front left and front right speakers only (plus the subwoofer, if installed and configured), press the

Stereo Button until SURR

OFF

appears in the Main Information

Display

˜, or press the Surround Mode

Group Selector

7 until the Stereo

modes appear in the on-screen display and

Lower Display Line B. Next, press the Surround Mode Select Button 8 until

SURROUND OFF appears in the onscreen display and

Lower Display

Line

Digital Audio Playback

Digital audio is a major advancement over older analog surround processing systems such as Dolby Pro Logic. It delivers five discrete channels: left front, center, right front, left surround and right surround. Each channel reproduces full frequency range (20Hz to 20kHz) and offers dramatically improved dynamic range and significant improvements to signal-to-noise ratios. In addition, digital systems have the capability to deliver an additional channel that is specifically devoted to low-frequency information. This is the “.1” channel referred to when you see these systems described as “5.1,” “6.1” or “7.1”. The bass channel is separate from the other channels, but since it is intentionally bandwidth-limited, sound designers have given it that unique designation.

Dolby Digital

Dolby Digital is a standard part of DVD, and is available on specially encoded LD discs and satellite broadcasts and it is a part of the high-definition television (HDTV) system.

Page 32

An optional, external RF demodulator is required to use the AVR580 to listen to the Dolby Digital soundtracks available on laser discs. Connect the RF output of the LD player to the demodulator and then connect the digital output of the demodulator to the

Optical or Coaxial

Inputs

&* of the AVR580. No demodulator is required for use with DVD players or DTS-encoded laser discs.

DTS

DTS is another digital audio system that is capable of delivering 5.1 or 6.1 discrete or matrix sound field reproduction. Although both DTS and Dolby Digital are digital, they use different methods of encoding the signals, and thus they require different decoding circuits to convert the digital signals back to analog.

DTS-encoded soundtracks are available on select DVD and LD discs, as well as on special audio-only DTS discs. You may use any LD or CD player equipped with a digital output to play DTS-encoded discs with the AVR580. All that is required is to connect the player’s output to either an Optical or Coaxial Input on the rear panel or front panel

&*.

In order to listen to DVDs encoded with DTS soundtracks, the DVD player must be compatible with the DTS signal as indicated by a DTS logo on the player’s front panel. Early DVD players may not be able to play DTS-encoded DVDs. This does not indicate a problem with the AVR580, as some players cannot pass the DTS signal through to the digital outputs. If you are in doubt as to the capability of your DVD player to handle DTS discs, consult the player’s owner’s manual.

NOTE: Some DVD players have a default setting that does not pass through the DTS signal. Before playing DVDs with a DTS soundtrack, make certain that the settings in your DVD player have been properly adjusted

so that DTS audio is passed through. Consult the owner’s manual for your DVD player for more information on making these settings.

Selecting a Digital Source

To utilize either digital mode, you must have properly connected a digital source to the AVR580. Connect the digital outputs from DVD players, HDTV receivers, satellite systems or CD players to the Optical or Coaxial Inputs &* . In order to provide a backup signal and a

source for analog stereo recording, the analog outputs provided on digital source equipment should also be connected to their appropriate inputs on the AVR580 rear panel (e.g., connect the analog stereo audio output from a DVD to the

DVD

Audio Inputs

k on the rear panel when

you connect the source’s digital outputs).

If you have not already configured an input for a digital source using the onscreen menus as shown on page 22, first select the input using the remote or frontpanel controls as outlined in this manual. Next, select the digital source by pressing the

Digital Select Button qP

and then using the ⁄/¤Buttons n on the remote or the‹/›Selector

Buttons

)# on the front panel to

choose any of the OPTICAL or

COAXIAL

inputs, as they appear in

the

Upper Display Line A or on-screen

display. When the digital source is playing, the AVR580 will automatically detect which type of digital data stream is being decoded and display that information in the

Upper Display Line A.

Digital Bitstream Indicators

When a digital source is playing, the AVR580 senses the type of bitstream data that is present. Using this information, the correct surround mode will automatically be selected. For example, DTS bitstreams will cause the unit to switch to DTS decoding, and Dolby Digital bitstreams will enable Dolby Digital decoding. When the unit senses PCM data from CDs and LDs, it will allow the appropriate surround sources to be selected manually. Since the range of available surround modes is dependent on the type of digital data that is present, the AVR580 uses display indicators to let you know what type of signal is present. This will help you to understand the choice of modes.

To help you see which type of digital source is playing, the

Surround Mode

Indicators

˘ in combination with the

Information Display ˜ also serve as bitstream indications to show which type of bitstream is present, as well as the surround mode in use, if applicable.

Digital: When the Dolby Digital

or Dolby Digital EX logo is lit, a Dolby Digital bitstream is being received. Depending on the settings on the source player and specific surround information and number of channels on the disc, a number of surround modes are possible. For discs with full 5.1 audio, only

the Dolby Digital and VMAx modes are available.

DTS: When the DTS logo lights, a DTS bitstream is being received. When the unit senses this type of data, only the applicable DTS mode may be used.

PCM: When the word DIGITAL lights, a standard Pulse Code Modulation, or PCM, signal is being received. This is the type of digital audio used by conventional compact disc and laser disc recordings. When a PCM bitstream is present, all modes except Dolby Digital and DTS are available.

MP3: When MP3 appears on the Lower Display Line B a compatible

MPEG 1/Layer 3 digital signal is being received. This is the popular audio format used by many computer programs for recording compressed audio files. When an MP3 bitstream is present, the sound will automatically be played in the Stereo (Surround Off) mode. The surround modes are not available during MP3 playback. There are many different forms of MP3 encoding available and the format is used at a number of different bit rates. The AVR580 may not be compatible with all forms of MP3, particularly when the data file is encoded at 128kb/s or above.

Speaker/Channel Indicators

In addition to the bitstream indicators, the AVR580 features a set of unique channel-input indicators that tell you how many channels of digital information are being received and/or whether the digital signal is interrupted. (See Figure 9.)

Figure 9

These indicators are the L/C/R/LFE/SL/SR/SBL/SBR letters that are inside the center boxes of the

Speaker/Channel Input Indicators E in the front-panel Main Information Display

˜. When a standard analog signal is in use, only the “L” and “R” indicators will light, as

analog signals have

only left and right channels.

Digital signals, however, may have two, five, six or seven channels, depending on

Page 33

the program material, the method of transmission and the way in which it was encoded. When a digital signal is playing, the letters in these indicators will light in response to the specific signal being received. It is important to note that although Dolby Digital, for example, is referred to as a “5.1” system, not all Dolby Digital DVDs or programs are encoded for 5.1. Thus, it is sometimes normal for a DVD with a Dolby Digital soundtrack to trigger only the “L” and “R” indicators.

NOTE: Many DVD discs are recorded with both “5.1” and “2.0” versions of the same soundtrack. When playing a DVD, always be certain to check the type of material on the disc. Most discs show this information in the form of a listing or icon on the back of the disc jacket. When a disc does offer multiple soundtrack choices, you may have to make some adjustments to your DVD player (usually with the “Audio Select” button or in a menu screen on the disc) to send a full

5.1 feed to the AVR580. It is also possible for the type of signal feed to change during the course of a DVD playback. In some cases, the previews of special material will only be recorded in 2.0 audio, while the main feature is available in 5.1 audio. The AVR580 will automatically sense changes to the bitstream and channel count and reflect them in these indicators.

The letters used by the

Speaker/

Channel Input Indicators

E also flash to indicate when a bitstream has been interrupted. This will happen when a digital input source is selected before the playback starts, or when a digital source such as a DVD is paused. The flashing indicators remind you that the playback has stopped due to the absence of a digital signal and not through any fault of the AVR580. This is normal, and the digital playback will resume once the playback is started again.

Night Mode

A special feature of Dolby Digital is the Night mode, which enables specially encoded Dolby Digital input sources to be played back with full digital intelligibility while reducing the minimum peak level by 1/4 to 1/3. This prevents abruptly loud transitions from disturbing others, without reducing the impact of the digital source. The Night mode is available only when Dolby Digital signals with special data are being played.

The Night mode may be engaged when a Dolby Digital DVD is playing by pressing the

Night Mode Button l on the

remote. Next, press the

⁄/¤

Buttons

n to select either the middle range or full-compression versions of the Night mode. To turn the Night mode off, press the

⁄/¤

Buttons n until the mes-

sage in the lower third of the video display and in the

Lower Display Line B

reads D-RANGE OFF.

The Night mode may also be selected to always be on at either level of compression using the options in the

DOLBY

menu. See page 23 for information on using the menus to set this option.

IMPORTANT NOTES ON DIGITAL PLAYBACK:

• When the digital playback source is stopped, or in a pause, fast forward or chapter search mode, the digital audio data will momentarily stop, and the channel position letters inside the

Speaker/ Channel Input Indicators

E will flash. This is normal and does not indicate a problem with either the AVR580 or the source machine. The AVR580 will return to digital playback as soon as the data is available and when the machine is in a standard play mode.

• Although the AVR580 will decode virtu-

ally all current DVD movies, CDs and HDTV sources, it is possible that some future digital sources may not be compatible with the AVR580.

• Not all digitally encoded programs contain full 5.1- or 6.1-channel audio. Consult the program guide that accompanies the DVD or laser disc to determine which type of audio has been recorded on the disc. The AVR580 will automatically sense the type of digital surround encoding used and adjust to accommodate it.

• When a digital source is playing, you may not be able to select some of the analog surround modes such as Dolby Pro Logic II, Dolby 3, Stereo, Hall, Theater or Logic 7.

• When a Dolby Digital or DTS source is playing, it is not possible to make an analog recording using the

Tape

Outputs

and Video 1 or Video 2

Audio Outputs

. However, the

digital signals will be passed through to the

Digital Audio Outputs gi.

PCM Audio Playback

PCM (Pulse Code Modulation) is the noncompressed digital audio system used for compact discs and laser discs. The digital circuits in the AVR580 are capable of high-quality digital-to-analog decoding, and they may be connected directly to the digital audio output of your CD or LD player.

Connections may be made to either the rear-panel

Optical or Coaxial Inputs

or the front-panel Digital Inputs

&*.

To listen to a PCM digital source, first select the input for the desired source (e.g., CD). Next press the

Digital Select

Button

Pq and then use the ⁄/

Buttons n on the remote, or the‹/

›

Selector Buttons )# on the front panel, until the desired choice appears in the

Main Information Display ˜.

During PCM playback, you may select any Surround mode except Dolby Digital or DTS.

MP3 Audio Playback

The AVR580 is one of the few receivers equipped for onboard decoding for the MP3 audio format used by computers and portable audio devices. By offering MP3 decoding, the AVR580 is able to deliver precise conversion of the digital signals to an analog output, along with the benefits of listening to the MP3 audio through the AVR580’s high-current amplifier and the speakers from your surround system, rather than the smaller speakers and lowpowered amplifiers typically used with computers.

To take advantage of the AVR580’s MP3 capabilities, simply connect the PCM output of a computer’s sound card or the PCM output of a portable digital audio device to either the rear-panel

Digital

Inputs

or the front-panel Digital

Inputs

&*. When the digital signal is

available, the

Lower Display Line B

will indicate that an MP3 bitstream is present, and the audio will begin playing.

NOTES:

• The AVR580 is only capable of playing signals in the MP3 (MPEG 1/Layer 3) format. It is not compatible with other computer audio codecs.

continued on p. 35

Page 34

OPERATION

Surround Mode Chart

MODE FEATURES

Dolby Digital Available only with digital input sources encoded with Dolby Digital data. It provides up to five separate main audio channels and

a special dedicated Low-Frequency Effects channel.

Dolby Digital EX Available when the receiver is configured for 6.1/7.1-channel operation, Dolby Digital EX is the latest version of Dolby Digital.

When used with movies or other programs that have special encoding, Dolby Digital EX reproduces specially encoded sound tracks so that a full 6.1/7.1 sound field is available. When the receiver is set for 6.1/7.1 operation and a Dolby Digital signal is present, the EX mode is automatically selected. Even if specific EX encoding is not available to provide the additional channel, the special algorithms will derive a 6.1/7.1 output.

DTS 5.1 When the speaker configuration is set for 5.1-channel operation, the DTS 5.1 mode is available when DVD, audio-only music or

laser discs encoded with DTS data are played. DTS 5.1 provides up to five separate main audio channels and a special dedicated low-frequency channel.

DTS-ES 6.1 Matrix When the speaker configuration is set for 6.1/7.1 operation, playback of a DTS-encoded program source will automatically trigger DTS-ES 6.1 Discrete the selection of one of the two DTS-ES modes. Newer discs with special DTS-ES discrete encoding will be decoded to provide

six discrete, full-bandwidth channels plus a separate low-frequency channel. All other DTS discs will be decoded using the DTS-ES Matrix mode, which creates a 6.1-channel sound field from the original 5.1-channel soundtrack.

