GRASS VALLEY CONCERTO 1.7.6.1 - REV 10-2009, CONCERTO 1.7.6.1, Concerto Instruction Manual

Concerto

ROUTING MATRIX

Instruction Manual

Software Version 1.7.6.1

071813811

OCTOBER 2009

Affiliate with the N.V. KEMA in The Netherlands

CERTIFICATE

Certificate Number: 510040.001
The Quality System of:

Thomson Inc, and it’s wordwide Grass Valley division affiliates DBA
GRASS VALLEY

Headquarters

400 Providence Mine Rd
Nevada City, CA 95959
United States

15655 SW Greystone Ct.
Beaverton, OR 97006
United States

10 Presidential Way
Suite 300
Woburn, MA 01801
United States

Kapittelweg 10
4827 HG Breda
The Nederlands

7140 Baymeadows Way
Ste 101
Jacksonville, FL 32256
United States

2300 So. Decker Lake Blvd.
Salt Lake City, UT 84119
United States

Rue du Clos Courtel
CS 31719
35517 Cesson-Sevigné Cedex
France

1 rue de l’Hautil
Z.I. des Boutries BP 150
78702 Conflans-Sainte
Honorine Cedex
France

Technopole Brest-Iroise
Site de la Pointe du Diable
CS 73808
29238 Brest Cedex 3
France

40 Rue de Bray
2 Rue des Landelles
35510 Cesson Sevigné
France

Spinnereistrasse 5
CH-5300 Turgi
Switzerland

Brunnenweg 9
D-64331 Weiterstadt
Germany

Carl-Benz-Strasse 6-8
67105 Schifferstadt
Germany

Including its implementation, meets the requirements of the standard:

ISO 9001:2008

Scope:

The design, manufacture and support of video and audio hardware and software products and
related systems

.

This Certificate is valid until: June 14, 2012
This Certificate is valid as of: June 14, 2009
Certified for the first time: June 14, 2000

H. Pierre Sallé
President
KEMA-Registered Quality

The method of operation for quality certification is defined in the KEMA General Terms
And Conditions For Quality And Environmental Management Systems Certifications.
Integral publication of this certificate is allowed.

KEMA-Registered Quality, Inc.

4377 County Line Road
Chalfont, PA 18914
Ph: [phone]
Fax: [phone]

CRT 001 073004

ccredited By:

ANAB

A

Concerto

ROUTING MATRIX

Instruction Manual

Software Version 1.7.6.1

071813811

OCTOBER 2009

Contacting Grass Valley

International

Support Centers

Local Support

Centers

(available

during normal

business hours)

France

24 x 7

Australia and New Zealand: [phone] Central/South America: [phone]
Middle East: [phone] Near East and Africa: [phone] or [phone]

Europe

[phone] or [phone]

Hong Kong, Taiwan, Korea, Macau: [phone] Indian Subcontinent: [phone]

Asia

Southeast Asia/Malaysia: [phone] Southeast Asia/Singapore: [phone]
China: [phone] Japan: [phone]

Belarus, Russia, Tadzikistan, Ukraine, Uzbekistan: [phone] Switzerland: [phone]
S. Europe/Italy-Roma: [phone] -Milan: [phone] S. Europe/Spain: [phone]
Benelux/Belgium: [phone] Benelux/Netherlands: [phone] N. Europe: [phone]
Germany, Austria, Eastern Europe: [phone] UK, Ireland, Israel: [phone]

Copyright © Grass Valley, Inc. All rights reserved.
This product may be covered by one or more U.S. and foreign patents.

United States/Canada

24 x 7

[phone] or [phone]

Grass Valley Web Site

The www.grassvalley.com web site offers the following:

Online User Documentation — Current versions of product catalogs, brochures,

data sheets, ordering guides, planning guides, manuals, and release notes
in .pdf format can be downloaded.

FAQ Database — Solutions to problems and troubleshooting efforts can be

found by searching our Frequently Asked Questions (FAQ) database.

Software Downloads — Download software updates, drivers, and patches.

4 Concerto — Instruction Manual

Contents

Preface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

About This Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Additional Documentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Safety Summary

Safety Terms and Symbols. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Terms in This Manual. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Terms on the Product . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Symbols on the Product . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Warnings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Cautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Regulatory Notices

Certifications and Compliances . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

FCC Emission Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Canadian EMC Notice of Compliance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

EN55022 Class A Warning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Canadian Certified Power Cords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Canadian Certified AC Adapter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Laser Compliance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Laser Safety Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Laser Safety. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

FCC Emission Limits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Certification . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Section 1 — System Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Mixed Module Matrices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Controller Module Identification . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Module Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Module Identification. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Optimum Matrix Configurations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

7 RU Concerto / 8 RU Concerto+ Frames. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

32x32 / 96x96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

64x64 / 64x64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

96x96 / 32x32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

128x128 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

32x32 / 32x32 / 64x64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

64x64 / 32x32 / 32x32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

32x32 / 64x64 / 32x32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

32x32 / 32x32 / 32x32 / 32x32. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

4 RU Frame. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

64x64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

32x32 / 32x32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

TDM Expansion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

TDM: 256x256. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Concerto — Instruction Manual 5

Contents

TDM: 224x224 / 32x32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

TDM: 192x192 / 64x64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

TDM: 160x160 / 96x96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Monitor Output Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Analog Video Monitor Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Digital Video Monitor Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Audio Monitor Configuration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Expanded Audio Monitor Configuration (7 RU and 8 RU Frames) . . . . . . . 67

Section 2 — Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Frame Installation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Rear Support Bracket . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Module Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Cabling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Backplane Cabling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Expansion Audio System Cabling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Pinouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Frame Control Connectors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Matrix Backplane Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Alarm Pinout Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Alarm Circuit Wiring Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Alarm Detection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Crosspoint Bus Communications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Ethernet Communications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Monitor Cabling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Analog Video Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Digital Video Monitoring. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Audio Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Expanded Audio System Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

AC Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

48 VDC Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Option Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Expansion TDM Submodule Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Section 3 — Control System Configuration. . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Controllers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Control Mode/In Sel Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Ethernet Interface Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Preparation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

IP Address Setting Using NetConfig. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

IP Address Setting Using Concerto Web Pages . . . . . . . . . . . . . . . . . . . . . . . . . 107

Software Updates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Concerto Web Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Matrix Controller System Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Matrix Reference Configuration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Matrix Controller Factory Defaults . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Concerto Matrix Local Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Concerto Matrix Applications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

System Maintenance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

SMS7000 Control System Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

6 Concerto — Instruction Manual

Contents

Configured Node Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

AES Attributes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

AES Output Attributes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

AES Input Attributes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Encore Control System Configuration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Jupiter Crosspoint Bus Controller Configuration . . . . . . . . . . . . . . . . . . . . . . . . . 123

Crosspoint Bus Controller Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

CRS-MC-C2 Configuration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Native Protocol Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Local Configuration Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Using SNMP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Verifying the FPGA Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Section 4 — Maintenance and Troubleshooting. . . . . . . . . . . . . . . . . . . . . . 133

Field Replaceable Units . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

To Remove Modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

To Insert Modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Air Filter (7 RU Frame only) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Fan Assembly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

To Replace a Fan Assembly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Controller Modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Swapping a MCS-MC-C2 with a MCS-MC-C2 . . . . . . . . . . . . . . . . . . . . . . . . 135

Port Modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Audio and SD Video Module Modifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

HD Video Module and Rear Panel Modifications . . . . . . . . . . . . . . . . . . . . . . . 140

Digital Audio Balanced Backplane Transformers . . . . . . . . . . . . . . . . . . . . . . . 140

Service and Replacement Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Matrix Controller LEDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Matrix Module LEDs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146

TDM Submodule LEDs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146

Power Supply Modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

4 and 7 RU frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

8 RU frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Appendix A — Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Performance and Environmental Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Concerto Routing Matrix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Analog Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

SD and HD Digital Video. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Analog Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Digital Audio AES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

TimeCode and Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Mechanical and Power Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Appendix B — Reference Tables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Physical Level Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Concerto — Instruction Manual 7

Contents

Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

8 Concerto — Instruction Manual

Preface

About This Manual

Additional Documentation

This manual provides installation, operation, and service information spe­cific to the Concerto Multi-Format Router.

The Concerto Multi-Format Router can be controlled by the Encore, Jupiter,
or SMS Series 7000 Control Systems. Configuration information required
for using the Concerto with a control system is contained in the control
system’s documentation set. Concerto specific information is contained in
this manual.

Electronic copies of all routing documentation is available on the documen­tation CD that came with your frame. A printed copy of the documentation
set was provided with the system. Individual manuals may be ordered by
contacting Technical Support.

For assistance and to access the current documentation that is available on
our web site, see

Grass Valley Web Site on page 4.

Concerto — Instruction Manual 9

Preface

10 Concerto — Instruction Manual

Safety Summary

Read and follow the important safety information below, noting especially
those instructions related to risk of fire, electric shock or injury to persons.
Additional specific warnings not listed here may be found throughout the
manual.

WARNING Any instructions in this manual that require opening the equipment cover

or enclosure are for use by qualified service personnel only. To reduce the
risk of electric shock, do not perform any servicing other than that con
tained in the operating instructions unless you are qualified to do so.

Safety Terms and Symbols

Terms in This Manual

-

Safety-related statements may appear in this manual in the following form:

WARNING Warning statements identify conditions or practices that may result in per-

sonal injury or loss of life.

CAUTION Caution statements identify conditions or practices that may result in damage

to equipment or other property, or which may cause equipment crucial to
your business environment to become temporarily non-operational.

Terms on the Product

The following terms may appear on the product:

DANGER — A personal injury hazard is immediately accessible as you read

the marking.

WARNING — A personal injury hazard exists but is not immediately acces-

sible as you read the marking.

CAUTION — A hazard to property, product, and other equipment is present.

Concerto — Instruction Manual 11

Safety Summary

Symbols on the Product

The following symbols may appear on the product:

Indicates that dangerous high voltage is present within the
equipment enclosure that may be of sufficient magnitude to
constitute a risk of electric shock.

Indicates that user, operator or service technician should refer
to product manual(s) for important operating, maintenance,
or service instructions.

This is a prompt to note fuse rating when replacing fuse(s).
The fuse referenced in the text must be replaced with one
having the ratings indicated.

Identifies a protective grounding terminal which must be con­nected to earth ground prior to making any other equipment
connections.

Warnings

Identifies an external protective grounding terminal which
may be connected to earth ground as a supplement to an
internal grounding terminal.

Indicates that static sensitive components are present which
may be damaged by electrostatic discharge. Use anti-static
procedures, equipment and surfaces during servicing.

The following warning statements identify conditions or practices that can

result in personal injury or loss of life:

Dangerous voltage or current may be present — Disconnect power and remove

battery (if applicable) before removing protective panels, soldering, or

replacing components.

Do not service alone — Do not internally service this product unless another

person capable of rendering first aid and resuscitation is present.

Remove jewelry — Prior to servicing, remove jewelry such as rings, watches,

and other metallic objects.

Avoid exposed circuitry — Do not touch exposed connections, components or

circuitry when power is present.

12 Concerto — Instruction Manual

Safety Summary

Use proper power cord — Use only the power cord supplied or specified for

this product.

Ground product — Connect the grounding conductor of the power cord to

earth ground.

Operate only with covers and enclosure panels in place — Do not operate this

product when covers or enclosure panels are removed.

Use correct fuse — Use only the fuse type and rating specified for this

product.

Use only in dry environment — Do not operate in wet or damp conditions.

Use only in non-explosive environment — Do not operate this product in an

explosive atmosphere.

High leakage current may be present — Earth connection of product is essential

before connecting power.

Dual power supplies may be present — Be certain to plug each power supply

cord into a separate branch circuit employing a separate service ground.
Disconnect both power supply cords prior to servicing.

Cautions

Double pole neutral fusing — Disconnect mains power prior to servicing.

Use proper lift points — Do not use door latches to lift or move equipment.

Avoid mechanical hazards — Allow all rotating devices to come to a stop before

servicing.

The following caution statements identify conditions or practices that can
result in damage to equipment or other property:

Use correct power source — Do not operate this product from a power source

that applies more than the voltage specified for the product.

Use correct voltage setting — If this product lacks auto-ranging power sup-

plies, before applying power ensure that the each power supply is set to
match the power source.

Provide proper ventilation — To prevent product overheating, provide equip-

ment ventilation in accordance with installation instructions.

Use anti-static procedures — Static sensitive components are present which

may be damaged by electrostatic discharge. Use anti-static procedures,
equipment and surfaces during servicing.

Concerto — Instruction Manual 13

Safety Summary

Do not operate with suspected equipment failure — If you suspect product damage

or equipment failure, have the equipment inspected by qualified service

personnel.

Ensure mains disconnect — If mains switch is not provided, the power cord(s)

of this equipment provide the means of disconnection. The socket outlet

must be installed near the equipment and must be easily accessible. Verify

that all mains power is disconnected before installing or removing power

supplies and/or options.

Route cable properly — Route power cords and other cables so that they ar not

likely to be damaged. Properly support heavy cable bundles to avoid con

nector damage.

Use correct power supply cords — Power cords for this equipment, if provided,

meet all North American electrical codes. Operation of this equipment at

voltages exceeding 130 VAC requires power supply cords which comply

with NEMA configurations. International power cords, if provided, have

the approval of the country of use.

Use correct replacement battery — This product may contain batteries. To

reduce the risk of explosion, check polarity and replace only with the same

or equivalent type recommended by manufacturer. Dispose of used bat

teries according to the manufacturer’s instructions.

-

-

Troubleshoot only to board level — Circuit boards in this product are densely

populated with surface mount technology (SMT) components and applica

tion specific integrated circuits (ASICS). As a result, circuit board repair at

the component level is very difficult in the field, if not impossible. For war

ranty compliance, do not troubleshoot systems beyond the board level.

-

-

14 Concerto — Instruction Manual

Sicherheit – Überblick

Lesen und befolgen Sie die wichtigen Sicherheitsinformationen dieses
Abschnitts. Beachten Sie insbesondere die Anweisungen bezüglich
Brand-, Stromschlag- und Verletzungsgefahren. Weitere spezifische, hier
nicht aufgeführte Warnungen finden Sie im gesamten Handbuch.

WARNUNG Alle Anweisungen in diesem Handbuch, die das Abnehmen der

Geräteabdeckung oder des Gerätegehäuses erfordern, dürfen nur von
qualifiziertem Servicepersonal ausgeführt werden. Um die
Stromschlaggefahr zu verringern, führen Sie keine Wartungsarbeiten
außer den in den Bedienungsanleitungen genannten Arbeiten aus, es sei
denn, Sie besitzen die entsprechende Qualifikationen für diese Arbeiten.

Sicherheit – Begriffe und Symbole

Safety Summary

In diesem Handbuch verwendete Begriffe

Sicherheitsrelevante Hinweise können in diesem Handbuch in der fol­genden Form auftauchen:

WARNUNG Warnungen weisen auf Situationen oder Vorgehensweisen hin, die

Verletzungs- oder Lebensgefahr bergen.

VORSICHT Vorsichtshinweise weisen auf Situationen oder Vorgehensweisen hin, die zu

Schäden an Ausrüstungskomponenten oder anderen Gegenständen oder
zum zeitweisen Ausfall wichtiger Komponenten in der Arbeitsumgebung
führen können.

Hinweise am Produkt

Die folgenden Hinweise können sich am Produkt befinden:

GEFAHR — Wenn Sie diesen Begriff lesen, besteht ein unmittelbares Verlet-

zungsrisiko.

WARNUNG — Wenn Sie diesen Begriff lesen, besteht ein mittelbares Verlet-

zungsrisiko.

VORSICHT — Es besteht ein Risiko für Objekte in der Umgebung, den Mixer

selbst oder andere Ausrüstungskomponenten.

Concerto — Instruction Manual 15

Safety Summary

Symbole am Produkt

Die folgenden Symbole können sich am Produkt befinden:

Weist auf eine gefährliche Hochspannung im Gerätegehäuse
hin, die stark genug sein kann, um eine Stromschlaggefahr
darzustellen.

Weist darauf hin, dass der Benutzer, Bediener oder Servicet­echniker wichtige Bedienungs-, Wartungs- oder Servicean­weisungen in den Produkthandbüchern lesen sollte.

Dies ist eine Aufforderung, beim Wechsel von Sicherungen
auf deren Nennwert zu achten. Die im Text angegebene Sich
erung muss durch eine Sicherung ersetzt werden, die die
angegebenen Nennwerte besitzt.

Weist auf eine Schutzerdungsklemme hin, die mit dem
Erdungskontakt verbunden werden muss, bevor weitere Aus
rüstungskomponenten angeschlossen werden.

-

-

Warnungen

Weist auf eine externe Schutzerdungsklemme hin, die als
Ergänzung zu einem internen Erdungskontakt an die Erde
angeschlossen werden kann.

Weist darauf hin, dass es statisch empfindliche Komponenten
gibt, die durch eine elektrostatische Entladung beschädigt
werden können. Verwenden Sie antistatische Prozeduren,
Ausrüstung und Oberflächen während der Wartung.

Die folgenden Warnungen weisen auf Bedingungen oder Vorgehensweisen

hin, die Verletzungs- oder Lebensgefahr bergen:

Gefährliche Spannungen oder Ströme — Schalten Sie den Strom ab, und ent-

fernen Sie ggf. die Batterie, bevor sie Schutzabdeckungen abnehmen, löten

oder Komponenten austauschen.

Servicearbeiten nicht alleine ausführen — Führen Sie interne Servicearbeiten nur

aus, wenn eine weitere Person anwesend ist, die erste Hilfe leisten und

Wiederbelebungsmaßnahmen einleiten kann.

Schmuck abnehmen — Legen Sie vor Servicearbeiten Schmuck wie Ringe,

Uhren und andere metallische Objekte ab.

16 Concerto — Instruction Manual

Safety Summary

Keine offen liegenden Leiter berühren — Berühren Sie bei eingeschalteter Strom-

zufuhr keine offen liegenden Leitungen, Komponenten oder Schaltungen.

Richtiges Netzkabel verwenden — Verwenden Sie nur das mitgelieferte Netzk-

abel oder ein Netzkabel, das den Spezifikationen für dieses Produkt
entspricht.

Gerät erden — Schließen Sie den Erdleiter des Netzkabels an den Erdung-

skontakt an.

Gerät nur mit angebrachten Abdeckungen und Gehäuseseiten betreiben — Schalten Sie

dieses Gerät nicht ein, wenn die Abdeckungen oder Gehäuseseiten entfernt
wurden.

Richtige Sicherung verwenden — Verwenden Sie nur Sicherungen, deren Typ

und Nennwert den Spezifikationen für dieses Produkt entsprechen.

Gerät nur in trockener Umgebung verwenden — Betreiben Sie das Gerät nicht in

nassen oder feuchten Umgebungen.

Gerät nur verwenden, wenn keine Explosionsgefahr besteht — Verwenden Sie dieses

Produkt nur in Umgebungen, in denen keinerlei Explosionsgefahr besteht.

Hohe Kriechströme — Das Gerät muss vor dem Einschalten unbedingt geerdet

werden.

Doppelte Spannungsversorgung kann vorhanden sein — Schließen Sie die beiden

Anschlußkabel an getrennte Stromkreise an. Vor Servicearbeiten sind beide
Anschlußkabel vom Netz zu trennen.

Zweipolige, neutrale Sicherung — Schalten Sie den Netzstrom ab, bevor Sie mit

den Servicearbeiten beginnen.

Fassen Sie das Gerät beim Transport richtig an — Halten Sie das Gerät beim Trans-

port nicht an Türen oder anderen beweglichen Teilen fest.

Gefahr durch mechanische Teile — Warten Sie, bis der Lüfter vollständig zum

Halt gekommen ist, bevor Sie mit den Servicearbeiten beginnen.

Vorsicht

Die folgenden Vorsichtshinweise weisen auf Bedingungen oder Vorge­hensweisen hin, die zu Schäden an Ausrüstungskomponenten oder
anderen Gegenständen führen können:

Gerät nicht öffnen — Durch das unbefugte Öffnen wird die Garantie ungültig.

Richtige Spannungsquelle verwenden — Betreiben Sie das Gerät nicht an einer

Spannungsquelle, die eine höhere Spannung liefert als in den Spezifika
tionen für dieses Produkt angegeben.

Concerto — Instruction Manual 17

-

Safety Summary

Gerät ausreichend belüften — Um eine Überhitzung des Geräts zu vermeiden,

müssen die Ausrüstungskomponenten entsprechend den Installationsan

weisungen belüftet werden. Legen Sie kein Papier unter das Gerät. Es

könnte die Belüftung behindern. Platzieren Sie das Gerät auf einer ebenen

Oberfläche.

Antistatische Vorkehrungen treffen — Es gibt statisch empfindliche Kompo-

nenten, die durch eine elektrostatische Entladung beschädigt werden kön-

nen. Verwenden Sie antistatische Prozeduren, Ausrüstung und

Oberflächen während der Wartung.

CF-Karte nicht mit einem PC verwenden — Die CF-Karte ist speziell formatiert.

