Hitachi VZ-HD4900A, VZ-HD4000A User Manual

Page 1
User’s Manual
VZ-HD4000A VZ-HD4900A
Introduction
Installation and Connection
Direct Remote Control Function
Conguration via
Menus Function
Appendix
Page 2
Important Information
For Your Safety
WARNING: TO PREVENT FIRE OR SHOCK HAZARD, DO NOT
EXPOSE THIS UNIT TO R AIN OR MOISTURE.
The camera and AC adapter have the following caution marks.
CAUTION
RISK OF ELECTR IC
SHOCK DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT OPEN.
NO USER-SERVICE ABLE PARTS
INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
Identications of caution marks
This symbol warns the user that uninsulated voltage within the unit
may have sufcient magnitude to
cause electric shock. Therefore, it is dangerous to make any kind of contact with any inside part of this unit.
This symbol aler ts the user that important literature concerning the operation and maintenance of this unit has been included. Therefore, it should be read carefully to avoid any problems.
2
Page 3
IMPORTANT SAFETY INSTRUCTIONS
In addition to the careful attention devoted to quality standards in the manufacture of your camera, safety is a major factor in the design of every instrument. But, safety is your responsibility too. This page lists important information that will help to assure your enjoyment and proper use of the camera and accessory equipment.
Read these instructions.
1
Store these instructions for convenient accessibility.
2
Heed all warnings.
3
Observe all instructions.
4
Do not use the camera near water.
5
Clean the camera using only a dry cloth.
6
Do not block any ventilation openings. The camera should be placed in accordance
7
with the manufacturer’s instructions.
Do not place the camera near heat sources such as radiators, heat-registering
8
areas, stoves, or other heat- generating apparatus (including ampliers).
Protect the power cable and cord from being stepped on or pinched, particularly at
9
the plugs, power outlets, and where it connects to the camera.
Only use the attachments and accessories specied by the manufacturer.
10
Use the camera only with a cart, stand, tripod, bracket, or table
11
specied by the manufacturer or sold with the camera.
When using a cart to move the camera, use caution to avoid
injury from tip-over.
Unplug the camera during lightning storms or when unused for
12
long periods of time.
Refer all servicing to qualied servicing personnel. Servicing is required if the
13
camera is damaged in any way, such as if the power cable, cord, or plug is
damaged, liquid is spilled or foreign objects fall onto the camera, or if the camera is
exposed to rain or moisture, does not operate normally, or is dropped.
Do not drip or splash liquids onto the camera or place the camera near objects lled
14
with liquid such as vases.
Use the equipment (AC adapter) near a power outlet with easy accessibility.
15
Page 4
Cautions on Use of this Product
- Be sure to read this information -
lCautions on use
Do not subject the camera to impact.
• This camera is a precision machine. Take great care that you do not strike
it against a hard object or let it fall.
Do not point directly at the sun.
• If direct sunlight strikes the lens, the camera could malfunction or a re
could occur.
No sand or dust!
• If sand or dust gets inside the camera or the AC adapter, it may cause
damage and/or malfunction.
Heat on surface of product
• The surfaces of the camera and AC adapter will be slightly warm, but this
does not indicate a fault.
Be careful of ambient temperature.
• If the temperature of this camera is too high or too low, normal image
output may not be possible.
Be careful of moisture condensation.
• When you move the camera between places where the difference in
temperatures is great condensation (vapor in air warmed or cooled to water
droplets) could occur on the lens and/or inside the camera. If condensation
occurs on the lens, wipe it off with a soft, dry cloth. Even if the external surface of camera has dried, condensation may remain inside. Therefore, turn the camera off and leave it in a dry place for at least 1–2 hours before using it again.
Do not use the camera near strong radio waves or magnetism.
• If the camera is used near strong radio waves or magnetism, such as a
radio wave tower or electric appliances, noise may be present in the picture and the camera may not operate normally. At worst the camera could malfunction.
4
Page 5
lCautions on Storage
Do not store the camera in a very humid or dusty place.
• If dust gets inside the camera, it may malfunction. Under high humidity, the
lens may become moldy, and the camera could become inoperable. We recommend storing the camera in a box with dessicant when storing in a closet, etc.
Do not store the camera in a place subject to strong magnetism or intense vibrations.
• This could cause malfunctions.
lCleaning
Be sure to turn the power off before cleaning the camera. Cleaning the lens
• Wipe dirt off the lens with a soft, dry cloth.
Cleaning the surface of the camera
• Use soft cloth to gently wipe dirt off the surface of the camera.
Do not use benzene or thinner to clean the surface of the camera.
• The coating of the case could peel off or the case could deteriorate. Wipe
off dirt on the case with a dry soft cloth which has been completely wrung out. When using a chemical cleaning cloth, follow instructions for use.
lWarnings about Transport
• This camera is a precision device. Transporting the device without using
the packing materials we specify may cause damage to it. If you wish to transport it again, please use the packing box it was shipped in.
lDisposal of Batteries
• When disposing of batteries, insulate them from each other, such as by
putting Electrical tape on their terminals, and then dispose of them at a designated location. If you dispose of them with any other conductive things, such as pieces of metal, it may cause them to short and result in a
re or explosion.
Page 6
Regulatory Notice
FCC Statement Warning
This device complies with part 15 of the FCC Rules. Operation is subject
to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received,
including interference that may cause undesired operation.
Note: This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.
CAUTION: Changes or modications not expressly approved by the party
responsible for compliance could void the user’s authority to operate the equipment.
6
Page 7
Table of Contents
Important Information 2
Cautions on Use of this
Product
- Be sure to read this
information - ........................... 4
Regulatory Notice ..................... 6
Introduction 9
Features .................................... 9
Checking Accessories ............ 10
Names of Parts ....................... 12
Installation and Connection 18
Installation ............................... 18
Installing it on a Desk or
Table ................................ 19
Mounting on a Tripod (Sold
Separately) ....................... 19
Install with Mounting
Screws
(Sold Separately) .............. 19
Ceiling Installation ................ 20
Connections ............................ 22
Connecting to an Electrical
Outlet ................................ 22
Connecting to a Monitor
with an Analog
Component IN Terminal .... 23
Connecting to a Monitor
with an Analog RGB
IN Terminal ....................... 23
Connecting to a Monitor
with a DVI IN Terminal ...... 24
Connecting to a Monitor
with an HD-SDI IN
Terminal ........................... 24
Connecting to a Monitor
with a 3G-SDI IN
Terminal ............................ 25
Connecting to an External
Device with an
RS-232C .......................... 25
Connecting Multiple
Cameras to an External
Device ............................... 26
Direct Remote Control Function
Before Use .............................. 28
Selecting Remote Control
Codes ............................... 28
Turning the Power ON ............. 28
Screen Display ........................ 29
Panning, Tilting and
Zooming ............................... 31
Panning and Tilting .............. 31
Zooming ............................... 31
Adjusting the Camera ............. 32
Adjusting the Focus
Manually
(Manual Focus) ................. 32
Adjusting the Brightness of
the Image (Exposure) ....... 33
Compensating for
backlight ............................ 34
Returning Changed
Settings to their Defaults
(Full Auto) .......................... 34
Making Camera Presets ......... 35
28
7
Page 8
Conguration via Menus Function
Operating Menus and
Understanding Screens ....... 37
Camera Functions Setup ........ 39
Selecting a Shooting Mode
to Match the Conditions
(Program AE) .................... 39
Setting the white balance..... 41
Setting the digital zoom ....... 43
Image Setup ............................ 44
This sets the depth of color
(Saturation) ....................... 44
Setting Outline Intensity
(Enhancement) .................44
Setting the Black Level
(Pedestal) ......................... 44
Setting the Gamma Level
(Gamma) ........................... 44
Reducing Noise
(NR Setup) ........................ 44
Swivel Setup ...........................45
Reversing Pan/
Tilt Movement ................... 45
Limiting the Pan/
Tilt Range ......................... 45
Setting the Pan/Tilt Speed ... 45
Initial Setup ............................. 46
Setting the Output Format
(Color System) .................. 46
Reverting All Menu
Settings to their Initial
Setup (Reset) .................... 46
37
Preset Items and Retained
Settings ................................ 53
Software License
Information ........................... 54
Main Specications ................. 60
Dimensional Drawing ........... 61
VIDEO OUT (DVI-I)
terminal ............................ 63
RS-232C IN terminal ............ 64
RS-232C OUT terminal ........ 64
RS-422 terminal ................... 64
RS-422 Connection Wiring
Diagram ............................ 65
Using RS-422 terminal
block connectors .............. 66
Warranty And After-Service .... 67
Appendix 47
Troubleshooting ....................... 47
Menu Structure ....................... 51
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Page 9
Introduction
Features
Equipped with a High Resolution HD CMOS Image
Sensor
As it is equipped with a Hi-Vision 1/2.8 type 2 megapixel CMOS image sensor, the camera can shoot in Hi-Vision.
Optical 25x Zoom (300x with Digital Zoom)
The zoom lens has a horizontal FOV angle ranging from 62° at Wide to 2.8° at Tele, allowing it to shoot over a wide range, from wide-angle to telephoto. Its digital zoom function lets it take telephoto shots at 300x.
Multiple Video Output Interfaces
The VZ-HD4000A has an HD-SDI interface, which is suitable for long distance transmission. (HD-SDI: complies with SMPTE292M serial digital
interface standards)
The VZ-HD4900A has a standard video output DVI-I interface, as well as the latest 3G-SDI interface, and it supports both digital and analog video output at 1080p/59.94 or 1080p/50. (3G-SDI: complies with SMPTE424M serial
digital interface standards)
Introduction
Pan / Tilt Mechanism
A direct drive motor powers the pan/tilt mechanism, which allows quick and quiet pan/tilt operation.
Equipped with 32 Presets
The system can remember multiple congurations, such as pan, tilt and
zoom positions, as well as various camera function settings. Up to 32 presets can be saved and recalled using the remote control, or up to 127 presets when using the external control function.
External Control Function
Various camera functions can be controlled externally via a serial interface, either an RS-232C or for long distance connection, an RS-422.
