How it Works
FSR
Loading...
MAS-6200

FSR MAS-6100, MAS-6100A, MAS-6200, MAS-6200A Installation And Operating Manual

Download
Page 1
MAS-6100 MAS-6100A
Video Products Group
INSTALLATION AND OPERATING GUIDE
AV SWITCHER SCALERS
BASED ON FIRMWARE REV. 1.85
43930 LIT1245 D6
Page 2
COMPLIANCE AND SAFETY
PROPRIETARY INFORMATION
All information in this manual is proprietary to and the property of FSR Inc. This publication is protected by the Federal Copyright Law, with all rights reserved. No part of this document may be reproduced, transcribed, or transmitted, in any form or by any means, without prior explicit written permission from FSR Inc.
OPERATOR’S SAFETY SUMMARY
The general safety information in this summary is for operating personnel.
Read Instructions. Read and understand all safety and operating instructions before using this equipment. Keep the instructions handy.
Removal of the top cover may expose dangerous voltages. To avoid personal injury, disconnect all power sourc­es before removing the top cover. Do not operate the unit with the cover removed.
Power Source:
This product is intended to operate from the power source detailed in the specifi cation section of this manual. Do not use any other power source or exceed voltage limits.
Grounding the Product:
This product is grounded through the grounding conductor of the power cord. To avoid electrical shock, plug the power cord into a properly wired receptacle before connecting to the product input or output terminals.
Use the Proper Power Cord Use only the power cord and connector specifi ed for your product. Use only a power cord that is in good condition. Refer cord and connector changes to qualifi ed service personnel.
MAS-6100 / MAS-6100A
Page 3
TABLE OF CONTENTS
COMPLIANCE AND SAFETY ..........................................................................................................2
PROPRIETARY INFORMATION ...........................................................................................................................2
OPERATOR’S SAFETY SUMMARY .....................................................................................................................2
INTRODUCTION................................................................................................................................5
INSTALLATION ................................................................................................................................6
TYPICAL APPLICATION .................................................................................................................6
MECHANICAL DIMENSIONS .........................................................................................................7
FRONT AND REAR PANEL OPERATION .....................................................................................8
FRONT PANEL CONTROLS ..................................................................................................................................8
SPECIAL BUTTON COMBINATIONS AND THEIR FUNCTIONS ....................................................................9
REAR PANEL CONTROLS ....................................................................................................................................9
ACCESSING AND USING THE ON SCREEN MENUS .............................................................. 10
MENU NAVIGATION BUTTONS ........................................................................................................................10
MAS-6100 MENU TREE ......................................................................................................................................11
THE ROOT MENU STRUCTURE .......................................................................................................................12
OUTPUT ADJUST GROUP ..................................................................................................................................12
SCALER ADJUST GROUP ...................................................................................................................................14
KEY ADJUST GROUP ..........................................................................................................................................17
COMMON KEYER OPERATIONS ......................................................................................................................20
INPUT ADJUST GROUP ......................................................................................................................................21
RGB INPUT SUB MENU ITEMS .........................................................................................................................21
CV & YC INPUT SUB MENU ITEMS .................................................................................................................24
TRANSITION ADJUST GROUP ..........................................................................................................................25
CUT and FADE SUB MENU ITEMS ....................................................................................................................26
WIPE SUB MENU ITEMS ....................................................................................................................................26
ADJUST RESOLUTIONS GROUP .......................................................................................................................27
SYSTEM SETTINGS GROUP ..............................................................................................................................30
IR REMOTE CONTROL COMMANDS ........................................................................................ 32
PINOUTS AND CABLING ............................................................................................................... 33
HD15 CONNECTOR .............................................................................................................................................33
4 PIN MINI-DIN S-VIDEO CONNECTOR (YC) INPUT ....................................................................................33
AUDIO WIRING ...................................................................................................................................................34
DB9 CONNECTOR ...............................................................................................................................................35
MAS-6100 RS232 CONTROL SPECIFICATION ..........................................................................37
COMMUNICATION PROTOCOL BASICS .........................................................................................................37
MAS-6100 / MAS-6100A
Page 4
PACKET FORMAT .....................................................................................................................................................................38
FRONT PANEL BUTTON EXAMPLES ..................................................................................................................................39
FUNCTION LIST ........................................................................................................................................................................45
SPECIFICATIONS ..............................................................................................................................................51
WARRANTY AND RETURN INFO ..................................................................................................................52
WARRANTY POLICY ...............................................................................................................................................................52
SER VICE AND RETURN AUTHORIZA TION .........................................................................................................................52
CONTACT INFORMATION ......................................................................................................................................................52
MAS-6100 / MAS-6100A
Page 5
INTRODUCTION
The MAS-6100 is a multi-purpose Video Switcher/Scaler that is ideal for boardroom and house of worship presentation systems. The MAS-6100 provides high quality scaling from Standard Defi nition, High Defi nition and Computer video sources to resolutions that match your projector, plasma or HD display.
The MAS-6100A adds a 4x1 stereo audio switcher with balanced output and adjustable delay to keep the audio and video in sync.
The MAS-6100’s have 2 Composite Video Inputs, 2 S-Video Inputs, one Component input and one RGB Input. Both NTSC and PAL are supported.
The scaled output is selectable at any computer resolution up to 2048x2048 as well as all HDTV resolutions up to 1080p.
The MAS-6100 can be controlled in a variety of ways. The front panel along with an on-screen display handle all set-up and switching features. The 6200 can also be remotely controlled from the FSR Room Navigator or other control system via the RS-232 port or the IR Port.
To make IR control easy and painless, all IR codes are provided in a CCF format and are available on the FSR web site. These can be used in nearly any universal remote control or from any control system with IR output.
In addition to the standard scaling and switching capabilities, the MAS-6100 has a built in keyer to allow computer generated text to be superimposed upon a video background, pan and zoom and a host of other features normally found on much more expensive products.
FEATURES:
• Automatic Incoming Resolution Detection
• Video Outputs: One 3 RCA Component and 1HD-15 RGB/Component
• Video Inputs: Two BNC Composite, two S-Video, One HD-15 Computer / Component and one 5BNC
Computer / Component
• Computer Resolutions to 2048x2048
• HDTV Resolutions to 1080p
• Multiple Worldwide Television Standards
• RS-232 and IR Control
• Image Pan and Zoom
• All Input Types are Scaled
• Chromakey and Lumakey
• Image Rotation and Automatic picture sizing
• 4x1 Stereo Audio Switcher with Balanced Output and
adjustable delay (MAS-6100A)
• Wipe and Fade transitions
MAS-6100 / MAS-6100A
Page 6
INSTALLATION
The MAS-6100 mounts easily into a standard 19” rack. It should be placed in an area where the user can easily access the front panel controls. The units are designed to be rack mounted and are supplied with front rack­mount hardware.
When rack mounting the unit, remember that the maximum ambient operating temperature for the unit is 40 degrees C. Leave at least one inch of space front and rear to make sure that the airfl ow is not restricted.
When installing equipment into a rack, distribute the units evenly to prevent hazardous conditions that may be created by uneven weight distribution. Connect the unit only to a properly rated supply circuit. Reliable grounding (earthing) of rack-mounted equipment should be maintained.
