This document may not be reproduced by any means, in whole or in part, without written permission of
the copyright owner.
This document is furnished to support OMEGA. In consideration of the furnishing of the information
contained in this document, the party to whom it is given assumes its custody and control and agrees to
the following:
1 The information herein contained is given in confidence, and any part thereof shall not be copied or
reproduced without written consent of Gerber Scientific International.
2 This document or the contents herein under no circumstances shall be used in the manufacture or
reproduction of the article shown and the delivery of this document shall not constitute any right or
license to do so.
Printed in USA
GSP, EDGE, and GRAPHIX ADVANTAGE are registered trademarks, and OMEGA, GERBER MAXX,
GERBER EDGE FX, EDGE Match, GerberColor, GerberColor Spectratone, GERBER SOLARA, GERBER
P2C, ImageRIP, Vantage Scan, SUPER CMYK, Gerber ColorID, MacImprint, Matched Technology
System, and ART Path are trademarks of Gerber Scientific Products. Adobe Illustrator and Encapsulated
PostScript are registered trademarks of Adobe Systems, Inc. Artifex, the Artifex logo, Ghostscript, and
the Ghostscript logo are registered trademarks of Artifex Software, Inc. CorelDRAW is a registered
trademark of Corel Systems Corporation. 3M and Scotchcal are registered trademarks of 3M. HewlettPackard is a registered trademark and HPGL is a trademark of Hewlett-Packard Company.
MonacoEZcolor and MonacoSENSOR are trademarks of X-Rite, Inc. TrueType is registered trademark of
Apple Computer, Inc. registered in the USA and other countries. Microsoft and Windows, are registered
trademarks of Microsoft Corporation in the United States and other countries.
Pantone, Inc. is the copyright owner of color data and/or software which are licensed to Gerber Scientific
Products. to distribute for use only in combination with Gerber OMEGA 2.5. PANTONE Color Data
and/or Software shall not be copied onto another disk or into memory unless as part of the execution of
Gerber OMEGA 2.5.
Variables
There are many variables in process reproduction of colors generated by the GERBER EDGE and
GERBER MAXX, any one of which may affect the quality of the Gerber simulations of PANTONE Colors,
including:
• Type of media/paper used
• Type of ink film used
• Effective final resolution
• Dot structures/halftones
For optimal results we recommend that the following materials be used:
1. 3M Scotchcal 220-10 or 225-10 Gloss White Vinyl
2. GerberColor SUPER CMYK Foils
THE PANTONE-IDENTIFIED COLOR DISPLAYED ON THE PRINT AND/OR COPY GENERATED BY
THIS SOFTWARE HAVE NOT BEEN EVALUATED NOR ARE THEY APPROVED BY PANTONE, INC.
TO BE IN COMPLIANCE WITH PANTONE, INC.'S COLOR VALUES OR STANDARDS. Consult
current PANTONE Color publications for accurate colors.
Book One: Welcome ................................................................................................................................1
Chapter 1: Introducing the OMEGA Programs...................................................................................3
Running in Demo Mode .......................................................................................................................................4
Chapter 2: Where to Get Help ...............................................................................................................7
About the manuals ................................................................................................................................................7
Warnings, cautions, notes, and tips.....................................................................................................................7
Keystroke and menu choice formats...................................................................................................................8
Getting help right in OMEGA.............................................................................................................................. 9
Other Information on the OMEGA CD.............................................................................................................11
Specific technical support...................................................................................................................................12
Gerber web site ....................................................................................................................................................12
Chapter 3: Opening and Closing Files................................................................................................13
Creating a new file...............................................................................................................................................13
Opening an existing file ......................................................................................................................................13
Adding a file to an open PLT file (Importing).................................................................................................15
Adding multiple files to an open PLT file (importing)...................................................................................17
Placing multiple copies of a file in an open PLT file.......................................................................................18
Opening Gerber Clip Art (GCA) files ...............................................................................................................19
Saving a file for the MAXX 2..............................................................................................................................24
Saving a copy of a PLT file .................................................................................................................................24
Saving plot files in an older OMEGA format...................................................................................................24
Saving files in formats other than PLT..............................................................................................................25
Book Two: Understanding Composer Tools .....................................................................................29
Chapter 5: Setting Up Composer's Work Surface............................................................................31
Composer work surface......................................................................................................................................31
Sizing the work surface to the design ...............................................................................................................33
Using the Natural Layout option.......................................................................................................................35
Viewing the design..............................................................................................................................................36
Zooming in or out on the design .......................................................................................................................38
Setting Preferences using Tools > Options.......................................................................................................39
Chapter 6: Using Layers.........................................................................................................................55
Rules for designing with layers .........................................................................................................................56
Using the Layer Manager ...................................................................................................................................58
Using the Layer Menu.........................................................................................................................................66
Print Order and Layers Overview.....................................................................................................................69
Understanding Print Order in Composer ........................................................................................................70
Outputting by layers to GSPPlot .......................................................................................................................72
Chapter 7: Selecting the Elements of the Design ...........................................................................77
Selecting elements of the design........................................................................................................................77
Book Three: Creating the Basic Design Text and Shapes..............................................................83
Chapter 8: All About Text......................................................................................................................85
Entering text .........................................................................................................................................................85
Using Change Case to alter the case of text....................................................................................................104
Spacing characters, lines and columns............................................................................................................104
Resetting the line spacing .................................................................................................................................107
Setting line length and column height............................................................................................................107
Arranging the text in the design......................................................................................................................109
Converting text to shapes .................................................................................................................................110
Working with Spell Check................................................................................................................................111
Techniques for drawing on the work surface................................................................................................119
Rectangles and squares.....................................................................................................................................119
Circles and ellipses ............................................................................................................................................120
Creating a surround shape ...............................................................................................................................122
Multi-sided shapes (stars and polygons)........................................................................................................124
Flipping or mirroring ........................................................................................................................................136
Chapter 11: Grouping, Moving, Justifying, and Spacing............................................................. 141
Grouping and ungrouping...............................................................................................................................141
Locking or Unlocking Objects.......................................................................................................................... 142
Moving objects on the work surface................................................................................................................143
Chapter 12: Measuring and Dimensioning....................................................................................149
Measuring distance and angles........................................................................................................................149
Measuring the distance around objects ..........................................................................................................152
Determining the area of objects .......................................................................................................................152
The Dimensions Toolbar...................................................................................................................................158
Book Four: Adding Color to the Design.......................................................................................... 167
Chapter 13: Current Style Affects the Color in the Design ........................................................169
Defining the current style .................................................................................................................................169
Setting the current style ....................................................................................................................................170
Setting the current style to none ......................................................................................................................170
Changing the current style using the Extract Style command ....................................................................170
Making a new current style without selecting an object ..............................................................................171