Page 10
Checking Accessories
After you open the package be sure to check that the following accessories are inside.
AC adaptor
Introduction
Connects to the camera.
RS-422 terminal block connector
Used to make a connection cable when using RS- 422.
Ceiling mount xture (Camera side)
Power cord
Connects the AC adapter to an outlet.
Two AAA batteries
For the remote control.
Ceiling mount xture (Ceiling side)
Remote control
Three M5 × 12 screws Four M3 × 8 screws
Safety wire
Front panel (for desktop installation)
Front panel (for ceiling installation)
10
Page 11
Information on DVI-I and 3G-SDI/HD-SDI Cables
lDVI-I and 3G-SDI/HD-SDI cables do not come with the product. Please
purchase them separately to match the specications of your monitor or other
external device. Refer to pages 23, 24 and 25 for information on cable types.
Alternatively, refer to page 63 for the terminal specications for DVI-I cables.
Information on Serial Interface Cables
lAn RS-232C cable do not come with the product. If you wish to use an
RS-232C cable and control the camera via an external device, purchase
an RS-232C cable that conforms to the terminal specications on page 64.
lIf you wish to use an RS-422 cable, use the included RS-422 terminal block
connector and make connection cables. When making cables, refer to the wiring diagrams on page 64 for pin layout and page 65 for the wiring diagram of RS-422 cables. Also, refer to page 66 for how to use RS-422 terminal block connector.
Getting the Remote Control Ready
Caution
Warnings about Using Dry Cell Batteries
Do not use any batteries in this device except those specied. Also, do
not mix old and new batteries. Doing so may cause re or injury due to
the batteries exploding or leaking.
Load the batteries as indicated on the device and make sure they are
facing correctly in terms of polarity. Incorrect polarity may result in injury or staining of the surrounding area due to the batteries exploding or leaking.
Remove the battery-
chamber lid
1 
Open the lid by pressing in the direction of the arrow.
Introduction
Insert the batteries
Insert the included AAA
2 
batteries with (+)(-) as
indicated.
Close the battery­chamber lid
3 
Press in the direction of the arrow and put the lid back in place.
Page 12
Names of Parts

Front / Side
Introduction
12
Lens
POWER lamp (P. 28)
STANDBY lamp (P. 28)
Remote receiver / IR sensor
(P. 28, 42)
SYSTEM SELECT switch (P. 15)
VIDEO SELECT switch (P. 14)
EXT SLOT
This is an extension slot for maintenance and is not normally used.
Anti-theft lock installation hole
Use a theft-prevention cable, sold separately.
Page 13
Rear
Base
VZ-HD4000A VZ-HD4900A
Introduction
VZ-HD4000A VZ-HD4900A
DC IN 12V terminal (P. 22)
RS-232C IN terminal (P. 25)
RS-232C OUT terminal (P. 26)
RS-422 terminal (P. 26)
VIDEO OUT (DVI-I) terminal [VZ-HD4900A] (P. 23)
VIDEO OUT (HD-SDI) terminal [VZ-HD4000A] (P. 24)
VIDEO OUT (3G-SDI) terminal [VZ-HD4900A] (P. 25)
Tripod mounting hole (P. 19)
Screw mounting holes (P. 19)
Rating label
Page 14
Setting the VIDEO SELECT Switch
This switch allows you to select the video format of the signal to be output from the VIDEO OUT terminals.
Introduction
Caution
Be sure to set this switch before
you turn on the camera. It can also be set when in the standby
mode. (P. 29)
Be sure to use a Phillips driver
when changing the switch position. Using anything other than the designated screwdriver may damage the grooves.
This camera does not have
a function that automatically matches the video output signal to the connected monitor’s
resolution. Be sure to congure
the setting so it matches the monitor's resolution.
The Hi-Vision video signal
outputs a distortion-free image on monitors with an 16:9 aspect ratio.
Switch
position
0* 1080 i/5 9.94
1
2 720p/59.94
3 1080 p/2 9.97
4
5
6
7 Serial control
8 1080 i/5 0
9 108 0p/50 [ VZ- H D
A 720p/50
B 1080p/ 25
C
D
E
F
Video output format
1080p/59.94[VZ-HD4900A]
4900A
]
* This is the factory default setting.
Caution
VZ-HD4000A does not output
1080p/59.94 or 1080p/50.
The HD-SDI output does
not output 1080p/59.94 or 1080p/50.
When the video output format
is set to serial control (switch
position 7), the video output
format can be set using an external device; however, the video output format setting
is reected after the power is
turned back on.
14
Set it to the
desired video
format.
Page 15
SYSTEM SELECT Switch
OFF
ON
6
123457
8
9
10
7
OFF
ON
OFF
ON
OFF
ON
RC.1*
RC.2
RC.3
RC OFF OTHERS
89
Settings
Switch 1 (Serial communication baud rate
switch)
OFF* : 9,600 bps ON : 38,400 bps
Switch 2 (IR OUT switch)
Allows the IR reception signal from the remote control to be output from the RS232C IN terminal. OFF* : Disables output ON : Enables output
Switch 3 (RS-232C/RS-422
switch)
OFF* : Comm via RS-232C ON : Comm via RS-422
Switch 4 (Video OUT Sync
switch) [VZ-HD4900A]
Switches the Sync signal on/off for analog video signal output. Set this to add a Sync signal, especially when not connected to Analog Horizontal Sync/Analog Vertical Sync. OFF : Does not add Sync ON* : Adds Sync
Switch 6 (Not used)
Always set to OFF*.
– Switches 7-9 (remote
code switch)
Allows you to select the remote
control code (RC.1 to RC.3) to
receive in cases such as when operating multiple cameras with the same remote, or to avoid interference from another remote control for a nearby camera. To prevent remote control operation
(RC OFF), set to anything other
than RC.1-RC.3.
Switch 10 (installation method
selection)
Select the camera installation method. OFF* : Desktop installation ON : Ceiling installation
*
This is the factory default setting.
Introduction
Switch 4 (Not used)
[VZ-HD4000A]
Always set to ON*.
Switch 5 (Not used)
Always set to OFF*.
Page 16
Caution
 The VIDEO OUT SYNC
option is for use with the VZ-HD4900A. With the VZ-HD4000A, always set to
Introduction
ON.
Make the settings for
Serial communication baud
Video OUT Sync
rate switch[VZ-HD4900A] and installation method prior to turning the camera on. Do not make these settings after turning the power on.
If you switch the setting for the
installation method and then turn the power on, it will erase all the presets.
When connecting devices
in a daisy chain (P. 26), it is
necessary to make the communication baud rate and
RS-232C/RS-422 selections
the same for all connected cameras.
To change switch settings, use
a slender slotted screwdriver.
Serial
16
Page 17
Remote Control
1
11
EXPOSURE Button (P. 33)
10-key Buttons (for presets) (P. 35)
PRESET Button (P. 35)
2
3 4
5
6
7
8
9
10 18
12
13
14
15
16
17
HOME Button (P. 31)
TELE / WIDE Buttons (P. 31)
MENU Button (P. 37)
BACK Button (P. 38)
POWER Button (P. 28)
FULL AUTO Button (P. 34)
RESET Button (P. 35)
+ / - Buttons (P. 32, 33)
DIGITAL ZOOM Button (P. 32)
DISPLAY Button (P. 29)
Cursor Buttons /
ENTER Button (P. 31, 37, 38)
BLC (Backlight compensation) Button (P. 34)
Introduction
Indicators (P. 36)
CAMERA SELECT Button
(P. 28)
FOCUS Button (P. 32)
Page 18
Installation and Connection
Installation
Introduction
When installing on a desktop, attach the included front panel (for desktop installation)
on the front of the device; for a ceiling installation, attach the front panel (for ceiling
installation). (P.10)
When installing on a desktop, set System Select Switch 10 (installation method
selection) to OFF (desktop installation) and for a ceiling installation, set System Select Switch 10 (installation method selection) to ON (ceiling installation). (P.15)
Installation and Connection
Caution
During installation, take steps as needed to prevent the camera from falling. Install the camera so it is level. Install it in a normal orientation.
Desktop Installation
When moving the device, hold the head of the camera in a xed position with both
hands and carry the device by the base. Do not simply carry it by its base or just the camera head. Doing so may cause a malfunction.
Do not apply force to the camera, such as by trying to make it pan or tilt manually.
Doing so may cause a malfunction.
Desktop Installation Ceiling Installation
Ceiling Installation
18
Page 19
Installing it on a Desk
or Table
Install it in a stable location where it is unlikely to fall off.
Mounting on a Tripod
(Sold Separately)
Attach the tripod to the tripod mounting hole on the base of the camera. Tighten the screw securely by hand.
Tripod mount ing hole
Standard size of usable
tripod mounting screw
-20UNC
Warning
Do not mount the camera using the tripod screw when installing it in a high place.
Install with Mounting
Screws (Sold Separately)
Install mounting screws in the four screw mounting holes on the base. Tighten the 4 screws securely.
Screw mounting holes
Standard size of mounting screws
M3 screw
Installation and Connection
=4.5 mm ± 0. 2 mm
Caution
Set up the tripod according to its user’s manual so it is steady and will not fall over.
Rubber fo ot on base of camera
= 3 mm to 4 mm
Page 20
Ceiling Installation
Use the included ceiling mount
xtures (camera side and ceiling side), along with the safety wire and
screws when mounting the camera on the ceiling.
Warning
To mount the camera in a high
Installation and Connection
place, such as on the ceiling, have an installer specialized in such construction do the work.
When mounting the camera
in a high place, make sure the location it will be mounted and the materials used for mounting it (other than the included
xture, etc.) are strong enough
to support a weight of at least 20kg and then mount the camera securely. If materials are not strong enough, it may fall and cause an injury.
To prevent it from falling, be
sure to attach the safety wire.
Take all due care to prevent
the camera from falling during installation.
If installed in a high place,
inspect once a year to make sure the mount has not become loose. Make more frequent inspections if the conditions of use call for it.
1 Mount the camera to the ceiling
mount xture (camera side) with the included screws (M3 × 8).