Dolby Pro Logic II Dolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology that decodes full-range, discrete left, Movie center right, right surround and left surround channels from either matrix surround-encoded programs and conventional stereo Music sources when an analog input is in use. The Dolby Pro Logic II Movie mode is optimized for movie soundtracks, while the Dolby Emulation Pro Logic II Music mode should be used with musical selections. The Dolby Pro Logic II Emulation mode re-creates original Dolby

Pro Logic processing for those who prefer that presentation.

Logic 7 Cinema Logic 7 is an advanced mode that extracts the maximum surround information from either surround-encoded programs or Logic 7 Music conventional stereo material. Depending on the number of speakers in use and the selection made in the SURROUND Logic 7 Enhance SELECT menu, the “5.1” versions of Logic 7 modes are available when the 5.1 option is chosen, while the “7.1” versions of

Logic 7 produce a full sound field presentation, including back surround speakers when the “6.1/7.1” option is chosen. The Logic 7 C (or Cinema) mode should be used with any source that contains Dolby Surround or similar matrix encoding. Logic 7 C delivers increased center-channel intelligibility, and more accurate placement of sounds with fades and pans that are much smoother and more realistic than with other decoding techniques. The Logic 7 M or Music mode should be used with analog or PCM stereo sources. Logic 7 M enhances the listening experience by presenting a wider front soundstage and greater rear ambience. Both Logic 7 modes also direct low-frequency information to the subwoofer (if installed and configured) to deliver maximum bass impact. The Logic 7 E (or Enhance) mode, available only when the 5.1 option is chosen, is an extension of the Logic 7 mode that is primarily used with musical programs. Logic 7 adds additional bass enhancement that circulates low fre quencies in the 40Hz to 120Hz range to the front and surround speakers to deliver a less localized soundstage that appears broader and wider than when the subwoofer is the sole source of bass energy.

DTS Neo:6 Cinema These two modes are available when any analog source is playing to create a six-channel surround presentation DTS Neo:6 Music from conventional matrix-encoded and traditional stereo sources. Select the Cinema version of Neo:6 when a

program with any type of analog matrix surround encoding is present. Select the Music version of Neo:6 for optimal processing when a nonencoded, two-channel stereo program is being played.

Dolby 3 Stereo Uses the information contained in a surround-encoded or two-channel stereo program to create center-channel information. In

addition, the information that is normally sent to the rear-channel surround speakers is carefully mixed in with the front-left and front-right channels for increased realism. Use this mode when you have a center channel speaker but no surround speakers.

Theater The Theater mode creates a sound field that resembles the acoustic feeling of a standard live-performance theater.

Hall 1, Hall 2 The two Hall modes create sound fields that resemble a small (Hall 1) and medium-sized (Hall 2) concert hall.

VMAx Near When only the two front-channel loudspeakers are used, JBL’s patented VMAx mode delivers a three-dimensional sound space VMAx Far with the illusion of “phantom speakers” at the center and surround positions. The VMAx N, or “Near Field,” mode should be

selected when your listening position is less than five feet from the speakers. The VMAx F, or “Far Field,” mode should be selected when your listening position is greater than five feet from the speakers. The VMAx modes are also available using the Headphones Output 4. When head phones are being used, the Far Field mode will appear to push the sound field away from your ears, reducing the “inside the head” sensation often experienced when using headphones.

5-Channel Stereo This mode takes advantage of multiple speakers to place a stereo signal at both the front and back of a room. 7-Channel Stereo Depending on whether the AVR has been configured for either 5.1 or 6.1/7.1 operation, one of these modes, but not both,

is available at any time. Ideal for playing music in situations such as a party, it places the same signal at the front-left and surround-left, and front-right and surround-right speakers. The center channel is fed a summed mono mix of the in-phase material of the left and right channels.

Surround This mode turns off all surround processing and presents the pure left- and right-channel presentation of two-channel stereo Off (Stereo) programs.

Page 35

• The digital audio input signal may be either optical or coaxial, but the signal must be in the PCM format. Direct connection of USB or serial data outputs is not possible, even though the signals are in the MP3 format. If you have any questions about the data output format from your computer or a sound card, check with the device’s owner’s manual or contact the manufacturer’s technical support area.

• Due to the wide variation in MP3 formats and encoding speeds, it is possible that the AVR580 may not be compatible with all MP3 input signals. Some may produce unacceptable results and some may not be decoded. This is not a fault of either the computer or the AVR580, but rather a by-product of the unpredictable nature of MP3 playback.

Tuner Operation

The AVR580’s tuner is capable of tuning AM, FM and FM Stereo broadcast stations. Stations may be tuned manually, or they may be stored as favorite station presets and recalled from a 30-position memory.

Region Selection

The AVR’s FM tuner must be set for compatibility with the television format and radio broadcasts in your area. Using the Region Selector ⁄ located on the rear panel of the receiver, select the position corresponding to the country in which you are using the receiver: C, S or K.

Refer to the chart below to determine the proper setting. For other countries, consult with your dealer or distributor to determine the correct setting.

Country

Region Selector Switch

China C

Hong Kong

†

Indonesia

†

Korea (South) K

Malaysia

†

Singapore

†

Thailand

†

IMPORTANT NOTE: Any adjustments made to the

Region Selector ⁄ will

not take effect unless the unit is first fully turned off by pressing the

Main Power

Switch 1 until it pops out and the word

“OFF” appears on the top of the button.

Station Selection

1. Press the AM/FM Tuner Select Button

gçon the remote to

select the tuner as an input. The tuner may be selected from the front panel by pressing

either the Input Source

Selector

% until the tuner is active

or the

Tuner Band Selector ! at

any time.

2. Press the

AM/FM Tuner Select

Button

gçor Tuner Band

Selector

! again to switch between AM and FM so that the desired frequency band is selected.

3. Press the

Tuner Mode Button^s

to select manual or automatic tuning.

When the

AUTO Indicator J is lit in the

Main Information Display ˜ the tuner

will only stop at those stations that have a strong enough signal to be received with acceptable quality.

When the

AUTO Indicator J is not lit,

the tuner is in a manual mode and will stop at each frequency increment in the selected band.

4. To select stations, press the

Tuning

Selector Button

ué. When

the

AUTO Indicator J is lit, press

the button to cause the tuner to search for the next highest- or lowest-frequency station that has an acceptable signal. Hold the

Tuning Selector

Button

uéto scan through

the stations with acceptable signals. Press the

TunerMode Button^s

to switch to the manual tuning mode, in which each press of the

Tuning

Selector Button

uéad-

vances one frequency increment; press and hold the selector button to scan through all frequency increments.

When tuning FM stations in the Auto mode, the tuner will only select stereo stations. To tune to the next station, switch to the manual tuning mode and press the button again. If the

STEREO

Indicator

H is not lit, tap the Tuning

Selector Button

uéto advance

one frequency increment at a time, or press and hold it to locate a specific station. When the

TUNED Indicator I

lights, the station is properly tuned and should be heard with clarity.

5. Stations may also be tuned directly by pressing the

Direct Button t, and

then pressing the

Numeric Keys

that correspond to the station’s frequency. The desired station will automatically be tuned. If you press an incorrect button while entering a direct frequency, press the

Clear Button

to start over.

NOTE: When the FM reception of a station is weak, audio quality will be increased by switching to Mono mode by pressing the

Tuner Mode Button

until the STEREO Indicator H

goes out.

Preset Tuning

Using the remote, up to 30 stations may be stored in the AVR580’s memory for easy recall using the front-panel controls or the remote.

To enter a station into the memory, first tune the station using the steps outlined above. Then:

1. Press the

Memory Button on the

remote. The

MEMORY Indicator G will light and flash in the Main Information Display

˜.

2. Within five seconds, press the

Numeric Keys r corresponding to the location where you wish to store this station’s frequency. Once entered, the preset number will appear in the Main Information DIsplay ˜.

3. Repeat the process after tuning any additional stations to be preset.

Recalling Preset Stations

• To manually select a station previously entered in the preset memory, press the

Numeric Keys r that corre-

spond to the desired station’s memory location.

• To manually tune through the list of stored preset stations one by one, press the

Preset Stations Selector

Buttons

on the front

panel or remote.

Tape Recording

In normal operation, the audio or video source selected for listening through the AVR580 is sent to the record outputs. This means that any program you are watching or listening to may be recorded

Page 36

simply by placing machines connected to the outputs for

Tape Outputs or Video 1/Video 2 Audio and Video Outputs

ﬁ‡ in the Record

mode.

When a digital audio recorder is connected to the

Digital Audio Outputs gi,

you are able to record the digital signal using a CD-R, MiniDisc or other digital recording system.

NOTES:

• The digital outputs are active only

when a digital signal is present, and they do not convert an analog input to a digital signal, or change the format of the digital signal. In addition, the digital recorder must be compatible with the output signal. For example, the PCM digital input from a CD player may be recorded on a CD-R or MiniDisc, but Dolby Digital or DTS signals may not.

• Please make certain that you are

aware of any copyright restrictions on any material you copy. Unauthorized duplication of copyrighted materials is prohibited by law.

Output Level Trim Adjustment

Normal output level adjustment for the AVR580 is established using the test tone, as outlined on pages 27 – 29. In some cases, however, it may be desirable to adjust the output levels using program material such as a test disc, or a selection you are familiar with. Additionally, the output level for the subwoofer can only be adjusted using this procedure.

To adjust the output levels using program material, first

set the reference volume for

the front left and front right

channels

using the

Volume Control ı

If you are using a disc with test signals or an external signal generator as the source from which to trim the output levels, you may use the EzSet feature of the remote to guide you to the correct SPL level. To use the remote for this purpose, press and quickly release the

SPL

Selector Button

to activate the sensor. While the test tone is circulating, the

Program/SPL Indicator c will

change color to indicate the level. Adjust the level using the

⁄/¤

Buttons

until the LED lights green for all channels. When it is red the level is too high; when

it is amber the level is too low. Press the SPL Selector Button to turn the sensor and indicator off.

Once the reference level has been set, press the

Channel Select Button

and FRONT L LEVEL will appear in the

Lower Display Line B. To

change the level, first press the

Set

Button

p, and then use the ⁄/

Buttonsnto raise or lower the level.

DO NOT use the volume control, as this will alter the reference setting.

Once the change has been made, press the

Set Button p and then press the

⁄/¤

Buttonsnto select the next

output channel location that you wish to adjust. To adjust the subwoofer level, press the

⁄/¤

Buttonsnuntil

WOOFER LEVEL appears in the

Main Information Display ˜ or onscreen display.

Repeat the procedure as needed until all channels requiring adjustment have been set. When all adjustments have been made and no further adjustments are made for five seconds, the AVR580 will return to normal operation.

The channel output for any input may also be adjusted using the full-OSD on-screen menu system. First, set the volume to a comfortable listening level using the

Volume Control ı

Then, press the

OSD Button v to

bring up the

MASTER MENU

(Figure 1). Press the ¤Button n until the on-screen

›

cursor is next to the CHANNEL ADJUST line. Press the

Set Button p to activate the

CHANNEL ADJUST menu.

Once the menu appears on your video screen, first use the

⁄/¤

Buttons n

to move the on-screen ›cursor so that it is next to the

TEST TONE line. Press

the

‹/›

Buttons o so that OFF

is highlighted. This will turn off the test tone and allow you to use your external test disc or other source material as the reference. Then, use the

⁄/¤

Buttons

n to select the channels to be adjusted. At each channel position, use the

‹/›

Buttons o to change the output level. Remember, the goal is to have the output level at each channel be equal when heard at the listening position.

If you wish to reset all the levels to their original factory default of 0dB offset,

press the

⁄/¤

Buttons n so that

the on-screen cursor is next to the CHANNEL RESET line and press the

‹/›

Buttons o so that the

word

ON is highlighted.

After the levels are reset, resume the procedure outlined above to reset the levels to the desired settings. When all adjustments are done, press the

⁄/¤

Buttonsnto move the

on-screen

›

cursor so that it is next to BACK TO MASTER MENU and then press the

Set Button p if you

wish to go back to the main menu to make other adjustments. If you have no other adjustments to make, press the OSD Button v to exit the menu system.

NOTE: The output levels may be separately trimmed for each digital and analog surround mode. If you wish to have different trim levels for a specific mode, select that mode and then follow the instructions in the steps shown earlier.

Memory Backup

This product is equipped with a memory backup system that preserves the system configuration information and tuner presets if the unit is accidentally unplugged or subjected to a power outage. This memory will last for approximately two weeks, after which time all information must be reentered.

Page 37

The AVR580 is equipped with a number of advanced features that add extra flexibility to the unit’s operation. While it is not necessary to use these features to operate the unit, they provide additional options that you may wish to use.

Surround Amplifier Channel Assignment

The AVR580 is equipped with seven fullpower amplifier channels to allow for complete 7.1-channel operation without the need for additional external amplifiers. However, in some installations you may wish to use the traditional 5.1-channel configuration for the main listening room, which allows the surround back left/right amplifier channels to be used to power speakers placed in a remote zone location.

