FujiFilm MX-500, NX-5 Specifications

FUJIFILM DIGITAL CAMERA

MX-500

You’re Moving Up in the World

New

The MX-500 may look like a

luxury, but you’ll quickly

decide it’s a necessity. If you’re

preparing a presentation, you’ll

have the super-megapixel qual-

ity of a CCD with 1.5 million

square pixels. And for weekend

outings, it has the trim lines that

make digital imaging more fun.

The only question: How could

you ever get along without it?

FUJIFILM

Digital CameraMX-500

1.5 Million Eyes

From recording to printing,
the design of the MX-500
takes quality very, very
seriously. This precision
starts with a new super-

megapixel CCD developed by Fujifilm. With

1.5 million square pixels to capture all the
nuances, images include every detail.

You’ll also have an RGB primary-color

filter with advanced spectral charac-

teristics that bring out all the color

tones and gradations.

The Need for Speed

With other digital cameras, super-megapixel
images take longer to process and store —
and that leaves you waiting instead of
shooting. The MX-500 has a better answer:
A high-speed RISC processor with on-board
DRAM. Coupled with an original image pro­cessing algorithm, it speeds up processing
and delivers sharp, detailed images. To bal­ance quality, processing time and storage
requirements, you also have the choice of
the Fine, Normal or Basic Quality Mode.

Looking Sharp

When you compose another great shot, you
can use either the optical viewfinder or the

1.8-inch color LCD monitor. The crisp and

clear LCD monitor also comes in handy
when you want to review images immedi­ately or show them to others.

Precision Is Automatic

The MX-500 accurately and instantaneously
measures the light and distance to the subject.
The CCD Autofocus System sets the right
focal length, while the Program AE System
has the precision of 64-zone metering.

Clearly Better

With its high resolution of 170
lines/mm, the new Fujinon
lens is sharper than many
SLR lenses. Distortion has
been held to an amazingly

low 0.3% — two-thirds less
than you find in a typical digital camera in
this class. Acclaimed for its performance in
professional broadcast cameras, the lens
has a large F3.2 aperture, and it offers the
wide-angle versatility of a focal length
equivalent to 35 mm with a 35 mm camera.

Easily Done

It’s simple to pick
the appropriate
shooting, playback
or editing mode.

Just use the Mode
Dial and the Four-Direction Key on the back
of the camera to make your selection.

Convenience and Creativity

In the Auto Mode, the MX-500 takes care of
all the settings, but you don’t have to give
up creative control.

In difficult lighting, the exposure com­pensation can be adjusted from –0.9 EV to
+1.5 EV in 0.3 EV increments. There are a
lot of other functions as well, including
White Balance Adjustment for the type of
light and Flash Power Adjustment. In the
Macro Mode, you’ll have the freedom of
moving in as close as 9 cm/3.5 in. to shoot
subjects as small as a business card. The
Digital 2

´

Telephoto Mode adds even more
possibilities, and you can choose from three
Sharpness Modes and resolution of 1,280

´

1,024 or 640 ´480 pixels. For sure control
in flash photography, use Slow Sync or
Daylight Sync in the Manual Mode.

Playback Is Fun, Too

Along with conventional Single-Frame
Playback, you can choose from an array of
modes that make displaying images almost
as creative as shooting them. When you
want to check the details of an image,
select the Playback Zoom Mode for enlarge­ment up to 4

´

, and then scroll to the area of

interest with the Four-Direction Key.
The MX-500 also makes it easy to
check a series of images with the Multi-

Frame Playback
Mode showing an
array of nine images.
And if you’re with col­leagues, friends or

family, it’s simple to
display your images on a TV monitor. Just
use the video output terminal to connect the
camera, and you’ll be ready for fun.

Limitless, Handy Storage

Your images are
recorded on a
removable
SmartMedia™ Card, so you

can always put in another
when one is full. The ultracompact storage
medium is perfect for anyone on the move,
and it simplifies transferring files to a com­puter. Just add the optional PC card
adapter or floppy disk adapter, or use a
cable to download images to a PC through
the MX-500’s serial port.

The SmartMedia™ Card makes high­quality printing easy, too. Simply insert it
into the slot of Fujifilm’s Digital Printer
NX-5/5D, and its Thermo-Autochrome (TA)
technologies will deliver photo-like results.

Designed to Last

The MX-500 is so energy efficient that its four
AA alkaline batteries last for approximately
200* shots when the LCD monitor is on.

* Figures based on Fujifilm’s test results. Actual performance may

vary according to the type of battery and operating conditions.

Calculator

Key

MX-500,

of course

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Don’t forget
an extra
SmartMedia™
Card

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Sunglasses

Coin case

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Map

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Ballpoint pen

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All Systems Are Go

The MX-500Õs super-megapixel CCD is your assurance of quality thatÕs bound to impress,
especially when it comes from a model as compact and stylish as this one. Whether youÕre
headed for a conference or a social occasion, keep the MX-500 with you. Wherever you go,
this is the best of digital friends.

Mobile
phone

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Actual size

Images along the bottom of these pages were taken with the MX-500 (1,280 ´1,024 pixels, Fine Mode).

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