Genelec 1037-C Owners manual

Page 1
1037C and 1038B
Operating Manual
Genelec 1037C and 1038B Tri-amplified Monitoring Systems
Page 2
Genelec 1037C and 1038B Tri-amplified Monitoring Systems
System
The Genelec 1037C and 1038B are three-
way active monitoring systems including
crossovers. The systems are designed for
music recording studios, film and video post-
production and general broadcasting moni-
toring as well as for mastering suites. They
are designed to perform well both as free-
standing monitors or flush mounted into the
control room wall.
The unique Directivity Control Waveguide™
(DCW™) Technology developed by Genelec
provides excellent stereo imaging and fre-
quency balance even in difficult acoustic
environments. The fast, low distortion ampli-
fiers are capable of driving the stereo system
to peak output levels in excess of 124 dB
SPL at 2 m (1038B) or 126 dB SPL at 1.7
m (1037C) with program material. Versatile
crossover controls allow for precise matching
of the speaker system to different acoustic
conditions.
Drivers and cabinet
construction
On the 1038B the low frequencies are repro-
duced by an 385 mm (15”) bass driver loaded
with a 110 liter vented box. The -3dB point
is 33 Hz and the low frequency response
extends down to 29 Hz (-6 dB). The 1037C
features a 305 mm (12”) bass driver in a 65
liter vented box with the -3 dB point at 35 Hz
and -6 dB at 32 Hz.
Both models share the same midrange
and high frequency driver layout with a pro-
prietary 130 mm (5”) direct radiating cone
for the MF and a 25 mm (1”) metal dome for
the HF loaded by proprietary Directivity Con-
trol Waveguide. All drivers are magnetically
shielded.
Crossover filters
The active crossover network consists of
three parallel bandpass filters. The crosso-
ver frequencies are 410 Hz and 3.0 kHz
on the 1038B and 420 Hz and 3.2 kHz on
the 1037C. Bass, midrange and treble level
controls with 1 dB steps are included in the
crossover to obtain uniform frequency bal-
ance in different acoustic conditions. The low
frequency Tilt and Roll-off controls both have
four 2 dB steps to allow refined low frequency
response tailoring. The crossover network is
driven by an active balanced input stage, fed
by a 3 pin XLR connector. Variable input sen-
sitivity allows for accurate level matching to
console output section.
Amplifiers
The bass, midrange and treble amplifiers
on the 1038B produce 400 W, 120 W and
120 W of short term power. The 1037C has a
180 W amplifier for the low frequency driver
and 120 W amplifiers each for midrange and
treble drivers. The amplifiers are designed
to operate at very low THD and IM distortion
values and incorporate special circuitry for
driver overload protection and amplifier ther-
mal protection.
Installation
Each monitor is supplied with an integrated
amplifier unit, a mains cable and an operat-
ing manual. Once unpacked place the loud-
speaker in its required listening position,
taking note of the line of the listening axis
(see Figure 1).
Sufficient cooling for the amplifier must
be ensured. The minimum clearance for the
amplifier is 10 centimeters (4”) to any object.
The space adjacent to the amplifier must
either be ventilated or sufficiently large to
dissipate heat so that the ambient tempera-
(95°F). If the speaker is flush mounted into
the wall structure, the amplifier can be placed
separately into an equipment rack using an
Page 3
Speaker mounting
W1
H1
> 1
m
W2
H2
ACOUSTICAL AXIS
> 1
m
-2
-4 dB
-6
-8
BASS ROLL-OFF
INPUT SENSITIVITY
SIGNAL INPU
T
INPUTSENSITIVITY REQUIREDFOR 100dBSPL@1m. REFERT
O OPERATINGMANUAL FORMAXIMUM SPL.
PIN1 =GROUND PIN2 =+INPUT PIN3 =-INPUT
˜
MAINSINPUT 50/ 60Hz 300Watts 115/
230V
ON
MAINS VOL
TAGE
SELECTOR
2
3
-4+4
1
dBu
+6
-6
+2
0
-2
ENSURETHAT THECORRECT VOLTAGEIS SELECTEDBEFORE CONNECTINGTO THEMAINS SUPPLY.
THISEQUIPMENT
ISCAPABLE OFPRODUCING SOUND
PRESSURELEVELS
INEXCESS OF 85dBWHICH MAYCAUSE
PERMANENTHEARING DAMAGE.
NEVEROPERATE THISEQUIPMENT WITHOUT
APROPER
EARTHEDMAINS CONNECTION.
DONOT EXPOSETO WATEROR MOISTURE.