TYPICAL APPLICA TION
MONITOR
244 BERGEN BLVD. WEST PATERSON, NJ 07424
MODEL: MAS-6100A
CONTROL
SYSTEM
RS-232
CONTROL PORT
YUV OUTPUT
LAPTOP
STEREO SOUND
SYSTEM
DVD
VIDEO
CAMERA
AUDIO INPUTS
3
ShLR ShLR ShLR RLSh
PC/HD
r
PYP
b
RGB 1 INPUT
PC/HD
RGB OUTPUT
421
+
RGB 2 PC/HD INPUT
AUDIO OUTPUT
+
Sh
DELAY POSITION VALUES
1
85ms
-RL-
DELAY
VHBGR
43ms
2
3
11ms
21ms
VIDEO INPUTS
ON OFF
4
VIDEO 2S-VIDEO 2VIDEO 1S-VIDEO 1
VCR
DVD
PROJECTOR
PC
MAS-6100 / MAS-6100A
Page 7
MECHANICAL DIMENSIONS
1.72
1.25
IR
MENU
ON
AUTO RESETDISSOLVEBGNDLOCKKEYFREEZE
OFF
4
11ms
3
21ms
2
43ms85ms
1
DELAY POSITION VALUES
VIDEO 2S-VIDEO 2VIDEO 1S-VIDEO 1
VIDEO INPUTS
TRANSITION CONTROL
VIDEO 2VIDEO 1S-VID 2S-VID 1RGB 2RGB 1POWER
INPUT SELECT
18.28
19.00
DELAY
VHBGR
­RL +
Sh
AUDIO OUTPUT
­+
421
17.25 CHASSIS WIDTH
3
PC/HD
AUDIO INPUTS
PC/HD
ShLR ShLR ShLR RLSh
RGB 2 PC/HD INPUT
RGB OUTPUT
RGB 1 INPUT
r PYP
b
YUV OUTPUT
DEPTH INSIDE RACK IS APPROXIMATELY 11.00"
HOLD
RS-232
CONTROL PORT
244 BERGEN BLVD.
MODEL: MAS-6100A
WEST PATERSON, NJ 07424
MAS-6100 / MAS-6100A
Page 8
FRONT AND REAR PANEL OPERATION
FRONT PANEL CONTROLS
POWER ON OFF
Pressing the power button will power up the MAS-6100. The unit will run a brief diagnostic sequence and be operational in a few seconds. Pressing and holding the power button for two seconds and releasing will power down the unit.
INPUT SELECT
Press and release any of the six input select buttons to select and display the desired video source. An
audio switch will follow if there is an audio input associated with the new video input selected. (MAS­6100A only). See “Audio Input Number” setting under Input Setup for details on audio input setup selection and muting.
TRANSITION CONTROL:
FREEZE
Press and release to freeze the current display. This does not affect the background image. A second press will unfreeze the display. This setting is also available through the on screen menu.
KEY
Press and release to enable Keying. The key color default is black and will be transparent allowing
the background image to show through. This setting can be changed to any chroma or luma settings through the on screen menu.
LOCK
Press to activate GENLOCK. This locks the unit’s output to the current lock source. See “adjust outputs menu” for details. This setting is also available through the on screen menu.
BGND
Press and release to put the unit into “Lock and Mix” mode. This will allow the use of the Key and Dissolve effects. This setting is also available through the on screen menu.
NOTE: When using YUV as a background, the YUV input must be progressive.
DISSOLVE
Fades the current image in and out. When BKND is active the unit will fade between the current and previously selected input. If keying is active, the unit will fade in and out of key mode.
MAS-6100 / MAS-6100A
Page 9
AUTO
Press and release to automatically adjust a variety of settings for the current analog RGB input. This setting is also available through the on screen menu. This adjustments will usually yield a good “best guess” automatic setup.
RESET
Press and hold until one beep is heard. This returns the unit to the last saved “power up” default settings. Holding this button in for longer will return two beeps (low /high sound) will perform a factory reset of user settings. This will return the unit to the original factory default settings.
SPECIAL BUTTON COMBINATIONS AND THEIR FUNCTIONS
FRONT PANEL LOCKOUT
Press the power and reset buttons tog ether until the Power LE D fl ashes to disable the front panel buttons. A second push will restore front panel operation (steady Power LED).
REAR PANEL CONTROLS
AUDIO DELAY
A dip switch array is located on the rear panel and provides audio delay options which can be used to compensate for internal video processing delays and effectively synchronize the audio and video. The switches can be used in any combination to create the desired audio delay. The silk-screening lists the various time delay settings in milliseconds.
The dip switch values are 85ms, 43ms, 21ms, and 11ms. When a switch is moved to the “UP” position the delay is added to the audio.
MAS-6100 / MAS-6100A
Page 10
ACCESSING AND USING THE ON SCREEN MENUS
MENU NAVIGATION BUTTONS
The ON SCREEN MENU is accessed via the fi ve push-button array on the right of the front panel. Push the menu select button in the center to view the on screen display. The on screen display will remain visible for 10 seconds after the last button push before disappearing.
The ARROW UP, DOWN, LEFT and RIGHT are used to navigate through the on screen menus and change setting values. Specifi cally, the ARROW RIGHT button is used to move forward through the various menu headings or increment a value. The ARROW LEFT button is used to move backward or decrement a value.
Here are the nine root menu main group headings in the order they appear:
MODEL DISPLAY (FSR MAS-6100)
•
VIEW THE VERSION NUMBER• ADJUSTING THE VIDEO OUTPUT • SCALER ADJUST• KEY ADJUST• INPUT ADJUST•
TRANSITION ADJUST• RESOLUTIONS ADJUST (only visible when “Advanced Menus” is turned on under “System Settings”.•
SYSTEM SETTINGS•
When a root menu heading is visible, press the menu select button to view and further select additional sub menus under the main heading. Under each sub menu heading, changeable values will appear in brackets [ ] Pressing the menu select button will cause the brackets to fl ash. The setting value can be adjusted by pressing the LEFT and RIGHT ARROW KEYS Press the menu button again to store the setting value. The brackets will stop fl ashing and remain steady at this point. After the desired setting is made, push the right or left arrow key to navigate through and adjust additional sub menu settings. When fi nished, use the right arrow key to navigate to the EXIT menu heading. Push the MENU SELECT button to back out to the root menus shown above.
MAS-6100 / MAS-6100A
10
Page 11
Menu Select
System Settings
ID #
Software Date
FSR Version #
Current
[On] [Off]
Select To Save
OSD On Power Up
[On] [Off]
Advanced Menus
[9,600] [19,200]
[28,800] [33,600]
RS232 Baud Rate
Buzzer
[On] [Off]
Resolutions
[38,400] [57,600]
Power Cycles
Firmware Updates
Hours In Use
MAS-6100 MENU TREE
Only active when
[1 - 106]
[On] [Off]
Interlaced
Horrizontal
WARNING -
Image To Adjust
Adjust With Care
Adjust Resolution
under system settings.