If you wish to use the Surround Back channel amplifiers to power the remote zone, you must change a setting in the ADVANCED SELECT menu. To make that change, first call up the menu system by pressing the

OSD Button v

to bring the MASTER MENU (Figure 1) to the screen. Next, press the ¤Button n until the ›cursor is next to the

ADVANCED line. Press the Set Button

p to enter the ADVANCED

SELECT

menu (Figure 10).

Figure 10

To change the setting so that the Surround Back amplifiers are fed by the source selected through the Multiroom system, press the

‹/›

Buttons o

so that MR SP is highlighted in reverse video and press the

Set Button p.

Remember that once this setting is made you will not be able to take advantage of any of the 6.1/7.1-channel decoding or processing modes, and that the speakers used for the remote zone must be connected

to the Surround Back/Multi-

room Speaker Outputs

ª. The volume for these speakers is set by the multiroom system, as explained on page 39 of this manual.

Once this setting is made, you may press the

Button n to make any of the

other adjustments available on this menu. If no other adjustments are needed, press the

OSD Button v

to exit the menu system.

Display Brightness The AVR580’s Main Information Display

˜ is set at a default brightness level that is sufficient for viewing in a normally lit room. However, in some home theater installations, you may wish to occasionally lower the brightness of the display, or turn it off completely. To change the display brightness setting for a specific listening session, you will need to make an adjustment in the ADVANCED SELECT menu. To start the adjustment, press the

OSD

Button

v to bring the MASTER

to the screen. Press the

Button n, until the on-screen

›

cursor is next to the

ADVANCED

line. Press the Set Button p to enter the

ADVANCED SELECT

(Figure 10).

To change the brightness setting, at the

ADVANCED

SELECT menu, make

certain that the on-screen

›

cursor is

next to the

VFD line, and press the

›

Button until the desired brightness level is highlighted in the video display. When

FULL is highlighted, the display

is at its normal brightness. When

HALF

is highlighted, the display is at half the normal brightness level. When

OFF is

highlighted, all of the indicators in the Main Information Display ˜ will go dark. However, the

Input Indicators ˆ

and the Surround Mode Indicators

˘, as well as the Power Indicator 3, will always remain lit to remind you that the unit is turned on.

Once the desired brightness level is selected, it will remain in effect until it is changed again or until the unit is turned off.

If you wish to make other adjustments, press the

⁄/¤

Buttons n until the

on-screen

›

cursor is next to the desired

setting or the

BACK TO MASTER

line and press the Set Button

p. If you have no other adjustments to make, press the

OSD Button v to exit

the menu system.

Turn-On Volume Level

As is the case with most audio/video receivers, when the AVR580 is turned on, it will always return to the volume setting

in effect when the unit was turned off. However, you may prefer to always have the AVR580 turn on at a specific setting, regardless of what was last in use when the unit was turned off. To change the default condition so that the same volume level is always used at turn-on, you will need to make an adjustment in the

ADVANCED SELECT

menu. To

start the adjustment, press the

OSD

Button

v to bring the MASTER

(Figure 1) to the screen. Press the

Button n, until the on-screen

›

cursor is next to the ADVANCED line.

Press the Set Button p to enter

the

ADVANCED SELECT menu

(Figure 10).

At the ADVANCED SELECT menu make certain that the on-screen

›

cursor

is next to the

VOLUME DEFAULT

line by pressing the ⁄/¤Buttons n as needed. Next, press the ›Button

so that the word ON is highlighted

in the video display. Next, press the

Button n once so that the on-screen

›

cursor is next to the DEFAULT VOL SET

line. To set the desired turn-on vol-

ume, press the

‹/›

Buttons o

until the desired volume level is shown on the

DEFAULT VOL SET line. This setting may NOT be made with the regular volume controls.

NOTE: Since the setting for the turn-on volume cannot be heard while the setting is being made, you may wish to determine the setting before making the adjustment. To do this, listen to any source and adjust the volume to the desired level using the regular

Volume

Controls

. When the desired volume level to be used at turn-on is reached, make a note of the setting as it appears in the lower third of the video screen or in the

Lower Display Line

B. (A typical volume level will appear as a negative number such as –25dB.) When making the adjustment, use the

‹/›

Buttons o to enter this setting.

Unlike some of the other adjustments in this menu, the turn-on volume default will remain in effect until it is changed or turned off in this menu, even when the unit is turned off.

If you wish to make other adjustments, press the

⁄/¤

Buttons n until the

on-screen

›

cursor is next to the desired

setting or the

BACK TO MASTER

line and press the Set Button

ADVANCED FEATURES

* ADVANCED SELECT *

SB AMPS:SB SP MR SP VFD :FULL HALF OFF VOLUME DEFAULT:OFF ON DEFAULT VOL SET:25dB SEMI OSD :OFF ON SEMI OSD TIME OUT: 3S FULL OSD TIME OUT:20S BACK TO MASTER MENU

Page 38

p. If you have no other adjustments to make, press the

OSD Button v to exit

the menu system.

Semi-OSD Settings

The semi-OSD system places one-line messages at the lower third of the video display screen whenever the Volume, Input Source, Surround mode or tuner frequency of any of the configuration settings are changed. The semi-OSD system is helpful in that it enables you to have feedback on any control changes or remote commands using the video display when it is difficult to view the frontpanel displays. However, you may occasionally prefer to turn these displays off for a particular listening session. You may also want to adjust the length of time the displays remain on the screen. Both of those options are possible with the AVR580.

To turn off the semi-OSD system, you will need to make an adjustment in the ADVANCED SELECT menu (Figure 10). To start the adjustment, press the

OSD Button v to bring the

MASTER MENU to the screen. Press the

¤ Button n, until the on-screen

› cursor is next to the ADVANCED

line. Press the Set Button p to enter the

ADVANCED SELECT menu.

At the

ADVANCED SELECT

menu, make certain that the on-screen › cursor is next to the SEMI OSD

DEFAULT

line by pressing the ⁄/

Buttons n as needed. Next, press the

› Button so that the word OFF is

highlighted in the video display.

This setting is temporary and will remain active only until it is changed or until the AVR580 is turned off. Once the unit is turned off, the semi-OSD displays will remain activated, even if they were switched off for the previous listening session.

To change the length of time that the semi-OSD

displays remain on the screen,

go to the

ADVANCED

SELECT

menu as outlined earlier, and press the

⁄/¤

Buttons n as needed, until the

on-screen

›

cursor is next to the SEMI

OSD TIME OUT

line. Next, press

the

‹/›

Buttons o until the

desired time in seconds is displayed. Unlike most of the other options in this menu, this is a permanent setting change, and the time-out entry will remain in

effect until it is changed, even

when the unit is turned off.

If you wish to make other adjustments, press the

⁄/¤

Buttons n until the

on-screen

›

cursor is next to the desired

setting or the

BACK TO MASTER

line and press the Set Button

p. If you have no other adjustments to make, press the

OSD Button v to exit

the menu system.

Full-OSD Time-Out Adjustment

The FULL OSD menu system is used to simplify the setup and adjustment of the AVR580, using a series of on-screen menus. The factory default setting for these menus leaves them on the screen for 20 seconds after a period of inactivity before they disappear from the screen (Time-Out). Time-Out is a safety measure to prevent image retention of the menu text in your monitor or projector, which might happen if it were left on indefinitely. However, some viewers may prefer a slightly longer or shorter period before the Time-Out display.

To change the full-OSD Time-Out, you will need to make an adjustment in the ADVANCED SELECT menu (Figure 10). To start the adjustment, press the

OSD Button v to bring the

MASTER

MENU to the screen. Press

the

¤ Button n, until the on-screen

› cursor is next to the ADVANCED

line. Press the Set Button p to enter the

ADVANCED menu (Figure 10).

At the

ADVANCED SELECT menu (Figure 10), make certain that the onscreen

› cursor is next to the FULL

OSD TIME OUT

line by pressing the

⁄/¤

Buttons n as needed. Next, press the

‹/›

Buttons o until

the desired time is displayed in seconds. Unlike most of the other options in this menu, this is a permanent setting change, and the Time-Out entry will remain in effect until it is changed, even if the unit is turned off.

If you wish to make other adjustments, press the

⁄/¤

Buttons n until

the on-screen

›

cursor is next to the

desired setting or the

RETURN TO

MASTER MENU

line and press the

Set Button p. If you have no other adjustments to make, press the

OSD

Button

v to exit the menu system.

Page 39

The AVR580 is fully equipped to operate as the control center for a complete multiroom system that is capable of sending one source to a second zone in the house while a separate source is listened to in the main room. In addition to providing for control over the selection of the remote source and its volume, the AVR580 offers a comprehensive range of options for powering the speakers in the second zone.

■ Using the line-level Multiroom Audio

Outputs

h, the selected source may be fed to optional, external power amplifiers that may be matched to the specifics of the installation.

■ When the main room system is config-

ured for 5.1 operation, the Surround Back Left/Right amplifier channels may be used to power the remote zone so that no additional amplifiers are required.

In addition, the AVR580 includes a remote IR sensor input so that remote control commands from the Zone II remote included with the unit may be transmitted to the unit, while standard IR input/output jacks allow the remote zone’s commands to be sent to compatible IR-controlled source devices.

Installation

Although simple remote room systems may be installed by the average do-ityourself hobbyist, the complexity of your multizone/multiroom system involves running wires inside of walls where the services of a specially trained installer may be required. Regardless of who does the work, please remember that local building codes may govern in-wall electrical work, including proper specification of any wiring used and the way in which it is connected. You are responsible for making certain that all multiroom installation work is done properly and in compliance with all applicable codes and regulations.

For standard installations, follow the instructions shown on page 17 for the connection of speaker wire and IR remote wiring to the AVR580.

For installations where the Surround Back Left/Right amplifier channels are used to power the remote zone, make certain that the system is configured for that type of operation, as shown on page 36.

RS-232 Control

The AVR580 is rare among A/V receivers in that it provides the capability for full remote control from compatible computers or specialized remote control systems. RS-232 programming requires specialized programming knowledge and for that reason we recommend that it only be done by qualified installers. For more information on using the RS-232 port for remote control, please contact your local JBL distributor.

Multiroom Setup

Once the audio and IR link connections have been made, the AVR580 needs to be configured for multiroom operation. Press the

OSD Button v to bring the

MASTER MENU (Figure 1) to the screen. Press the

Button n,

until the on-screen

›

cursor is next

to the

MULTI-ROOM line. Press

the

Set Button p to enter the

MULTI-ROOM SETUP menu (Figure 11).

Figure 11

When the MULTI-ROOM SETUP menu appears, the on-screen › cursor will be at the

MULTI-ROOM line. Since this line is used to turn the system on and off, don’t make an adjustment here unless you wish to turn the system on at this time. To turn the system on, press the

› Button so that ON is

highlighted. If you do not wish to turn the system on at this time, or to proceed to the next step, press the

Button n

once so that the › on-screen cursor is next to the

MULTI IN line.

At the

MULTI IN line, press the ‹/

›

Buttons o until the desired input to the multiroom system appears in the highlighted video. When the selection has been made, press the

Button n

once so that the ›on-screen cursor is next to the

MULTI VOL line.

At the

MULTI VOL line, press the

‹/›

Buttons o until the desired

volume level for the multiroom system is

entered. DO NOT use the regular volume control knobs for this setting. When all settings for the multiroom setup have been made, press the

⁄/¤

Buttons

n until the on-screen ›cursor is next to the

BACK TO MASTER MENU

line. If you have no other adjustments to make, press the

OSD Button v to exit

the menu system.

Multiroom Operation

When operating the AVR580 from a remote room location where an IR sensor link has been connected to the AVR580’s rear-panel

Multiroom IR Input d, you

may use either the main remote control or the Zone II remote. To turn on the multiroom feed, press any of the

Input

Selector

buttons on the Zone II remote

ç∂

or the main remote

eg.

Press the

AVR Selector f∫to turn

the unit on to the last source, or any of the other Selector buttons to turn on to a specific source.

As long as an IR feed to the AVR580 has been established from the remote room, using any of the buttons on either remote will control the remote location volume

, change the tuner frequency

or mute the output

If the

Remote IR Output Jack f on the

AVR580 is connected to an IR Input jack on compatible audio components such as CD, DVD or cassette players, the transport functions of those machines may also be controlled using the

Transport

Controls

ƒ˙∆

on either

remote control.

To turn the system off from the remote room, press the

Power Off Button

aå. Remember that the AVR580 may

be turned on or off from the remote room, regardless of the system’s operation or status in the main room.

NOTE: When the tuner is selected as the source for the remote zone, any change to the frequency or preset will also change the station being listened to in the main room, if the tuner is in use there. Similarly, if someone in the main room changes the station, the change will also impact the remote room.

To activate the feed to the remote room, while you are in the main listening room where the AVR580 is located, press the

MULTIROOM OPERATION

* MULTI-ROOM SETUP *

MULTI-ROOM:OFF ON MULTI IN :FM PRESET01 MULTI VOL :25dB

BACK TO MASTER MENU

Page 40

Multiroom Button on the remote. Next, press the

Set Button p. Press

the

⁄/¤

Buttons n to turn the

multiroom feed on or off. When the multiroom system is on, the

Multiroom

Indicator

D will light in the Main

Information Display

˜, and the

Lower Display Line B or OSD will display

MULTI ON. Press the Set

Button

p to enter the setting.

