Hughes Kettner lucas xt hk2001 Schematic
Service Documents
Confidential, for authorized service technicians only!
Do not disclose this information to or share these documents
with third parties.
Vertraulich! Nur für autorisierte Servicetechniker!
Nicht zur Weitergabe an Dritte freigegeben!
TECHNICAL SERVICE:
Stamer Musikanlagen GmbH • Magdeburger Str. 8 • 66606 St.Wendel • Germany
Music & Sales P.E. GmbH • Leipziger Str. 3 • 66606 St.Wendel • Germany
Note!
The components used in this product - particularly parts affecting
safety as well as speakers and transformers - were developed and
manufactured to certain specifications. Please use original spare
parts only to ensure the product remains fully functional and safe.
Achtung!
Die in diesem Produkt verwendeten Komponenten, insbesondere
sicherheitsrelevante Teile, Lautsprecher und Transformatoren
wurden nach spezifischen Vorgaben entwickelt und gefertigt.
Bitte benutzen Sie ausschließlich Original-Ersatzteile – nur so ist
die volle Funktionalität und Sicherheit gewährleistet.
L.U.C.A.S
XT
31.10.07
Directory
features
drawing-numbers-example
standard for single wire confection
HK2001- L.U.C.A.S XT
exploded drawings:
layout diagrams
page: 3-10
page: 11
page: 12
page: 13
top complete Rev.: B page: 14-15
top front grille Rev.: B page: 16
top cabling Rev.: B page: 17
sub complete Rev.: B page: 18-19
sub front grille Rev.: A page: 20
sub chassis/ cabling Rev.: H page: 21-24
preamp Rev.: H page: 25-26
circuit diagrams
poweramp/powersupply Rev.: E page: 27-28
crossover Rev.: B page: 29
preamp Rev.: H page: 30-35
poweramp/powersupply Rev.: F page: 36-40
crossover Rev.: B page: 41
L.U.C.A.S XT Manual 2.0
Welcome to the
HK AUDIO
®
family!
Thank you for choosing (another) HK AUDIO
®
product.
L.U.C.A.S
®
XT consists of two satellites and a compact subwoofer equipped with a power amp and all
the electronics required to drive the bass bin and
satellite. Painstakingly fine-tuned to match the
speakers for superior impulse response and the
best possible sound, the electronic circuitry makes
the system easy to handle and protects it from
overloads. You don't have to worry about tweaking
frequencies and finessing levels, all you have to
do is set up the system components, connect the
signal-carrying cords and power cable, and you're
ready for action.
Every HK AUDIO
®
active system is much more than
just a cabinet with an onboard power amp. Each
one is a full-fledged sound reinforcement solution
consisting of a subwoofer, satellite and meticulously
matched electronics. Our engineers brainstormed
new technologies specifically to satisfy stringent
performance requirements. Unique and sophisticated,
these features make an active HK AUDIO
®
sound
reinforcement system stand out from the crowd.
Warranty
Register your L.U.C.A.S®XT using the enclosed
warranty card to extend your warranty to five years
free of charge.
Use the convenient Online Registration option at
www
.hkaudio.com
If you are unable to register online, please fill out the
enclosed warranty card completely and mail
or fax it to us. The registration is only valid if the
warranty registration card is filled out and returned
to HK AUDIO
®
or the device is registered via the
Internet within 30 days after the date of purchase.
We are also interested in learning where and by
whom our devices are used. This information will
help us design future products. Your data is of course
protected by privacy laws.
Thank you.
HK AUDIO
®
Technical Service
Postfach 1509
D-66595 St. Wendel, Germany
Table of Contents
1 L.U.C.A.S®XT’s Control Features . . . . . . . . . . . . 6
2 Setting Up and Connecting L.U.C.A.S
®
XT . . . . 7
3 Mounting Satellites on Speaker Stands . . . . . . . 7
4 Operating the System . . . . . . . . . . . . . . . . . . . . 8
5 Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
6 L.U.C.A.S
®
XT Accessories . . . . . . . . . . . . . . . . . 9
7 Tips and Tricks . . . . . . . . . . . . . . . . . . . . . . . . . . 9
8 Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . 10
9 Technical Specifications . . . . . . . . . . . . . . . . . . 11
5
English
Digital Amping
Enhanced Efficiency and Dynamic Response
With an efficiency rating topping the 90% mark,
digital power amps are smaller, lighter, and more
compact than comparable conventional amps.
The reduced thermal load on components clearly
enhances reliability. The slew rate is far faster and
the damping factor is higher, resulting in audibly
more responsive and accurate performance.
