Infocus IN118AA, IN112AA, IN119AA, IN116AA, IN114AA User guide

...

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InFocus Corporation

Introduction Guide - DLP Multimedia Projector

Marketing Name: Genesis Regulatory Models: P130 P131 P132 Part-Numbers IN112AA, IN113AA IN112BB, IN113BB

IN114AA, IN115AA IN114BB, IN115BB IN114BBST, IN115BBST IN116AA, IN117AA IN116BB, IN117BB IN116BBST, IN117BBST IN118AA, IN188AA IN118BB, IN188BB IN118BBST, IN188BBST

IN119AA, IN199AA

12.2020 | Rev. A03 | Document No. 10000001 | EN

IN119BB, IN199BB

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Contents

Disclaimer ......................................................................................................................................................4

Trademarks ...................................................................................................................................................5

Safety information ......................................................................................................................................7

Notes cautions and warnings ............................................................................................................................7

Information symbols and descriptions .........................................................................................................8

Safety precautions ...................................................................................................................................................8

Safety symbols and descriptions ..................................................................................................................10

Using this document ................................................................................................................................13

Set up your InFocus..................................................................................................................................14

Turning the projector on / turning the projector off ............................................................................16

Installing batteries in remote control ............................................................................................................ 17

Placement and distance from the screen ................................................................................................19

Mounting modes....................................................................................................................................................22

Using the projector on screen display (OSD) ........................................................................................23

Views of your InFocus ............................................................................................................................31

Fron t .............................................................................................................................................................................. 31

Back .............................................................................................................................................................................32

Left side .......................................................................................................................................................................33

Right side ..................................................................................................................................................................33

Bott om ......................................................................................................................................................................... 34

Remote control .......................................................................................................................................................35

Projector parts and functions .............................................................................................................. 37

Front P130, P131, P132 – 6 & 9 inputs/outputs ....................................................................................... 37

Back P130 – 6 inputs/outputs .........................................................................................................................38

Back P131, P132 –9 inputs/outputs ..............................................................................................................39

Bottom P130, P131, P132 – 6 & 9 inputs/outputs ..................................................................................40

Features comparison chart ................................................................................................................... 41

Speciﬁcations overview ........................................................................................................................ 47

P130 – 6 inputs/outputs ..................................................................................................................................... 47

P131 – 9 inputs/outputs ......................................................................................................................................48

P132 – 9 inputs/outputs .....................................................................................................................................49

2 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Contents

Environmental conditions ....................................................................................................................50

Glossary of terms...................................................................................................................................... 51

Getting help and contacting InFocus ................................................................................................ 67

Self help resources ...............................................................................................................................................67

Contacting InFocus ............................................................................................................................................. 70

Notices ..........................................................................................................................................................72

Regional & country speciﬁc notices ........................................................................................................... 72

RF interference (for USA only) ....................................................................................................................... 73

Manufacturer and EU importer in accordance with EU directives .............................................74

Compliance statements for acoustic noise .............................................................................................74

FCC compliance statement ............................................................................................................................ 75

Restriction of use ................................................................................................................................................... 76

Copyright notice .................................................................................................................................................... 76

Copyright attribution............................................................................................................................................76

Mounting & Other Technical Information ........................................................................................77

RS232 Commands............................................................................................................................................... 76

Contents

Page 4

Disclaimer

InFocus Corporation makes no representations or warranties with respect to this manual and, to the maximum extent permitted by law, expressly limits its liability for breach of any warranty that may be implied to the replacement of this manual with another. Furthermore, InFocus Corporation reserves the right to revise this publication at any time without incurring an obligation to notify any person of the revision.

The information provided in this documentation contains general descriptions and/or technical characteristics of the performance of the products contained herein. This documentation is not intended as a substitute for and is not to be used for determining suitability or reliability of these products for speciﬁc user applications. It is the duty of any such user or integrator to perform the appropriate and complete risk analysis, evaluation and testing of the products with respect to the relevant speciﬁc application or use thereof. Neither InFocus Corporation nor any of its afﬁliates or subsidiaries shall be responsible or liable for misuse of the information that is contained herein. If you have any suggestions for improvements or amendments or have found errors in this publication, please notify us.

All pertinent state, regional, and local safety regulations must be observed when installing and using this product. For reasons of safety and to help ensure compliance with documented system data, only the manufacturer shall perform repairs to components.

Failure to observe this information can result in injury or equipment damage.

All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher. For permission requests, write to the publisher, addressed “Attention: Permissions Coordinator,” at the address below.

InFocus Corporation 13190 Southwest, 68th Parkway, Suite 120, Portland, OR 97223 United States infocus.com

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Trademarks

 Apple, Mac, Mac OS, OS X, MacBook, and iMac are trademarks of Apple Inc. registered in the U.S. and other

countries.

 iOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.

 APP Store is a service mark of Apple Inc.

 Microsoft, Windows, Windows Vista, Internet Explorer, .NET Framework and PowerPoint are either a

registered trademark or trademark of Microsoft Corporation in the United States and/or other countries.

 MicroSaver is a registered trademark of Kensington Computer Products Group, a division of ACCO Brands

in the U.S. and other countries.

 The terms HDMI® and HDMI High-Deﬁnition Multimedia Interface®, and the HDMI® Logo are trademarks or

registered trademarks of HDMI Licensing Administrator, Inc. in the United States and other countries.

 HDBaseT® is a trademark of HDBaseT® Alliance.

 InFocus, InFocus LightCast, IN, LightPro are registered trademarks of InFocus Corporation.

 Trademark PJLink® is a trademark applied for trademark rights in Japan, the United States of America and

other countries and areas.

 Wi-Fi®, Wi-Fi Alliance®, and Wi-Fi Protected Access (WPA, WPA2)® are registered trademarks of the Wi-Fi

Alliance.

 Blu-ray is a trademark of Blu-ray Disc Association.

 CRESTRON and ROOMVIEW are registered trademarks of Crestron Electronics, Inc. in the United States

and other countries.

 Extron and XTP are registered trademarks of RGB Systems, Inc. in the United States.

 Ethernet is either a registered trademark or trademark of Fuji Xerox Co., Ltd.

 Android and Google Play are trademarks of Google Inc.

 Other product names and logos mentioned in this guide may be the trademarks or registered trademarks of

their respective holders.

Trademarks

Page 6

Trademarks

GPL/LGPL Software Licenses

The product may include software licensed under GNU General Public License (GPL), GNU Lesser General Public License (LGPL), and others.

NOTES

1. The contents of this guide may not be reprinted in part or whole without permission.

2. The contents of this guide are subject to change without notice.

3. Great care has been taken in the preparation of this guide; however, should you notice any questionable points, errors or omissions, please contact us.

4. Notwithstanding article (3), InFocus will not be responsible for any claims on loss of proﬁt or other matters deemed to result from using the Projector.

6 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Safety information

Various symbols are used throughout this guide and on the product to prevent physical harm to you or other people and damage to property. The symbols and their meanings are explained below.

Read and carefully follow the instructions that are marked with these symbols and labels to avoid injury to persons or damage to property.

Notes, cautions and warnings

NOTE A NOTE indicates important information that provides assistance, guidance

or information for better use of the product

CAUTION A CAUTION indicates potential damage to hardware and informs you how to

avoid the problem

WARNING A WARNING indicates potential for property damage, personal injury or

death

Safety information

Page 8

Safety information

Information symbols and descriptions

These safety and operating instructions should be read before using the projector. After you have read all instructions, save this information for later reference. To prevent personal injury or damage to property, the following symbols are used to show dangerous operation or handling.

Make sure you understand them before setting up and using the projector

These symbols alert you to actions that must be performed.

Instructions Disconnect the plug from the outlet

These symbols alert you to prohibited actions.

Do not do Do not

disassemble

Do not

touch

Do not

wet

Do not use in

wet areas

Safety precautions

WARNING

Unplug the projector from the outlet and refer all repairs to qualiﬁed service personnel under the following conditions:

If smoke, strange odors or strange noises come from the projector.  If liquid such as water, or foreign objects such as metal, insects, paper etc get inside the

projector.

If the projector has been dropped or the housing has been damaged.

Continuing to use under these conditions may result in ﬁre or electric shock. Do not try to repair this projector yourself. Refer all repairs to qualiﬁed service personnel. Place the projector near an outlet where the plug can be easily unplugged.

Never open any covers on the projector except as speciﬁcally explained in the Users Guide. Never attempt to disassemble or modify the projector (including consumables). Refer all repairs to qualiﬁed service personnel. Electrical voltages inside the projector can cause severe injury.

Do not place

on an unstable

surface

If you are installing the projector on the ceiling, this projector should be installed by qualiﬁed technicians using only approved mounting equipment. If installation work is not carried out correctly, the projector could fall down. This may result in injury or accidents. Contact your InFocus authorized dealer to carry out the installation work.

If you use a ceiling mount do not apply adhesives to the mount to prevent the screws from loosening, or if you use lubricants or oils on the projector, the projector housing may crack and the projector may fall from its ceiling mount. This could cause serious injury to anyone under the mount and could damage the projector. When installing or adjusting a ceiling mount, do not use adhesives to prevent the screws from loosening and do not use oils or lubricants.

8 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Safety information

Do not use the projector where it may be exposed to rain, water, or excessive humidity.

Use the type of power source indicated on the projector. Use of a different power source may result in ﬁre or electric shock. If you are not sure of the power available, consult your dealer or power company.

WARNING

Check the speciﬁcations of the power cable. Using an inappropriate power cable could result in ﬁre or electric shock. The power cable supplied with the projector is intended to comply with power supply requirements for the country of purchase. If you use the projector in the country where it was purchased, only use the power cable that came with the projector. If you use the projector in a country other than where it was purchased, use the correct power cable for that country.

Take the following precautions when handling the plug. Failure to comply with these precautions could result in ﬁre or electric shock.

Do not overload wall outlets, extension cables, or power strips. Do not insert the plug into a dusty outlet. Insert the plug ﬁrmly into the outlet. Do not hold the plug with wet hands.  Do not pull the power cable when disconnecting the plug; always be sure to hold the plug

when disconnecting it.

Cables should be wired so that they cannot trip people up. Fire or electric shock may result.

Do not modify the power cable. Do not place heavy objects on top of the power cable. Do not bend, twist or pull the power cable excessively. Keep the power cable away from hot electrical appliances. Do not tie the power cable to other cables.

Contact your InFocus authorized dealer if the cable becomes damaged.

Cables should be wired so that they cannot trip people up and so on. This could cause people to fall and be injured.

Do not touch the plug during an electrical storm. Otherwise, you may receive an electric shock.

Do not place any containers of liquid on top of the unit. Spilling liquid of any kind into the projector may result in ﬁre or electric shock.

Do not look into the lens when the projector is on. The bright light can damage your eyes. Also, do not look into the lens using optical devices such as telescopes or other magnifying equipment.

Do not insert or drop metal, ﬂammable, or foreign objects into the projector's vents or openings nor leave them nearby. Doing so may result in ﬁre, electric shock, or burns.

Do not leave the projector or the remote control with batteries inside a vehicle with the windows closed, in places where they will be exposed to direct sunlight, or in other places that may become extremely hot. Thermal deformation or technical malfunction may occur, which could result in ﬁre.

Safety information

Page 10

Safety information

Do not use sprays containing a ﬂammable gas to remove dirt or dust which is adhering to parts such as the lens or ﬁlter of the projector. Because the inside of the projector becomes very hot during use, the gases may ignite and result in a ﬁre.

Do not use the projector in places where ﬂammable gases or explosive gases may be present in the atmosphere. Because the inside of the projector becomes very hot during use, the gases may ignite and result in a ﬁre.

Do not place any objects that are easily ﬂammable in front of the projector's lens, otherwise a ﬁre may occur.

During projection, do not block the light from the projector with the lens cover (where applicable) or a book. If the light from the projector is blocked, the area on which the light shines becomes hot which could cause it to melt, burn, or start a ﬁre. Also, the lens may get hot due to the reﬂected light which could cause the projector to malfunction.

To stop projection, use the A/V Mute function, or turn off the projector.

Do not install the projector in a location that is not strong enough to bear its weight, or on an unstable surface such as a table that shakes or is tilted. The projector may fall down or tip over causing damage, deformation, or injury.

CAUTION

Do not use the projector in places where there is a lot of humidity or dust, near cooking or heating appliances, or in places where it may come into contact with smoke or steam. Do not use or store this projector outdoors for an extended length of time. Fire or electric shock may result.

Do not block the slots and opening in the projector case. They provide ventilation and prevent the projector from overheating. When installing the projector close to a wall, make sure there is a gap as speciﬁed in the Users Guide between the wall and the air exhaust vent. Do not place the projector in the following locations.

Badly ventilated or narrow places, such as inside a closet or in a book case. On soft surfaces such as a rug, bedding, blanket, and so on. Do not cover the projector with a blanket, curtain, or tablecloth. Badly ventilated locations such as inside an AV rack or cabinet. Locations subject to high temperatures, such as near heating equipment. Do not install the projector in an airtight location.  If the projector needs to be installed in an airtight location, it is vital to ensure that air

conditioning and ventilation equipment are also installed.

If the location is not sufﬁciently ventilated, heat exhausted from the projector will accumulate and could trigger the projector's built-in protection sensors causing the projector to shut down.

Do not stand on the projector or place heavy objects on it. You may fall over resulting in injury or the projector may become damaged.

10 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Safety information

Do not place anything that can become warped or damaged by heat near the exhaust vents. Do not bring your hands or face close to the vents while projection is in progress. Because of hot air coming out from the air exhaust vents, you could get burnt or it could be a cause of warping or other damage to property.

Do not place the source of an open ﬂame, such as a lit candle, on or near the projector

Unplug the projector when it will not be used for extended periods. The insulation may deteriorate, which may result in ﬁre.

Be sure to check that the power is turned off, the plug is disconnected from the outlet and all cables are disconnected before moving the projector. Fire or electric shock may result.

Unplug the projector from the outlet before cleaning. This avoids electric shock during cleaning.

Use a dry cloth (or, for stubborn dirt or stains, a moist cloth that has been rung dry) for cleaning. Do not use liquid, aerosol cleaners, or solvents such as alcohol, thinner or benzine. Water inﬁltration or deterioration and breakage of the projector housing could result in electric shock.

Incorrect battery usage may cause leakage of battery ﬂuid and battery rupture, which could result in ﬁre, injury or corrosion of the projector. When replacing batteries, take the following precautions.

Insert batteries so that the polarities (+ and -) are correct. Do not use batteries of different types or mix old and new batteries. Do not use any batteries other than those speciﬁed in the Users Guide.  If the batteries leak, wipe away battery ﬂuid with a soft cloth. If ﬂuid gets on your hands or in

your eyes, wash and rinse immediately. Replace the batteries as soon as they run out. Remove the batteries if you will not be using the projector for a long period of time. Do not expose batteries to heat or ﬂame and do not put them in water. Dispose of used batteries according to local regulations. Keep these batteries out of the reach of children. Batteries are a choking hazard and are very dangerous if swallowed.

Do not start the projector while the volume is too high. (only models with built-in speaker) Loud sounds may cause loss of hearing. Always lower the volume before turning off the projector. Gradually increase the volume after turning on the projector.

Avoid standing in front of the projector so you do not block the projected images and the bright light does not shine in your eyes. Looking into the projector’s light can damage your eyesight.

Safety information

Page 12

Safety symbols

Safety symbols and descriptions

The following table lists the meaning of the safety symbols labeled on the projector, remote control, power cord and cables.

No. Symbol Mark Standard / Description

1 IEC 60417 - Symbol No: 5009

Stand-by - to identify the button to place the device in to Stand-by condition

2 IEC 60417 - Symbol No: 5002 Positioning of Cell and

identiﬁcation of battery holder

3 IEC 62471-5:2005

As with any bright source, do not stare into the direct beam,

RG 2

RG2 IEC 62471-5:2015

4 IEC 60417 - Symbol No. 5017

Earth To identify an earth (ground) terminal in cases where neither the symbol 5019 is explicitly required.

5 IEC 60417 - Symbol No. 5019 Protected Earth

To identify any terminal which is intended for connection to an external conductor for protection against electric shock in case of a fault, or the terminal of a protective earth (ground) electrode.

6 ISO 7000 - Symbol 0434B

IEC 3864-B3.1 Caution To identify general caution when using the product

7 IEC 60417

Caution Hot Surface To indicate that the marked item can be hot and should not be touched without taking care.

8 IEC 60417 Symbol No. 6042

ISO 3864-B3.1 Caution Risk of Electric Shock To identify equipment that has risk of electric shock.

12 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Using this document

Using the set up & speciﬁcation document to search for information

This users guide allows you to search for information by keyword or to jump to speciﬁc sections using the bookmarks. You can also print speciﬁc pages as needeed.

This section explains how to use a PDF document that has been opened in Adobe Acrobat Reader DC on your computer running Windows or Mac OS operating system.

Searching by keyword

Click Edit > Advanced Search. Enter the keyword text for the information you want to ﬁnd in the search window, then click search. Hits are displayed as a list, select and click one of the displayed hits to jump to that page.

Jumping directly from bookmarks

Click a title to jump to that page. Click + or > to view the lower level titles in the section. To return to the previous page or section:

Windows: Hold down Alt and then press Mac OS: Hold down the command key and then press

Printing only the page or pages you need

You can extract and print only the pages you need. Click Print in the File menu and then speciﬁy the page or pages you wish to print.

Windows & Mac OS: Speciﬁy the page or pages you wish to print in Pages in Pages to Print.

To speciﬁy a series of pages, enter a hyphen between the start page and the end page.

To speciﬁy pages that are not in a series, enter a comma after each page number.

Getting the latest version of documents

You can get the latest version of this users guide as well as other product information and literature by visiting the InFocus website.

Visit infocus.com, and enter your projector model number in the search box.

Using this document

Page 14

Set up your InFocus

Turning the projector on / turning the projector off

Turning on your InFocus projector

1. Securely connect the power cord to the projector and to the mains outlet. When connected, the On/Standby LED will turn red.

2. Connect your signal/source cable to you source device and the projector.

3. Turn on the projector by pressing the

either on the projector keypad or the remote control.

RG2

NOTE

14 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

The power cable that is supplied with this projector conforms to electrical safety regulations. Do not use a power cable other than the one supplied with the projector. If using the projector overseas, check the power supply voltage, outlet shape and electrical rating of the projector that conform to the local standards, and purchase a proper power cable in the country.