Four screws included (M3 × 8)
Ceilluig mount fixture (Camera side)
2 Be sure to attach the safety wire
of the camera with the included screw (M5 × 12). Install the mounting hardware as indicated by the mark.
Included screw (M5 ×12)
Safety wire
Mark
20
Page 21
3 Mount the ceiling mount xture
Ceiling mount fixture
(ceiling side) to the ceiling. Use screws that t in the screw hole of the ceiling mount xture (ceiling side). (not included)
To prevent them from loosening,
use a at or spring washer as
needed.
Ceiling mount fixture (Celling side)
Separately purchased screw
Separately purchased screw
4 Attach the other end of the
safety wire you attached to the camera in step 1 to the ceiling
mount xture (ceiling side) with the included screws (M5 × 12).
Install the mounting hardware as indicated by the mark.
Mark
Safety wire
5 Align the tabs (A) sticking up
on the ceiling mount xture (camera side) with ceiling mount xture's (ceiling side) holes (B)
and slide in so they are held in position. Tuck the extra length of the safety wire inside the ceiling
mount xture.
Ceiling mount fixture
(B)
(B)
(B)
Safety wire
(A)
(A)
(A)
6 Fasten the camera to the ceiling
mount xture (ceiling side) with the included screws (M5 × 12)
from the rear of the camera.
Installation and Connection
Included screw (M5 × 12)
Included screw (M5 × 12)
Page 22
Connections
Connecting to an Electrical Outlet
Follow the steps below to connect the camera to an electrical outlet via the included AC adapter and power cord.
Connect the wire from the AC adapter to the DC IN 12V terminal on the
camera. Connect the power cord to the AC adapter. Plug the power cord into the outlet.
Installation and Connection
Power cor d (included)
To DC IN 12V terminal
AC adapter (included)
To outlet
Caution
When the power is plugged in, the head of the camera will rst start to
move. Plug the power cord in after the device is installed.
Do not use any power cord or AC adapter other than those provided. This device does not have a power switch.
When installing the device, either install a dedicated switch that is hardwired and easily accessible or plug the power cord into a device that is near the outlet and can easily be unplugged/plugged in during use. If something abnormal should happen, either turn off the dedicated switch or unplug the power cord.
22
Page 23
Connecting to a
アナログ RGB 入力端子
VIDEOOUT (DVI-I)端子へ
DVI- アナログ RGB変換ケブル*
HD ビデオモニターなど
Monitor with an Analog Component
IN Terminal
VZ-HD4900A
Connecting to a
Monitor with an Analog RGB
IN Terminal
VZ-HD4900A
Installation and Connection
To VIDEO OUT
(DVI- I) terminal
DVI-component converter cable*
To component IN terminal
HD video monitor, etc.
* See P. 63 for terminal specications.
Set to the video output format
(P. 14), output format (P. 46) or Sync signal (P. 15) of the analog
video signal output, according to
the specications of the connected
monitor or external device.
To VIDEO OUT
(DVI- I) terminal
DVI-Analog RGB converter cable*
To Analog RGB IN terminal
HD video monitor, etc.
* See P. 63 for terminal specications.
Set to the video output format
(P. 14), output format (P. 46) or Sync signal (P. 15) of the analog
video signal output, according to
the specications of the connected
monitor or external device.
Page 24
Installation and Connection
HD ビデオモニターなど
DVI入力 端子
VIDEOOUT (DVI-I)端子
DVIケーブル*
HD ビデオモニターなど
HD-SDI 力端子へ
VIDEOOUT (HD-SDI/3G-SDI) 端子へ
HD-SDIケーブル
Connecting to a
Monitor with a DVI IN
Terminal
VZ-HD4900A
To VIDEO OUT
(DVI- I) terminal
Connecting to a
Monitor with an HD-SDI IN Terminal
To VIDEO OUT
(HD- SDI) terminal
Set to the video output format
(P. 14), output format (P. 46) or Sync signal (P. 15) of the analog
video signal output, according to
the specications of the connected
monitor or external device.
DVI cable*
To DVI IN terminal
HD video monitor, etc.
* See P. 63 for terminal specications.
HD-SDI cable
To HD-SD I IN terminal
HD video monitor, etc.
Set the video output format (P. 14) according to the specications of
the connected monitor or external device. * Regardless of the output format
(P. 46) setting, the HD-SDI output
will be YPbPr.
24
Page 25
Connecting to a
Monitor with a 3G-SDI
IN Terminal
VZ-HD4900A
To VIDEO OUT
VIDEOOUT
(3G-SDI) terminal
(3G-SDI)端子へ
3G-SDI cable
3G-SDIケーブル
To 3G-SDI IN
3G-SDI 力端子へ
terminal
Connecting to an
External Device with
an RS-232C
lUse an RS-232C to connect
the camera for control via an external device.
1 Connect as follows with an
RS-232C cable.
RS-232C IN terminal
RS-232C cable*
Installation and Connection
HD video monitor, etc.
HD ビデオモニターなど
Set the video output format (P. 14) according to the specications of
the connected monitor or external device. * Regardless of the output format
(P.46) setting, the 3G-SDI output
will be YPbPr.
To external device
* See P. 63 for terminal specications.
2 Select SYSTEM SELECT
SWITCH 1 (serial
communication baud rate) for
the connected external device and set SYSTEM SELECT
SWTICH 3 (RS-232C/RS-422)
to RS-232C. See P. 15 for how to make settings.
Page 26
Connecting Multiple
Cameras to an
External Device
To control more than one
l
camera with an external device via RS-232C or RS-422 cables, connect them in a daisy chain.
1 Using RS-232C or RS-422
Installation and Connection
cables, make the connections
as shown in the gures on P. 27.
2 To make connections with
RS-422 cables, use the included RS-422 terminal block connector and make connection cables. When making cables, refer to the wiring diagrams on P. 64 for pin layout and P. 65 for the wiring diagram for RS-422 cables. Also, refer to P. 66 for how to use RS-422 terminal block connectors.
3 Select SYSTEM SELECT
SWITCH 1 (serial
communication baud rate) for
the connected external device and select SYSTEM SELECT
SWTICH 3 (RS-232C/RS-422).
See P. 15 for how to make settings.
26
Page 27
外部コントロール機
外部コントロール機
Connecting with RS-232C Cables
Connecting with RS-422 Cables
External Control Device External Control Device
RS-232 cable
RS-232ケーブル
カメラ1
RS-232 cable
RS-232ケーブル
RS-232ケーブル
RS-232 cable
Camera 1
カメラ2
Camera 2
カメラ3〜
Camera 3
カメラ1
Camera 1
カメラ2
Camera 2
カメラ3〜
Camera 3
RS-422
RS-422 Cables
ケーブル
Terminal
端子台 コネクター
block connector
Installation and Connection
Caution
When connecting devices in a daisy chain, it is necessary to make the
selections the same for all the connected cameras, namely the SYSTEM
SELECT SWITCH 1 (serial communication baud rate) and SYSTEM SELECT SWITCH 3 (RS-232C/RS-422).
Make the switch settings before turning the device on. Turn the power on
after making switch settings (P. 28).
To change SYSTEM SELECT SWITCH settings, use a slender slotted
screwdriver.
Do not set the switches to anything other than as instructed.
Doing so may cause a malfunction.
Page 28
Direct Remote Control Function
Before Use
lThis chapter describes the
functions that can operate the camera directly via remote control. Refer to P. 37 for functions that use menu screens.
lRemote control buttons are
indicated as [Button Name]. For example, [POWER] refers to the power button on the remote control.
lWhen using the remote control,
point it at the remote control
Direct Remote Control Function
receiver (P. 12) on the camera.
Selecting Remote
Control Codes
Setting the camera’s
remote control codes
Set the remote control codes with the SYSTEM
1 
SELECT Switches
– (remote control code
selections) (P. 15).
Turning the Power ON
STANDBY lamp
POWER lamp
Press [POWER] on the remote control
The power comes on. (The POWER lamp lights and the STANDBY lamp
1 
goes off)
The camera automatically goes through pan and tilt movements and then returns to the home position.
Turn on the devices
2 
connected to the camera
Press the CAMERA SELECT Button
(CAMERA*) on the remote
2 
control and operate the
designated camera
Ex.: To operate CAMERA1, set the
SYSTEM SELECT Switches to
ON, OF F, OFF:RC1. Refer to “Remote Control Indicators” on P. 36 for the meaning of lighted remote control indicators.
28
Hint
When the POWER lamp is lit, pressing [POWER] shifts it into standby mode. (The POWER lamp goes out and
the STANDBY lamp lights)
If you press [POWER] again, the power comes back on.
Caution
When the power is plugged in,
the head of the camera will rst
start to move.
Page 29
Screen Display
If you press [DISPLAY], the current settings of camera functions and zoom operations, etc., are displayed as in the following example. If you press [DISPLAY] again, the display turns off.
Direct Remote Control Function
Function
Zoom ● (P. 31)
Exposure ● (P. 33)
Program AE ● (P. 39)
White Balance ● (P. 41)
BLC (Backlight compensation)
Manual Focus ● (P. 32)
Full Auto ● (P. 34)
*Screenshot for explanation purposes. Actual displays will differ.
Direct Remote
Control Operation
● (P. 34)
Menu Operation
Page 30
Following are displays of settings that can be made for different functions, shown by setting content.
(Default content shown rst)
Direct Remote Control Function
Zoom
Current zoom position
Digital Zoom: Off
Digital range
Maximum optical zoom
Digital Zoom: 100x
Maximum optical zoom
Digital Zoom: 200x
Maximum optical zoom
Digital Zoom: 300x
Digital range
Digital range
Program AE
No icon: Auto
: Manual
: Shutter
: Iris
: Spotlight
: White Board
White Balance
No icon: Auto
: Manual
: Set
: Outdoor
: Indoor1
: Indoor2
30
Exposure
No icon: Auto
Manual
BLC (Backlight compensation)
No icon: Off
: On
Manual Focus
No icon: Auto
: Manual
Page 31
Panning, Tilting and Zooming
Panning and Tilting
Pans or tilts, thus adjusting the orientation of the camera.