Assigning the current style...............................................................................................................................172
Creating filled text or objects without cutlines..............................................................................................172
Chapter 14: Making, Using, and Editing Palettes.........................................................................175
Displaying palettes on the Composer work surface.....................................................................................175
Making a job palette using Gerber vinyl ........................................................................................................177
Using Palette Manager......................................................................................................................................179
Using Gerber palettes in Adobe Illustrator and CorelDRAW..................................................................... 182
Displaying a vinyl palette................................................................................................................................. 187
Assigning vinyl colors to objects .....................................................................................................................187
Selecting objects of the same vinyl color ........................................................................................................189
Chapter 16: Changing Vinyl Colors to Spot Foil Colors............................................................... 191
Understanding the Posterize Selected Shapes dialog box............................................................................192
Posterizing a job.................................................................................................................................................195
Chapter 17: Filling Objects with Colors for Printing.................................................................... 197
Where does the color come from? ...................................................................................................................197
Assigning attributes for printing.....................................................................................................................197
Filling with a clear fill........................................................................................................................................199
Filling with a spot foil .......................................................................................................................................199
Filling with a process foil..................................................................................................................................202
Filling with a gradient fill.................................................................................................................................204
Filling with Spectratone colors.........................................................................................................................207
Editing fill attributes..........................................................................................................................................209
Naming custom process colors ........................................................................................................................211
Changing from a spot fill to a process fill.......................................................................................................211
Automatically convert Process fills to Spot fills ............................................................................................212
Chapter 18: Choosing and Assigning Halftones........................................................................... 213
What is a halftone?.............................................................................................................................................213
Choosing the best halftone for the fill.............................................................................................................213
Printing with Non-optimized Halftones when Auto-Substitution is On...................................................217
Assigning a halftone..........................................................................................................................................217
Chapter 19: Choosing a Fill Color that Matches Printer Output............................................... 221
Printing EDGE Match Color Matching System charts..................................................................................221
Choosing and assigning an EDGE Match color.............................................................................................222
Chapter 20: Making and Using GerberColor Spectratone Colors.............................................225
Making a Spectratone chart of all possible colors in inventory................................................................... 225
Making a Spectratone chart of some colors in inventory.............................................................................226
Printing a chart of Spectratone tints................................................................................................................228
Filling objects with Spectratone colors............................................................................................................229
Using ColorID to choose software simulations of solid PANTONE Colors..............................................232
Chapter 22: Strokes ⎯ Adding Print Thickness to the Outline of Objects ............................ 233
What is a stroke? ................................................................................................................................................233
Adding strokes to an object..............................................................................................................................233
Global stroke width editing..............................................................................................................................237
Converting strokes to shapes with Expand Strokes......................................................................................238
Book Five: Making the Design Print and Cut Correctly............................................................... 241
Chapter 23: Before Printing or Cutting, Check the Design ........................................................ 243
Using the Select and View menus to check a job...........................................................................................243
Checking and selecting vinyl colors................................................................................................................244
Checking and selecting fills and strokes by color .........................................................................................244
Checking and selecting fills and strokes by color type.................................................................................245
Checking and selecting fills and strokes by halftone type...........................................................................245
Checking and selecting which objects will cut, print, or both.....................................................................246
Checking and selecting images and image templates ..................................................................................247
Checking and selecting overlaps, overprints, or primer..............................................................................247
Checking and selecting Small Text by color type..........................................................................................247
Checking and selecting open shapes...............................................................................................................247
Checking and selecting Locked Objects..........................................................................................................247
Checking and selecting Clipping Paths..........................................................................................................248
Checking and selecting dimensions................................................................................................................248
Selecting stacked objects on the work surface ...............................................................................................248
Chapter 24: Five Steps to Successful Output................................................................................ 249
Overview: 5 steps to successful thermal printer output...............................................................................249
1. Check and assign the vinyl color.................................................................................................................249
2. Check and assign fills and strokes...............................................................................................................250
3. Check and assign or remove object cut lines..............................................................................................250
4. Check and rearrange objects in the stacking order ...................................................................................250
5. Combining and filling groups for printing ................................................................................................251
Chapter 25: Solving Printing and Registration Problems...........................................................253
Check the job ......................................................................................................................................................253
Changing the vinyl and foil print order .........................................................................................................262
Printing a light color over a darker color........................................................................................................264
Changing the darkness of prints......................................................................................................................264
Correcting colors for images ............................................................................................................................265
Book Six: Color Management and Importing/Exporting Files ..................................................267
Chapter 26: Practical Hands-On Color Management .................................................................. 269
Step 1: Setting up Color Management ............................................................................................................269
Step 2: Setting up Image Thumbnail...............................................................................................................271
Step 3: Assigning the vinyl family...................................................................................................................272
Chapter 27: Importing Files into Composer .................................................................................. 273
Understanding the Import dialog box ............................................................................................................273
Choosing the best import filter ........................................................................................................................276
The role of Color Management when importing files ..................................................................................279
Importing common file types...........................................................................................................................280
Importing CorelDRAW Drawing Format (CDR) files..................................................................................301
Using the Clipboard to import data into Composer.....................................................................................301
Importing other file types.................................................................................................................................302
Importing Gerber Clip Art (GCA) file ............................................................................................................302
Importing DXF files using the (GSP) AutoCAD Drawing Interchange Filter ...........................................303
Importing AutoCAD Drawing Format (DWG) files.....................................................................................304
Importing Adobe Acrobat Portable Document Format (PDF) ....................................................................304
Importing Microsoft Windows Metafile (WMF) ...........................................................................................305
Chapter 28: Exporting Files from Composer................................................................................ 307
Exporting all or portions of a file.....................................................................................................................307
Exporting to a Hot Folder.................................................................................................................................310
