Gibson Dark Fire Applications, Dark Fire Quick Start Manual

Gibson Dark Fire
Gibson Dark Fire
Applications
Applications
Quick Start
Quick Start
Using the RIP Console, Native Instruments Guitar Rig 3,
and Ableton Live Lite 7 Gibson Studio Edition
Owner’s Manual Version 1.0.2
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We value you as a customer—and want our products to give you an inspiring, and gratifying, experience. So, to insure your safety and protect your investment in the Gibson RIP, please read and follow all safety warnings and operating instructions before using this product, and keep all documentation for future reference.
Environmental Factors
Heat and moisture can harm your Gibson RIP. Please do not install or operate this product near sources of moisture, such as sinks, damp basements, leaky roofs, etc. and never store it near heat sources, such as heaters or radiators. Both you and your RIP will be much happier if you store and operate this product under safe conditions.
Power Sources
Use only the power sources recommended in this manual. Make sure any power supply cords are not located where they are likely to be safety hazards, such as on the floor where people might walk, or in locations where they may receive pressure from items placed upon or against them. Also, be very careful with any power source connections, such as where the AC adapter connects to the wall outlet and where it plugs into RIP. If these are jostled loose, RIP may experience extreme power differentials, which can potentially harm you and the product.
Service
Please do not attempt to service RIP yourself. Opening the case may expose you to high voltages (besides, there are no user-serviceable parts), so let our expert technicians handle any repairs for you.
Speaking of experts, always send the RIP to an authorized service technician if any of the following occurs (contact numbers for service centers are at the end of this section):
Any foreign object (especially liquid) has gotten into the case RIP has been exposed to water, dropped, or otherwise damaged A marked changed in RIP’s performance You hear anything rattling around inside if you shake the RIP gently
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Warranty Protection
It is very important to us that you are satisfied with your Gibson product. Register it and activate your warranty protection by mailing the warranty card included with Dark Fire to Gibson USA, Department W, P.O. Box 100087, Nashville, TN 37210-0087. If you encounter any kind of problem, contact us as soon as possible so we can make things right.
Once you your warranty protection is active, RIP’s electronic components are warranted to be free from defects in materials and workmanship for a period of one (1) year from the date of original purchase. Your warranty covers the cost of both labor and materials on any repair deemed necessary by our Customer Service Representative for the warranty period, subject to the limitations below. Please note that our warranty belongs to the original retail purchaser only, and may not be transferred or assigned to subsequent owners.
If RIP malfunctions as a result of faulty materials or workmanship, Gibson will determine whether repair or replacement is more appropriate. In case the original materials are no longer available for repair, Gibson reserves the right to use materials regularly utilized at the time of repair.
If we determine that replacing RIP best serves your interests, or in the unlikely event that it is destroyed, lost, or damaged beyond repair while in our possession for repairs, we will replace the product. If it is no longer available, it will be replaced with the most similar product whose value does not exceed your original product’s purchase price.
Remember—as a necessary condition to the warranty coverage described in this section, you must activate your warranty by mailing the warranty card included with Dark Fire to Gibson USA, Department W, P.O. Box 100087, Nashville, TN 37210-0087.
Warranty Limitations
Unfortunately, it is not possible for your product warranty to cover any of the following:
Any product that has been altered or modified in any way, or upon which any serial or
registration number has been tampered with or altered in any way.
Any product whose warranty card has been altered or contains false information. Any product that has been damaged due to misuse, negligence, accident or improper
operation or storage.
Any product damaged during shipment. Inspect the package immediately upon receipt,
and notify the carrier immediately if there is damage.
Any product damaged as a result of extreme temperature, humidity, or the use of an
improper power source.
Any product not purchased through an authorized dealer, or any product that has had
repairs, modifications or alterations made by an unauthorized service technician.
Wear and tear based on normal usage. Factory installed electronics after more than one year following the original date of
purchase.
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Gibson makes no other express warranty of any kind. All implied warranties, including warranties of merchantability and fitness for a particular purpose that exceed the specific provisions of the warranty, are expressly and specifically disclaimed and excluded from the warranty. Note, however, that some states and/or countries do not allow
the exclusion or limitation of implied warranties, so this paragraph may not apply to you. In particular, if you purchased your product outside of the United States, contact your local distributor for the handling and resolution of all warranty issues, as the warranty described here is not always applicable.
And of course, Gibson shall not be liable for any special, indirect, consequential, incidental or other similar damages to you or to any third party, including, without limitation, damages for loss of profits or business, or damages resulting from use or performance of the product, whether in contract or tort, even if Gibson or its authorized representative has been advised of the possibility of such damages, and Gibson shall not be liable for any expenses, claims or suits arising from or relating to any of the foregoing.