While looking at the
screen, press the
/ / / ] buttons
[ to pan and tilt the camera
Press buttons quickly to
1 
make slight movements or press long to make long ones.
The camera cannot be
panned or tilted while a menu is displayed.
Zooming
The camera can zoom up to 25x optically or 300x digitally. (The digital zoom function is Off
when purchased.)
TELE/WIDE
While viewing the
screen press [TELE] or [WIDE]
To zoom in and make the
1 
subject appear larger, press [TELE]; to show a wider range, press [WIDE].
Direct Remote Control Function
To return the camera to its normal orientation (home
position)
press [HOME].
Page 32
To set the Digital Zoom
Press [DIGITAL ZOOM] repeatedly to turn it On/Off. The zoom can be set to 100x, 200x, 300x. The digital zoom setting can also be switched via the menu.
Caution
When operating zoom, the
focus may blur for a moment.
When digital zoom is added,
the image quality will become
Direct Remote Control Function
coarser.
Adjusting the
Camera
Adjusting the Focus
Manually (Manual
Focus)
If it is difcult to adjust the focus
automatically, you can adjust it manually.
FOCUS
Press [FOCUS]
It changes to manual focus
1 
mode.
32
Press [ + ] or [ - ] to adjust the focus
To focus on a distant
2 
subject, press [ + ] and to focus on a near subject, press [ - ].
Page 33
To Revert to Auto Focus
Press [FOCUS] again to return to auto focus.
Focusing range
lT (telephoto) side: Approx.
1.5 m from the lens surface to
innity.
lW (wide-angle) side: Approx.
1 cm from the lens surface to
innity.
Adjusting the
Brightness of the Image (Exposure)
Normally, the exposure is automatically adjusted. However, depending on the shooting conditions, the exposure can be adjusted manually.
Hint
When focusing manually, start
with the subject zoomed in (Press [TELE] to take it to the T side). This prevents blurred images when you switch to wide-angle zooming.
If you wish to adjust exposure
while focusing manually, press
[EXPOSURE] (P. 33). The
exposure bar lights in orange. To return to manual focusing, press [FOCUS].
Auto Focus may not perform
well on subjects if:
Subjects are not in the center of the frame, both near and far subjects are within the auto focus bracket at the same time, subjects are moving rapidly, subjects are dark or low in contrast, etc.
EXPOSURE
Press [EXPOSURE]
1 
Press [+] or [-] to adjust
2 
the exposure
Hint
If you wish to adjust focus manually while adjusting exposure, press [FOCUS]. The manual focus icon lights in
orange. (P. 32)
To return to exposure adjustment, press [EXPOSURE].
Caution
If the Program AE mode is set to [Manual], the results of adjusting the exposure are not
reected. When the Program AE
mode is set to anything other than [Manual], the exposure
adjustments are reected.
Direct Remote Control Function
Page 34
Compensating for
backlight
When the subject is lit from the rear, this function will compensate for lighting so that the subject is not too dark. (Backlight Compensation).
Returning Changed
Settings to their Defaults (Full Auto)
The following settings can be returned to their defaults with one button.
Function Default Refer to
Focus Auto P. 32
Exposure Auto P. 3 3
Direct Remote Control Function
Press [BLC]
The image is backlight compensation.
1 
Pressing [BLC] again
cancels backlight compensation.
Caution
If the Program AE mode is set to [Manual], the results of backlight
compensation are not reected.
When the Program AE mode is set to anything other than [Manual], the results of backlight
compensation are reected.
BLC
BLC (Backlight
compensation)
Program AE Auto P. 3 9
White Balance Auto P. 41
Off P. 3 4
FULL AUTO
Press [FULL AUTO]
[FULL AUTO] is displayed onscreen for several
1 
seconds and the settings revert to their default.
34
Page 35
Making Camera
Presets
You can set up presets for different camera settings, such as its pan, tilt and zoom. Once presets are made, they are retained even if the power is turned off.
lPresets that can be accessed
from the remote control can be made from 1 to 32. To use presets from 33 up, use the external control function.
lOnce you save preset 1,
whenever you turn the power on thereafter, the camera starts under preset 1 settings.
lTo see what preset items can
be made, refer to “Preset Items and Retained Settings”
(P. 53).
Preset number buttons
PRESET
RESET
ENTER
When the camera is in
the state you wish to save, press [PRESET]
1 
and then press the
number you wish to save (from [1] to [32])
Press [ENTER]
2 
To Call up a Camera Preset
Press the number of the preset ([1]
to [32]) you wish to call up and then
press [ENTER].
To Delete a Preset (Reset)
Press [RESET] and then the
number of the preset ([1] to [32])
you wish to delete, and then press [ENTER].
Entering Numbers
For presets 1 to 9: Simply press [1] to [9] on the remote control. Ex.: For 3, simply press [3]. For presets 10 to 32:
Press the rst digit and then the
second. Ex.: For 25, press [2] and then
press [5].
Caution
If the range of movement for pan/ tilt is limited by the swivel setting
(P. 45), if you move to a pan/tilt
position set up ahead of time, it will be within the limited movement range.
Direct Remote Control Function
Page 36
Remote Control Indicators
lWhenever you operate
a camera via the remote control, the indicators of the
congured camera numbers (CAMERA*) light up.
lWhile entering the number of
the camera whose preset is being called up, the indicators
of the congured camera numbers (CAMERA*) light up.
lWhen entering the number
of a preset, the PRESET
Direct Remote Control Function
indicator and the indicator
(CAMERA*) of the congured
camera number light up.
lWhen entering the number
to be reset, the (RESET)
indicator and the indicator
of the congured camera number (CAMERA*) light up.
Caution
While trying to save, call up or

delete a camera preset, if you enter a number other than from [1] to [32], or if you press another button, and you leave the number entered as is without pressing [ENTER] for a certain period of time, the entry is disabled and the indicators
(CAMERA*) of the camera
numbers that had been
congured with a (PRESET)/ (RESET) go off. If this happens,
start over what you were trying to do from the beginning. When saving a setting or

deleting content, other preset numbers cannot be called up, set or deleted. While a menu is displayed

(P. 37), presets cannot be called
up, set or their content deleted. Close the menu and then perform the desired operation.
36
Page 37
Conguration via Menus Function
Operating Menus and Understanding
Screens
With some functions, the camera can be operated via onscreen menus displayed on a monitor connected to the camera.
lWithin explanation of
procedures, menu items are indicated as being inside quotes.
lFrom P. 39 on, the
explanations of operations that can be achieved using cursor buttons (
are simplied.
/ / / )
MENU
BACK
Press [MENU]
The menu opens.
Menu item on the top level, its icon and description
Menu items on the 2nd level, current setting
Camera Functions Setup
Program AE
1 
White Balance Digital Zoom
Adjust the white balance and select a shooting mode to match the situation.
ENTER
EXIT
/ / / /
ENTER
Auto Auto Off
Conguration via Menus Function
Remote control buttons that work on this screen
To select another icon on
the top level, press [
].
or [
]
Page 38
Press [ ] or [ENTER]
Camera Functions Setup
Select the digital zoom setting.
Program AE
Digital Zoom
White Balance Auto
100
Auto
ENTER
RETURN
to access menu selections on the 2nd
level from the screen in
step 1
Camera Functions Setup
Program AE
2 
White Balance Digital Zoom
Select the shooting mode. Choose the optimum mode for shooting conditions.
ENTER
RETURN
To go back to selections
on the top level, press [BACK] or [
].
Auto Auto Off
Use [ ] or [ ] to select the desired
setting and activate it with [ENTER]
The sample screenshot is set to 100x.
4
Conguration via Menus Function
3 
38
Press [ ] or [ ] and select the menu item of
the setting you wish to change, and then press
either [
] or [ENTER]
to activate it
Setting items that can be selected for the chosen menu item are displayed.
The sample screenshot
is with Digital Zoom selected and activated
Camera Functions Setup
Program AE White Balance Digital Zoom
Cancel the digital zoom.
ENTER
RETURN
To go back to menu
selections on the 2nd level, press [BACK] or [
300 200 100
Off
].
To close the menu midstream
Press [MENU]. In step 1, pressing [BACK] also closes the menu.
Page 39
Camera Functions Setup
Selecting a Shooting
Mode to Match the Conditions
(Program AE)
You can also select a shooting mode that better suits the situation for even clearer images.
Program AE Mode
Auto (No icon appears.)
Automatically adjust the exposure.
Caution
A function to reduce ickering
operates when in Auto mode. However, this reduction may not work, depending on the subject, lighting conditions, or the gain limit setting. In such case, setting the shutter speed to 1/100 in the Shutter
mode can reduce the icker.
Manual
The settings for sensitivity
(gain), shutter speed, aperture (iris) are adjusted manually.
Shutter
The shutter speed is adjusted manually.
Iris
The aperture is adjusted manually.
Spotlight
When a strong light is on the subject, this prevents the person’s face from washing out.
White Board
Provides the ideal exposure control for shooting a white board.
If you select a Program AE mode, new settings that can be made in the selected mode are displayed, from the following settings.
Gain
This sets the sensitivity when Manual is selected. Can be set in a range from 0 to 30dB (31
steps).
Shutter Speed
This sets the shutter speed when Manual or Shutter are selected. You can select from the values in the table below. The values that can be selected vary with the image output format.
59.94/29.97 50/25 1/10000 1/10000
1/6000 1/6000 1/4000 1/350 0 1/3000 1/250 0
Conguration via Menus Function
Page 40
Conguration via Menus Function
59.94/29.97 50/25 1/2000 1/1750 1/1500 1/125 0 1/1000 1/1000
1/725 1/600 1/500 1/425 1/350 1/300 1/250 1/215
1/180 1/150 1/125 1/120 1/100 1/100
1/90 1/75 1/60 1/50 1/30 1/25 1/15 1/12
Iris
This sets the aperture when Manual or Iris are selected. You can choose from among CLOSE, F16, F14, F11, F9.6, F8.0, F6.8, F5.6, F4.8, F4.0, F3.4, F2.8, F2.4, F2.0, F1.6 an d F1. 4.