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Set up your InFocus

NOTE

Examples of standards authorities or certiﬁcation marks are detailed below

Country name Standards authority or

United States of America UL Norway NEMKO

Canada CSA Finland FIMKO

United Kingdom BSI France LCIE

Italy IMQ Netherlands KEMA

Australia SAA Belgium CEBEC

Austria OVE Japan PSE

Switzerland SEV Korea EK

Sweden SEMKO China CCC

The following conditions must be observed regardless of the country of use.

• The power cable must have the approval marks from the standards authority of the country where the projector is to be used.

• The plug must be of the same shape as the outlets in the country of use.

Country name Standards authority or

certiﬁcation mark

Denmark DEMKO Singapore PSB

Germany VDE

4. The InFocus start up screen (see below) will be display after approximately 10 seconds and the On/Standby LED will be ﬂashing blue and then steady blue.

NOTE

The size and clarity of the InFocus logo on the startup screen will depend on the resolution of the projector you have purchased, this is expected and normal behavior.

The ﬁrst time the projector is turned on, you will be prompted to select the preferred language and projection orientation

Set up your InFocus

Page 16

Set up your InFocus

Turning off your InFocus projector

1. Turn off the projector by pressing the either on the projector keypad or the remote control.

2. The following message will be displayed: Power Off? Press projector.

3. If the be turned off. When you press the button for the second time, the projector will turn off.

4. The cooling fans will continue to operate for about 10 seconds for the cooling cycle and the On/Standby LED will ﬂash blue. When the On/Standby LED turns solid red, this indicates the projector has entered standby mode. If you wish to turn the projector back on, you must wait until the cooling cycle has ﬁnished and the projector has entered standby mode. When the projector is in standby mode, simply press the again to turn on the projector.

5. Disconnect the power cord from the electrical outlet and the projector.

is not pressed a second time, the message will disappear after 10 seconds and the projector will not

power key again to conﬁrm turning off your

button

NOTE

Keypad

Cool down time for the IN118AA and IN188BB is 120 seconds

There is a direct correlation between the number of on/off cycles of the projector, proper cooling of the lamp and expected lamp life. Always allow the projector fan to turn off after you power down and before you unplug the projector power cord from the electrical outlet

No. Item

1. On/Standby LED

2. Lamp LED

3. Temp LED

Help

16 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

No. Item

5. Re-Sync

6. Four Directional Select Keys

7. IR Receiver

8. Enter

No. Item

9. Keystone Correction

10. Menu

11. Source 12 Power

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Set up your InFocus

Installing batteries in remote control

Installing / replacing the batteries

NOTE

1. Remove the battery cover on the back of the remote control.

Batteries are not supplied with any InFocus projector. Please purchase two AAA batteries for use in the remote control of this projector.

2. Insert AAA batteries in the battery compartment as illustrated.

Set up your InFocus

Page 18

Set up your InFocus

3. Replace back cover on remote control, press down until it clicks in to place.

NOTE

CAUTION

 Insert batteries so that the polarities (+ and -) are correct.  Do not use batteries of different types or mix old and new batteries.  Do not use any batteries other than those speciﬁed.  If the batteries leak, wipe away battery ﬂuid with a soft cloth. If ﬂuid gets on your hands or in your eyes, wash

and rinse immediately.

 Replace the batteries as soon as they run out.  Remove the batteries if you will not be using the projector for a long period of time.  Do not expose batteries to heat or ﬂame and do not put them in water.  Dispose of used batteries according to local regulations.  Keep batteries out of the reach of children. Batteries are choking hazards and are very dangerous if

swallowed

Replace only with the same or equivalent type batteries.

18 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Set up your InFocus

Placement and distance from the screen

The projector can be placed on most ﬂat surfaces to project and image. You can also install the projector in a ceiling mount if you wish to use it in a ﬁxed location. An optional ceiling mount is required when suspending the projector from the ceiling.

Note the following points when selecting a location for your InFocus projector:

 Place the projector on a sturdy, level surface or install it using a compatible mount.  Leave plenty of room around and under the projector for ventilation and do not place it next to or on top of

anything that could block the vents.

 Place the projector so that it squarely faces the screen and not at an angle.

NOTE

If you cannot install the projector squarely facing the screen, correct any resulting keystone distortion using the projector controls. For the best quality images, we recommend adjusting the installation position of the projector to achieve the correct image size and shape.

Set up your InFocus

Page 20

Set up your InFocus

Projection Distance

Projection distance

The distance at which you place the projector from the screen determines the approximate size of the image. The image size increases the farther the projector is from screen, but can vary depending on the zoom factor, aspect ratio, and other settings.

See the detailed Users Guide for projection distance and image size tables. The Users Guide can be found at infocus.com

NOTE

WARNING

When using keystone correction your resulting image is slightly smaller.

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Set up your InFocus

CAUTION

 They provide ventilation and prevent the projector from overheating.  When installing the projector close to a wall, make sure there is a gap as speciﬁed in the Users Guide

between the wall and the air exhaust vent.

Do not place the projector in the following locations.

 Badly ventilated or narrow places, such as inside a closet or in a book case.  On soft surfaces such as a rug, bedding, blanket, and so on.  Do not cover the projector with a blanket, curtain, or tablecloth.  Badly ventilated locations such as inside an AV rack or cabinet.  Locations subject to high temperatures, such as near heating equipment.  Do not install the projector in an airtight location.

If the projector needs to be installed in an airtight location, it is vital to ensure that air conditioning and ventilation equipment are also installed.

If the location is not sufﬁciently ventilated, heat exhausted from the projector will accumulate and could trigger the projector's built-in protection sensors causing the projector to shut down.

Do not block the slots and openings in the projector case.

Set up your InFocus

Page 22

Set up your InFocus

Mounting modes

Your InFocus projector can be set up and installed in any of the following ways:

Front/Rear

Front Ceiling/Rear Ceiling

CAUTION

Do not operate the projector on its side, this may cause the projector to malfunction.

Do not look at the lens while the projector is on. Serious damage to your eyes could result. The following label, that is indicated near the lens-mounting-section on the projector cabinet, describes this projector is categorized in the risk group 2 of IEC 62471-5: 2015. As with any bright source, do not stare into the beam, RG2 IEC 62471-5: 2015.

RG 2

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Set up your InFocus

Using the projector on screen display (OSD)

OSD Menu tree

Additional details on each feature, function and option in the OSD Menu Tree is available in the detailed user guide which can be found at infocus.com

Default Setting Default Setting By Source Default Setting By Other

MAIN SUB LEVEL SUB LEVEL 2 SUB LEVEL 3 SUB LEVEL 4 VA L U E COMMENTS

Presentation 1. RGB source default:

Bright

Movie 2. YUV source default: Movie

sRGB

Presentation

Picture Mode

Wall Colour

IMAGE

Brightness -50 ~ 50

Contrast -50 ~ 50

Sharpness

Colour -50 ~ 50 Only for YUV source

Tint -50 ~50 Only for YUV source

DICOM SIM.

User

3D 3. 3D on default: 3D ISF Day 4. ISF Day and ISF Night are valid

while ISF Mode is On or Unlock

ISF Night

Whiteboard

Blackboard

Light Yellow

Light Green

Light Blue

Pink

Gray

1 ~ 15

Film

Video

Graphics

Gamma Standard (2.2)

1.8

Advanced 2.0

2.4

BrilliantColor

Colour Temp.



1 ~ 10

War m

Medium

Cold

NOT E With DICOM SIM Picture Mode selected or Blackboard, Wall Colour selected Gamma options will be hidden.

Set up your InFocus

Page 24

Set up your InFocus

Default Setting Default Setting By Source Default Setting By Other

MAIN SUB LEVEL SUB LEVEL 2 SUB LEVEL 3 SUB LEVEL 4 VA L U E COMMENTS

Red Hue

Saturation

Gain

Exit

-50 ~ 50

IMAGE

Advanced

Colour Settings

Green Hue

Saturation

Gain

Exit

Blue Hue

Saturation

Gain

Exit

Cyan Hue

Saturation

Gain

Exit

Magenta Hue

Saturation

Gain

Yellow Hue

Saturation

Gain

Exit

-50 ~ 50

RGB Gain/Bias

White Red

Green

Blue

Exit

Reset Exit

Red Gain

Green Gain

Blue Gain

Red Bias

Green Bias

Blue Bias

Reset Exit

-50 ~ 50

24 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Set up your InFocus

Default Setting Default Setting By Source Default Setting By Other

MAIN SUB LEVEL SUB LEVEL 2 SUB LEVEL 3 SUB LEVEL 4 VA L U E COMMENTS

AUTO



Colour Space

RGB Only for non-HDMI

RGB (0~255) Only for HDMI

RGB (16~235) Only for HDMI

YUV



source



source

IMAGE

DISPLAY

Advanced

Format

Edge Mask

Zoom

Image Shift

V Keystone

White Level

Black Level

0 ~ 31

-5 ~ 5

IRE

7. 5

Off

Automatic

Signal

Phase

Frequency

H. Position

V. Position

0~ 31

-10 ~ 10

-5 ~ 5

Exit

4:3

16:9

16:10

LBX

Native

Auto

0~ 10

-5 ~ 25

H -100 ~ 100

V -100 ~ 100

Exit

-40 ~ 40

-20 ~ 20

-10 ~ 10

Off

3D Mode

DLP



-Link

Only for S-Video

For S-Video Input Source NTSC Signal default: 7.5 PAL Signal default: 0 IRE Adjustment Only for NTSC-M/NTSC-J/NTSC-4.43/ PAL-M/PAL-60

NOTE: Only for Analog VGA source

For all models but WXGA & WUXGA models depend on Screen Type selection

Only for WXGA & WUXGA models depend on Screen Type selection

Only for WXGA, 1080p & WUXGA models.

Original image without any scaling

NOTE: 50 adjustment of 2 steps per adjustment

-40 ~40 P130, P131

-20 ~ 20 P132

-10 ~ 10 P132 1080p/WUXGA

Set up your InFocus

Page 26

Set up your InFocus

Default Setting Default Setting By Source Default Setting By Other

MAIN SUB LEVEL SUB LEVEL 2 SUB LEVEL 3 SUB LEVEL 4 VA L U E COMMENTS

DISPLAY

Enhanced

Gaming

Picture

Mode Lock

3D - 2D

3D Format

3D Sync. Invert

Exit

L Only display left frame

R Only display right frame

Auto

SBS NOTE: SBS = Side by Side Half Top and

Bott om Frame

Sequential Off

Off

On English English Deutsch German

1. Only for 1920x1080 60Hz timing

2. Disable Keystone/Overscan/ Zoom/Image Shift/Aspect Ratio when turn On

SETUP

Language

Français French Svenska Swedish Español Spanish Português Portuguese Polski Polish Nederlands Dutch



Norsk/Dansk Norwegian/Danish Pilipino Filipino Melayu Malay Română Romanian Italiana Italian

簡体中文

Suomi Finnish

Magyar Hungarian

Hindi

Simpliﬁed Chinese

Greek Russian

26 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Set up your InFocus

Default Setting Default Setting By Source Default Setting By Other

MAIN SUB LEVEL SUB LEVEL 2 SUB LEVEL 3 SUB LEVEL 4 VA L U E COMMENTS

Čeština Czechoslovak

يرع

Arabic Thai

Türkçe Turkish

Language

Farsi Vietnamese

Projection

Screen Type

SETUP

Project ID

Location

Security

Security Timer

Change Password

Mute

Month Day Hour

Bahasa Indonesia

Indonesian

Bengali Fron t Rear Front-Ceiling Rear-Ceiling Top-Left Top-Right Center Bottom-Left Bottom-Right

16:10

1. Only for WXGA & WUXGA

models 16:9 2. Relates to Format Setting

Off On Default Password: 1234

0 ~ 12

0 ~ 30

0 ~ 24

0~ 99

P131, P132

Off On

Audio

Settings

HDMI

Settings



Link

Volume

Audio Input

Exit



HDMI

Link

Power On Link

0~ 10

Default Audio in Only for HDMI

Off On Mutual PJ -> Device Device -> PJ

Set up your InFocus



source

Page 28

Set up your InFocus

Default Setting Default Setting By Source Default Setting By Other

MAIN SUB LEVEL SUB LEVEL 2 SUB LEVEL 3 SUB LEVEL 4 VA L U E COMMENTS

SETUPOPTIONS

Advanced

Input Source

Power Off Link

Logo

Background Colour

Information Hide

Exit

Off On Default Neutral Black Red Blue Green White Logo Off

VGA S-Video

HDMI



HDMI

NOTE: Warning messages &

power off will not be hidden if

activated

P131, P132

Auto Source

High

Altitude

Keypad Lock

Test Pattern

Remote Settings

IR Function

Exit Off On Off On

Off

Red Grid Green Grid Blue Grid White

Off

1. Keypad unlock hotkey: Press

the "Enter" key on keypad for 5

secs to release keypad lock

2. Relate to IR Function: If

Keypad Lock setting from Off

to On, IR Function will be

automatically changed to On

NOTE: Relates to Keypad Lock:

If IR Function setting from On

to Off, Keypad Lock will be

automatically changed to Off.

28 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Set up your InFocus

Default Setting Default Setting By Source Default Setting By Other

MAIN SUB LEVEL SUB LEVEL 2 SUB LEVEL 3 SUB LEVEL 4 VA L U E COMMENTS

AV Mute Wall Colour Brightness Contrast Gamma Colour Temp.

Colour Settings

OPTIONS

Remote Settings

User 1

RGB Gain/ Bias

Language Projection Security

15 Users Settings & Presets

Executed via the AV Mute

Button on Remote Control

Advanced

Direct Power On

Signal Power On

Auto Power Off (min)

Sleep Timer (min)

Quick Resume

VGA Out (Standby)

Test Pattern Auto Power

Off (min) Sleep Timer

(min) Lamp

Settings INFO

Off On Off

0~ 180

0 ~ 990

Off On

Off

One step: 5, DEFAULT 20

One step: 30

Only Supported on P131 & P132

Models

Lamp

Settings

USB Power

Exit

Lamp Reminder

Brightness Mode

Lamp Hours

Off

Off On Bright Eco Dynamic

NOTE: USB Standby is not

supported

Set up your InFocus

Page 30

Set up your InFocus

Default Setting Default Setting By Source Default Setting By Other

MAIN SUB LEVEL SUB LEVEL 2 SUB LEVEL 3 SUB LEVEL 4 VA L U E COMMENTS

OPTIONS

Reset

Regulatory

Serial Number

Input Source

Resolution

Refresh Rate

Picture Mode

INFO

Lamp Hours

Lamp Reset

Exit

Bright Eco Dynamic

No Ye s

No Ye s P130, P131 or

P131

Regulatory Model of Projector

Speciﬁed

Total

Brightness Mode

Firmware Version

Project ID

System MCU

NOTE

ISF

•The certified ISF technician will calibrate and optimize the projection image according to your actual environment.

•The ISF input password will be kept by technician only.

•“ISF Day” and “ISF Night” will not be shown in display mode if projector equipped with ISF function has not been

calibrated by an ISF certified technician. For more information, please go to ISF official website: https://

www.imagingscience.com and contact the dealer located in your country.

•The ISF calibration will be charged and guaranteed by ISF certified calibrator, and thereby InFocus is not responsible

for the calibration service.

30 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Front

P130, P131, P132 - 6 & 9 inputs/outputs

Views of your InFocus

Back

P130 - 6 inputs/outputs

Views of your InFocus

Page 32

Views of your InFocus

Back

P131, P132 - 9 inputs/outputs

To p

P130, P131, P132 - 6 & 9 inputs/outputs

32 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Views of your InFocus

Left Side

P130, P131, P132 - 6 & 9 inputs/outputs

Right Side

P130, P131, P132 - 6 & 9 inputs/outputs

Views of your InFocus

Page 34

Views of your InFocus

Bottom

P130, P131, P132 - 6 & 9 inputs/outputs

115.00 mm

55.00 mm 55.00 mm

107.00 mm

82.30 mm 64.20 mm

34 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Remote control

Ships with regulatory model P130, P131, P132

Views of your InFocus

No Key Fuction

1 AV mute 2 Power on/off 3 Re-Sync 4 Up 5 Source 6 Left 7 Enter 8 Right 9 Menu

NOTE

Some keys may have no function for models that do not support these features.

No Key Fuction

10 Down

11 Eco

12 Keystone+

13 Volume+

14 Keystone15 Volume16 VGA 1

17 Video 2 18

HDMI

No Key Fuction

19 Page+ 4

20 Aspect 5

21 Magnify+ 6 22 Page- 7 23 Fre eze 8

24 Magnify- 9

Mouse

26 Picture 0

27 Mute

Views of your InFocus

Page 36

Views of your InFocus

Remote control effective range

Infra-Red (IR) remote control sensor is located on top of the projector. Ensure to hold the remote control at an angle within 30 degrees perpendicular to the projector’s top IR remote control sensor to function correctly. The distance between the remote control and the sensor should not be longer than 6 meters (20 feet).

NOTE

 Make sure that there are no obstacles between the remote control and the IR sensor on the projector that

might obstruct the infra-red beam.

 Avoid using the remote control in direct sunlight or bright ﬂuorescent lights at near range, as the projector

may not respond to commands under these conditions.

 Please keep the remote control at least 7 feet 2 meters away from ﬂuorescent lamps otherwise the remote

control may not operate as intended.

 If the remote control is close to Inverter-Type ﬂuorescent lamps, it might become ineffective from time to

time.

 If the remote control and the projector are within a very short distance, the remote control may become

ineffective.

 When pointing the remote control towards a projection screen or whiteboard, the effective distance of

20 feet 6 meters from remote to screen to projector may be shortened due to the IR reﬂectivity of the screen or white board surface.

36 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

When pointing the remote control directly (0 degrees angle) on the IR sensor, the distance between the remote control and the sensor should not be longer than 8 meters (~ 26 feet).