When the multiroom system is turned on, the input selected using the multiroom menu will be fed to the

Multiroom

Audio Outputs

h on the rear panel. The volume will be as set in the previous selection, although it may also be adjusted using an optional IR sensor and the Zone II remote in the remote location, or on the optional audio power amplifier connected to the

Multiroom Audio

Outputs

Once the multiroom system is turned on, it will remain on even if the AVR580 is placed in the Standby mode in the main room by pressing the

Power Off Button

or the System Power Control 2

on the front panel. To turn off the multiroom system, even when the AVR is in Standby mode in the main listening room, press the

Multiroom Button and

then the

Set Button p. Press the

⁄/¤

Buttons n so that the Multiroom Indicator D in the Main Information Display

˜ goes out, and

the

Main Information Display ˜ or

OSD will display

MULTI OFF. Press

the

Set Button p to enter the setting

and turn the unit off.

Even when the AVR580 is turned off in the main room, the multiroom system may be turned on at any time by pressing the

Multiroom Button , or any of

the

Selector Buttons

∫ç∂

the remote room.

Page 41

PROGRAMMING THE REMOTE

The AVR580 is equipped with a powerful remote control that will control not only the receiver’s functions, but also most popular brands of audio and video equipment, including CD players, cassette decks, TV sets, cable boxes, VCRs, satellite receivers and other home theater equipment. Once the AVR580’s remote is programmed with the codes for the products you own, it is possible to eliminate most other

remotes and replace them with the convenience of a single, universal remote control.

Programming the Product Codes

The AVR580 remote is factory-programmed for all AVR functions, as well as those of JBL DVD players. In addition, by following one of the methods below, you may program the remote to operate a wide range of devices from other manufacturers.

Direct Code Entry

This method is the easiest way to program your remote to work with different products.

1. Use the tables in the following pages to determine the three-digit code or codes that match both the product type (e.g., VCR, TV) and the specific brand name. If there is more than one number for a brand, make note of the different choices.

2. Turn on the unit you wish to program into the AVR580 remote.

3. Press and hold both the

Input

Selector

e for the product you

wish to control (e.g., VCR, TV) and the Mute Button at the same time. When the red light under the

Input

Selector

e stays lit and the

Program/SPL Indicator c turns amber and begins flashing, release the buttons. It is important that you begin the next step within 20 seconds.

4. Point the AVR580’s remote toward the unit to be programmed, and enter the first three-digit code using the Numeric Keys r. If the unit turns off, the correct code has been entered. Press the

Input Selector e again,

and note that the red light will flash three times before going dark to confirm the entry.

5. If the device to be programmed in does NOT turn off, continue to enter

three-digit codes until the equipment turns off. At this point, the correct code has been entered. Press the Input Selector e again and note that the red light under the

Input

Selector

e will flash three times

before going dark to confirm the entry.

6. Try all of the functions on the remote to make certain that the product operates properly. Keep in mind that many manufacturers use a number of different combinations of codes, so it is a good idea to make certain that not only the power control, but the volume, channel and transport controls work as they should. If functions do not work properly, you may need to use a different remote code.

7. If a code cannot be entered to turn

the unit off, if the code for your product does not appear in the tables in this manual, or if not all functions operate properly, try programming the remote with the Auto Search Method.

Auto Search Method

If the unit you wish to include in the AVR580’s remote is not listed in the code tables in this manual or if the code does not seem to operate properly, you may wish to program the correct code using the Auto Search method that follows:

1. Turn on the unit that you wish to include in the AVR580 remote.

2. Press the

Input Selector e for the

type of product to be entered (e.g., VCR, TV) and the

Mute Button

at the same time. Hold both

buttons

until the

red

light under the Input

Selector

e stays lit and the

Program/SPL Indicator c

turns amber and begins flashing. The next step must take place while the red light is on, and it must begin within 20 seconds after the light appears.

3. Point the AVR580 remote toward the unit to be programmed, and press either the

⁄

or ¤Button n. Each press will send out a series of codes from the remote’s built-in database. When the unit being programmed turns off, release the

⁄ /¤

Button

n, as that is your indication that the correct code is in use.

4. Press the

Input Selector e; the

red light under the Input Selector will flash three times before going dark to confirm the entry.

5. Try all of the functions on the remote to make certain that the product operates. Keep in mind that many manufacturers use a number of different combinations of codes, and it is a good idea to make certain that not only the power control works, but also the volume, channel and transport controls, as appropriate. If all functions do not work properly, you may need to Auto-Search for a different code, or enter a code via the Direct Code Entry method.

Code Readout

When the code has been entered using the Auto Search method, it is always a good idea to find out the exact code so that it may be easily reentered if necessary. You may also read the codes to verify which device has been programmed to a specific Control Selector button.

1. Press and hold both the

Input

Selector

e for the device whose

code you wish to find and the

Mute

Button

at the same time. The

Program/SPL Indicator c will turn amber and begin flashing, and the red light under the

Input

Selector

e will stay lit. Release the buttons and begin the next step within 20 seconds.

2. Press the

Set Button p. The

Program/SPL Indicator c will

then blink green in a sequence that corresponds to the three-digit code, with a one-second pause between each digit. Count the number of blinks between pauses to determine the digit of the code. One blink is the number 1, two blinks is the number 2, and so forth. Ten blinks are used to indicate a “0.”

Example: One blink, followed by a onesecond pause, followed by six blinks, followed by a one-second pause, followed by ten blinks indicates that the code has been set to 160.

For future reference, enter the setup codes for the equipment in your system here:

DVD ____________ CD____________

VID1/VCR ________ VID2/SAT ____

VID2/CBL ________ VID3/TV ______

VID4 ____________ TAPE ________

Page 42

Learning Codes

In addition to using codes from the remote’s internal code library, the AVR580’s remote is able to “learn” codes from remotes that may not be in the code library. Also, you may use this function to “learn over” the codes from a preprogrammed device to add functions not included in the preprogrammed codes. To learn or transfer codes from an IR remote to the AVR580’s remote, follow these steps:

1. Place the front of the original remote with the code being sent so that it is facing the

IR Transmitter Window

b on the AVR580 remote “head-tohead.” The remotes should be between one and three inches apart.

2. Select the button on the remote that you wish to use as the device selector for the codes about to be entered. This may be any of the

Input

Selectors

3. Press the

Input Selector e button

chosen and the

Learn Button

at the same time. Hold these buttons until the

Program/SPL Indicator c

flashes amber and the light under the device selector button turns red. Release the buttons.

4. Press the button on the AVR580 remote that you wish to program. The Program/SPL Indicator c will stop flashing.

5. Within five seconds, press and hold the button on the original remote that you wish to “teach” into the AVR580 remote. When the

Program/SPL

Indicator

c turns green three times, release the button. The Program Indicator will then begin to flash amber again.

NOTE: If the Program/SPL Indicator c turns red during Step 5, the programming was not successful. Repeat the steps to see whether the code will “take.”

6. Repeat Steps 4 through 6 for each button on the source remote that you wish to transfer to the AVR580 remote.

7. Once all codes have been transferred from the original source remote to the AVR580 remote, press the

Learn

Button

8. Repeat Steps 1 through 7 for any additional remotes you wish to “teach” into the AVR580 remote.

Erasing Learned Codes

The AVR580’s remote allows you to remove or erase the code learned into a single button for a single device, to remove or erase the code set for all the codes that have been programmed into specific device buttons, or to erase all commands that have been learned to all devices.

To erase a single learned code from within a single device’s settings, follow these steps:

1. Press and hold both the

Input Selector

e within which the individual button to be erased has been programmed and the

Learn Button .

2. When the LED under the

Input

Selector

turns red and the Program/

SPL Indicator

c flashes amber,

release the buttons.

3. Press and release the

Input Selector

e again for the device within which the individual button to be erased has been programmed.

4. Press the

7 Button r four times.

5. Press and release the individual button for which the code is to be erased. The Program/SPL Indicator c will blink green two times and then return to amber.

6. To erase other buttons within the same device, press them as described in Step 5.

7. When all buttons to be erased have been pressed, press the

Learn Button

to complete the process.

To erase all codes within a single device, follow these steps:

1. Press and hold both the

Input Selector

e for which you wish to erase the codes and the

Learn Button .

2. When the LED under the

Input

Selector

turns red and the Program/

SPL Indicator

c flashes amber,

release the buttons.

3. Press and release the

Input Selector

e again for the device whose codes you wish to erase.

4. Press the

8 Button r four times.

5. The

Program/SPL Indicator c will

turn off and the red light under the Input Selector will flash on and off once to indicate that the codes have been erased.

To erase all codes that have been programmed to all devices in the remote, follow these steps:

1. Press any

Input Selector e for

which you wish to erase the codes and also the

Learn Button .

2. When the LED under the

Input

Selector

turns red and the Program/

SPL Indicator

c flashes amber,

release the buttons.

3. Press and release the

Input Selector

e again for the device whose codes you wish to erase.

4. Press the

9 Button r four times.

5. The

Program/SPL Indicator c will

turn off and the red light under the Input Selector will flash on and off once to indicate that the codes have been erased.

Macro Programming

Macros enable you to easily repeat frequently used combinations of commands with the press of a single button on the AVR580’s remote control. Once programmed, a macro will send out up to 19 different remote codes in a predetermined sequential order, enabling you to automate the process of turning on your system, changing devices, or other common tasks. The AVR580’s remote can store up to five separate macro command sequences: one that is associated with the

Power On Button a and four

more that are accessed by pressing the Macro Buttons .

1. Press the

Mute Button and

the

Macro Button to be pro-

grammed or the

Power On Button a at the same time. An Input Selector

ef will light red, and

the

Program/SPL Indicator c will

flash amber.

2. Enter the steps for the macro sequence by pressing the button for the actual command step. Although the macro may contain up to 19 steps, each button press, including those used to change devices, counts as a step. The

Program/SPL Indicator

Page 43

c will flash green to confirm each button press as you enter commands.

NOTE: While entering commands for Power On/Off of any device during a macro sequence, press the

Mute Button

. DO NOT press the actual Power

button.

3. When all the steps have been entered, press the

Sleep Button

j to enter the commands. The red light under the

Input Selectors

ef will blink and then turn off.

Example: To program the Macro 1 button so that it turns on the AVR580, TV and a cable box, follow these steps:

• Press the

Macro 1 Button and

Mute Button at the same time

and then release them.

• Note that the

Program/SPL

Indicator

c will flash amber.

• Press the

AVR Selector f.

• Press the

Mute Button to store

the AVR580’s Power On command.

• Press the

VID 3 Input Selector

Button

e to indicate the next

command is for “TV Power On.”

• Press the

Mute Button to store

the TV Power On Command.

• Press the

VID 2 Input Selector

Button

e to

indicate the next com-

mand is for “Cable Power On.”

• Press the Mute Button to store

the Cable Power On command.

• Press the

Sleep/Channel Up

Button

j to complete the process

and store the macro sequence.

After following these steps, each time you press the

Macro 1 Button ,

the remote will send the Power On/Off command.

Erasing Macro Commands

To remove the commands that have been programmed into one of the Macro buttons, follow these steps:

1. Press the

Mute Button and the

Macro Button that contains the

commands you wish to erase.

2. The

Program/SPL Indicator c

will flash amber, and the LED under the

AVR Selector f will turn red.

3. Within 10 seconds, press the

Surround Mode Selector/Channel Down Button

4. The red LED under the

AVR Selector f will go out, and the Program/ SPL Indicator

c will turn green and flash three times before it goes out.

5. When the

Program/SPL Indicator

c goes out, the Macro has been erased.

Figure 12

Programmed Device Functions

Once the AVR580’s remote has been programmed for the codes of other devices, press the appropriate

Input Selector e

to change the remote from controlling the AVR580 to controlling the additional product. When you press any one of the selectors, it will briefly flash in red to indicate that you have changed the device being controlled.

When operating a device other than the AVR580, the controls may not correspond exactly to the function printed on the remote or button. Some commands, such as the volume control, are the same as they are with the AVR580. Other buttons will change their function so that they correspond to a secondary label on the remote. For example, the Sleep and Surround mode selector buttons also function as the Channel Up and Channel Down buttons when operating most TV sets, VCRs or cable boxes. The Channel Up/ Down indication is printed directly on the remote. For many standard CD players, cassette decks, VCRs and DVD functions, the standard function icons are printed on top of the buttons.

For some products, however, the function of a particular button does not follow the command printed on the remote. In order to see which function a button controls, consult the Function List tables on pages 46 and 47. To use those tables, first check the type of device being controlled (e.g., TV, VCR). Next, look at the remote control diagram in Figure 12. Note that each button has a number on it.

o find out what function a particular button has for a specific device, find the button number on the

Function List and then look in the column for the device you are controlling. For example, button number 45

is the Direct button for the AVR580, but it is the “Favorite” button for many cable television boxes and satellite receivers. Button number 31 is the Delay button for the AVR580, but the Open/Close button for CD players.