Die auf der CF-Karte gespeicherte Software könnte gelöscht werden.

Gerät nicht bei eventuellem Ausrüstungsfehler betreiben — Wenn Sie einen Produk-

tschaden oder Ausrüstungsfehler vermuten, lassen Sie die Komponente

von einem qualifizierten Servicetechniker untersuchen.

Kabel richtig verlegen — Verlegen Sie Netzkabel und andere Kabel so, dass Sie

nicht beschädigt werden. Stützen Sie schwere Kabelbündel ordnungs

gemäß ab, damit die Anschlüsse nicht beschädigt werden.

-

-

Richtige Netzkabel verwenden — Wenn Netzkabel mitgeliefert wurden, erfüllen

diese alle nationalen elektrischen Normen. Der Betrieb dieses Geräts mit

Spannungen über 130 V AC erfordert Netzkabel, die NEMA-Konfigura

tionen entsprechen. Wenn internationale Netzkabel mitgeliefert wurden,

sind diese für das Verwendungsland zugelassen.

Richtige Ersatzbatterie verwenden — Dieses Gerät enthält eine Batterie. Um die

Explosionsgefahr zu verringern, prüfen Sie die Polarität und tauschen die

Batterie nur gegen eine Batterie desselben Typs oder eines gleichwertigen,

vom Hersteller empfohlenen Typs aus. Entsorgen Sie gebrauchte Batterien

entsprechend den Anweisungen des Batterieherstellers.

Das Gerät enthält keine Teile, die vom Benutzer gewartet werden können.

Wenden Sie sich bei Problemen bitte an den nächsten Händler.

-

18 Concerto — Instruction Manual

Consignes de sécurité

Il est recommandé de lire, de bien comprendre et surtout de respecter les
informations relatives à la sécurité qui sont exposées ci-après, notamment
les consignes destinées à prévenir les risques d’incendie, les décharges élec
triques et les blessures aux personnes. Les avertissements complémen­taires, qui ne sont pas nécessairement repris ci-dessous, mais présents dans
toutes les sections du manuel, sont également à prendre en considération.

AVERTISSEMENT Toutes les instructions présentes dans ce manuel qui concernent

l’ouverture des capots ou des logements de cet équipement sont
destinées exclusivement à des membres qualifiés du personnel de
maintenance. Afin de diminuer les risques de décharges
électriques, ne procédez à aucune intervention d’entretien autre
que celles contenues dans le manuel de l’utilisateur, à moins que
vous ne soyez habilité pour le faire.

Safety Summary

-

Consignes et symboles de sécurité

Termes utilisés dans ce manuel

Les consignes de sécurité présentées dans ce manuel peuvent apparaître
sous les formes suivantes:

AVERTISSEMENT Les avertissements signalent des conditions ou des pratiques

susceptibles d’occasionner des blessures graves, voire même
fatales.

ATTENTION Les mises en garde signalent des conditions ou des pratiques

susceptibles d’occasionner un endommagement à l’équipement ou
aux installations, ou de rendre l’équipement temporairement non
opérationnel, ce qui peut porter préjudice à vos activités.

Signalétique apposée sur le produit

La signalétique suivante peut être apposée sur le produit:

DANGER — risque de danger imminent pour l’utilisateur.

AVERTISSEMENT — Risque de danger non imminent pour l’utilisateur.

MISE EN GARDE — Risque d’endommagement du produit, des installations

ou des autres équipements.

Concerto — Instruction Manual 19

Safety Summary

Symboles apposés sur le produit

Les symboles suivants peut être apposés sur le produit:

Signale la présence d’une tension élevée et dangereuse dans le
boîtier de l’équipement
pour constituer un risque de décharge électrique.

Signale que l’utilisateur, l’opérateur ou le technicien de main­tenance doit faire référence au(x) manuel(s) pour prendre con­naissance des instructions d’utilisation, de maintenance ou
d’entretien.

Il s’agit d’une invite à prendre note du calibre du fusible lors
du remplacement de ce dernier. Le fusible auquel il est fait
référence dans le texte doit être remplacé par un fusible du
même calibre.

Identifie une borne de protection de mise à la masse qui doit
être raccordée correctement avant de procéder au raccorde
ment des autres équipements.

; cette tension peut être suffisante

-

Avertissements

Identifie une borne de protection de mise à la masse qui peut
être connectée en tant que borne de mise à la masse supplé
mentaire.

Signale la présence de composants sensibles à l’électricité sta­tique et qui sont susceptibles d’être endommagés par une
décharge électrostatique. Utilisez des procédures, des équipe
ments et des surfaces antistatiques durant les interventions
d’entretien.

Les avertissements suivants signalent des conditions ou des pratiques sus-

ceptibles d’occasionner des blessures graves, voire même fatales:

Présence possible de tensions ou de courants dangereux — Mettez hors tension,

débranchez et retirez la pile (le cas échéant) avant de déposer les couvercles

de protection, de défaire une soudure ou de remplacer des composants.

Ne procédez pas seul à une intervention d’entretien — Ne réalisez pas une interven-

tion d’entretien interne sur ce produit si une personne n’est pas présente

pour fournir les premiers soins en cas d’accident.

-

-

Retirez tous vos bijoux — Avant de procéder à une intervention d’entretien,

retirez tous vos bijoux, notamment les bagues, la montre ou tout autre objet

métallique.

20 Concerto — Instruction Manual

Safety Summary

Évitez tout contact avec les circuits exposés — Évitez tout contact avec les connex-

ions, les composants ou les circuits exposés s’ils sont sous tension.

Utilisez le cordon d’alimentation approprié — Utilisez exclusivement le cordon

d’alimentation fourni avec ce produit ou spécifié pour ce produit.

Raccordez le produit à la masse — Raccordez le conducteur de masse du cordon

d’alimentation à la borne de masse de la prise secteur.

Utilisez le produit lorsque les couvercles et les capots sont en place — N’utilisez pas

ce produit si les couvercles et les capots sont déposés.

Utilisez le bon fusible — Utilisez exclusivement un fusible du type et du

calibre spécifiés pour ce produit.

Utilisez ce produit exclusivement dans un environnement sec — N’utilisez pas ce

produit dans un environnement humide.

Utilisez ce produit exclusivement dans un environnement non explosible — N’utilisez

pas ce produit dans un environnement dont l’atmosphère est explosible.

Présence possible de courants de fuite — Un raccordement à la masse est indis-

pensable avant la mise sous tension.

Mises en garde

Deux alimentations peuvent être présentes dans l’équipement — Assurez vous que

chaque cordon d’alimentation est raccordé à des circuits de terre séparés.
Débranchez les deux cordons d’alimentation avant toute intervention.

Fusion neutre bipolaire — Débranchez l’alimentation principale avant de pro-

céder à une intervention d’entretien.

Utilisez les points de levage appropriés — Ne pas utiliser les verrous de la porte

pour lever ou déplacer l’équipement.

Évitez les dangers mécaniques — Laissez le ventilateur s’arrêter avant de pro-

céder à une intervention d’entretien.

Les mises en garde suivantes signalent les conditions et les pratiques sus­ceptibles d’occasionner des endommagements à l’équipement et aux instal­lations:

N’ouvrez pas l’appareil — Toute ouverture prohibée de l’appareil aura pour

effet d’annuler la garantie.

Utilisez la source d’alimentation adéquate — Ne branchez pas ce produit à une

source d’alimentation qui utilise une tension supérieure à la tension nomi
nale spécifiée pour ce produit.

Concerto — Instruction Manual 21

-

Safety Summary

Assurez une ventilation adéquate — Pour éviter toute surchauffe du produit,

assurez une ventilation de l’équipement conformément aux instructions

d’installation. Ne déposez aucun document sous l’appareil — ils peuvent

gêner la ventilation. Placez l’appareil sur une surface plane.

Utilisez des procédures antistatiques - Les composants sensibles à l’électricité

statique présents dans l’équipement sont susceptibles d’être endommagés

par une décharge électrostatique. Utilisez des procédures, des équipements

et des surfaces antistatiques durant les interventions d’entretien.

N’utilisez pas la carte CF avec un PC — La carte CF a été spécialement formatée.

Le logiciel enregistré sur la carte CF risque d’être effacé.

N’utilisez pas l’équipement si un dysfonctionnement est suspecté — Si vous sus-

pectez un dysfonctionnement du produit, faites inspecter celui-ci par un

membre qualifié du personnel d’entretien.

Acheminez les câbles correctement — Acheminez les câbles d’alimentation et les

autres câbles de manière à ce qu’ils ne risquent pas d’être endommagés.

Supportez correctement les enroulements de câbles afin de ne pas endom

mager les connecteurs.

-

Utilisez les cordons d’alimentation adéquats — Les cordons d’alimentation de cet

équipement, s’ils sont fournis, satisfont aux exigences de toutes les régle

mentations régionales. L’utilisation de cet équipement à des tensions

dépassant les 130

aux exigences des configurations NEMA. Les cordons internationaux, s’ils

sont fournis, ont reçu l’approbation du pays dans lequel l’équipement est

utilisé.

Utilisez une pile de remplacement adéquate — Ce produit renferme une pile. Pour

réduire le risque d’explosion, vérifiez la polarité et ne remplacez la pile que

par une pile du même type, recommandée par le fabricant. Mettez les piles

usagées au rebut conformément aux instructions du fabricant des piles.

Cette unité ne contient aucune partie qui peut faire l’objet d’un entretien

par l’utilisateur. Si un problème survient, veuillez contacter votre distribu

teur local.

V en c.a. requiert des cordons d’alimentation qui satisfont

-

-

22 Concerto — Instruction Manual

Regulatory Notices

Certifications and Compliances

FCC Emission Control

This equipment has been tested and found to comply with the limits for a
Class A digital device, pursuant to Part 15 of the FCC Rules. These limits
are designed to provide reasonable protection against harmful interference
when the equipment is operated in a commercial environment. This equip
ment generates, uses, and can radiate radio frequency energy and, if not
installed and used in accordance with the instruction manual, may cause
harmful interference to radio communications. Operation of this equip
ment in a residential area is likely to cause harmful interference in which
case the user will be required to correct the interference at his own expense.
Changes or modifications not expressly approved by Grass Valley Group
can affect emission compliance and could void the user’s authority to
operate this equipment.

-

-

Canadian EMC Notice of Compliance

This digital apparatus does not exceed the Class A limits for radio noise
emissions from digital apparatus set out in the Radio Interference Regula
tions of the Canadian Department of Communications.

Le présent appareil numérique n’emet pas de bruits radioélectriques
dépassant les limites applicables aux appareils numeriques de la classe A
préscrites dans le Règlement sur le brouillage radioélectrique édicte par le
ministère des Communications du Canada.

EN55022 Class A Warning

For products that comply with Class A. In a domestic environment this
product may cause radio interference in which case the user may be
required to take adequate measures.

-

Concerto — Instruction Manual 23

Regulatory Notices

Canadian Certified Power Cords

Canadian Certified AC Adapter

Laser Compliance

Laser Safety Requirements

Canadian approval includes the products and power cords appropriate for

use in the North America power network. All other power cords supplied

are approved for the country of use.

Canadian approval includes the AC adapters appropriate for use in the

North America power network. All other AC adapters supplied are

approved for the country of use.

The device used in this product is a Class 1 certified laser product. Oper-

ating this product outside specifications or altering from its original design

may result in hazardous radiation exposure, and may be considered an act

of modifying or new manufacturing of a laser product under U.S. regula

tions contained in 21CFR Chapter1, subchapter J or CENELEC regulations

in HD 482 S1. People performing such an act are required by law to recertify

and reidentify this product in accordance with provisions of 21CFR sub

chapter J for distribution within the U.S.A., and in accordance with

CENELEC HD 482 S1 for distribution within countries using the IEC 825

standard.

-

-

Laser Safety

Laser safety in the United States is regulated by the Center for Devices and

Radiological Health (CDRH). The laser safety regulations are published in

the “Laser Product Performance Standard,” Code of Federal Regulation

(CFR), Title 21, Subchapter J.

The international Electrotechnical Commission (IEC) Standard 825, “Radi-

ation of Laser Products, Equipment Classification, Requirements and

User’s Guide,” governs laser products outside the United States. Europe

and member nations of the European Free trade Association fall under the

jurisdiction of the Comite European de Normalization Electrotechnique

(CENELEC).

For the CDRH: The radiant power is detected trough a 7 mm aperture at a

distance of 200 mm from the source focused through a lens with a focal

length of 100 mm.

For IEC compliance: The radiant power is detected trough a 7 mm aperture

at a distance of 100 mm from the source focused through a lens with a focal

length of 100 mm.

24 Concerto — Instruction Manual

FCC Emission Limits

Certification

Regulatory Notices

This device complies with Part 15 of the FCC Rules. Operation is subject to
the following two conditions: (1) This device may not cause harmful inter
ference, and (2) this device must accept any interference received,
including interference that may cause undesirable operation. This device
has been tested and found to comply with FCC Part 15 Class B limits for a
digital device when tested with a representative laser-based fiber optical
system that complies with ANSI X3T11 Fiber Channel Standard.

Category Standard Designed/tested for compliance with:

Safety UL1950 Safety of Information Technology Equipment, including Electrical Busi-

ness Equipment (Second edition, 1993).

IEC 950 Safety of Information Technology Equipment, including Electrical Busi-

ness Equipment (Second edition, 1991).

CAN/CSA C22.2, No. 950-93 Safety of Information Technology Equipment, including Electrical Busi-

ness Equipment.

EN60950 Safety of Information Technology Equipment, including Electrical Busi-

ness Equipment.

-

Concerto — Instruction Manual 25

Regulatory Notices

26 Concerto — Instruction Manual

System Description

The Concerto Multi-Format Router is a matrix-type video/audio/data
switching system designed for use in broadcast, teleproduction, and net
working facilities.

The module slots in the frame are not format sensitive. The slots are phys­ically configured by plugging in any Concerto module and associated
backplane into any slot. Each module is a complete 32x32 matrix containing
inputs, outputs, and crosspoints. By inserting the modules in the frame in
different configurations, such as two digital video modules in adjoining
slots, matrices of 32x32 to 128x128 are created.

CAUTION If a module is plugged into an incompatible backplane it will cause damage.

Three rack frame versions are available:

Section 1

-

• 4 RU Concerto frame with two slots for modules. This chassis, which is
sometimes referred to as the “Concerto 64” frame, can use the lower
cost 64x32 modules.

• 7 RU Concerto frame with four slots for modules. This frame can be
loaded with any four modules, with the exceptions that only two HD
video modules can be installed when there are two other modules; or if
three HD video modules are installed then the fourth slot must be left
empty.

• 8 RU Concerto+ frame with four slots for modules. This frame can be
loaded with any combination of four modules including four HD video
modules.

Module signal formats include:

• Analog (audio and video),

• Digital (AES audio, SD video, and HD video1), and

• Data (TimeCode and Port) modules.

Two video reference inputs, allow assignment of both PAL and NTSC ref­erences to the same frame.

The frame is equipped with a 48 VDC external power connector.

1.

For a discussion of recent modifications to the HD video module and rear panel, see page 140.

Concerto — Instruction Manual 27

Section 1 — System Description

Mixed Module Matrices

The Analog Audio module has Analog to Digital and Digital to Analog
converters built into the module. This allows the configuration of physical
matrices that contain Analog Audio modules and Digital Audio modules.
These mixed audio matrices work the same as regular matrices with all
inputs available to all outputs.

When configuring a level or matrix that contains both Analog Audio
modules and AES Digital Audio modules use settings for AES Digital
Audio for all the modules in the grouping.

The Digital Video modules SD and HD can be combined into a physical
matrix. All SD video signals can be routed through either module making
SD video available to all inputs and outputs. The HD signal (1.485 Gbs) can
only be routed through the HD module.

CAUTION The maximum number of HD modules that can be in a 7 RU Concerto frame

is three in which case the fourth slot has to remain empty. If two HD modules
are used then the other two slots can be loaded with any of the non HD mod
ules.

-

When configuring a level or matrix that contains both SD and HD Digital
Video modules use settings for SD Digital Video for all the modules in the
grouping. The Analog Video module can not be mixed with Digital Video
modules in the same level but can be in the same frame as a separate level.

The Port module can be used as either a TimeCode module or a Port
module. TimeCode and Port cannot be mixed in the same level.

Controller Module Identification

Controller (CM) modules are designed to work in pairs (one primary, one
backup) to provide failure resistance. The primary CM provides all
required functions; the backup is ready to take over should the primary
unit fail. Control logic facilitates the orderly change of control between the
two modules and ensures that only one module at a time controls the
external serial busses.

Control consists of the messages created and sent to the CM to set matrix
crosspoints, and the return messages from the CM containing true tally
status back to the control system.

The CMs can be inserted into a powered frame. To ensure that the system
power supply is not disturbed, a pre-charge resistor is connected in series
with one of the rear connector pins. The corresponding pin on the back
plane connector is longer than any of the other power pins. This allows the
pre-charge pin to make connection before the others.

28 Concerto — Instruction Manual

-

Controller Module Identification

8138_02_65R2

18765432

ON

18765432ON18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

PWR

OK

DONEACT

GND

+5V

ERROR

TC2
PRES

BUSY

48K

PRES

LINK

SYNC

ERR

RECV

VI 2

PRES

XMIT

VI 1

PRES

CLEAR MEM

RESET

TX

RXFAST COL TC1

PRES

+2.5V

+3.3V

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

A
B
C
D
E
F
G
H

A
B
C
D
E
F
G
H

A
B
C
D
E
F
G
H

A
B
C
D
E
F
G
H

MATRIX MAPCONFIG

GRASS VALLEY GROUP
CRS2001 CONTROLLER
671-6381 –

MADE IN U.S.A.

GRASS VALLEY GROUP
CRS2001 FAST CONTROLLER
671-6434 –

MADE IN U.S.A.

GRASS VALLEY GROUP CRS-MC-C2

MADE IN U.S.A.

671-6495

Vertical interval reference is required for Crosspoint switching tasks. This
is an analog video input which can be NTSC or PAL. This input is processed
to extract vertical sync and odd/even field (if any) information. A pre

­defined programmable logic device (PLD) is used to create a switching
strobe that is offset into line 10 for NTSC or line 6 for PAL. A video presence
detector interrupts the processor if the video reference is missing. If this ref
erence is missing a fake sync is generated at a default asynchronous
interval.

Concerto has three Controller modules. Two of the modules are Ethernet
only. One Ethernet Controller is labeled
with an Ethernet interface of10Base-T and the other is labeled

CONTROLLER 671-6434-xx

third Controller is labeled

with an Ethernet interface of 10/100Base-T. The

CRS-MC-C2 671-6495-xx and can be set to allow

CRS2001 CONTROLLER 671-6381-xx

CRS2001 FAST

either Ethernet or Crosspoint Bus interface control. Do not mix Controller
types in a single matrix. See

Figure 1. Controller Module Identification

Figure 1 for help in identifying Controllers.

-

Concerto — Instruction Manual 29

Section 1 — System Description

32 Inputs

(1-32)

from Slot 1

backplane

Input (1-32)

Distribution

to Slots

2, 3, & 4

32 Inputs

(33-64)

from Matrix 2

32 Inputs

(97-128)

from Matrix 4

32 Inputs

(65-96)

from Matrix 3

32 Outputs

(1-32)

to Slot 1

backplane

128x32

Crosspoint

Matrix

32x1

Monitor

Crosspoint

Input

Equalization

Output

Reclocking

8138_00_62r0

Module Configuration

Each module receives 32 inputs from the backplane associated with the slot
position of the module. Each module delivers 32 outputs to the backplane
associated with the slot position of the module. In
slot position 1 (top position) is receiving Inputs 1-32 from the backplane in
slot position 1. Because
available to the module via the Interconnect module. The module can now
deliver any of the Sources connected to Inputs 1-128 to the Output connec
tors 1-32 on the backplane in slot position 1.

Figure 2. Block Diagram for Module in Slot 1 (Top) in 128x128 Matrix

Figure 2, the module in

Figure 2 shows a 128x128 matrix, Inputs 33-128 are

-

The Analog Audio module has dual Inputs and Outputs to accommodate
the Left and Right channels. These dual connections are labelled on the
backplane using a 1A/1B format. The default is to software configure the
1A (Left) and 1B (Right) channels as a stereo signal. AES Audio has single
Inputs and Outputs where the default is to software configure each con

-

nector as a stereo signal.

The stereo channels can be configured to switch separately as mono signals.
The smallest mono matrix is a single module of 64x64 and the largest is
512x512 using two Concerto frames.

The module receives 64 inputs from the backplane associated with the slot
position of the module. Each module delivers 64 outputs to the backplane
associated with the slot position of the module. In

Figure 3, the module in

slot position 1 is receiving Inputs 1A/1B-32A/32B from the backplane in
slot position 1. Because

Figure 3 shows a 256x256 matrix, Inputs 33A/33B-

128A/128B are available to the module via the Interconnect module. The
module can now deliver any of the Sources connected to Inputs 1A/1B­128A/128B to the Output connectors 1A/1B-32A/32B on the backplane in
slot position 1.