To obtain warranty service, contact the service center nearest you:
US (Toll Free) 1-800-4GIBSON US (Local) 1-615-871-4500 Email - service@gibson.com
Europe 00800-4GIBSON1 Email - service.europe@gibson.com
Japan 03-3434-5670 Email - service.japan@gibson.com
China 800-820-8841 (in China only) Email - service.china@gibson.com
Please do not send a unit in for repair before contacting your customer service center.
They will advise you of the proper procedure for a quick and efficient repair, as well as provide information on where and how to send the product.
Gibson® is a trademarkof t .he Gibson Guitar Corp FireWire® , .is a trademarkof Apple Computer Inc Windows® and Windows XP® , .are registeredtrademarks of Microsoft Inc
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Chapter 1: Introduction
Gibson's Dark Fire is not just an extraordinary guitar, but part of an advanced system that is equally at home on stage or in today's computer-based studio. This Quick Start manual focuses on using the Dark Fire system in the studio.
There are three main components to this system:
RIP interface and Console. This hardware/software combination provides a way to
feed Dark Fire's multiple outputs (magnetic pickups, piezo pickup, individual hex outputs) into various software programs for Mac or Windows (XP/Vista), as well as play back the results through speakers, headphones, or a mixer.
Native Instruments Guitar Rig 3. This software program models a wide range of
amplifiers and effects, and also provides various tools (e.g., tuner, metronome, recorder). It can run in stand-alone mode, where it essentially turns your laptop or other computer into a complete rack guitar system, or as a plug-in with host programs like Ableton Live, Cakewalk Sonar, Apple Logic Studio, MOTU Digital Performer, etc. When used as a plug-in, it can insert in any track to process the track's signal. While intended for guitar, Guitar Rig 3 is also useful with other instruments including bass, drums, and even voice.
Ableton Live Lite 7 Gibson Studio Edition. Live is a sophisticated recording and
editing program that is ideal for guitar, and particularly, Dark Fire. In the studio, you can use it to record your playing as well as other instruments. You can also build backing tracks using loops of drum parts, bass lines, etc. When playing live, Ableton Live can serve as a “host” for Guitar Rig 3, even letting you insert a separate instance of Guitar Rig 3 for each string.
Any updates to this documentation are available for download from
http://www.gibson.com/darkfire .
Mac/Windows Differences
All Dark Fire software is compatible with both Mac OS X and Windows XP/Vista computers, and all software works virtually identically with both types of machines. Most screen shots show the Windows versions, but any differences will be pointed out when needed.
IMPORTANT!
The RIP has a feature where if you don't play for a while, it shuts down and starts charging the Dark Fire battery. If during the following examples you don't hear any output from the RIP, strum the Dark Fire strings. This “wakes up” the RIP.
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Chapter 2: Playing Dark Fire with RIP and Your Computer
In this application, we'll use only the RIP for practicing guitar. This will also familiarize you with how to use the RIP with subsequent applications, which is important—the RIP is the connection between Dark Fire and your computer. If you need more information on RIP, such
as how to install its drivers or understand the difference among different FireWire connectors, please refer to the full RIP owner's manual.
Hardware Setup
1. With your computer off, connect the RIP's FireWire connector to an available FireWire connector on your computer.
2. Connect the RIP to its AC adapter. If the adapter is plugged into a barrier strip, make sure the barrier strip is turned on.
3. Turn on your computer, and allow it to boot completely.
4. Open the Console. The easiest way is to double-click on the Gibson RIP Console shortcut (called an “alias” on the Mac) that was placed on your desktop during installation. Otherwise, for Windows, use the Start menu to go Start > Program > Gibson RIP > Gibson RIP Console. For the Mac, from the Finder click on Go, open Applications, and double-click on Gibson RIP Console.
5. The Console opens. If the console does not open, refer to the RIP owner's manual for information on troubleshooting. Likely problems are:
The FireWire cable might be bad or not inserted fully. The drivers might not be installed correctly. The RIP's AC adapter might not be plugged in—the AC adapter is required for
the RIP to work.
6. Plug Dark Fire into the RIP guitar input using the included stereo (TRS) cable. Turn the
Console analog out faders all the way down, as shown in the following screen shot, so that you can bring the volume up gradually and avoid any possible damage to your hearing. For monitoring through headphones, plug a set of headphones into the 1/8”
front panel Phones jack, and turn the volume control about halfway up. If you prefer to monitor through a mixer or powered speakers, with your speakers turned off, plug the RIP Line Outputs into your mixer or speaker inputs (output 1 is the left channel, output 2 is the right channel).
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7. Pull up on the Dark Fire MCK and tune the guitar. There is complete documentation on tuning functions at http://www.gibson.com/darkfire.
8. Strum the strings. You should see signal in the meters on the eight Dark Fire channels (Guitar, Piezo, Low E, A, D, G, B, High E). If not, unplug the stereo cable connecting the Dark Fire to the RIP, wait a few seconds, then plug in again. If you still don't see a signal, refer to the troubleshooting sections for the RIP and the Dark Fire.