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Projector parts and functions

Front

P130, P131, P132 6 & 9 Input/Output Models

Parts and functions

Name Function

1 Air Intake Vent Air to cool the projector enters here

2 Keypad Keys to operate the projector on screen display

3 Status and Warning LED’s Provide information on the status of the projector and error codes

4 Focus Ring Used to focus the image

(Not Applicable for P132 Short-Throw Models)

5 Optical Zoom Ring Used to adjust the image size using optical zoom

(Not Applicable for P132 Short-Throw Models)

6 Projector Lens Images are projected from here

7 Lamp Door Housing Housing for the projector lamp

8 Air Exhaust Vent Hot air from the projector exits here

9 IR Remote Receiver Receives commands from the remote control

Parts and functions

Page 38

Parts and functions

Back

P130 models 6 inputs/outputs

Name Function

1 Power Inlet Connects the power-cord to the projector

2 Kensington Lock Slot Attach an optional Kensington lock here to secure your projector

HDMInput port

4 USB-A port

5 VGA input port Inputs signal to the projector from a computer source over a VGA cable

6 S-Video input port Inputs video signal to the projector from a source over a S-Video cable

7 Audio In port Inputs audio signal from connected source to the projector

8 Audio Out Port Outputs audio signal from the current input source to the projector to external

9 Adjustable rear foot Used to adjust and level the height of the projector

10 Fixed rear foot Used in combination with the rear and front adjustable feet to level the projector

Inputs video signals to the projector from HDMIcompatible video equipment and

computers. This projector is compatible with HDCP.

Delivers power 5V/1.5A to optional wireless devices connected to the HDMIport.

Used to control the projector via an optional wired remote. Used for the delivery and updating of service firmware.

speakers

38 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Back

9 inputs/outputs P131 & P132 models

Parts and functions

Name Function

1 Power Inlet Connects the power-cord to the projector

2 Kensington Lock Slot Attach an optional Kensington lock here to secure your projector

HDMI & HDMI 2 Input ports

4 USB-A port

5 VGA input port Inputs signal to the projector from a computer source over a VGA cable

6 S-Video input port Inputs video signal to the projector from a source over a S-Video cable

7 Audio In port Inputs audio signal from connected source to the projector

8 Audio Out Port Outputs audio signal from the current input source to the projector to external

9 Adjustable rear foot Used to adjust and level the height of the projector

10 Fixed rear foot Used in combination with the rear and front adjustable feet to level the projector

11 RS232 port Connects a RS232 cable to a computer to control the projector.

12 VGA/Monitor Out Port Outputs analog RGB signals from the VGA Input port to a monitor.

Inputs video signals to the projector from HDMI compatible video equipment and

computers. This projector is compatible with HDCP.

Delivers power 5V/1.5A to optional wireless devices connected to the HDMI

port. Used to control the projector via an optional wired remote. Used for the delivery and updating of service firmware.

speakers

Parts and functions

Page 40

Parts and functions

Bottom

P130, P131, P132 6 & 9 input/output models

Name Function

1 Mounting points for optional ceiling mount Attach the optional ceiling mount when suspending the projector

from a ceiling (three points)

2 Adjustable front foot Used to level the projector or move the height of the image

3 Rear Feet (2) Used to level the projector in combination with the front foot

4 Security cable attachment point Pass a commercially available cable lock through here to secure the

projector. You can also attach the optional commercially available wire through here to prevent the projector from falling when ceiling or wall mounted

40 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Product features P130

PROJECTOR LINE GENESIS

PROJECTOR LINE RANGE ESSENTIAL

MODELS

RESOLUTION SVGA XGA W XGA 1080p WU XGA

9 Picture Modes including DICOM Simulation, User Deﬁnable and ISF Night & Day

7 Wall Colour Modes Brightness, Sharpness, Contrast, Colour, Tint, Gamma

Adjustment Settings 10 Step BrilliantColor Implementation

Individual Hue, Saturation and Gain Adjustments for RGB, C, M, Y, W

RGB Gain/Bias Adjustments 5 Colour Space Adjustment Settings White and Black Level Adjustments IRE and Signal Settings and Adjustments Aspect Ratio Format Settings 4:3 16:9

IN112AA IN114AA IN116AA IN118AA IN119AA

IN113AA IN115AA IN117AA IN188AA IN199AA

16:10 Letter Box Native Auto Digital Edge Masking Digital Image Shift - Horizontal & Vertical Digital Zoom Vertical Keystone Adjustment 3D Activation, DLP-Link Settings & Formats 3D Sync Invert 2D to 3D Setting Enhanced Low Latancy Gaming Mode Picture Mode Lock 27 Selectable OSD Languages Projection Modes - Front, Rear, Front Ceiling, Rear Ceiling OSD Menu Positioning ScreenType - Aspect Ratio Locking 16:10 ScreenType - Aspect Ratio Locking 16:9 Security On/Off Setting Security Timer

Product features P130

Page 42

Product features P130

PROJECTOR LINE GENESIS

PROJECTOR LINE RANGE ESSENTIAL

MODELS

RESOLUTION SVGA XGA W XGA 1080p WU XGA

Security Password Selector Assignable Project ID Number Audio Input and Volume Settings

HDMI Link Activation and Settings

Startup Logo Removal and Background Colour Selector Projector Information Messaging Overide Input Source Lock Auto Source Setting High Altitude Setting Keypad Lock Setting Built in Test Paterns IR Fuction Setting 15 user presets with single key activation Direct Power On Setting Signal Power On Setting

IN112AA IN114AA IN116AA IN118AA IN119AA

IN113AA IN115AA IN117AA IN188AA IN199AA

Auto Power Off Setting Sleep Timer Setting Quick Resume Setting VGA Out Standby Setting USB-A Power Setting Lamp Usage Reminder Setting Lamp Brightness Mode Projector Information Table 24/7 Operation Waveform Lamp Colour Enhancement AV Mute

42 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Product features P131

PROJECTOR LINE GENESIS

PROJECTOR LINE RANGE ESSENTIAL+

MODELS

RESOLUTION SVGA XGA W XGA 1080p WU XGA

9 Picture Modes including DICOM Simulation, User Deﬁnable and ISF Night & Day

7 Wall Colour Modes Brightness, Sharpness, Contrast, Colour, Tint, Gamma

Adjustment Settings 10 Step BrilliantColour Implementation

Individual Hue, Saturation and Gain Adjustments for R G B, C, M, Y, W

RGB Gain/Bias Adjustments 5 Colour Space Adjustment Settings White and Black Level Adjustments IRE and Signal Settings and Adjustments Aspect Ratio Format Settings 4:3 16:9

IN112BB IN114BB IN116BB IN118BB IN119BB

IN113BB IN115BB IN117BB IN188BB IN199BB

Product features P131

Page 44

Product features P131

PROJECTOR LINE GENESIS

PROJECTOR LINE RANGE ESSENTIAL+

MODELS

RESOLUTION SVGA XGA W XGA 1080p WU XGA

Security Password Selector Assignable Project ID Number Audio Input and Volume Settings

HDMI Link Activation and Settings

IN112BB IN114BB IN116BB IN118BB IN119BB

IN113BB IN115BB IN117BB IN188BB IN199BB

44 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Product features P132

PROJECTOR LINE GENESIS

PROJECTOR LINE RANGE SHORT THROW

MODELS

RESOLUTION XGA WXGA 1080p

9 Picture Modes including DICOM Simulation, User Deﬁnable and ISF Night & Day

7 Wall Colour Modes Brightness, Sharpness, Contrast, Colour, Tint, Gamma Adjustment Settings

10 Step BrilliantColourTM Implementation Individual Hue, Saturation and Gain Adjustments for R G B, C, M, Y, W

RGB Gain/Bias Adjustments 5 Colour Space Adjustment Settings White and Black Level Adjustments IRE and Signal Settings and Adjustments Aspect Ratio Format Settings 4:3 16:9 16:10

IN114BBST IN116BBST IN118BBST

IN115BBST IN117BBST IN1188BBST

Letter Box Native Auto Digital Edge Masking Digital Image Shift - Horizontal & Vertical Digital Zoom Vertical Keystone Adjustment 3D Activation, DLP-Link Settings & Formats 3D Sync Invert 2D to 3D Setting Enhanced Low Latancy Gaming Mode Picture Mode Lock 27 Selectable OSD Languages Projection Modes - Front, Rear, Front Ceiling, Rear Ceiling OSD Menu Positioning ScreenType - Aspect Ratio Locking 16:10 ScreenType - Aspect Ratio Locking 16:9 Security On/Off Setting Security Timer

Product features P132

Page 46

Product features P132

PROJECTOR LINE GENESIS

PROJECTOR LINE RANGE SHORT THROW

MODELS

RESOLUTION XGA WXGA 1080p

Security Password Selector Assignable Project ID Number Audio Input and Volume Settings

HDMI Link Activation and Settings

IN114BBST IN116BBST IN118BBST

IN115BBST IN117BBST IN1188BBST

46 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Speciﬁcations overview P130

PROJECTOR LINE GENESIS

PROJECTOR LINE RANGE ESSENTIAL

MODELS

DISPLAY & OPTICAL

RESOLUTION

LENS Manual, 1.1:1 Zoom and Focus

DISPLAY TECHNOLOGY Texas Instruments DLP

COLOUR REPRODUCTION 1073.4 Million Colours

NATIVE ASPECT RATIO 4:3 16:10 16:9 16:10

COMPATIBLE ASPECT RATIO 16:9 & 16:10 16:9 & 4:3 16:10 & 4:3 16:9 & 4:3

ELECTRICAL

INPUTS, OUTPUTS

SPEAKER

POWER REQUIRMENT 100-240V @ 50/60Hz

IN112AA IN114AA IN116AA IN118AA IN119AA

IN113AA IN115AA IN117AA IN188AA IN199AA

SVGA XGA WXGA 1080p WUXGA

800 x 600 1024 x 768 1200 x 800 1920 x1080 1920 x 1200



1x HDMI 1x VGA, 1x S-VIDEO, 1x USB-A, 1x Audio In, 1x Audio Out

Yes, 1x 3W

MECHANICAL

INSTALLATION ORIENTATION Front, Rear, Front Ceiling, Rear Ceiling

DIMENSIONS 313 x 236 x 107 mm / 12.32" x 9.29" x 4.21"

WEIGHT 2.6 Kg / 5.72 lb

ENVIRONMENTAL CONDITIONS Operating in 5 ~ 40°C / 41 ~ 104°F, 10% to 85% humidity (non-condensing)

Speciﬁcations overview P130

Page 48

Speciﬁcations overview P131

PROJECTOR LINE GENESIS

PROJECTOR LINE RANGE ESSENTIAL+

MODELS

DISPLAY & OPTICAL

RESOLUTION SVGA XGA WXGA 1080p WUXGA

LENS Manual, 1.1:1 Zoom and Focus

DISPLAY TECHNOLOGY Texas Instruments DLP

COLOUR REPRODUCTION 1073.4 Million Colours

NATIVE ASPECT RATIO 4:3 16:10 16:9 16:10

COMPATIBLE ASPECT RATIO 16:9 & 16:10 16:9 & 4:3 16:10 & 4:3 16:9 & 4:3

ELECTRICAL

INPUTS, OUTPUTS

SPEAKER

IN112BB IN114BB IN116BB IN118BB IN119BB

IN113BB IN115BB IN117BB IN188BB IN199BB

800 x 600 1024 x 768 1200 x 800 1920 x1080 1920 x 1200



2x HDMI 1x VGA, 1x VGA Out, 1x S-VIDEO, 1x USB-A, 1x Audio In, 1x Audio Out,

1x RS232

Yes, 1 x 10W

POWER REQUIRMENT 100-240V @ 50/60Hz

MECHANICAL

INSTALLATION ORIENTATION Front, Rear, Front Ceiling, Rear Ceiling

DIMENSIONS 313 x 236 x 107 mm / 12.32" x 9.29" x 4.21"

WEIGHT 2.6 Kg / 5.72 lb

ENVIRONMENTAL CONDITIONS Operating in 5 ~ 40°C / 41 ~ 104°F, 10% to 85% humidity (non-condensing)

48 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Speciﬁcations overview P132

PROJECTOR LINE GENESIS

PROJECTOR LINE RANGE SHORT THROW

MODELS

DISPLAY & OPTICAL

RESOLUTION XGA WXGA 1080p

LENS Fixed 1:1 Lens

DISPLAY TECHNOLOGY Texas Instruments DLP

COLOUR REPRODUCTION 1073.4 Million Colours

NATIVE ASPECT RATIO 4:3 16:10 16:9

COMPATIBLE ASPECT RATIO 16:9 & 16:10 16:9 & 4:3 16:10 & 4:3

ELECTRICAL

INPUTS, OUTPUTS 2x HDMI

SPEAKER Yes, 1x 10W

IN114BBST IN116BBST IN118BBST

IN115BBST IN117BBST IN188BBST

1024 x 768 1200 x 800 1920 x1080



, 1x VGA, 1x VGA Out, 1x S-VIDEO, 1x USB-A, 1x Audio In,

1x Audio Out, 1x RS232

POWER REQUIRMENT 100-240V @ 50/60Hz

MECHANICAL

INSTALLATION ORIENTATION Front, Rear, Front Ceiling, Rear Ceiling

DIMENSIONS 313 x 236 x 107 mm / 12.32" x 9.29" x 4.21"

WEIGHT 2.9 Kg / 6.39 lb

ENVIRONMENTAL CONDITIONS Operating in 5 ~ 40°C / 41 ~ 104°F, 10% to 85% humidity (non-condensing)

Speciﬁcations overview P132

Page 50

Environmental conditions

Be sure to observe the following precautions to avoid malfunctions, operating errors or damage to the projector.

Notes on handling and storage

 Do not use or store the projector in places where it might be subjected to high and low extremes of

temperature. Furthermore, avoid places where the temperature may change suddenly.

 Be sure to observe the operating temperatures and storage temperatures given in the user guide when

using and storing the projector.  When storing the projector, store it in a dry location.  Do not set up the projector in places where it might be subjected to vibration or shock.  Do not set up the projector near high-voltage electrical wires or sources of magnetic ﬁelds.These may

interfere with correct operation.  Do not touch the lens with bare hands.  Always attach the lens cover to the lens when not using the projector, to prevent the lens from becoming

dirty or damaged.  Remove the batteries from the remote control before storage. If the batteries are left in the remote control for

long periods, they may leak.  Do not use or store the projector in places where smoke from oil or cigarettes may be present, as it can

adversely affect the quality of the projected images.  Contact your dealer to clean the interior of the projector. If the interior of the projector has not been cleaned

for a long time, dust may build up, which could cause ﬁre or electric shock.  InFocus takes no responsibility for loss or damage caused by damage to the projector outside service

warranty conditions.  When a still image is displayed for a long period of time, image retention may occur on the screen. Do not

display images in the exact same position for long periods.

Notes on carrying the projector

 Turn off the projector power and then disconnect the power cable from the outlet. Furthermore, check that

all other cables have been disconnected.  Attach the lens cover to the lens.  Retract the adjustable foot.  If your model of projector has a handle, hold the projector by the handle when carrying it.  When carrying large or heavy models, make sure it is carried by the number of people speciﬁed in the user

guide.

When transporting the projector to InFocus or a InFocus service center for repairs

The internal projector components consist of many glass parts and high-precision parts. When transporting the projector, take the following measures to protect the projector from any damage that might result from shock. Enclose the projector securely in buffer material to protect it from shock, and place it into a strong cardboard container. Be sure to notify the carrier company that the contents are fragile.

InFocus, its service centers and authorized service partners do not accept liability for goods damaged during transit due to inadequate or improper packaging of the projector.

Power cables for Overseas Use

50 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

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Glossary

Te r m Description

1080i 1080i is ATSC high deﬁnition 1920 x 1080 interlaced video format where a frame of video is delivered

in two ﬁelds. The ﬁrst ﬁeld contains the odd lines of the image, while the second ﬁeld contains the even lines. Each ﬁeld is updated every 1/60th of a second resulting in 30 frames of video per second.

1080p 1080p is ATSC high deﬁnition 1920 x 1080 progressive scan video format where a complete frame

of video is delivered at either 60 or 24 frames per second.

16:9 Aspect ratio of an HDTV signal which is 16 units by 9 units, whatever size those units may be. In the

ﬁlm trade aspect ratios are described in relation to one, which means this aspect ratio is described as 16/9 or 1.78:1.

2:2 pull-down Method for transferring 24 frame per second ﬁlm to PAL/SECAM video running at 25 frames per

second.

2:3 Pull-Down 2:3 pull-down, commonly called 3:2 pull-down, converts ﬁlm footage to NTSC video. Film footage

is shot at 24 frames per second (FPS) and NTSC video is shot at 30 FPS. 3:2 pull-down refers to the electronics needed to convert 24 FPS to 30 FPS so that it can be viewed on a NTSC video device. To accomplish this, 4 frames of ﬁlm are converted to 5 frames of video by inserting an extra ﬁeld of ﬁlm frame every other frame.

3D Ready A projector that is 3D Ready can accept a 120Hz frame-sequential 3D signal from a computer via

either NVIDIA's 3D Vision system or one of several educational software suites. These projectors are not compatible with the HDMI also refer to this type of 3D as PC 3D Ready.



1.4 3D speciﬁcation used on 3D Blu-ray players and set-top boxes. We

3LCD Common 3 colour system for projecting images via LCD or liquid crystal display. Uses dichroic

mirrors to separate the RGB components of white light coming from a projection lamp. Each colour is fed to separate LCD panels which control the about of coloured light that passes through. The light from each LCD is recombined using a dichroic prism before going out the lens and on to a screen.

480i 480i is ATSC Standard Deﬁnition Television (SDTV) 720 x 480 or 640 x 480 interlaced video format

where a frame of video is delivered in two ﬁelds. The ﬁrst ﬁeld contains the odd lines of the image and the second ﬁeld contains the even lines. Each ﬁeld is updated every 1/60th of a second resulting in 30 frames of video per second.

480p 480p is ATSC Enhanced Deﬁnition Television (EDTV) 720 x 480 progressive scan video format

where a complete frame of video is delivered at either 30 or 24 frames per second. 480p also refers to a display format comprised of 854 x 480 pixels, 16:9 widescreen.

720p 720p is an ATSC high deﬁnition 1280 x 720 progressive scan video format where a complete frame

of video is delivered at either 60, 30 or 24 frames per second.

Anamorphic A technique for changing aspect ratios by optically or digitally stretching or compressing an image

to or from a format with a different native aspect ratio. Movie studios used this technique to put the ﬁrst widescreen movies on standard 35mm ﬁlm and then used an anamorphic lens to recreate the image in the widescreen format in which it was originally shot.

Anamorphic Lens

An anamorphic lens is a lens that has different optical magniﬁcation along mutually perpendicular radii. This provides the ability to project a source image of one aspect ratio, such as 4:3, into a different aspect ratio, such as 16:9, by using different magniﬁcations for the horizontal and the vertical dimensions of the projected image.

Anamorphic Ready

ANSI American National Standards Institute. A private organization that coordinates and administers

A projector that supports anamorphic projection using an optional anamorphic lens.

various voluntary consensus standards such as ANSI lumens. The ﬁrst ANSI standard was for pipe threading in 1919 when it was called the American Engineering Standards Committee.