"Advanced" menu is "on"
[XXX.X]
Transition Time
[XXX.X]
Transition Time
[-120 - +120]
[-120 - +120]
Top / Left Adjust
[SV2] [VID2]
[Inactive]
[Phase Adjust]
RGB Auto Setup
Key
[On] [Off]
Menu Select
Transition Adjust
Input Adjust
Menu Select
Key Adjust
Menu Select
[Wipe]
Transition
[Cut] [Fade]
[SV1] [VID1]
Input To Adjust
[RGB1] [RGB2]
[On] [Off]
& Background
Swap Foreground
Horrizontal
[XX.XXX] KHz
[XX.XXX] KHz
Frequency Fine
Frequency Coarse
[Diagnol]
Wipe Size
[Diamond]
[Up to Down]
[Down to Up]
[Left to Right]
[Right to Left]
[-120 - +120]
[-120 - +120]
BTM / Right Adjust
[-120 - +120]
[-120 - +120]
Top / Left Adjust
[0 - 255]
[0 - 255]
Y Key MIN / MAX
[Remove]
[Blue] [Black]
On Source Loss
[Show] [Freeze]
[-120 - +120]
[-120 - +120]
BTM / Right Adjust
[0 - 255]
Y Key Softness
Lines / F
CLKS / L
[XXX]
Wipe Size
[Mute]
Audio Input #
[1] [2] [3] [4]
[Remove]
[Blue] [Black]
On Source Loss
[Show] [Freeze]
[Off] [On]
Y Key Invert
U Key MIN / MAX
[XXX] = XX.XXX Hz
[0 - 255]
[0 - 255]
H / V Active
[Film 3:2]
Deinterlace
[Normal] [Auto]
[Mute]
Audio Input #
[1] [2] [3] [4]
U Key Softness
[M Comp L]
[XXX] x [XXX]
[M Comp M]
[0 - 255]
[0 - 1023]
[0 - 1023]
[8 - 1023]
H / V Start
[M Comp H]
Diagonal Interp.
[0 - 30]
Phase Adjust
[Off] [On]
U Key Invert
[1 - 1023]
H / V Sync
Sync Polarity
[+H - V] [-H -V]
[+H +V] [-H +V]
[Off]
Input
Offset [-4 - +3]
F.Swap [On / Off]
[A-YUV]
RGB Contrast
200] [50 - 200]
[50 - 200] [50 -
[Auto] [A-RGB]
RGB Input Type
[0 - 255]
[0 - 255]
V Key MIN / MAX
V Key Softness
Brightness [0 - 180]
[0 - 255]
Contrast [0 - 180]
Color [0 - 180]
[Film 3:2]
Deinterlace
[M Comp L]
[M Comp M]
[Normal] [Auto]
[Off] [On]
V Key Invert
Hue [-90 - +90]
[M Comp H]
Sharpness
Diagonal Interp.
[-3 - +4]
[Off]
Input
[SECAM]
Input (Format)
[NTSC - Japan 3.58]
[NTSCN 3.58 / PAL M]
[PAL BGDHI / NTSCM]
[PAL N / NTSC 4.43 60]
[NTSC 4.43 50 / PAL 60]
Offset [-4 - +3]
F.Swap [On / Off]
[-4 - +3]
Luma Delay
[B & W 50hz 60hz]
[H] [V]
menu
[On] [Off]
Image Freeze
Back YUV
[RGsB] [YUV]
[16 - 235] [16 -
Exit
Menu Select
Scaler Adjust
Menu Select
Output Adjust
FSR Version #
www.fsrinc.com
FSR MAS-6100
Input [RGB1]
Lock
Zoom Level
[RGB2] [VID1]
[Off] [Genlock]
[VID2] [SV1] [SV2]
[Lock&Mix]
Output Resolution
[100 - 1000] in 10
[3 - 106]
step increments
H / V Zoom Pan %
Output Type
[RGBHV] [RGBS]
Back to root
235] [16 -235]
[0] [0]
[H] [V]
H / V Crop %
Shrink Level
H / V Out Shift
[10% - 100%]
[H] [V]
H / V Position
[Normal]
[Pillarbox]
[Letterbox]
Aspect Change
Aspect Adjust
[Simple] [Advance]
Image Flip
[Off] [Med]
[Off] [H] [V]
[High] [Auto]
Image Smoothing
11
[100]
[H & V]
Max Fade Level %
MAS-6100 / MAS-6100A
Page 12
THE ROOT MENU STRUCTURE
800 x 600 60Hz Lock [ Off] [RGB1]
Menus are arranged so that a particular general function has a menu name on the top line and beneath that either a sub-menu or one or more related individual settings are displayed.
In some cases the functionality is global – meaning it has an effect on the unit as a whole (such as changing the output resolution). In the majority of cases, the function is related to a specifi c operational area of the unit, detailed by the text in the top line.
There are two screens that appear before the Group Menus (sub-menus) are accessed. These screens are for informational purposes and are not adjustable
The fi rst is the ‘welcome’ display shown above indicating the model of the unit. The next menu item displays the fi rmware information screen (the numbers on your unit will be different to those shown). At the end of all Group Menus will be an ‘Exit’ item. Simply select this to exit the existing menu structure and return to the previous one in the hierarchy.
OUTPUT ADJUST GROUP
This menu group allows adjustments to be made that specifi cally affect the output of the unit, including output resolution and locking/overlaying onto a computer or video source.
800 x 600 60Hz Lock [ Off] [RGB1]
This menu item allows the lock mode to be selected and the lock source to be defi ned. The top line of the display shows the current detected resolution of the selected lock source (RGB1 in this example). The lock mode can be either Off, Genlock or Lock & Mix, with the operation of these shown in the following table:
Lock mode Description
The output resolution of the Output is defi ned by the setting
Off
for Output Resolution and there will be no background source visible
The output video will be “Genlocked” to the selected lock
Genlock
Lock & Mix
MAS-6100 / MAS-6100A
source. The output signal will be synchronous to the input sync and adjustable but there will still be no lock source visible.
The output video will be locked to the selected source, the syncs will be locked (but with an additional internal video processing delay) and the background for the output will be that of the Lock source (unless foreground and background are swapped).
12
Page 13
In both Genlock and Lock & Mix modes the source selected for the lock input determines the resolution of the
1024 x 768 60Hz Output res. [28]
Output Adjust Output type [RGBHV]
Output Adjust Back Y/U/V [ 16] [128] [128]
Output image. The output resolution for the entire image can be no different than the resolution of the lock source. All synchronization signals are re-generated within the unit so they may look slightly different when compared on an oscilloscope to the original source.
NOTE: Before turning the Lock feature on, you fi rst must select a valid Lock source. Not all Lock sources
are available, depending on the main Input source in use (see “Scaler Adjust Group” NOTE). For instance, you cannot overlay one CV or YC source over a different CV or YC source, or one RGB1 and RGB2 source over another RGB1 and RGB2 source – you are restricted to overlaying CV/YC over RGB1 and RGB2, or RGB1 and RGB2 over CV/YC (the exception is where you can overlay one source over itself).
1024 x 768 60Hz Output res. [28]
Your unit can handle a very wide array of inputs and convert them all to a single output signal with defi ned characteristics. This output resolution will remain in place until changed or it may be overridden by the lock mode and source. The top line of the display will show the current output resolution selected.
Output Adjust Output type [RGBHV]
This menu item allows you to select the type of signal output your unit will provide. Types of output vary depending on the resolution selected and include various types of component signals Y/R-Y/B-Y or YPbPr, the full range of RGB type signals RGBHV, RGBS and RGsB (Sync on green).
Output Adjust Back Y/U/V [ 16] [128] [128]
Sets the value of the fi xed background color, which is present when Dissolve is used with no Lock source background displayed.
13
MAS-6100 / MAS-6100A
Page 14
SCALER ADJUST GROUP
NTSC / 60Hz Input [ YC1]
Scaler Adjust Zoom level % [ 100]
Scaler adjust H/V zoom % [100] [100]1.333
This menu group allows adjustment to be made to window specifi c parameters such as the window source, position, size and zoom level.