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Listen to the Magnetic Pickups
We'll now listen to only the magnetic pickups. This is an excellent way to hear how the Chameleon Tone Technology options affects the magnetic pickup sound as you try out different Chameleon Tone settings.
1. Unmute the Guitar channel (Mute switch label goes from yellow to white).
2. Make sure Gang is lit green on the Analog Out 1 and Out 2 channels.
3. Turn up the Analog Out 1 and 2 faders to a comfortable listening level. Note: For the
best signal-to-noise ratio and dynamic range, Gibson highly recommends adjusting levels at your monitoring system, and leaving the Analog Out 1 and Out 2 faders all the way up.
4. To check out the Chameleon Tone Technology options, rotate the MCK until the “C” lights up, then press momentarily on the MCK knob to enter Chameleon mode.
5. Rotate the MCK counter-clockwise to E (Gibson), and check out the sound. Then try the other positions and play for a little bit (A = Blues, D = Funky, G= Twang, B = Acoustic, e = L5, rotating arrow = Rock, b symbol = Metal). Have fun!
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Blend in the Piezo Pickup
Now we'll add in the piezo pickup, and vary the blend between the piezo and magnetic pickup.
1. Pull out the MCK. Dark Fire must be “on” to hear the piezo pickup or hex outputs.
2. Unmute the Piezo channel (Mute switch label goes from yellow to white). At this point the Guitar and Piezo channels are unmuted. Unmuting the Piezo channel should add a bright, acoustic-type sound.
3. Vary the blend of the magnetic and piezo pickups with their respective faders.
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Use the Individual String (Hex) Outputs for Stereo Spread
Dark Fire's ability to send individual outputs for each string allows for some truly amazing effects. This option is most relevant when using Ableton Live and Guitar Rig, but even when using only the Console, the individual outputs can create some exceptional stereo effects. The following gives a taste of just what the individual outputs can do.
1. Unmute all Mute buttons except for the Piezo channel, which should be muted. This is because the hex outputs are derived from the piezo, so adding in the “master” piezo sound will make the stereo separation less dramatic.
2. Set the faders for each string channel just below the -3 symbol, and the Guitar fader all the way down (-60.0).
3. Adjust the string channel pan controls as shown: The low E appears in the left channel, the high E in the right channel, and the other strings are spread in stereo between the left and right channels. Cool!
4. Let's take this one step further: Bring up the Guitar fader to blend the sound of the magnetic pickups into the center of the stereo image. This fills out the piezo sound with the rich magnetic pickup sound.
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Chapter 3: Guitar Rig 3 Stand-Alone Mode
We'll now process the guitar through Native Instruments' Guitar Rig 3 in stand-alone mode. In this case, Guitar Rig 3 replaces a complete guitar setup, including pedals, studio processors, amp, cabinets, and even miking options.
This Quick Start will get you up and running with Guitar Rig 3, but the program is deep and flexible. Although you can enjoy using Guitar Rig 3 at a basic level, Gibson recommends going over the program's documentation so you can become familiar with its many features.
The first time you open Guitar Rig 3 in stand-alone mode, you'll need to make some audio and MIDI settings. You need only do this once, unless your system changes.
Open Guitar Rig 3. The easiest way is to double-click on the Guitar Rig 3 shortcut (called an “alias” on the Mac) that was placed on your desktop during installation. Otherwise, do the following.
Windows: From the Start menu, go Start > Programs > Native Instruments > Guitar Rig 3 > Guitar Rig 3. You can also access the documentation within the Guitar Rig 3 folder.
Mac: From the Finder click on Go, open Applications, and open the Guitar Rig 3 folder, From there, double-click on Guitar Rig 3. As with Windows, the documentation is within the Guitar Rig 3 folder.
Upon opening Guitar Rig 3 in stand-alone mode, the Audio and MIDI Settings window appears. If this window does not appear, or if you need to change these settings later, do the following.
Windows: With Guitar Rig 3 open, go File > Audio and MIDI Settings. Mac: From the Guitar Rig 3 menu item, select Preferences.
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Windows Audio and MIDI Setup
Audio Tab
Click on the Preferences Audio tab and select the following.
Driver: ASIO Device: ASIO Gibson RIP Sample rate: As desired (usually 44100) Latency: This is a read-only value. To change the latency, click on ASIO Config under Device. This opens the Echo ASIO Configuration window, where you can adjust the ASIO
buffer size. Lower values result in lower latencies (i.e., delay between hitting a note on your guitar and hearing it). Adjust for the lowest latency consistent with audio quality (no clicks, pops, dropouts, or radical audio changes). Start with a setting around 256 samples. If you experience audio problems, increase latency as your first troubleshooting step.
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