NOTE: The numbers used to describe the button functions in Figure 12 for the purposes of describing how a button operates are a different set of numbers than those used in the rest of this manual to describe the button functions for the AVR580.

Page 44

Notes on Using the AVR580 Remote With Other Devices

• Manufacturers may use different code sets for the same product category. For that reason, it is important that you check to see whether the code set you have entered operates as many controls as possible. If it appears that only a few functions operate, check to see whether another code set will work with more buttons.

• When a button is pressed on the AVR580 remote, the red light under the

Input Selector ef for the

product being operated should flash briefly. If the Device Control Selector flashes for some but not all buttons for a particular product, it does NOT indicate a problem with the remote but rather that no function is programmed for the button being pushed.

Volume Punch-Through

The AVR580’s remote may be programmed to operate the

Volume Control

and Mute functions of either

the TV or the AVR580 in conjunction with any of the devices controlled by the remote. For example, since the AVR580 will likely be used as the sound system for TV viewing, you may wish to have the AVR580’s volume activated, although the remote is set to run the TV. Either the AVR580 or TV volume control may be associated with any of the remote’s devices. To program the remote for Volume Punch-Through, follow these steps:

1. Press the

Input Selector e for the

unit you wish to have associated with the volume control and the

Mute

Button

at the same time until

the red light appears under the

Input

Selector

e; the Program/SPL

Indicator

c will flash amber.

2. Press the

Volume Up Button ;

the

Program/

SPL Indicator c will

stop flashing and stay

amber

3. Press either the AVR Selector f or

the

Input Selector e, depending

on which system’s volume control you wish to have active for the punchthrough mode. The

Program/SPL

Indicator

c will blink green three times and then go out to confirm the data entry.

Example: To have the AVR580’s volume control activated even though the remote is set to control the TV, first press the

Video 3/TV Input

Selector

e and the Mute Button

at the same time. Next, press the

Volume Up Button , followed by the

AVR Selector f.

NOTE: Should you wish to return the

remote to the original configuration after entering a Volume Punch-Through, you will need to repeat the steps shown above. However, press the same Input Selector in Steps 1 and 3.

Channel Control PunchThrough

The AVR580’s remote may be programmed to operate so that the channel control function for either the TV, cable or satellite receiver used in your system may be used in conjunction with one of the other devices controlled by the remote. For example, while using and controlling the VCR, you may wish to change channels on a cable box or satellite receiver without having to change the device selected by the AVR580 or the remote. To program the remote for Channel Control PunchThrough, follow these steps:

1. Press the

Input Selector Button

ef for the device you wish to have the channel control associated with and the

Mute Button at the

same time until the red light appears under the

Input Selector ef and

the

Program/SPL Indicator c

flashes amber.

2. Press the

Volume Down Button .

The

Program/SPL Indicator c will

stop flashing and stay amber.

3. Press and release the

Input Selector

Button

e for the device that will

be used to change the channels. The Program/SPL Indicator c will blink green three times and then go out to confirm the data entry.

Example: To control the channels using your cable box or satellite receiver while the remote is set to control the VCR, first press the

VID 1/VCR Input

Selector Button

e and the Mute

Button

at the same time. Next,

release them and press the

Volume

Down Button

, followed by the

VID 3/TV Input Selector Button e.

NOTE: To remove the Channel Control

Punch-Through and return the remote to its original configuration, repeat the steps shown in the example above. However, press the same Input Selector in Steps 1 and 3.

Transport Control PunchThrough

The AVR580’s remote may be programmed to operate so that the

Transport Control

Functions

` (Play, Stop, Fast Forward, Rewind, Pause and Record) for a VCR, DVD or CD will operate in conjunction with one of the other devices controlled by the remote. For example, while using and controlling the TV, you may wish to start or stop your VCR or DVD without having to change the device selected by the AVR580 or the remote. To program the remote for Transport Control Punch-Through, follow these steps:

1. Press the

Input Selector ef for

the device you wish to have the channel control associated with and the Mute Button at the same time until the red light appears under the

Input Selector e and the Program/ SPL Indicator

c flashes amber.

2. Press the

Play Button `. The

Program/SPL Indicator c will stop

flashing and stay amber.

3. Press and release the

Input Selector

Button

e for the device that will

be used to change the channels. The Program/SPL Indicator c will blink green three times and then go out to confirm the data entry.

Example: To control the transport of a DVD player while the remote is set to control the TV, first press the

VID 3/TV

Input Selector Button

e and the

Mute Button at the same time. Next, release them and press the

Play

Button

`, followed by the DVD

Input Selector Button

NOTES:

• To remove the Channel Control Punch-

Through and return the remote to its original configuration, repeat the steps in the example above. However, press the same Input Selector in Steps 1 and 3.

• The remote control is programmed at

the factory to include transport control for JBL DVD players while the remote is set to control the AVR.

Page 45

• Before programming the remote for

Volume, Channel or Transport PunchThrough, make certain that any programming needed for the specific TV, CD, DVD, cable or satellite receivers has been completed.

Reassigning Device Control Selectors

Although each Input Selector e is normally assigned to the category of product shown on the remote, it is possible to reassign one of these buttons to operate a second device of another type. For example, if you have two VCRs but no satellite receiver, you may program the “SAT” button to operate a second VCR. Before following the normal programming steps for either Three-Digit entry or Auto Search code entry, you must first reassign the button with the following steps:

1. Press the

Input Selector e you wish

to reassign and the

Mute Button

at the same time until the red light appears under the

Input Selector e

and the Program/SPL Indicator c flashes amber.

2. Press the

Input Selector e for the

device you wish to program into the reassigned button.

3. Enter the three-digit code for the specific model you wish the reassigned button to operate.

4. Press the same

Input Selector e

pressed in Step 1 once again to store the selection. The red LED under the reassigned Input Selector will flash three times and then go out.

Example: To use the CBL/SAT button to operate a second VCR, first press the

Video 2/CBL/SAT Input Selector

e and the Mute Button at the same time until the red light glows under the

Video 2/CBL/SAT Button

e. Press the VCR Button e, followed by the three-digit code for the specific model you wish to control. Finally, press the

Video 2/CBL/SAT

Button

e again.

Resetting the Remote Memory

As you add components to your home theater system, occasionally you may wish to totally reprogram the remote control without the confusion of any commands, macros or ”Punch-Through“ programming that you may have done. To do this, it is possible to reset the remote to the original factory defaults and command codes by following these steps. However, once the remote is reset, all commands or codes that you have entered will be erased and will need to be reentered:

1. Press any of the

Input Selector

Buttons

e and the ”O“ Button r

at the same time until the Program/

SPL Indicator

c begins to flash

amber.

2. Press the

”3“ Button r three times.

3. The red LED under the

Input Selector e will go out and the Program/SPL Indicator

c will stop flashing and

turn green.

4. The

Program/SPL Indicator c

will remain green until the remote is reset. Note that this may take a while, depending on how many commands are in the memory that need to be erased.

5. When the

Program/SPL Indicator

c goes out, the remote has been reset to the factory settings.

Page 46

FUNCTION LIST

No. Button Name AVR Function DVD CD/CD-R Tape VCR (VID1) CBL (VID2) SAT (VID2) TV (VID3)

1 Power On Power On Power On Power On Power On Power On Power On Power On Power On 2 Power Off Power Off Power Off Power Off Power Off Power Off Power Off Power Off Power Off

3 Mute Mute Mute Mute Mute Mute Mute Mute Mute 4 AVR AVR Select 5 DVD DVD Input Select DVD Select 6 CD CD Input Select CD Select 7 Tape Tape Input Select Tape Select 8 VID 1 Video 1 Select VCR Select

9 VID 2 Video 2 Select CBL Select SAT Select 10 VID 3 Video 3 Select TV Select 11 VID 4 Video 4 Select 12 AM/FM Tuner Select 13 6/8 Ch. Select

6/8 Ch. Input Select

14 Learn 15 Sleep Sleep Channel + Channel + Channel + Channel + 16 Test Test Tone TV/DVD Input Select TV/VCR TV/Cable TV/Sat TV/VCR 17 SPL EzSet/SPL 18 Volume Up Volume Up Input Level Up Volume Up Volume Up Volume Up Volume Up 19 Surround Select

Surround Mode Select

CDR Select Channel – Channel – Channel – Channel –

20 Night Night Mode Select

Subtitle On/Off

CDR Select

21 Multiroom Multiroom Select 22 Volume Down Volume Down

Input Level Down

Volume Down Volume Down Volume Down

23 Channel/Guide Channel Trim Title Info/Guide Info/Guide 24

⁄

Move/Adjust Up Up Up Up Up Up

25 Speaker/Menu Speaker Adjust Menu Intro Scan Menu Menu Menu Menu 26

ﬁ

Move/Adjust Left Left Left Left Left Left

27 Set Set Enter Enter Enter Enter Enter 28

ﬂ

Move/Adjust Right Right Right Right Right Right

29 Digital/Exit

Digital Input Select

Open/Close Exit Exit Exit Exit

Move/Adjust Down

Down Down Down Down Down

31 Delay/Prev. Ch. Delay Adjust Return Open/Close Prev Channel Prev Channel Prev Channel 32 1 111 1111 33 2 222 2222 34 3 333 3333 35 4 444 4444 36 5 555 5555 37 6 666 6666 38 7 777 7777 39 8 888 8888 40 Tun -M Tuner Mode Chapter Repeat 41 9 999 9999 42 0 000 0000 43 Memory Memory Audio Time 44 Tune Up Tune Up Next Chapter Track Direct Cancel Sleep

Page 47

No. Button Name AVR Function DVD CD/CD-R Tape VCR (VID1) CBL (VID2) SAT (VID2) TV (VID3)

45 Direct Direct Tuner Entry Angle Random Play FAV FAV 46 Clear Clear Clear Clear Clear Bypass Next Clear 47 Preset Up Preset Tune Up Slow Forward +10 Music Alt 48 Tune Down Tune Down Prev Chapter

Track Increment

49 OSD OSD Program OSD OSD OSD OSD 50 D. Skip Disc Skip Disc Skip 51 Preset Down

Preset Tune Down

Slow Rev

52 M1 Macro 1 53 M2 Macro 2 54 M3 Macro 3 55 M4 Macro 4 56 Dolby Dolby Modes 57 DTS SURR DTS Digital Modes 58 DTS Neo:6 DTS Neo:6 Select 59 Logic 7 Logic 7 Select 60 Stereo Stereo Mode Select 61 Skip Down Skip – Skip – Scan – 62 Skip Up Skip + Skip + Scan + 63 Rewind R. Search R. Search Rewind Rewind 64 Play Play Play Play Play 65 Fast Forward F. Search F. Search Fast Fwd Fast Fwd Day + Day + 66 Record Record Record Record 67 Stop Stop Stop Stop Stop 68 Pause Pause Pause Pause

Page 48

SETUP CODE TABLE: TV

Manufacturer/Brand Setup Code Number

ADMIRAL 065 171 262 279 324 AKAI 019 049 050 063 102 123 133 139 141 150 174 182 195 209 225 281 288 AKURA 006 049 076 096 123 195 ALBA 044 049 050 123 134 163 179 184 195 225 228 239 ALBIRAL 121 326 327 ALLORGAN 050 AIWA 331 332 AMSTRAD 004 011 195 ANAM 376 377 ARC EN CIEL 029 034 074 182 186 ARCAM 029 272 ARISTONA 050 063 065 079 112 158 160 188 271 ARTHUR MARTIN 075 107 127 133 136 139 148 153 262 ASA 003 020 065 078 080 091 117 146 171 197 235 262 274 279 296 308 330 ASTRA 195 ASUKA 006 050 076 123 ATLANTIC 050 113 236 242 272 ATORI 195 AUDIOSONIC 031 076 195 AUDIOTON 050 AUSIND 075 090 AUTOVOX 050 071 078 079 080 083 090 138 147 156 236 254 260 274 278 279 BAIRD 102 209 BANG & OLUFSEN 279 BARCO 310 326 327 BASIC LINE 006 031 049 123 195 207 226 BAUR 053 107 150 244 245 246 256 312 BEKO 063 184 240 241 BLAUPUNKT 019 053 057 060 113 118 244 245 246 248 249 263 BOOTS 050 BPL 006 BRANDT ELECTRONIQUE 029 034 074 182 186 BRIONVEGA 065 083 167 173 181 196 279 311 BRITANNIA 272 BRUNS 056 065 279 BSR 094 110 139 168 269 BUSH 006 018 049 123 134 139 142 143 179 195 223 225 226 239 262 287 BUSH (UK) 107 147 168 CENTURY 044 054 065 163 189 279 CGE 002 044 054 090 093 094 096 139 142 163 168 189 309 324 CIHAN 111 CLARIVOX 056 121 125 CLATONIC 076 123 COMTEL 111 125 CONDOR 050 113 272 CONTEC 018 257 CONTINENTAL EDISON 029 034 074 182 186 CROSLEY 044 054 065 090 093 094 104 139 279 309 CROWN 154