NTSC / 60Hz Input [ YC1]
The Input display screen allows the input source for the currently selected window to be changed. The top line of the display shows the detected characteristics of the signal. Valid Input sources match those available on the front of the unit
NOTE: If you have Lock mode active (set to either Genlock or Lock & Mix) then you will be restricted in
your choice of sources. This is because you cannot overlay one CV or YC source over a different CV or YC source, or one RGB1 and RGB2 source over another RGB1 and RGB2 source – you are restricted to overlaying CV/YC over RGB1 and RGB2, or RGB1 and RGB2 over CV/YC (the exception is where you can overlay one source over itself). Turn Lock mode off in order to select a wider range of sources.
Scaler Adjust Zoom level % [ 100]
Changing this option, sets the amount of picture magnifi cation you wish to use for the window Source. You are provided with the options to zoom the image from 100% to 1000% (10x zoom).
Scaler adjust H/V zoom % [100] [100]1.333
When parameter ‘Aspect Adjust’ later in this sub-menu is set to ‘Advanced’, this display is made accessible. It allows the independent setting of the horizontal and vertical zoom values. The third number (1.333 in the example) is the Aspect Ratio resulting from the adjustments, which is automatically calculated for you based on the incoming resolution and the H & V Zoom values.
Most resolutions are 4:3 ratio, thus the third number will be 1.333 (4 divided by 3). Another common aspect ratio is 16:9 (16 divided by 9 = 1.777). PAL and NTSC inputs are physically 4:3 on your video monitor, but their actual pixel/line ratios are different and so will not display as 1.333.
MAS-6100 / MAS-6100A
14
Page 15
Scaler Adjust
Scaler Adjust
H/V zoom pan % [ 50] [ 50]
Scaler Adjust Image freeze [Off]
H/V Crop % [ 0] [ 0]
Scaler Adjust H/V out shift [ 0] [ 0]
Scaler Adjust Shrink level% [ 50] [On]
H/V zoom pan % [ 50] [ 50]
Once an image has been ‘zoomed’, this control allows the image to be positioned within the window so that any portion can be seen, not just the middle.
Scaler Adjust Image freeze [Off]
This menu item allows the image to be frozen or unfrozen – thus keeping a single image on screen indefi nitely. Note that images are not stored when power is removed from the unit.
H/V Crop % [ 0] [ 0]
This allows the scaled image to be cropped at the top/bottom edges, or at the sides. Typically, this is used when performing a picture-in-picture (PIP) function, where the incoming video signal has a letterbox or pillarbox size (i.e. it has black areas at the top/bottom or sides). By adjusting the H/V values, you can crop out the black areas to correct the size on the fi nal output screen. Note that it does not change the shape or aspect ratio of the image. It just removes the parts of the image that are not required.
Scaler Adjust H/V out shift [ 0] [ 0]
This positions the selected Window horizontally and vertically on the monitor. This should only be used for ‘fi ne tuning’ and should not normally require adjustment – use the Shrink H/V adjustment when your image is less than 100% Shrink value.
Scaler Adjust Shrink level% [ 50] [On]
Shrink Level determines the percentage of the monitor’s total available screen space that the selected Window image occupies. Adjustment is provided for a reduction down to 10% of the overall output size. In most cases, this feature is used for picture-in-picture (PIP) when a background image is being used (for units with overlay abilities).
15
MAS-6100 / MAS-6100A
Page 16
Note that this feature is ‘Off’ by default, so that the full image size of 100% is used. It can be adjusted by using
Scaler Adjust Shrink H/V % [100] [100] 1.333
Scaler Adjust H/V position % [100] [ 50]
Scaler Adjust Aspect change [Normal]
Scaler Adjust Aspect adjust[Simple]
the “U.SCAN” (under-scan) command on RS-232 port or the infrared remote control input.
Scaler Adjust Shrink H/V % [100] [100] 1.333
When parameter ‘Aspect Adjust’ in the System Menu structure is set to ‘Advanced’, this display is made accessible. It allows the setting of different Horizontal and Vertical ‘shrink’ sizes. The third number (1.333 in the example) is the Aspect Ratio resulting from the adjustments, which is automatically calculated for you based on the output resolution (the actual pixels & lines, not your physical screen size) and the H & V Shrink values.
Most resolutions are 4:3 ratio, thus the third number will be 1.333 (4 divided by 3). Another common aspect ratio is 16:9 (16 divided by 9 = 1.777). Therefore, to convert your 4:3 output into a 16:9 output, reduce the vertical (V) Shrink value to 75% and this will simulate a 16:9 output. PAL and NTSC inputs are physically 4:3 on your video monitor, but their actual pixel/line ratios are different and so will not display as 1.333.
Scaler Adjust H/V position % [100] [ 50]
This menu option determines the position of the shrunken image on the monitor screen. This will move an image that is less than the full screen size left/right or up/down within the monitor’s available screen space. It will not let you move the image off the screen, so certain values will appear to have no effect (unless you use a very low Shrink value like 10%).
Scaler Adjust Aspect change [Normal]
With this menu, the images’ aspect ratio can be set to properly match the display. The choices are Normal, Letterbox and Pillarbox.
Scaler Adjust Aspect adjust[Simple]
This parameter is used in conjunction with the Zoom and Shrink functions. When set to “Advanced”, it allows the horizontal (H) and vertical (V) components of the Zoom and Shrink functions to be adjusted independently, thus allowing custom aspect ratios to be created, or to convert from one aspect ratio to another. When left as “Simple”, the H/V components of Zoom and Shrink are adjusted equally i.e. H is equal to V.
MAS-6100 / MAS-6100A
16
Page 17
Scaler Adjust
Scaler Adjust
Image smoothing [Auto]
Scaler Adjust Image flip [Off]
Max Fade Level % [100]
Key Adjust Swap fore/backgrnd [Off]
Image smoothing [Auto]
Image smoothing reduces the jagged-edges sometimes seen within an output image by softening it. It typically improves the quality of a scaled image greatly. There are four possible settings for this adjustment: “Off”, “Med.”, “High”, and “Auto”. The “Auto” setting is generally thought to be most desirable and will vary the smoothing process according to the amount of zoom taking place.
Scaler Adjust Image flip [Off]
Occasionally, it’s necessary to cause the output image to be fl ipped Vertically, Horizontally or both – most commonly when a video projector is ceiling mounted, or for special effects.
Max Fade Level % [100]
This Menu item fades the selected layer. Adjustment range is from solid to fully transparent.
KEY ADJUST GROUP
At the end of this group you will fi nd a section titled ”COMMON KEYER OPERATIONS” – this gives a step- by-step guide to keying out a particular color.
Key Adjust Swap fore/backgrnd [Off]
This menu item allows you to swap the foreground and background images when Lock mode is set to Lock & Mix. It will have no effect in any other mode (since no background is present).
Normally, your foreground is the input (window) source and your background is the lock source. This then allows you to superimpose any graphics or video input on top of the lock source by keying out a certain color or range of colors in the input source. Swapping them means that the input source moves to the background and the lock source is now in front of it. Thus you are now keying out the lock source colors to reveal the input source behind it. You will see that the Swap between foreground and background has no effect on the output resolution as this is always set by the Lock source.
Note that this is different than simply swapping the input and lock sources as that would affect the fi nal output
17
MAS-6100 / MAS-6100A
Page 18
resolution – see examples below:
Key Adjust Key ON/OFF [Off]
Key Adjust Y Key min/max [ 0] [ 32]
Key Adjust Y Key softness [ 0]
Input source Lock source Swap
XGA NTSC Off XGA NTSC NTSC XGA NTSC On NTSC XGA NTSC NTSC XGA Off NTSC XGA XGA NTSC XGA On XGA NTSC XGA
(XGA is 1024x768)
Key Adjust Key ON/OFF [Off]
This menu item turns keying On or Off for the current foreground. A keyed image is in essence one image superimposed over another – such that portions of the top image are made transparent (keyed out), so that the background image can show through. The following settings allow you to vary the color(s) that are keyed out.