30 Concerto — Instruction Manual

Module Identification

64 Inputs
(1A/1B to
32A/32B)

from Slot 1

backplane

Input (1A/1B to

32A/32B) Distribution

to Slots 2, 3, & 4

64 Inputs

(33A/33B to 64A/64B)

from Matrix 2

64 Inputs

(97A/97B to 128A/128B)

from Matrix 4

64 Inputs

(65A/65B to 96A/96B)

from Matrix 3

64 Outputs

(1A/1B to
32A/32B)

to Slot 1

backplane

Time

Division

Multiplexing

256x64

64x1

Monitor

Crosspoint

A to D

Converter

D to A

Converter

8138_00_63r0

Module Identification

Figure 3. Block Diagram for Module in Slot 1 in Analog Audio Mono 256x256 Matrix

The modules have either a 128x32, 64x32, or a 32x32 Crosspoint configura­tion. The 64x32 Crosspoint configuration will allow two modules to create
a 64x64 matrix but will not allow larger matrices. The 64x32 Crosspoint
modules can only be used in slots 1 (top) and 2 or slots 3 and 4 of the 7 RU
Concerto or 8 RU Concerto+ frames to create 64x64 matrices. The 32x32
Crosspoint configuration modules cannot be combined into larger matrices
but can be used in all of the Concerto frames. The Analog audio matrices
also have three Maximum Input Level specifications +24 dBu, +18 dBu, and
+15 dBu. The attributes of each module are identified by the last two digits
of the part number.

Ta bl e 1 identifies Analog video modules.

Table 1. Analog Video Modules 671-6369-##

## Range Matrix Size Modules

00-49 128x128 4

96x96 3

64x64 2

32x32 1

50-79 64x64

80-99 32x32 1

a

If a 7 RU Concerto or 8 RU Concerto+ frame is used to create this matrix the modules

Concerto — Instruction Manual 31

must be placed in slots 1 and 2 or slots 3 and 4

a

32x32 1

2

Section 1 — System Description

Ta bl e 2 identifies SD digital video modules.

Table 2. SD Digital Video Modules 671-6372-##

00-49 128x128 4

50-79 64x64

80-99 32x32 1

a

If a 7 RU Concerto or 8 RU Concerto+ frame is used to create this matrix the modules

must be placed in slots 1 and 2 or slots 3 and 4

Ta bl e 3 identifies HD digital video modules.

Table 3. HD Video Modules 691-0072-##

## Range Matrix Size Modules Comments

00-49 128x128 4 Must use the 128x128 Concerto+ frame for this matrix.

50-79 64x64

80-99 32x32 1 -

a

If a 7 RU Concerto or 8 RU Concerto+ frame is used to create this matrix the modules must be placed in slots 1 and 2 or

slots 3 and 4

## Range Matrix Size Modules

96x96 3

64x64 2

32x32 1

a

32x32 1

96x96 3 If 128x128 Concerto frame is used for this matrix the fourth slot has

64x64 2 -

32x32 1 -

a

32x32 1 -

2 -

to remain empty.,

2

Ta bl e 5 identifies AES digital audio modules.

Table 4. AES Digital Audio Modules 671-6371-##

## Range Matrix Size Modules

00-49 128x128 4

96x96 3

64x64 2

32x32 1

50-79 64x64

80-99 32x32 1

a

If a 7 RU Concerto or 8 RU Concerto+ frame is used to create this matrix the modules

must be placed in slots 1 and 2 or slots 3 and 4

a

32x32 1

2

32 Concerto — Instruction Manual

Module Identification

Ta bl e 5 identifies Analog audio modules.

Table 5. Analog Audio Modules 671-6370-##

## Range Maximum dBu Level Matrix Size Modules

00-24 +24 dBu 128x128 4

96x96 3

64x64 2

32x32 1

25-49 +18 dBu 128x128 4

96x96 3

64x64 2

32x32 1

50-60 +15 dBu 128x128 4

96x96 3

64x64 2

32x32 1

61-70 +24 dBu 64x64

71-80 +18 dBu 64x64

81-90 +24 dBu 32x32 1

91-99 +18 dBu 32x32 1

a

If a 7 RU Concerto or 8 RU Concerto+ frame is used to create this matrix the modules must be placed in slots 1 and 2 or

slots 3 and 4

a

32x32 1

a

32x32 1

2

2

Concerto — Instruction Manual 33

Section 1 — System Description

Optimum Matrix Configurations

Optimum performance is achieved by positioning the modules in the
frame using the top to bottom priority shown in

Note This hierarchy is required for interfacing to Jupiter Control Systems.

Table 6. Top-to-bottom Module Positions

Module Abbreviation

Analog Video AV

Digital Video (SD or HD) DV

Analog Audio AA

Digital Audio (AES) DA

Data (TimeCode or Port) TCP

CAUTION The maximum number of HD modules that can be in a 7 RU Concerto frame

is three in which case the fourth slot has to remain empty. If two HD modules
are used then the other two slots can be loaded with any of the non HD mod
ules.

Ta bl e 6.

-

Note Because the 8 RU Concerto+ frame provides additional power and cooling

capacity when compared to the 7 RU frame, there are no restrictions on the
number of HD video modules in 8 RU frames.

The following are general guidelines:

• Empty slots need to be identified for their future use, such as HD Video,

• All modules that are in the same level must be next to each other in the

frame,

• The preferred hierarchy between SD and HD Video modules in the

same frame is to place the SD modules before the HD modules. If you
have a frame with two SD modules and two HD modules, place the SD
modules in slots 1 (top) and 2, and the HD modules in slots 3 and 4, and

• There is no preferred hierarchy between TimeCode and Port modules

in the same frame.

34 Concerto — Instruction Manual

7 RU Concerto / 8 RU Concerto+ Frames

32x32 / 96x96

Ta bl e 7 and Figure 4 show optimum module placement options for creating

a single module 32x32 matrix and a three module 96x96 matrix. In Option
1, you can use 3 SD Video modules or a combination of 1 or 2 HD Video
modules with SD Video modules. There are four variations shown (options
11 to 14) for a 96x96 matrix using mixed audio. Option 6 uses all audio
modules but the inputs and outputs of the two types of audio are kept sep
arate. In Figure 4 the Analog to Digital and Digital to Analog converters are
shown in the mixed audio matrices. Additional combinations can be
created using mixed audio, mixed video, or mixed data modules.

Table 7. Examples of Optimum Configurations (32x32 and 96x96)

One 32x32 Matrix and One 96x96 Matrix

Slot

Position

a

For this option 1 or 2 HD video modules can be used with SD video modules to create a 96x96 Digital Video matrix.

Option 1a

Modules

1 AV AV AV AV DV DV DV 32x32

2 DV AA DA TCP AA DA TCP

4 DV AA DA TCP AA DA TCP

Option 2
Modules

Option 3
Modules

One 32x32 Matrix and One 96x96 Matrix

Slot

Position

Option 8
Modules

1 AA AA DA AV DV AV DV 32x32

2 DA TCP TCP AA AA AA AA

4 DA TCP TCP DA DA DA DA

Option 9
Modules

Option 10

Modules

7 RU Concerto / 8 RU Concerto+ Frames

Option 4
Modules

Option 11

Modules

Option 5
Modules

Option 12

Modules

Option 6
Modules

Option 13

Modules

Option 7
Modules

Option 14

Modules

-

Matrix

Size

96x963 DV AA DA TCP AA DA TCP

Matrix

Size

96x963 DA TCP TCP AA AA DA DA

Concerto — Instruction Manual 35

Section 1 — System Description

8138_00_48r0

Inputs 1-32 Outputs 1-32

Xpt (In=1-32,

Out=1-32)

Inputs 65-96

Outputs 65-96

Xpt (In=1-96,

Out=1-32)

Xpt (In=1-96,

Out=33-64)

Xpt (In=1-96,

Out=65-96)

Inputs 1-32

A to D Conv.

Inputs 33-64

A to D Conv.

Outputs 33-64

D to A Conv.

Outputs 1-32

D to A Conv.

Signal Flow for Options 11 and 12

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

Input 65-96 Xpt (In=1-96, Out=65-96) Output 65-96

Input 33-64 Xpt (In=1-96, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-96, Out=1-32) Output 1-32

96x96
Matrix

32x32
Matrix

8138_00_45r0

Inputs 1-32 Outputs 1-32

Xpt (In=1-32,

Out=1-32)

Inputs 1-32

Outputs 1-32

Inputs 33-64 Outputs 33-64

Inputs 65-96

Outputs 65-96

Xpt (In=1-96,

Out=1-32)

Xpt (In=1-96,

Out=33-64)

Xpt (In=1-96,

Out=65-96)

8138_00_46r0

Inputs 1-32 Outputs 1-32

Xpt (In=1-32,

Out=1-32)

Inputs 33-64

Outputs 33-64

Inputs 65-96

Outputs 65-96

Xpt (In=1-96,

Out=1-32)

Xpt (In=1-96,

Out=33-64)

Xpt (In=1-96,

Out=65-96)

Inputs 1-32

A to D Conv.

D to A Conv.

Outputs 1-32

Signal Flow for Options 1 to 10

Signal Flow for Options 13 and 14

Figure 4. One 32x32 and One 96x96 Module Configuration and Signal Flow

Ta bl e 8 shows the Jupiter interface settings. Options 11 to 14 use mixed

modules AA and DA to create a 96x96 matrix level that is set as AES audio.
The numbers shown for the DIP switch banks indicate which of the eight
switches should be set in the

Table 8. Rotary and DIP Switch Settings for Jupiter Interface

1 2 3 4 5 6 7 8 9 10 11 12 13 14

Rotary S12 1 1 1 1 1 1 1 1 1 1 1 1 1 1

Rotary S13 0 3 3 7 3 3 7 4 A A 3 3 3 3

A_LEVEL 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 2 2 6 1 1, 2, 3 1 1, 2, 3

A_OPTIONS - - - - - - - - - - - - - -

Switch

36 Concerto — Instruction Manual

B_LEVEL 1, 2, 3 2 6 5 2 6 1, 2 6 5 1, 2 6 6 6 6

B_OPTIONS - - - - - - 1 - - 1 - - - -

C_LEVEL 1, 2, 3 2 6 5 2 6 1, 2 6 5 1, 2 6 6 6 6

C_OPTIONS - - - - - - 1 - - 1 - - - -

D_LEVEL 1, 2, 3 2 6 5 2 6 1, 2 6 5 1, 2 6 6 6 6

D_OPTIONS - - - - - - 1 - - 1 - - - -

On position.

Jupiter Settings for Options from Table 7

DIP Switches set to ON Position

64x64 / 64x64

Ta bl e 9 and Figure 5 show optimum module placement options for creating

a pair of two module 64x64 matrices. There are two variations shown
(options 5, and 9) for a lower 64x64 matrix using mixed audio. Option 9
uses all audio modules but the inputs and outputs of the two types of audio
are kept separate. In
converters are shown in the mixed audio matrices. Additional combina­tions can be created using mixed audio, or mixed video, or mixed data
modules.

Table 9. Examples of Optimum Matrix Configurations (64x64 and 64x64)

Slot

Position

1 AV AV AV AV AV DV

2 AV AV AV AV AV DV

3 DV AA DA TCP AA AA

4 DV AA DA TCP DA AA

Option 1

Modules

7 RU Concerto / 8 RU Concerto+ Frames

Figure 5 the Analog to Digital and Digital to Analog

Two 64x64 Matrices

Option 2
Modules

Option 3
Modules

Option 4
Modules

Option 5
Modules

Option 6

Modules

Matrix

Size

64x64

64x64

Two 64x64 Matrices

Slot

Position

Option 7

Modules

1 DV DV AA AA DA

2 DV DV AA AA DA

3 DA TCP DA TCP TCP

4 DA TCP DA TCP TCP

Option 8
Modules

Option 9
Modules

Option 10

Modules

Option 11

Modules

Matrix

Size

64x64

64x64

Concerto — Instruction Manual 37

Section 1 — System Description

8138_00_49r0

Inputs 1-32

Outputs 1-32

Xpt (In=1-64,

Out=1-32)

Inputs 33-64

Inputs 33-64

Outputs 33-64

Xpt (In=1-64,

Out=33-64)

Xpt (In=1-64,

Out=1-32)

Xpt (In=1-64,

Out=33-64)

Inputs 1-32

A to D Conv.

D to A Conv.

Outputs 1-32

Outputs 33-64

Signal Flow for Option 5

8138_00_33r0

64x64
Matrix

64x64
Matrix

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 33-64 Xpt (In=1-64, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-64, Out=1-32) Output 1-32

Input 33-64 Xpt (In=1-64, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-64, Out=1-32) Output 1-32

8138_00_44r0

Inputs 1-32 Outputs 1-32

Xpt (In=1-64,

Out=1-32)

Inputs 1-32

Outputs 1-32

Xpt (In=1-64,

Out=1-32)

Inputs 33-64

Outputs 33-64

Xpt (In=1-64,

Out=33-64)

Xpt (In=1-64,

Out=33-64)

Inputs 33-64 Outputs 33-64

Signal Flow for Options 1 to 4, and 6 to 11

Figure 5. Two 64x64 Module Configuration and Signal Flow

Ta bl e 10 shows the Jupiter interface settings. Options 4, 10, and 11 show set-

tings for Port modules, and Option 8 shows the settings for TimeCode. The
numbers shown for the DIP switch banks indicate which of the eight
switches should be set in the

Table 10. Rotary and DIP Switch Settings for Jupiter Interface

1 2 3 4 5 6 7 8 9 10 11

Rotary S12 2 2 2 2 2 2 2 2 2 2 2

Rotary S13 0 2 2 6 2 2 2 6 4 9 9

A_LEVEL 1 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 2 2 6

A_OPTIONS - - - - - - - - - - -

Switches

38 Concerto — Instruction Manual

B_LEVEL 1 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 2 2 6

B_OPTIONS - - - - - - - - - - -

C_LEVEL 1, 2, 3 2 6 5 6 2 6 1, 2 6 5 5

C_OPTIONS - - - - - - - 1 - - -

D_LEVEL 1, 2, 3 2 6 5 6 2 6 1, 2 6 5 5

D_OPTIONS - - - - - - - 1 - - -

On position.

Jupiter Settings for Options from Table 9

DIP Switches set to ON Position

7 RU Concerto / 8 RU Concerto+ Frames

8138_00_36r0

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 65-96 Xpt (In=1-96, Out=65-96) Output 65-96

Input 33-64 Xpt (In=1-96, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-96, Out=1-32) Output 1-32

96x96
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

8138_00_54r0

Inputs 1-32

Outputs 1-32

Inputs 1-32 Outputs 1-32

Xpt (In=1-32,

Out=1-32)

Inputs 33-64 Outputs 33-64

Inputs 65-96

Outputs 65-96

Xpt (In=1-96,

Out=1-32)

Xpt (In=1-96,

Out=33-64)

Xpt (In=1-96,

Out=65-96)

Signal Flow for Options 1 to 9

96x96 / 32x32

Ta bl e 11 and Figure 6 show optimum module placement options for cre-

ating a three module 96x96 matrix and a single module 32x32 matrix.
Options 5, 6, and 7, you can use 3 SD Video modules or a combination of 1
or 2 HD Video modules with SD Video modules. Additional combinations
can be created using mixed audio, mixed video, or mixed data modules.

Table 11. Examples of Optimum Matrix Configurations (96x96 and 32x32)

One 96x96 Matrix and One 32x32 Matrix

Slot

Position

a

For this option 1 or 2 HD video modules can be used with SD video modules to create a 96x96 Digital Video matrix.

Option 1
Modules

1 AV AV AV AV DV DV DV AA AA

3 AV AV AV AV DV DV DV AA AA

4 DV AA DA TCP AA DA TCP DA TCP 32x32

Option 2

Modules

Option 3
Modules

Option 4
Modules

Option 5a

Modules

Option 6a

Modules

Option 7a

Modules

Option 8
Modules

Option 9
Modules

Figure 6. One 96x96 and One 32x32 Module Configuration and Signal Flow

Matrix

Size

96x962 AV AV AV AV DV DV DV AA AA

Concerto — Instruction Manual 39

Section 1 — System Description

Ta bl e 12 shows the Jupiter interface settings. Options 4 and 9 show settings

for Port modules, and Option 7 shows Timecode. The numbers shown for
the DIP switch banks indicate which of the eight switches should be set in
the

Table 12. Rotary and DIP Switch Settings for Jupiter Interface

Switches

On position.

Jupiter Settings for Options from Table 11

1 2 3 4 5 6 7 8 9

Rotary S12 3 3 3 3 3 3 3 3 3

Rotary S13 0 1 1 5 1 1 5 4 8

A_LEVEL 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 2 2

A_OPTIONS - - - - - - - - -

B_LEVEL 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 2 2

B_OPTIONS - - - - - - - - -

C_LEVEL 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 2 2

C_OPTIONS - - - - - - - - -

D_LEVEL 1, 2, 3 2 6 5 2 6 1, 2 6 5

D_OPTIONS - - - - - - 1 - -

DIP Switches set to ON Position

128x128

Ta bl e 13 and Figure 7 show optimum module placement options for cre-

ating a single four module 128x128 matrix. There are three variations
shown (options 5 to 7) for a 128x128 matrix using mixed audio. In
the Analog to Digital and Digital to Analog converters are shown in the
mixed audio matrices. Additional combinations can be created using either
mixed audio, mixed video, or mixed data modules.

Table 13. Examples of Optimum Matrix Configurations (128x128)

One 128x128 Matrix

Slot

Position

a

For this option 1 or 2 HD video modules can be used with SD video modules to create a 128x128 Digital Video matrix.

b

All modules are Timecode.

c

All modules are Port

Option 1
Modules

1 AV DV AA DA AA AA AA TCP TCP

2 AV DV AA DA AA AA DA TCP TCP

3 AV DV AA DA AA DA DA TCP TCP

4 AV DV AA DA DA DA DA TCP TCP

Option 2a

Modules

Option 3
Modules

Option 4

Modules

Option 5
Modules

Option 6
Modules

Option 7
Modules

Option 8b

Modules

Option 9c

Modules

Figure 7

Matrix

Size

128x128

40 Concerto — Instruction Manual

7 RU Concerto / 8 RU Concerto+ Frames

8138_00_50r0

Xpt (In=1-128,

Out=1-32)

Inputs 97-128

Outputs 97-128

Xpt (In=1-128,

Out=33-64)

Xpt (In=1-128,

Out=65-96)

Xpt (In=1-128,

Out=97-128)

Inputs 33-64

A to D Conv.

Inputs 65-96

A to D Conv.

Outputs 65-96

D to A Conv.

Outputs 33-64

D to A Conv.

Outputs 1-32

D to A Conv.

Inputs 1-32

A to D Conv.

Signal Flow for Option 5

8138_00_31r0

128x128

Matrix

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 97-128 Xpt (In=1-128, Out=97-128) Output 97-128

Input 65-96 Xpt (In=1-128, Out=65-96) Output 65-96

Input 33-64 Xpt (In=1-128, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-128, Out=1-32) Output 1-32

8138_00_53r0

Inputs 97-128 Outputs 97-128

Xpt (In=1-128,

Out=97-128)

Xpt (In=1-128,

Out=1-32)

Outputs 1-32Inputs 1-32

Xpt (In=1-128,

Out=65-96)

Outputs 65-96Inputs 65-96

Xpt (In=1-128,

Out=33-64)

Outputs 33-64Inputs 33-64

Signal Flow for Options 1 to 4, 8, 9

8138_00_51r0

Xpt (In=1-128,

Out=1-32)

Inputs 97-128

Outputs 97-128

Xpt (In=1-128,

Out=33-64)

Xpt (In=1-128,

Out=65-96)

Xpt (In=1-128,

Out=97-128)

Inputs 33-64

A to D Conv.

Outputs 65-96

D to A Conv.

Outputs 33-64

Outputs 1-32

D to A Conv.

Inputs 1-32

A to D Conv.

Inputs 65-96

Signal Flow for Option 6

8138_00_52r0

Xpt (In=1-128,

Out=1-32)

Inputs 97-128

Outputs 97-128

Xpt (In=1-128,

Out=33-64)

Xpt (In=1-128,

Out=65-96)

Xpt (In=1-128,

Out=97-128)

Outputs 65-96

Outputs 33-64

Outputs 1-32

D to A Conv.

Inputs 1-32

A to D Conv.

Inputs 65-96

Inputs 33-64

Signal Flow for Option 7

Figure 7. 128x128 Module Configuration and Signal Flow

Concerto — Instruction Manual 41

Section 1 — System Description

Ta bl e 14 shows the Jupiter interface settings. Option 8 shows settings for

TimeCode modules, and Option 9 shows Port. The numbers shown for the
DIP switch banks indicate which of the eight switches should be set in the

On position.

Table 14. Rotary and DIP Switch Settings for Jupiter Interface

Switches

a

Mixed Audio modules use AES Digital Audio as level.

b

All modules TimeCode.

c

All modules Port.