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ANSI Contrast Contrast is the ratio between white and black. The larger the contrast ratio the greater the ability of

a projector to show subtle colour details and tolerate extraneous room light. There are two methods used by the projection industry: 1)Full On/Offcontrast measures the ratio of the light output of an all white image (full on) and the light output of an all black (full off) image. 2)ANSIcontrast is measured with a pattern of 16 alternating black and white rectangles. The average light output from the white rectangles is divided by the average light output of the black rectangles to determine theANSI contrast ratio. When comparing the contrast ratio of projectors make sure you are comparing the same type of contrast.Full On/Offcontrast will always be a larger number thanANSIcontrast for the same projector.

ANSI Lumens ANSI lumens is a measurement of the overall brightness of a projector. Because the center of a

projected image is brighter than the corners, ANSI lumens is the most accurate representation of the image brightness. ANSI lumens are calculated by dividing a square meter image into 9 equal rectangles, measuring the lux (or brightness) reading at the center of each rectangle, and averaging these nine points.

Aperture A device that controls amount of light admitted.

Artifacts Flaws and aberrations in a video image that derive from technical limitations in the capture, encoding/

decoding, transmission, and display of a video signal.

Aspect Ratio The ratio of image width to image height. Standard television is 4:3 or 1.33:1. Panavision or

Cinemascope is 2.35:1 with 1.85:1 being quite common as well. Widescreen displays are 1.78:1 or 16:9. times the height. For example, if you want an image 40 inches high then you need a screen that is at least 40 * 1.78 inches wide or 71 inches. Other relatively common aspect ratios are 3:2, 4:3 and 5:4.

Bandwidth The number of cycles per second (Hertz) expressed as the difference between the lower and upper

limits of a frequency band; also, the width of a band of frequencies. Practically speaking, bandwidth is the amount of data that can pass through a given connection per unit of time.

Barrel Distortion Distortion where screen image expands outward towards edges of the screen. Instead of being

square, edges are curved outward like the edge of a barrel. Opposite of pincushion.

Bezel The frame or face of a device, such as, a projector grill, or CRT or LCD display frame.

Black Level The darkest part of a picture. This can vary between display devices and viewing environments.

NTSC black is set at 7.5 IRE, which is very slightly gray. The white level divided by the black level gives a contrast ratio for a particular display device.

Blackboard Mode

Blanking The period of time that an electron gun is turned off to reposition itself to paint the next part of the

Bleeding Video distortion where colour “bleeds” from an object onto other parts of the image which are not

Blackboard mode is a projector feature that allows the projector to detect the colour of the display surface such as a chalkboard of painted wall and automatically adjust its output to optimize accurate colour reproduction.

video onto the CRT screen.

supposed to be that colour.

Blue Laser Colour of the laser used with Blu-ray high deﬁnition DVDs. Blue laser light has a shorter wavelength

than red, which is why blue lasers can retrieve and store more data in a given physical area.

BNC Bayonet Nut Connector or British Naval Connector. A high quality, locking cable plug which is used

extensively in professional video.

Bowing Video distortion where lines which should be straight are curved. See barrel distortion and

pincushioning.

Brightness Overall light output from an image. While a brightness control can make an image brighter, it is best

used to better deﬁne the black level of the image.

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Te r m Description

Glossary

Brightness (Perceived)

Brilliant



Color

Calibrate To adjust with reference to a standard.

Channel A separate signal or signal path.

Closed Caption Closed caption (CC) superimposes a transcript of the audio portion of a video program over the

Coated Optics A variety of materials put on high quality lenses to minimize the amount of light reﬂected back to the

Coaxial An audio or video cable with a single internal wire with an outer shield that is ground. In audio, a

The brightness of a projection system can be precisely measured with a light meter. For example, a typical movie theater is setup to deliver 16 foot-Lamberts. The higher the foot-Lamberts, the brighter the image. A common misconception is that a projector with twice the foot-Lamberts of another projector will be twice as bright. While it is true that a light meter will detect it as twice as bright, your eye will not. The perceived brightness will increase by about 50%. It will not double because the human eye has a logarithmic respond to light.

Brilliant Color - a technology developed by Texas Instruments six channels of colour including red, green, blue, cyan, magenta, and yellow; thereby, allowing an increase in the colour gamut.

program image. Its primary use is to provide people that are deaf or hard of hearing the opportunity to read a transcript of the audio as it is being played. Closed Caption is also helpful for people learning to read or learning a foreign language. Closed Caption can also be used to display text unrelated to the program being viewed, such as weather or news.

lamp and the amount of ambient light that mingles with the focused light leaving the lens. Generally good coatings can add 15% or more to the lenses brightness. Other coatings are used for ﬁltering colours.

speaker type where one speaker is positioned within another larger speaker’s cone.

® for its DLP® projectors that produces

Colour Dynamics

Colour Saturation

Colour Temperature

Colour Wheel Rotating wheel with 3 or more translucent colour ﬁlters used to display sequential colour on single

Component Video

Contrast Contrast increases as the white point increases. Increasing the white point creates a greater

The whitest whites, reddest reds, bluest blues and greenest greens. High colour dynamics are a result of dynamic range/contrast ratios. Having excellent colour dynamics implies rich colours, excellent deﬁnition, high contrast.

Measure of colour purity. Highly saturated colours emit a very narrow band of wavelengths of light instead of the broader spectrum of frequencies emitted from mixed colours. A display with good saturation capability will look vibrant.

Colour balance of white light which goes from red to blue as the temperature rises. Measured in degrees Kelvin, which starts at absolute 0 or –273 degrees Celsius, colour temperature matches the reference standard of the light being emitted from a carbon block heated to the stated degrees. For instance, the early morning sun is around 2500K, which is the same warm light that a carbon block heated to 2227° Celsius would emit. Heating the block further to ~10000° Celsius would emit the same bluish light of a blue-sky mid-day sun. Common colour temperatures are 5500 Kelvin (black and white movies) and 6500 Kelvin (standard colour ﬁlms).

imager light valve based projection devices. The imager reﬂects or transmits the colour component of a given image when the wheel’s corresponding colour ﬁlter is affecting the light passing through to the lens. A 1X wheel cycles through all colours in 1/60th of a second.

Component Video is a method of delivering quality video (RGB) in a format that contains all the components of the original image. These components are referred to as luma and chroma and are deﬁned as Y'Pb'Pr' for analog component and Y'Cb'Cr' for digital component. . It is comprised of luminance (Y) and two chrominance channels of blue minus luminance and red minus luminance.

difference between white and black.

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Te r m Description

Contrast Ratio The ratio between white and black. The larger the contrast ratio the greater the ability of a video

device to show subtle colour details and tolerate ambient room light. There are two industry methods used: 1) Full On/Off contrast measures the ratio of the light output

of an all white image (full on) and the light output of an all black (full off) image. 2) ANSI contrast is measured with a pattern of 16 alternating black and white rectangles. The average light output from the white rectangles is divided by the average light output of the black rectangles to determine the ANSI contrast ratio. When comparing the contrast ratio of video devices make sure you are comparing the same type of contrast. Full On/Off contrast will always be a larger number than ANSI contrast for the same video device.

Crestron RoomView

Crosstalk Interference of an electrical signal by another electrical signal in close proximity caused by its

CRT Cathode Ray Tube.

dB dB or decibel is a measure of relative loudness. 0 dB is the threshold of hearing. 60 dB is equivalent

Crestron RoomView Connected is built into projectors enabling direct network connectivity for remote management of AV networks.

Crestron RoomView® Express software provides enterprise help desk management, remote monitoring and control of global AV networks without any special wiring, hardware or programming. Once connected to the network, classroom teachers and presenters can instantly control any installed RoomView Connected™ projector. With no programming required, AV and IT managers can globally monitor and control networked projectors throughout a school, campus, or corporate enterprise.

Adding a Crestron control processor enables control of all AV devices, lighting and environmental systems on the network from any Crestron touch screen, Web browser and Apple® and Android® mobile devices including iPad™ and iPhone®.

By leveraging the Ethernet port on RoomView Connected projectors and accessing RoomView, AV managers and support staff can remotely take control of classroom technology, troubleshoot and perform remote system diagnostics, track projector usage and lamp life, log network activity and much more. Remote capabilities allow efﬁcient scheduling of projector power-off at preset times, routine maintenance, faster response times to support calls, alert notiﬁcations if projectors are disconnected, and broadcast messaging of emergency alerts to all projectors.

electromagnetism.

to normal conversation. 120 to 140 dB is the threshold of pain such as a jackhammer or gun shot. 10 db of change will double the loudness.

Deinterlacer Electronic component that converts an interlace video signal to progressive scan.

Deinterlacing Act of converting an interlace video signal to progressive scan.

Diagonal The diagonal of a screen or ﬂat panel can be computed by using the Pythagorean theorem: squaring

the width, squaring the height, adding them together and taking the square root. A 100" diagonal 16:9 screen measures 49" high by 87" wide; a 100" diagonal 4:3 screen measures 60" high by 80" wide. Use the Projection Calculator to get screen dimensions on all common aspect ratios.

Dichroic A mirror or lens that reﬂects or refracts selective wavelengths of light. Typically used in projector light

engines to separate the lamps "white" light into red, green, and blue light.

DICOM A DICOM projector (Digital Imaging and Communications in Medicine) provides the medical

profession with the ability to simulate 21 different levels of grayscale in the rendering of X-rays, CAT scans, MRIs and other medical imaging applications.

DisplayPort DisplayPort is a digital display interface developed by the VESA. The interface is primarily used

to connect a video source to a display device such as a computer monitor, though it can also be used to transmit audio, USB, and other forms of data. Displayport can be used to transmit audio and video simultaneously. The DisplayPort signal is not directly compatible with DVI or HDMI adapters can be used to adjust the signal levels and convert the connector style.



but passive

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Distortion A usually undesirable variation from an intended output caused by the characteristics of a particular

device.

Dithering Method of displaying intermediate colours that don’t exist in a limited palette by using a pattern of

small dots out of that palette.



DLP

DMD Digital Micromirror Device. Name of the actual imaging chip used in a Texas Instruments DLP

DNR Digital Noise Reduction. A system that reduces picture noise by comparing previous frames to the

DLP (Digital Light Processing) is a commercial name for a display technology from Texas Instruments (TI). The technology inside is often referred to as DMD (Digital Micro-Mirrors). It consists of an array of mirrors where each mirror represents a pixel element. For example, a high-deﬁnition DLP or rear projector with 1920 x 1080 pixel resolution would have over 2 million tiny mirrors. Each mirror is attached to an electronically driven hinge that controls the amount of coloured light that is reﬂected from the mirror into the projection lens and onto a screen. Projection systems using DLP use 1 to 3 DMD devices.

projection systems.

present and smoothing out what appears to be noise to the algorithm. Helps reduce ﬂickering in still parts of a video image.



projector



technology

Document Camera

Dolby Digital A lossy compression system to deliver sound on DVDs, ATSC and DBS broadcasts in up to 5.1

Dolby EX Backwards compatible system to add a sixth channel used for the middle rear playback to Dolby

Dolby Pro Logic An analog 4 channel surround sound system with left, right, center channels and a mono rear

Dolby Pro Logic IIUpdated version of Pro Logic. Offers better performance with playing back non-encoded sources

Downconvert To convert a higher resolution signal to a lower resolution. For example, 720p to 480p.

DTV Digital Television. A system that uses digital signals instead of analog including the ATSC standards,

Dual Lamp A Dual Lamp projector has two lamps where one lamp either serves as an automatic backup to

A document camera can be attached to any projector; however, there are projectors that integrate these features either as a camera on an arm that is attached to the projector or a document scanner that is built into the body of the projector.

channels. Also called AC-3. See AC-3.

Digital (AC-3) making it 6.1 or 7.1 sound. 7.1 sound uses an additional center rear speaker playing back a duplicate track. Needs a Dolby EX decoder. See AC-3.

channel, typically duplicated across 2 speakers. Rear channel is limited to 7KHz and system stores all channels in a matrix recording on 2 discrete analog channels. Has difﬁculty playing back nonencoded material at full ﬁdelity.

over a surround sound system with full spatial cues and ﬁdelity.

DBS and digital cable.

the other lamp or is preprogrammed to switch at speciﬁc intervals. The beneﬁt of this type of lamp system is it signiﬁcantly reduces the probability of lamp failure during use.

DVI Digital Visual Interface. DVI is a standard that deﬁnes the digital interface between digital devices

such as projectors, ﬂatscreens and personal computers. For devices that support DVI, a digital-todigital connection can be made that eliminates the conversion to analog and thereby delivers an unblemished image. It can also carry an analog signal and comes as DVI-I (integrated - analog and digital), DVI-D (digital only) and DVI-A (analog only). Dual link DVI connections add additional resolution capabilities. Speciﬁcations on DVI are available at www.ddwg.org.

Dynamic Range The ratio between the highest and lowest levels a device can perform. For a video device it is a

measure of contrast ratio. For an audio device it is usually stated in dB.

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Edge Blending When more then one projector is used side by side to project wider content into a seamless wide

image, Edge Blending technology can be used. Edge blending can be done in the projector or with an external video processor. Edge blending works to remove the bright visible band that occurs when two images overlap. Edge blending will gradually fade out one of the images in the banded zone while the adjacent image is gradually faded up.

Edge Enhancement

EMI Electro-Magnetic Interference.

Fill Rate Given as a percentage, this characteristic indicates how smooth an image will look viewing a

Focal Length The distance from the surface of a lens to its focal point.

Foot-Lambert (fL)

Form Factor A general description of a projector or ﬂat panel's size and shape. For example, a light projector with

FPS Frames Per Second.

Frame A frame is one complete video image. When all lines of the video image are delivered sequentially,

Frame Interpolation

A technique used to increase apparent resolution by increasing contrast around object edges. Usually counterproductive with already high-resolution sources and can become a source of image distortion.

particular display. An imaging system with a low ﬁll rate will exhibit a screen door pattern in its images.

Measurement of luminance (brightness) emitted from a surface. One foot-Lambert is equal to one lumen per square foot. The metric equivalent of one foot-Lambert is 3.426259 nits or cd/m2. The SMPTE standard for theater cinema is 16 fL.

a small case can be said to have a small form factor, and would be good for mobile presentation. Similarly, a ﬂat panel that is slim and wall mountable would be considered to have a small form factor.

it is called progressive video. When the odd lines and even lines are delivered as separate ﬁelds, it is called interlace video.

Frame interpolation, also called motion interpolation, is a video processing technique in which two sequential frames of video are analyzed for motion shifts that occur between Frame A and Frame B. Intermediate frames are then created and inserted between A and B to estimate incremental steps in the movement. The objective is to reduce motion blur and judder in order to achieve a cleaner and more stable video image.

Front Projection A system where the projector sits in front of the screen with the image getting reﬂected back to the

audience.

Full HD 3D A projector that is Full HD 3D compatible can use any of the 3D formats enabled in the HDMI

3D speciﬁcation: frame packing, top/bottom, or side-by-side. These projectors are compatible with the 1080p 3D signal from a Blu-ray player, set-top box, or other HDMI compatible with 120Hz frame sequential 3D from a computer.

Full On/Off Contrast

Gamma Relationship between input video voltage and output brightness. Determines how mid-tones appear

Contrast is the ratio between white and black. The larger the contrast ratio the greater the ability of a projector or ﬂat panel to show subtle colour details and tolerate extraneous room light. There are two methods used:

1) Full On/Off contrast measures the ratio of the light output of an all white image (full on) and the light output of an all black (full off) image.

2) ANSI contrast is measured with a pattern of 16 alternating black and white rectangles. The average light output from the white rectangles is divided by the average light output of the black rectangles to determine the ANSI contrast ratio. When comparing contrast ratio, make sure you are comparing the same type of contrast. Full On/Off contrast will always be a larger number than ANSI contrast for a given product.

as eye sensitivity is non-linear and display devices use different methods to account for this as well as their own display characteristics.



1.4 device, but may not be



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Glossary

Gamma Correction

Adjustment to gamma or how gray levels between black and white are displayed as the eye is sensitive to these in a logarithmic manner. For example, good gamma correction allows subtle shadow detail in a dark image to be easily perceived.

Gauge Wire thickness measure. The lower the gauge, the larger the wire.

Geometry Characteristic of a display to accurately show an image without distorting it. When a display’s

geometry is good, it represents square objects as a square, etc. See pincushioning and barrel distortion.

Geometry Correction

Geometry Correction (sometimes referred to as Image Warping) is the process of digitally distorting a projected image so that it precisely matches a speciﬁc projection surface or shape. Image geometry correction compensates for the distortion created by off-axis projector or screen placement or nonﬂat screen surface, by applying a pre-compensating inverse distortion to that image in the digital domain.

Ghosting A faint duplicate image, usually offset from primary image. Can be caused by multipath, which is a

delayed, attenuated duplicate signal bounced off an object to an antenna or other interference.

Gray Scale A table of shading devoid of colour, progressing from black to white. The number of discernible gray

levels deﬁnes the colour resolution of the display device and is used to evaluate colour acuity and contrast.

HDBaseT

® HDBaseT® is an international standard for the transmission of ultra-high-deﬁnition video & audio,

Ethernet, controls, USB and up to 100W of power over a single cable, for up to 100 meters. HDBaseT

eliminates cable clutter without compromising performance and high quality. The connector is typically a RJ48 8 pin Ethernet jack.

HDCP HDCP (High-bandwidth Digital Content Protection) is a method for protecting copyrighted digital

content that uses the DVI (Digital Visual Interface) or HDMI



(High-Deﬁnition Multimedia Interface, previously known as DVI-CE) by encrypting its transmission between the video source such as a set-top box, DVD player, or computer and the digital display device such as a projector, monitor or television. To view digital HDCP protected content, both the sending and receiving device must support HDCP.



HDMI

HDMI (High Deﬁnition Multimedia Interface) is an uncompressed, all-digital audio/video interface that supports audio/video sources such as a set-top box, DVD player, A/V receiver, and video monitors such as a digital projector or digital television (DTV). HDMI



is backward compatiable with

DVI 1.0 speciﬁcation and supports HDCP.



HDMI

supports standard, enhanced, or high-deﬁnition video, plus multi-channel digital audio, and interactive controls on a single cable. It transmits all ATSC (Advanced Television Systems Committe) HDTV standards and supports 8-channel digital audio. First product releases using HDMI



occurred

in 2003.