Exporting common file types ...........................................................................................................................311
Exporting to BMP, GIF, JPG, or TIF file formats ...........................................................................................311
Exporting to Adobe Illustrator – AI or EPS format using the GSP filter....................................................312
Using the Clipboard to Export Data from Composer................................................................................... 317
Exporting to an Encapsulated PostScript File (EPS) or Adobe Illustrator File (AI)..................................317
Exporting to an AutoCAD Drawing Web Format (DWF)............................................................................319
Exporting to a DXF (GSP) AutoCAD Drawing Interchange File................................................................320
Exporting to AutoCAD Drawing Interchange File (DXF)............................................................................321
Exporting to a Gerber Artwork Definition File (GAD).................................................................................322
Exporting to Hewlett-Packard Graphics Language (HGL)..........................................................................322
Exporting to IGES Drawing File Format (IGES)............................................................................................323
Exporting to a Z-soft PC Paintbrush Bitmap (PCX)......................................................................................324
Exporting to Adobe Acrobat File Format (PDF)............................................................................................326
Exporting to PhotoShop File Format (PSD)....................................................................................................328
Exporting to Microsoft Windows Metafile (WMF).......................................................................................329
Exporting to WordPerfect Graphic File Format (WPG) ...............................................................................331
Chapter 29: Using File Converter .................................................................................................... 333
Chapter 30: Remapping Colors for Imported CMX Files ............................................................337
Understanding color models............................................................................................................................337
Book Seven: Adding Artwork and Other Files to the Design ....................................................343
Chapter 31: Working with Images ...................................................................................................345
Adding images to the design ...........................................................................................................................345
Saving an embedded image .............................................................................................................................350
Changing from a linked to an embedded image...........................................................................................350
Importing paths from an image.......................................................................................................................351
Viewing images in the design..........................................................................................................................352
Editing images in Composer............................................................................................................................355
Updating an image file in OMEGA................................................................................................................. 357
Chapter 32: Converting Images to Cut Shapes ............................................................................. 361
Converting a color image to a cut shape ........................................................................................................361
Converting a black and white image to a cut shape .....................................................................................364
Chapter 33: Adding Cutlines to Artwork ........................................................................................ 367
Using Generate Decal Cut ................................................................................................................................367
Chapter 34: Using Clipping Paths .................................................................................................... 373
Storing and outputting scanned images.........................................................................................................379
Methods of getting scanned data into Composer..........................................................................................383
Methods of vectorizing raster data..................................................................................................................385
Color Management and scanning....................................................................................................................386
Installing the tablet ............................................................................................................................................387
Understanding the digitizing process: an overview.....................................................................................388
Preparing artwork for digitizing .....................................................................................................................389
Using the digitizing puck .................................................................................................................................390
Using the tablet .................................................................................................................................................. 391
Digitizing the artwork....................................................................................................................................... 391
Digitizing: examples and tips...........................................................................................................................391
Editing the digitized design .............................................................................................................................394
Book Eight: Editing the Design and Shapes .................................................................................. 403
Chapter 37: Using the Edit Menu.....................................................................................................405
Using Undo and Redo....................................................................................................................................... 405
Copying parts or all of a design.......................................................................................................................405
Using Duplicate to copy and offset an object.................................................................................................407
Deleting parts of the design..............................................................................................................................407
Chapter 38: Detail Editing Segments and Points of Vector Objects........................................ 409
Selecting objects or parts of objects for editing..............................................................................................409
Copying and pasting segments........................................................................................................................411
Changing curves to lines and lines to curves.................................................................................................411
Adding points to objects ...................................................................................................................................413
Deleting points from an object.........................................................................................................................415
Using the Move Tool (hook).............................................................................................................................416
Bending line segments ......................................................................................................................................421
Changing the flex of curves..............................................................................................................................422
Closing open points with the Move tool ........................................................................................................422
Automatically joining open shapes.................................................................................................................423
Dividing an object into multiple objects.........................................................................................................424
Making the corners of an object rounded using the Round Corner tool....................................................425
Sharpening the corners of an object using the Sharp Corner Tool..............................................................426
Changing the corners of an object with Fillet Corner...................................................................................426
Smoothing objects with the Smooth Path tool ...............................................................................................428
Designate the first point of a shape.................................................................................................................429
Chapter 39: Reducing the Number of Points with the Thin Command .................................. 431
Hiding, encasing, and contouring objects ......................................................................................................441
Changing the spacing between multiple outlines.........................................................................................443
Adding and deleting outlines ..........................................................................................................................446
Editing outline settings for sharp corners ......................................................................................................447
Saving the outline for later use ........................................................................................................................447
Creating a shade or drop shadow ...................................................................................................................450
Creating a cast shadow .....................................................................................................................................451
Choosing the shadow output options............................................................................................................. 451
Creating different types of jobs using Shadow..............................................................................................454
Editing or deleting Shadows............................................................................................................................457
Viewing the Design ........................................................................................................................................... 457
Chapter 42: Distorting and Warping Objects ................................................................................ 463
Distorting an object............................................................................................................................................463
Warping an object..............................................................................................................................................464
Chapter 43: Fitting Text to a Path.................................................................................................... 469
Working with the Fit Text to Path dialog box................................................................................................469
Selecting, reverse selecting, and deselecting text ..........................................................................................470
Positioning text along the path ........................................................................................................................471
Changing the spacing of text............................................................................................................................473
Changing the height of text ..............................................................................................................................474
Reversing the path.............................................................................................................................................475
Hiding the path..................................................................................................................................................475