• Outperforms analog power amps in efficiency for
greater reliability and lower current consumption
• Faster signal transmission for enhanced dynamic
response
OFR™
Optimized Frequency Response Technology
HK AUDIO
®
’s unique OFR™ technology deliver
commanding yet well-balanced sound at every level.
It corrects for non-linear frequency response in the
speaker components at the same time as it compensates for the way human hearing works at varying
levels.
• Fine-tuned to each system
• Rectifies non-linear frequency response
• Adapts the system to different volumes
• Powerful, balanced sound in every situation
MultiBand Limiting
Specialized limiting for each frequency range
Several limiters, each specializing in its own
frequency range, work side by side to keep the entire
system under control. This ensures even dynamic
response and punchy projection for a highly musical
sound across the entire frequency spectrum.
• Tighter low-end punch, snappier kick
• Clean, emphatic mids for smooth, rich vocals
• Transparent, glossy highs with extra headroom
• Speaker overload protection
Subsonic Filter
Preventing Low Frequency Interference
The integrated subsonic filter eliminates accidental
and unintentional signals such as footfalls, wind, or
the sound of a hand accidentally brushing a microphone. It cuts these frequencies drastically, freeing
energy to render bass impulses better. Goodbye
squashed dynamics and artificial sound, hello
authenticity and natural sounding low/mid
frequencies.
• Increases power and volume in the useful
frequency range
• Protects power amps and speakers from harmful
ultra-low frequencies
DuoTilt™ and MicroTilt™
Making the Most of Sonic Energy
The new DuoTilt™ and MicroTilt™ speaker stand
mounting collars allow sound energy to be utilized
far more efficiently. The DuoTilt™ offers downward
angles of 7.5° and 15°, and MicroTilt™ 10°, to better
aim the mid/high-range cabinets directly at the
audience. Troublesome ceiling reflections are
minimized; the soundscape is clearer, tighter, and
more focused.
• Tilts at angles designed for the best possible
alignment of the enclosure to the audience
• Minimizes ceiling reflections, maximizes energy
efficiency
Easy Setup and Handling
Less Pre-Gig Stress for a Better Show
All HK AUDIO
®
Active Systems were designed
as cohesive units consisting of perfectly matched
components. Painstaking effort was invested in
developing systems that are easily transported and
swiftly set up. Operation couldn’t be easier; endless
tweaking is a thing of the past.
• A true system design: All components were
perfectly matched for performance as a unit.
• Fast set-up and effortless handling saves time and
spells less pre-performance stress
L.U.C.A.S XT Manual 2.0
1 L.U.C.A.S
®
XT’s Control Features
1 Gain Mic
Twist this knob to adjust the microphone level.
Note: You can adjust the microphone and line or
auxiliary inputs separately and mix them as desired.
2 Gain Line
This knob adjusts power amp gain to match input
signal levels. In the event that distortion becomes
audible, the incoming signal level is too high. Simply
back off this knob.
3 Gain Aux
This knob adjusts power amp gain to match input
signal levels. In the event that distortion becomes
audible, the incoming signal level is too high. Simply
back off this knob.
4 Limiter Status LEDs
These dual-color LEDs indicate the operating status
of the multi-band limiter. Green = incoming signal,
limiters inactive; yellow = limiter occasionally activated;
red = limiters operating continuously.
5 Mode
If you have just a mono signal available, patch it to
the left input of the Line In or Aux In circuits. Set the
Mode switch to Mono. When you do this, the system
outputs the monaural input signal on both sides (the
left and right).
6 Balance
Use this knob to adjust the relative levels of the left
and right channels.
7 Subwoofer Level
Use this knob to adjust the relative volume of the
subwoofer.
8 Power On LED
This LED lights up when the system is plugged into a
mains power supply and the Power switch (see rear
panel) is set to On.
9 Ground
Ground lift switch for separating the signal and
chassis ground when you encounter problems with
humming noises. The ground circuit is severed when
you press the button in.
Caution: Never tape over the plug’s ground terminal
– this endangers lives!
10 Mic In
You may plug a microphone directly into this electronically balanced XLR input. (pin 1= ground, 2= +, 3= -).
11 Line In Left/Right
This electronically balanced XLR input is designed
to take mixer signals (pin 1= ground, 2= +, 3= -).
You can also use cables equipped with 1/4" TRS (stereostyle) plugs (tip = +, ring = -, shield = ground).