SERIAL NUMBER
ITIS FORBIDDENTO UNDOANY SCREWS ONTHIS EQUIPMENT. SERVICINGAND ADJUSTMENTMUST ONLYB
ECARRIED OUT
BYQUALIFIED SERVICEPERSONNEL.
ELECTRIC SHOCK HAZARD!
WARNING
MADEIN FINLAND
www.genelec.co
m
1037CTRI-AMPLIFIED MONITORING SYSTEM
GENELECR
f
20Hz 100Hz
-4
-6
-8
0
-2
ALLOFF
MID LEVEL
TREBLE LEVEL
BASS LEVEL
BASS TILT
-1
-2
-3
-4 dB
-5
-6 MUTE
-2
-4 dB
-6
-8
OFF ON
OFF O
N
OFF O
N
-1
-2
-3
-4 dB
-5
-6 MUTE
OFF ON
-1
-2
-3
-4 dB
-5
-6 MUTE
OFF ON
FORACCURATE OPERATIONONLY ONE
SWITCHIN EACH
TONECONTROL GROUP
SHOULDBE ON ATA TIME.
0
-1
-2
-3
-4
-5
-6
20Hz 400Hz 3kHz 20kHz
ALLOFF
0
20Hz 250Hz
dB
-6
-8
-4
-2
dB
FORA FLATFREE FIELD RESPONSESET ALL
TONECONTROLS TO OFF.
BASS
dB
MI
D
LEVELCONTROLS
CALPOSITION ALL
TONECONTROLS : OFF
INPUTSENSITIVITY
:-6dBu
TREBLE
USING THETONE CONTROLS
REFERTO THE OPERATINGMANUAL FOR
SUGGESTED
TONECONTROL SETTINGS.
TREBLE,
MIDRANGE
AND BASS
LEVEL
SWITCHES
BASS TILT
AND
ROLL-OFF
SWITCHES
INPUT
SENSITIVITY
ADJUSTMENT
SIGNAL INPUT
CONNECTOR
MAINS VOLTAGE
SELECTOR,
MAINS CONNECTOR AND SWITCH
position
Bass
roll-off
Bass tilt Bass
level
Midrange
level
Treble
level
Free anechoic response None None None None None
Free standing in a damped room
Free standing in a reverberant room
None -2 dB None None None
None -2 dB -2 dB None None
In a corner -2 dB -2 dB -2 dB None None
Soffit mounted in a control room wall
None None -4 dB None None
Table 1. Suggested ton e control setting s for different acoustic environments
H1 mm (in) W1 mm (in) H2 mm (in) W2 mm (in)
1037C 540 (21
1038B 650 (25
1
/4") 200 (7 7/8") 230 (9 1/16") 170 (6 11/16")
5
/8") 240 (9 1/2") 275 (10 7/8") 210 (8 1/4")
Figure 1. Location of the acoustic axis Figure 2. Amplifier panel layout of the 1037C.
optional rack mount kit (see sections ‘Flush
mounting’ and ‘Accessories’).
Before connecting up, ensure that the
mains switch is off (see Figure 2). Check that
the mains voltage selector is correctly set to
your local voltage. Audio input is made via a
10kOhm balanced XLR connector, but unbal-
anced leads may be used as long as pin 3 is
grounded to pin 1 of the XLR. Once connec-
tion has been made, the speakers are ready
to be powered-up.
Setting the input sensitivity
Adjustment of the input sensitivity of each
speaker can be made to match the output of
the mixing console or other source, by use of
the input sensitivity control on the rear panel
(see Figure 2). A small screwdriver is needed
for the adjustment. The manufacturer default
setting for this control is -6 dBu (fully clock-
wise) which gives an SPL of 100 dB @1m
with -6 dBu input level. To get the full output
level of 120 dB SPL from the 1038B an input
level of +14 dBu is needed at this setting.
Respectively, the full output level of the 1037C
is reached at an input level of +10 dBu.
The acoustic response of the system may
also have to be adjusted to match the acous-
Setting tone controls
setting the five tone control switch groups
degrees in the appropriate direction and
remount the screws.
‘bass tilt’, ‘bass roll-off ’, ‘bass level’, ‘mid
level’ and ‘treble level’ on the rear panel of
the amplifier. The manufacturer’s default set-
tings for these controls are ‘All Off ’ to give
a flat anechoic response. See Table 1 for
suggested tone control settings in differing
acoustic environments. Figures 7 and 8 show
the effect of the controls on the anechoic
response. Always start adjustment by setting
all switches to the ‘OFF’ position. Then set
only one switch per group to the ‘ON’ posi-
tion to select the response curve required. If
more than one switch is set to ‘ON’ (within
one switch group) the attenuation value is no
longer accurate.