Changing the angle of the text .........................................................................................................................476
Slanting the text..................................................................................................................................................477
Fitting shapes to a path .....................................................................................................................................478
Using text as a path............................................................................................................................................478
Magnifying text using tools..............................................................................................................................479
Chapter 44: Creating Special Effects............................................................................................... 481
Using the Effects dialog box.............................................................................................................................481
Using Special ......................................................................................................................................................483
Using Stripes.......................................................................................................................................................485
Using Layers....................................................................................................................................................... 488
Using Overlap ....................................................................................................................................................492
Using Contour....................................................................................................................................................494
Using Effects Library......................................................................................................................................... 494
Book Ten: Repeating Text and Objects ..........................................................................................499
Chapter 45: Repeating Objects ⎯ Text or Shapes....................................................................... 501
Repeating in a line, matrix, or diagonal pattern............................................................................................501
Changing the spacing, size, and alignment for repeats................................................................................502
Chapter 46: Merging Text and Numbers ........................................................................................ 507
Repeating and merging text .............................................................................................................................507
Repeating text with AutoNumbers .................................................................................................................511
Merging text with AutoNumber......................................................................................................................514
Book Eleven: Managing, Converting, and Designing Fonts ....................................................... 515
Exploring the Font Manager program............................................................................................................517
Viewing Gerber Fonts in Font Manager .........................................................................................................520
Renaming a Gerber font style...........................................................................................................................522
Chapter 48: Viewing and Printing Installed Fonts ....................................................................... 527
Opening Font View............................................................................................................................................527
Viewing the list of installed fonts....................................................................................................................527
Printing the installed fonts ...............................................................................................................................531
Locating and copying characters in Font View .............................................................................................535
Chapter 49: Converting TrueType Fonts to OMEGA-Compatible Fonts .................................. 539
Using Font Converter........................................................................................................................................539
Fine-tuning the font...........................................................................................................................................543
Tips for working with TrueType fonts ...........................................................................................................548
Backing up fonts.................................................................................................................................................549
Chapter 50: Designing and Building Your Own Fonts ................................................................551
Introduction to font designing.........................................................................................................................551
Inputting the artwork........................................................................................................................................552
Building the font ................................................................................................................................................572
Accessing the font..............................................................................................................................................579
Book Twelve: Outputting the Job from Composer....................................................................... 591
Chapter 51: Sending the Job to a Plotter or Printer .................................................................... 593
Thermal printing and cutting the job..............................................................................................................593
Sending the job to an inkjet printer using Gerber ImageRIP.......................................................................595
Paper printing ....................................................................................................................................................595
Chapter 52: Sending the Job to a Person by E-Mail.................................................................... 599
Book Thirteen: Printing and Cutting the Job................................................................................. 601
Chapter 53: Opening and Closing GSPPlot.................................................................................... 603
Opening GSPPlot from Composer ..................................................................................................................603
Opening a GSPPlot from Windows.................................................................................................................606
Program Information.........................................................................................................................................607
Using the GSPPlot toolbar................................................................................................................................607
Viewing the GSPPlot toolbar............................................................................................................................607
Chapter 54: Setting Up the GSPPlot Window................................................................................ 609
Displaying the summary and status bars.......................................................................................................609
Displaying the rulers.........................................................................................................................................609
Sizing the work surface.....................................................................................................................................613
Zooming in on the job .......................................................................................................................................613
Viewing the attributes of a job .........................................................................................................................613
Using the GSPPlot Options dialog box...........................................................................................................615
Chapter 55: Managing Files in GSPPlot.......................................................................................... 617
File types created in GSPPlot ...........................................................................................................................617
Understanding Layers and Print Order in GSPPlot......................................................................................619
Saving all preferences........................................................................................................................................622
Saving files for future use.................................................................................................................................622
Viewing a spool file...........................................................................................................................................626
Including special job instructions....................................................................................................................629
Chapter 56: Creating a Mirror Image and Reversing Print Order............................................631
Creating a mirror image....................................................................................................................................631
Printing a job on transparent material............................................................................................................631
Printing a job on heat transfer paper...............................................................................................................632
Chapter 57: Multiple Copies in GSPPlot .......................................................................................633
Creating multiples of a job without panels....................................................................................................633
Setting the distance between repeats ..............................................................................................................634
Creating multiples of a job with panels..........................................................................................................635
Viewing a job with repeats and copies ...........................................................................................................635
Changing the size of a job.................................................................................................................................637
Choosing specific layers, vinyls, or foils to be output ..................................................................................639
Changing the weed border...............................................................................................................................648
Selecting panels to output.................................................................................................................................655
Displaying vinyl and foil information ............................................................................................................667
Displaying the foil settings...............................................................................................................................667
Chapter 61: Choosing the Plotter or Printer.................................................................................. 669
Installing a plotter or printer............................................................................................................................669
Choosing a plotter and printer.........................................................................................................................669
Choosing a print mode......................................................................................................................................671
Resolving an EDGE 2 or EDGE FX Print Mode conflict ...............................................................................672
Selecting the material size.................................................................................................................................672
Chapter 62: Cutting, Plotting, and Pouncing a Job ..................................................................... 681
Determining if there is sufficient vinyl for a job............................................................................................681