12 Aux In
RCA connector designed to take external signal
sources such as (DJ) mixing consoles and CD players.
13 Mix Out
Master output for patching Line, Aux In and Mic In
signals through to other devices such as tape decks
and MD recorders or another L.U.C.A.S
®
XT system.
14 To Satellite Left/Right
Connect these Speakon
®
outputs to L.U.C.A.S®XT’s
satellite speakers.
15 Fuse
Mains fuse. In the event of a malfunction, this
fuse will blow, severing the connection between
L.U.C.A.S®XT and the mains power supply in order
to protect the system from harm. Replace only with
another fuse of the same type and rating as specified.
16 Mains Input
Use the factory-included power cord to connect this
socket to a mains outlet.
1 2 3 4 5 6 7 8 9
10 11 12 13
14
15
16 17
14
7
English
Caution! Make sure the local mains voltage matches
the voltage specified on the rear panel of L.U.C.A.S
®
XT.
If you connect the L.U.C.A.S
®
XT system to the wrong
mains voltage, you can damage its electronic
components.
17 Power Switch
L.U.C.A.S
®
XT on/off switch. The light within the
switch will glow red to indicate that it is powered up.
2 Setting Up and Connecting
L.U.C.A.S
®
XT
Line In
Connect cables carrying signals from your mixer
(master left/right, line out, or a similar circuit) to the
balanced Input sockets using a cord equipped with
standard XLR microphone connectors or 1/4" plugs.
Make sure the XLR connectors have the following pin
assignments: 1= ground, 2= +, 3= -. You can also use
cables equipped with 1/4" TRS (stereo-style) plugs
(tip = +, ring = -, shield = ground).
Aux In
Connect cables carrying signals from your DJ mixer,
CD player or tape deck (CD out, tape out, or similar
output) to Aux In using a cable equipped with RCA
connectors.
Mic In
If you want to connect a microphone directly to
L.U.C.A.S
®
XT without going into a mixer first, plug it
into the balanced Mic In socket. Use a standard XLR
microphone cable for this. Make sure the XLR connectors are wired with pin 2 hot (pin assignments:
1 = ground, 2 = +, 3 = -).
Satellite Left/ Right
Connect the L.U.C.A.S
®
XT system’s satellite speakers
to the Satellite Left and Satellite Right outputs. Use
Speakon
®
loudspeaker cables with wire cross-sections
of at least 2 x 1.5 mm2to do this.
Caution: The Satellite Left and Satellite Right outputs
are designed for a nominal impedance of four ohms.
Under no circumstances may the impedance fall
below this value, otherwise the power amp may
suffer serious damage! Use L.U.C.A.S
®
XT satellite
loudspeakers only!
Note: This system’s components were matched
and tuned for superior audio performance in the
configuration described herein. Do not set up or
use this system in any other configuration. If you use
satellites other than those that ship with the system,
this could degrade the system’s sound or even damage
the power amp.
An electrical connection between the cord and input
jack is not established until the Speakon
®
connector
locks into place. Turn the Speakon connector
clockwise until it engages.
3 Mounting the Satellites
on Speaker Stands
The newly developed, integrated MicroTilt™ pole
mount enables far more efficient use of sound energy.
Offering a 10° angle of tilt, it lets you line up cabinets
so that they face the audience rather than towards
walls and ceilings. Troublesome ceiling reflections
are minimized, and you end up with a focused sound
that is clear and punchy. Cabinets are stabilized
at their center of gravity - no wobbling, tilting, or
unintentional turning. What’s more, the HK AUDIO
®
MicroTilt™ collar can accept microphone stands.
The maximum attainable height with microphone
stands is 165 to 170 cm (about 5 1/2 feet), which is
often sufficient for smaller events or presentations
at which the audience is seated.
The HK AUDIO
®
L.U.C.A.S®XT Add-On Package is
highly recommended for musical performances or
presentations requiring coverage of greater areas
and distance (10 to 15 meters / 30 to 50 feet). This
kit consists of two stands (extendable to a height of
205 cm / 6’ 8"), a practical gig bag for easy transport
and two loudspeaker cables for connecting the
satellites to the subwoofer.
Presentation setup
Live performance setup
That was then: Up to 50% of the
sound energy was wasted
HK AUDIO®MicroTilt™: Full
utilization of sound energy
L.U.C.A.S XT Manual 2.0
4 Operating the System
First, make sure the Power On switch is set to the
Off position.
Caution! Connect the power cable only after you have
made absolutely sure that the local mains voltage
matches the voltage specified on the device. If you
connect the system to the wrong mains voltage, you
can easily damage the electronic components of the
L.U.C.A.S
®
XT system.