Foreground (Keyed)
Background (Non­keyed)
Output Resolution
Key Adjust Y Key min/max [ 0] [ 32]
The Min/Max parameters are used to select what range of Y (luminance/grey-scale) values are made transparent within the selected window/lock source. In order to key out part of an image, start with the max value and increase it until the required lighter parts within the window/lock source disappear. Then adjust the min level to bring back any darker parts of the image.
Key Adjust Y Key softness [ 0]
The Y Key softness option removes noise from the keyed image, generally at the edges. Adjust as required to make the edges of the key as sharp or as soft as desired. The noise is where the analog to digital process (A/D conversion) may not sample a 50% brightness as being exactly 50% i.e. sometimes 49% and sometimes 51%. Increasing the softness value will broaden the range of keyed colors so that the keying of images varies depending on how close a color is to the keyed-out range.
MAS-6100 / MAS-6100A
18
Page 19
Key Adjust
Key Adjust
Y Key invert [Off]
Y Key invert [Off]
The Y Key invert changes the keying characteristics with respect to what colors of the foreground image you wish to ‘key out’. Setting it to Off will cause the color range that’s defi ned to be removed - remove the desired colors. Setting it to On will cause the color range that’s defi ned to be kept - key out all other colors.
NOTE: The descriptions above behave identically on the remaining U Key Invert & V Key Invert component
versions. However they are directed at the U/B-Y (blue) color component and V/R-Y (red) color components respectively. Adjustment and effects are the same as explained above for Y Key Invert (brightness/grey-scale).
19
MAS-6100 / MAS-6100A
Page 20
COMMON KEYER OPERATIONS
This section provides step by step instructions for some common keyer operations.
Operation of the Keyer
The Keyer can take some time to master and below is a breakdown and series of simple steps to help you master the Keyer’s operation
When adjusting the values, please bear in the mind the following:
The Y value is the Luminance value, so 0 is black and 255 is very bright (white).
The U value is the B-Y component. This is the difference between the Blue and the Luminance value. If part of an image is black, grey or white, then its value is 128 (being the mid-point).
The V value is the R-Y component. This is the difference between the Red and the Luminance value. If part of an image is black, grey or white, then its value is 128 (being the mid-point). Preparation:
1. Enter the Adjust windows menu.
2. Select the Source (this will be the foreground).
3. Exit the Adjust windows menu.
4. Enter the Adjust keyers menu.
5. Ensure the Keyer is Off.
6. Set all Y, U and V min/max values to [0] [255].
7. Set all Y, U and V softness values to 0.
8. Set all Y, U and V invert values to Off.
9. Turn the Keyer On.
At this point your source image will have disappeared, since all colors have been keyed out. Adjustment: Knowing which color(s) you want to key out from the image, e.g. black to disappear, perform the following set of steps:
1. Increase the Y Key Min from 0 until just before the required color (Key Color) appears.
2. Decrease the Y Key Max from 255 until just before the required color (Key Color) appears.
3. Repeat steps 1 & 2 for the U and V min/max values as well.
Adjust any of the Softness values to improve the key. If your input signal is slightly noisy or if you want to soften the edges within the image, then this may require you to decrease the ‘min’ values and increase the ‘max’ values to broaden the range of colors keyed out.
At this point, only the key color should remain transparent.
MAS-6100 / MAS-6100A
20
Page 21
INPUT ADJUST GROUP
Input: RGB1 Input to adjust [RGB1]
Input: RGB1 Autoset status [Inactive]
Input: RGB1 TL pos. adj. [ 0] [ 0]
The Input Adjust menu group accesses the parameters associated with the processing amplifi ers used for each input (RGB, CV, YC, etc.). They allow you to fi ne-tune an incoming signal to optimize its color, brightness or even sharpness. Not all settings are available for all input type. It is recommended that you Store your settings once you’re happy with them in readiness for future use.
Inp ut: RGB1 Input to adjust [RGB1]
This menu item selects the input connection for which you want to make adjustments to. As in the image above, changes will only be made to the source connected to RGB1. Once the selection has been made, all changes made using the following operating parameters will only apply to the selected input.
NOTE: Selection of a CV/YC input will reveal different menu items that allow adjustments beyond those used
for RGB inputs. The menu discussions that follow relate fi rst to RGB inputs, then to CV / YC type inputs.
RGB INPUT SUB MENU ITEMS
Inp ut: RGB1 Autoset status [Inactive]
Once the Autoset sense setting has been made, this menu item is accessed and activated. The Autoset sense utility will then correct the pixel phase and then position the Top Left portion of the image and the Bottom Right portion of the image. Once complete it then resume inactive status.
Inp ut: RGB1 TL pos. adj. [ 0] [ 0]
This menu item allows manual positioning of the Top and Left portion of the image. It is used to ensure that the input signal is captured correctly, eliminating any black borders. These settings are often used to correct the position of a PC signal on an input, or to eliminate any undesired noise at the top or bottom of a PAL or NTSC video input.
21
MAS-6100 / MAS-6100A
Page 22
Input: RGB1
Inp ut: RGB1
BR size adj. [ 0] [ 0]
Input: RGB1 On Source Loss [Blue]
Input: RGB1 Audio input Number [1]
Input: RGB1 Input pixel phase [ 16]
BR size adj. [ 0] [ 0]
This menu item allows manual positioning of the Bottom and Right portion of the image. These settings are often used to correct the position of a PC signal on an input, or to eliminate any undesired noise at the top or bottom of a PAL or NTSC video input.
Inp ut: RGB1 On Source Loss [Blue]
This setting determines output behavior when a poor video source or loss of video occurs and how the display will look. The choices are:
• SHOW- leaves the image and shows all the image noise and breakup
• FREEZE- displays a still frame of the last good image
• BLUE- displays the typical blue screen on video loss
• BLACK- same as BLUE except for a black display.
• REMOVE- removes video information including sync from the output. The output appearance will
depend on how the display handles a video loss or poor signal.
Inp ut: RGB1 Audio input Number [1]
This menu item selects the desired Audio input for use with the active video source, allowing an audio-follow­video function. This is only functional with the MAS-6100A.
The default for the fi rst 4 video inputs is to assign each video input an audio input from 1 to 4. For example, video input 1 receives audio input1, video input 2 receives audio input 2 etc. However this can be easily changed. You could have all video inputs using the same audio input by setting the ‘Audio input’ value for all video inputs to the desired audio input value.
Inp ut: RGB1 Input pixel phase [ 16]
Since an image pixel is a very small element of the total image, it’s possible for your unit’s Analog to Digital converters to wrongly sample the picture on the edge of each pixel thereby losing image resolution and creating image noise. The Input pixel phase adjustment allows you to change the position (from 0 to 31) where the pixels are sampled, relative to the horizontal sync signal.
MAS-6100 / MAS-6100A
22
Page 23
To make this adjustment, select an RGB input and then provide an image from that source with fi ne detail,
Input: RGB1 RGB input type [RGBHV]
Input: RGB1 RGB contr. [100] [100] [100]
Input : RGB1 De-int [M.comp med]
preferably with very sharp vertical lines. Adjust this value until you see the sharpest image. Alternately, adjust this value to give the worst (noisiest/softest) image, and then add or subtract 16 to get the optimum value.