Minimizing tool travel during plotting ..........................................................................................................682
Cutting a job with multiple vinyls...................................................................................................................682
Double-cutting a job ..........................................................................................................................................684
Sending the job to a plotter...............................................................................................................................684
Chapter 63: Printing a Job on a Vinyl Printer............................................................................... 687
Sending the job to a vinyl printer ....................................................................................................................687
Printing Process Colors.....................................................................................................................................689
Using the GerberColor Backing and Finish dialog box................................................................................689
Calibrating the plotter to a printer ..................................................................................................................699
Configuring targets for accurate print-to-cut registration ...........................................................................703
Centering a job on the vinyl .............................................................................................................................710
Opening files for printing and cutting............................................................................................................712
Pausing and restarting a job.............................................................................................................................713
Removing jobs from Gerber Queue Manager................................................................................................714
Changing the job order .....................................................................................................................................715
Viewing plotter properties in GQMgr ............................................................................................................715
Viewing printer properties in GQMgr............................................................................................................ 716
Using GQMgr to manage the MAXX 2...........................................................................................................716
Book Fourteen: GSP Tray and Installing Hardware and Software ........................................... 719
Chapter 66: Using GSP Tray............................................................................................................... 721
Reviewing system information........................................................................................................................722
Viewing and printing Gerber installed fonts.................................................................................................724
Preparing to install devices ..............................................................................................................................725
Book Fifteen: Networking.................................................................................................................. 733
Chapter 67: Setting Up the GSP Network ...................................................................................... 735
Checking security system requirements......................................................................................................... 735
Establishing the network ..................................................................................................................................736
Connecting and sharing output devices.........................................................................................................736
Chapter 68: Sending Jobs Over the Network ................................................................................ 741
Using GSPPlot ....................................................................................................................................................741
Using Gerber Queue Manager.........................................................................................................................741
Using a dedicated server...................................................................................................................................744
Book Sixteen: Matching Colors with ColorID............................................................................... 747
Ways to set up ColorID.....................................................................................................................................747
Ways to use ColorID..........................................................................................................................................747
Chapter 70: Using ColorID ................................................................................................................. 749
Using ColorID alone.......................................................................................................................................... 749
Using ColorID with a colorimeter ...................................................................................................................750
Assigning the colorimeter COM port..............................................................................................................751
Choosing the Source Palette.............................................................................................................................752
Choosing the Source Color...............................................................................................................................753
Choosing the matching palette ........................................................................................................................753
Selecting the matching color ............................................................................................................................754
Finding the color name .....................................................................................................................................755
Using the matching color.................................................................................................................................. 755
Chapter 71: Using the Matching Color in Composer.................................................................. 757
Opening ColorID from Composer...................................................................................................................757
Manually entering the color name in Composer...........................................................................................759
Adjusting for material availability ..................................................................................................................760
Matching and creating colors........................................................................................................................... 760
Chapter 72: Additional ColorID Software Features ..................................................................... 763
Setting up an inventory.....................................................................................................................................763
Choosing the color match criteria....................................................................................................................765
Verifying foil color matches .............................................................................................................................766
Using GerberColor Spectratone II colors........................................................................................................ 768
Chapter 73: Introduction to Colorimeters...................................................................................... 773
Theory of operation...........................................................................................................................................773
Using the white standard..................................................................................................................................774
Calibrating the colorimeter to the white standard........................................................................................774
Illumination source and cleanliness................................................................................................................774
Connecting, charging, and turning on the CP320 .........................................................................................778
Calibrating the CP320........................................................................................................................................779
Using the CP320.................................................................................................................................................779
1
Book One:
Welcome
Thank you for purchasing OMEGA™, Gerber’s powerful, yet easy-to-use design and production
software for the signmaking and graphics industries.
This reference manual is divided into books and chapters, presenting information about the
hundreds of tools, commands, and features incorporated in OMEGA. If you review the Table of
Contents, you’ll see that the topics are short and task-oriented so that you can quickly find
information about the solutions that OMEGA provides for your design and production tasks
and problems.
There are three versions of OMEGA software, this manual is intended for use with all three as
well as with separately purchased options. Review the OMEGA Getting Started Manual for
details.
♦ OMEGA CP (Cut and Print) is the complete package for digital imaging and vinyl
cutting.
♦ OMEGA CS (Cut Solution) contains all the tools and features necessary for advanced
vinyl design and cutting.
♦ OMEGA LS (Layout System) provides design only. No output.
The first book introduces you to the OMEGA suite of programs and provides information on
where and how to get help. The following books and chapters contain all the OMEGA
programs and tools in a task-oriented presentation designed to solve any design and sign
making problems you encounter.
This book is divided into the following chapters:
Chapter 1, Introducing the OMEGA Programs describes the OMEGA suite of programs and
running in Demo Mode.
Chapter 2, Where to Get Help introduces you to this manual, the on-screen Help system, and
provides Gerber contact information.
Chapter 3, Opening and Closing Files explains these basic tasks and includes information on
adding PLT and GCA files to an open job.
Chapter 4, Saving Files details saving files in the PLT format, as well as other formats.
3
Chapter 1:
Introducing the OMEGA Programs
Welcome to Gerber OMEGA. This powerful and easy to use signmaking and graphics software
builds on the success of Gerber GRAPHIX ADVANTAGE® while incorporating many new
solutions for your design and production tasks and problems. To become more compatible with
standard Windows conventions, some tools work differently in OMEGA than in GRAPHIX
ADVANTAGE. Refer to “Convention changes from GRAPHIX ADVANTAGE to OMEGA” for
more information.
OMEGA is a 32-bit application that is fully integrated with other Gerber software, hardware,
and consumable products through the Matched Technology System™. Teaming OMEGA with a
plotter, scanner or digitizing tablet, and a thermal printer such as the GERBER EDGE FX® or
GERBER MAXX 2™, and Gerber materials opens the door for you to enjoy unmatched
productivity and quality jobs.
OMEGA is a suite of programs. To install OMEGA and connect your computer to other devices,
refer to the Getting Started with OMEGA manual. After OMEGA is installed in Microsoft®
Windows®, choose Start > Programs > GSP® OMEGA, then click an icon in
the list to open one of the programs described in the following paragraphs.
Art Path32 (Option) creates offset tool paths that a Gerber router uses to
output dimensional signs.
Composer is the design program used to create, edit, and fill text, shapes,
designs, and images. Composer also has the ability to import and export
individual files in many formats.
Use Font Designer to design and build your own fonts.
FastFacts opens a web link to the FastFacts area of www.gspinc.com (requires
an Internet connection). Please note that a copy of all FastFacts that are current
at time of software release also reside on the OMEGA CD and can be accessed
by browsing the OMEGA CD.
While Composer allows you convert individual files, the File Converter
program allows you to convert multiple files (batch conversion).
Font Manager allows you to view, add, and delete Gerber fonts using the
OMEGA font CD. This program also allows for font styles to be viewed and
changed.
The Font View program allows you to view the actual construction of every
character in each font and to paste characters into the Text box in the Text
dialog box.
