We, Thomson Broadcast Solutions B.V., Kapittelweg 10, 4827 HG Breda, The Netherlands, declare under our sole responsibility that this
product is in compliance with the following standards:
a. the Safety Directives 73/23//EEC and 93/68/EEC
b. the EMC Directives 89/336/EEC and 93/68/EEC
FCC Class A Statement
This product generates, uses, and can radiate radio frequency energy and if not installed and used in accordance with the instructions,
may cause interference to radio communications.
It has been tested and found to comply with the limits for a class A digital device pursuant to part 15 of the FCC rules, which are
designed to provide reasonable protection against such interference when operated in a commercial environment.
Operation of this product in a residential area is likely to cause interference in which case the user at his own expense will be required to
take whatever measures may be required to correct the interference.
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Viper
Digital Cinematographic Camera
Operator's Manual
The Viper FilmStream Camera combines two different application
concepts in a single camera. By selecting the operation mode, the
camera operates either as a HD video camera or as a digital film camera.
The digital film camera mode is known as the FilmStream mode.
Using this manual
This manual is divided into two parts:
Part 1
Describes how to set-up and use the camera as a digital film camera
in the FilmStream mode.
Part 2
Describes how to set-up and use the camera as a HD video camera.
03.18.5i
Contents - Part 1 - FilmStream mode
Important Precautions .................................................................................. iv
Menu System .............................................................................................. 6-3
Menu Structure ........................................................................................... 6-6
Security Menu ............................................................................................. 6-7
Files Menu .................................................................................................. 6-8
Install Menu ..............................................................................................6-10
Appendix
03.18.5iii
Important Precautions
To ensure continual high performance from the camcorder take the
following precautions into consideration:
Avoid very damp places. If the environment is wet
or damp a rain cover must be used to protect the
unit.
Do not subject the unit to severe shocks or vibration.
Do not expose the camera to extremes of
temperature.
Do not leave the unit in direct sunlight or close to
heating appliances for extended periods.
Do not allow sunlight to shine into the viewfinder.
ivViper
Warning
If the camera is in a wet or damp environment, a rain cover must be
used to protect it for personal safety reasons (EN60065). The optional
rain cover protects the camera according to safety specification
EN60529 up to level IPX2 (spraying water).
FCC Class A Statement
This equipment generates, uses, and can radiate radio frequency
energy and if not installed and used in accordance with the instructions,
may cause interference to radio communications.
It has been tested and found to comply with the limits for a class A
digital device pursuant to part 15 of FCC rules, which are designed to
provide reasonable protection against such interference when operated in a commercial environment.
Operation of this equipment in a residential area is likely to cause
interference in which case the user at his own expense will be required
to take whatever measures may be required to correct the interference.
03.18.5v
viViper
Section 1
Introduction
This section describes the FilmStream mode of operation and
outlines the technology used in the Viper. The access and
security features of the camera are also explained.
Access and Security .......................................................................... 1-6
IntroductionFilmStream mode1-1
Selecting operational mode
To operate in the FilmStream mode you must ensure that the camera
is switched to this mode. The output signals and the control functions
that are available depend on the mode you select.
The factory default for the mode setting is the FilmStream mode, so
normally you do not have to switch modes to operate the camera as
a digital film camera.
If a different mode has been set up, then you need to switch to the
FilmStream mode by changing a menu setting (for more details refer
to Section 5).
To change modes:
1.Open the menu system.
2.Go to the Install menu.
3.Select Output mode item.
4.Change the value to FilmStream or HDStream.
The camera remembers the last selected mode, so it remains in the
FilmStream mode even when switched off and on again.
Monitoring
To provide a monitoring signal for viewing, a separate channel is used
which undergoes some video processing to make it acceptable for
viewing on monitors and viewfinders. Although derived from the same
sensor signals, this channel is entirely separate from the main FilmStream
output.
The Viper does not have any adjustable visual parameters for the
FilmStream outputs. Framing, focussing, exposure setting, shutter
angle and optical filtering are the only operations required of the
camera and lens operators.
1-2FilmStream modeViper
Streaming modes
FilmStream mode
The FilmStream mode differs from the HD video mode in that it
captures all information in a scene and stores it digitally without
altering any parameters. By avoiding video processing in the raw RGB
data, the output signal is a true and faithful representation of the light
from the scene. Thus the FilmStream digital data signals are full-range
signals suitable for film post-production without any loss of information.