Gain Limit
This sets the upper limit of
sensitivity (gain) when Auto,
Shutter, Iris, Spotlight or White Board are selected. It can be set in a range from 0 to 30dB
(31 steps).
Slow Shutter
This sets the minimum value of the slow shutter speed when Auto is selected. When the image output format is 59.94/29.97, you can select from 1/60, 1/30 or 1/15. When the image output format is 50/25, you can select from 1/50, 1/25 or 1/12.
Aperture Limit
This sets the maximum amount the aperture can be opened when Auto is selected. You can choose from F2.4, F2.0, F1.6 and F1.4.
40
Page 41
Selecting Program AE
Modes
Press [MENU]
1 
Setting the white
balance
When you wish to adjust the color, you can change the white balance setting.
Select [Camera Function Setup]
2 
[Program AE]
Program AE mode
Use the [cursor buttons] to choose the
setting value in the
3
selected Program AE
mode
Press [ENTER] to exit the [MENU]
The selected Program AE
4 
mode (excluding Auto) is displayed on screen (P. 29).
White balance mode
Auto (No icon appears.)
Manual
Select values for the R gain
(red gain) and the B gain (blue gain) to set the white balance.
This can be set in a range
from -128 to + 127 (256 steps)
Set
You can manually adjust white balance to match the light source or situation.
Outdoor
To shoot in ne weather.
Indoor 1
To shot under incandescent light, halogen light or soft
uorescent light.
Indoor 2
To shoot under bright
uorescent light.
Conguration via Menus Function
Page 42
Selecting a white
Setting the white
balance mode
Press [MENU]
1 
Select [Camera Function Setup]
2 
[White Balance]
white balance mode
Press [ENTER] to exit
3 
the [MENU]
Caution
Do not block the infrared sensor
Conguration via Menus Function
with your hand or other things to obtain a good cast for your shooting. Further, if the lens is not facing
straight ahead, it may be difcult
to get a good color balance.
balance manually
(Set)
Prepare a white object such a thick sheet of white paper that is not translucent.
Point the camcorder at
the white object so that it lls the screen.
Thick white paper, etc.
1 
Press [MENU]
2 
42
Infrared sensor
Select [Camera Function Setup] [White Balance]
3 
At this point, [ ] will start blinking on the screen.
Press [ENTER]
After a short wait, the
] will stop blinking and
[
4 
remain lit to indicate that white balance settings are complete.
[Set]
Page 43
To close, press [MENU]; to redo the process,
go back to step 4 and
repeat
The white balance
congured in [Set] is
5 
saved until the next time
it is congured.
In order to match
the coloring exactly,
recongure [Set] every
time the shooting conditions change.
Setting the digital
zoom
Although the digital zoom setting can be made using [Digital Zoom]
(P.32), it can also be done via the
menu.
Press [MENU]
1 
Select [Camera Function Setup]
2 
[Digital Zoom]
[200x]/[100x]/[OFF]
[300x]/
Caution
It may be difcult to perform
this setting in dark places. Also if the zoom bar is positioned
in the digital range (p. 30),
you may not be able to set the white balance. If white balance settings cannot be accomplished, [
continue to ash.
If conguring [Set] is not
completed and the power is turned off or a preset is saved,
] may ash on the screen.
[ Repeat the procedure from step 1.
] will
Press [ENTER] to exit
3 
the [MENU]
Conguration via Menus Function
Page 44
Image Setup
This sets the depth of
color (Saturation)
This allows you to set the color level. It can be set in a range from 0 to 15
(16 steps).
The larger the setting value, the stronger the color.
Setting Outline
Intensity
(Enhancement)
This allows you to set the intensity of outline compensation for an image. It can be set in a range from 0 to 15
Conguration via Menus Function
(16 steps).
The larger the setting value, the more distinct and emphasized the outline.
It can be set in a range from 0 to 16
(17 steps).
The smaller the setting value, the more it corrects the brightness of the intermediate level to the brighter side.
Reducing Noise
(NR Setup)
This allows you to reduce the level of noise in the image. It can be set
in a range from 0 to 6 (7 steps).
The larger the setting value, the greater the noise reduction effect.
Selecting Different Settings in the Image
Setup
Press [MENU]
1 
Setting the Black
Level (Pedestal)
This allows you to set the black level of the image. It can be set in a range from 0 to 79
(80 steps).
The smaller the setting value, the more intense the black level.
Setting the Gamma
Level (Gamma)
This allows you to set the gamma
level of the image.
44
Select the desired
setting from the [Image
2
Setup] using
] and [ ]
[
[ ] [ ]
Press [ENTER] to open
the screen for making
3
the setting
Use [ ] or [ ] to
4 
change the value of the setting
Press [ENTER] to exit
5 
the [MENU]
Page 45
Swivel Setup
Reversing Pan/Tilt
Movement
This allows you to reverse the pan/ tilt movement when the cursors
[
/ / /
To reverse left/right movement, set Reverse Pan to ON; to reverse up/ down movement, set Reverse Tilt to ON.
Caution
If System Select Switch 10
(installation method selection)
is changed to ON (ceiling
installation), both reverse pan
and reverse tilt go to ON; if Switch 10 is turned OFF (desktop
installation), both reverse pan and reverse tilt go to OFF. (P. 15)
Limiting the Pan/Tilt
Range
It is possible to limit the range that the camera can pan or tilt. To limit the range it can move, turn the setting ON and then specify the range for each parameter: left and right edges for panning and up/down edges for tilting. The left and right edges can be set in a range from -175° to +175°, while the top/bottom limits can be set from
+90° to -30° (desktop installation) or +30° to -90° (ceiling installation) and
can be set in 1° increments.
] are pressed.
Caution
If the System Select Switch 10
(installation method selection)
is changed, the limits of the camera's movable range turn
OFF and the congured movable
range goes to the maximum movable range.
• When installed on desktop: L (-175°), R (+175°), Up (+90°), Down (-30°)
• When installed on the ceiling: L (-175°), R (+175°), Up (+30°), Down (-90°)
Setting the Pan/Tilt
Speed
This allows you to set the pan/tilt
speed when the cursors [
] are pressed.
/
The speed can be set from mode 1
(slow) to mode 5 (fast).
Caution
The speed may not change even though its setting is, due to the range of movement.
/ /
Conguration via Menus Function
Page 46
Initial Setup
Setting the Output
Format (Color System)
VZ-HD4900A
This allows you to congure the
DVI-I image output format. You can select from between RGB and YPbPr to match the connected monitor.
Reverting All Menu
Settings to their Initial Setup (Reset)
Press [MENU]
1 
Press [Initial Setup]
2 
[Reset]
Press [ENTER]
The following screen opens.
Reset
1 
Press [MENU]
Select [Initial Setup]
[Color System]
2 
Conguration via Menus Function
[RGB]/[YPbPr]
Press [ENTER] to exit
3 
the [MENU]
Caution
Regardless of the output format setting, the HD-SDI/3G-SDI output will be YPbPr.
3 
ENTER
Use [ ] to select [Yes]
4 
Reset?
Yes No
RETURN
and press [ENTER]
Caution
If you reset the settings, all of the presets are lost as well. (P. 35,
P. 53)
46
Page 47
Appendix
Troubleshooting
Before requesting repairs, look at the following things. After doing so, if there is still some problem in its operation and you cannot resolve it yourself, please contact the store where you purchased it. Refer to P. 67 for information on after sales service.
If this Happens Way to Resolve the Problem
The power won’t turn on.
Power supply
The camera is plugged in properly, but it still won’t come on. When the power is plugged in, the head of the camera moves around at will.
The camera does
Pan/Tilt
not pan and/or tilt.
No image appears
Image Related
on the connected monitor.
(Cont .)
Check and make sure the AC adapter is securely plugged into the DC IN 12V terminal of the camera and that the power cord is plugged into both the AC adapter and the outlet. Has the camera been subject to a severe shock? The camera may be broken. Consult with the store where you purchased it. This is not a fault. When the power is plugged in, the head of the camera will
rst start to move. It then returns to the
home position automatically. Do not touch the head of the camera when it is moving. Is there something preventing it from moving? Remove it and turn the power on again.
Check and make sure the DVI-I cable or HD-SDI/3G-SDI cable is properly connected. The video format of the camera OUT has to match the video format of the monitor IN. Check whether the Video Select switch is set cor rectly.
Refer to
Page
P. 2 2
P. 28
Appendix
P. 2 3 P. 2 4
P. 14
Page 48
Appendix
48
If this Happens Way to Resolve the Problem
(Cont .)
The outline of the subject is colored.
Image Related
The subject appears distorted.
There are horizontal stripes on the screen.
Bright spots appear on the screen.
There is a green stripe on the right side of the screen.
Subjects end up looking dark.
When not connected to a monitor with an HD-SDI input terminal, the image is not output at 1080p/59.94 or 1080p/50. Change the Video Select switch and try using a different image output format or use the DVI-I OUT [VZ-HD4900A].
Is the input switch of the monitor set correctly? Check and make sure the input is set for the connected DVI-I terminal or an input compatible with an HD-SDI/3G-SDI terminal.
This is not a fault. The area around the outline of a subject may be colored. Switching to the Program AE Auto mode and changing the aperture limit may improve this.
This is not a fault. The subject may appear slightly distorted due to the nature
of the image sensor (CMOS).
This is not a fault. It may appear this way
under articial lighting.
This is not a fault. On rare occasions, bright spots may appear on dark subjects.
A green stripe may appear on the right side of the screen with some monitors when using an analog video output [VZ-HD4900A]. If this happens, use the monitor’s function for adjusting the horizontal position to correct the position of the screen.
When you shoot with a bright object in the background (such as a window, light,
the sun, etc.), subjects become dark,
so devise a way to shoot so there isn’t anything bright in the background, or use backlight compensation.
Refer to
Page
P. 14 P. 2 3
P. 4 0
P. 3 4
Page 49
If this Happens Way to Resolve the Problem
The brightness of subjects end up changing.
The area around bright things and the border of dark things end up colored.
Image Related
Images are out of focus. The zoom doesn’t work.
Communication with External Devices
Unable to use external control even when connected to an external device.
When the brightness of the background changes, the brightness of your subject will also change due to the auto exposure adjustment of the camera.