Gain Line In, Aux In, Mic In
Turn all Gain knobs (Gain Line, Gain Mic and Gain
Aux) all the way down (counterclockwise as far as
they will go).
Before you power L.U.C.A.S
®
XT up, make sure that all
connected peripheral components are switched on
first. Your mixer, and all signal sources connected to
it such as keyboards, instrument amps, effects and
so forth, should be switched on first.
The L.U.C.A.S
®
XT system should always be switched
on last. Again, that means after you switch on all
connected devices. After you power the system up by
activating the On/Off switch (it will light up red
when it is set to On and getting mains power),
set the Gain Line knob to the center or 12 o’clock
position (= 0 dBV).
This is the preferred level if you have connected
a mixer to L.U.C.A.S
®
XT. If you connect a CD player
or a keyboard directly to the system, turn the Gain
Line knob clockwise all the way to the far right to
achieve maximum volume.
Note: Many DJ mixing desks are equipped with RCAformat outputs only. If you want to employ this type
of mixer, use either an RCA/XLR adapter (or RCA/1/4"
jack adapter) and plug it into the Line In port,
or connect the mixer to Aux In using a standard
RCA connector-equipped cord.
If you want to plug a CD player directly into the system,
use Aux In to do this. Depending on signal level, you
can turn the Gain Aux knob all the way to the right in
order to achieve maximum volume.
5 Settings
Gain Mic Knob
Use this knob to adjust microphone level.
Note: You can adjust the microphone and line inputs
separately and mix them as desired. In the event of
audible distortion or saturated signals, back off the
Gain Mic knob.
Gain Line Knob
If you hear distortion or saturated signals, first check
the signal sources and, if possible, reduce the output
signal level there. If the signal that you are routing to
the L.U.C.A.S
®
XT system cannot be adjusted at the
source, adjust the power amp by backing off the
Gain Line knob.
Gain Aux Knob
Use this knob to adjust the level of the Aux In channel.
Note: You can adjust Aux In and Line In separately
and mix them as desired. In the event of audible
distortion or saturated signals, back off the
Gain Aux knob.
Mode
If you have just a mono signal available, patch it to
the left input of the Line In or Aux In circuits. Set
the Mode switch to Mono. This way the system can
output the monaural input signal on both left and
right sides.
Balance
Use the Balance knob to adjust the relative levels of
the left and right channels. The two sides’ volume
levels are equal when the knob is set to the center
position.
Subwoofer Level
When this knob is set to the center position, the
volume of the subwoofer is perfectly balanced with
the levels of the satellites so that the audience
is treated to a homogeneous sound with an even
distribution of bottom-end and top-end (satellite)
signals. If you want to boost or cut the bass frequencies, simply turn the Subwoofer Level knob to the left
(down to -12 dB) or right (up to +6 dB).
9
English
Ground Lift Switch
If you encounter low frequency hum, try activating
the Ground Lift switch, which severs the chassis
earth circuit. If this doesn’t eliminate the problem,
check all cables connected to the L.U.C.A.S
®
XT system
and all signals routed to the mixer until you pinpoint
the problem.
Caution: Never tape over the plug’s ground terminal
– this endangers lives!
6 L.U.C.A.S®XT Accessories
L.U.C.A.S®XT Add-On Package
This complete accessory kit for L.U.C.A.S
®
XT consists
of two aluminum speaker stands, one gig bag and
two seven-meter speaker cables.
Item number: 191813
L.U.C.A.S
®
XT Roller Bag
A convenient and secure transportation solution for
the L.U.C.A.S
®
XT system, this roller bag offers rugged upholstered bags designed to protect the subwoofer and satellites. Simply strap the bag containing
the satellites to the subwoofer and transport the
entire PA system easily on the built-in casters. The
roller bag also offers several practical compartments,
perfect for storing cables, microphones and even
small mixers.
Item number: 191823
L.U.C.A.S
®
XT Wall Mount
Wall-mounting bracket for L.U.C.A.S
®
XT satellite
speakers.
Item number: 191803
To learn more about original HK AUDIO
®
accessories,
talk to an HK AUDIO
®
dealer near you or visit
www
.hkaudio.com
7 Tips and Tricks
1 Don’t expose electronic circuitry to moisture! When
you set the system up outdoors, be sure to protect
it against rain. Keep soft drinks, beer or any other
liquids well away from the cabinets to protect their
electronic components from short circuits.