HDR High Dynamic Range (HDR) yields higher overall contrast than Standard Dynamic Range (SDR).

Deeper blacks and brighter highlights result in a longer tonal scale that can render detail in shadows and highlights that tends to get lost in SDR. HDR systems generally come with wider colour gamuts for greater potential colour accuracy.

HDT V High-Deﬁnition Television. Generic term that indicates a higher resolution format than previous

standards. At present, denotes anything higher than a 480p signal. Most common formats are 720p, 1080i and 1080p.

HDTV capable A television that supports 720p or 1080i or higher resolutions and has a built-in HDTV tuner for off-

air reception of HD signals from a special antenna. To view cable and satellite HDTV programming, a cable set-top-box or satellite receiver is required.

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HDTV ready A television that supports 720p or 1080i or higher resolutions and does not have a built-in HDTV

tuner for off-air reception of HD signals from a special antenna. To view cable and satellite HDTV programming, a cable set-top-box or satellite receiver is required.

Horizontal Lens Shift

Horizontal Resolution

Horizontal Scan Rate

Hue Hue or tint is the parameter of colour that allows us to distinguish between colours.

Hz Hertz. Also called cycles per second and in video displays is the rate at which an image is refreshed.

IEEE 1394 Also called FireWire or iLink. A serial bus which can address up to 63 devices, communicating at

Infra-red Remote

The purpose of Lens Shift is to eliminate keystoning and provide greater ﬂexibility in the placement of the projector relative to the screen. Lens shift may be a manual adjustment or motorized. Horizontal lens shift typically allows the projector to be placed anywhere between right and left edge of the projection screen and may also be used to geometrically align images when stacking projectors. Vertical lens shift is also available on some projectors.

Amount of pixels across an image, from left to right. A 1920 x 1080 HDTV has a horizontal resolution of 1920 pixels.

Period of time it takes to refresh an image on a screen, usually measured in Hertz (cycles per second). Computer monitors typically have scan rates starting at 60Hz going to 85Hz.

up to 400Mbps but is limited to a cable length of 4.5 meters. Its content copy protection scheme is called DTCP or 5C. Most DV camcorders have a IEEE 1394 port as well as D-VHS VCRs and some set-top boxes for cable and satellite.

An infra-red (IR) remote control transmits in the spectrum of infra-red light, such as a television remote. Unlike RF remotes, IR remotes must point at the receiver (line of sight) or reﬂect the IR from the screen to the receiver.

Most projectors have an IR sensor in both the front and rear of the projector, whereas, ﬂatpanels generally have a single IR sensor in the front of the unit. When working at or near the maximum distance, pointing right at the receiver will give better results.

Input Lag Input lag is the delay between your video source sending a frame to your projector and the projector

actually displaying that frame. This is a very important aspect of gaming, where an input lag of 40ms or less is preferred.

Interactive Projector

Interlaced A process where a video image is delivered in two ﬁelds each containing half the video image rather

Interactive projectors became popular in 2010 and come in many variations. This technology encompasses any solution that enables active participation by the user with the projected content, rather than just the passive viewing of content.

Typically the presenter is allowed to interact with either the projected image, the projector, or in some cases another device, using either an electronic pen, a mechanical pen or even a ﬁnger. These Interactive Projectors essentially create an electronic whiteboard on any surface where the image is projected allowing the presenter to interact with the projected image using a stylus that may be electronic or mechanical.

Some interactive projectors allow user generated information to be captured and replayed, printed, or copied with or without the original projected image.

than a single frame that contains the entire image. The ﬁrst ﬁeld contains all the odd lines and the second ﬁeld contains all the even lines. For example, each 480i frame is made up of two ﬁelds of 263 and 262 lines of resolution and updated at 60Hz. 480 denotes the active picture area; however, the total frame size is actually 525 lines. 480i and 1080i are interlaced signals whereas 720p is a progressive signal where each video image is delivered in a single frame. Interlaced video was introduced with the ﬁrst televisions because of bandwidth limitations.

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Invert Image Invert image ﬂips the image from top to bottom, to compensate for ceiling mounting a projector

upside down. Projectors typically ceiling-mount upside down, because most have a built-in offset that allows you to mount the screen at a comfortable height, yet still project an image without tilting the projector and causing keystone distortion.

ISF Imaging Science Foundation. Organization that trains and accredits display calibration technicians

as well as certiﬁes display hardware. Designs standard testing and calibration procedures and tools.

Jaggy The stair-step or sawtooth effect seen on lines that are not horizontal or vertical or the edge of

objects in digital displays. Also known as aliasing. Smoothing and antialiasing techniques can reduce the effect of aliasing.

Jitter Abrupt variations in signal amplitude or timing that cause reproduction instability in audio, video and

data. Usually caused by bandwidth limitations or impedance termination issues that can sometimes be caused by the cable and/or connections you are using. Power supplies can also be a source of this problem.

JPEG Joint Photographic Experts Group. Name of association that created the image ﬁle standard of the

same name. A lossy compression scheme for storing high quality, full-colour images. Also used as a video format under the guise M-JPEG of which a variant is used for DV video.

Judder Apparent stutter of on-screen movement. Motion judder in ﬁlm is due to the fact that the 24

frame/second sampling rate is too slow to resolve camera panning motion. Judder is also caused by 3:2 pulldown where movie frames are on screen for differing times due to frame rate translations. Also occurs on PAL to NTSC conversions.

Kensington Lock

Keystone Keystoning occurs when the projector is not perpendicular to the screen, thereby creating an image

Keystone Correction

Latency The time between a device being requested to do something and the start of the device actually

LCD Liquid Crystal Display. A display device for generating colour images using a matrix of LCD pixel

A security device found on projectors and other electronic equipment that allows the equipment to be secured by key or combination to another object using a rubberized cable.

that is not rectangular.

Keystone correction makes a projected image rectangular. This can be accomplished by positioning the projector to be perpendicular to the screen. Since this is not always possible, most projectors are equipped with keystone correction that allows the image to be keystone corrected (made rectangular) by adjusting optics, making mechanical adjustments, or applying digital scaling to the image. Keystone correction can be one or two dimensional and manual or automatic depending on the projector and the manufacturer. Be aware that digital scaling will introduce some artifacts that are more evident when viewing small text and less evident in presentation type material or video.

doing it. It’s a measurement usually used for LCDs where the shorter the latency the better. NSTC requires a latency of no more than 16ms in order to update the screen in time without leaving a ghost of the previous image.

elements. Each pixel element consists of 3 sub-pixels and an RGB colour ﬁlter of red (R), green (G), and blue (B). By controlling the voltage to each sub-pixel of an LCD, each cluster of RGB pixels can create a full spectrum of coloured light. LCDs are used in ﬂatscreen displays, cameras and notebook computers to name a few. Nearly every projector made with LCD technology uses 3 separate LCDs, one each for red, green and blue. Light from the projector lamp is separated into RGB with a set of dichroic mirrors. The three light beams (RGB) are passed through separate LCDs and recombined to project a colour image.

LCoS Liquid Crystal on Silicon. Type of LCD panel that reﬂects light as opposed to blocking it. Usually

offers a comparatively high ﬁll rate creating a smooth image but generally has difﬁculty giving a high contrast ratio.

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LED Light Emitting Diode. A light generating technology that uses a semiconductor diode that emits

monochromatic (single colour) light when charged. LEDs are used in remote controls that are used to control electronic devices such as large displays. They are also used in pocket projectors as a light source, large outdoor electonic displays, and as indicators on electoronic devices such as power supplies and cameras.

LED Lamp A type of projector lamp that uses one or more LEDs as its light source. The beneﬁt of LED lamps is

their long life.

Lens Memory The ability to deﬁne and recall speciﬁc zoom lens positions so the projector can automatically

conﬁgure subject matter of a given aspect ratio to a particular screen. This requires a projector with a powered zoom lens. Lens memory is often used to automatically set a zoom lens to ﬁll a 2.4:1 format screen when displaying a 2.4 format ﬁlm, then reset the lens to allow 16:9 aspect ratio material to ﬁt the vertical height of the screen. Lens memory is typically used as a substitute for an anamorphic lens.

Lens Shift The purpose of "lens shift" is to eliminate keystone correction and provide greater ﬂexibility in

the placement of the projector relative to the screen or the alignment of stacked projectors. This is accomplished by allowing the optical lens to be physically shifted vertically and/or horizontally. These adjustments may be manual or motorized depending on the projector. Seehorizontal lens shiftandvertical lens shiftfor typical adjustment ranges.

Letterbox A method of preserving the originally aspect ratio of a production when presented on a projector

with a different aspect ratio. This is accomplished by showing the full image and black where no image exists.

Linearity A display’s ability to show an image’s geometric characteristics accurately. Also called geometric

linearity.

Long Throw Lens

Lumen A measurement unit of total illumination. Typically a 100-watt light bulb outputs 1700 lumens over

Luminance The black and white part of a video signal. It is signiﬁed by the letter Y. Signals with a separated

Lux A standard for measuring light equal to the amount of visible light per square meter incident on a

M1-DA A DVI connector that supports analog, digital video, a USB connection, and FireWire (IEEE1394).

A long throw lens allows greater distance between the projector and the screen while being able to maintain the image size and brightness of a shorter throw lens for any given projector. Depending on the room, a long throw lens may be required due to mounting constraints nearer the projected image.

a wide area. Projector light output is measured in ANSI lumens. A projector with a higher lumen number will produce a brighter image for a given image size. See ANSI Lumens

luminance and colour signal avoid interference. This interference can result in dot crawl among other image artifacts.

surface. 1 lux = 1 lumen/square meter or 0.093 foot-candles.

Used primarily with InFocus projectors. M1-DA (EVC or P&D) is 3 rows or 10 pins and looks a lot like the DVI-I except for 6 more pins. The maximum video resolution supported is 1280x1024. Maximum Distance Sometimes used to refer to the distance from the screen that a projector can focus the image. Most of the time, it is the manufacturer's opinion of how far from a screen the projector can be to cast an image that is useable (bright enough) in a fully darkened room. Consult the Projection Calculator for guidance on proper placement of a projector for a given screen and content.

Maximum Image Size

The largest image a projector can reasonable throw in a darkened room. Consult the Projection Calculator for guidance on proper placement of a projector for a given screen and content.

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Te r m Description

Glossary

Maximum Resolution

Memory Card A feature on some projectors that allows photos, documents and/or presentation material to be

MHL (Mobile High-Deﬁnition Link)

MHz Megahertz. One million hertz or cycles per second.

Minimum Distance

Monitor Loopthrough

Mono Single channel sound.

Motion Artifacts Any artifact caused by camera panning or object movement within video. Judder and combing are

Maximum Resolution refers to the highest resolution that a given display device can support. If the Maximum Resolution exceeds the Native Resolution, the image is usually scaled to match or approximate the Native Resolution of the projector. Some display devices allow pan and scan where rather than scaling the image, the display devices allows you to use the native resolution of the display to view portions of the higher resolution image. Scaling reduces the image resolution and produces some artifacts in the image that are more apparent when viewing text than graphics or video.

projected using a memory card and thereby eliminating the need of a computer.

Mobile High-Deﬁnition Link (MHL) is an industry standard for a mobile audio/video interface that lets you connect mobile devices such as smartphones and tablets to projectors and other HD video displays. MHL is a consortium made up of major companies in the consumer electronics industry, including SONY, Nokia, Samsung, Silicon Image, and Toshiba.

The closest position that a projector can focus an image onto a screen.

An output on the projector or large-screen monitor that allows you to connect additional monitors or projectors to display the same image. Also known as "RGB out" or "VGA out."

motion artifacts.

MPEG Moving Picture Experts Group. A working group of ISO/IEC in charge of developing codecs and

standards for moving pictures with synchronized audio.

Multi-Lamp Some projectors use multiple lamps that can be controlled by the user to increase or decrease the

brightness of the image. This lamp redundancy signiﬁcantly minimizes the risk of total lamp failure during use. Another type of multi-lamp system is a Dual Lamp. With a dual lamp projector one lamp can serve as a backup to the other lamp in the event of failure or the lamps can be programmed to switch at speciﬁc intervals.

Native Aspect Ratio

Native Resolution

Negative Gain Screen

Noise An unwanted random signal.

NSH New Super High pressure projector lamp is a short arc metal halide lamp.

Nearly every projector or display today will support multiple aspect ratios; however, each manufacturer must decide who their intended audience is and optimize the projector for that audience. This means each device has a native aspect ratio that is optimized for speciﬁc viewing material. Images shown in native aspect ratio will utilize the entire resolution of the display and achieve maximum brightness. Images shown in other than native aspect ratio will always have less resolution and less brightness than images shown in native aspect ratio.

Native Resolution is the number of physical pixels in a display device. For example, an XGA display has a native resolution of 1024 physical pixels of resolution horizontally and 768 pixels vertically or 786,432 total pixels. See Maximum Resolution.

A screen with a gain rating of under 1 which actually reduces the amount of light reﬂected back from a projected image. Usually gray, they are used to increase apparent contrast by lowering the black level.

NTSC National Television Standards Committee. Established the ﬁrst colour TV standard in 1953 and is

the North American standard for video and broadcasting. Also used in the Caribbean, South Korea, Japan and South America. A 30 fps signal with 525 lines of resolution of which 480 to 483 are viewable. Transmitted via a 6MHz channel.

Glossary

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Glossary

Te r m Description

OEM Original Equipment Manufacturer. A company that gathers components from other manufacturers

and sells under their own name. An OEM version of a product is supported by the seller, not the actual manufacturer.

Ohm Measure of electrical resistance, inductance or reactance.

OLED Organic Light Emitting Diode. A self-illuminating, energy-efﬁcient, direct-view imaging system. Uses

an organic ﬁlm sandwiched between 2 transparent electrodes.

Operate 24/7 Projectors that are identiﬁed as "Operate 24/7" means that the projector can operate continuously

without a need to shutdown other than for maintenance.

Optical Digital Cable

Optional Lenses

OSD On Screen Display. Menu shown on display device screen allowing display adjustment without

Oversampling Multiplies outgoing signal samples in order to more easily ﬁlter out aliased sounds but doesn’t create

Overscan Given as a percentage or pixel count, the amount that a particular display device crops the edges of

Pan-and-Scan A method to ﬁt source material of a different resolution or aspect ratio onto another. Sometimes

PC 3D Ready A projector that is PC 3D Ready can accept a 120Hz frame-sequential 3D signal from a computer

Transfers digital signals as light pulses. Also called ﬁbre-optic cable and is commonly used to send surround sound from a player to a receiver/decoder.

Typically the less expensive projectors come with a built-in lens that is designed to serve a speciﬁc type of setting or application. A projector that supports optional lenses can address a wide variety of installation needs. This gives a projector great ﬂexibility at an incremental cost.

having dedicated physical controls such as knobs or buttons for each adjustable parameter.

ﬁdelity that isn’t there to begin with.

an incoming video signal. This is done to ensure the image area contains only picture information.

used with computer input when the input resolution exceeds the resolution of the display device. Used extensively for broadcast and DVDs, it simply crops the sides of widescreen material and the transfer operator chooses the best part of the frame to show. Often an electronic camera pan is used to change the area being shown. This is used when characters are talking to each other but one is off screen due to cropping and they become the focus of the shot.

via either NVIDIA's 3D Vision system or one of several educational software suites. These projectors are not compatible with the HDMI This type of projector is also refered to as 3D Ready.



1.4 3D speciﬁcation used on 3D Blu-ray players and set-top boxes.

Persistence of Vision

Phase The characteristic of when a wave is at its peak, trough, or zero point going up or down. Measured in

Pico Projector A marketing term to describe a small hand held projector that can ﬁt in your pocket. A pico projector

Picture-inpicture

Poly-Si (silicon) LCD

The disposition of humans to amalgamate sequential still images into perceived motion. For most people, this occurs at around 16 fps.

degrees. Two sine waves of the same frequency that are 180 degrees out of phase will cancel each other out, yielding no signal.

can be a stand-alone device that connects to a computer or other video device or a projection module that is integrated with a phone, portable computer, MP3 player or other small device.

The ability of a projector (or any video display device) to display two independent video signals at once. One signal usually ﬁlls the main screen and the other is displayed in an inset window. Usually the audio from the image on the main screen is the default, and no audio is available on the inset picture.

One of several projector display technologies. Monochrome Poly-Si LCDs are typically placed in each of the three colour (red, green, blue) light paths inside a projector to produce a colour image from a common light source. Poly-Si technology is a bit faster than the Active Matrix TFT providing slightly smoother video.

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Glossary

Te r m Description

Power Focus A motor driven lens that adjusts focus using a button on the projector's control panel and/or a remote

control.

Power Output With audio ampliﬁers, the amount of power sent to drive the speakers. Peak output is quite often

speciﬁed, which is somewhat misleading compared to the average amount of power an ampliﬁer can continously produce (RMS rating).

Power Zoom A zoom lens that is driven by a motor and controlled from the projector's control panel and/or remote

control.

Pre-amp A switching device used to select a line-level audio signal for ampliﬁcation. Sometimes offers signal

processing as well.

Progressive Scan

Projector A projector is a device that integrates a light source, an optics system, electronics and display(s) for

QXGA QXGA is a display resolution of 2048 horizontal pixels by 1536 vertical pixels giving a total display

RCA Jacks Unbalanced connection used extensively in consumer electronics to send a line-level signal. Also

Refresh Rate The speed at which a display updates its picture given in Hz.

Resolution A measure of the ability of a display or sound system to render detail.

RGB Red, Green and Blue. A component signal representing each colour separately. Sync signals can be

RGB out An output on the projector that allows you to connect additional monitors or projectors to display the

A display mode in which all the horizontal lines of an image are displayed at one time in a single frame, unlike an interlaced scan in which a frame consists of two separate ﬁelds with the ﬁrst ﬁeld consisting of odd horizontal lines and the second ﬁeld even horizontal lines. Progressive scan is used by projectors, computer monitors, HDTV systems, and some digital camcorders. Progressive Scan requires a faster horizontal scan frequency than interlaced images of the same resolution

the purpose of projecting an image from a computer or video device onto a wall or screen for large image viewing. These devices attach to a computer or video device as you would connect a monitor or television.

resolution of 3,145,728 pixels. A QXGA display has 4 times the resolution of an XGA display.

called phono.

sent on green or sent separately as a composite signal or dual H/V signals (Horizontal sync/Vertical sync). Very common signal for analog computer displays.

same image. Also known as monitor loop-through or VGA out.