Note that the AUTOSET function (for RGB inputs only) will attempt to automatically work out the best value for this setting.
Inp ut: RGB1 RGB input type [RGBHV]
There are several types of signals that are called RGB signals as a generic term. Each has slightly different characteristics that set it apart from similar RGB signals – such as how the synchronization signal is sent. This menu item lets you set the input type to use.
Available options are: RGBHV - Red, Green, Blue image plus Horizontal and Vertical Sync RGBS - Red, Green and Blue plus a single TTL level Sync signal RGsB - Red, Green and a Blue image plus a sync signal superimposed on the Green channel YUV - also know as YPbPr and common for 720p and 1080i formats, where a sync signal is present on the Y signal
Inp ut: RGB1 RGB contr. [100] [100] [100]
This menu item lets you adjust the individual RGB or YUV/YPbPr signals, in case one component is at a different contrast to other, or if they all need to be boosted or lowered.
.
Input : RGB1 De-int [M.comp med]
An interlaced input consists of two fi elds separated in time. Both fi elds are required in order to make up the full resolution input image, but since they are sent one after the other, a moving image will have “motion artifacts” if the two fi elds are simply combined together. The most common artifact is a blurring at the point of maximum movement within an image. Your unit provides some tools to minimize the effects of de-interlacing of an image
23
MAS-6100 / MAS-6100A
Page 24
The following options are available for this menu item:
Input: RGB1 Diagonal Interp. [Off]
Input: RGB1 F. swap [Off] Offset [-4-+3]
Mode Function
The two interlaced fi elds are simply combined together. This will
Normal
Auto
often show artifacts on moving images, but can be used when the input is known to be still.
Automatically selects Film 3:2 or Medium Range Motion Compensation (M. Comp Med.) depending on whether Film Mode is detected or not. For 1080i sources, a special de­interlacing mode is selected to eliminate combing effects.
Film 3:2
M.Comp Low M.Comp Med. M. Comp High
Inp ut: RGB1 Diagonal Interp. [Off]
This menu item allows the user to specify whether the input has diagonal interpolation applied to it when de­interlacing occurs. This reduces ‘jagged’ artifacts on moving images, however is not suitable for noisy sources where the noise could be mis-interpreted as a diagonal or sloping element of the picture.
Inp ut: RGB1 F. swap [Off] Offset [-4-+3]
Enables 3:2 pull down conversion of the incoming NTSC video. (This option is ignored if the source is not NTSC video).
Enables Pixel Adaptive Motion Compensation. Three levels are available with ‘Low’ providing the least compensation for Motion and ‘High’ providing the most compensation.
This menu item is only available when “Advanced menus” in the System Settings Group is turned on. It can correct for an interlaced source with abnormal odd/even fi eld characteristics. With F. swap “ON”, the odd and even fi elds will be swapped. The “OFFSET” adjusts the video line offset for the odd fi eld relative to the even fi eld. These setting options may be useful with certain graphics cards where odd and even fi elds are swapped.
Normal video sources will not require the use of this adjustment and should be left “OFF”.
CV & YC INPUT SUB MENU ITEMS
Of the above Input Menu items, the Autoset sense and Autoset status functions, RGB type and Pixel phase are specifi c to RGB signals only. The rest of the Input menu items function with RGB, CV or YC type signals. In addition, there are four additional Menu items that are only used with CV or YC type signals and these are explained below:
MAS-6100 / MAS-6100A
24
Page 25
Input: YC1
Inp ut: YC1
Bright [100] Contrast [100]
Input: YC1 Color [100] Hue [0]
Input: YC1 Sharpness [0]
Input: YC1 Luma delay [ 0]
Adjust Transition Transition [CUT FADE WIPE]
Bright [100] Contrast [100]
Adjusts the Brightness and Contrast of the image to your requirement.
Inp ut: YC1 Color [100] Hue [0]
Color is the amount of color saturation present in the image. Hue is the color “tint” parameter and the adjustment range is +90 degrees through to -90 degrees with 0 being the default.
Inp ut: YC1 Sharpness [0]
Within limits, you can enhance or soften the appearance of detail within an image. The Sharpness values go both negative and positive, with 0 being the default. Note that over-enhancing an image has the side effect of making it appear to be noisy and under-enhancing an image gives the appearance of poor video quality.
Inp ut: YC1 Luma delay [ 0]
On occasion, a video input will have the color portion of the signal offset from the luminance portion. If you’ve ever seen a poor quality comic book that has the outline of the cartoon character’s head in one place on the page but the fl esh tones for the head offset slightly, you are seeing the print equivalent of Luminance to Chrominance Phase Delay the selected image. The adjustment range provides both positive and negative levels of delay with 0 being the default.
TRANSITION ADJUST GROUP
The Transition Adjust group selects and adjusts the behavior and duration of the CUT, FADE and WIPE transitions. The sub menus will vary depending on which transition is selected as described below.
Adjust Transition Transition [CUT FADE WIPE]
. Fortunately, your unit provides a way for you to make the two signals occur at the same time on
Select one of the three transition types. This becomes the current transition when a source is selected. The default is the FADE transition.
25
MAS-6100 / MAS-6100A
Page 26
CUT and FADE SUB MENU ITEMS
Adjust Transition Transition time [0-999.9]
Adjust Transition Transition time [0-999.9]
Adjust Transition Wipe Type [Fade]
Adjust Transition Wipe Size 10-2000]
Adjust Transition Transition time [0-999.9]
This setting adjusts the duration of the FADE transition. It has no effect if CUT is selected
WIPE SUB MENU ITEMS
Adjust Transition Transition time [0-999.9]
This setting adjusts the duration of the WIPE transition.
Adjust Transition Wipe Type [Fade]
There are a variety of Wipe patterns to choose from and include:
• Left to Right Curtain
• Right to Left Curtain
• Up Down Curtain
• Down Up Curtain
• Diagonal
• Diamond
Adjust Transition Wipe Size 10-2000]
This setting adjusts the thickness of the transition bars. The lower settings will yield a tighter bar pattern with many bars. Higher settings will produce wider bars.
MAS-6100 / MAS-6100A
26
Page 27
ADJUST RESOLUTIONS GROUP
800 x 600 60 Hz Image to adjust [ 17]
800 x 600 60 Hz Interlaced Off]
NOTE: The Adjust Resolutions Menu Group only appears when the Advanced Menus function is turned on
within the System Menu Group. To turn it on, go to the System Menu Group and then proceed to the item that says “Advanced Menus”. Turn the function ‘On”, exit the Systems menu and return to this menu structure.
The Resolution Database is used by your unit to identify any incoming video signal and is also used to create an output resolution. It is therefore a very important part of the unit’s infrastructure.
IMPORTANT CAUTIONARY INFORMATION:
DO NOT ADJUST THESE ITEMS UNLESS YOU’RE CERTAIN YOU KNOW WHAT YOU’RE DOING! THE ONLY METHOD TO UNDO CERTAIN CHANGES IS TO UPDATE THE FIRMWARE.
TRY USING THE AUTOSET, SHRINK, SHRINK POS, TL & BR ADJUSTMENTS FIRST.
Making adjustments here risks creating a non-standard resolution that is not displayable on a monitor. The resolutions and values within the database are industry standards and should not normally be altered by the user. That said, there might be times when it is necessary to create a custom resolution with specifi c parameters. If circumstances require you to make such a change, please read the following specifi c notes:
1. Any changes made to this database take effect instantly and are also stored immediately in non- volatile memory.
2. Since this database is used for both input and output image processing, altering a resolution that is used for both (e.g. 1024x768 input and 1024x768 output) may give undesired effects.