Jupiter Settings for Options from Table 13

1 2 3 4 5

Rotary S12 0 0 0 0 0 0 0 0 0

Rotary S13 0 0 4 4 4 4 4 E E

A_LEVEL 1 1, 2, 3 2 6 6 6 6 1, 2 5

A_OPTIONS - - - - - - - 1 -

B_LEVEL 1 1, 2, 3 2 6 6 6 6 1, 2 5

B_OPTIONS - - - - - - - 1 -

C_LEVEL 1 1, 2, 3 2 6 6 6 6 1, 2 5

C_OPTIONS - - - - - - - 1 -

D_LEVEL 1 1, 2, 3 2 6 6 6 6 1, 2 5

D_OPTIONS - - - - - - - 1 -

DIP Switches set to ON Position

a

a

6

a

7

b

8

c

9

42 Concerto — Instruction Manual

32x32 / 32x32 / 64x64

Ta bl e 15 and Figure 8 show optimum module placement options for cre-

ating a two single module 32x32 matrices and a two module 64x64 matrix.
There is one variation shown (option4) for a 64x64 matrix using mixed
audio. In
are shown in the mixed audio matrices. Additional combinations can be
created using either mixed audio, mixed video, or mixed data modules.

Table 15. Examples of Optimum Matrix Configurations (32x32,32x32, and 64x64)

Slot

Position

Slot

Position

Figure 8 the Analog to Digital and Digital to Analog converters

Option 1

Modules

1 AV AV AV AV AV AV 32x32

2 DV DV DV DV AA AA 32x32

3 AA DA TCP AA DA TCP

4 AA DA TCP DA DA TCP

Option 7

Modules

1 AV DV DV DV AA 32x32

2 DA AA AA DA DA 32x32

3 TCP DA TCP TCP TCP

4 TCP DA TCP TCP TCP

7 RU Concerto / 8 RU Concerto+ Frames

Two 32x32 Matrices and One 64x64 Matrix

Option 2
Modules

Two 32x32 Matrices and One 64x64 Matrix

Option 8
Modules

Option 3
Modules

Option 9
Modules

Option 4
Modules

Option 10

Modules

Modules

Option 11

Modules

Option 5

Option 6

Modules

Matrix

Size

64x64

Matrix

Size

64x64

Concerto — Instruction Manual 43

Section 1 — System Description

8138_00_38r0

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 33-64 Xpt (In=1-96, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-96, Out=1-32) Output 1-32

64x64
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

8138_00_56r0

Inputs 1-32 Outputs 1-32

Xpt (In=1-32,

Out=1-32)

Inputs 33-64

Outputs 33-64

Xpt (In=1-64,

Out=33-64)

Xpt (In=1-64,

Out=1-32)

Inputs 1-32

Outputs 1-32

Inputs 1-32

Xpt (In=1-32,

Out=1-32)

Outputs 1-32

Signal Flow for Options 1 to 3, 5 to 11

8138_00_55r0

Inputs 1-32 Outputs 1-32

Xpt (In=1-32,

Out=1-32)

Inputs 33-64

Outputs 33-64

Xpt (In=1-64,

Out=1-32)

Xpt (In=1-64,

Out=33-64)

Inputs 1-32

A to D Conv.

D to A Conv.

Outputs 1-32

Inputs 1-32

Xpt (In=1-32,

Out=1-32)

Outputs 1-32

Signal Flow for Option 4

Figure 8. Two 32x32 and One 64x64 Module Configuration and Signal Flow

Ta bl e 16 shows the Jupiter interface settings. Options 3, 6, 10, and 11 show

settings for Port modules, and Options 7 and 9 show the settings for Time­Code. The numbers shown for the DIP switch banks indicate which of the
eight switches should be set in the

Table 16. Rotary and DIP Switch Settings for Jupiter Interface

Rotary S12 4 4 4 4 4 4 4 4 4 4 4

Rotary S13 2 2 6 2 3 D D 3 D D 9

A_LEVEL 1 1 1 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 2

A_OPTIONS - - - - - - - - - - -

Switches

44 Concerto — Instruction Manual

B_LEVEL 1, 2, 3 1, 2, 3 1, 2, 3 1, 2, 3 2 2 6 2 2 6 6

B_OPTIONS - - - - - - - - - - -

C_LEVEL 2 6 5 2 6 5 1, 2 6 1, 2 5 5

C_OPTIONS - - - - - - 1 - 1 - -

D_LEVEL 2 6 5 6 6 5 1, 2 6 1, 2 5 5

D_OPTIONS - - - - - - 1 - 1 - -

On position.

Jupiter Settings for Options from Table 15

1 2 3 4 5 6 7 8 9 10 11

DIP Switches set to ON Position

7 RU Concerto / 8 RU Concerto+ Frames

8138_00_39r0

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 33-64 Xpt (In=1-96, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-96, Out=1-32) Output 1-32

64x64
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

Inputs 33-64

Outputs 33-64

Xpt (In=1-64,

Out=33-64)

Xpt (In=1-64,

Out=1-32)

Inputs 1-32

Outputs 1-32

8138_00_57r0

Inputs 1-32 Outputs 1-32

Xpt (In=1-32,

Out=1-32)

Inputs 1-32

Xpt (In=1-32,

Out=1-32)

Outputs 1-32

Signal Flow for Options 1 to 9

64x64 / 32x32 / 32x32

Ta bl e 17 and Figure 9 show optimum module placement options for cre-

ating a two module 64x64 matrix and two single module 32x32 matrices.
Additional combinations can be created using either mixed audio, mixed
video, or mixed data modules.

Table 17. Examples of Optimum Matrix Configurations (64x64, 32x32, and 32x32)

One 64x64 Matrix and Two 32x32 Matrices

Slot

Position

Option 1
Modules

1 AV AV AV AV AV DV DV DV AA

2 AV AV AV AV AV DV DV DV AA

3 DV DV DV AA AA AA AA DA DA 32x32

4 AA DA TCP DA TCP DA TCP TCP TCP 32x32

Option 2

Modules

Option 3

Modules

Option 4
Modules

Option 5
Modules

Option 6

Modules

Option 7
Modules

Option 8
Modules

Option 9
Modules

Figure 9. One 64x64 and Two 32x32 Module Configuration and Signal Flow

Matrix

Size

64x64

Ta bl e 18 shows the Jupiter interface settings. Options 3, 7, and 18 show set-

tings for Port modules, and Options 5 and 9 show the settings for Time-

Concerto — Instruction Manual 45

Section 1 — System Description

Code. The numbers shown for the DIP switch banks indicate which of the
eight switches should be set in the

Table 18. Rotary and DIP Switch Settings for Jupiter Interface

Switches

On position.

Jupiter Settings for Options from Table 17

1 2 3 4 5 6 7 8 9

Rotary S12 5 5 5 5 5 5 5 5 5

Rotary S13 1 1 5 2 B 2 B B 8

A_LEVEL 1 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 2

A_OPTIONS - - - - - - - - -

B_LEVEL 1 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 2

B_OPTIONS - - - - - - - - -

C_LEVEL 1, 2, 3 1, 2, 3 1, 2, 3 2 2 2 2 6 6

C_OPTIONS - - - - - - - - -

D_LEVEL 2 6 5 6 1, 2 6 5 5 1, 2

D_OPTIONS - - - - 1 - - - 1

DIP Switches set to ON Position

32x32 / 64x64 / 32x32

Ta bl e 19 and Figure 10 show optimum module placement options for cre-

ating a single modules 32x32 matrix, a two module 64x64 matrix and a
second single module 32x32 matrix. 64x32 Video modules cannot be used
in slots 2 and 3 to create a 64x64 matrix. Use 128x32 Video modules for these
configurations. Additional combinations can be created using either mixed
audio, mixed video, or mixed data modules.

Table 19. Examples of Optimum Matrix Configurations (32x32,64x64, and 32x32)

One 32x32 Matrix, One 64x64 Matrix, & One 32x32 Matrix Options 1 to 6

Slot

Position

Slot

Position

Option 1

Modules

1 AV AV AV AV AV AV 32x32

2 DV DV DV AA AA AA

3 DV DV DV AA AA DA

4 AA DA TCP DA TCP TCP 32x32

One 32x32 Matrix, One 64x64 Matrix, & One 32x32 Matrix Options 7 to 12

Option 7

Modules

1 AV DV DV DV DV AA 32x32

2 DA AA AA AA DA DA

3 DA AA AA DA DA DA

4 TCP DA TCP TCP TCP TCP 32x32

Option 2
Modules

Option8

Modules

Option 3

Modules

Option 9
Modules

Option 4
Modules

Option 10

Modules

Option 5
Modules

Option 11

Modules

Option 6
Modules

Option 12

Modules

Matrix

Size

64x64

Matrix

Size

64x64

46 Concerto — Instruction Manual

7 RU Concerto / 8 RU Concerto+ Frames

8138_00_35r0

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 33-64 Xpt (In=1-96, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-96, Out=1-32) Output 1-32

64x64
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

Inputs 33-64

Outputs 33-64

Xpt (In=1-64,

Out=33-64)

Xpt (In=1-64,

Out=1-32)

Inputs 1-32

Outputs 1-32

8138_00_58r0

Inputs 1-32 Outputs 1-32

Xpt (In=1-32,

Out=1-32)

Inputs 1-32

Xpt (In=1-32,

Out=1-32)

Outputs 1-32

Signal Flow for Options 1 to 12

Figure 10. One 32x32, One 64x64 and One 32x32 Module Configuration and Signal Flow

Ta bl e 20 shows the Jupiter interface settings. Options 3, 5, 6, 9, 11, and 12

show settings for Port modules, and Options 7and 10 show Timecode. The
numbers shown for the DIP switch banks indicate which of the eight
switches should be set in the

On position.

Rotary S12 6 6 6 6 6 6 6 6 6 6 6 6

Rotary S13 1 1 5 3 C C C 3 C C C 8

A_LEVEL 1 1 1 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 1, 2, 3 2

A_OPTIONS - - - - - - - - - - - -

Switches

B_LEVEL 1, 2, 3 1, 2, 3 1, 2, 3 2 2 6 6 2 2 6 6 6

B_OPTIONS - - - - - - - - - - - -

C_LEVEL 1, 2, 3 1, 2, 3 1, 2, 3 2 2 6 6 2 2 6 6 6

C_OPTIONS - - - - - - - - - - - -

D_LEVEL 2 6 5 6 5 5 1, 2 6 5 1, 2 5 5

D_OPTIONS - - - - - - 1 - - 1 - -

Table 20. Rotary and DIP Switch Settings for Jupiter Interface

Jupiter Settings for Options from Table 19

1 2 3 4 5 6 7 8 9 10 11 12

DIP Switches set to ON Position

Concerto — Instruction Manual 47

Section 1 — System Description

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

8138_00_59r0

Inputs 1-32 Outputs 1-32

Xpt (In=1-32,

Out=1-32)

Inputs 1-32

Xpt (In=1-32,

Out=1-32)

Outputs 1-32

Inputs 1-32

Xpt (In=1-32,

Out=1-32)

Outputs 1-32

Inputs 1-32

Xpt (In=1-32,

Out=1-32)

Outputs 1-32

Signal Flow for Options 1 to 9

32x32 / 32x32 / 32x32 / 32x32

Ta bl e 21 and Figure 11 shows the optimum module placement for creating

four single module 32x32 matrices. Additional combinations are created
using either mixed audio, mixed video, or mixed data modules.

Table 21. Examples of Optimum Matrix Configurations (32x32, 32x32, 32x32, and 32x32)

Slot

Position

Option 1
Modules

1 AV AV DV AV AV AV DV DV AA 32x32

2 DV DV AA DV DV DV DV AA DA 32x32

3 AA AA DA DV DV DV AA TCP TCP 32x32

4 DA TCP TCP AA DA TCP DA TCP TCP 32x32

Option 2

Modules

Figure 11. Four 32x32 Module Configuration and Signal Flow

Option 3
Modules

Four 32x32 Matrices

Option 4
Modules

Option 5
Modules

Option 6
Modules

Option 7
Modules

Option 8
Modules

Option 9
Modules

Matrix

Size

Ta bl e 22 shows the Jupiter interface settings. Options 3 to 7 show settings

for SD Video and HD Video modules that are not combined. Options 8 and
9 show settings for matrices with both TimeCode and Port modules. The

48 Concerto — Instruction Manual

7 RU Concerto / 8 RU Concerto+ Frames

numbers shown for the DIP switch banks indicate which of the eight
switches should be set in the

Table 22. Rotary and DIP Switch Settings for Jupiter Interface

1 2 3 4 5 6 7 8 9

Rotary S12 7 7 7 7 7 7 7 7 7

Rotary S13 2 B C 1 1 5 2 D D

A_LEVEL 1 1 1, 2, 3 1 1 1 1, 2, 3 1, 4 2

A_OPTIONS - - - - - - - - -

Switches

B_LEVEL 1, 2, 3 1, 2, 3 2 1, 2, 3 1, 2, 3 1, 2, 3 1, 2, 3 2 6

B_OPTIONS - - - - - - - - -

C_LEVEL 2 2 6 1, 4 1, 4 1, 4 2 5 5

C_OPTIONS - - - - - - - - -

D_LEVEL 6 5 5 2 6 5 6 1, 2 1, 2

D_OPTIONS - - - - - - - 1 1

On position.

Jupiter Settings for Options from Table 21

DIP Switches set to ON Position

Concerto — Instruction Manual 49

Section 1 — System Description

8138_05_168r0

Inputs 33-64

Outputs 33-64

Xpt (In=1-64,

Out=1-32)

Xpt (In=1-64,

Out=33-64)

Inputs 1-32

A to D Conv.

D to A Conv.

Outputs 1-32

64x64
Matrix

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 33-64 Xpt (In=1-64, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-64, Out=1-32) Output 1-32

8138_05_169r0

Inputs 1-32

Outputs 1-32

Xpt (In=1-64,

Out=1-32)

Inputs 33-64

Outputs 33-64

Xpt (In=1-64,

Out=33-64)

Signal Flow for Option 6

Signal Flow for Options 1 to 5

4 RU Frame

64x64

Ta bl e 23 and Figure 12 show optimum module placement options for cre-

ating a 64x64 matrix. Additional combinations can be created using either
mixed audio, mixed video, or mixed data modules.

Table 23. Examples of Optimum Matrix Configurations (64x64)

Position

Figure 12. 64x64 Module Configuration and Signal Flow

64x64 Matrices

Slot

Option 1

Modules

1 AV DV AA DA TCP AA

2 AV DV AA DA TCP DA

Option 2
Modules

Option 3
Modules

Option 4
Modules

Option 5
Modules

Option 6
Modules

Matrix

Size

64x64

Ta bl e 24 shows the Jupiter interface settings. Option 4 shows settings for

Port modules, and Option 2 shows the settings for SD video. The numbers

50 Concerto — Instruction Manual

shown for the DIP switch banks indicate which of the eight switches should

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

32x32
Matrix

8138_05_171r0

Inputs 1-32 Outputs 1-32

Xpt (In=1-32,

Out=1-32)

Inputs 1-32

Xpt (In=1-32,

Out=1-32)

Outputs 1-32

Signal Flow for Options 1 to 10

be set in the

Table 24. Rotary and DIP Switch Settings for Jupiter Interface

Switches

32x32 / 32x32

Ta bl e 25 and Figure 13 shows the optimum module placement for creating

two single module 32x32 matrices. Additional combinations are created
using either mixed audio, mixed video, or mixed data modules.

4 RU Frame

On position.

Jupiter Settings for Options from Table 23

1 2 3 4 5 6

Rotary S12 2 2 2 2 2 2

Rotary S13 0 0 4 4 E 4

A_LEVEL 1 1, 2, 3 2 6 5 2

A_OPTIONS - - - - - -

B_LEVEL 1 1, 2, 3 2 6 5 2

B_OPTIONS - - - - - -

DIP Switches set to ON Position

Table 25. Examples of Optimum Matrix Configurations (32x32, 32x32, 32x32, and 32x32)

Four 32x32 Matrices

Slot

Position

Option 1
Modules

1 AV AV AV AV DV DV DV AA AA DA 32x32

2 DV AA DA TCP AA DA TCP DA TCP TCP 32x32

Option 2

Modules

Option 3
Modules

Option 4

Modules

Option 5
Modules

Option 6
Modules

Option 7
Modules

Option 8

Modules

Option 9
Modules

Option 10

Modules

Figure 13. Two 32x32 Module Configuration and Signal Flow

Ta bl e 26 shows the Jupiter interface settings. Options 4 to 7 show settings

for SD Video modules in slot 1. Option 1 shows settings for SD video
module in slot 2. Options 4, 7, 9, and 10 show settings for Port modules. The

Matrix

Size

Concerto — Instruction Manual 51

Section 1 — System Description

numbers shown for the DIP switch banks indicate which of the eight
switches should be set in the

Table 26. Rotary and DIP Switch Settings for Jupiter Interface

Rotary S12 7 7 7 7 7 7 7 7 7 7

Rotary S13 0 3 3 7 3 3 7 4 A A

Switches

A_LEVEL 1 1 1 1 1, 2, 3 1, 2, 3 1, 2, 3 2 2 6

A_OPTIONS - - - - - - - - - -

B_LEVEL 1, 2, 3 2 6 5 2 6 5 6 5 5

B_OPTIONS - - - - - - - - - -

On position.

Jupiter Settings for Options from Table 25

1 2 3 4 5 6 7 8 9 10

DIP Switches set to ON Position

52 Concerto — Instruction Manual

TDM Expansion

8138_04_104r0

Xpt (In=1-128,

Out=1-32)

Inputs 97-128

Outputs 97-128

Xpt (In=1-128,

Out=33-64)

Xpt (In=1-128,

Out=65-96)

Xpt (In=1-128,

Out=97-128)

Inputs 33-64

A to D Conv.

Inputs 65-96

A to D Conv.

Outputs 65-96

D to A Conv.

Outputs 33-64

D to A Conv.

Outputs 1-32

D to A Conv.

Inputs 1-32

A to D Conv.

Xpt (In=129-256,

Out=129-160)

Inputs 225-256

Outputs 225-256

Xpt (In=129-256,

Out=161-192)

Xpt (In=129-256,

Out=193-224)

Xpt (In=129-256,

Out=225-256)

Inputs 161-192

A to D Conv.

Inputs 193-224

A to D Conv.

Outputs 193-224

D to A Conv.

Outputs 161-192

D to A Conv.

Outputs 129-160

D to A Conv.

Inputs 129-160

A to D Conv.

TDM

Outputs 1-64

Outputs 65-128

Inputs 129-192
Inputs 193-256

TDM
Inputs 1-64
Inputs 65-128

Outputs 129-192
Outputs 193-256

TDM: 256x256

TDM Expansion

You can use any two Concerto frames to create larger Audio matrices. The
matrices can be either Stereo or Mono. A Time Division Multiplex (TDM)
submodule is attached to one of the Audio modules in each frame.

For matrices under Jupiter control, the slot position of the Audio modules
with the TDM submodules will depend on the architecture of the expan

­sion frame. If you have put a Video module in slot 1 of the expansion frame
and the module in slot 2 is an Audio module, then the Audio modules with
the TDM submodules would go in slot 2 on both frames.

For matrices under Encore control the Audio modules with the TDM sub­modules have to be in slot 1 in both frames.

A few examples of supported architecture are shown.

In this configuration all modules in both frames are Audio modules.

Figure 14 shows the Signal Flow of a 256x256 Stereo matrix.

Figure 14. 256x256 Signal Flow

Concerto — Instruction Manual 53

Section 1 — System Description

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 225-256 Xpt (In=129-256, Out=225-256) Output 225-256

Input 193-224 Xpt (In=129-256, Out=193-224) Output 193-224

Input 161-192 Xpt (In=129-256, Out=161-192) Output 161-192

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 97-128 Xpt (In=1-128, Out=97-128) Output 97-128

Input 65-96 Xpt (In=1-128, Out=65-96) Output 65-96

Input 33-64 Xpt (In=1-128, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-128, Out=1-32) Output 1-32

256x256

Matrix

Input 129-160 Xpt (In=129-256, Out=129-160) Output 129-160

TDM TDM

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

8138_04_129r0

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

Expansion Frame

Base Frame

Switch

Base

Frame

Expansion

Frame

Rotary S12 CONFIG 0 0

S13 MATRIX Map 4 4

DIP
Switch
Banks

A_LEVEL 6 6

A_OPTIONS 2 2, 3

B_LEVEL 6 6

B_OPTIONS 2 2, 3

C_LEVEL 6 6

C_OPTIONS 2 2, 3

D_LEVEL 6, 8 6, 8

D_OPTIONS 2 2, 3

S11 MODE IN SEL 4 4

Figure 15 shows the configuration of the two frames with a TDM sub-

module attached to the Audio modules in slot 1 of each frame.

Figure 15. 256x256 Audio

54 Concerto — Instruction Manual

Figure 16 shows the Rotary and DIP switch settings on the CRS-MC-C2

Controller module for this configuration.