RS232 The RS232 port on a projector is typically used to connect an external control device like a wall plate

controller or integrated whole room control system to your projector for turning it on and off remotely or changing the source input. The port is usually a male 9-pin D-sub connector.

S-Video A video transmission standard that uses a 4 pin mini-DIN connector to send video information on two

signal wires called luminance(brightness, Y) and chrominance(colour, C). S-Video is also referred to as Y/C. Considered a higher quality video source than composite video.

S/PDIF Sony/Philips Digital InterFace. A transport protocol related to AES/EBU for sending PCM digital

audio signals between devices. Uses either 75-Ohm coaxial cable or ﬁber-optic cable.

Sampling Frequency

Saturation

Scan Rate The line drawing speed of a display, usually given in kHz. A standard deﬁnition TV has a scan rate

The speed at which data representations of an analog signal are duplicated. The higher the number, the better the quality. Another quality aspect is the granularity of the scale used for representation where 16 bits allows 65536 discrete levels and 24 bits allows about 17 million.

Saturation is a measure of colour intensity. In the absence of saturation the colour hue is a shade of grey. A highly saturated hue has a vivid, intense colour, while a less saturated hue appears more muted and grey.

of 15.75 kHz which when you divide by 525 scan lines, gives a horizontal refresh rate of 30 fps or Hz.

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Te r m Description

Screen Gain As it applies to projectors, gain is the measurement of a projection screen’s light reﬂectance with

unity gain being one. A high gain screen will reﬂect more light along a narrower path than lower gain screen. Screen gains under one use a gray screen to absorb ambient light to help maintain contrast ratios.

Screen Trigger A 12V connection from a projector to an electric screen which tells the screen to deploy when the

projector is turned on and roll up when the projector is turned off.

SDI Serial Digital Interface (SDI) is a standard for digital video transmission over coaxial cable. The most

common data speed is 270 megabits per second (Mbps). However, speeds of up to 540 Mbps are theoretically possible. A related standard, known as high-deﬁnition serial digital interface (HD-SDI) provides a nominal data rate of 1.485 Gbit/s Standard 75-ohm cable is used.

SDT V Standard Deﬁnition TeleVision. A class of digital television (DTV) that refers to the 480i format. 480i

is an interlaced video format that produces a full frame of 480 lines of video in two successive ﬁelds. The ﬁrst ﬁeld includes the odd lines and the second ﬁeld includes the even lines. Sometimes used to refer to regular television.

SECAM Sequential Couleur avec Mémoire. A television standard closely related to PAL but with a different

method of sending colour information. Runs at 625 horizontal lines of resolution updating 25 frames a second. Used in France and Russia as well as other countries. Many eastern European countries are starting to phase out SECAM in favor of PAL.

Shielded A feature of speakers and cables where a metal layer is added to contain and protect a signal from

creating or receiving electromagnetic interference.

Short Throw Lens

Short Throw Projector

Short Throw Wall Mount Projector

SHP Super High Pressure. A type of projector lamp.

Signal-to-Noise Ratio

SPL Sound Pressure Level. Commonly used to describe a speaker’s efﬁciency at one watt at 1 meter

sRGB sRGB stands for standard Red, Green, and Blue, and is a standard for rendering colour evenly across

Streaking A visual artifact of trailing colours behind an on-screen object or across a screen.

A lens designed to project a large image from a short distance.

A projector with a short throw lens.

A projector that mounts on a wall adjacent to the projection screen. The throw distance is generally just a few inches and allows people to move freely through the room without concern of intercepting the light path.

The ratio of noise to signal measured in dB. The higher the number, the better.

distance. The actual amount of sound output using dB. There are various weightings used such as A, B or C which reﬂect the human ear’s sensitivity at different sound levels. A-weighting is used for levels up to 55dB SPL, B-weighting from 55dB SPL to 85dB SPL and C-weighting for 85dB SPL up. A quiet ofﬁce is 40dB SPL and a rock concert is 110dB SPL.

a variety of platforms.

Subpixel On a ﬂat-panel display, one of the primary colour picture elements of which 3 make up a full colour

capable pixel.

SVGA SVGA is a display resolution measuring 800 pixels horizontally by 600 pixels verically giving a total

display resolution of 480,000 individual pixels. SVGA has a 4:3 aspect ratio.

SXGA SXGA is a display resolution measuring 1280 pixels horizontally by 1024 pixels vertically giving a total

display resolution of 1,310,720 individual pixels. SXGA has a 5:4 aspect ratio.

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Glossary

Te r m Description



Certiﬁed

TCO Projectors

Throw Distance Throw distance is the measurement from the projector's lens to the screen. A projector with a zoom

Throw Ratio For any given projector, the width of the image (W) relative to the throw distance (D) is know as the

Tint Television control that varies the colour bias of an incoming video signal. Control needed due to

A TCO-labelled projector is certiﬁed to reproduce excellent images to a maximum projected image size, the TCO requirements such as low energy consumption and minimal levels of environmentally hazardous substances. There is also an eco mode requirement so the projector can be set to lower luminosities, thus reducing noise, energy consumption and increasing the life of the bulb. The label also requires manufacturers to prove they are working proactively on environmental improvements to the production process and social responsibility issues.

lens will have a range of throw distances for any given image size, while a projector without a zoom lens will only be able to project one image size at a given distance from the screen. In Projector Central's articles, throw distance is normally quoted for a 100" diagonal screen.

throw ratio D/W. So for example, one of the most common projector throw ratio is 2.0. This means that for each foot of image width, the projector needs to be 2 feet away or D/W = 2/1 = 2.0.

colour variations in the NTSC signal caused by atmospheric conditions. Does not exist on PAL and SECAM televisions and adjustment should be unnecessary with directly linked video sources.



Image Size. In addition, the projector complies with stringent environmental

UHB Ultra High Brightness. A projector lamp type.

UHF Ultra High Frequency. The 300MHz to 3GHz band of radio frequencies used for broadcast television

among other things including Wi-Fi

UHP Ultra High Pressure. An acronym attributed to projector lamps with an internal pressure of over 3000

lbs per square inch. Usually a mercury arc lamp. Also stands for Ultra High Performance.

Unbalanced A type of wiring using ground as a shielding method. More susceptible to interference than balanced

wiring.

Uniformity A measurement of the evenness of the brightness of white or a particular colour across a display

indicated as a percentage. A measurement of 80% means the brightness of an image is 20% less at its dimmest point compared to its brightest.

Unity Gain A projection screen with a gain rating of one that reﬂects light with a wide viewing angle back to the

viewer. See Gain.

Universal Remote

Upconvert To convert a lower resolution signal to a higher resolution. For example, 480i to 720p.

UXG A UXGA is a display resolution measuring 1600 pixels horizontally and 1200 pixels vertically giving a

VBR Variable Bit Rate. Refers to a variable data rate for encoding MPEG where picture quality is maintained

A remote control capable of running multiple components of multiple brands.

total display resolution of 1,920,000 individual pixels. UXGA has an aspect ratio of 4:3.

but data rates change in accordance to the requirements of a video passage. Large amounts of movement and detail require higher data rates. VBR tends to create more space efﬁcient MPEG ﬁles where picture quality is maintained but data rates change.



Vertical Lens Shift

VGA VGA is a display resolution measuring 640 horizontal pixels and 480 vertical pixels giving a total

The purpose of Lens Shift is to eliminate keystoning and provide greater ﬂexibility in the placement of the projector relative to the screen. Lens shift may be a manual adjustment or motorized depending on the projector. Vertical lens shift will typically allow the projector to be placed anywhere between 1.5 screen heights above or below the center of the projection screen and may also be used to geometrically align images when stacking projectors. Horizontal lens shift is also available on some projectors.

display resolution of 307,200 individual pixels. VGA has a 4:3 aspect ratio.

Glossary

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VGA out A 15-pin D-sub output on the projector that allows you to connect additional monitors or projectors

to display the same image. Also known as monitor loop-through or RGB out.

Video Mirroring An output connector on the projector that allows a monitor or another projector to share the same

video source.

Volt A measurement of electrical pressure.

Watt A unit of power. Volts multiplied by amperage equals watts.

White Level The signal level that corresponds to the maximum picture brightness. The white level is set by the

contrast control.



Wi-Fi

Widescreen Any aspect ratio that is wider than 4:3. Widescreen televisions are 16 units wide and 9 units tall.

WMA Windows Media Audio. Similar to MP3 but considered a more efﬁcient compressor allowing for

Wi-Fi is Wireless Fidelity, and is a type of wireless network used to connect digital devices without the need for cables. It is mostly used for wireless broadband access and inexpensive consumer wireless antennas are available at electronics stores.

Common widescreen ﬁlm aspect ratios are 1.66:1, 1.85:1 and 2:35:1.

smaller ﬁle sizes for a given quality.

WSXG A WSXGA deﬁnes a class of SXGA displays with a width resolution sufﬁcient to create an aspect ratio

of 16:9. A WSXGA display has 1920 to 1600 pixels horizontally and 1080 to 900 pixels vertically.

WXG A WXGA deﬁnes a class of XGA displays with a width resolution sufﬁcient to create an aspect ratio of

16:9. A WXGA display has 1366 to 1280 pixels horizontally and 768 to 720 pixels vertically.

XGA XGA is a display resolution measuring 1024 pixels horizontally and 768 pixels vertically giving a total

display resolution of 786,432 individual pixels. XGA has a 4:3 aspect ratio.

XLR Balanced connection for audio components and used professionally.

XviD A free and open source MPEG-4 video codec that was created by a group of volunteer programmers

trying to overcome the closed source and platform limitations of DivX (XviD spelled backwards).

Y/ C Denotes a separated luminance/chrominance signal. Also called S-video. Offers higher resolutions

and no cross interference between colour and black and white (luminance) signals which shows itself as dot crawl.

Y/Cb/Cr Digital component video. Y stands for the luma signal itself and Cb is the blue signal subtracted from

luma and ﬁnally, Cr equals the red signal subtracted from the luma signal.

Y/Pb/Pr Analog component video. Y stands for the luma signal itself and Pb is the blue signal subtracted from

luma and ﬁnally, Pr equals the red signal subtracted from the luma signal.

Zoom Lens A lens with a variable focal length providing the ability to adjust the size of a projected image without

moving the projector or provide a range of projector placements that can produce the same size image. See Zoom Ratio.

Zoom Ratio Zoom ratio is the ratio between the smallest and largest image a lens can projector from a ﬁxed

distance. For example, a 1.4:1 zoom lens ratio means that a 10 foot image without zoom would be a 14 foot image with full zoom. Conversely, a 10 foot diagonal image at 15 feet with no zoom would still be a 10 image at 21 feet at maximum zoom (15 x 1.4 = 21 feet). A zoom lens is "not as bright" as a ﬁxed lens, and the higher the ratio, the less light output.

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Getting help

Getting help and contacting InFocus

Self help resources

The projector has a number of built-in help topic menus that allow you to navigate through the steps to resolve most standard issues. Details of each of these screens and the topics they address are detailed below. The

help menu can be accessed by pressing the “HELP” button on the keypad to navigate through the menus and

topics by following the onscreen instructions.

Please also refer to the more detailed Q&A section of the product users guide.

1. Image quality troubleshooting

1a. Image slanted

Getting help

Page 68

Getting help

1b. Image size adjustment

1c. Image stability

1d. Audio troubleshooting

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2. No image troubleshooting

2a. No image on screen

Getting help

2b. No image on screen

Getting help

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Getting help

Contacting InFocus

InFocus technical support can be contacted at the below phone numbers within the stated operating hours, by using the enquiry form links provided or by visiting infocus.com and clicking on the chat support icon found on every page.

US & Canada

Mon-Fri | 6:00am - 5:00pm PST

Austria

0800 4636287

United States

877-388-8360

Technical support enquiry

Europe, Middle-East & Africa

Mon-Fri | 08:00 - 17:00 CET

France

0800 905993

Canada

877-388-8360

Germany

0800 1813649

Italy

0800 877238

Switzerland

0800 04636287

UK & Northern Ireland

Sweden

020 791251

0800 0286470

Technical Support Enquiry

70 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

Spain

0900 993163

European Union

+8000 463 6287

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Asia-Paciﬁc region

Mon-Fri | 08:00 - 17:00 Local Time

Getting help

Malaysia

+607-3535133

+603-80708889

Australia

1300-577-321

Technical support enquiry

New Zealand

008000 463-6287

India

044-22252042

044-42015277/89

Singapore

+65 93387857

Portland. Oregon Home of InFocus Corporation

Getting help

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Notices

Regional & country speciﬁc notices

Disposing of your used product

In the European Union

EU-wide legislation as implemented in each Member State requires that used electrical and electronic products carrying the mark (below) must be disposed of separately from normal household waste. This includes projectors and their electrical accessories. When you dispose of such products, please follow the guidance of your local authority and/or ask the shop where you purchased the product.

After collecting the used products, they are reused and recycled in a proper way. This effort will help us reduce the waste as well as the negative impact to the human health and the environment at the minimum level.

The mark on the electrical and electronic products only applies to the current European Union Member States.

The crossed-out wheeled bin implies that used batteries should not be put to the general household waste!

There is a separate collection system for used batteries, to allow proper treatment and recycling in accordance with legislation.

According the EU directive 2006/66/EC, the batteries can’t be disposed improperly. The battery shall be separated to collect by local service.

Outside the European Union

If you wish to dispose of used electrical and electronic products outside the European union, please contact your local authority and ask for the correct method of disposal.

Californian residence

WARNING TO CALIFORNIA RESIDENTS:

Handling the cables supplied with this product will expose you to lead, a chemical known to the State of California to cause birth defects or other reproductive harm.

WASH HANDS AFTER HANDLING.

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Notices

RF interference (for USA only)

Warning

The Federal Communications Commission does not allow any modiﬁcations or changes to the unit EXCEPT those speciﬁed by InFocus Corporation in this manual. Failure to comply with this government regulation could void your right to operate this equipment. This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation.

If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

 Reorient or relocate the receiving antenna.  Increase the separation between the equipment and receiver.  Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. •

Consult the dealer or an experienced radio / TV technician for help.

Turkish RoHS information relevant for Turkish market

EEE Yonetmeliğine Uygundur.

This device is not intended for use in the direct ﬁeld of view at visual display workplaces. To avoid incommoding reﬂections at visual display workplaces this device must not be placed in the direct ﬁeld of view.

Lamps

US Residents

The lamp in this product contains mercury. Please dispose according to Local, State or Federal Laws.

Canadian Environmental Protection Act, 1999

The lamp(s) in this product contains mercury. Please dispose according to your local authority law. FOR MORE INFORMATION, CONTACT InFocus Corporation infocus.com

Notices

Page 74

RG 2

Notices

Warning

 Do not cover the lens with the lens cap or equivalent while the projector is on. Doing so can lead to melting

of the cap due to the heat emitted from the light output.

 Do not place any objects, which are easily affected by heat, in front of the projection window. Doing so could

lead to the object melting from the heat that is emitted from the light output.

 Do not use a spray containing ﬂammable gas to get rid of accumulated dust and dirt on the ﬁlters and the

projection window. It may cause of ﬁre.

 Do not look at the lens while the projector is on. Serious damage to your eyes could result.

Manufacturer and EU importer in accordance with EU directives

Manufacturer: InFocus Corporation

13190 SW 68th Parkway, Suite 120 Portland, Oregon 97223 United States

EU Importer: InFocus International B.V.

Kingsfordweg 103 1043 GP Amsterdam, The Netherlands

Compliance statements for acoustic noise

Machine Noise Information Regulation - 3. GPSGV,

The highest sound pressure level is less than 70 dB (A) in accordance with EN ISO 7779.

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Notices

FCC compliance statement

TRADE NAME: DLP Projector

MODEL NUMBER: IN112AA; IN119AA; IN112BB; IN114BB; IN113AA; IN114AA; IN115AA; V11;

IN116AA; IN117AA; V13; IN118AA; IN188AA; IN199AA; IN113BB; IN115BB; IN116BB; IN117BB; IN118BB; IN188BB; IN119BB; IN199BB; IN114BBST; IN115BBST; V31; IN116BBST; IN117BBST; IN118BBST; IN188BBST; P130; P131; P132

COMPLIANCE TEST REPORT NUMBER: ISL-20LE411FB

COMPLIANCE TEST REPORT DATE: June 10, 2020

RESPONSIBLE PARTY (IN USA): InFocus Corporation

ADDRESS: 13190 SW 68th Parkway, Suite 120

Portland, Oregon 97223 United States

TELEPHONE: +1 503 2074700

This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC rules as documented in the above referenced test report. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.

This equipment referenced in this declaration is identical to the unit tested and found acceptable with the standards. The technical records maintained by the responsible party continue to reﬂect the equipment being produced under this Declaration of Conformity within the variation that can be expected due to quantity production and testing on a statistical basis.

Date: October 1, 2020 InFocus Corporation

Notices

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Notices

Restriction of use

When this product is used for applications requiring high reliability/safety, such as transportation devices related to aviation, rail, marine, automotive, disaster prevention devices; various safety devices, or functional/precision devices, you should use this product only after giving consideration to including fail-safes and redundancies into your design to maintain safety and total system reliability. Because this product was not intended for use in applications requiring extremely high reliability/safety, such as aerospace equipment, main communication equipment, nuclear power control equipment, or medical equipment related to direct medical care, etc., please make your own judgment on this product’s suitability after a full evaluation.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of InFocus Corporation. The information contained herein is designed only for use with the InFocus products listed. InFocus is not responsible for any use of this information as applied to other products.

Neither InFocus Corporation nor its afﬁliates shall be liable to the purchaser of this product or third parties for damages, losses, costs, or expenses incurred by purchaser or third parties as a result of: accident, misuse, or abuse of this product or unauthorized modiﬁcations, repairs, or alterations to this product, or (excluding the U.S.) failure to strictly comply with InFocus Corporation's operating and maintenance instructions.

InFocus Corporation shall not be liable for any damages or problems arising from the use of any options or any consumable products other than those designated as Original InFocus Products or InFocus Approved Products by InFocus Corporation.

InFocus Corporation shall not be held liable for any damage resulting from electromagnetic interference that occurs from the use of any interface cables other than those designated as InFocus approved Products by InFocus Corporation.

Information is subject to change without notice.