Chapter 1:
4
Introducing the OMEGA Programs
Gerber ColorID™ is a separately purchased option and is a fast, efficient, and accurate way to
match a source color to another color.
GQMgr (Gerber Queue Manager) is a holding area for plot files and provides controls for
choosing the plotting and printing order.
The GSP Kern program allows you to kern specific pairs in Gerber fonts and save that kerning
for future use.
GSPPlot is used to plot, cut, and print jobs. It also provides limited job arranging and sizing,
and can install plotters and routers. (GSPTray is recommended for installation of hardware.)
Use GSP Setup to install software (options, libraries, and fonts) and tablets as well as to view
system information.
GSPTray provides easy installation or deletion of printers, plotters and routers and access to
Gerber installed fonts. Through GSPTray you can also display the system identification
information.
ImageRIP™ is a separately-purchased software option used to convert Gerber Plot (PLT) and
Gerber Artwork Definition (GAD) files - as well as many other file formats - to halftones so that
you can print jobs on a large format inkjet printer.
The Vantage Scan II program is used to convert black and white images into vector objects that
can be cut on a plotter or filled and printed.
PALman allows you to create and edit vinyl and foil palettes.
Sentinel Config is used to view and change the settings of your security key.
README displays the latest information about the current version of OMEGA. Review this
important information before using the software.
The Spectratone program is used to create a GerberColor Spectratone™ chart, which is a chart
of the spot colors available when you overprint two foils using a vinyl printer such as the
GERBER EDGE or the GERBER MAXX.
ThumbPrint allows you to output thumbnail representations of selected Gerber plot (PLT) files
to a paper printer.
TT Font Converter converts Windows TrueType fonts into vector-based Gerber fonts that can
be cut on a plotter or filled and printed to a printer.
SplView provides an accurate representation of an EDGE job's foil as it will be applied to the
vinyl. Each foil and cut information are shown as separations.
Running in Demo Mode
OMEGA offers a demonstration mode that allows the software to be loaded and used without a
security block. Demo mode allows virtually all Composer functionality, but jobs cannot be
preserved in any way. For example, jobs cannot be saved, exported or cut/copied using the
clipboard. The GSPPlot program will also run in Demo mode, but jobs cannot be output to a
plotter, Gerber printer, or saved to a spool file.
Demo mode can be used to learn OMEGA on a system that is not dedicated to shop design and
production. Demo mode does allow for paper printing from Composer. By allowing for paper
5
printing, an OMEGA shop can generate front office paper prints and customer proofs on a
system that is not dedicated to designing or outputting signs.
Before running in demo mode, OMEGA will always alert the user that the security key has been
removed or cannot be detected. A prompt is provided on screen that allows the user to re-check
for the security key, or run in demo mode.
Demo mode will start under the following conditions:
♦ If OMEGA is loaded and run without a security block. The demo mode message will
appear as soon as GSPTray begins upon system startup. Again, jobs cannot be
preserved in any way with the exception of paper printing.
♦ If the security block is removed from an OMEGA system that has been loaded and
running with a security block. The demo mode message will appear as soon as the
security key is removed. If the user wishes NOT to go into demo mode, they should be
sure the security key is properly installed, then click NO when prompted by the demo
mode message. OMEGA will search for the security key and resume normal operation
if the key is successfully found.
Returning to normal operation from Demo mode
If OMEGA is running in demo mode and the user wishes to return to normal operations with
an OMEGA security key, the user must close all OMEGA programs including GSPTray, install a
valid OMEGA security key, and then restart any OMEGA programs.
If a user attempts to load a newer version of OMEGA with an older security key, the install
program will prompt them for a password to upgrade. If the user chooses to load the newer
version of OMEGA over an older installation by removing the security key, then OMEGA will
load and run in Demo mode. An error message will occur if the older security key is reinstalled
on the newer OMEGA Demo mode system. OMEGA will not run with an older security key.
7
Chapter 2:
Where to Get Help
OMEGA software is user friendly while providing the most powerful package in the industry.
However, you may have a question about the purpose of a command or the use of a tool. Help
is available for you when you need it. These resources include:
About the manuals
Three manuals support OMEGA − Getting Started with OMEGA, the OMEGA Learning Guide,
and the OMEGA Reference Manual.
Getting Started with OMEGA provides information on setting up and connecting your computer,
security block, and peripherals. Instructions for loading software, some basic troubleshooting
advice, and an introduction to new features in OMEGA are also included.
The OMEGA Learning Guide provides a hands-on tutorial that teaches you about many of the
tools, commands, and features used to create and print effective and eye-catching designs.
This reference manual is written from a task-oriented perspective. Rather than discussing tools
or features as concepts, the manual presents information as solutions to design and production
problems. It is organized as a series of books about specific topics, such as “Creating the Basic
Design”, “Adding Color to the Design”, and “Editing the Design and Shapes.” The books are
further divided into chapters that address specific situations. For example, in the book “Editing
the Design and Shapes”, the chapters are “Editing the Design”, “Editing Points or Parts of
Shapes”, and “Reducing the Number of Points to Improve Cutting.” Refer to the Table of
Contents and Index to quickly locate information when designing and producing jobs.
Warnings, cautions, notes, and tips
The following conventions are used in this manual and in Help:
WARNING: A warning statement contains information which, if not followed,
could result in personal injury.
CAUTION: A caution statement contains information which, if not followed, could
result in damage to the equipment.
Note: A note contains information which could affect the successful completion of a task.
Tip: A tip contains a suggestion to make your task easier, offer an alternate method, or to
remind you of something that may appear elsewhere in the manual.
Chapter 2:
8
Where to Get Help
Keystroke and menu choice formats
The keystroke format shows how keys are used in combinations and sequences.
♦ A plus sign (+) between two key names means to press and hold the first key while
pressing the second key. For example, “Alt+F” means to press and hold the Alt key
and press the F key, then release both keys.
♦ A comma (,) between two key names means to press and release the keys in a
sequence. For example, “Alt+F,O” means to press and hold the Alt key and the F key,
then release both keys and press and release the O key.