Figure 16. Switch Settings for 256x256

TDM: 224x224 / 32x32

8138_04_105r0

Xpt (In=1-128,

Out=1-32)

Inputs 97-128

Outputs 97-128

Xpt (In=1-128,

Out=33-64)

Xpt (In=1-128,

Out=65-96)

Xpt (In=1-128,

Out=97-128)

Inputs 33-64

A to D Conv.

Inputs 65-96

A to D Conv.

Outputs 65-96

D to A Conv.

Outputs 33-64

D to A Conv.

Outputs 1-32

D to A Conv.

Inputs 1-32

A to D Conv.

Xpt (In=129-224,

Out=129-160)

Outputs 1-32

Xpt (In=129-224,

Out=161-192)

Xpt (In=129-224,

Out=193-224)

Xpt (In=1-32,

Out=1-32)

Inputs 161-192

A to D Conv.

Inputs 193-224

A to D Conv.

Outputs 193-224

D to A Conv.

Outputs 161-192

D to A Conv.

Outputs 129-160

D to A Conv.

Inputs 129-160

A to D Conv.

TDM

Outputs 1-64

Outputs 65-128

Inputs 129-192
Inputs 193-224

TDM
Inputs 1-64
Inputs 65-128

Outputs 129-192
Outputs 193-224

Inputs 1-32

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

Input 129-160 Xpt (In=129-224, Out=129-160) Output 129-160

Input 161-192 Xpt (In=129-224, Out=161-192) Output 161-192

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 97-128 Xpt (In=1-128, Out=97-128) Output 97-128

Input 65-96 Xpt (In=1-128, Out=65-96) Output 65-96

Input 33-64 Xpt (In=1-128, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-128, Out=1-32) Output 1-32

224x224

Matrix

Input 193-224 Xpt (In=129-224, Out=193-224) Output 193-224

32x32
Matrix

TDM TDM

In this configuration one module in the expansion frame is not an Audio
module.
The Signal Flow is independent of the slot positions in the expansion frame.

Figure 17. 224x224 and 32x32 Signal Flow

Figure 17 shows the Signal Flow of a 224x224 and a 32x32 matrix.

TDM Expansion

Concerto — Instruction Manual 55

Figure 18 shows the configuration of the two frames with a TDM sub-

module attached to the Audio modules in slot 1 of each frame. A Data
module is in slot 4 of the expansion frame.

Figure 18. 224x224 Audio and 32x32 Data

Section 1 — System Description

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

8138_04_130r0

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

Expansion Frame

Base Frame

Switch

Base

Frame

Expansion

Frame

Rotary S12 CONFIG 0 3

S13 MATRIX Map 4 8

DIP
Switch
Banks

A_LEVEL 6 6

A_OPTIONS 2 2, 3

B_LEVEL 6 6

B_OPTIONS 2 2, 3

C_LEVEL 6 6

C_OPTIONS 2 2, 3

D_LEVEL 6, 8 5

a

(or 1, 2) 8

a

5 = Port, 1 and 2 = Timecode

D_OPTIONS 2 1

b

b

On for Timecode, Off for Port

S11 MODE IN SEL 4 4

Figure 19 shows the Rotary and DIP switch settings on the CRS-MC-C2

Controller module for this configuration.

Figure 19. Switch Settings for 224x224 Audio and 32x32 Data

56 Concerto — Instruction Manual

TDM Expansion

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 1-32 Xpt (In=1-32, Out=1-32) Output 1-32

Input 129-160 Xpt (In=129-224, Out=129-160) Output 129-160

Input 161-192 Xpt (In=129-224, Out=161-192) Output 161-192

8138_00_120

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 97-128 Xpt (In=1-128, Out=97-128) Output 97-128

Input 65-96 Xpt (In=1-128, Out=65-96) Output 65-96

Input 33-64 Xpt (In=1-128, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-128, Out=1-32) Output 1-32

224x224

Matrix

Input 193-224 Xpt (In=129-224, Out=193-224) Output 193-224

32x32
Matrix

TDM TDM

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

8138_04_131r0

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

Expansion Frame

Base Frame

Switch

Base

Frame

Expansion

Frame

Rotary S12 CONFIG 0 1

S13 MATRIX Map 4 3

DIP
Switch
Banks

A_LEVEL 6 1 = Analog

1, 2, 3 = SD
1, 4 = HD

A_OPTIONS 2 1-4

a

, 5-8

b

a

Off for Sync 1, On for Sync 2

b

Off for Reclocking, On for Forced Bypass

B_LEVEL 6 6

B_OPTIONS 2 2, 3

C_LEVEL 6 6

C_OPTIONS 2 2, 3

D_LEVEL 6, 8 6, 8

D_OPTIONS 2 2, 3

S11 MODE IN SEL 4 4

Jupiter Only Variation

Figure 20 shows the configuration of the two frames with a TDM sub-

module attached to the Audio modules in slot 2 of each frame. A Video
module is in slot 1 of the expansion frame.

Figure 20. 224x224 Audio and 32x32 Video Non Redundant

Concerto — Instruction Manual 57

Figure 21 shows the Rotary and DIP switch settings on the CRS-MC-C2

Controller module for this configuration.

Figure 21. Switch Settings for 224x224 Audio and 32x32 Video

Section 1 — System Description

8138_04_106r0

Xpt (In=1-128,

Out=1-32)

Inputs 97-128

Outputs 97-128

Xpt (In=1-128,

Out=33-64)

Xpt (In=1-128,

Out=65-96)

Xpt (In=1-128,

Out=97-128)

Inputs 33-64

A to D Conv.

Inputs 65-96

A to D Conv.

Outputs 65-96

D to A Conv.

Outputs 33-64

D to A Conv.

Outputs 1-32

D to A Conv.

Inputs 1-32

A to D Conv.

Xpt (In=129-192,

Out=129-160)

Outputs 33-64

Xpt (In=129-192,

Out=161-192)

Xpt (In=1-64,

Out=132)

Xpt (In=1-64,

Out=33-64)

Inputs 161-192

A to D Conv.

Outputs 1-32

D to A Conv.

Outputs 161-192

Outputs 129-160

D to A Conv.

Inputs 129-160

A to D Conv.

TDM

Outputs 1-64

Outputs 65-128

Inputs 129-192

TDM
Inputs 1-64
Inputs 65-128

Outputs 129-192

Inputs 1-32

Inputs 33-64

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 161-192 Xpt (In=129-192, Out=161-192) Output 161-192

Input 129-160 Xpt (In=129-192, Out=129-160) Output 129-160

Input 33-64 Xpt (In=1-64, Out=33-64) Output 33-64

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 97-128 Xpt (In=1-128, Out=97-128) Output 97-128

Input 65-96 Xpt (In=1-128, Out=65-96) Output 65-96

Input 33-64 Xpt (In=1-128, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-128, Out=1-32) Output 1-32

192x192

Matrix

64x64
Matrix

Input 1-32 Xpt (In=1-64, Out=1-32) Output 1-32

TDM TDM

TDM: 192x192 / 64x64

In this configuration two modules in the expansion frame are not Audio
modules.
The Signal Flow is independent of the slot positions in the expansion frame.

Figure 22. 192x192 and 64x64 Signal Flow

Figure 22 shows the Signal Flow of a 192x192 and a 64x64 matrix.

Figure 23 shows the configuration of the two frames with a single TDM

submodule attached to the Audio modules in slot 1 of each frame. Two
Data modules are in slots 3 and 4 of the expansion frame.

Figure 23. 192x192 Audio and 64x64 Data

58 Concerto — Instruction Manual

TDM Expansion

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 161-192 Xpt (In=129-192, Out=161-192) Output 161-192

Input 129-160 Xpt (In=129-192, Out=129-160) Output 129-160

Input 33-64 Xpt (In=1-64, Out=33-64) Output 33-64

8138_00_117

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 97-128 Xpt (In=1-128, Out=97-128) Output 97-128

Input 65-96 Xpt (In=1-128, Out=65-96) Output 65-96

Input 33-64 Xpt (In=1-128, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-128, Out=1-32) Output 1-32

192x192

Matrix

64x64
Matrix

Input 1-32 Xpt (In=1-64, Out=1-32) Output 1-32

TDM TDM

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

8138_04_133r0

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

Expansion Frame

Base Frame

Switch

Base

Frame

Expansion

Frame

Rotary S12 CONFIG 0 2

S13 MATRIX Map 4 2

DIP
Switch
Banks

A_LEVEL 6 1 = Analog

1, 2, 3 = SD
1, 4 = HD

A_OPTIONS 2 1-4

a

, 5-8

b

a

Off for Sync 1, On for Sync 2

b

Off for Reclocking, On for Forced Bypass

B_LEVEL 6 1 = Analog

1, 2, 3 = SD
1, 4 = HD

B_OPTIONS 2 1-4

a

, 5-8

b

C_LEVEL 6 6

C_OPTIONS 2 2, 3

D_LEVEL 6, 8 6, 8

D_OPTIONS 2 2, 3

S11 MODE IN SEL 4 4

Jupiter Only Variation

Figure 24 shows the configuration of the two frames with a TDM sub-

module attached to the Audio modules in slot 3 of each frame. Two Video
modules are in slots 1 and 2 of the expansion frame.

Figure 24. 192x192 Audio and 64x64 Video

Concerto — Instruction Manual 59

Figure 25 shows the Rotary and DIP switch settings on the CRS-MC-C2

Controller module for this configuration.

Figure 25. Switch Settings for 192x192 Audio and 64x64 Video

Section 1 — System Description

8138_04_107r0

Xpt (In=1-128,

Out=1-32)

Inputs 97-128

Outputs 97-128

Xpt (In=1-128,

Out=33-64)

Xpt (In=1-128,

Out=65-96)

Xpt (In=1-128,

Out=97-128)

Inputs 33-64

A to D Conv.

Inputs 65-96

A to D Conv.

Outputs 65-96

D to A Conv.

Outputs 33-64

D to A Conv.

Outputs 1-32

D to A Conv.

Inputs 1-32

A to D Conv.

Xpt (In=129-160,

Out=129-160)

Outputs 129-160

D to A Conv.

Inputs 129-160

A to D Conv.

TDM

Outputs 1-64

Outputs 65-128

Inputs 129-160

TDM
Inputs 1-64
Inputs 65-128

Outputs 129-160

Xpt (In=1-96,

Out=33-64)

Outputs 33-64

Inputs 33-64

Outputs 65-96

Xpt (In=1-96,

Out=65-96)

Inputs 65-96

Xpt (In=1-96,

Out=1-32)

Outputs 1-32Inputs 1-32

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 65-96 Xpt (In=1-96, Out=65-96) Output 65-96

Input 129-160 Xpt (In=129-160, Out=129-160) Output 129-160

Input 33-64 Xpt (In=1-96, Out=33-64) Output 33-64

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 97-128 Xpt (In=1-128, Out=97-128) Output 97-128

Input 65-96 Xpt (In=1-128, Out=65-96) Output 65-96

Input 33-64 Xpt (In=1-128, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-128, Out=1-32) Output 1-32

160x160

Matrix

96x96
Matrix

Input 1-32 Xpt (In=1-96, Out=1-32) Output 1-32

TDM TDM

TDM: 160x160 / 96x96

In this configuration three modules in the expansion frame are not Audio
modules.
The Signal Flow is independent of the slot positions in the expansion frame.

Figure 26. 160x160 and 96x96 Signal Flow

Figure 26 shows the Signal Flow of a 160x160 and a 96x96 matrix.

Figure 27 shows the configuration of the two frames with a single TDM

submodule attached to the Audio modules in slot 1 of each frame. Three
Data modules are in slots 2, 3, and 4 of the expansion frame.

Figure 27. 160x160 Audio and 96x96 Data

60 Concerto — Instruction Manual

TDM Expansion

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

8138_04_134r0

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

18765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

Expansion Frame

Base Frame

Switch

Base

Frame

Expansion

Frame

Rotary S12 CONFIG 0 1

S13 MATRIX Map 4 A

DIP
Switch
Banks

A_LEVEL 6 6

A_OPTIONS 2 2, 3

B_LEVEL 6 5

a

(or 1, 2)

B_OPTIONS 2 1

b

C_LEVEL 6 5a (or 1, 2)

a

5 = Port, 1 and 2 = Timecode

C_OPTIONS 2 1

b

b

On for Timecode, Off for Port

D_LEVEL 6, 8 5a (or 1, 2) 8

D_OPTIONS 2 1

b

S11 MODE IN SEL 4 4

Figure 28 shows the Rotary and DIP switch settings on the CRS-MC-C2

Controller module for this configuration.

Figure 28. Switch Settings for 160x160 Audio and 96x96 Data

Concerto — Instruction Manual 61

Section 1 — System Description

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 65-96 Xpt (In=1-96, Out=65-96) Output 65-96

Input 129-160 Xpt (In=129-160, Out=129-160) Output 129-160

Input 33-64 Xpt (In=1-96, Out=33-64) Output 33-64

8138_00_123

Power

Supply 2

Controller 1

Controller 2

Power

Supply 1

Input 97-128 Xpt (In=1-128, Out=97-128) Output 97-128

Input 65-96 Xpt (In=1-128, Out=65-96) Output 65-96

Input 33-64 Xpt (In=1-128, Out=33-64) Output 33-64

Input 1-32 Xpt (In=1-128, Out=1-32) Output 1-32

160x160

Matrix

96x96
Matrix

Input 1-32 Xpt (In=1-96, Out=1-32) Output 1-32

TDM TDM

Switch

Base

Frame

Expansion

Frame

Rotary S12 CONFIG 0 3

S13 MATRIX Map 4 [3

] 1

DIP
Switch
Banks

A_LEVEL 6 1 = Analog

1, 2, 3 = SD
1, 4 = HD

A_OPTIONS 2 1-4

a

, 5-8

b

a

Off for Sync 1, On for Sync 2

b

Off for Reclocking, On for Forced Bypass

B_LEVEL 6 1 = Analog

1, 2, 3 = SD
1, 4 = HD

B_OPTIONS 2 1-4

a

, 5-8

b

C_LEVEL 6 1 = Analog

1, 2, 3 = SD
1, 4 = HD

C_OPTIONS 2 1-4

a

, 5-8

b

D_LEVEL 6, 8 6, 8

D_OPTIONS 2 2, 3

S11 MODE IN SEL 4 4

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

8138_04_135r1

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

1 8765432

ON

CLEAR MEM

A_LEVEL

B_LEVEL

A_OPTIONS

C_LEVEL

D_LEVEL

B_OPTIONS

C_OPTIONS

D_OPTIONS

MODE/IN

SEL

S11

S12

S13

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

ABC

D

E

F

G

H

MATRIX MAP

CONFIG

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

4

5

6

7

8

9

A

BCD

E

F

0

1

2

3

Expansion Frame

Base Frame

Jupiter Only Variation

Figure 29 shows the configuration of the two frames with a TDM sub-

module attached to the Audio modules in slot 4 of each frame. Three Video
modules are in slots 1, 2, and 3 of the expansion frame.

Figure 29. 160x160 Audio and 96x96 Video

62 Concerto — Instruction Manual

Figure 30 shows the Rotary and DIP switch settings on the CRS-MC-C2

Controller module for this configuration.

Figure 30. Switch Settings for 160x160 Audio and 96x96 Video

Monitor Output Configuration

Monitor Output configuration allows a single Destination signal per con­figured matrix to be sent to external monitoring devices (speakers, head­phones, signal meters, video monitors, etc.). The physical configuration of
the Concerto frame will determine what type and how many monitoring
devices can be connected. For cabling information see

page 94.

Analog Audio, Digital Audio (AES), Analog Video, and Digital Video (SD
and HD) signals can be monitored. TimeCode and Port signals are not mon
itored. The following tables will show the different supported configura­tions and how they affect monitoring.

Analog Video Monitor Configuration

Analog Video modules use a BNC backplane with a single set of Monitor In

Monitor Out BNC connectors, can not be combined with any other

and
module type in a matrix, and they use internal bussing to support monitor
functions, so all outputs in the matrix are available. The
tions are not used. One Destination signal is available to all the Monitor Out
BNC connectors in the matrix. There is one Monitor connector per back
plane, so in a 32x32 matrix there is one backplane, one connector, one mon­itoring device can be attached. In a 64x64 matrix there are two backplanes,
two connectors, two monitoring devices can be attached. The same signal
is sent to all the
see

Analog Video Monitoring on page 94.

Monitor Output Configuration

Monitor Cabling on

-

Monitor In connec-

-

Monitor Out connectors in the matrix. For cabling information

Table 27. Analog Video Monitoring Configuration

Matrix

Size

128x128 4 BNC 1-128 4

96x96 3 BNC 1-96 3

64x64 2 BNC 1-64 2

32x32 1 BNC 1-32 1

Number

of

Modules

Digital Video Monitor Configuration

Digital Video modules use BNC backplanes with a single set of Monitor In
and

Monitor Out BNC connectors per backplane, SD and HD modules can be

combined in a matrix, and they use external cabling to support monitor
functions, so all outputs in the matrix are available. All SD video signals
can be routed through either module making SD video available to all out
puts. The HD signal (1.485 Gbps) can only be routed through the HD
module. Therefore, the SD modules should be before the HD modules in
the frame.

Backplane

Output
Range

Total
Monitor
Outputs

-

Concerto — Instruction Manual 63

Section 1 — System Description

One Destination signal is available to the last Monitor Out BNC connector in
the matrix. The other connectors are used to cable the backplanes together.
For cabling information see

Table 28. Digital Video Monitoring Configuration

Digital Video Monitoring on page 94.

Matrix

Size

128x128 SD 4 SD BNC 1-128 Ye s 1

128x128

128x128

96x96 SD 3 SD BNC 1-96 Ye s 1

96x96

96x96

64x64 SD 2 SD BNC 1-64 Ye s 1

64x64 HD 2 HD BNC 1-64 Yes 1

64x64

32x32 SD 1 SD BNC 1-32 No 1

32x32 HD 1 HD BNC 1-32 No 1

a

The maximum number of HD modules that can be in a Concerto matrix is three and the fourth slot has to remain empty. If

two HD modules are used then the other two slots can be loaded with any of the non HD modules.

Digital

Video
Type

SD 3 SD BNC

HD 1 HD BNC

SD 2 SD BNC

HD 2 HD BNC

SD 2 SD BNC

HD 1 HD BNC

SD 1 SD BNC

HD 2 HD BNC

SD 1 SD BNC

HD 1 HD BNC

Number

a

of

Modules

Backplane

Output

Range

1-128 Yes 1

1-128 Yes 1

1-96 Ye s 1

1-96 Ye s 1

1-64 Ye s 1

External

Cable

Looping

Monitor
Outputs

Tot al

Audio Monitor Configuration

Audio modules use five different backplanes, Analog and AES Digital
modules can be combined in the same matrix, and they use internal bussing
to support monitor functions, so all outputs in the matrix are available. The

Monitor In connections are not used. One Destination signal is available to all

the

Monitor Out connectors in the matrix. All the backplanes have at least one

Monitor Out connector. Two of the AES Audio backplanes have two Monitor Out

connectors. On the AES Terminal Block backplane there is a terminal block

Monitor Out connector and a BNC Monitor Out connector and on the AES 50 pin

D backplane there is a 9 pin D
connector. In
maximum number of Monitor Out connectors available based on the matrix
configuration.

