Genelec 7070-A Owners manual

Genelec 7060B, 7070A and 7071A Active Subwoofers
Operating Manual
LSE Series
General description
Genelec 7060B, 7070A and 7071A are pow-
erful active subwoofers, incorporating all the
for bass management and reproduction in
modern 6.1 or 5.1 channel surround sound
or traditional stereo systems. Their 19 to
120 Hz (±3 dB) frequency range, ample
sound pressure capability and versatile
connections make these subwoofers ideal
companions for Genelec's active monitoring
speakers.
Bass management unit
The built-in bass management unit has six
signal input and output channels (L/C/R Front
and L/C/R Rear), a discrete LFE signal input
and a summed signal output, providing great
flexibility and easy connection in all monitor-
ing environments.
The active crossover contained in the bass
management unit splits the input signals into
low and high frequency components at 85
Hz. Frequencies below 85 Hz are directed to
the subwoofer and frequencies above 85 Hz
to the main speakers.
The low pass section sensitivity can be
adjusted from +12 dBu to -6 dBu to allow
easy subwoofer level matching with various
main speakers. All outputs have 0 dB pass-
band gain.
The low pass frequency of the LFE input
channel can be set to 85 Hz, 120 Hz or 85 Hz
with "Redirect" function that routes LFE con-
tent above 85 Hz to the front center monitor.
The input sensitivity of the LFE channel can
be set to 0 dB or +10 dB.
Balanced XLR connectors are used for the
system audio inputs and outputs.
Two "Bass Roll-Off" switches are included
to provide a flat bass response in all acous-
tical environments, enabling adjustments of
the subwoofer response in three -2 dB steps.
Two phase matching switches in the crosso-
ver allow compensation for the delay which
occurs if the subwoofer is placed away from
the main speakers, or for other speaker sys-
tems phase behaviour. Four settings are pro-
vided between 0° and -270°. An 85 Hz test
tone generator is included to help achieve
accurate crossover phase alignment.
Installation
Each subwoofer is supplied with a mains cable
and an operating manual. Once unpacked,
place the subwoofer in a suitable location (for
more details see the "Positioning" section).
Before connecting the audio signals, ensure
that both the subwoofer and the main moni-
tors are switched off. Check that the voltage
selector switch is set according to your local
mains voltage (subwoofers sold in Europe
have a fixed 230V setting). Connections are
easier to make if you roll the subwoofer on
its side with the connector panel facing up.
Use this position only for making the con-
nections and roll the subwoofer back to its
normal upright position before use. Audio
connections to the subwoofer are made via
balanced XLR connectors. An unbalanced
source can also be used with a special RCA
to XLR cable; the correct connection for the
cable is shown in Fig. 2. However, we recom-
mend the use of balanced cables and con-
nectors due to their better noise immunity.
The connectors are arranged in three rows
on the connector panel (see Fig. 1):
Top row
LFE IN / SUM IN: Use this connector for
the LFE or .1 output channel of a 5.1-
or 6.1-channel dis crete surround sound
source, or the SUM OUT signal from the
"master" subwoofer in a daisy-chained mul-
tiple subwoofer configuration. Note that the
"subwoofer out" channel of an analogue
7060B, 7070A and 7071A Active Subwoofers
matrix surround decoder (Dolby Surround,
Dolby Pro Logic) should not be connected to
the "LFE IN" input. See section "Subwoofer
in analogue matrix sound systems".
SUM OUT: Use this output connector when
you want to link another subwoofer to your
system. "SUM OUT" carries an unfiltered sum
of signals combined from all input channels.
See section "Using multiple subwoofers".
Middle row
FRONT L, C, R CHANNELS IN/OUT: Use
these connectors for the Front Left, Center
and Right channels of a surround sound
system or the Left and Right channels of a
Stereo system. Connect line level signal
cables from your signal source to their respec-
tive "LEFT IN", "CENTER IN" and "RIGHT IN"
connectors. Then connect the subwoofer to
your main monitors with XLR cables from the
"LEFT OUT", "CENTER OUT" and "RIGHT
OUT" connectors. All "L, C and R OUT" chan-
nels are high pass filtered with the filtering
frquency fixed at 85 Hz (12 dB/octave).
Bottom row
REAR L, C, R CHANNELS IN/OUT: Use
these connectors for the Rear Left, Center
and Right channels of a surround sound
system. The connection is made in the same
way as with the Front channels. Also these
channels are high pass filtered at 85 Hz.
Once all connections have been made, the
subwoofer and main monitors are ready to be
powered up.
Positioning in the room
The placement of the subwoofer in the room
affects the overall frequency response and
sound level of the system dramatically, as at
low frequencies the effects of the room are
strong. Even a slight change in the subwoof-
er's location can make a marked difference
in the frequency balance and often patient
and methodical experimentation and testing
is needed to find the optimum placement.
The placement will affect the phase dif-
ference between the main monitors and the
subwoofer, and also the bass roll-off rate.
These effects can be compensated by the
use of the controls in the amplifier unit; but
we recommend that at first you leave the
switches untouched and concentrate on find-
ing the position where the subwoofer gives
the smoothest response, and only then use
the controls to fine-tune the balance and
phase alignment between the subwoofer and
the main monitors.
To begin with, place the subwoofer slightly
offset from the center of the front wall. The
recommended distance to the wall is less
than 60 cm / 24" measured from the sub-
woofer's driver (See Fig. 3). This position
gives increased acoustic loading (and SPL)
due to the proximity of the front wall and floor.
Cancellations from the front wall and floor are
also avoided. Front wall cancellation for the
85 Hz high pass filtered main speakers can
be eliminated by placing them at least 110
cm / 43" away from the front wall. In a mul-
tichannel system the main monitors should
ideally be positioned symmetrically and at an
equal distance from the listening position.
If the frequency balance is not right, try
moving the subwoofer slightly to the left or
right so that different room modes are excited
at different levels. Positioning the subwoofer
close to a corner will boost the bass level
at lower frequencies and may cause asym-
metrical spatial imaging. If you are using two
subwoofers, try placing them asymmetrically
relative to the side walls. Sometimes moving
the subwoofers apart into the front corners
helps with problematic rear wall reflections
and the loss of mutual coupling is compen-
sated by the bass boost caused by corner
positioning.
Figure 3. Recommended distances to the front wall
Figure 1. 7070A's connector panel, connectors a nd controls.
Figure 2. XLR to RCA connector for unbalanced operation.
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