2020 InFocus Corporation

Document No. 10000001 -EN

76 InFocus Corporation — Introduction Guide - DLP Multimedia Projector

Page 77

Page 78

infocus.com

Page 79

頁 1

Model Name Notes

RS232 Setting

IN112AA

IN114AA/V11

IN116AA/V13

IN118AA

IN119AA

(w/o RS232)

IN112BB

IN114BB

IN114BBST/V31

IN118BB

IN118BBST

IN116BB

IN116BBST

IN119BB

IN188DD

ASCII Code HEX Code

~XX00 1 7E 30 30 30 30 20 31 0D

On No Ye s Yes Yes Ye s

~XX00 0 7E 30 30 30 30 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

S002 ~XX00 1 ~nnn n 7E 30 30 30 30 20 31 20 a 0D

Power ON with Password

~nnnn

nnnn = Password

~0000 ( a=7E 30 30 30 30)

~9999 (a=7E 39 39 39 39)

No Ye s Yes Yes Yes

S003 ~XX01 1 7E 30 30 30 31 20 31 0D Resy nc No Yes Yes Yes Yes

~XX02 1 7E 30 30 30 32 20 31 0D

On No Ye s Yes Yes Ye s

~XX02 0 7E 30 30 30 32 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

~XX03 1 7E 30 30 30 33 20 31 0D

On No Ye s Yes Yes Ye s

~XX03 0 7E 30 30 30 33 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

~XX04 1 7E 30 30 30 34 20 31 0D

Freeze No Yes Yes Yes Ye s

~XX04 0 7E 30 30 30 34 20 30 0D

Unfreeze

(0/2 for backward

compatible)

No Ye s Yes Yes Yes

S007 ~XX05 1 7E 30 30 30 35 20 31 0D Zoom Plus No Ye s Yes Yes Yes

S008 ~XX06 1 7E 30 30 30 36 20 31 0D Zoom Minus No Ye s Yes Yes Yes

~XX11 0 7E 30 30 31 31 20 30 0D

Off No Yes Ye s Yes Yes

~XX11 1 7E 30 30 31 31 20 31 0D

On No Ye s Yes Yes Ye s

~XX12 5 7E 30 30 31 32 20 35 0D

VGA No Yes Yes Yes Yes

~XX12 9 7E 30 30 31 32 20 39 0D

S-Video No Yes Ye s Yes No

~XX12 10 7E 30 30 31 32 20 31 30 0D

Video No No No No Yes

~XX12 1 7E 30 30 31 32 20 31 0D

HDMI (HDMI 1) No Yes Yes Yes Yes

~XX12 15 7E 30 30 31 32 20 31 35 0D

HDMI 2 No Yes Ye s Yes Yes

~XX20 1 7E 30 30 32 30 20 31 0D

Presentation No Yes Yes Yes Ye s

~XX20 2 7E 30 30 32 30 20 32 0D

Bright No Yes Yes Yes Ye s

~XX20 3 7E 30 30 32 30 20 33 0D

Movie (Cinema) No Yes Yes Yes Yes

~XX20 4 7E 30 30 32 30 20 34 0D

sRGB No Yes Yes Yes Yes

~XX20 13 7E 30 30 32 30 20 31 33 0D

DICOM SIM. No Yes Yes Yes Yes

~XX20 5 7E 30 30 32 30 20 35 0D

User No Ye s Yes Ye s Yes

~XX20 9 7E 30 30 32 30 20 39 0D

3D No Ye s Yes Yes Ye s

~XX20 14 7E 30 30 32 30 20 31 34 0D

ISF Day No Yes Yes Yes Yes

~XX20 15 7E 30 30 32 30 20 31 35 0D

ISF Night No Yes Yes Yes Yes

S012 ~X X21 n 7E 30 30 32 31 20 a 0D Brightness

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S013 ~XX2 2 n 7E 30 30 32 32 20 a 0D Contrast

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S014 ~XX2 3 n 7E 30 30 32 33 20 a 0D Sharpness n = 1 (a=31) ~ 15 (a=31 35) No Yes Yes Yes Yes

S015 ~XX2 4 n 7E 30 30 32 34 20 a 0D RGB Ga in/Bias Red Gain

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S016 ~XX25 n 7E 30 30 32 35 20 a 0D

RGB Gain/Bia s Green

Gain

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S017 ~XX26 n 7E 30 30 32 36 20 a 0D RGB Gain /Bias Blue Gain

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S018 ~XX2 7 n 7E 30 30 32 37 20 a 0D RGB Gain/Bias Re d Bias

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S019 ~XX28 n 7E 30 30 32 38 20 a 0D RGB Gain /Bias Green Bias

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S020 ~XX29 n 7E 30 30 32 39 20 a 0D RGB Gain/Bia s Blue B ias

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S021 ~X X34 n 7E 30 30 33 34 20 a 0D

BrilliantColor

n = 1 (a=30) ~ 10 (a=31 30) No Yes Yes Yes Yes

~XX35 1 7E 30 30 33 35 20 31 0D

Film No Yes Yes Yes Yes

~XX35 2 7E 30 30 33 35 20 32 0D

Video No Ye s Yes Yes Ye s

~XX35 3 7E 30 30 33 35 20 33 0D

Graphics No Ye s Yes Yes Ye s

~XX35 4 7E 30 30 33 35 20 34 0D

Standard (2.2) No Yes Yes Yes Yes

~XX35 5 7E 30 30 33 35 20 35 0D

1.8 No Yes Yes Yes Yes

~XX35 6 7E 30 30 33 35 20 36 0D

2.0 No Yes Yes Yes Yes

~XX35 12 7E 30 30 33 35 20 31 31 0D

2.4 No Yes Yes Yes Yes

~XX36 1 7E 30 30 33 36 20 34 0D

Warm No Yes Yes Yes Yes

~XX36 2 7E 30 30 33 36 20 31 0D

Medium No Yes Yes Yes Yes

~XX36 3 7E 30 30 33 36 20 32 0D

Cold No Yes Yes Yes Yes

~XX37 1 7E 30 30 33 37 20 31 0D

Auto No Yes Yes Yes Ye s

~XX37 2 7E 30 30 33 37 20 32 0D

RGB\ RGB(0- 255) No Yes Yes Yes Yes

~XX37 3 7E 30 30 33 37 20 33 0D

YUV No Yes Yes Yes Yes

~XX37 4 7E 30 30 33 37 20 34 0D

RGB(16 — 235) No Ye s Yes Yes Ye s

S025 ~XX44 n 7E 30 30 34 35 20 a 0D Tint

n = -50 (a=2D 35 30) ~ 50

(a=35 30))

No Ye s Yes Yes Yes

S026 ~XX45 n 7E 30 30 34 34 20 a 0D Colour (S aturation )

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

~XX60 1 7E 30 30 36 30 20 31 0D

4:3 No Ye s Yes Ye s Yes

~XX60 2 7E 30 30 36 30 20 32 0D

16:9 No Ye s Yes Yes Ye s

~XX60 3 7E 30 30 36 30 20 33 0D

16:10 No No No Yes No Only for WXGA/WUXGA

~XX60 5 7E 30 30 36 30 20 35 0D

LBX No No Yes Yes Yes Except for SVGA/XGA

~XX60 6 7E 30 30 36 30 20 36 0D

Native No Yes Yes Yes Yes

~XX60 7 7E 30 30 36 30 20 37 0D

Auto No Yes Yes Yes Yes

S028 ~XX61 n 7E 30 30 36 31 20 a 0D Edge mask n = 0 (a=30) ~ 10 (a=31 30) No Yes Yes Yes Yes

S029 ~XX62 n 7E 30 30 36 32 20 a 0D Zoom

n = -5 (a=2D 35) ~ 25 (a=32

35)

No Ye s Yes Yes Yes

S030 ~XX63 n 7E 30 30 36 33 20 a 0D H Image Shift

n = -100 (a=2D 31 30 30) ~

100 (a= 31 30 30)

No Ye s Yes Yes Yes

S031 ~XX6 4 n 7E 30 30 36 34 20 a 0D V Image S hift

n = -100 (a=2D 31 30 30) ~

100 (a= 31 30 30)

No Ye s Yes Yes Yes

S033 ~XX66 n 7E 30 30 36 36 20 a 0D V Ke ystone

RT: n = -40 (a=2 D 34 30) ~

40 (a=34 3 0)

ST: n = -20 (a=2D 32 30) ~

20 (a=32 30)

No Ye s Yes Yes Yes

~XX70 1 7E 30 30 37 30 20 31 0D

English No Yes Yes Yes Ye s English

~XX70 2 7E 30 30 37 30 20 32 0D

Deutsch No Yes Yes Yes Yes German

~XX70 3 7E 30 30 37 30 20 33 0D

Français No Yes Yes Yes Yes French

~XX70 4 7E 30 30 37 30 20 34 0D

Italiana No Ye s Yes Yes Ye s Italian

~XX70 5 7E 30 30 37 30 20 35 0D

Español No Yes Yes Yes Yes Spanish

~XX70 6 7E 30 30 37 30 20 36 0D

Português No Yes Yes Yes Ye s Portuguese

~XX70 7 7E 30 30 37 30 20 37 0D

Polski No Yes Yes Yes Ye s Polish

~XX70 8 7E 30 30 37 30 20 38 0D

Nederlands No Yes Yes Yes Yes Dutch

~XX70 9 7E 30 30 37 30 20 39 0D

Svenska No Yes Yes Yes Yes Swedish

~XX70 10 7E 30 30 37 30 20 31 30 0D

Norsk/Dansk No Ye s Yes Yes Ye s Norwegian/Danish

~XX70 11 7E 30 30 37 30 20 31 31 0D

Suomi No Ye s Yes Yes Ye s Finnish

~XX70 12 7E 30 30 37 30 20 31 32 0D

ελληνικά No Yes Yes Yes Yes Greek

~XX70 14 7E 30 30 37 30 20 31 34 0D

簡体中文 No Yes Yes Yes Yes Simplified Chinese

~XX70 17 7E 30 30 37 30 20 31 37 0D

Русский No Yes Yes Yes Yes Russian

~XX70 18 7E 30 30 37 30 20 31 38 0D

Magyar No Yes Yes Yes Yes Hungarian

~XX70 19 7E 30 30 37 30 20 31 39 0D

Čeština No Yes Yes Yes Yes Cz echo slovak

~XX70 20 7E 30 30 37 30 20 32 30 0D

$ﺮﻋ

No Ye s Yes Yes Yes Arabic

~XX70 21 7E 30 30 37 30 20 32 31 0D

ไทย

No Ye s Yes Yes Yes Thai

~XX70 22 7E 30 30 37 30 20 32 32 0D

Türkçe No Yes Yes Yes Yes Turkish

Command Set

S024

S027

S035

Index

S001

S004

S005

S006 S009

S010

S022

S023

S011

Function

Power

AV Mute

Mute IR Functi on

Direct Source Commands

Gamma

Colour Temp.

Colour Space

Format (Aspect Ratio)

Language

Picture Mode

Notes

Support (Yes/No)

Value / Range

Baud Rate : 9600; Data Bi ts: 8; Parit y: None; S top Bit s: 1; Flow Con trol: Non e; UART16 550 FIFO: Di sable

Projector Re turn (Pass): P; Proj ector Ret urn (Fai l): F

XX= 00-99 (Pojector's ID), XX= 00 is for all projectors

Note :

1. There i s a <CR> after al l ASC II comman ds

2. 0D is the HEX code for <CR> in ASCII code

SEND to Projector

Page 80

RS232 Commands

頁 2

Model Name Notes

RS232 Setting

IN112AA

IN114AA/V11

IN116AA/V13

IN118AA

IN119AA

(w/o RS232)

IN112BB

IN114BB

IN114BBST/V31

IN118BB

IN118BBST

IN116BB

IN116BBST

IN119BB

IN188DD

Baud Rate : 9600; Data Bi ts: 8; Parit y: None; S top Bit s: 1; Flow Con trol: Non e; UART16 550 FIFO: Di sable

Projector Re turn (Pass): P; Proj ector Ret urn (Fai l): F

XX= 00-99 (Pojector's ID), XX= 00 is for all projectors

Note :

1. There i s a <CR> after al l ASC II comman ds

2. 0D is the HEX code for <CR> in ASCII code

~XX70 23 7E 30 30 37 30 20 32 33 0D

'رﺎ ﻓ

No Ye s Yes Yes Yes Farsi

~XX70 24 7E 30 30 37 30 20 32 34 0D !"#$%

No Ye s Yes Yes Yes Hindi

~XX70 25 7E 30 30 37 30 20 32 35 0D Tiếng Việt

No Ye s Yes Yes Yes Vie tnamese

~XX70 26 7E 30 30 37 30 20 32 36 0D Bahasa In donesia

No Ye s Yes Yes Yes Indo nesian

~XX70 27 7E 30 30 37 30 20 32 37 0D Român ă

No Ye s Yes Yes Yes Roman ian

~XX70 29 7E 30 30 37 30 20 32 39 0D Pilipino

No Ye s Yes Yes Yes Filipino

~XX70 30 7E 30 30 37 30 20 33 30 0D Melayu

No Ye s Yes Yes Yes Malay

~XX70 31 7E 30 30 37 30 20 33 31 0D বাংলা

No Ye s Yes Yes Yes Ben gali

~XX71 1 7E 30 30 37 31 20 31 0D

Front No Yes Yes Yes Yes

~XX71 2 7E 30 30 37 31 20 32 0D

Rear No Ye s Yes Yes Ye s

~XX71 3 7E 30 30 37 31 20 33 0D

Front-Ceiling No Yes Yes Yes Yes

~XX71 4 7E 30 30 37 31 20 34 0D

Rear-Ceilin g No Ye s Yes Yes Ye s

~XX72 1 7E 30 30 37 32 20 31 0D

Top Left No Yes Yes Yes Yes

~XX72 2 7E 30 30 37 32 20 32 0D

Top Right No Yes Yes Yes Yes

~XX72 3 7E 30 30 37 32 20 33 0D

Centre No Yes Yes Yes Yes

~XX72 4 7E 30 30 37 32 20 34 0D

Bottom Left No Ye s Yes Yes Yes

~XX72 5 7E 30 30 37 32 20 35 0D

Bottom Right No Yes Yes Yes Yes

S038 ~XX73 n 7E 30 30 37 33 20 a 0D Signal Frequency

n = -5 (a=2D 35) ~ 5 (a=35)

By signal

No Ye s Yes Yes Yes

S039 ~XX74 n 7E 30 30 37 34 20 a 0D Signal Phase

n = 0 (a=30) ~ 63 (a=36 33)

By signal

No Ye s Yes Yes Yes

S040 ~XX75 n 7E 30 30 37 35 20 a 0D Signal H. Position

n = -5 (a=2D 35) ~ 5 (a=35)

By timing

No Ye s Yes Yes Yes

S041 ~XX7 6 n 7E 30 30 37 36 20 a 0D Signal V. Position

n = -5 (a=2D 35) ~ 5 (a=35)

By timing

No Ye s Yes Yes Yes

S042 ~XX77 n 7E 30 30 37 37 20 aabbcc 0D

Security Security Timer

Month/Day/Hour

n = mm/dd/hh

mm= 00 (aa=30 30) ~ 12

(aa=31 32)

dd = 00 (bb=3 0 30) ~ 3 0

(bb=33 30)

hh= 00 (cc=30 30) ~ 24

(cc=32 34)

No Ye s Yes Yes Yes

~XX78 1 ~nn nn 7E 30 30 37 38 20 31 0D

On with passwo rd

~nnnn = ~0000 (a= 7E 3 0 30

30 30)

~9999 (a=7E 39 39 39 39)

No Ye s Yes Yes Yes

~XX78 0 ~n nnn 7E 30 30 37 38 20 32 20 a 0D

Off (0/2 for backward

compatible) with password

~nnnn = ~0000 (a= 7E 3 0 30

30 30)

~9999 (a=7E 39 39 39 39)

No Ye s Yes Yes Yes

S044 ~XX79 n 7E 30 30 37 39 20 a 0D Projector ID

n = 00 (a=30 30) ~ 99 (a=39

39)

No Ye s Yes Yes Yes

~XX80 1 7E 30 30 38 30 20 31 0D

On No Ye s Yes Yes Ye s

~XX80 0 7E 30 30 38 30 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

S046 ~XX81 n 7E 30 30 38 31 20 a 0D Volume (Aud io) n = 0 (a=30) ~ 10 (a=31 30) No Ye s Yes Yes Ye s

~XX90 1 7E 30 30 39 31 20 31 0D

16:10 No No No Yes No

~XX90 0 7E 30 30 39 31 20 30 0D

16:9 No No No Yes No

~XX91 1 7E 30 30 39 31 20 31 0D

On No Ye s Yes Yes Ye s

~XX91 0 7E 30 30 39 31 20 30 0D

Off No Yes Yes Yes Yes

~XX101 1 7E 30 30 31 30 31 20 31 0D

On No Ye s Yes Yes Ye s

~XX101 0 7E 30 30 31 30 31 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

~XX102 1 7E 30 30 31 30 32 20 31 0D

On No Ye s Yes Yes Ye s

~XX102 0 7E 30 30 31 30 32 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

~XX103 1 7E 30 30 31 30 33 20 31 0D

On No Ye s Yes Yes Ye s

~XX103 0 7E 30 30 31 30 33 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

~XX104 0 7E 30 30 31 30 34 20 30 0D

None No No No No No

~XX104 1 7E 30 30 31 30 34 20 31 0D

Blue No Yes Yes Yes Yes

~XX104 2

Black No Yes Yes Yes Yes

~XX104 3 7E 30 30 31 30 34 20 33 0D

Red No Ye s Yes Yes Ye s

~XX104 4 7E 30 30 31 30 34 20 34 0D

Green No Yes Yes Yes Yes

~XX104 5

White No Yes Yes Yes Yes

~XX104 7 7E 30 30 31 30 34 20 37 0D

Logo No Yes Yes Yes Ye s

~XX105 1 7E 30 30 31 30 35 20 31 0D

On No Yes Yes Yes Yes

~XX105 0 7E 30 30 31 30 35 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

~XX109 1 7E 30 30 31 30 39 20 31 0D

On No Yes Yes Yes Yes

~XX109 0 7E 30 30 31 30 39 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

~XX110 1 7E 30 30 31 31 30 20 31 0D

Bright No Ye s Yes Yes Ye s

~XX110 2 7E 30 30 31 31 30 20 32 0D

Eco No Yes Yes Yes Yes

~XX110 4 7E 30 30 31 31 30 20 34 0D

Dynamic No Yes Yes Yes Yes

S057 ~XX111 1 7E 30 30 31 31 31 20 31 0D Lamp Reset Yes No Ye s Yes Yes Ye s

~XX113 1 7E 30 30 31 31 33 20 31 0D

On No Yes Yes Yes Yes

~XX113 0 7E 30 30 31 31 33 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

S059 ~XX106 n 7E 30 30 31 30 36 20 a 0D

Auto Power Off (min) “

(5 minutes for each step).”