Table 29. Audio Monitoring Configurations

Matrix

Size

128x128 Analog 4 Terminal Block Stereo 1-128 4

256x256 Analog 4 Terminal Block Mono 1-256 8

Tab le 29, the Total Monitor Outputs column displays the

Audio

Module

Typ e

Number

of

Modules

Monitor Out connector and a BNC Monitor Out

Total
Monitor
Outputs

Backplane Level

Output
Range

64 Concerto — Instruction Manual

Monitor Output Configuration

Table 29. Audio Monitoring Configurations - (continued)

Matrix

Size

128x128 Analog 4 50 Pin D Stereo 1-128 4

256x256 Analog 4 50 Pin D Mono 1-256 8

128x128 AES Digital 4 Terminal Block Stereo 1-128 8

128x128 AES Digital 4 50 Pin D Stereo 1-128 8

128x128 AES Digital 4 BNC Stereo 1-128 4

128x128

128x128

128x128

128x128

128x128

128x128

128x128

128x128

128x128

128x128

128x128

128x128

96x96 Analog 3 Terminal Block Stereo 1-96 3

192x192 Analog 3 Terminal Block Mono 1-192 3

96x96 AES Digital 3 Terminal Block Stereo 1-96 6

96x96 Analog 3 50 pin D Stereo 1-96 3

192x192 Analog 3 50 pin D Mono 1-192 3

96x96 AES Digital 3 50 pin D Stereo 1-96 6

96x96 AES Digital 3 BNC Stereo 1-96 3

96x96

96x96

Audio

Module

Typ e

Analog 3 Terminal Block Stereo

AES Digital 1 Terminal Block Stereo

Analog 3 50 pin D Stereo

AES Digital 1 50 pin D Stereo

Analog 3 Terminal Block Stereo

AES Digital 1 BNC Stereo

Analog 3 50 pin D Stereo

AES Digital 1 BNC Stereo

Analog 2 Terminal Block Stereo

AES Digital 2 Terminal Block Stereo

Analog 2 50 pin D Stereo

AES Digital 2 50 pin D Stereo

Analog 2 Terminal Block Stereo

AES Digital 2 BNC Stereo

Analog 2 50 pin D Stereo

AES Digital 2 BNC Stereo

Analog 1 Terminal Block Stereo

AES Digital 3 Terminal Block Stereo

Analog 1 50 pin D Stereo

AES Digital 3 50 pin D Stereo

Analog 1 Terminal Block Stereo

AES Digital 3 BNC Stereo

Analog 1 50 pin D Stereo

AES Digital 3 BNC Stereo

Analog 2 Terminal Block Stereo

AES Digital 1 Terminal Block Stereo

Analog 2 50 pin D Stereo

AES Digital 1 50 pin D Stereo

Number

of

Modules

Backplane Level

Output
Range

1-128 5

1-128 5

1-128 4

1-128 4

1-128 6

1-128 6

1-128 4

1-128 4

1-128 7

1-128 7

1-128 4

1-128 4

1-96 4

1-96 4

Total
Monitor
Outputs

Concerto — Instruction Manual 65

Section 1 — System Description

Table 29. Audio Monitoring Configurations - (continued)

128x128 Analog 2 Terminal Block Mono 1-128 2

128x128 Analog 2 50 pin D Mono 1-128 2

Matrix

Size

96x96

96x96

96x96

96x96

96x96

96x96

64x64 Analog 2 Terminal Block Stereo 1-64 2

64x64 AES Digital 2 Terminal Block Stereo 1-64 4

64x64 Analog 2 50 pin D Stereo 1-64 2

64x64 AES Digital 2 50 pin D Stereo 1-64 4

64x64 AES Digital 2 BNC Stereo 1-64 2

64x64

64x64

64x64

64x64

32x32 Analog 1 Terminal Block Stereo 1-32 1

64x64 Analog 1 Terminal Block Mono 1-64 1

32x32 AES Digital 1 Terminal Block Stereo 1-32 2

32x32 Analog 1 50 pin D Stereo 1-32 1

64x64 Analog 1 50 pin D Mono 1-64 1

32x32 AES Digital 1 50 pin D Stereo 1-32 2

32x32 AES Digital 1 BNC Stereo 1-32 1

Audio

Module

Typ e

Analog 2 Terminal Block Stereo

AES Digital 1 BNC Stereo

Analog 2 50 pin D Stereo

AES Digital 1 BNC Stereo

Analog 1 Terminal Block Stereo

AES Digital 2 Terminal Block Stereo

Analog 1 50 pin D Stereo

AES Digital 2 50 pin D Stereo

Analog 1 Terminal Block Stereo

AES Digital 2 BNC Stereo

Analog 1 50 pin D Stereo

AES Digital 2 BNC Stereo

Analog 1 Terminal Block Stereo

AES Digital 1 Terminal Block Stereo

Analog 1 50 pin D Stereo

AES Digital 1 50 pin D Stereo

Analog 1 Terminal Block Stereo

AES Digital 1 BNC Stereo

Analog 1 50 pin D Stereo

AES Digital 1 BNC Stereo

Number

of

Modules

Backplane Level

Output
Range

1-96 3

1-96 3

1-96 5

1-96 5

1-96 3

1-96 3

1-64 3

1-64 3

1-64 2

1-64 2

Monitor
Outputs

Total

66 Concerto — Instruction Manual

Monitor Output Configuration

Expanded Audio Monitor Configuration (7 RU and 8 RU Frames)

Audio modules use five different backplanes, Analog and AES Digital
modules can be combined in the same matrix, and they use external cabling
to support expanded monitor functions, so all outputs in the matrix are
available. The
the base frame are cabled to the
one backplane in the expanded frame. For cabling information see

Cabling on page 94.

One Destination signal is available to all the Monitor Out connectors in the
matrix. All the backplanes have at least one
AES Audio backplanes have two
minal Block backplane there is a terminal block Monitor Out connector and a
BNC

Monitor Out connector and on the AES 50 pin D backplane there is a 9

Monitor Out connector and a BNC Monitor Out connector. In Tab le 30, the

pin D

Total Monitor Outputs column displays the maximum number of Monitor Out

connectors available based on the matrix configuration.

Table 30. Expanded Stereoa Audio Monitoring Configurations

Matrix

Size

256x256 Analog 8 Termin a l Bloc k 1-256 6

256x256 Analog 8 50 Pin D 1-256 6

256x256 AES Digital 8 Termi n al Blo c k 1-256 14

256x256 AES Digital 8 50 Pin D 1-256 14

256x256 AES Digital 8 BNC 1-256 6

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

Monitor In and the Monitor Out connectors on one backplane in

Monitor In and the Monitor Out connectors on

Monitor Out connector. Two of the

Monitor Out connectors. On the AES Ter-

Audio

Module

Type

Analog 7 Termin a l Bloc k

AES Digital 1 Termin a l Bloc k

Analog 7 50 pin D

AES Digital 1 50 pin D

Analog 7 Termin a l Bloc k

AES Digital 1 BNC

Analog 7 50 pin D

AES Digital 1 BNC

Analog 6 Termin a l Bloc k

AES Digital 2 Termin a l Bloc k

Analog 6 50 pin D

AES Digital 2 50 pin D

Analog 6 Termin a l Bloc k

AES Digital 2 BNC

Analog 6 50 pin D

AES Digital 2 BNC

Analog 5 Termin a l Bloc k

AES Digital 3 Termin a l Bloc k

Number

of

Modules

Backplane

Output
Range

1-256 7

1-256 7

1-256 6

1-256 6

1-256 8

1-256 8

1-256 6

1-256 6

1-256 9

Monitor

Total
Monitor
Outputs

Concerto — Instruction Manual 67

Section 1 — System Description

Table 30. Expanded Stereoa Audio Monitoring Configurations - (continued)

Matrix

Size

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

256x256

224x224 Analog 7 Te r minal Blo ck 1-224 5

224x224 Analog 7 50 Pin D 1-224 5

224x224 AES Digital 7 Te r m i nal Block 1-224 12

Audio

Module

Type

Analog 5 50 pin D

AES Digital 3 50 pin D

Analog 5 Te r m i nal Block

AES Digital 3 BNC

Analog 5 50 pin D

AES Digital 3 BNC

Analog 4 Te r m i nal Block

AES Digital 4 Te rmi nal B l o c k

Analog 4 50 pin D

AES Digital 4 50 pin D

Analog 4 Te r m i nal Block

AES Digital 4 BNC

Analog 4 50 pin D

AES Digital 4 BNC

Analog 3 Te r m i nal Block

AES Digital 5 Te rmi nal B l o c k

Analog 3 50 pin D

AES Digital 5 50 pin D

Analog 3 Te r m i nal Block

AES Digital 5 BNC

Analog 3 50 pin D

AES Digital 5 BNC

Analog 2 Te r m i nal Block

AES Digital 6 Te rmi nal B l o c k

Analog 2 50 pin D

AES Digital 6 50 pin D

Analog 2 Te r m i nal Block

AES Digital 6 BNC

Analog 2 50 pin D

AES Digital 6 BNC

Analog 1 Te r m i nal Block

AES Digital 7 Te rmi nal B l o c k

Analog 1 50 pin D

AES Digital 7 50 pin D

Analog 1 Te r m i nal Block

AES Digital 7 BNC

Analog 1 50 pin D

AES Digital 7 BNC

Number

of

Modules

Backplane

Output
Range

1-256 9

1-256 6

1-256 6

1-256 10

1-256 10

1-256 6

1-256 6

1-256 11

1-256 11

1-256 6

1-256 6

1-256 12

1-256 12

1-256 6

1-256 6

1-256 13

1-256 13

1-256 6

1-256 6

Total
Monitor
Outputs

68 Concerto — Instruction Manual

Monitor Output Configuration

Table 30. Expanded Stereoa Audio Monitoring Configurations - (continued)

Matrix

Size

224x224 AES Digital 7 50 Pin D 1-224 12

224x224 AES Digital 7 BNC 1-224 5

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

224x224

Audio

Module

Type

Analog 6 Termin a l Bloc k

AES Digital 1 Termin a l Bloc k

Analog 6 50 pin D

AES Digital 1 50 pin D

Analog 6 Termin a l Bloc k

AES Digital 1 BNC

Analog 6 50 pin D

AES Digital 1 BNC

Analog 5 Termin a l Bloc k

AES Digital 2 Termin a l Bloc k

Analog 5 50 pin D

AES Digital 2 50 pin D

Analog 5 Termin a l Bloc k

AES Digital 2 BNC

Analog 5 50 pin D

AES Digital 2 BNC

Analog 4 Termin a l Bloc k

AES Digital 3 Termin a l Bloc k

Analog 4 50 pin D

AES Digital 3 50 pin D

Analog 4 Termin a l Bloc k

AES Digital 3 BNC

Analog 4 50 pin D

AES Digital 3 BNC

Analog 3 Termin a l Bloc k

AES Digital 4 Termin a l Bloc k

Analog 3 50 pin D

AES Digital 4 50 pin D

Analog 3 Termin a l Bloc k

AES Digital 4 BNC

Analog 3 50 pin D

AES Digital 4 BNC

Analog 2 Termin a l Bloc k

AES Digital 5 Termin a l Bloc k

Analog 2 50 pin D

AES Digital 5 50 pin D

Analog 2 Termin a l Bloc k

AES Digital 5 BNC

Number

of

Modules

Backplane

Output
Range

1-224 6

1-224 6

1-224 5

1-224 5

1-224 7

1-224 7

1-224 5

1-224 5

1-224 8

1-224 8

1-224 5

1-224 5

1-224 9

1-224 9

1-224 5

1-224 5

1-224 10

1-224 10

1-224 5

Total
Monitor
Outputs

Concerto — Instruction Manual 69

Section 1 — System Description

Table 30. Expanded Stereoa Audio Monitoring Configurations - (continued)

Matrix

Size

224x224

224x224

224x224

224x224

224x224

192x192 Analog 6 Te r minal Blo ck 1-192 4

192x192 Analog 6 50 Pin D 1-192 4

192x192 AES Digital 6 Te r m i nal Block 1-192 10

192x192 AES Digital 6 50 Pin D 1-192 10

192x192 AES Digital 6 BNC 1-192 4

192x192

192x192

192x192

192x192

192x192

192x192

192x192

192x192

192x192

192x192

192x192

192x192

192x192

Audio

Module

Type

Analog 2 50 pin D

AES Digital 5 BNC

Analog 1 Te r m i nal Block

AES Digital 6 Te rmi nal B l o c k

Analog 1 50 pin D

AES Digital 6 50 pin D

Analog 1 Te r m i nal Block

AES Digital 6 BNC

Analog 1 50 pin D

AES Digital 6 BNC

Analog 5 Te r m i nal Block

AES Digital 1 Te rmi nal B l o c k

Analog 5 50 pin D

AES Digital 1 50 pin D

Analog 5 Te r m i nal Block

AES Digital 1 BNC

Analog 5 50 pin D

AES Digital 1 BNC

Analog 4 Te r m i nal Block

AES Digital 2 Te rmi nal B l o c k

Analog 4 50 pin D

AES Digital 2 50 pin D

Analog 4 Te r m i nal Block

AES Digital 2 BNC

Analog 4 50 pin D

AES Digital 2 BNC

Analog 3 Te r m i nal Block

AES Digital 3 Te rmi nal B l o c k

Analog 3 50 pin D

AES Digital 3 50 pin D

Analog 3 Te r m i nal Block

AES Digital 3 BNC

Analog 3 50 pin D

AES Digital 3 BNC

Analog 2 Te r m i nal Block

AES Digital 4 Te rmi nal B l o c k

Number

of

Modules

Backplane

Output
Range

1-224 5

1-224 11

1-224 11

1-224 5

1-224 5

1-192 5

1-192 5

1-192 4

1-192 4

1-192 2

1-192 2

1-192 4

1-192 4

1-192 7

1-192 7

1-192 4

1-192 4

1-192 8

Total
Monitor
Outputs

70 Concerto — Instruction Manual

Monitor Output Configuration

Table 30. Expanded Stereoa Audio Monitoring Configurations - (continued)

Matrix

Size

192x192

192x192

192x192

192x192

192x192

192x192

192x192

160x160 Analog 5 Termin a l Bloc k 1-160 3

160x160 Analog 5 50 Pin D 1-160 3

160x160 AES Digital 5 Termi n al Blo c k 1-160 8

160x160 AES Digital 5 50 Pin D 1-160 8

160x160 AES Digital 5 BNC 1-160 3

160x160

160x160

160x160

160x160

160x160

160x160

160x160

160x160

160x160

160x160

160x160

Audio

Module

Type

Analog 2 50 pin D

AES Digital 4 50 pin D

Analog 2 Termin a l Bloc k

AES Digital 4 BNC

Analog 2 50 pin D

AES Digital 4 BNC

Analog 1 Termin a l Bloc k

AES Digital 5 Termin a l Bloc k

Analog 1 50 pin D

AES Digital 5 50 pin D

Analog 1 Termin a l Bloc k

AES Digital 5 BNC

Analog 1 50 pin D

AES Digital 5 BNC

Analog 4 Termin a l Bloc k

AES Digital 1 Termin a l Bloc k

Analog 4 50 pin D

AES Digital 1 50 pin D

Analog 4 Termin a l Bloc k

AES Digital 1 BNC

Analog 4 50 pin D

AES Digital 1 BNC

Analog 3 Termin a l Bloc k

AES Digital 2 Termin a l Bloc k

Analog 3 50 pin D

AES Digital 2 50 pin D

Analog 3 Termin a l Bloc k

AES Digital 2 BNC

Analog 3 50 pin D

AES Digital 2 BNC

Analog 2 Termin a l Bloc k

AES Digital 3 Termin a l Bloc k

Analog 2 50 pin D

AES Digital 3 50 pin D

Analog 2 Termin a l Bloc k

AES Digital 3 BNC

Number

of

Modules

Backplane

Output
Range

1-192 8

1-192 4

1-192 4

1-192 9

1-192 9

1-192 4

1-192 4

1-160 4

1-160 4

1-160 3

1-160 3

1-160 5

1-160 5

1-160 3

1-160 3

1-160 6

1-160 6

1-160 3

Total
Monitor
Outputs

Concerto — Instruction Manual 71

Section 1 — System Description

Table 30. Expanded Stereoa Audio Monitoring Configurations - (continued)

a

Expanded Stereo Audio configurations require the base frame to have four Audio modules.

In Tab le 31, the Total Monitor Outputs column displays the maximum number
of Monitor Out connectors available based on the matrix configuration.

Matrix

Size

160x160

160x160

160x160

160x160

160x160

Audio

Module

Type

Analog 2 50 pin D

AES Digital 3 BNC

Analog 1 Te r m i nal Block

AES Digital 4 Te rmi nal B l o c k

Analog 1 50 pin D

AES Digital 4 50 pin D

Analog 1 Te r m i nal Block

AES Digital 4 BNC

Analog 1 50 pin D

AES Digital 4 BNC

Number

of

Modules

Backplane

Output
Range

1-160 3

1-160 7

1-160 7

1-160 3

1-160 3

Monitor
Outputs

Total

Table 31. Expanded Monoa Audio Monitoring Configurations

Matrix

Size

512x512 Analog 8 Te r minal Blo ck 1-512 14

512x512 Analog 8 50 Pin D 1-512 14

448x448 Analog 7 Te r minal Blo ck 1-448 12

448x448 Analog 7 50 pin D 1-448 12

384x384 Analog 6 Te r minal Blo ck 1-384 10

384x384 Analog 6 50 pin D 1-384 10

320x320 Analog 5 Te r minal Blo ck 1-320 8

320x320 Analog 5 50 pin D 1-320 8

a

Expanded Mono Audio Configurations require the base frame to have four Analog Audio modules.

Audio

Module

Type

Number

of

Modules

Backplane

Output
Range

Total
Monitor
Outputs

72 Concerto — Instruction Manual

Installation

178 mm

7 in.

483 mm

19 in.

8138_04_160r0

483 mm

19 in.

432 mm

17 in.

Frame Installation

Three Concerto rack frames are available:

• 4 RU Concerto frame

• 7 RU Concerto frame

• 8 RU Concerto+ frame

All are installed in a standard 483 mm (19-inch) rack. Cooling is by hori­zontal airflow using an internal multi-fan module.

Section 2

4 RU Frame

Figure 31. 4 RU Concerto frame

Concerto — Instruction Manual 73

Section 2 — Installation

7 and 8 RU Frames

A 7 RU Concerto frame is shown in Figure 32. The 8 RU Concerto+ frame
is similar but is 14 inches high.

Figure 32. 7 RU Concerto Frame

See Note 1

See Note

483 mm

19 in.

432 mm

17 in.

8138_00_13r1

2

Note 1:
7 RU Concerto chassis height = 312 mm / 12.25 in.
8 RU Concerto+ chassis height = 356 mm / 14 in.

Note 2:
7 RU Concerto chassis depth = 483 mm / 19 in.
8 RU Concerto+ chassis depth = 502 mm / 19.8 in.

Note Your cover may be different from the one pictured. The installation dimen-

sions are correct.

74 Concerto — Instruction Manual

Rear Support Bracket

8138_04_162r0

Rear Support Bracket

Screw Head

Spacer

Screw Head

Spacer

A rear support bracket is supplied for optional use with the 4 RU and 7 RU
frames. See

Figure 33. Rear Support Bracket

Frame Installation

Figure 33.

Concerto — Instruction Manual 75

Section 2 — Installation

Module Installation

All the modules are horizontally oriented in the frames, and edge guides
aid insertion and removal. Modules are oriented in the frame with the front
(populated) side facing up. The position of the modules is the same for the
7 RU frame (shown in

CAUTION It is critical that the modules be oriented correctly to prevent bent pins. It is

Figure 34. 7 RU frame configuration

Figure 34) and the 8 RU Concerto+ frame.

very important that the module and the backplane are compatible. If a module
is plugged into an incompatible backplane, it will cause damage.

Matrix Modules

Controller Modules

Slot 1

Slot 2

Slot 3

Slot 4

Slot 1
Slot 2

Power Supply Modules

Slot 2

8138_00_05r1

Slot 1

76 Concerto — Instruction Manual

The 4 RU frame is shown in Figure 35.

8138_04_156r0

Matrix Modules

Controller Modules

Power Supply Modules

Slot 2

Slot 1

Slot 1
Slot 2

Slot 1

Slot 2

Figure 35. 4 RU frame configuration

Cabling

Cabling

Ta bl e 32 contains a compilation of the connectors found on the Concerto

router. Tab le 33 contains a compilation of the connectors and label varia­tions found on the Matrix Module Backplanes. The Gender column indi­cates the gender of the connector found on the frame. The Details column
contains information to assist in using the connector.

Table 32. Connectors Found on Concerto Frame

Label

AES REF BNC Female Synchronous audio references use unbalanced 75 ohm connector, terminator, and coaxial cable.

ALARM D-9 Pin Female Audio Alarm use serial/machine cable.

DC PWR

4 and 7 RU frames

8 RU frame

E-NET 1 and
E-NET 2

EXT-COM1 and
EXT-COM2

VIDEO REF 1 and 2 BNC Female Video reference use unbalanced 75 ohm connector, terminator, and coaxial cable. Loop-thru

Connector

Type Gender

Loop-thru cabling supported.

Use 3-conductor 12 AWG (3.31 mm2) wire for DC power connection.

Terminal Block

Barrier Strip

RJ45 Female Ethernet network communication interface is 10Base-T and 100Base-T compatible use Category

D-9 Pin Female External Control (factory use) use serial/machine cable.

Male

NA

5 cable, 8 conductor twisted pair. All Ethernet connections need to be routed through switches.

cabling supported.

Details

Concerto — Instruction Manual 77

Section 2 — Installation

EXT COM

2

EXT COM

1

E-NET2E-NET

1

AES REF VID-REF 2 VID-REF 1

400W; 11.1A36-60V

+–_

AC PWR 1 AC PWR 2

500W; 5A50/60Hz100-240V

ALARM

8103_00_14r1

AC

PWR 1

AC

PWR 2

E-NET

2

E-NET

1

DC PWR

EXT COM

1

EXT COM

2

ALARM

AES REF VID REF 2 VID REF 1

Table 33. Connectors Found on Module Backplanes

Label Module

EXP IN 1 and 2
EXP OUT 1 and 2

a

AA, DA

Connector

Type Gender

Details

BNC Female Use unbalanced 75 ohm connector and coaxial cable.

INPUTS AV, DA, DV BNC Female Use unbalanced 75 ohm connector and coaxial cable.

AA, DA, TC 50 Pin D Female Use balanced 110 ohm connector and shielded twisted pair cable.

AA Te rm in al

Block

DA, TC

Male Single wire compression for solid or stranded cable 28-20 AWG (.081 to.518 mm2)

Single wire compression for solid or stranded cable 28-20 AWG (.081 to.518 mm2) Use
balanced 110 ohm shielded twisted pair cable.