The menu choice format uses an arrow (>) between the menu or toolbar names to show the
order in which to click to make a final specific choice. For example, “To start an AutoNumber
sequence, click Tools > Repeats/Merge > AutoNumber” means to click first on the Tools menu.
In the drop-down menu, click the Repeats/Merge choice. When the Repeats/Merge dialog box
opens, click the AutoNumber tab to open that dialog box so you can start the numbering
sequence.
Accelerator keys
Accelerator keys are “keyboard shortcuts” which can be used in place of clicking. Accelerator
keys are used in conjunction with the Alt, Shift, and Ctrl key and are identified by being
underlined in the command you want. For example, to open a file with accelerator keys, press
and hold Alt, then press F (the letter underlined in File menu). The drop-down File menu
opens. Press O (the letter underlined in the Open choice) and the Open dialog box appears.
Tip: This sequence could be written “Alt+F.O” or “Click File > Open to display the Open dialog
box.”
Refer to the accelerator key charts on the OMEGA Installation CD. Click the How To's button to
access the charts in PDF format.
Context menus
You can quickly open some dialog boxes or access tools and
commands by using a context menu. A context menu appears when
you click right. The menu is different depending on the tool mode. For
example, after you draw a box and the box tool is the active tool, if
you click right the context menu offers choices for cut, copy, paste,
undo, zoom, and constraints. If you select the box, the select tool is the
active tool. Now when you click right, the context menu offers these
choices plus front to back, group, import, fill, and stroke. A quick way
to open the Fill dialog box would be to draw, select, and click right.
Experiment by clicking right in different modes to see what choices
are available.
9
Mouse terminology
Mouse instructions use the following conventions:
Click means to quickly press and release the mouse button. This is the left (or primary) mouse
button unless otherwise stated.
Click right or right-click means to quickly press and release the right (or secondary) mouse
button.
Double-click means to click the mouse button twice in rapid succession.
Click and drag means to hold down the mouse button while moving the mouse.
Select means to place the mouse pointer on a menu item or object and click the mouse button.
You can also select an object or multiple objects by drawing a rubber band box around them
(also called marquee selecting).
Choose means to place the mouse pointer on a menu item, command, or tool and click the
mouse button.
Turn on a check box means to click in the check box so that a check mark appears in the box.
Getting help right in OMEGA
The on-screen Help system that is part of OMEGA software is designed to quickly and easily
provide procedures and information for you while you are working.
There are several ways to open Help topics:
♦ In a dialog box, press F1 to get information about that dialog box.
♦ Press Shift+F1 or click the arrow/question mark in the standard tool bar to turn the
cursor into a question mark, then click a tool, command, or menu item to get
information.
♦ Click Help > Help Topics to open the Help window.
The Help window contains three parts and allows you to find a topic, read it, and annotate or
print it.
Finding a topic
The Navigation pane on the left side of the window contains three tabs – the Contents tab
(shown in the illustration), the Index tab, and the Search tab. The Contents tab is arranged in the
same order as the Table of Contents of the reference manual and is synchronized with the topic
displayed in the Topic pane in the right side of the window. The Index tab displays an
alphabetical listing of the keywords associated with topics. The Search tab provides access to
full-text search.
Note: To open or close the Navigation pane, toggle the Show or Hide button on the Help
toolbar.
Chapter 2:
10
Where to Get Help
To find a topic
1 Click the Contents, Index, or Search tab to display the choice.
2 Scroll through the list.
3 Click a topic in the list to display it in the Topic pane.
Tip: If you open the Index tab, a quick way to find a topic is to type a word related to what you
want to do. For example, if you want to move an object, type “Move.” The list automatically
scrolls to display the word “Move” highlighted and the subtopics under it.
Finding additional topics in the Topic pane
The Topic pane contains three additional navigation tools. Clicking on words or phrases that
are in green type and underlined displays additional information directly related to the open
topic.
If you click the Prev or Next arrows, you sequentially step forward and backward through the
main help topics in the order in which they appear in the Table of Contents. You can also click
on one of the topics which are also shown to the right. The down arrow list (shown below as
Book 1) provides Browse Sequences of related topics. Choose the Browse Sequence from the list
to display those topics.
Another navigation tool is the “See Also” button directly below the topic title. Clicking on this
button displays a Topics Found list box with many topics, both directly and indirectly related to
the open topic. For example, in the “Decorative borders” topic, there are subtopics such as
“Setting the radius” and “Absolutely sizing the border” as well as topics related to drawing in
general, such as “Circles and ellipses” and “Rectangles and squares.”
To find additional topics and information
1 Click a green, underlined word or phrase, or on the See Also button. If you click on the
word or phrase, the Help topic for this subject appears.
2 Click on the Previous and Next arrows on the Help toolbar to step through the main
Help topics in sequential order.
3 Choose a Browse Sequence from the drop down list.
4 If you click on the See Also button, click on a topic in the Topics Found list box, and
then click Display to open the topic.
11
Finding previously-viewed topics
Click Back in the Help toolbar, you sequentially step back through each of the topics you have
viewed since you opened Help in this working session.
To sequentially find previously-viewed topics
Click Back in the Help toolbar or under Options > Back.
Printing topics
If you need a paper copy of a topic, you can print it right from the Help window.
To print a help topic
1 Click Options > Print or click on the Print button on the Help toolbar to open the Print
dialog box.
2 Choose the print options and then click OK.
Tip: A quick way to open the Print dialog box is to click Print in the Help button bar.
Other Information on the OMEGA CD
Other manuals and additional topics are available on the OMEGA CD as PDF files. Browse the
CD for the How To’s folder for Accelerator key charts, Distortion charts, and application tips.
Gerber FastFacts
Gerber FastFacts™ provides answers to technical and service questions. FastFacts are available
on the OMEGA installation CD.
Chapter 2:
12
Where to Get Help
Specific technical support
In addition to the manuals and on-screen Help, we also provide a fully-staffed Technical
Support Department as well as a number of alternate methods for assisting you.
Contacting Gerber Technical Support
If you require assistance operating your OMEGA system, please contact Gerber Technical
Support. If you are outside the USA, please contact your distributor.