n = 0 (a=30) ~ 180 (a=31 38

30)

No Ye s Yes Yes Yes

S060 ~XX107 n 7E 30 30 31 30 37 20 a 0D

Sleep Timer (min) “

(30 minutes for each

step).”

n = 0 (a=30) ~ 990 (a=39 39

30)

No Ye s Yes Yes Yes

S061 ~XX112 1 7E 30 30 31 31 32 20 31 0D

Reset to D efault Ye s (P.S

When se curity is off)

Yes with no passw ord

(Security is Off)

No Ye s Yes Yes Yes

S062 ~XX112 1 ~nnn n 7E 30 30 31 31 32 20 31 0D

Reset to D efault Ye s (P.S

When se curity is On/ Off)

Yes with no passw ord

(Security is Off)

No Ye s Yes Yes Yes

~XX115 1 7E 30 30 31 31 35 20 31 0D

On No Yes Yes Yes Yes

~XX115 0 7E 30 30 31 31 35 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

~XX140 10 7E 30 30 31 34 30 20 31 30 0D

Up No Yes Yes Yes Yes

~XX140 11 7E 30 30 31 34 30 20 31 31 0D

Left No Yes Yes Yes Yes

~XX140 12 7E 30 30 31 34 30 20 31 32 0D

Enter (fo r Projection MENU) No Yes Yes Yes Yes

~XX140 13 7E 30 30 31 34 30 20 31 33 0D

Right No Yes Yes Yes Yes

~XX140 14 7E 30 30 31 34 30 20 31 34 0D

Down No Yes Yes Yes Yes

~XX140 15 7E 30 30 31 34 30 20 31 35 0D

Keystone + No Yes Yes Yes Yes

~XX140 16 7E 30 30 31 34 30 20 31 36 0D

Keystone – No Yes Yes Yes Yes

~XX140 17 7E 30 30 31 34 30 20 31 37 0D

Volume – No Yes Yes Yes Yes

~XX140 18 7E 30 30 31 34 30 20 31 38 0D

Volume + No Yes Yes Yes Yes

~XX140 19 7E 30 30 31 34 30 20 31 39 0D

Brightness No Ye s Yes Yes Yes

~XX140 20 7E 30 30 31 34 30 20 32 30 0D

Menu No Yes Yes Yes Yes

~XX140 21 7E 30 30 31 34 30 20 32 31 0D

Zoom No Yes Yes Yes Yes

~XX140 28 7E 30 30 31 34 30 20 32 38 0D

Contrast No Yes Yes Yes Yes

~XX140 47 7E 30 30 31 34 30 20 34 37 0D

Source No Yes Yes Yes Yes

~XX195 0 7E 30 30 31 39 35 20 30 0D

Off No Yes Yes Yes Yes

S054

S055

S056

S058

S064

S065

S036

S037

S043

S045 S048

S049

IR Functi on

Projection

Menu Location

Security

Mute

Quick Resu me

S050

S051

S052

S053

Lamp Reminder

Brightness Mode

Signal Power On

Screen Type

(Only for WXGA/WUXGA)

Signal Automatic

Only for WXG A/WUXGA

High Altitude

Information Hide

Keypad Lock

Background Color

Direct Power On

Page 81

RS232 Commands

頁 3

Model Name Notes

RS232 Setting

IN112AA

IN114AA/V11

IN116AA/V13

IN118AA

IN119AA

(w/o RS232)

IN112BB

IN114BB

IN114BBST/V31

IN118BB

IN118BBST

IN116BB

IN116BBST

IN119BB

IN188DD

Baud Rate : 9600; Data Bi ts: 8; Parit y: None; S top Bit s: 1; Flow Con trol: Non e; UART16 550 FIFO: Di sable

Projector Re turn (Pass): P; Proj ector Ret urn (Fai l): F

XX= 00-99 (Pojector's ID), XX= 00 is for all projectors

Note :

1. There i s a <CR> after al l ASC II comman ds

2. 0D is the HEX code for <CR> in ASCII code

~XX195 1 7E 30 30 31 39 35 20 31 0D

Grid (Red) No Ye s Yes Ye s Yes

~XX195 2 7E 30 30 31 39 35 20 32 0D

White No Yes Yes Yes Yes

~XX195 3 7E 30 30 31 39 35 20 33 0D

Grid (Green) No Yes Yes Yes Yes

~XX195 4 7E 30 30 31 39 35 20 34 0D

Grid (Blue) No Yes Yes Yes Yes

S067 ~XX200 n 7E 30 30 32 30 30 20 a 0D White level n = 0 (a=30) ~ 31 (a=33 31) No Ye s Yes Yes Ye s

S068 ~XX201 n 7E 30 30 32 30 31 20 a 0D Black level n = -5 (a=2D 35) ~ 5 (a=35) No Ye s Yes Yes Yes

~XX204 1 7E 30 30 32 30 34 20 31 0D

0 No Yes Yes Yes Yes

~XX204 0 7E 30 30 32 30 34 20 30 0D

7.5 No Ye s Yes Ye s Yes

S070 ~XX210 n 7E 30 30 32 30 30 20 n 0D

Display message on the

OSD

n: 1-30 characters No No No No No

S071 ~XX215 1 7E 30 30 32 31 35 20 31 0D Co lour S etting Reset No Ye s Yes Yes Yes

~XX230 0 7E 30 30 32 33 30 20 30 0D

Off No Yes Yes Yes Yes

~XX230 1 7E 30 30 32 33 30 20 31 0D

DLP-Link No Yes Yes Yes Yes

~XX231 0 7E 30 30 32 33 31 20 30 0D

Off No Yes Yes Yes Yes

~XX231 1 7E 30 30 32 33 31 20 31 0D

On No Ye s Yes Yes Ye s

~XX313 1 7E 30 30 33 31 33 20 31 0D

No No No No No

~XX313 0 7E 30 30 33 31 33 20 30 0D

Off (0/2 for backward

compatible)

No No No No No

~XX320 1 7E 30 30 33 32 30 20 31 0D

Yes No No No No No

~XX320 0 7E 30 30 33 32 30 20 30 0D

No (0/2 for backward

compatible)

No No No No No

~XX322 0 7E 30 30 33 32 32 20 30 0D

Off No No No No No

~XX322 1 7E 30 30 33 32 32 20 31 0D

300hr No No No No No

~XX322 2 7E 30 30 33 32 32 20 32 0D

500hr No No No No No

~XX322 3 7E 30 30 33 32 32 20 33 0D

800hr No No No No No

~XX322 4 7E 30 30 33 32 32 20 34 0D

1000hr No No No No No

S077 ~XX32 3 1 7E 30 30 33 32 33 20 31 0D Filter Reset Ye s No No No No No

S078 ~XX327 n 7E 30 30 33 32 37 20 a 0D Colour Setting Red Hu e

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S079 ~XX328 n 7E 30 30 33 32 38 20 a 0D Colour Setting Green Hue

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S080 ~XX329 n 7E 30 30 33 32 39 20 a 0D Co lour S etting Blue Hue

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S081 ~XX33 0 n 7E 30 30 33 33 30 20 a 0D Colour S etting Cyan H ue

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S082 ~XX331 n 7E 30 30 33 33 31 20 a 0D

Colour Setting Yellow Hue

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S083 ~XX332 n 7E 30 30 33 33 32 20 a 0D

Colour Setting Magen ta

Hue

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S084 ~XX333 n 7E 30 30 33 33 33 20 a 0D

Colour Setting Red

Stutation

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S085 ~XX334 n 7E 30 30 33 33 34 20 a 0D

Colour Setting Green

Stutation

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S086 ~XX335 n 7E 30 30 33 33 35 20 a 0D

Colour Setting Blue

Stutation

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S087 ~XX336 n 7E 30 30 33 33 36 20 a 0D

Colour Setting Cyan

Stutation

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S088 ~XX337 n 7E 30 30 33 33 37 20 a 0D

Colour Setting Yellow

Stutation

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S089 ~XX338 n 7E 30 30 33 33 38 20 a 0D

Colour Setting Magen ta

Stutation

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S090 ~XX339 n 7E 30 30 33 33 39 20 a 0D Colou r Set ting Re d Gain

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S091 ~XX340 n 7E 30 30 33 34 30 20 a 0D

Colour Setting Green

Gain

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S092 ~XX341 n 7E 30 30 33 34 31 20 a 0D Colour Sett ing Blu e Gain

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S093 ~XX342 n 7E 30 30 33 34 32 20 a 0D Colour Setting Cyan Gain

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S094 ~XX343 n 7E 30 30 33 34 33 20 a 0D

Colour Setting Yellow

Gain

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S095 ~XX344 n 7E 30 30 33 34 34 20 a 0D

Colour Setting Magen ta

Gain

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S096 ~XX345 n 7E 30 30 33 34 35 20 a 0D Col our Se tting Wh ite Re d

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S097 ~XX346 n 7E 30 30 33 34 36 20 a 0D

Colour Setting White

Green

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

S098 ~XX347 n 7E 30 30 33 34 37 20 a 0D Colou r Setti ng Whi te Blu e

n = -50 (a=2D 35 30) ~ 50

(a=35 30)

No Ye s Yes Yes Yes

~XX348 1 7E 30 30 33 34 38 20 31 0D

On No Ye s Yes Yes Ye s

~XX348 0 7E 30 30 33 34 38 20 30 0D

Off No Yes Yes Yes Yes

~XX400 0 7E 30 30 34 30 30 20 30 0D

3D No Ye s Yes Yes Ye s

~XX400 1 7E 30 30 34 30 30 20 31 0D

L No Yes Yes Yes Yes

~XX400 2 7E 30 30 34 30 30 20 32 0D

R No Yes Yes Yes Yes

~XX405 0 7E 30 30 34 30 35 20 30 0D

Auto No Yes Yes Yes Yes

~XX405 1 7E 30 30 34 30 35 20 31 0D

SBS No Yes Yes Yes Yes

~XX405 2 7E 30 30 34 30 35 20 32 0D

Top and Bottom No Yes Yes Yes Yes

~XX405 3 7E 30 30 34 30 35 20 33 0D

Frame Sequential No Ye s Yes Yes Ye s

~XX506 0 7E 30 30 35 30 36 20 30 0D

Whiteboard No Ye s Yes Yes Ye s

~XX506 1 7E 30 30 35 30 36 20 31 0D

Blackboard No Yes Yes Yes Yes

~XX506 2 7E 30 30 35 30 36 20 32 0D

Light Yellow No Yes Yes Yes Yes

~XX506 3 7E 30 30 35 30 36 20 33 0D

Light Green No Yes Yes Yes Yes

~XX506 4 7E 30 30 35 30 36 20 34 0D

Light Blue No Yes Yes Yes Yes

~XX506 5 7E 30 30 35 30 36 20 35 0D

Pink No Yes Yes Yes Yes

~XX506 6 7E 30 30 35 30 36 20 36 0D

Gray No Yes Yes Yes Yes

~XX511 0 7E 30 30 35 31 31 20 30 0D

Off (0/2 for backward

compatible)

No Ye s Yes Yes Yes

~XX511 1 7E 30 30 35 31 31 20 31 0D

On No Ye s Yes Yes Ye s

ASCII Code HEX Code

A001 N/A N/A

Projector Information

a=0, Standby

a=1, Warming

a=2, Cooling

a=3, Out of Range

a=4, Lamp Fail

a=6, Fan Lock

a=7, Over Temperatu re

a=8, Lamp Hours Runn ing

Out

INFOa No Yes Yes Yes Yes

SEND from Projector Automatically

Command Set

S100

S101

S108

S109

Index

S066

S069

S072

S073

S074

S075

S076

S099

Test Pattern

IRE

3D Mode

3D Sync Invert

3D Format Information Menu

Optional Filte r Installed

Wall Colour

HDMI Link(CEC)

Function

Support (Yes/No)

Notes

Filter Reminder

Display Mode Lock

3D→2D

Projector Return

Page 82

RS232 Commands

頁 4

Model Name Notes

RS232 Setting

IN112AA

IN114AA/V11

IN116AA/V13

IN118AA

IN119AA

(w/o RS232)

IN112BB

IN114BB

IN114BBST/V31

IN118BB

IN118BBST

IN116BB

IN116BBST

IN119BB

IN188DD

Baud Rate : 9600; Data Bi ts: 8; Parit y: None; S top Bit s: 1; Flow Con trol: Non e; UART16 550 FIFO: Di sable

Projector Re turn (Pass): P; Proj ector Ret urn (Fai l): F

XX= 00-99 (Pojector's ID), XX= 00 is for all projectors

Note :

1. There i s a <CR> after al l ASC II comman ds

2. 0D is the HEX code for <CR> in ASCII code

ASCII Code HEX Code

R002 ~XX1 08 1 7E 30 30 31 30 38 20 31 0D

Lamp Hours

aaaaa=(5 digits) Total

Lamp Hours

Okaaaaa No Yes Yes Yes Yes

R003 ~XX12 1 1 7E 30 30 31 32 31 20 31 0D

Input So urce Comm ands

a=0, None

a=1, HDMI (HDMI 1)

a=5, VGA

a=9, S-Video

a=10, Video

a=15, HDMI 2

Oka No Ye s Yes Yes Yes

R004 ~XX12 2 1 7E 30 30 31 32 32 20 31 0D

Software Version

aaaa=Software Version

Okaaaa No Ye s Yes Yes Ye s

R005 ~XX12 3 1 7E 30 30 31 32 33 20 31 0D

Display Mode

a=0, None

a=1, Presentation

a=2, Bright

a=3, Movie (Cine ma)

a=4, sRGB

a=5, User

a=9, 3D

a=13, DICOM SIM.

a=14, ISF Day

a=15, ISF Night

Oka No Ye s Yes Yes Yes

R006 ~XX124 1 7E 30 30 31 32 34 20 31 0D

Power State

a=0, Off

a=1, On

Oka No Ye s Yes Yes Yes

R007 ~XX12 5 1 7E 30 30 31 32 35 20 31 0D

Brightness

aaa=-50~+50

Okaaa No Yes Yes Yes Ye s

R008 ~XX12 6 1 7E 30 30 31 32 36 20 31 0D

Contrast

aaa=-50~+50

Okaaa No Yes Yes Yes Ye s

R009 ~XX127 1 7E 30 30 31 32 37 20 31 0D

Aspect Ratio

aa=0, None

aa=1, 4:3

aa=2, 16:9

aa=3, 16:10

aa=5, LBX

aa=6, Native

aa=7, Auto

Okaa No Ye s Yes Yes Ye s

R010 ~XX128 1 7E 30 30 31 32 38 20 31 0D

Color Te mperatu re

a=1, Warm

a=2, Medium

a=3, Cold

Oka No Ye s Yes Yes Yes

R011 ~XX129 1 7E 30 30 31 32 39 20 31 0D

Projection Mode

a=0, Front

a=1, Rear

a=2, Front-Ceilin g

a=3, Rear-Ceiling

Oka No Ye s Yes Yes Yes

R012 ~XX150 1 7E 30 30 31 35 30 20 31 1D

Information

a=Power Status

a=0, Power Off

a=1, Power On

bbbbb=Lamp Hours

cc=Input Source

cc=00, None

cc=01, HDMI (HDMI 1)

cc=05, VGA

cc=09, S-Video

cc=10, Video

cc=15, HDMI 2

dddd=Software Version

ee=Display Mode

Okabbbbbccddddee No Yes Yes Yes Yes

R013 ~XX150 4 7E 30 30 31 35 30 20 34 0D

Resolution

a=string (e.g.

Ok1920x10 80)

Oka No Ye s Yes Yes Yes No sign al (a=Ok0x0)

R015 ~XX150 19 7E 30 30 31 35 30 20 31 39 0D

Refresh ra te

a=string (e.g. Ok60 Hz)

Oka No Ye s Yes Yes Yes No sign al (a=Ok0Hz)

R016 ~XX151 1 7E 30 30 31 35 31 20 31 0D

Model Name

a=1, SVGA

a=2, XGA

a=3, WXGA

a=4, 1080p

a=5, WUXGA

Oka No Ye s Yes Yes Yes

R017 ~XX108 1 7E 30 30 31 30 38 20 31 0D

Lamp Hours

aaaaa=00000~9999 9

Okaaaaa No Yes Yes Yes Yes

R018 ~XX321 1 7E 30 30 33 32 31 20 31 0D

Filter Usage Hours

aaaaa=00000~9999 9

Okaaaaa No No No No No

R019 ~XX352 1 7E 30 30 33 35 32 20 31 0D

System Temperature

aaa=000~999

Okaaa No Yes Yes Yes Ye s

R020 ~XX3 53 1 7E 30 30 33 35 33 20 31 0D

Serial Number

a=string

Oka No Ye s Yes Yes Yes

R022 ~XX3 55 1 7E 30 30 33 35 35 20 31 0D

AV Mute

a=0, Off

a=1, On

Oka No Ye s Yes Yes Yes

R023 ~XX356 1 7E 30 30 33 35 36 20 31 0D

Mute

a=0, Off

a=1, On

Oka No Ye s Yes Yes Yes

R025 ~XX543 1 7E 30 30 35 34 33 20 31 0D

H Image Shift

aaaa=-100~+100

Okaaaa No Ye s Yes Yes Ye s

R026 ~XX 543 2 7E 30 30 35 34 33 20 32 0D

V Image S hift

aaaa=-100~+100

Okaaaa No Ye s Yes Yes Ye s

R027 ~XX543 3 7E 30 30 35 34 33 20 33 0D

V Keyst one

aaa=-40~+40

Okaaa No Yes Yes Yes Ye s

R028 ~XX558 1 7E 30 30 35 35 38 20 31 0D

Projector ID

aa=00~99

Okaa No Ye s Yes Yes Ye s

Note 1: ~xx112 1 ~nnn n (nnn n = password) Wh en secu rity is on, y ou nee d to add password after comm and or it will re turn F.

Note 2: Wh en the projector show o ther OSD, use r key th e command “~XX313 0 7E 30 30 33 31 33 20 30 0D Information menu Off ( 0/2 for backward compatible)” then it will retur n F.

Index

Function

READ from Projector

Command Set

Projector Return

Support (Yes/No)

Notes

Infocus IN118AA, IN112AA, IN119AA, IN116AA, IN114AA User guide

Specifications and Main Features

Frequently Asked Questions

User Manual