This is not a fault. Devise a way to shoot, such as changing the camera orientation, so there is a smaller difference in brightness. Switching to the Program AE Auto mode and changing the aperture limit may improve this.
Are you trying to shoot a subject that is hard for the autofocus to bring into focus? Try focusing manually.
Is the camera in the manual focus mode? Focus the camera manually or cancel the manual focus mode.
Is there a cell phone or radio nearby? Move it away from the camera and turn the power on again.
If none of the above apply, try turning the power off and back on again.
Check and make sure the external device is properly connected to the camera.
Make sure the camera is turned on. P. 2 6
Check and make sure that the communication baud rate and
RS-232C/RS-422 selections are correct on the System Select switch. If devices are connected in a daisy chain, the positions of the switch above must be the same.
Refer to
Page
P. 4 0
P. 32
P. 32
P. 4
Appendix
P. 2 6
serial
P. 15
Page 50
If this Happens Way to Resolve the Problem
The remote control doesn’t work.
Remote Control
Appendix
Are you pointing the remote control at the receiver on the camera? Point the remote at the receiver of the camera and then operate it.
Is the receiver on the camera in direct sunlight or under a bright light, such as
a uorescent one? When the receiver is
under a bright light, it will not work. Adjust the location and/or the angle of the device.
Are there batteries in the remote control? Check the batteries are facing the right way as well. The batteries may be dead. Replace the batteries.
Is the camera number the same on the camera and the remote control? Set the camera number on the remote control so it is the same as the camera’s setting.
Is the camera turned on? Turn the camera on.
Refer to
Page
P. 12
P. 17 P. 28
P. 28
50
Page 51
Menu Structure
The camera’s menus are structured as follows.
Menu Item
(Top Level)
Camera Functions Setup
Image Setup
Menu Item
(2nd Level)
Program AE
White Balance
Digital Zoom
Saturation Enhancement Pedestal Gamma NR Setup
Setting
Auto* Manual Shutter Iris
Spotlight
White Board Auto* Manual Set Outdoor Indoor 1 Indoor 2 300x 200x 100x Off*
P. 4 3
Refer
to
P. 3 8
P. 4 0
P. 4 2
Appendix
Page 52
Menu Item
(Top Level)
Swivel Setup
Initial Setup
* This is the factory default setting.
For information on settings when the camera starts up, refer to “Preset
Items and Retained Settings” (P. 53).
Menu Item
(2nd Level)
Pan Reverse
Tilt Reverse
Pan Tilt Limit
Speed Setup
Color System [VZ-HD4900A]
Reset P. 4 5
Setting
On Off* On Off* On Off* Mode 1 Mode 2 Mode 3* Mode 4 Mode 5 RGB* YPbPr
Appendix
Refer
to
P. 4 5
P. 4 5
52
Page 53
Preset Items and Retained Settings
The following table shows the items that can be saved to presets (P. 35) and
the settings that are retained in the absence of anything registered to Preset 1.
lWhen settings have been registered to Preset 1, the camera starts
up with the settings of Preset 1.
lWhen settings have not been registered to Preset 1, the camera
starts up using the content of “Startup Settings when no Preset 1 is Registered”.
Startup Settings
Items that can be Preset
Pan Tilt Position
Zoom Position Wide end
Exposure:
Auto/Manual (Exposure value)
Focus:
Auto/Manual (Focus position)
BLC (Backlight compensation): On/Off Off
Program AE Settings
(including values for each setting)
White Balance Settings
(including values for each setting)
Digital Zoom Off
Saturation(Color Level) gain setting value
Enhancement setting value 8
Pedestal setting value 40
Gamma setting value 8
NR setting value 3
when no Preset 1 is
Registered
Home position
(front)
Auto
Auto
Auto
(Gain Limit: 30dB
Slow Shutter:
59.94/29.97Hz: 1/60 50/25Hz: 1/50
Aperture Limit: F1.4)
Auto
8
Appendix
Page 54
Software License Information
The software incorporated into this product is composed of multiple independent software modules and the copyright for each of the individual software modules belongs to Hitachi Industry & Control Solutions, Ltd. or a third party.
These products incorporate software modules that were developed and/or created by Hitachi Industry & Control Solutions, Ltd. itself, and the property rights and/or intellectual property rights to this software and related documentation belong to Hitachi Industry & Control Solutions, Ltd. These rights are protected by the Copyright Act and other laws.
Furthermore, this product uses software modules licensed as free software, based on the GNU GENERAL PUBLIC LICENSE Version 2 and/or GNU LESSER GENERAL PUBLIC LICENSE Version 2.1 (hereafter referred to as "the Software License Agreement"), established by the Free Software Foundation, Inc. of the U.S.
Refer to the following table for information on subject software modules. If you have questions about subject software modules, please contact the store where you purchased it.
For details about said software modules, such as conditions of use, please read the software license agreement of each software as listed later (As these are stipulated by third parties other than Hitachi Industry & Control Solutions, Ltd., we are including the original document (English).).
Parties other than Hitachi Industry & Control Solutions, Ltd. have copyrights
Appendix
and/or other rights to said software modules, and the software is licensed free of charge, so it is provided as is and we make no guarantees whatsoever, within the range of applicable laws (neither explicitly or implicitly). Further, we shall bear no responsibility for any damages (including loss of data, compromised accuracy, incompatibility with the interface of other software, etc.) or expenses whatsoever that may arise due to the software modules and/or the use thereof, within the range of applicable laws.
54
Subject Software Modules
Linux Kernel busybox libgcc lzo U-Boot
glibc
Relevant Software License Agreement
GNU GENERAL PUBLIC LICENSE Version 2
GNU LESSER GENERAL PUBLIC LICENSE Version 2.1
Page 55
Software License Information
GNU GENERAL PUBLIC LICENSE Version 2, June 1991
Copyright© 1989, 1991 Free Software Foundation, Inc. 51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.
The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change free software--to make sure the software is free for all its users. This General Public License applies to most of the Free Software Foundation's software and to any other program whose au­thors commit to using it. (Some other Free Software Foundation software is cov­ered by the GNU Lesser General Public License inst programs, too.
When we speak of free software, we are referring to freedom, n ot price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for this service if you wish), that you receive source code or can get it if you want it, that you can change the soft­ware or use pieces of it in new free programs; and that you know you can do these things.
To protect your rights, we need to make restrictions that fo you these rights or to ask you to surrender the rights. T hese restrictions translate to certain responsibilities for you if you distribute copies of the software, or if you modify it.
For example, if you distribute copies of such a program, whether gratis or for a fee, you must give the recipients all the rights that you have. You must make sure that they, too, receive or can get the source code. And you must show them these terms so they know their rights.
We protect your you this license which gives you legal permission to copy, distribute and/or modify the software.
Also, for each author's protection and ours, we want to make certain that ev­eryone understands that there is no warranty for this free software. If the soft­ware is modified by someone else and passed on, we want its recipients to know that what they have is not the original, so that any problems introduced by others will not reflect on the
Finally, any free program is threatened constantly by software patents. We wish to avoid the danger that redistributors of a free program will individually ob­tain patent licenses, in effect making the program proprietary. To prevent this, we have made it clear that any patent must be licensed for everyone's free use or not licensed at all.
The precise terms and conditions for copying, distribution and modification follow.
TERMS AND CONDITION
0. This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. T he "Program", below, refers to any such program or work, and a "work based on the Program" means either the Program or any derivative work under copyright law: that is to say, a work containing the Pro­gram or a portion of it, either verbatim or with modifications and/or tra into another language. (Hereinafter, translation is in cluded without limitation in the term "modification".) Each licensee is addressed as "you".
Activities other than copying, distribution and modification are not covered by this License; they are outside its scope. The act of running the Program is n ot restricted, and the output from the Program is covered only if its contents con­stitute a work based on the Program (independent of having been made by run­ning the Program). Whether that is
1. You may copy and distribute verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously and appropri­ately publish on each copy an appropriate copyright notice and disclaimer of warranty; keep intact all the notices that refer to this License and to the absence of any warranty; and give any other recipients of the Program a copy of this Li­cense along with the Program.
You may charge a fee for the physical act o
at your option offer warranty protection in exchange for a fee.
Preamble
ead.) You can apply it to your
rbid anyone to deny
rights with two steps: (1) copyright the software, and (2) offer
original authors' reputations.
GNU GENERAL PUBLIC LICENSE
DISTRIBUTION AND MODIFICATION
S FOR COPYING,
nslated
true depends on what the Program does.
f transferring a copy, and you may
2. You may modify your copy or copies of the Program or any portion of it, thus forming a work based on the Program, and copy and distribute such mod­ifications or work under the terms of Section 1 above, provided that you also meet all of these conditions:
a) You must cause the modified files to carry prominent notices stating that
you changed the files and the date of any chang
b) You must cause any work that you distribute or publish, that in whole or in
part contains or is derived from the Program or any part thereof, to be li­censed as a whole at no charge to all third parties under the terms of this License.
c) If the modified program normally reads commands interactively when run,
you must cause it, when started running for such interactive use in the most ordinary way, to print or display an announcement including an ap­propriate copyright notice and a not saying that you provide a warranty) and that users may redistribute the program under these conditions, and telling the user how to view a copy of this License. (Exception: if the Program itself is interactive but d oes not normally print such an announcement, your work based on the Program is not required to print an announcement.)
These requirements apply to the modified work as a whole. If identifiable sec­tions of that work are not derived from the Program, and can be sidered independent and separate works in themselves, then this License, and its terms, do not apply t o those sections when you distribute them as separate works. But when you distribute the same sections as part of a whole which is a work based on the Program, the distribution of the whole must be on the terms of this License, whose permissions for other licensees extend to the entire whole, and thus to each and every part regardless of who wrote it.
Thus, it is not the intent of this to work written entirely by you; rather, the intent is to exercise the right to control the distribution of derivative or collective works based on the Program.
In addition, mere aggregation of another work not based on the Program with the Program (or with a work based on the Program) on a volume of a storage or distribution medium does not bring the other work under the scope of this Li­cense.