Please use a phone that is close to your OMEGA system and have the following information
available before calling:
♦ Microsoft Windows version numbers
♦ GSP system ID and serial numbers
♦ OMEGA Installation CD, OMEGA Profile CD, Windows and hardware utilities disks
♦ The names of any peripheral (output) devices, such as a printer
If you are a Support First™ member, use your toll-free assistance number. For more information
on Support First, call 860-644-6971.
phone: 860-644-6971
fax: 860-871-3862
e-mail: gspservice@gspinc.com
Gerber web site
Visit the Gerber web site to learn about new products, download update files, and e-mail
comments and inquiries to us.
www.gspinc.com
13
Chapter 3:
Opening and Closing Files
The File menu contains several commands that allow you to open and close files, and import
existing files into an open job. If you have multiple jobs open, choose which job to work on
using the Window menu.
Creating a new file
When you start Composer, a new file without a job is created. You can create additional new
files (a new Composer window with no job) during a working session using the New command
in the File menu.
To create new files
Click File > New to display an empty Composer work surface.
Tip: To automatically open the last file you were working on when you start Composer, click
Tools > Options > File and turn on Reopen Last File at Startup. Click the Preferences button
to save the setting.
Opening an existing file
Open saved Gerber plot (PLT) files or any other file type with the Open command in the File
menu. If you already have a saved file open, the Open command opens another file in a new
window.
Embedding images when opening files
When opening an image file you have the option to embed images or to maintain the images as
linked files. The factory default is to link images. You can set this option as the default using the
Preferences button in the Open or Import dialog box. If you open an existing PLT file, the state
of any images in the file is maintained (embedded or linked). The Embed Image checkbox in the
Open and Import dialog boxes is only for opening or importing image files.
You can change individual linked images to embedded images using the check box in the Image
Fill dialog box. You can not change an embedded image to a linked image. If you want to link
an embedded image you must delete it and reimport it as linked by turning off the Embed
Images checkbox.
Chapter 3:
14
Opening and Closing Files
Opening files with layers active in Composer
When working with layers, OMEGA assumes that all jobs have at least one layer. Depending
on the file type that you are opening, the following applies:
♦ For a file type that does NOT support layers, the file opens in Composer with a single
layer which has the same name as the file.
♦ For a file type that supports layers you can choose to:
♦ Turn on Keep Layers and the file opens maintaining its layers with their
existing layer names.
♦ Clear Keep Layers to ignore the layers and the file opens with a single layer
which has the same name as the file.
To open existing files
1 Click File > Open or click the Open button on the Standard Toolbar. The Open dialog
box appears.
2 Choose the file type and the file name.
3 If the file that you are opening is an image file it is linked by default. Turn on the
Embed Images check box to embed images in the job. If you are opening a PLT file, the
state of any images in the file (embedded or linked) is maintained.
Note: Embedded images cannot be unembedded. You must delete the embedded image and
reimport it as a linked file.
15
4 The default setting is to open files onto a single layer. Turn on Keep Layers to maintain
layers that exist in the job.
5 Turn on the Preview checkbox to view the chosen file.
6 Click Open.
Tip: Right click a file in the Open dialog box to display the context menu, which displays
common commands.
♦ Choose Select from the context menu to automatically open the chosen file.
♦ Choose Plot to send the job to GSPPlot.
♦ Choose ImageRIP to send the job to Gerber ImageRIP.
♦ Choose Properties > Preview tab to see a preview of the job.
♦ Choose Properties > Job Information tab to view the vinyl, foils, fonts, and images
used in the job.
Adding a file to an open PLT file (Importing)
Use Import in the File menu to add a file − PLT or other format − to an already open PLT file.
You can also use Import to open a file with a format other than PLT into Composer as described
in “Importing and Exporting Files.”
Embedding images when importing files
When importing an image file you have the option to embed images or to maintain the image as
a linked file. The factory default is to link images. You can set this option as the default using
the Preferences button in the Import or Open dialog box. If you import an existing Gerber plot
(PLT) file, the state of images in the file is maintained (embedded or linked). The Embed Image
checkbox in the Open and Import dialog boxes is only for opening or importing image files.
You can change individual linked images to embedded using the check box in the Image Fill
dialog box. You can not change an embedded image to linked. If you want to link an embedded
image you must delete it and reimport it as linked by turning off the Embed Images checkbox.
Importing files with layers active in Composer
When working with layers, OMEGA assumes that all jobs have at least one layer. Depending
on the file type you are importing, the following applies:
♦ For a file type that does NOT support layers, a layer is automatically added to the file
upon import. Depending on the options that are chosen in the Import dialog box the
following occurs:
♦ Turn on Keep Layers to import the file into Composer
with a single layer which has the same name as the file.
For example, Horse.BMP.
♦ Clear Keep Layers and choose Flatten layers to: New
Layer to import the file into Composer with a single layer
which has the same name as the file. For example, Horse.BMP.
♦ Clear Keep Layers and choose Flatten layers to: Current Layer to import the
file onto the current active layer.
Chapter 3:
16
Opening and Closing Files
♦ For a file type that supports layers you can choose to:
♦ Turn on Keep Layers and the file imports maintaining layers and existing
layer names.
♦ Clear Keep Layers and choose Flatten layers to: New Layer to merge all
layers. The file imports onto a single new layer which has the same name as
the file.
♦ Clear Keep Layers and choose Flatten layers to: Current Layer to ignore all
layers. The file's objects are added to the current active layer.
To add a file to an open PLT file
1 Click File > Import to open the Import dialog box.
2 Choose the file type and the file name.
3 By default an image file will be linked. Turn on the Embed Images check box to embed
the image file in the job.
Note: Embedded images cannot be unembedded. You must delete the embedded image and
reimport it as a linked file.
4 By default, any layers in the file are ignored and the file is added to the Current Layer.
You can choose to import the file onto a New Layer or turn on Keep Layers to
maintain any layers in the job.
5 Click Import and the import cursor displays.
6 Click the cursor on the work surface to place the imported file at that location.
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