Page 49

Manufacturer/Brand Setup Code Number

CTC CLATRONIC 045 DAEWOO 063 140 145 161 193 195 375 DANSAI 063 DAYTRON 195 226 DECCA 111 120 200 286 DECCA (UK) 046 050 102 106 131 DEGRAAF 023 122 209 262 DIXI 063 195 DORIC 104 105 DUAL 050 095 139 156 168 243 DUAL-TEC 040 050 168 195 DUMONT 020 045 061 065 075 078 080 091 104 117 139 146 147 274 279 294 296 308 330 DYNATRON 049 063 ELBE 121 194 292 323 324 ELCIT 045 046 047 062 065 104 111 150 168 ELECTRO TECH 195 ELEKTRONSKA 273 ELMAN 045 168 ELTA 195 EMERSON 004 044 065 279 282 ERRES 063 112 ETRON 139 EUROPHON 044 045 046 050 068 120 168 273 291 EXPERT 242 FENNER 063 195 FERGUSON 001 032 050 073 074 076 080 082 102 103 121 158 204 244 245 246 251 258 261 274

276 277 283 284 290 299 304 FIDELITY 050 158 262 272 319 FIDELITY (UK) 133 304 FILSAI 050 FINHER 314 FINLANDIA 033 122 223 262 FINLUX 003 020 045 061 075 078 080 090 091 104 117 139 146 147 163 197 235 274 279 294

296 308 330 FIRST LINE 139 FISHER 050 056 065 069 104 117 139 143 156 189 206 275 279 FORGESTONE 158 304 FORMENTI 090 139 262 272 279 FORMENTI-PHOENIX 050 075 104 113 148 262 FORTRESS 190 279 FRONTECH 076 139 262 FUJITSU 282 FUNAI 076 094 269 282 GBC 031 104 139 143 168 195 GEC 104 120 171 262 GEC (UK) 046 050 102 107 150 162 192 GELOSO 031 047 062 104 139 168 171 195 262 GENEXXA 123 262 GOODMANS 018 063 102 139 143 155

Page 50

Manufacturer/Brand Setup Code Number

GORENJE 124 189 GRAETZ 090 104 136 139 153 159 162 171 198 262 GRANADA 018 033 063 102 104 105 112 120 148 171 209 237 238 240 241 262 280 318 GRANADA (UK) 046 050 090 107 139 143 162 262 GRUNDIG 005 019 053 080 090 101 115 118 166 244 245 246 247 248 249 263 295 296 HANSEATIC 018 049 050 063 104 107 113 143 HANTAREX 046 HEMMERMANN 150 HIFIVOX 029 034 074 182 186 259 HIGASHI 050 HINARI 004 018 042 049 066 119 123 133 139 143 195 209 262 282 HITACHI 007 009 018 020 023 033 050 074 086 104 107 110 126 127 139 143 150 162 168 171

176 182 185 186 192 212 218 231 259 262 264 270 288 289 299 316 HYPER 050 168 195 254 316 IMPERIAL 002 044 054 090 093 094 142 163 168 189 262 309 324 INGELEN 090 104 136 139 153 159 162 171 198 INGERSOL 195 INNO HIT 044 046 050 066 102 123 155 195 217 INTERFUNK 049 063 065 074 090 104 112 139 150 153 159 182 256 262 279 318 INTERVISION 333 334 335 336 337 339 340 341 342 343 344 IRRADIO 031 066 075 090 123 155 195 254 ISUKAI 123 ITT 090 117 134 139 150 157 162 171 193 198 209 256 262 287 298 305 ITT-NOKIA 090 097 104 117 134 136 139 150 153 159 162 171 172 185 193 198 209 256 262 287

298 305 JET POINT 320 JVC 018 103 123 129 143 158 170 174 182 225 287 319 370 KAISUI 031 050 123 207 KAMOSONIC 050 KAPSCH 236 242 KARCHER 003 020 031 050 068 107 195 207 217 KATHREIN 124 KAWASHO 272 KENDO 044 045 KENNEDY 071 079 104 139 236 260 278 KLARMAX 326 327 KNEISSEL 324 KONKA 365 KORTING 027 065 094 113 279 KRIESLER 050 063 065 079 112 158 160 188 KTV 050 LENOIR 050 195 LEYEO 076 LG (GOLDSTAR) 050 055 063 107 139 152 155 168 195 202 203 219 254 272 373 LOEWE 089 LOEWE OPTA 035 046 049 052 063 065 120 144 213 279 LOGIC 286 304 LOGIK 032 131 158 304 319 LUMA 063 110 133 171 236 262 LUXOR 050 090 107 122 127 133 139 150 155 159 172 185 209 262 267

Page 51

Manufacturer/Brand Setup Code Number

LYCO 076 M ELECTRONIC 003 235 308 330 MAAZ 326 327 MAGNADYNE 045 046 047 062 065 104 120 139 150 168 265 273 279 MAGNAFON 045 046 050 068 075 090 120 235 265 272 291 MANESTH 063 MARANTZ 063 MARELLI 279 MARK 063 MATSUI 001 004 049 050 094 100 102 107 131 134 143 150 171 179 180 195 225 229 232 262

269 286 MAXIMAL 119 139 MAXWELL 326 327 McMICHAEL 192 MEMOREX 195 METZ 019 051 053 065 067 070 092 118 169 244 245 246 279 MINERVA 019 053 080 090 118 244 245 246 248 249 295 296 MISTRAL 158 304 MITSUBISHI 013 018 019 021 049 063 065 105 124 131 132 143 157 164 183 244 245 246 252 266

281 285 286 287 369 MIVAR 043 046 050 058 072 081 090 120 155 272 273 292 MULTITECH 031 045 046 050 120 189 195 265 MURPHY 104 105 117 171 254 262 MURPHY (UK) 162 NAD 209 NAONIS 036 040 071 079 110 171 NATIONAL 033 085 104 NEC 018 143 177 NECKERMANN 002 050 065 107 133 139 180 189 250 262 279 312 NEDIATOR 063 NEI 063 125 NEWTECH 050 NICAMAGIC 272 NIKKAI 102 123 139 NIKKIA 066 NOBLEX 314 315 NOBLIKO 044 045 050 075 080 090 235 265 NOGAMATIC 029 034 074 182 186 NOKIA 090 104 117 134 136 139 150 153 157 159 162 171 193 198 209 256 262 287 298 305 NORDMENDE 017 029 034 038 074 083 130 150 165 174 182 186 218 259 262 288 289 OCEANIC 104 108 109 116 139 OCEANIC (F) 150 ONCEAS 050 OPTONICA 190 ORION 004 051 094 131 134 139 150 179 191 195 199 216 269 286 321 322 OSAKA 066 OSAKI 066 102 123 OSIO 155 OSUME 018 257

Page 52

Manufacturer/Brand Setup Code Number

OTTO VERSAND 018 049 050 053 063 104 107 139 143 244 245 246 250 287 312 317 P. T. ACTRON 111 PAEL 050 075 PANASONIC 099 104 137 149 151 351 352 353 354 355 356 357 358 359 360 364 371 PATHÉ CINEMA 113 121 PATHÉ CINEMA (F) 050 168 PATHÉ MARCONI 029 034 074 182 186 PAUSA 195 PERDIO 102 PHILCO 002 016 044 054 065 090 093 094 104 142 163 168 189 279 309 324 PHILIPS 015 022 049 050 063 065 079 089 111 112 157 158 160 175 188 192 215 217 220 221

250 268 271 272 279 292 297 304 305 318 328 329 361 379 PHOENIX 050 075 104 113 148 279 PHONOLA 022 050 063 065 079 112 158 160 188 250 271 279 PIONEER 049 063 074 182 209 218 227 262 378 PRANDONI-PRINCE 044 046 075 090 120 171 262 PREMIER 142 PRIMA 262 PRINCE 044 046 075 171 PROFEX 139 PROLINE 030 049 102 191 321 PROTECH 063 076 139 265 PYE 050 063 065 079 112 157 158 160 188 250 QUASAR 045 046 068 075 155 QUELLE 003 019 020 037 049 050 053 063 075 078 080 090 091 094 113 115 117 118 131 139

146 147 150 153 155 235 244 245 246 254 256 274 295 296 RADIOLA 050 063 065 079 112 158 160 188 250 297 RADIOMARELLI 045 046 047 062 063 065 104 105 150 168 RADIONETTE 003 020 117 150 RAMK 296 RANDT 029 RANK 147 RBM 296 RBM(UK) 147 REDIFFUSION 059 104 105 139 150 162 171 262 266 298 REX 036 040 063 071 079 095 110 138 171 236 242 243 260 262 278 293 RFT 345 346 347 348 349 350 ROADSTAR 031 195 ROBOTRON 056 065 ROTEL 257 ROWSONIC 050 RTF 056 065 SABA 014 017 025 029 034 038 046 065 074 077 120 133 178 182 186 218 259 262 279 288

289 SACCS 121 SAISHO 004 050 076 084 131 132 134 179 195 233 262 285 286 SALORA 033 075 107 127 133 136 139 148 150 153 171 172 185 198 209 256 262 267 SREDS 045 046 068 075 090 120 155 265 291 SAMPO 135 SAMSUNG 050 063 066 076 102 155 189 195 217 314 315 320 372

Page 53

Manufacturer/Brand Setup Code Number

SANYO 003 018 020 041 050 056 065 102 117 131 143 189 198 201 206 209 257 275 280 286

287 306 368 SBR 063 112 157 158 192 268 271 SCHAUB LORENZ 090 104 136 139 153 159 162 171 198 262 SCHNEIDER 031 040 050 063 065 069 079 095 104 112 114 139 148 156 158 160 168 188 243 250

262 271 283 297 SCOTT 282 SEG 045 050 056 SEI 004 051 094 139 265 269 279 SEL SINUDYNE 250 SELECO 036 040 063 071 079 095 110 138 171 236 242 243 260 262 278 293 294 324 SENTRA 139 SHARP 018 094 143 190 206 214 257 317 319 SIAREM 045 046 065 104 120 139 265 279 SICATEL 121 SIEMENS 003 018 019 023 053 066 113 118 206 244 245 246 247 248 249 257 262 SIERA 050 063 065 079 112 158 160 188 SILVER 076 SINGER 045 047 065 104 279 324 SINUDYNE 004 031 045 051 063 065 094 104 134 139 150 210 216 265 269 279 321 322 SKANTIC 262 SOLAVOX 066 139 262 SONOKO 050 063 076 195 SONY 012 018 028 065 088 131 139 143 204 208 211 279 286 312 313 325 366 367 374 SOUND WAVE 049 113 163 STANDARD 050 STERN 036 040 063 071 079 095 110 138 171 236 242 243 260 262 278 293 SUNKAI 269 322 TANDBERG 065 078 169 182 259 TANDY 050 096 102 123 190 262 TASHIKO 018 050 143 192 201 TATUNG 050 102 106 111 120 131 200 253 286 TCL 363 TEC 040 050 168 243 TEKNIKA 282 TELEAVIA 029 034 074 182 186 TELEFUNKEN 032 037 064 074 082 178 182 186 187 218 290 TELETECH 195 TELETON 236 TELEVIDEON 050 075 104 113 148 TENSAI 050 063 117 123 TETUNG 046 TEXET 050 THOMSON 008 010 017 029 034 074 134 147 174 182 186 218 230 234 259 264 288 289 THORN 053 103 117 158 222 276 304 THORN-FERGUSON 032 073 074 076 080 082 103 121 158 178 258 261 274 276 277 283 284 290 304 308

312 313 319 330 TMK 143 TOSHIBA 001 018 128 141 143 147 205 287 296 324 362 TRANS CONTINENS 044 046 075 171 262

Page 54

Manufacturer/Brand Setup Code Number

TRISTAR 304 319 TRIUMPH 004 046 147 235 294 UHER 069 080 090 113 147 148 236 242 262 ULTRAVOX 044 045 047 050 065 104 133 139 279 UMA 260 UNIVERSUM 003 020 076 155 202 235 244 245 246 308 312 330 UNIVOX 121 UTAX 050 VEGAVOX 163 VESTEL 125 319 VEXA 063 195 VICTOR 174 VOLTEC 074 VORTEC 063 VOXSON 065 090 171 262 279 WALTHAM 262 WATSON 113 244 245 246 WATT RADIO 045 050 068 104 121 139 150 265 272 291 WELTBLICK 063 WESTINGHOUSE 063 094 272 WESTON 168 WHITE 045 WHITE WESTINGHOUSE 050 113 WINTERNITZ 316 YOKO 050 195 ZANUSSI 036 040 063 071 079 095 110 138 171 236 260 262 278 293 ZOPPAS 036 040 071 079 110 171 262