2 L.U.C.A.S
®
XT delivers optimum sound when you
provide it with optimum input signals! Noise such
as hum is generally caused by defective cables, the
wrong type of cables, or unbalanced signals routed
into the mixing console. Check all signal and mains
cables.
3 Prevent distortion! Not only is it unpleasant to
the ears of your audience, it can also endanger
your equipment. Make sure all components that
are connected directly and indirectly to the
L.U.C.A.S
®
XT system have sufficient power ratings,
and that they don’t distort from running at their
respective limits. Provide an undistorted signal
to the system. If you send a distorted signal,
backing off the Gain knob won’t help clean it up.
Keep it clean!
4 Avoid ground loops! Even if the signal-carrying
circuit is balanced, redundant ground circuits in
a single audio system may generate undesirable
humming. For example, you may encounter a
ground loop when the mixer is grounded via a
mains cord that isn’t connected to the same mains
circuit as the L.U.C.A.S
®
XT system. To prevent this
problem, always be sure to connect L.U.C.A.S
®
XT
and the mixing console to the same electrical circuit.
(Same phase!) If your equipment hums despite
this precaution, the Ground Lift switch can be a
great help.
Caution: Never tape over the plug’s ground terminal
– this endangers lives!
L.U.C.A.S® XT Roller Bag
L.U.C.A.S®XT Add On Package
L.U.C.A.S®XT Add On Package
L.U.C.A.S XT Manual 2.0
8 Troubleshooting
The Power On LED and the mains switch do not
light up red after you switch the system on.
• Check if the power cord is plugged into the
Mains Input.
• Check if the mains power supply is actually
providing current.
• Check if L.U.C.A.S
®
XT’s fuse is defective. Replace
only with another fuse of the same type and rating
as specified.
The Power On LED and the Power switch light up
red, but no sound is coming from the cabinets.
• Check the cables that you connected to the Line In,
Mic In and Aux ports.
• Check if the signal sources (mixer, keyboard,
CD player) are on.
• Are the Gain knobs turned up?
• Check the loudspeaker cables for damage.
• Check if the Speakon
®
connectors plugged into the
Satellite Left and Satellite Right sockets are engaged
all the way (rotated fully to the right). Only then
will an electrical connection be established.
The subwoofer’s bass response sounds thin or weak.
• Check the setting of the Subwoofer Level knob.
Adjust the volume of the subwoofer using the
Subwoofer Level knob until you get the kind of
bottom end you want to hear.
The signal sounds distorted.
• Check the LED displays on your mixer. They should
not be constantly in the red. If necessary, back off
the volume at the mixer.
• If the LED displays on your mixer are in the green,
turn down the L.U.C.A.S
®
XT’s Gain knob (Line In
or Aux In).
• Observe the LEDs of the Limiter Status displays on
L.U.C.A.S
®
XT’s control panel. If the yellow LED lights
up continuously, the integrated protective functions
are working at full capacity. In this instance, do not
turn the volume level up any higher.
Annoying hum
• Check the cables that you are using to connect the
signal source to L.U.C.A.S
®
XT. Replace damaged cables.
• If you cannot pinpoint the cause of the hum, press
the Ground Lift switch. This should remedy the
problem in most cases.
11
English
9 Technical Specifications
L.U.C.A.S®XT Subwoofer
Inputs/Outputs:
Line In: XLR female, 1/4" combination jack
(pin 1= ground; 2= +, 3= -) electronically balanced &
floating
Aux In: RCA connector unbalanced
Mic In: XLR female (pin 1 = ground; 2 = +, 3 = -)
electronically balanced & floating
Sum Out, Master Out: RCA connector unbalanced
Output level: +4 dBV peak
Satellite speaker outs: Speakon®(pin 1+ = +, 1- = -)
Amplifier and loudspeakers Subwoofer
Subwoofer power output: 250 W / 3 ohms @ 0.3 % THD
Satellite power output: 2x 60 W / 4 ohms @ 0,3 % THD
Protection circuits: HK AUDIO
®
Multi Band Limiter,
Subsonic Filter
Low-frequency loudspeaker: 1x 10" HK AUDIO
®
Custom
Impedance: 3 ohms
Active crossover: 90 Hz; 24 dB/octave,
Frequency response: 43 Hz to 92 Hz, +/-3dB
34 Hz to 140 Hz, -10dB
Sound pressure level 1W/1m, half-space: 97 dB
Max. sound pressure level/1m, half-space: 117 dB @
10% THD
Weight: 16 kg/ 35.2 lbs.