800 x 600 60 Hz Image to adjust [ 17]
Change the value to select resolution you want to alter.
NOTE: Typically, the image number currently being used for input or output would be already be selected
otherwise immediate feedback to your changes will not be available via your monitor.
800 x 600 60 Hz Interlaced Off]
This adjustment specifi es whether the image is interlaced or progressive scan. It toggles simply On or Off, so there are no fl ashing brackets.
27
MAS-6100 / MAS-6100A
Page 28
800 x 600 60 Hz
800 x 600 60 Hz
H.freq.crse [37.879] Khz
800 x 600 60 Hz H.freq.fine [37.879] Khz
800 x 600 60 Hz Clks/l [1056] = 40.000Mhz
800 x 600 60 Hz Lines/f [ 628] = 60.317 Hz
800 x 600 60 Hz H/V active [ 800] x 600
800 x 600 60 Hz H/V Start [ 88] x 23
H.freq.crse [37.879] Khz
The H freq.crse (Horizontal Sync Frequency - Course) adjustment provides the option for changing the Horizontal Sync timing Frequency in 100 Hz steps.
800 x 600 60 Hz H.freq.fine [37.879] Khz
The H.freq.fi ne (Horizontal Sync Frequency) adjustment provides the option for changing the Horizontal Sync timing Frequency in 1 Hz steps. Use this option to fi ne tune after using the course adjust. Please note that the internal sync generator may be unable to generate the exact frequency you want.
800 x 600 60 Hz Clks/l [1056] = 40.000Mhz
This option changes the total number of image pixels on one line of monitor video including the Horizontal sync pulse and blanking time. This is normally in a multiple of 8. It is very important to get this value correct, or many digital display devices, such as TFT monitors, will display an image with an odd moiré effect – such as soft vertical bands spread evenly across the image.
800 x 600 60 Hz Lines/f [ 628] = 60.317 Hz
This menu controls the total number of lines of video present in the image which includes the vertical Sync pulse, the blanking period and the active video. Changing this option affects the fi nal vertical sync frequency.
800 x 600 60 Hz H/V active [ 800] x 600
A video frame includes both the active area, the portion of the image normally containing useful visual information, and a resolution value for a given display standard which only expresses the number of pixels visible in an image. The well-known 800 x 600 computer resolution standard simply means that there are 800 pixels/line visible horizontally and there are 600 lines visible vertically. This item provides a way to change the number of active pixels and lines.
800 x 600 60 Hz H/V Start [ 88] x 23
MAS-6100 / MAS-6100A
28
Page 29
There is a period of time between the end of the Horizontal Sync pulse and the start of Active Video. This
800 x 600 60 Hz H/V Sync [ 128] x 4
800 x 600 60 Hz Sync polarity [+H+V]
portion of the waveform signal is called the “Back Porch”, a term originating with the television broadcasting industry and its RS-170A specifi cation. In practice, this will control where the video image starts on the left side of the monitor without changing the width of the sync pulse itself (another way to control where the image area starts). The two parameters control where the back porch is positioned and they interact to a degree.
NOTE: By adjusting these parameters, you control the start of the back porch (with respect to the trailing
edge of Horizontal Sync) and also its width. The place where the Back Porch begins with respect to the Horizontal Sync pulse and the width of the Back Porch have a direct bearing on where the active (visible) portion of the image begins. Do not attempt this adjustment without monitoring the results with an oscilloscope.
800 x 600 60 Hz H/V Sync [ 128] x 4
There are standards for all current computer and broadcast resolutions that specify the correct width of both Vertical and Horizontal synchronizing pulses. If you are creating a special, non-standard resolution, you may wish to adjust the pulse width to fi t your new requirements. The H/V Sync screen is where that is accomplished.
NOTE: Like the H/V Start adjustment, you must use an oscilloscope when making these adjustments so
that you know exactly how many milliseconds or microseconds of pulse width you have created. The numbers shown are relative numbers and not an actual time measurement.
800 x 600 60 Hz Sync polarity [+H+V]
Sync can be either negative polarity or positive polarity. To further complicate things, it is possible that you may want to make the Horizontal Sync polarity different from the Vertical Polarity. This control allows you to make that change. There are four possible selections:
+H+V
-H+V +H-V
-H-V
29
MAS-6100 / MAS-6100A
Page 30
SYSTEM SETTINGS GROUP
System Settings FSR version # xxx
System Settings SW date: 2007-7-11
System Settings ID# 00-00-00-00-00-00
System Settings Select to Save Current
System Settings OSD on power up [On]
The fi nal Menu Group is for adjustments of System parameters. The “System” in this case means the unit’s functions that are generally unrelated to individual inputs, outputs or any of the various production features.
System Settings FSR version # xxx
This screen is an informational screen. Should you require technical assistance with your unit, the technical support personnel may request that you read the contents of this screen to them during the support call.
System Settings SW date: 2007-7-11
This is an information page showing when the currently installed software was released. The information is useful to the user as he or she compares the date to the support web site information describing the current software release.
NOTE: Normally, the user will examine the added features of each new software release and determine if
an update is worth doing in their particular operation. The greater period of time between the current date, and the date shown for the currently installed software, the greater the likelihood that there are useful changes and improvements present in the new release.
System Settings ID# 00-00-00-00-00-00
The TAC number is a unique identifi er for the unit and is for future use.
System Settings Select to Save Current
This screen provides a quick and easy way to store all current operating parameters. The unit will remember the set up you are currently using at the time of data storage and also when you next apply power. To store the current settings, press and release the control button.
System Settings OSD on power up [On]
This parameter controls whether the ‘welcome’ screen is displayed or not on power up – it can be disabled as MAS-6100 / MAS-6100A
30
Page 31
required. This is useful when a unit is installed as part of an overall system.
System Settings Advanced Menus [Off]
System Settings RS232 baud rate [57600]
System Settings Buzzer [ On]
System Settings Resolutions 88
System Settings Power cycles 41
System Settings Firmware updates 11
System Settings Advanced Menus [Off]
When turned on, the previously explained Adjust resolutions menu structure is exposed. The default condition is ‘Off’, to prevent accidental changes.
System Settings RS232 baud rate [57600]
This menu item allows the adjustment of the serial baud rate used for RS-232 communications. The rate can be adjusted to 9600, 19200, 28800, 33600, 38800, 57600 and 115200. (This adjustment is provided for those instances where you wish to use the RS-232 control system for your own purposes.) The default baud rate is
57600.
System Settings Buzzer [ On]
The screen labelled ‘Buzzer’ is actually the control for turning the “Beep” “On” or “Off”. Normally this is left in the “On” position to provide positive feedback that your data entries and parameter changes have been accepted.
System Settings Resolutions 88
This screen is an informational screen showing the total number of the defi ned resolutions in the resolution database. Future fi rmware releases may increase the total number of resolutions defi ned in the database.
System Settings Power cycles 41
Power Cycles refers to how many times the unit has been powered since it left the factory. This is an informational screen. No action is taken regardless of the value shown here, however some users have an equipment cleaning or specifi cation audit procedure and this information may be useful to those users.
System Settings Firmware updates 11
31
MAS-6100 / MAS-6100A
Page 32
Indicates the total number of times the fi rmware has been changed over the life of the unit. It is quite possible for this to be more than 1, as a unit undergoes numerous tests during production.
System SettingsSystem Settings Hours in Use 877 Hours in Use 877
This is another informational display for usage audit purposes It displays the number of hours the unit has been in operation..