3. You may copy and distribute the Program (or a wo tion 2) in object code or executable form under the terms of Sections 1 and 2 above provided that you also do one of the following:
a) Accompany it with the complete corresponding machine-readable source
code, which must be distributed under the terms of Sections 1 and 2 above on a medium customarily used for software interchange; or,
b) Accompany it with a written offer, valid for at least three years, to give any
third party, for a charge no more than your co source distribution, a complete machine-readable copy of the correspond­ing source code, to be distributed under the terms of Sections 1 and 2 above on a medium customarily used for software interchange; or,
c) Accompany it with the information you received as to the offer to distribute
corresponding source code. (This alternative is allowed only for noncom­mercial distribution and only if you received the program in object code or executable form with such an offer, in accor
The source code for a work means the preferred form of the work for making modifications to it. For an executable work, complete source code means all the source code for all modules it contains, plus any associated interface definition files, plus the scripts used to control compilation and installation of the execut­able. However, as a special exception, the source code distributed need not in­clude anything that is normally distributed (in either source or binary the major components (compiler, kernel, and so on) of the operating system on which the executable runs, unless that component itself acco mpanies the exe­cutable.
If distribution of executable or object code is made by offering access to copy from a designated place, then offering equivalent access to copy the source code from the same place counts as distribution of the source code, even though third parties are not compelled to copy the source along with the object code.
4. You may not copy, modif
section to claim rights or contest your rights
y, sublicense, or distribute the Program except as
e.
ice that there is no warranty (or else,
reasonably con-
rk based on it, under Sec-
st of physically performing
d with Subsection b above.)
form) with
Appendix
Page 56
expressly provided under this License. Any attempt otherwise to copy, modify, sublicense or distribute the Pro gram is void, and will au tomatically terminate your rights under this License. However, parties who have received copies, or rights, from you under this License will not have their licenses terminated so long as such parties remain in full compliance.
5. You are not required to accept this License, since you have not signed it. However, nothing else grants you permission to modify or distribute the Pro­gram or its derivative works. Th accept this License. Therefore, by modifying or distributing the Program (or any work based on the Program), you indicate your acceptance of this License to do so, and all its terms and conditions for copying, distributing or modifying the Program or works based on it.
6. Each time you redistribute the Program (or any work based on t he Pro­gram), the recipient automatically receives a license from the original licensor to copy, distribute or modify the Pro You may not impose any further restrictions on the recipients' exercise of the rights granted herein. You are not responsible for enforcing compliance by third parties to this License.
7. If, as a consequence of a court judgment or allegation of patent infringe­ment or for any other reason (not limited to patent issues), conditions are im­posed on you (whether by court order, agreement or otherwise) that cont radict the conditions of this License, they do not excuse License. If you cannot distribute so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not distribute the Program at all. For example, if a patent license would not permit royalty-free redistribution of the Program by all those who receive copies directly or indirectly through you, then the only way you could satisfy both it and this License would be to refrain entirely from distribution gram.
If any portion of this section is held invalid or unenforceable under any partic­ular circumstance, the balance of the section is intended to apply and the section as a whole is intended to apply in other circumstances.
It is not the purpose of this section to induce you to infringe any patents or other property right claims or to contest validity of any such claims; this section has the sole purpose of protecting the integrity of the free software distribution
ch is implemented by public license practices. Many people have
system, whi made generous contributions to the wide range of software distributed through that system in reliance on consistent application of that system; it is up to the author/donor to decide if he or she is willing to distribute software t hrough any other system and a licensee cannot impose that choice.
This section is intended to make thoroughly clear what is believed to be a con­sequence of the rest of this License.
8. If the distribu
tries either by patents or by copyrighted interfaces, the original copyright holder
Appendix
who places the Program under this License may add an explicit geographical dis­tribution limitation excluding those countries, so that distribution is permitted only in or among countries not thus excluded. In such case, this License incor­porates the limitation as if written in the body of this License.
9. The Free Software Foundation may publish revised and/or the General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns.
Each version is given a distinguishing version number. If the Program speci­fies a version number of this License which applies to it and "any later version", you have the option of following the terms and conditions either of that version or of any later version published by the Free Software Foundation. If the Program
ecify a version number of this License, you may choose any version
does not sp ever published by the Free Software Foundation.
10. If you wish to incorporate p arts of the Program into other free programs whose distribution conditions are different, write to the author to ask for permis­sion. For software which is copyrighted by the Free Software Foundation, write to the Free Software Foundation; we sometimes make exceptions for this. Our decision will be guided by the two goals of preserving the free status of all d atives of our free software an d of promoting the sharing and reuse of software generally.
11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICA­BLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITH­OUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIE AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO
ese actions are prohibited by law if you do not
gram subject to t hese terms and conditions.
tion and/or use of the Program is restricted in certain co un-
NO WARRANTY
D WARRANTIES OF MERCHANTABILITY
you from the conditions of this
of the Pro-
new versions of
eriv-
MAY MODIFY AND/OR REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE,
E LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, IN-
B CIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF T HE USE OR IN­ABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
How to Apply These Terms to Your New Programs
If you develop a new program, and you wan t it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms.
To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively convey the exclusion of warranty; and each file should have at least the "co pyright" line and where the full notice is found.
<one line to give the program's name and a brief idea of what it does.>
Copyright© <year> <name of author>
This program is free software; you can redistribute it and/or modify it under
the terms of the GNU General Public License as published by the Free Soft-
ware Foundation; either version 2 of the License, or (at your option) any later
version.
This program is distributed in the hope that it will be useful, but WITHOUT
ANY WARRANTY; without
or FITNESS FOR A PAR TICULAR PURPOSE. See the GNU General Public Li-
cense for more details.
You should have received a copy of the GNU General Public License along with
this program; if not, write to the Free Software Foundation, Inc., 51 Franklin
St, Fifth Floor, Boston, MA 02110-1301 USA
Also add information on how to contact you by electronic and paper mail.
If the program is interactive, make it output a short notice like this when it
nteractive mode:
starts in an i
Gnomovision version 69, Copyright© year name of author Gnomovision
comes with ABSOLUTELY NO WARRANTY; for details type `show w'. This is
free software, and you are welcome to redistribute it under certain conditions;
type `show c' for details.
The hypothetical commands `show w' and `show c' should show the appro­priate parts of the General Public License. Of course, the commands you use may be called something other than `show w' and `show c'; they could even be mouse-clicks or menu items--whatever s
You should also get your employer (if you work as a programmer) or your school, if any, to sign a "copyright disclaimer" for the program, if necessary. Here is a sample; alter the names:
Yoyodyne, Inc., hereby disclaims all copyright interest in the program `Gno-
movision' (which makes passes at compilers) written by James Hacker.
<signature of Ty Coon>, 1 April 1989
Ty Coon, President of Vice
This General Public License does not permit incorporating your program into proprietary programs. If your program is a it more useful to permit linking proprietary applications with the library. If this is what you want to do, use the GNU Lesser General Public License instead of this License.
TERMS AND CONDITIONS
END OF
even the implied warranty of MERCHANTABILITY
uits your program.
subroutine library, you may consider
a pointer to
56
Page 57
Software License Information
GNU LESSER GENERAL PUBLIC LICENSE Version 2.1, February 1999
Copyright© 1991, 1999 Free Software Foundation, Inc. 51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.
[This is the first released version of the Lesser GPL. It also counts as the successor of the GNU Library Public License, version 2, hence the version number 2.1.]
The licenses for most software are designed to take away your freedom to share and change it. By contrast, the GNU General Public Licenses are intended to guarantee your freedom to share and change free software--to make sure the software is free for all its users.
This license, the Lesser General Public License, applies to some specially des­ignated software packages--typically libraries-of the Free Software Foundation and other authors who decide to use it. You can use it too, but we suggest you first think carefully ab cense is the better strategy to use in any particular case, based on the explana­tions below.
When we speak of free software, we are referring to freedom of use, not price. Our General Public Licenses are designed to make sure that you have the free­dom to distribute copies of free software (and charge for this service if you wish); that you receive source code or can get it if you want it; that you can change the software and use pieces of it in new free pro informed that you can do these things.
To protect your rights, we need to make restrictions that forbid distributors to deny you these rights or to ask you to surrender these rights. These restrictions translate to certain responsibilities for you if you distribute copies of the library or if you modify it.
For example, if you distribute copies of the library, whether gratis or for a fee, you must give the recipients all the rights that we gave you. You must make sure that
they, too, receive or can get the source code. If you link other code with the library, you must provide complete object files to the recipients, so that they can relink them with the library after making changes to the library and recompiling it. And you must show them these terms so they know their rights.
We protect your rights with a two-step method: (1) we copyright the library, and (2) we offer you this license, which gives you legal permission to copy, dis­tribute and/or modify the
To protect each distributor, we want to make it very clear that there is no war­ranty for the free library. Also, if the library is modified by someone else and passed on, the recipients should know that what they have is not the original ver­sion, so that the original author's reputation will not be affected by problems that might be introduced by others.
Finally, software patents pose a constant threat to the existence of any free program. We wish to make sure that a company cannot effectively users of a free program by obtaining a restrictive license from a patent holder. Therefore, we insist that any patent license obtained for a version of the library must be consistent with the full freedom of use specified in this license.
Most GNU software, including some libraries, is covered by the ordinary GNU General Public License. This license, the GNU Lesser General Public License, ap­plies to certain designated libraries, and is quite different from the ordinary Gen­eral Public License. We use this license f linking those libraries into non-free programs.
When a program is linked with a library, whether statically or using a shared library, the combination of the two is legally speaking a combined work, a deriv­ative of the original library. The ordinary General Public License therefore per­mits such linking only if the entire combination fits its criteria of freedom. The Lesser General Public License permits more lax criteria for linking other code with the library.
We call this license the "Lesser" to protect the user's freedom than the ordinary General Public License. It also provides other free software developers Less of an advantage over competing nonfree programs. These disadvantages are the reason we use the ordinary Gen­eral Public License for many libraries. However, the Lesser license provides ad­vantages in certain special circumstances.