The 1037C and 1038B can be used flush
mounted into the control room wall, which
offers some acoustical benefits. No cabinet
edge diffraction will occur, resulting in an
improved response, especially at midrange
frequencies. Low frequency reflections from
the wall behind the speaker can be avoided,
which improves the low frequency response
and efficiency and allows the speaker to work
in half space conditions. In terms of installa-
tion and orientation, the speaker’s acoustical
to the listening position. The speaker should
Flush mounting
be vertically aimed so that the acoustical axis
Vertical / horizontal mounting
The speakers are delivered either for verti-
cal or horizontal mounting. In the horizontal
mounting position the bass drivers should
point inwards to obtain better low frequency
coupling. If the speaker positioning needs to
so that the midrange driver remains always
located at the bottom of the DCW. Remove
the plate carefully out without stressing the
wires and the gasket. Rotate the plate 90
of the two speakers meet midway between
the standing and seated listening position
(1.4m - 4’7” from the floor). In the horizon-
according to the standard stereophonic (60
degrees between left-right channels) or mul-
tichannel (ITU-R BS.775-1) placement rec-
ommendation.
The ceiling, side walls and especially the
rear wall should be acoustically absorbent
at low frequencies. The wall in which the
speakers are mounted should have a high
Page 4
Figure 3: Flush mounting the speaker in a
HEAVY WOODEN WALL
ABSORBING
MATERIAL
VIBRATION ISOLATORS f ~ 2-8 Hz
AMPLIFIER
REMOVED
FROM ENCLOSURE
CONCRETE WALL
SAND
BAGS
VIBRATION ISOLATORS f ~ 2-8 Hz
AMPLIFIER
REMOVED
FROM ENCLOSURE
CONCRETE
STRUCTURE
MULTI-LAYERED WALL (WOOD, CONCRETE, BRICKS)
VIBRATION ISOLATORS f ~ 2-8 Hz
AMPLIFIER
REMOVED FROM ENCLOSURE
FACING PANEL
FIXED TO THE WALL
(50-100 mm / 2-4")
RUBBER GASKET
(5-10 mm / ¼-½")
SPEAKER
WALL
wall constructed of wood
Figure 4: Flush mounting the speaker in a wall constructed of concrete
Figure 5: Flush mounting the speaker in a wall constructed of a combination of materials.
frequency radiation condition into half space
and be angled so that the speakers are cor-
rectly aimed. However, the speakers should
not be mounted too high as this increases
the required vertical tilt of the speaker (maxi-
mum tilt angle < 20 degrees) and reduces the
optimum listening area. Great care should be
taken over how the speaker is mounted into
the wall. Note the following:
A space 50 to 100 mm (2 to 4”) wide can
be left around the speaker. Cover the space
around the speaker with a facing panel that
should be fixed to the wall. Leave a gap of
about 5 to 10 mm (¼ to ½”) between the
speaker and the panel. Fill this gap with a
soft rubber gasket to allow for possible cabi-
net movement (see Figure 6).
Ensure that the speaker cables can reach
the rear of the speaker cabinets.
Regardless of the type of front wall con-
str uction the speaker cabinet should be
mounted on vibration isolators, with a reso-
vibrations from being transmitted to the wall
and impairing the low frequency perform-
ance.
If a heavy wooden front wall construction
is used, the space around the cabinet should
be filled with absorbent mineral wool or foam
heavily braced to achieve sufficiently high
mass and rigidity (see Figure 3).
In a solid wall (e.g. concrete) structure,
the space around the cabinet should be filled
with either absorbent mineral wool or sand
bags (see Figure 4).
The wall can also be constructed of a com-
bination of materials to achieve high acousti-
cal structural mass that will disable low fre-
quency sound propagation and provide high
LF sound isolation (see Figure 5). Acoustic
consultants will be able to provide details and
design these structures.
Ensure that the cabinet is flush with the sur-
face of the wall. Discontinuities in the speaker
mounting wall will cause diffraction, which
leads to inferior frequency response and
stereo imaging. So, if a decorative cloth frame
is used to cover the wall, make sure that the
edges adjacent to the speaker are less than
20 mm (3/4”) deep. The cloth must be very thin
Tricot or an acoustically transparent material
otherwise the high frequency response of the
system will be adversely affected. Genelec
approved cloth grilles are available.