PT 9 Pin D Female Use balanced 110 ohm connector and shielded twisted pair cable

MON IN, MON OUT, and
MONITOR IN and OUT

AA, DA 9 Pin D Female Monitor input use balanced 110 ohm connector and shielded twisted pair cable

AV, DA, DV BNC Female Monitor input use an unbalanced 75 ohm connector and coaxial cable.

AA Te rm in al

Block

DA

Male Single wire compression for solid or stranded cable 28-20 AWG (.081 to.518 mm2)

Single wire compression for solid or stranded cable 28-20 AWG (.081 to.518 mm2) Use
balanced 110 ohm shielded twisted pair cable.

OUTPUTS AV, DA, DV BNC Female Use unbalanced 75 ohm connector and coaxial cable.

AA, DA, TC 50 Pin D Female Use balanced 110 ohm connector and shielded twisted pair cable.

AA Te rm in al

Block

DA, TC

Male Single wire compression for solid or stranded cable 28-20 AWG (.081 to.518 mm2)

Single wire compression for solid or stranded cable 28-20 AWG (.081 to.518 mm2) Use
balanced 110 ohm shielded twisted pair cable.

PT 9 Pin D Female Use balanced 110 ohm connector and shielded twisted pair cable

a

AA = Analog Audio, AV = Analog Video, DA = Digital Audio (AES), DV = Digital Video, TC = TimeCode, PT = Port

Backplane Cabling

Figure 36 shows the power, control, and reference cabling for the 4 and 7

RU Concerto frames. Cabling for the 8 RU Concerto+ frame is similar
except for the DC power connector (see

Figure 36. 4 and 7 RU Concerto Frame Cabling

Tab le 32).

78 Concerto — Instruction Manual

Cabling

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

28

27

30

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS OUTPUTS

EXP

IN

EXP
OUT

AUDIO/DATA

TDM

MON IN MON OUT

12

12

EXP IN 1 &2

EXP OUT 1 & 2

INPUTS

1-32

OUTPUTS

1-32

MON IN

MON OUT

8138_00_16R0

Figure 37 shows the cabling for the BNC backplane. This backplane is used

by SD Digital Video, Analog Video, and Digital Audio (AES) modules. The

EXP IN and EXP OUT BNC connectors are used by the Digital Audio module

for expansion.

Figure 37. BNC Backplane Cabling

Concerto — Instruction Manual 79

Section 2 — Installation

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

28

27

30

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS

OUTPUTS

MON IN MON OUT

8138_03_94R0

HD BACKPLANE

INPUTS

1-32

OUTPUTS

1-32

MON IN

MON OUT

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 5 B A 1 B

A 6 B A 2 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 4 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

1

1

2

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

+G+G+G+G

AA BACKPLANE

MON IN

MON OUT

OUTPUTS

1-32

INPUTS

1-32

EXP IN 1 &2

EXP OUT 1 & 2

8138_00_15R0

Figure 38 shows the cabling for the HD BNC backplane. This backplane is

used by HD Digital Video modules.

CAUTION The maximum number of HD modules that can be in a 7 RU Concerto frame

is three in which case the fourth slot has to remain empty.

Figure 38. HD Digital Video BNC Backplane Cabling

Figure 39 shows the cabling for the Analog Audio Balanced terminal block

backplane. This backplane is used by the Analog Audio module.

Figure 39. Analog Audio Balanced Terminal Block Backplane Cabling

80 Concerto — Instruction Manual

Cabling

MON OUT

MON IN

IN 25-32 IN 9-16

OUT

1212

IN

EXPANSION

IN 9-16

OUT 9-16

OUT 25-32

IN 1-8 OUT 17-24 OUT 1-8

8138_00_17r0

AA BACKPLANE

EXP IN

1 & 2

EXP OUT

1 & 2

MON IN

MON OUT

OUTPUTS

17-24

OUTPUTS

1-8

INPUTS

1-8

INPUTS

17-24

INPUTS

25-32

INPUTS

9-16

OUTPUTS

9-16

OUTPUTS

25-32

1 2 9 10

3 4 11 12

5 6 13 14

7 8 15 16

21 22 25 26

23 24 27 28

29 30 31 32 3 4 7 8

1 2 5 6

11 12 15 16

9 10 13 14

19 20 27 28

17 18 25 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

1

1

2

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

MON IN

MON OUT

OUTPUTS

1-32

INPUTS

1-32

EXP IN 1 &2

EXP OUT 1 & 2

8138_00_25R0

MON IN

MON OUT

Figure 40 shows the cabling for the Analog Audio Balanced 50 pin D back-

plane. This backplane is used by the Analog Audio module.

Figure 40. Analog Audio 50 Pin D Backplane Cabling

Figure 41 shows the cabling for the Digital Audio Balanced terminal block

backplane. This backplane is used by the Digital Audio (AES) module and
the TimeCode module.

Figure 41. Digital Audio Balanced Terminal Block Backplane Cabling

Concerto — Instruction Manual 81

Section 2 — Installation

MON OUT

MON IN

IN 25-32 IN 9-16

OUT 9-16

OUT 25-32

8138_00_26r0

EXP IN 1 & 2

EXP OUT 1 & 2

MON IN

MON OUT

INPUTS

1-16

INPUTS

17-32

OUTPUTS

1-16

OUTPUTS

17-32

8138_03_93r1

Ports

1 to 32

1

4

3

2

6

5

8

7

10

9

13

12

16

15

19

18

22

21

225

24

28

27

30

29

32

31

11 14 17 20 23 26

CONTROLLING

CONTROLLED

PORT BACKPLANE

Tx Rx

Tx

Rx

1

1

Figure 42 shows the cabling for the Digital Audio Balanced 50 pin D back-

plane. This backplane is used by the Digital Audio (AES) module and the
TimeCode module.

Figure 42. Digital Audio 50 Pin D Backplane Cabling

Figure 43 shows the cabling for the Port backplane. This backplane is used

by the Port module.

Note This backplane meets the industry standard. To verify that you have the

correct pinouts see

Port Modules on page 139.

Figure 43. Port Backplane Cabling

Table 38 on page 87, and the correct Port module see

82 Concerto — Instruction Manual

Expansion Audio System Cabling

Two Concerto frames can be cabled to create Audio matrices of 160x160,
192x192, 224x224, or 256x256. For more information on supported frame
configurations see

A Time Division Multiplex (TDM) submodule is attached to one of the
Audio modules in each frame.

If you ordered your Audio modules with the TDM submodules already
installed, they will be attached to the bottom side of the Audio modules.
Identify which of your Audio modules have TDM submodules and which
don’t. The cabling of the backplanes and the location of the TDM submod
ules must be in sync to work properly.

If you ordered the TDM submodule as an option to add to your existing
Audio module see
installation instructions.

The base frame must have four Audio modules and the expansion frame
must have at least one Audio module. An Audio module with an attached
TDM submodule should be inserted in the expansion frame in or as close
to slot 1 as possible. If the expansion frame has Video modules they will fill
slot 1, then slot 2, etc. If the expansion frame does not have any Video
modules then an Audio module can go into slot 1.

TDM Expansion on page 53.

Expansion TDM Submodule Installation on page 100 for

Cabling

-

The Audio module in the expansion frame that is in or closest to slot 1 will
determine where the Audio module with the attached TDM will go in the
base frame. If the TDM is in slot 1 on the expansion frame it needs to be in
slot 1 on the base frame.

Concerto — Instruction Manual 83

Section 2 — Installation

Tab l e 3 4 .

Frame

Base Expansion

EXP. OUT 1 EXP. IN 1

EXP. OUT 2 EXP. IN 2

EXP. IN 1 EXP. OUT 1

EXP. IN 2 EXP. OUT 2

8138_04_103

EXT COM1EXT COM

2

E-NET1E-NET

2

AES REF VID-REF 1 VID-REF 2

400W; 11.1A36-60V

+-

AC PWR 1 AC PWR 1

500W; 5A50/60Hz100-240V

ALARM

1 29 10

3 411 12

5 613 14

7 815 16

21 2225 26

23 2427 28

29 3031 32 3 4 7 8

1 25 6

11 1215 16

9 1013 14

19 2027 28

17 1825 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

1 29 10

3 411 12

5 613 14

7 815 16

21 2225 26

23 2427 28

29 3031 32 3 4 7 8

1 25 6

11 1215 16

9 1013 14

19 2027 28

17 1825 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

+G+G+G+G

AA BACKPLANE

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

+G+G+G+G

AA BACKPLANE

EXT COM1EXT COM

2

E-NET1E-NET

2

AES REF VID-REF 1 VID-REF 2

400W; 11.1A36-60V

+-

AC PWR 1 AC PWR 1

500W; 5A50/60Hz100-240V

ALARM

1 29 10

3 411 12

5 613 14

7 815 16

21 2225 26

23 2427 28

29 3031 32 3 4 7 8

1 25 6

11 1215 16

9 1013 14

19 2027 28

17 1825 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

1 29 10

3 411 12

5 613 14

7 815 16

21 2225 26

23 2427 28

29 3031 32 3 4 7 8

1 25 6

11 1215 16

9 1013 14

19 2027 28

17 1825 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

+G+G+G+G

AA BACKPLANE

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

+G+G+G+G

AA BACKPLANE

EXP. OUT

EXP. IN

1

1

2

2

EXP. OUT

EXP. IN

1

1

2

2

After verifying that the modules are in the correct slots, cable the two back­planes as shown in Figure 44. EXP. OUT 1 on the base frame is connected to

EXP. IN 1 on the expansion frame.

Figure 44. Expansion Audio System Cabling

84 Concerto — Instruction Manual

5

6

9

1

9 Pin D Female

5

6

9

1

9 Pin D Female

5

6

9

1

9 Pin D Female

RJ45 Female

18

Pinouts

Frame Control Connectors

Cabling

Ta bl e 35 contains pinout information for the D-type control connectors.

Table 35. Concerto Routing Matrix D Connector Pinouts

EXT-COM 1 Pin Function Pin Function

GND

1

TX1-

2

RX1+

3

RX1_COM

4

-

5

EXT-COM 2 Pin Function Pin Function

GND

1

TX2-

2

RX2+

3

RX2_COM

4

-

5

a

ALARM

a

Alarm contact closures are separate relay contacts. See Alarm Pinout Functions on page 89.

Pin Function Pin Function

-

1

ALARM1_NO

2

-

3

ALARM2_COM

4

GND

5

6

7

8

9

-

6

7

8

9

-

6

7

8

9

-

TX1_COM

TX1+

RX1-

GND

-

TX2_COM

TX2+

RX2-

GND

-

ALARM1_COM

-

-

ALARM2_NO

-

Ta bl e 36 contains pinout information for the RJ45 Ethernet connectors.

Table 36. RJ45 Ethernet Pinouts

RJ45 Ethernet Wire Color Pin Function

Orange White 1 TX+

Orange 2 TX-

Green White 3 RX+

Blue 4 -

Blue White 5 -

Green 6 RX-

Brown White 7 -

Brown 8 -

Concerto — Instruction Manual 85

Section 2 — Installation

5

6

9

1

9 Pin D Female

5

6

9

1

9 Pin D Female

5

6

9

1

9 Pin D Female

5

6

9

1

9 Pin D Female

Matrix Backplane Connectors

Ta bl e 37 contains pinout information for the monitor 9 Pin D connectors on

the AES and Analog audio the Balanced 50 Pin D backplanes.

Table 37. Matrix Backplane Monitor D Connector Pinouts

MONITOR IN

AES

Pin Function Pin Function

1

2

3

4

5

GND

EXT_MON_IN+

GND

-

GND

6

7

8

9

-

EXT_MON_IN-

GND

GND

-

-

MONITOR OUT

AES

MONITOR IN

ANALOG AUDIO

MONITOR OUT

ANALOG AUDIO

Pin Function Pin Function

GND

1

EXT_MON_OUT+

2

GND

3

-

4

GND

5

EXT_MON_OUT-

6

GND

7

GND

8

-

9

-

-

Pin Function Pin Function

1

2

3

4

5

GND

MON_IN+R

GND

MON_IN-L

GND

6

7

8

9

-

MON_IN-R

GND

GND

MON_IN+L

-

Pin Function Pin Function

1

2

3

4

5

GND

MON_OUT+R

GND

MON_OUT-L

GND

6

7

8

9

-

MON_OUT-R

GND

GND

MON_OUT+L

-

86 Concerto — Instruction Manual

Cabling

5

6

9

1

9 Pin D Female

5

6

9

1

9 Pin D Female

50 Pin D Female

1

17

33

50

18

34

Ta bl e 38 contains pinout information for the 9 Pin D connectors on the Port

9 Pin D Backplanes.

Table 38. Matrix Port Backplane D Connector Pinouts

Controlled Pin Function Pin Function

GND

1

TX-

2

RX+

3

GND

4

Not Used

5

Controlling Pin Function Pin Function

GND

1

RX-

2

TX+

3

GND

4

Not Used

5

GND

6

TX+

7

RX-

8

GND-

9

-

-

GND

6

RX+

7

TX-

8

GND

9

-

-

Ta bl e 39 contains pinout information for the Input and Output connectors

on the Balanced 50 Pin D Analog Audio Backplane.

Table 39. Analog Audio Input/Output 50 Pin D Connector Pinouts

Input/Output D Connector

Analog Audio

Pin Function Pin Function Pin Function

1 Ground 18 1A- 34 1A+

2 1B+ 19 1B- 35 Ground

3 Ground 20 2A- 36 2A+

4 2B+ 21 2B- 37 Ground

5 Ground 22 3A- 38 3A+

6 3B+ 23 3B- 39 Ground

7 Ground 24 4A- 40 4A+

8 4B+ 25 4B- 41 Ground

9 Ground 26 5A- 42 5A+

10 5B+ 27 5B- 43 Ground

11 Ground 28 6A- 44 6A+

12 6B+ 29 6B- 45 Ground

13 Ground 30 7A- 46 7A+

14 7B+ 31 7B- 47 Ground

15 Ground 32 8A- 48 8A+

16 8B+ 33 8B- 49 Ground

17 - - - 50 -

Concerto — Instruction Manual 87

Section 2 — Installation

50 Pin D Female

1

17

33

50

18

34

Use 110 Ohm Shielded Twisted
Pair Cable

A 29 B

A+, A-, GND, B+, B-, GND

29 30

29+, 29-, GND, 30+, 30-, GND

Analog Audio Digital Audio

A B

A+, A-, GND, B+, B-, GND

IN OUT

IN+, IN-, GND, OUT+, OUT-, GND

Analog Audio Digital Audio

Ta bl e 40 contains pinout information for the Input and Output connectors

on the Balanced 50 Pin D Digital Audio (AES) Backplane.

Table 40. AES Audio Input/Output 50 Pin D Connector Pinouts

Input/Output D Connector

AES Audio

Pin Function Pin Function Pin Function

1 Ground 18 1- 34 1+

2 2+ 19 2- 35 Ground

3 Ground 20 3- 36 3+

4 4+ 21 4- 37 Ground

5 Ground 22 5- 38 5+

6 6+ 23 6- 39 Ground

7 Ground 24 7- 40 7+

8 8+ 25 8- 41 Ground

9 Ground 26 9- 42 9+

10 10+ 27 10- 43 Ground

11 Ground 28 11- 44 11+

12 12+ 29 12- 45 Ground

13 Ground 30 13- 46 13+

14 14+ 31 14- 47 Ground

15 Ground 32 15- 48 15+

16 16+ 33 16- 49 Ground

17 - - - 50 -

Figure 46 shows the pinouts for Inputs and Outputs using terminal block

connectors on the Analog Audio and AES Audio backplanes.

Figure 45. Terminal Block Inputs and Outputs Pinouts

Figure 46 shows the pinouts for Monitoring using terminal block connec-

tors on the Analog Audio and AES Audio backplanes.

Figure 46. Terminal Block Monitor Pinouts

88 Concerto — Instruction Manual

Alarm Pinout Functions

8138_172

+5v

1

6

9

680 Ohm

LED 1

R 1

LED 2

R 2

D-9 Male

5

680 Ohm

Alarm status can be detected remotely using the 9 pin D female connector
on the rear of the Concerto frame (see
with a 9 pin male connector and alarm test box (Figure 47).

Figure 47. Example Circuit Diagram for Alarm Test Box

Cabling

Ta bl e 35 on page 85), in conjunction

Alarm Circuit Wiring Description

• Connect the 4th and 6th pins of the 9 pin male connector to the 5V
power supply.

• Connect the 2nd pin of the male connector to the positive end of the
LED 1.

• Connect the negative end of the LED1 to one end of resistor 1.

• Connect the other end of resistor 1 to ground.

• Connect the 9th pin of the male connector to the positive end of LED 2.

• Connect the negative end of the LED2 to one end of resistor2.

• Connect the other end of resistor 2 to ground.

• Connect the 5th pin of the male connector to ground.

Alarm Detection

The alarm test box connects to the 9 pin D female connector of the Concerto
Matrix frame. Should a power failure (either AC or DC), fan failure, or over
temperature of the thermistor occur, both the alarm test box LEDs will light
up. The specific cause of the failure cannot be ascertained from the LEDs.

Alternatively, the LED's can be replaced with other devices (relay or beeper
with appropriate power supply) to indicate a failure.

For precise alarm indication (to identify exactly which failure condition is

Concerto — Instruction Manual 89

present) SNMP or NP alarm notifications can be used.

Section 2 — Installation

XPT BUS

EXT COM

8138_03_96r1

XPT BUS

EXT COM

Crosspoint Bus Communications

A Crosspoint Bus is used for communication between the Concerto router
and a Jupiter Control System. Communications can be established using
either

2

EXT COM 1 (to communicate with the Controller in slot 1) or EXT COM

(to communicator with the Controller in slot 2). One connection can be
used as a primary connection and the other can be used as a redundant con
nection.

A Concerto that is ordered with a single Crosspoint Bus Controller module
will include the following:

• A 9 pin D to 9 pin D cable (for pinouts see Tabl e 35 on page 85).

• A 9 pin D to 15 pin D adaptor box.

Note The adaptor box comes with a bracket that can be mounted in any of three

positions on the box and is mounted on a rack support at the rear of the Con­certo Matrix.

• A 15 pin D terminator.

-

Concerto

MON IN MON OUT

12

12

MON IN MON OUT

12

12

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

AA BACKPLANE

A 32 B A 28 B

1 2 9 10

3 4 11 12

5 6 13 14

7 8 15 16

AC PWR 1 AC PWR 2

• A 15 pin D to 15 pin D cable.

See Figure 48 for cabling of a single non-redundant Crosspoint Bus Con­troller matrix.

Figure 48. Non-redundant Connection between Concerto and Jupiter

EXP
IN

AUDIO/DATA

EXP

OUT

EXP
IN

AUDIO/DATA

EXP

OUT

A 23 B A 21 B

A 24 B A 22 B

21 22 25 26

23 24 27 28

500W; 5A50/60Hz100-240V

INPUTS OUTPUTS

TDM

TDM

2931

282730

32 24 20 16 12 8 4

INPUTS OUTPUTS

2931

282730

32 24 20 16 12 8 4

EXP. OUT

112

EXP. IN

INPUTS

A 19 B A 17 B

A 15 B A 13 B

A 20 B A 18 B

A 16 B A 14 B

EXP. OUT

INPUTS

112

EXP. IN

29 30 31 32 3 4 7 8

1 2 5 6

400W; 11.1A36-60V

+-

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

A 29 B A 25 B

A 30 B A 26 B

2

A 11 B A 9 B

A 7 B A 3 B

A 12 B A 10 B

A 8 B A 4 B

23 2417 18

21 2219 20

2

11 12 15 16

9 10 13 14

EXT COM2EXT COM

OUTPUTS

19 20 27 28

17 18 25 26

1

31 27 23 19 15 11 7

32 29 25 21 17 13 9

31 27 23 19 15 11 7

32 29 25 21 17 13 9

A 29 B

A 25 B

A 30 B

A 26 B

A 31 B

A 27 B

A 32 B

A 28 B

31 32

29 30

E-NET2E-NET

1

28 24 20 16 12 8

30 26 22 18 14 10563412

28 24 20 16 12 8

30 26 22 18 14 10563412

A 21 B

A 17 B

A 13 B

A 9 B

A B

+G+G+G+G

A 22 B

A 18 B

A 23 B

A 19 B

A 24 B

A 20 B

+G+G

ALARM

A 14 B

A 15 B

A 16 B

MON. OUT

A 10 B

A B

MON. IN

A 11 B

A 12 B

AES BALANCED BACKPLANE

AES REF VID-REF 2 VID-REF 1

OUTPUTS

A 7 B

A 5 B

A 3 B

A 8 B

A 6 B

A 3 B

MONITOR

IN OUT

8138_03_95r1

A 1 B

A B

IN OUT

To J upiter Control System

XPT BUS

EXT COM

Thomson

9 pin D to 15 pin D

Terminator

Adaptor

90 Concerto — Instruction Manual

Cabling

XPT BUS

EXT COM

8138_03_96r1

Concerto

EXT COM2EXT COM

1

E-NET2E-NET

1

AES REF VID-REF 2 VID-REF 1

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS OUTPUTS

EXP

IN

EXP
OUT

AUDIO/DATA

TDM

MON IN MON OUT

12

12

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS OUTPUTS

EXP

IN

EXP
OUT

AUDIO/DATA

TDM

MON IN MON OUT

12

12

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

400W; 11.1A36-60V

+-

AC PWR 1 AC PWR 2

500W; 5A50/60Hz100-240V

ALARM

1 2 9 10

3 4 11 12

5 6 13 14

7 8 15 16

21 22 25 26

23 24 27 28

29 30 31 32 3 4 7 8

1 2 5 6

11 12 15 16

9 10 13 14

19 20 27 28

17 18 25 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

+G+G+G+G

AA BACKPLANE

8138_03_96r1

XPT BUS

EXT COM

Thomson

9 pin D to 15 pin D

Adaptors

XPT BUS

EXT COM

Terminator

To Jupiter Control System

0.3 m (1 ft)

A second Crosspoint Bus Controller module ordered to provide redun­dancy will include the following:

• A 9 pin D to 9 pin D cable (for pinouts see Ta bl e 35 on page 85),

• A 9 pin D to 15 pin D adaptor box, and

Note The adaptor box comes with a bracket that can be mounted in any of three

positions on the box and is mounted on a rack support at the rear of the Con­certo Matrix.