For example, on rare occasions, there may be a special need to encourage the widest possible use of a certain library, so that it becomes a de-facto standard. To achieve this, non-free programs must be allowed to use the library. A more frequent case is that a free library does the same job as widely used non-free li­braries. In this case, there is little to gain by limiting the free library to free soft-
Preamble
out whether this license or the ordinary General Public Li-
grams; and that you are
library.
restrict the
or certain libraries in order to permit
General Public License because it does Less
ware only, so we use the Lesser General Public License.
In other cases, permission to use a particular library in non-free programs en­ables a greater number of people to use a large body of free software. For exam­ple, permission to use the GNU C Library in non-free programs enables many more people to use th GNU/Linux operating system.
Although the Lesser General Public License is Less protective of the users' freedom, it does ensure that the user of a program that is linked with the Library has the freedom and the wherewithal to run that program using a modified ver­sion of the Library.
The precise terms and conditions for copying, distribution and modification follow. Pay close attention to the difference between a "work based on the library" and a "work brary, whereas the latter must be combined with the library in order to run.
0. This License Agreement applies to any software library or other program which contains a notice placed by the copyright holder or other authorized party saying it may be distributed under the terms of this Lesser General Public Li­cense (also called "this
A "library" means a collection of software functions and/or data prepared so as to be conveniently linked with application programs (which use some of those functions and data) to form executables.
The "Library", below, refers to any such software library or work which has been distributed under these terms. A "work based on the Library" means either the Library or any derivative work under copyright law: that is to say, a work con­taining the Library or a portion of it, eith translated straightforwardly into another language. (Hereinafter, translation is included without limitation in the term "modification".)
"Source code" for a work means the preferred form of the wo rk for making modifications to it. For a library, complete source code means all the source code for all modules it contains, plus any associated interface definition fi les, plus the scripts used to control compilation and installation of the library.
Activities other this License; they are outside its scope. The act of running a program using the Library is not restricted, and output from such a program is covered only if its contents constitute a work based on the Library (independent of the use of the Library in a tool for writing it). Whether that is true depends on what the Library does and what the program that uses the Library does.
1. You may copy and distribute verb source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice and dis­claimer of warranty; keep intact all the notices that refer to this License and to the absence of any warranty; and distribute a copy of this License along with the Library.
You may charge a fee for the physical act of transferring a copy, and you may
at your option offer warranty protection in exchange for a f
2. You may modify your copy or copies of the Library or any portion of it, thus forming a work based on the Library, and copy and distribute such modifications or work under the terms of Section 1 above, provided that you also meet all of these conditions:
a) The modified work must itself be a software library.
b) You mu st cause the files modified to carry prominent notices stating that
you changed the files and the date of any change.
c) You must cause the whole of the work to
third parties under the terms of this License.
d) If a facility in the modified Library refers to a function or a table of data to
be supplied by an application program that uses the facility, other than as
e whole GNU operating system, as well as its variant, the
that uses the library". The former contains code derived from the li-
GNU LESSER GENERAL PUBLIC LICENSE
TERMS AND CONDITIONS FOR COPYING,
DISTRIBUTION AND MODIFICATION
License"). Each licensee is addressed as "you".
er verbatim or with modifications and/or
than copying, distribution and modification are not covered by
atim copies of the Library's complete
ee.
be licensed at no charge to all
Appendix
Page 58
an argument passed when the facility is invoked, then you must make a good faith effort to ensure that, in the event an application does not supply such function or table, the facility still operates, and performs whatever part of its purpose remains meaningful.
(For example, a function in a library to compute square roots has a purpose that is entirely well-defined independent of the application. Therefore, Sub­section 2d requires that any application-supplied function or table used by
unction must be optional: if the application does not supply it, the
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Appendix
Page 60
Main Specications
Image Sensor
Lens F1.4- 4.0 f=4.4-110mm, 25x
Video Signal Formats
Zoom Optical 25x, combined with digital 300x Closest shooting distance 10mm (Wide end), 1500mm (Tele end) Horizontal Angle of View Approx. 62° at Wide end to 2.8° at Tele end Minimum Subject Luminance
Shutter Speed
Pan & Tilt Functions
Video OUT Terminals
Appendix
Serial control terminal
Input Voltage DC 12V (DC 11.4 to 12.6V) Current Consumption
(at DC12V) Allowable Operating Temp (Humid) Allowable Storage Temp (Humid) Dimensions (W×H×D) (Incl. protruding parts)
Weight
1/2.8 type CMOS sensor Effective pixels: Approx. 2 megapixel
Switched via the Video Select switch
1080p/59.94*, 1080p /50*, 1080p/29.97, 1080p/25, 1080i/59.94, 1080i/50, 720p/59.94, 720p/50, Serial control
*VZ-HD4900A
Auto 5 lux (electronic shutter 1/30)
1/15 to 1/10000 sec. (at 1080p/59.94, 1080p/29.97, 1080i/59.94,
720p/59.94)
1/12 to 1/10000 sec.
(at 1080p/50, 1080p/25, 1080i/50, 720p/50 )
Horizontal ± 175°
Vertical -30° to+90° (Desktop Installation)
-90° to+30° (Ceiling Installation)
VZ-HD4000A: HD-SDI terminal ×1, VZ-HD4900A: DVI-I terminal ×1, 3G-SDI terminal ×1
RS-232C: 8 -pin miniDIN terminal (IN × 1, OUT × 1)
RS-422: connect terminal block, 9 pin
2.5A (max)
1.0A (when pan/tilt stopped) 0 to 40°C (10 to 85%) , no condensation
- 20 to + 60°C (10 to 85%) Approx. 198 × 161 × 132mm (Desktop Installation) Approx. 198 × 177 × 132mm (Ceiling Installation) Approx. 1.9kg (Desktop Installation) Approx. 2.4kg (Ceiling Installation)
* In the interest of improving performance, the specications of these
devices are subject to change without notice.
60
Page 61
Dimensional Drawing
Top
Desktop Installation
Front
Base
4-M3
Ø5
1/4-20UNC
Side
Appendix
Unit: mm
Page 62
Dimensional Drawing
Ceiling Installation
Base
Front
4-Ø5.6 hole
Side
Appendix
62
Bottom
Unit: mm
Page 63
VIDEO OUT (DVI-I) terminal
DVI-I
(DVI 29 pin)
VZ-HD4900A
Pin No Function
1 TMDS Data 2– 2 TMDS Data 2+
3
4
5
6 DDC clock 7 DDC data
8
9 TMDS Data 1–
10 TMDS Data 1+
11
12
13
14 +5V 15 GND 16 Hot Plug Detect 17 TMDS data 0–
TMDS Data 2/4 shield
TMDS Data 4–
(Not used)
TMDS Data 4+
(Not used)
Analog Vertical Sync
TMDS Data 1/3 shield
TMDS Data 3–
(Not used)
TMDS Data 3+
(Not used)
Pin No Function
18 TMDS data 0+
19
20
21
22 TMDS clock shield 23 TMDS clock+ 24 TMDS clock– C1 Analog Red/Pr * C2 Analog Green/Y * C3 Analog Blue/Pb *
C4
C5 Analog GND
* The analog video signal of pins
C1, C2 and C3 can be switched via Color System from Menu
Initial Setup. (P. 46)
TMDS data 0/5 shield
TMDS data 5–
(Not used)
TMDS data 5+
(Not used)
Analog Horizontal Sync
Appendix
Page 64
RS-232C IN terminal
IN
OUT
1 2 3 4 5 6 7 8 9
RS-422
RS-422 terminal
(8 -pin mini DIN, female)
Pin No Function
1 DTR IN 2 DSR IN 3 TxD IN 4 GND 5 RxD IN 6 GND 7 IR OUT * 8 Not used
* IR OUT of pin 7 can be switched
with the System Select switch.
(P. 15)
RS-232C OUT terminal
Appendix
(8 -pin mini DIN, female)
(connect terminal block, 9 pin)
Pin No Function
1 RxD OUT– 2 R x D O UT+ 3 TxD OUT– 4 Tx D O UT+ 5 GND 6 RxD IN– 7 RxD IN+ 8 TxD IN – 9 TxD IN+
Pin No Function
1 DTR OUT 2 DSR OUT 3 TxD OUT 4 GND 5 RxD OUT 6 GND 7 Not used 8 Not used
64
Page 65
RS-422 Connection Wiring Diagram
External device terminal
TxD OUT+
TxD OUT– RxD OUT+
RxD OUT–
GND
Camera1 RS-422 terminal
9 TxD IN+
8 TxD IN–
7RxD IN+ 6RxD IN– 5GND 4 TxD OUT+
3 TxD OUT–
2RxD OUT+ 1RxD OUT–
Camera2 RS-422 terminal
9 TxD IN+
8 TxD IN–
7RxD IN+ 6RxD IN– 5GND 4 TxD OUT+
3 TxD OUT–
2RxD OUT+ 1RxD OUT–
RS- 422 terminal of Camera3 & thereafter
9 TxD IN+
8 TxD IN–
7RxD IN+ 6RxD IN– 5GND 4 TxD OUT+
3 TxD OUT–
2RxD OUT+ 1RxD OUT–
Appendix
Page 66
Using RS-422 terminal
block connectors
1 Insert the wire (AWG 28-18) into
the hole you wish to connect and tighten the corresponding screw with a slotted screwdriver.
When Unplugging Connector Plugs
Grasp both ends of the RS-422 terminal block connector plug and unplug it as shown in the diagram.
1 2 3 4 5 6 7 8
Slotted screwdriver
Wire (AWG 28-18)
2 Plug the RS-422 terminal block
connector into the RS-422
Appendix
terminal.
1 2 3 4 5 6 7 8
RS-422
RS-422
9
Caution
In order to stabilize the voltage
level of signals, cross ground them.
When connecting via RS- 422,
connections via RS-232C cannot be made.
9
66
Page 67
HITACHI
LIMITED WARRANTY
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Page 68
HITACHI HD Color Video Camera WARRANTY pg 2
WARRANTY LIMITATIONS: is Hitachi Limited Warranty does not cover: (a) any
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68
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QR85801 ©Hitachi Industry & Control Solutions, Ltd. 2015 Printed in Japan (I)
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