Overload indicators
The speaker is provided with two indicator
LED’s marked ‘CLIP PROTECT (FAULT)’ and
‘READY’ (1038B) or ‘ON’ and ‘OVL’ (1037C).
The green LED indicates that the speaker is
ready for use. The red LED indicates that the
amplifier is overloaded or the driver protec-
tion circuit is activated. In both cases reduce
the signal level so that the LED stops blink-
Figure 6: Covering the gap between the wall and the speaker cabinet.
ing. If the red LED stays on constantly it indi-
cates that the amplifier thermal protection is
activated. Let the amplifier cool down and
check that the ventilation around the ampli-
fier is not blocked. There should be a clear-
amplifier face panel and any solid surface at
the back.
Maintenance
No user serviceable parts are to be found
within the amplifier unit. Any maintenance or
repair should only be undertaken by quali-
fied service personnel. Ensure that if fuse
replacement is required, only fuses of the
same voltage and current rating are used.
Remember to disconnect the power supply
by removal of the mains cable, before fuse
replacement.
Page 5
Figure 7: The curves above show the effect of t he ‘bass’, ‘mid’ and
80
85
90
20
20k
50
100
200 500
1k 2k
5k
10k
dBr
Hz
80
85
90
80
85
90
BASS LEVEL
BASS ROLL-OFF
MIDRANGE LEVEL
BASS TILT
TREBLE LEVEL
AUDIO PRECISION 1038BANEC vs 16 APR 02LEVEL(dBr) FREQ(Hz)
BASS TILT
BASS LEVEL
TREBLE LEVEL
BASS ROLL-OFF
MIDRANGE LEVEL
80
85
90
20
20k
50
100
200 500
1k 2k
5k
10k
dBr
Hz
80
85
90
80
85
90
AUDIO PRECISION 1037CANEC vs 04 OCT 02LEVEL(dBr) FREQ(Hz)
0
15
30 45
65
70
75
80
85
90
95
20
20k
50
100
200 500
1k 2k
5k
10k
dBr
Hz
85
90
95
100
AUDIO PRECISION 1037CANEC vs 04 0CT 02LEVEL(dBr) FREQ(Hz)
65
70
75
80
85
90
95
20
20k
50
100
200 500
1k 2k
5k
10k
30°
15°
45°
dBr
Hz
85
90
95
100
AUDIO PRECISION 1038BANEC vs 16 APR 02LEVEL(dBr) FREQ(Hz)
‘treble’ level controls, and the ‘bass tilt’ an d ‘bass roll-off ’ controls on the free field response of the 1037C, measur ed at 2 m.
Figure 8: The curves above show the effect of t he ‘bass’, ‘mid’ and ‘treble’ level controls, and the ‘bass tilt’ an d ‘bass roll-off ’ controls on the free field response of the 1038B, measur ed at 2 m.
Figure 9: The upper curve group shows the horiz ontal directivity characteristics of the 1037C in its vertical co nfiguration measured at 2 m. The lower curve is a 1/6 octav e power response measurement, derived from 144 individu al directivity measurements.
Safety considerations
Although the 1037C and 1038B monitors
have been designed in accordance with
international safety standards, to ensure
safe operation and to maintain the instrument
under safe operating conditions, the following
warnings and cautions must be observed:
1. Servicing and adjustment must only
be performed by qualified service
personnel. The amplifier’s rear panel
must not be opened.
2. Do not use this product with an
unearthed mains cable as this may lead
to personal injury.
3. To prevent fire or electric shock, do not
expose the unit to water or moisture. Do
not place any objects filled with liquid,
Figure 10: The upper curve group shows the hori zontal directivity characteristics of the 1038B in its vertical configu ration measured at 2 m. The lower curve is a 1/6 octav e power response measurement, derived from 144 individu al directivity measurements.
such as vases on the speaker or near it.
4. Note that the amplifier is not completely
disconnected from the AC mains
service unless the mains cable
is removed from the amplifier or the
mains outlet.
WARNING!
These speakers are capable of producing
sound pressure levels in excess of 85 dB,
which may cause permanent hearing
damage.
Guarantee
This product is supplied with one year guar-
antee against manufacturing faults or defects
that might alter its performance. Refer to sup-
plier for full sales and guarantee terms.