Page 55

SETUP CODE TABLE: VCR

Manufacturer/Brand Setup Code Number

AGASHI 155 AIOSTAY 148 AIWA 039 044 055 073 112 116 121 148 152 AKAI 028 035 044 053 070 090 092 103 124 133 149 150 155 AKURA 029 112 ALBA 029 061 073 114 119 120 121 136 144 ALBIRAL 155 AMSTRAD 039 107 119 148 ANGLO 148 ANITECH 030 155 APHEL SOUND 148 ARC EN CIEL 044 045 090 ARISTONA 049 091 109 ASA 054 055 148 ASBERG 155 ASTRA 148 ASTRO SOUND 155 ATLANTIC 155 AWA 150 155 AWATRON 148 BAIRD 044 103 144 BANG & OLUFSEN 044 155 BASIC LINE 029 061 073 BAUR 054 134 155 156 157 158 BLAUPUNKT 086 091 098 107 109 129 137 140 147 BRANDT ELECTRONIQUE 044 045 090 BRAUN 147 BRIONVEGA 139 160 BUSH 028 029 061 073 119 120 121 136 144 BUSH(UK) 134 C.EDISON 160 CANON 147 CAPEHART 061 CASIO 148 CGE 039 044 090 133 148 155 CIHAN CLARIVOX 155 CONDOR 155 CONTINENTAL EDISON 044 045 090 CORVUS 148 CRAIG 008 042 CROSLEY 160 CROWN 009 061 144 CROWN/ONWA 148 CURTIS MATHES 060 062 DAEWOO 009 061 063 064 068 069 144 155 174 178 179 DANSAI 055 DAWA 155 DAYTRON 061 DECCA 039 044 048 148 155 DECCA (UK) 054 DEGRAAF 015 018 039 049 054 148

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Manufacturer/Brand Setup Code Number

DESMET 155 DIXI 078 DOMOH 155 DORIC 160 DUAL 044 090 128 148 155 DUMONT 015 039 054 148 155 DYNATECH 039 148 ELBE 036 148 ELIN 042 149 155 ELTA 148 EMERSON 011 032 039 060 062 073 127 148 155 ESSELTE 148 EUROMAN 155 FENNER 155 FERGUSON 003 005 044 083 085 090 094 100 104 108 122 130 131 135 138 FIDELITY 039 148 162 FINLADIA 015 054 FINLUX 015 018 019 039 044 049 053 054 103 107 143 146 147 148 149 159 FIRST LINE 053 148 155 FISHER 008 015 019 032 034 160 FORMENTI 155 159 FORMENTI-PHOENIX 054 FRONTECH 061 FUJITSU 148 FUNAI 039 148 GRANADA(UK) 107 GBC 093 155 159 GBC(UK) 054 084 GE 060 062 GEC 160 GELOSO 093 159 GENERAL 148 GOLDMEDAL 148 GOODMANS 029 039 042 050 054 055 061 073 144 148 155 GRAETZ 044 045 084 090 106 GRAETZ(ITT) 160 GRANADA 001 015 019 049 109 147 149 155 160 162 GRANADA(UK) 018 054 134 140 GRANDIN 160 GRONIC 155 GRUNDIG 054 086 091 097 098 099 109 140 143 HANSEATIC 054 134 155 160 HARMAN KARDON 036 HIFIVOX 044 045 090 HINARI 011 029 072 073 078 093 112 117 121 127 HITACHI 018 025 039 044 074 087 090 134 138 149 160 HYPER 155 HYPSON 155 IMPERIAL 039 042 096 148 155 INGELEN 044 045 090 106

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Manufacturer/Brand Setup Code Number

INGERSOL 078 INNO HIT 042 054 093 160 INTERFUNK 054 084 155 160 INTERVIDEO 148 INTERVISION 148 155 ITT 015 019 042 044 084 090 103 133 139 ITT-NOKIA 015 019 042 044 045 084 090 103 106 133 139 149 150 155 160 162 JENSEN 044 JVC 001 004 007 010 044 045 047 085 090 112 115 133 135 141 KAMBROOK 148 KANSAI 148 KAPSCH 160 KARCHER 042 054 134 155 KENDO 103 KENWOOD 019 044 047 112 KOENIG 159 KOERTING 155 KOLSTER 155 KRIESLER 049 091 109 KUBA 147 148 LENOIR 155 LEYCO 155 LLOYD 039 148 LG (GOLDSTAR) 036 055 134 148 155 173 LOEWE 065 LOEWE OPTA 054 082 091 109 140 155 LOGIK 029 042 073 078 103 LUMA 032 LUXOR 103 106 134 148 149 160 LXI 055 M ELECTRONIC 039 148 155 MAGNADFON 160 MAGNADYNE 054 155 159 160 MAGNASONIC 019 106 MAGNAVOX 060 062 MANESTH 148 MARANTZ 036 050 054 073 091 109 111 140 MATSUI 011 032 042 055 073 078 114 118 121 127 134 136 160 MAXWELL 155 MEMOREX 008 015 019 039 049 055 148 METZ 091 098 105 109 140 MGA 053 MINERVA 086 098 109 140 MINOLTA 018 025 149 MITSUBISHI 047 053 054 076 098 123 154 155 168 MONEXE 148 MTC 039 042 148 MULTITECH 021 029 039 054 098 144 148 155 MURPHY 039 148 160 NAKAMURA 148

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Manufacturer/Brand Setup Code Number

NAONIS 044 045 090 NATIONAL 107 NEC 036 044 047 090 NECKERMANN 011 019 042 044 054 090 109 127 133 134 139 140 155 156 157 158 160 NEI 054 155 NESCO 148 NEWTECH 155 NIKKAI 061 NOBLIKO 109 140 NOGAMATIC 044 045 090 NOKIA 015 019 042 044 045 084 090 103 106 133 139 NORDMENDE 004 007 010 014 016 020 022 023 037 039 044 045 047 090 095 097 101 102 125 126

128 132 133 141 142 159 161 OCEANIC (ITT) 160 OCEANIC 149 OLYMPUS 107 147 OMAGA 148 OPTONICA 049 050 ORAVA/OTF 155 ORION 011 031 032 033 059 073 078 127 148 155 OSAKI 039 055 148 155 OTTO VERSAND 054 098 134 147 155 156 157 158 159 PALLADIUM 148 160 PANAMA 155 PANASONIC 017 071 084 088 089 107 129 137 147 148 160 167 PATHÉ MARCONI 044 045 090 PCM 155 PENTAX 018 025 PERDIO 039 148 PHILCO 148 155 160 PHILIPS 006 041 043 046 049 050 054 065 079 082 091 109 145 146 155 175 176 177 PHONOLA 049 054 082 091 109 PIONEER 047 054 113 145 PLANTRON 160 PORTLAND 061 PROLINE 039 148 PROSCO 148 PYE 049 054 082 091 109 QUALCRAFT 148 150 QUARTZ 019 QUELLE 011 042 044 048 054 055 098 107 109 127 139 140 RADIOLA 049 091 109 RADIONETTE 084 160 RCA 060 062 REALISTIC 008 015 019 039 042 049 050 147 148 RECOR 155 REDIFFUSION 160 REX 004 007 044 045 090 ROADSTAR 029 042 055 148 SABA 004 007 009 012 013 014 016 022 023 044 045 047 090 102 125 128 132 133 142

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Manufacturer/Brand Setup Code Number

SAISHO 011 032 073 078 087 090 114 127 136 148 SALORA 001 019 053 134 162 SAMBERS 148 SAMSUNG 009 042 054 056 057 060 062 066 067 092 096 150 155 169 172 SANYO 002 008 015 019 040 073 106 149 151 160 SBR 054 079 082 SCHAUB LORENZ 044 045 084 090 106 160 SCHNEIDER 029 039 042 049 054 091 096 109 148 155 160 SEG 042 096 148 SEI-SINUDYNE 078 SELECO 044 045 090 155 SENTRA 061 149 SHARP 049 050 058 075 148 SHINKO 148 SHINTOM 029 148 SIAREM 159 160 SIEMENS 019 086 091 098 106 109 140 SIERA 049 091 109 SIMKO 148 SINGER 155 SINUDYNE 054 078 146 155 160 SOLAVOX 149 160 162 SONAMIC 148 SONOKO 144 155 SONTEC 155 SONY 039 048 051 052 077 081 156 157 158 171 STERN 044 045 090 STRONG 148 STS 018 STZ 148 SUNKAI 073 SUNSTAR 039 148 SUPERTEC 148 155 SUPRA 148 155 SYLVANIA 039 053 148 SYMPHONIC 039 053 148 TANDBERG 032 127 TASHIKO 039 049 148 TATUNG 039 044 148 TEAC 039 044 148 TEAK 155 TEC 148 155 TECHNICS 107 147 TEINEL 155 TEKNIKA 039 148 TELEAVIA 044 045 090 TELEFUNKEN 004 007 016 024 026 038 044 045 090 128 132 133 TELERENT 147 148 TELEVIDEON 155 159 160 TEMPEST 150 TENDBERG 098

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Manufacturer/Brand Setup Code Number

TENOSAL 029 TENSAI 148 155 TETUNG 054 THOMSON 016 020 044 045 047 090 126 128 133 141 THORN 044 085 090 110 135 THORN-FERGUSON 004 022 023 044 083 085 090 094 100 104 108 130 131 133 135 149 155 156 157 158

160 162 TMK 127 TOSHIBA 009 044 045 053 080 090 153 155 170 TOTEVISION 042 TRANSONIC 155 UHER 042 044 096 ULTRAVOX 139 155 159 160 UNIC RADIO 148 UNITECH 042 UNIVERSUM 147 148 149 155 156 157 158 160 UNIVOX 155 URANYA 155 160 VEXA 155 VICTOR 044 047 141 VICTOR RESEARCH 036 VIDEO TEC 148 VIDITAL 160 WARDS 060 062 WATSON 155 159 WATTRADIO 159 160 WELTBLICK 155 WHITE WESTINGHOUSE 139 160 XENON 032 YAMAHA 036 044 YOKO 042 098 148 155 ZANELA 148 ZANUSSI 044 045 090 ZENDER 090 ZOPPAS 044 045

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SETUP CODE TABLE: CD

Manufacturer/Brand Setup Code Number

ADC 012 ADCOM 049 063 069 AIWA 072 111 118 156 170 AKAI 050 177 184 ARCAM 221 AUDIOACCESS 125 AUDIOFILE 211 AUDIOMECA 221 AUDIO TECHNICA 053 BSR 044 064 CALIFORNIA AUDIO 015 109 CAPETRONIC 070 CARRERA 064 087 CARVER 051 057 136 140 141 144 145 185 186 CASIO 066 117 122 166 CLARINETTE 122 166 CROWN 042 CURTIS MATHES 066 DENON 187 188 212 EMERSON 049 052 093 108 FISHER 023 055 057 068 FRABA 117 FUNAI 126 GE 164 GENEXXA 017 096 108 GRUNDIG 221 225 226 227 228 HAITAI 099 214 HARMAN KARDON 001 002 025 040 054 190 218 219 HITACHI 049 093 INKEL 026 027 216 JC PENNEY 021 066 098 147 JENSEN 153 JVC 029 176 195 196 KENWOOD 014 020 023 030 062 078 079 148 151 176 178 181 KYOCERA 012 LG (GOLDSTAR) 016 087 LINN 221 LOTTE 108 LUXMAN 018 035 077 102 LXI 066 164 MAGNAVOX 039 051 113 MARANTZ 043 051 058 084 191 192 193 MCINTOSH 194 MCS 021 066 080 098 MEMOREX 096 MERIDIAN 221 MGA 032 MISSION 051 MITSUBISHI 032 MITSUMI 152

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Manufacturer/Brand Setup Code Number

MODULAIRE 122 166 NAD 013 074 197 198 NAKAMICHI 199 200 201 229 NAIM 221 NEC 021 069 NIKKO 053 055 NSM 051 ONKYO 037 038 045 046 171 175 202 203 OPTIMUS 020 036 056 057 064 065 089 090 091 092 096 099 104 212 PANASONIC 015 075 109 119 158 183 204 PHILIPS 039 051 138 149 209 PIONEER 017 036 071 094 096 100 112 123 131 160 161 162 215 PROTON 051 210 QUASAR 015 109 RADIO SHACK 122 126 213 RCA 024 049 081 093 150 RCX 169 REALISTIC 049 056 057 058 093 095 104 105 108 164 166 REVOX 221 251 ROTEL 051 SAE 051 SAMSUNG 028 SANSUI 047 051 081 134 157 172 SANYO 033 057 068 082 095 168 SCOTT 108 SEARS 066 SHARP 020 058 073 105 114 151 159 167 180 181 SHERWOOD 003 026 027 041 058 105 133 230 231 232 233 234 235 236 237 238

239 240 241 242 243 SIGNATURE 040 SONY 060 103 115 116 118 132 139 163 205 206 207 208 212 217 SOUNDSTREAM 124 STS 012 SYLVANIA 051 SYMPHONIC 059 110 T & A 222 TAEKWANG 177 TANDY 096 TEAC 011 022 048 058 085 086 106 107 110 121 137 146 154 TECHNICS 244 245 246 247 248 249 250 TECHWOOD 083 THETA DIGITAL 039 THOMSON 252 THORENS 221 TOSHIBA 013 074 097 151 155 173 UNIVERSUM (QUELLE) 220 221 223 224 VECTOR RESEARCH 087 VICTOR 029 120 130 WARDS 040 095 YAMAHA 019 031 053 061 135 169 YORX 122 166