Dimensions (WxHxD): 32 cm x 41 cm x 46,5 cm
(12 5/8" x 16 1/8" x 18 3/8")
L.U.C.A.S
®
XT Satellite
Loudspeaker input: Speakon
®
NL 4 (pin 1+ = +, 1- = -)
Mid-range loudspeaker: 1x 6.5" HK AUDIO
®
Custom
Tweeter: 1x 1" Dome Tweeter
Mounting collar: HK AUDIO
®
MicroTilt™, 15 mm
Directivity: 80° x 50°
Impedance: 4 ohms
Nominal power handling capacity: 60 W RMS
Crossover frequency (passive, internal): 3 kHz;
12 dB/octave
Frequency response (via active crossover): 92 Hz to
21 kHz, +/-3dB; 85 Hz to 23 kHz, -10dB
Sound pressure level 1W/1m, half-space: 97 dB
Max. sound pressure level/1m, half-space: 115 dB
@ 10% THD
Weight: 4.5 kg/9.9 lbs.
Dimensions (WxHxD): 18.5 cm x 27.5 cm x 21.5 cm
(7 1/4" x 10 7/8" x 8 1/2")
General electrical data:
Protection class 1 (protectively earthed)
Max. current consumption: 1.6 A (230 V), 3.15 A (117 V),
3.15 A (100 V)
Max. power consumption: 370 VA
Mains voltage range: ± 10%
Ambient operating temperature: -10° C to +35° C
DRAWING-NUMBERS
EXAMPLE
HK0106-EX-R01-1A
PROJECT-NR.:
HK = HK AUDIO
HU = HUGHES&KETTNER
MP = MINDPRINT
CHARACTER:
BL = SHEET METAL / BLECH
EX = EXPLODED DRAWING / EXPLOSIONSZEICHNUNG
HZ = CABINET / HOLZGEHÄUSE
KU = PLASTIC / KUNSTSTOFF
LP = PCB / LEITERPLATTEN
SO = MISCELLANEOUS / SONSTIGES
SP = SCHEMATIC / SCHALTPLÄNE
TR = TRANSFORMER / TRANSFORMATOR
GK = WIRING DIAGRAM / GERÄTEVERKABELUNG
DEPARTMENT:
R = R&D
SERIAL NUMBER
VERSION
REVISION
Stand
W
Y
r
Standard for single wire confection.
16 B 150 638 I - 485 W Z I 1015
style 1015 according UL specifications
I = completely insulated with black shrinktube or appropriate sleeve
IT = partly insulated; only crimp connection insulated.
no marking = without insulation
Z = with additional junction
no marking = without additional junction
W = angled faston
no marking = straight faston
17. Jun 04
Faston connector brass tin-plated DIN 46245
638 = 6,3 * 0,8 [mm]
488 = 4,8 * 0,8 [mm]
485 = 4,8 * 0,5 [mm]
288 = 2,8 * 0,8 [mm]
285 = 2,8 * 0,5 [mm]
abiso = 5mm bared and tin-plated (teilabzug)
text for special constructions, (for example. 4mm ringshaped faston)
the larger faston connector always mentioned at first. (Nathan drawing number controlling)
lenght in mm within a 50 mm raster
colour
B = black (phase conductor)
R = red
BR = brown
BL = blue (neutral conductor)
= white
G = yellow-green (ground bonding/ earthing connection)
if fully insulated (I) insulation with blue shrinktube
if partly insulated (IT) use IF 602 485 .
if fully insulated (I) insulation with blue shrinktube
if partly insulated (IT) use IF 602 485
cross section
16 = AWG 16 (prefered usage)
Q1.5 = H07VK 1,5mm² (prefered usage)
wire designation:
P + lfd Nr. = AWG single wire black, red, blue, brown or white
E + lfd Nr. = AWG single wire green- yellow
L + lfd N
FQL + lfd Nr. = crossover wiring H07VK
Regarding special wirings like wiring harness or similar, drawings will be prepared and appropriate
. = twisted AWG double wire, lenght specification always in twisted condition
drawing numbers will be stored in the article archive.
Confidential, for authorized service technicians only! Do not disclose
this information to or share these documents with third parties.
TECHNICAL SERVICE:
Stamer Musikanlagen GmbH • Magdeburger Str. 8 • 66606 St.Wendel • Germany
Music & Sales P.E. GmbH • Leipziger Str. 3 • 66606 St.Wendel • Germany
Service Documents
HK2001
L.U.C.A.S
XT
SAT/SUB
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