• A 15 pin D to 15 pin D cable.

See Figure 49 for cabling of a redundant Crosspoint Bus Controller matrix.

Figure 49. Redundant Connection between Concerto and Jupiter Control Frame

Concerto — Instruction Manual 91

Section 2 — Installation

Concerto

EXT COM2EXT COM

1

E-NET2E-NET

1

AES REF VID-REF 2 VID-REF 1

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS OUTPUTS

EXP

IN

EXP
OUT

AUDIO/DATA

TDM

MON IN MON OUT

12

12

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS OUTPUTS

EXP

IN

EXP
OUT

AUDIO/DATA

TDM

MON IN MON OUT

12

12

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

400W; 11.1A36-60V

+-

AC PWR 1 AC PWR 2

500W; 5A50/60Hz100-240V

ALARM

1 2 9 10

3 4 11 12

5 6 13 14

7 8 15 16

21 22 25 26

23 24 27 28

29 30 31 32 3 4 7 8

1 2 5 6

11 12 15 16

9 10 13 14

19 20 27 28

17 18 25 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

+G+G+G+G

AA BACKPLANE

8138_00_18r1

Managed
Ethernet Switch

To Control Frame

Ethernet Communications

Ethernet is used for communication between the Concerto and either an
Encore or SMS 7000 Control System frame. Communications can be estab
lished using either E-NET 1 (to communicate with the Controller in slot 1) or

E-NET 2 (to communicator with the Controller in slot 2). One connection can

be used as a primary connection and the other can be used as a redundant
connection. See

Figure 50. Network Connection between Concerto and Control Frame

Figure 50.

-

References

Concerto requires a Video Reference. Most composite analog video sync
signals will work with the exception of 4 Volt and 2 Volt discreet sync sig
nals. Color Black is recommended. To allow time stamped deterministic
switching, the Video Reference must contain an embedded Vertical Interval
Time Code (VITC) signal.

The AES sync reference loop-thru input provides a 48 kHz formatted signal
for re-synchronization to frame and block boundaries. The signal is
required for the Analog Audio and the Digital Audio (AES) modules to

92 Concerto — Instruction Manual

function properly. Lack of this signal will cause the router to add or drop
samples.

The Concerto matrix supports multiple independent switch point reference
signals. Multiple reference signals support synchronously switching
groups of sources with different repetition rates (PAL/NTSC) or offset
timing (delay from studios vs. direct feeds).

Reference signals can be routed via loop-thru daisy-chains. The signal orig­inates at a generator. It can then either be directly fed into the Concerto

-

Cabling

matrix, or routed through a control frame or a matrix frame before con­necting to Concerto In Figure 51 two Video References and an AES Refer­ence are routed to the Concerto frame. Video Reference 1 is terminated at
the Concerto frame. Video Reference 2 continues from Concerto to the
7500WB and on to the 7500NB before being terminated at the end of the
bus. The AES Audio Reference is routed to the 7500NB where it is termi

­nated. All references used must be terminated at the end of the bus. Unused
reference connectors do not need to be terminated.

Note If Concerto is configured with an Audio Module, an AES Audio Reference

must be present. In an Audio Expansion Set both matrices have to use the
same reference.

Figure 51. Reference Cabling

7500NB 256x256

7500WB 128x128

193-224 129-160 193-224 129-160 65-96 1-32 65-96 1-32

GSC

VID
REF

AES
REF1

AES
REF2

GSC

1

2

VIDEO REF

1 2 1 2

MC1

MC2

DIGITAL VIDEO REF

AES-REF

INPUTS INPUTSOUTPUTS OUTPUTS

Concerto

INPUTS

MON IN MON OUT

EXP

IN

12

AUDIO/DATA

2931

TDM

EXP

32 24 20 16 12 8 4

12

OUT

INPUTS

MON IN MON OUT

EXP

IN

12

AUDIO/DATA

2931

TDM

EXP

32 24 20 16 12 8 4

12

OUT

+G+G

EXP. OUT

EXP. IN

INPUTS

AA BACKPLANE

OUT

IN

MONITOR

EXP. OUT

INPUTS

EXP. IN

AC PWR 1 AC PWR 2

500W; 5A50/60Hz100-240V

VID-REF2

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

112

2

112

2

400W; 11.1A36-60V

+–

EXT COM2EXT COM

+

OUTPUTS

E-NET2E-NET

1

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

AES BALANCED BACKPLANE

+G+G

AES REF VID-REF 2 VID-REF 1

1

ALARM

75 ohm Terminators
(required)

OUTPUTS

OUTPUTS

+G+G

MON. OUT

MON. IN

OUTPUTS

MONITOR

IN OUT

= 75 ohm coaxial cable

Video Ref Generator

VID-REF1

Video Ref Generator

VID-REF2

AES Ref Generator

AES-REF

8138_02_70r0

Concerto — Instruction Manual 93

Section 2 — Installation

Monitor Cabling

Analog Video Monitoring

Monitors are supported for Analog Audio, Digital Audio, Analog Video,
and Digital Video modules. Port and TimeCode modules do not have
monitor outputs. The physical configuration of the Concerto frame will
determine how many and what type of monitoring devices can be con
nected.

Analog Video modules have one backplane, use internal bussing for
monitor outputs, and cannot be combined with any other module type. All
outputs are available to all Analog Video modules in the same configured
matrix. Each backplane has a single BNC
in the configured matrix will determine the number of Mon Out connec
tors. A 32x32 configured matrix will have outputs 1-32 available to a single

Mon Out BNC connector. A 64x64 configured matrix will have outputs 1-64

available to two
two monitoring devices can display the same Video signal. The
nectors are not used. For more information on configured matrix sizes and
number of

ration on page 63

Mon Out BNC connectors. Both outputs are the same and

Mon Out connectors per matrix see Analog Video Monitor Configu-

Mon Out, so the number of modules

Mon In con-

-

-

Digital Video Monitoring

There are two types of Digital Video modules a SD Digital Video and a HD
Digital Video. Each of the two modules has its own BNC backplane. These
modules use external loop cabling for monitor outputs and the two types
of Digital Video can be combined into a configured matrix.

CAUTION The maximum number of HD modules that can be in a 7 RU Concerto frame

is three in which case the fourth slot has to remain empty. If two HD modules
are used then the other two slots can be loaded with any of the non HD mod
ules.

The preferred hierarchy between SD and HD Video modules in the same
configured matrix is to place the SD modules before the HD modules. If
you have a frame with two SD modules and two HD modules, place the SD
modules in slots 1 and 2, and the HD modules in slots 3 and 4. Then all the
SD video signals (outputs 1-64) will be routed to the HD modules (outputs
65-128) making all outputs available to the
backplane in slot 4. HD signals (1.485 Gbps) can only be routed through HD
modules, so if the HD module is before a SD module it will break the chain.

Figure 52 shows the external loop cabling for monitoring in a 128x128

Digital Video configured matrix with two SD modules and two HD mod­ules. On the backplane in slot 1 the Mon In BNC connector is not used. A
cable is looped from the
to the
looped from the

Mon In BNC connector on the backplane in slot 2. Then a cable is

-

Mon Out BNC connector on the

Mon Out BNC connector on the backplane in slot 1

Mon Out BNC connector on the backplane in slot 2 to the Mon

94 Concerto — Instruction Manual

Cabling

Concerto

EXT COM2EXT COM

1

E-NET2E-NET

1

AES REF VID-REF 2 VID-REF 1

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS OUTPUTS

EXP

IN

EXP
OUT

AUDIO/DATA

TDM

MON IN MON OUT

12

12

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS OUTPUTS

EXP

IN

EXP
OUT

AUDIO/DATA

TDM

MON IN MON OUT

12

12

400W; 11.1A36-60V

+-

AC PWR 1 AC PWR 2

500W; 5A50/60Hz100-240V

ALARM

8138_04_155r0

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS

OUTPUTS

MON IN MON OUT

HD BACKPLANE

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS

OUTPUTS

MON IN MON OUT

HD BACKPLANE

MON IN MON OUT

MON IN MON OUT

MON IN MON OUT

MON IN MON OUT

Slot 1, Outputs 1-32,

Cable Mon Out to Mon In

in Slot 2

Slot 2, Outputs 1-64,

Cable Mon Out to Mon In

in Slot 3

Slot 3, Outputs 1-96,

Cable Mon Out to Mon In

in Slot 4

Slot 4, Outputs 1-128

Slot 4, Outputs 1-128,

Cable Mon Out

to Monitoring Device

In BNC connector on the backplane in slot 3. And a third cable is looped

from the
connector on the backplane in slot 4. A cable is then attached to the

Mon Out BNC connector on the backplane in slot 3 to the Mon In BNC

Mon Out

BNC connector on backplane 4 and a monitoring device. For more informa
tion on configured matrix sizes a see Digital Video Monitor Configuration on

page 63.

Figure 52. Digital Video External Cabling

-

Concerto — Instruction Manual 95

Audio Monitoring

Analog and AES Digital modules can be combined in the same configured
matrix, and they use internal bussing to support monitor functions, so all
outputs in the matrix are available.
Destination signal is available to all the

Monitor In connections are not used. One

Monitor Out connectors in the config-

ured matrix. All the backplanes have at least one Monitor Out connector. Two
of the AES Audio backplanes have two
Terminal Block backplane there is a terminal block
a BNC
pin D

Monitor Out connector and on the AES 50 pin D backplane there is a 9

Monitor Out connector and a BNC Monitor Out connector. See Ta bl e 37 on

page 86 for the 9 pin D connector pinouts used on the 50 pin D backplanes.

See Figure 46 on page 88 for the terminal block connector pinouts used on
the terminal block backplanes. For more information on configured matrix
sizes and number of Mon Out connectors per matrix see

figuration on page 64.

Monitor Out connectors. On the AES

Monitor Out connector and

Audio Monitor Con-

Section 2 — Installation

Expanded Audio System Monitoring

Expanded Audio systems require external looped cables between the two
frames for monitoring. You need to connect a cable from a
nector on a backplane in the base frame to a Monitor In connector on a back­plane in the expansion frame. And a second cable from the Monitor Out
connector on the same backplane on the expansion frame to the
connector on the backplane in the base frame. You can use any of the avail­able connector types and any of the available backplanes. Figure 53 shows
an expanded 256x256 system, using the terminal block connectors on the
backplanes in slots 1 and 5. The connectors could be used on any of the
backplanes. Since all Outputs are available to all monitor connectors on
each frame it does not matter which two backplanes are used as long as it
is one in the base frame and one in the expansion frame. In
recommended cabling is shown.

One Destination signal is available to all the Monitor Out connectors in the
configured matrix. All the backplanes have at least one
nector. Two of the AES Audio backplanes have two Monitor Out connectors.
On the AES Terminal Block backplane there is a terminal block
connector and a BNC
plane there is a 9 pin D Monitor Out connector and a BNC Monitor Out con­nector. See Ta bl e 37 on page 86 for the 9 pin D connector pinouts used on
the 50 pin D backplanes. See Figure 46 on page 88 for the terminal block
connector pinouts used on the terminal block backplanes. For more infor­mation on configured matrix sizes and number of Mon Out connectors per
matrix see

page 67.

Expanded Audio Monitor Configuration (7 RU and 8 RU Frames) on

Monitor Out connector and on the AES 50 pin D back-

Monitor Out con-

Monitor In

Figure 53 the

Monitor Out con-

Monitor Out

96 Concerto — Instruction Manual

Figure 53. Monitor Cabling in Expanded Audio Systems

8138_04_154

EXT COM1EXT COM

2

E-NET1E-NET

2

AES REF VID-REF 1 VID-REF 2

400W; 11.1A36-60V

+-

AC PWR 1 AC PWR 1

500W; 5A50/60Hz100-240V

ALARM

1 29 10

3 411 12

5 6 13 14

7 815 16

21 22 25 26

23 2427 28

29 3031 32 3 4 7 8

1 25 6

11 1215 16

9 1013 14

19 20 27 28

17 18 25 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

1 29 10

3 411 12

5 6 13 14

7 815 16

21 22 25 26

23 2427 28

29 3031 32 3 4 7 8

1 25 6

11 1215 16

9 1013 14

19 20 27 28

17 18 25 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

+G+G+G+G

AA BACKPLANE

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

+G+G+G+G

AA BACKPLANE

EXT COM1EXT COM

2

E-NET1E-NET

2

AES REF VID-REF 1 VID-REF 2

400W; 11.1A36-60V

+-

AC PWR 1 AC PWR 1

500W; 5A50/60Hz100-240V

ALARM

1 29 10

3 411 12

5 6 13 14

7 815 16

21 22 25 26

23 2427 28

29 3031 32 3 4 7 8

1 25 6

11 1215 16

9 1013 14

19 2027 28

17 18 25 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

1 29 10

3 411 12

5 6 13 14

7 815 16

21 22 25 26

23 2427 28

29 3031 32 3 4 7 8

1 25 6

11 1215 16

9 1013 14

19 2027 28

17 18 25 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

+G+G+G+G

AA BACKPLANE

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

+G+G+G+G

AA BACKPLANE

A

A B

A B

MON. OUT

MON. IN

A 7 B

A 8 B

A 5 B

A 6 BAA

A B

A B

MON. OUT

MON. IN

IN OUT

IN OUT

MONITOR

CKPLANE

IN OUT

IN OUT

MONITOR

A

A B

A B

MON. OUT

MON. IN

A 7 B

A 8 B

A 5 B

A 6 BAA

A B

A B

MON. OUT

MON. IN

IN OUT

IN OUT

MONITOR

CKPLANE

IN OUT

IN OUT

MONITOR

Slot 5:
Outputs 129-256 Mon Out A
to Slot 1: Mon In A
Outputs 129-256 Mon Out B
to Slot 1: Mon In B

Slot 7,

Outputs 1-256,

Monitor Out

Monitor Out

Monitor In not used

Monitor Out

Monitor Out

Monitor In not used

Monitor Out

Monitor Out

Monitor In not used

Monitor In not usedMonitor In not used

Monitor Out

Monitor Out B

Monitor Out A

Monitor Out B

Monitor Out A

Monitor Out

Monitor In not used

Slot 3,

Outputs 1-256,

Slot 6,

Outputs 1-256,

Slot 2,

Outputs 1-256,

Slot 8,

Outputs 1-256,

Slot 4,

Outputs 1-256,

Slot 1:
Outputs 1-128 Mon Out A
to Slot 5: Mon In A
Outputs 1-128 Mon Out B
to Slot 5: Mon In B

Cabling

Concerto — Instruction Manual 97

Section 2 — Installation

Power

WARNING For safety, the installer must always provide for a readily accessible and

rapid method of disconnecting all power sources.

Frames may be powered using either an AC power source, or a 48 VDC
power source.

It is also possible to cable a matrix using an AC power source and a 48 VDC
power source at the same time, provided that the DC supply normally
delivers between 47 and 48.5 V. When a matrix has both AC and DC power
sources available it will use whichever power source has the higher
voltage. So if the AC power source fails then the DC power source would
feed the matrix, and if the DC power starts to fall the AC power would feed
the matrix. AC and DC power sources are kept separate with no feedback,
so the AC power source will not charge batteries used in a connected DC
power source.

AC Connections

The matrix frame comes with one internal power supply. Redundancy is
provided by adding an additional internal power supply.

48 VDC Connections

WARNING Do not apply a 48 VDC power source until all 48 VDC connections on the

The 48 VDC connection requires 12 AWG (3.31 mm2) wire.

The 4 and 7 RU Concerto frames use a 3-pin female terminal block con­nector (see Figure 54).

matrices are complete and secure.

98 Concerto — Instruction Manual

Figure 54. 48 VDC connection for 7 RU frame. DC connector for 4 RU frame is identical.

EXT COM2EXT COM

1

E-NET2E-NET

1

AES REF VID-REF 2 VID-REF 1

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS OUTPUTS

EXP
IN

EXP
OUT

AUDIO/DATA

TDM

MON IN MON OUT

12

12

25 21 17 13 9 5 1

22 18 14 10 6 2

26 23 19 15 11 7 3

282730

2931

32 24 20 16 12 8 4

31 27 23 19 15 11 7

28 24 20 16 12 8

32 29 25 21 17 13 9

30 26 22 18 14 10563412

INPUTS OUTPUTS

EXP
IN

EXP
OUT

AUDIO/DATA

TDM

MON IN MON OUT

12

12

A 29 B A 25 B

A 30 B A 26 B

A 31 B A 27 B

A 32 B A 28 B

A 23 B A 21 B

A 24 B A 22 B

A 19 B A 17 B

A 20 B A 18 B

A 15 B A 13 B

A 16 B A 14 B

A 11 B A 9 B

A 12 B A 10 B

A 7 B A 3 B

A 8 B A 4 B

A 29 B A 25 B

A 30 B A 26 B

A 31 B

A 32 B

A 29 B

A 30 B

A 27 B

A 28 B

A 25 B

A 26 B

A 23 B

A 24 B

A 21 B

A 22 B

A 19 B

A 20 B

A 17 B

A 18 B

A 15 B

A 16 B

A 13 B

A 14 B

A 11 B

A 12 B

A 7 B

A 8 B

A 5 B

A 6 B

A 3 B

A 3 B

A 1 B

A 2 B

A 9 B

A 10 B

A B

A B

EXP. OUT

EXP. IN

112

2

MON. OUT

MON. IN

OUTPUTS

INPUTS

400W; 11.1A36-60V

+-

AC PWR 2 AC PWR 1

500W; 5A50/60Hz100-240V

ALARM

1 2 9 10

3 4 11 12

5 6 13 14

7 8 15 16

21 22 25 26

23 24 27 28

29 30 31 32 3 4 7 8

1 2 5 6

11 12 15 16

9 10 13 14

19 20 27 28

17 18 25 26

23 2417 18

21 2219 20

31 32

29 30

IN OUT

EXP. OUT

EXP. IN

112

2

OUTPUTS

INPUTS

IN OUT

MONITOR

AES BALANCED BACKPLANE

+G+G

+G+G+G+G

AA BACKPLANE

8138_00_11r0

Tighten screws
to secure wires.

Positive

3-pin Male

Terminal Block

Connector

3-pin Female

Terminal Block

Connector

Negative

Power

The 8 RU Concerto+ frame uses a fixed barrier strip for this connection.
Since a screwdriver must be used to disconnect the wires leading to this
strip, the installer must arrange for a separate emergency disconnect
method (e.g., power switch, circuit breaker, or quick disconnect power
cord, etc.).

Concerto — Instruction Manual 99

Section 2 — Installation

Back View of AES Digital Audio Module

8138_04_145r0

Rear View of TDM

Spacer

Nut

TDM Submodule

Snap Lock

Nut

Spacer

TDM Submodule

Snap Lock

Audio Module

Option Installation

Expansion TDM Submodule Installation

If you want to add a TDM submodule to an Audio module that you already
have, or you decide that you want to put the TDM submodule on an AES
Digital Audio module instead of an Analog Audio module, or vice versa,
use this installation procedure.

1. Inspect the TDM submodule.

2. Lift the ejector tabs on the front of the Audio module.

3. Pull the module gently to disengage it from the backplane.

4. Slide the module out of the frame.

5. Use anti-static precautions to protect the module.

6. Place the module on a padded surface, so that the back side of the

module is facing up. See

Figure 55.

7. Remove the four nuts from the TDM submodule, set aside.

8. Seat the TDM on the Audio module by aligning the connectors on the

back of the TDM submodule with the connectors on the back of the
Audio module. See

Figure 55, the four plastic pins on the TDM

submodule will match up with the four holes on the Audio module.

Figure 55. TDM Submodule Installation

Note The installation for Analog Audio and AES Digital Audio modules is the same.

100 Concerto — Instruction Manual