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SETUP CODE TABLE: TAPE

Manufacturer/Brand Setup Code Number

HARMAN KARDON 001

SETUP CODE TABLE: DVD

Manufacturer/Brand Setup Code Number

APEX DIGITAL 061 CALIFORNIA AUDIO 040 DENON 002 019 022 034 051 GE 003 004 HARMAN KARDON 001 032 066 080 081 JBL 001 081 JVC 006 KENWOOD 007 050 069 KLH 068 LG (GOLDSTAR) 005 055 064 070 078 LOTTE 008 MAGNAVOX 033 056 MARANTZ 033 059 MITSUBISHI 023 036 NAD 010 062 ONKYO 009 015 048 OPTIMUS 011 050 PANASONIC 024 025 030 034 035 044 052 074 077 PHILIPS 033 056 PIONEER 012 020 038 041 046 047 065 PROCEED 060 PROSCAN 003 004 037 RCA 003 004 018 037 RUNCO 027 SAMSUNG 031 053 054 075 079 SANYO 013 049 SHARP 021 028 050 071 SONY 015 029 043 045 067 072 076 TECHNICS 026 THOMSON 003 004 TOSHIBA 009 033 047 057 058 073 YAMAHA 016 017 030 063 ZENITH 005 033 055 064 ZENITH DIVX 039

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SETUP CODE TABLE: SAT

Manufacturer/Brand Setup Code Number

AIWA 441 AKAI 333 ALBA 301 317 324 356 370 411 415 417 426 ALDES 433 ALLSONIC 433 AMSTRAD 371 397 428 432 ANKARO 351 421 433 ARCON 379 432 436 ARISTONA 353 ARTHUR MARTIN 395 AST 427 ASTRA 368 398 399 ASTRO 476 477 478 479 480 481 482 483 BARCOM 351 421 BLAUPUNKT 338 390 BRUNS 433 BT SATELLITE 419 BUSH 324 348 356 370 377 406 426 BUSH (UK) 353 CAMBRIDGE 360 404 CHAPARRAL 312 434 CONNEXIONS 339 341 342 396 DISKXPRESS 339 351 421 DRAKE 329 340 344 361 378 ECHOSTAR 316 321 347 350 365 366 372 386 431 487 ELTASAT 359 EMME ESSE 433 FERGUSON 345 348 352 353 363 364 367 377 406 408 411 424 FINLUX 309 310 FRACARRO 355 387 FTE 380 436 437 FUBA 314 347 421 428 431 G SAT 430 GALAXIS 433 GIUCAR RECORD 307 389 GOODMANS 411 GRAETZ 388 399 GRANADA 399 GRUNDIG 303 338 353 367 390 HIGH PERFORMANCE 385 422 HIRSCHMANN 309 338 390 HITACHI 406 411 420 HUTH 433 HUGHES 484 ICX 438 IMPERIAL 426 INGELEN 388 399 ITT 367 369 399 420 423 ITT-NOKIA 321 367 388 399 420 423 JEEMON 359 JERROLD 345 438 JOHANSSON 394 KATHREIN 301 333 380 381 390 391 396 400 410 412 414 418 KOSMOS 380 KRIESLER 353 KYOTO GMI ATLAN 443

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Manufacturer/Brand Setup Code Number

LEMON 474 LENCO 379 LG(GOLDSTAR) 379 407 489 LOEWE 475 LOKIA 431 LORENZEN 461 462 463 464 465 LUXOR 343 388 395 399 420 423 425 429 430 431 MACAB 384 MAGAI 380 MANHATTAN 359 406 411 416 MARANTZ 333 MASPRO 302 349 353 393 396 406 408 413 MATSUI 320 409 419 MEMPHIS 434 METZ 390 MINERVA 390 MITSUBISHI 390 MORGAN 432 MULTISTAR 380 NEC 330 336 346 373 NEIRU 379 NETA 439 440 NETWORK 363 NEXTWAVE 438 NOKIA 367 388 399 405 420 423 NORSAT 346 OLYMPIC 433 OPTEX 435 ORIGO 426 OTTO VERSAND 390 PACE 311 348 353 363 364 367 424 PALCOM 392 PANASONIC 331 424 PHILIPS 319 332 333 353 421 424 PHONOLA 353 PLANET 426 PROSAT 356 PTT TELECOM 341 PYE 353 QUADRAL 466 467 468 469 470 471 472 473 QUELLE 390 RCA 486 RADIOLA 353 RADIX 347 RC 404 438 REDIFFUSION 336 346 SAKURA 354 357 SALORA 334 368 388 395 399 420 430 431 SAMSUNG 380 427 432 488 SAT 427 SATECO 317 SATPORTNER 379 SCHAUB LORENZ 388 399 SCHNEIDER 353 SENTRA 337

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Manufacturer/Brand Setup Code Number

SIEMENS 338 390 SIERA 353 SILVA 379 SINTRACK 313 SKY MASTER 433 SKYLAB 421 SKY LIFE 490 491 SONY 485 STARSAT 380 STELLA 341 STRONG 325 362 STV 314 TAGRA 431 TANDBERG 308 TANDY 385 422 TATUNG 335 374 TECHNISAT 305 306 328 347 384 402 403 TELECOM 341 TELEFUNKEN 383 TELEMAX 318 THORN-FERGUSON 323 345 348 352 353 363 364 367 TRIAD 384 385 401 427 UNIDEN 358 375 376 380 VIDIO WAY 315 VORTEC 382 383 432 442 WINERSAT 394 WISI 304 322 326 327 347 423 427 431 WOLSEY 385 422 ZEHNDER 380 427 ZENITH 344

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SETUP CODE TABLE: CBL

Manufacturer/Brand Setup Code Number

BT CABLE 007 CABLETIME 008 011 012 016 CLYDE CABLE VISION 017 C & M 042 DECSAT CANAL 010 DONG GUK 037 FILMNET 018 019 020 FRANCE TELECOM 013 021 GEC 017 JERROLD 001 022 LG(GOLDSTAR) 039 040 MEMOREX 041 MOVIE TIME 028 NSC 028 PARAGON 041 PHILIPS 023 PIONEER 002 PULSAR 041 SAGEM 029 SALORA 003 SAMSUNG 002 024 035 036 037 SATBOX 004 SCIENTIFIC ATLANTA 005 006 025 026 030 031 SONY 032 033 034 STS 028 TAEKWANG 038 TELESERVICE 011 014 TOSHIBA 041 TUDI 027 UNITED CABLE 001 VISIOPASS 009 WESTMINSTER CABLE 007 ZENITH 014 041

Page 68

TROUBLESHOOTING GUIDE

SYMPTOM CAUSE SOLUTION

Unit does not function when Main • No AC Power • Make certain AC power cord is plugged into Power Switch is pushed a live outlet

• Check to see whether outlet is switchcontrolled

Display lights, but no sound • Intermittent input connections • Make certain that all input and speaker or picture connections are secure

•

Mute is on • Press Mute Button

• Volume control is down • Turn up volume control

Unit turns on, but front-panel • Display brightness is turned off • Follow the instructions in the Display display does not light up Brightness section on page 37 so that

the display is set to VFD FULL

No sound from any speaker; • Amplifier is in protection mode • Check speaker wire connections for shorts light around power switch is red due to possible short at receiver and speaker ends

• Amplifier is in protection mode • Contact your local JBL service center due to internal problems

No sound from surround or • Incorrect surround mode • Select a mode other than Stereo center speakers • Input is monaural • There is no surround information from mono

sources

• Incorrect configuration • Check speaker mode configuration

• Stereo or Mono program material • The surround decoder may not create center-

or rear-channel information from nonencoded programs

Unit does not respond to • Weak batteries in remote • Change remote batteries remote commands • Wrong device selected • Press the AVR selector

• Remote sensor is obscured • Make certain front-panel sensor is visible to

remote or connect remote sensor

Intermittent buzzing in tuner • Local interference • Move unit or antenna away from computers,

fluorescent lights, motors or other electrical appliances

Letters flash in the channel indicator • Digital audio feed paused • Resume play for DVD display and digital audio stops • Check that Digital Input is selected

Fan does not appear to operate • Additional cooling may not be required • The fan is activated only when additional

cooling is required due to high internal temperature. It is normal for the fan to be inactive at normal volume levels.

Processor Reset

In the rare case where the unit’s operation or the displays seem abnormal, the cause may involve the erratic operation of the system’s memory or microprocessor.

To correct this problem, first unplug the unit from the AC wall outlet and wait at least three minutes. After the pause, reconnect the AC power cord and check the unit’s operation. If the system still malfunctions, a system reset may clear the problem.

To clear the AVR580’s entire system memory including tuner presets, output level settings, delay times and speaker configuration data, first put the unit in Standby by pressing the

System Power

Control Button

2. Next, press and hold

the

Surround Mode 7 and the Tuner

Mode Selector

^ buttons for three

seconds. The unit will turn on automatically and

display the

RESET message in the

Main Information Display ˜. NOTE: Resetting the processor will erase

any configuration settings you have made

for speakers, output levels, surround modes and digital input assignments, as well as the tuner presets. After a reset, the unit will be returned to the factory presets, and all settings for these items must be reentered.

If the system is still operating incorrectly, there may have been an electronic discharge or severe AC line interference that has corrupted the memory or microprocessor.

If these steps do not solve the problem, consult an authorized JBL service center.

TROUBLESHOOTING GUIDE

Page 69

Audio Section

Front: 100W + 100W (8 ohms/20Hz – 20kHz, 0.08% THD)

150W + 150W (6 ohms/EIAJ)

Center: 100W (8 ohms/20Hz – 20kHz, 0.08% THD)

150W (6 ohms/EIAJ)

Side 100W + 100W (8 ohms/20Hz – 20kHz, 0.08% THD) Surround: 150W + 150W (6 ohms/EIAJ)

Back 100W + 100W (8 ohms/20Hz – 20kHz, 0.08% THD) Surround: 150W + 150W (6 ohms/EIAJ)

Input Sensitivity/Impedance

Linear (High-Level) 200mV/47k ohms Signal-to-Noise Ratio (IHF-A) 95dB Surround System Adjacent Channel Separation

Analog Decoding

Pro Logic I/II 40dB

Dolby Digital (AC-3) 55dB

DTS 55dB Frequency Response

@ 1W (+0dB, –3dB) 10Hz –100kHz Instantaneous

Current Capability ±35 Amps Transient Intermodulation

Distortion (TIM) Unmeasurable Rise Time 16 µsec Slew Rate 40V µsec

†

FM Tuner Section

Frequency Range 87.5–108.0MHz Tuner Step Size

China, Singapore: 0.05MHz

Korea: 0.1MHz Usable Sensitivity IHF 1.3µV/13.2dBf Signal-to-Noise Ratio Mono/Stereo 70/65dB (DIN) Distortion Mono/Stereo 0.15/0.3% Stereo Separation 35dB @ 1kHz Selectivity ±300kHz, 65dB Image Rejection 80dB IF Rejection 90dB

AM Tuner Section

Frequency Range 522 – 1620kHz Tuner Step Size (all modes): 9kHz Signal-to-Noise Ratio 45dB Usable Sensitivity Loop 500µV Distortion 1kHz, 50% Mod 0.8% Selectivity ±9kHz, 30dB

Video Section

Video Format PAL/NTSC Input Level/Impedance 1Vp-p/75 ohms Output Level/Impedance 1Vp-p/75 ohms

Video Frequency Response (Composite and S-Video) 10Hz–8MHz (–3dB)

Video Frequency Response (Component Video) 10Hz–35MHz (–3dB)

General

Power Requirement AC 220–240V/50Hz Power Consumption 118W idle, 890W maximum

(7 channels driven)

Dimensions Width 440mm (17.3 inches)

Height 168mm (6.6 inches) Depth 435mm (17.1 inches)

Weight 18.1kg (40 lb)

Depth measurement includes knobs, buttons and terminal connections. Height measurement includes feet and chassis. All features and specifications are subject to change without notice.

†

Without input anti-slewing and output isolation networks. JBL and Logic 7 are a registered trademarks of Harman International Industries, Incorporated.

is a trademark of Harman International Industries, Incorporated (patent no. 5,386,478).

Trademarks of Dolby Laboratories, Inc.

DTS, DTS Surround, DTS-ES and DTS Neo:6 are registered trademarks of Digital Theater Systems, Inc.

UltraStereo is a trademark of UltraStereo Corp.

VMAx is a registered trademark of Harman International Industries, Incorporated, and is an implementation of Cooper Bauck Transaural Stereo under patent license.

AVR580 SPECIFICATIONSAVR580 SPECIFICATIONS

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NOTESNOTES

Page 71

NOTESNOTES

Page 72

JBL Consumer Products 250 Crossways Park Drive Woodbury, NY 11797 USA

8500 Balboa Blvd. Northridge, CA USA

www.jbl.com ©

2004 Harman International Industries,

Incorporated Part No. 55818580