1037C Accessories
Order code
Wall mount 1037-404
Floor stand 1037-405
Handles 1001-406*
Protective grille 1037-409
Rack adapter 1037-412
* Factory installed option only
1038B Accessories
Order code
Floor stand 1038-405
Handles 1001-406*
Protective grille 1038-409
Rack adapter 1038-421
* Factory installed option only
Page 6
1037C and 1038B Operating Manual
SYSTEM SPECIFICATIONS
1037C 1038B
Lower cut-off fr equency, -3 dB Upper cut-off fr equency, -3 dB Free field frequency response of system
Maximum short te rm sine wave acoustic output on axis in half spa ce, averaged from 10 0 Hz to 3 kHz
Maximum long ter m RMS acoustic output in same c onditions with IEC ­weighted noise ( limited by driver u nit protection circu it)
Maximum peak aco ustic output per pair above c onsole with music materia
Self generated n oise level in free field @1m on axis
Harmonic distort ion at 95 dB SPL at 1m on axis:
Drivers Bass Midrange Treble All drivers are magnetically shield ed
Weight 37 kg (82 lb) 60 kg (130 lb)
Dimensions Height Width Depth
<35 Hz >22 kHz 37 Hz - 21 kHz ( ±2.5 dB)
@1m >116 dB SPL @1m >120 dB SPL
@1m >107 dB SPL @1m >116 dB SPL
@ 1.7m >126 dB @ 2m >124 dB
<15 dB (A weight ed)
freq. <100 Hz <3 % freq. >100 Hz <0 .5%
305 mm (12") con e 130 mm (5") cone 25 mm (1") metal dome
680 mm (26 3/4") 400 mm (15 3/4") 380 mm (15")
<33 Hz >20 kHz 35 Hz - 20 kHz ( ±2.5 dB)
freq. 50...100 H z <1% freq. >100 Hz <0 .5%
385 mm (15") con e 130 mm (5") cone 25 mm (1") metal dome
810 mm (32") 480 mm (18 9/10" ) 420 mm (16 1/2")
CROSSOVER SECTION
1037C 1038B
Input connector XLR female pin 1 gnd
Input impedance 10 kOhm
Input level for 100 dB SPL output @1m
Input level for maximum short term output
Subsonic filter 18 dB/octave
Ultrasonic filte r 12 dB/octave abo ve 25 kHz
Crossover freque ncy Bass/Mid Mid/Treble
Crossover acoust ical slopes 18 - 24 dB/octav e 24 - 32 dB/octav e
Crossover level control operating range in 1 dB st eps Bass Mid Treble
Bass roll-off co ntrol in 2 dB steps from 0 to -8 dB @35 Hz from 0 to -8 dB @33 Hz
Bass tilt contro l in 2 dB steps from 0 to -8 dB @8 0 Hz
pin 2 + pin 3 -
variable from +6 to -6 dBu
variable from +2 2 to +10 dBu for 116 dB S PL @1m
below 35 Hz
420 Hz
3.2 kHz
from 0 to -6 dB from 0 to -6 dB from 0 to -6 dB
The 'CAL' positi on is with all tone controls set to 'o ff' and input sensit ivity control to ma ximum.
variable from +2 6 to +14 dBu for 120 dB S PL @1m
18 dB/octave below 33 Hz
410 Hz 3 kHz
AMPLIFIER SECTION
1037C 1038B
Bass amplifier s hort term output power
Midrange amplifi er short term outpu t power with an 8 Ohm load
Treble amplifier short term o utput power with an 8 Ohm load
Slew rate 80V/µs
Amplifier system distortion at nomi nal output THD SMPTE-IM CCIF-IM DIM 100
Signal to Noise ratio, referred to full output Bass Midrange Treble
Mains voltage 10 0/200V or 115/230V
Voltage operating range nominal ±10%
Power consumption Idle Full output
180 W (4 Ohm loa d) 400 W (8 Ohm loa d)
120 W
120 W
Long term output power is limited b y driver unit prote c­tion circuitry.
<0.05% <0.05% <0.05% <0.05%
>100 dB >100 dB >100 dB
50 W 300 W
60 W 500 W
Genelec Docu ment D1037CR001a Copy right Genelec Oy 2.200 5. All data subject t o change without prio r notice
Intern ational en quiries:
Genele c, Olvitie 5
FIN-74 100, Iisal mi, Finlan d
Phone +358 17 83 881
Fax +358 17 812 267
Email genele c@genelec.com
In the U.S. plea se contact :
Genele c, Inc., 7 Tech C ircle
Natick , MA 01760 , USA
Phone +1 508 652 0900
Fax +1 508 652 0909
Email genele c.usa@genelec.com
In Chi na please contact:
Genele c China Re presentati ve Office
Soho N ew Town, 88 Jia nguo Road
D-150 4, Chaoyan g District
Beijin g 100022, China
Phone +86 10 858 0 2180
Fax +86 10 8580 2181
www.genelec.com
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