Capturing the light
The Viper uses three high-definition CCD sensors to register the light
from the lens. The signals from these sensors are converted to R, G, and
B data values using 12-bit A/D converters. Using logarithmic calculations
this data is then converted to 10-bit values and transferred to a recorder
using a dual HD-SDI link. Full resolution is maintained: true-progressive
1920 x 1080 pixels for every color. No color sub-sampling, no color
space conversions, no irreversible video manipulations, no further
quantizations, and no compression is carried out.
HDStream mode
The output mode can also be set to HDStream. This mode provides
signals similar to the FilmStream signals but in a 4:2:2 HD-SDI format.
These HDStream signals are subject to white balancing in the camera
but like FilmStream signals, they do not undergo any other video
processing. HDStream mode is ideal when storage capacity is limited
or for applications where lower resolution signals are sufficient, such
as background for keying.
IntroductionFilmStream mode1-3
Technology
CCD sensor technology
The Viper FilmStream Camera uses three unique 9.2 Megapixel HDDPM+ CCD sensors that allow the camera to work in several formats;
1080 lines at 24/25/30 frames per second or 720 lines at 24/25/30/50/
60 frames per second.
This CCD sensor is based on the Frame-Transfer principle which is best
suited for progressive images. The Viper uses a mechanical shutter
which means that the CCD exposure has a similar ramp to film cameras,
thus providing similar motion characteristics.
Formats
The following formats can be selected in the Install menu:
The sensor consists of 1920 horizontal pixels and 4320 vertical subpixels. By grouping the vertical sub-pixels, the vertical line count can
be set. Full resolution is preserved and the horizontal viewing angle
stays the same.
•1080P
When four vertical sub-pixels are combined, the total line count
becomes 1080 lines. So, a 1920 x 1080 image sensor is obtained with
a 16:9 aspect ratio.
1-4FilmStream modeViper
•1080i
When eight vertical sub-pixels are combined, the total line count
becomes 540 lines. The second field is shifted four pixels to give an
interlaced picture.
•720P
When six vertical sub-pixels are combined, then the total line count
becomes 720 lines. So, a 1920 x 720 image sensor is obtained with a 16:9
aspect ratio. When set to 60 frames per second, slow motion effects can
be achieved during post-production at different playback speeds.
•Cinemascope Aspect Ratio
When three vertical sub-pixels are combined, 1440 vertical lines are
obtained. By using the middle 1080 lines, a 2.37:1 aspect ratio is
achieved without the need for anamorphic lenses while maintaining
full 1920 x 1080 resolution. There is no need to crop the image or lose
resolution to get this aspect ratio.
IntroductionFilmStream mode1-5
Access and Security
Camera cards
Three camera cards are delivered with each camera; one owner’s card
and two user cards. An owner’s card is linked to the serial number of
the camera and is unique to that camera. It cannot be used as an
owner’s card for another camera.
The owner’s card acts as:
•an access control device to the security settings of the camera.
•a storage card for four scene files and two operator files.
The user card stores four scene files and two operator files.
Operator files contain information relating to the set-up of general
camera preferences. Scene files contain information relating to the
video settings of the camera head.
Owner’s card
1-6FilmStream modeViper
User card
Access control
The owner’s card or the PIN code is used to access special set-up and
security features of the camera. Inserting the owner’s card into the
camera gives direct access to the Security menu. If you select the
Security menu without this card inserted, you must enter the correct
PIN code to gain access to this menu.
User levels
Four user levels can be set in the security menu. These restrict access,
in varying degrees, to the operational controls. The appendix indicates
which functions are available at each user level.
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Insert your camera card into this slot with the chip on the card facing
the front of the camera. Push the card home until it fits snugly.
A camera card is not required for normal operation of the camera.
Camera card slot
Note
Only use an original camera card.
Store the owner’s card in a safe place.
IntroductionFilmStream mode1-7
1-8FilmStream modeViper
Section 2
Assembling the Units
This section provides information on the physical assembly
Shoulder Pad ................................................................................... 2-10
Assembling the UnitsFilmStream mode2-1
Lens
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2-2FilmStream modeViper
Attach a lens to the camera head as follows:
a.Ensure that the lens locking ring (1) is in the unlocked position -
turned counterclockwise.
b.Remove the dust protection cap (2).
c.Slot the lens into the lens mount (3).
Caution
Do not attach a lens weighing more than 5 kg to the
camera without a support.
d.Turn the lens locking ring (1) clockwise to lock the lens in place.
e.Connect the lens cable, if any, to the lens connector (4) at the right
side of the camera.
f.Place the lens cable into the bottom clip at the front of the camera
and clip (5) located at the side. (Pull and twist clip (5) to open it.)
g.In the Lens menu, set the Lens Type item to Std for a standard lens
or to WA for a wide angle lens.
h.Select the lens manufacturer in the Lens menu. Select Ang for
Angenieux, Can for Canon, Fuj1 or Fuj2 for Fujinon or select Other
for other lens manufacturers.
Note:
Always mount the dust protection cap when the lens is not connected
to the camera.
When a new lens is fitted to the camera it may be necessary to carry
out some adjustments to optimize its use, for example, back focus. For
more information about these adjustments refer to the lens
manufacturer’s documentation.
Assembling the UnitsFilmStream mode2-3
2-inch Viewfinder
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2-4FilmStream modeViper
Mounting the 2-inch viewfinder and microphone holder
To mount the 2-inch viewfinder proceed as follows:
a.Loosen locking ring (1) of viewfinder support bracket (2) at the
front of the camera handle. (As seen from the rear of the camera,
turning the locking ring counterclockwise moves it towards the
handle.)
b.Slide the viewfinder onto the viewfinder support bracket.
c.Tighten the locking ring (1) by turning it clockwise (as seen from
rear) so that the viewfinder is mounted securely to the support.
d.Connect the viewfinder cable to the viewfinder connector socket
(4) at the top right of the camera.
e.Slide the microphone holder (5) onto the viewfinder and secure
with the knurled screw (6).
Caution
Always fit the microphone holder (5) even if you don’t use
a microphone as it functions as a safety stop for the
viewfinder.
f.To improve the comfort of the skin contact when using the
viewfinder, fit the eyepiece cover (3) to the rubber eyepiece.
Assembling the UnitsFilmStream mode2-5
Positioning the 2-inch viewfinder
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2-6FilmStream modeViper
4
The horizontal position of the viewfinder can be adjusted as follows to
suit your requirements:
a.Loosen the locking ring (1). (As seen from the rear of the camera,
turning the locking ring counterclockwise moves it towards the
handle.)
b.Slide the viewfinder horizontally along the rail to the desired
position.
c.Tighten the locking ring (1) by turning clockwise.
The dioptre hood and eyepiece of the viewfinder can be rotated
vertically.
The viewfinder can be positioned backwards and forwards along the
camera axis. Loosen the support bracket round bar retaining lever (2)
and slide the round bar (3) forwards or backwards. When the desired
position is reached tighten the support bracket round bar retaining
lever (2) again.
To use the viewfinder at a distance press the button (4) below or above
the eyepiece tube and swing it free of the associated clip (5). The
display can now be seen from further away.
Assembling the UnitsFilmStream mode2-7
Tripod Adapter Plate (optional)
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To mount the camera on a tripod, the tripod plate (LDK 5031 is
available as an option) must first be attached to the tripod.
Follow the tripod manufacturer’s instructions to mount the wedge
plate supplied with the tripod and the tripod adapter plate firmly onto
the tripod.
2-8FilmStream modeViper
Attach the camera to the tripod adapter plate as follows:
a.Slide the camera horizontally along the tripod adapter plate from
back to front ensuring that the front of the camera engages the Vslot (1) at the front of the tripod adapter plate, and that the slot on
the bottom of the camera engages the stud (2) at the rear of the
tripod adapter plate.
b.Firmly push the camera forward until it clicks into place.
c.When the camera is mounted on the tripod tighten thE locking
lever (5) to ensure that the stud (2) at the rear of the plate is locked
firmly in place.
Caution
Failure to attach the camera to the tripod adapter plate in
the correct manner could result in an unsecured camera.
Ensure that the rear stud (2) is engaged and that the camera
clicks into place.
To remove the camera from the tripod proceed as follows:
a.When removing the camera first open the locking lever (5) to free
the rear stud (2).
bPress the red locking lever (3) against release handle (4) on the
tripod adapter plate and hold.
c.Ensure that you have a firm hold of the camera.
d.Pull the release handle (4) forward.
e.Move the camera backwards and up. The camera is now free from
the tripod adapter plate.
Assembling the UnitsFilmStream mode2-9
Shoulder Pad
1
To change the position of the shoulder pad press and hold lever (1).
The shoulder pad can now be moved backwards and forwards along
the axis of the camera. Adjust the shoulder pad when all units have
been mounted so that the best balanced position can be obtained.
2-10FilmStream modeViper
Section 3
Configurations
This section describes how the Viper can be connected to
external equipment and how it can be configured with an