IR REMOTE CONTROL COMMANDS
Files containing the CCF format IR command strings for this unit are available via download from the FSR website at www.fsrinc.com. They are available for use with a variety of universal remote control devices as well as AMX and Crestron Control systems. A pre-made template for FSR Room Navigator control of the MAS-6100 is also available on the FSR website along with serial commands.
The IR receiver port is located to the far right of the MAS-6100 front panel and is labeled “IR”.
MAS-6100 / MAS-6100A
32
Page 33
HD15 CONNECTOR
PINOUTS AND CABLING
1.Red / Pr / R-Y
2.Green / Y
3.Blue / Pb / B-Y
4.ID2 (input & output linked)
5.GND
6.GND
7.GND
8.GND
9.No connection
10.GND
11.GND on input, pulled high on output (used for auto-termination)
12.SDA (input & output linked)
13.H sync (or composite sync for RGBS)
14.V sync
15.SCL (input & output linked)
15
6
1115
HD-15 Input Connector Pinout
(as viewed from rear of unit)
4 PIN MINI-DIN S-VIDEO CONNECTOR (YC) INPUT
Cable T ype: Standard 4 pin S-Video to two BNC male cable.
Maximum Recommended Length: 35 ft
33
MAS-6100 / MAS-6100A
Page 34
MAS-6200 AUDIO INPUT CONNECTOR WIRING
FROM A STEREO
UNBALANCED SOURCE
SIGNAL
FLOW
FROM A STEREO BALANCED
SOURCE
FROM A MONO UNBALANCED
SHIELD
SOURCE
I N P U T
FROM A MONO BALANCED
SOURCE
SIGNAL
FLOW
MAS-6200 AUDIO OUTPUT CONNECTOR WIRING
TO A STEREO UNBALANCED
PREAMP INPUT
O U
SIGNAL
T
FLOW
P U T
TO A STEREO BALANC E D
PREAMP INPUT
O U
SIGNAL
T
FLOW
P U T
AUDIO WIRING
TO A MONO UNBALANCED
PREAMP INPUT
O U
SIGNAL
T
FLOW
P U T
TO A MONO BALANCED
PREAMP INPUT
O U
SIGNAL
T
FLOW
P U T
MAS-6100 / MAS-6100A
34
Page 35
DB9 CONNECTOR
Please see the MAS-6100 serial protocol manual included with the product for serial commands and other details on RS-232 control.
RS232 / D9 socket
1.N/C
2.TX (Transmit data)
3.RX (Receive data)
4.N/C
5.GND (Signal return)
6.N/C
7.CTS (Clear to send)
8.RTS (Request to send)
9.N/C
RS-232 HARDWARE CONFIGURATION
BAUD RATE 57600 DATA BITS 8 STOP BITS 1 PARITY NONE FLOW CONTROL NONE
244 BERGEN BLVD. WEST PATERSON, NJ 07424
MODEL: MAS-6100
RS-232
CONTROL PORT
b
YUV OUTPUT
DB9
MALE
PC/HD
PYP
r
RGB 1 INPUT
PC/HD
RGB OUTPUT
RGB 2 PC/HD INPUT
VHBGR
VIDEO INPUTS
VIDEO 2S-VIDEO 2VIDEO 1S-VIDEO 1
DB9
FEMALE
HOST COMPUTER
35
MAS-6100 / MAS-6100A
Page 36
MAS-6100 / MAS-6100A
36
Page 37
MAS-6100 RS232 CONTROL SPECIFICATION
This section outlines how to control a unit via RS232 using ASCII-based commands. It details how to send and receive serial data to perform many of the functions that a user has access to on the unit.
COMMUNICATION PROTOCOL BASICS
Packets of ASCII data containing hexadecimal numbers are exchanged between the unit and controller via an RS232 or IP link (you cannot use both at the same time).
The RS232 standard is 57600 baud, 8 bits, no parity and 1 stop bit, although this can be changed by the user.
No fl ow control is used - however all control packets start with an ASCII ‘F’, end with carriage-return (13 decimal, 0x0D hex) and all such packets sent to the unit will be acknowledged (thereby providing software handshaking). Note that a line-feed (LF 10 decimal, 0x00A hex) should not be sent.
It may take around 30ms (0.03 seconds) for an RS232 command to be actioned and acknowledged.
ASCII-hex data is used where a number is encoded into its hexadecimal equivalent with leading zeros – e.g. Where ‘00’ is decimal value 0, ‘80’ is decimal 128 and ‘FF’ is decimal 255. In other words, two characters are sent for each byte encoded.
Any gap of more than 1 second between the characters of a control command sent will cause a time-out - and previous characters sent will be lost.
Write packets (sending command functions to the unit) are always 20 characters long (including a carriage return at the end). The unit will respond with a full 20 character message indicating what has changed. This returned payload will refl ect the actual value of the parameter changed. If the user requests a value out of bounds then the limit value is used, and the payload will then refl ect the limited value used.
Read packets (sent to request information from the unit) are always 14 characters long (including a carriage return at the end), the response from the unit will be a 20 byte message with the Write fl ag (since it is ‘writing’ the value back to the host) and the ACK fl ag set.
The ACK fl ag will be returned as 0 if the command is invalid for some reason – for example a bad FUNCTION, WINDOW, OUTPUT or PAYLOAD value. An ACK=0 message will be otherwise identical to the one you sent, so you know exactly which message has the error.
Any changes made to the unit using the front panel controls will also cause the full 20 byte message to be sent indicating the change that has occurred, thus enabling a program to stay ‘in-sync’ with the unit. In some cases (such as the execution of a macro) multiple 20 bytes messages will be sent indicating all the parameters that have been changed.
Only one message should be sent to the unit, another message can’t be sent until a specifi c response is received from the unit (the user should look for a message with the same WINDOW, OUTPUT and FUNCTION values as they sent). If no message is received back within 1 second, there is likely to be a hardware communication problem (or wrong baud rate, etc.).
If absolutely required, to simplify programming the user may send packets one after the other with around 100ms (100 milliseconds) between each one. However, this will not work for all packets (such as Zooming into Testcards or changing Logos) since this will cause the unit’s micro-controller to be busy, so the user must
37
MAS-6100 / MAS-6100A
Page 38
experiment and satisfy themselves that this is possible.
Checksums
The protocol requires checksums on all commands. The checksum is the sum of all previous bytes (excluding the SOP ‘F’ character). The checksum is calculated on the hex value of the two ASCII bytes. For example, the command “F0400410082000001C8” has the checksum of C8 (04+00+41+00+82+00+00+01=C8). A short­cut for debugging allows the checksum to be replaced by 2 question marks, so in the previous example you could send F0400410082000001?? Instead. This is purely for test and debugging - you should normally use a checksum to ensure data validity.
Carriage Returns
Each packet that is sent to or received from the MAS-6100 is terminated with a carriage return. Carriage return has a value of 13 decimal, but is sent as a hex byte 0x0D. It will be represented in this document as <CR>.
PACKET FORMAT
Read Packets
Below is a representation of data bytes in a single packet for a ‘Read’ to the unit to get a value:
SOP CMD CHA WINDOW/ FU NCTION OUTPUT FUNCTION CS EOP
The table below details the function of each part of the packet:
Packet part Function SOP
(Start of packet)
CMD (Command)
SOURCE
WINDOW OUTPUT
& FUNCTION HIGH
FUNCTION LOW
CS ASCII-hex, see above. EOP <CR>
This is always the ASCII letter ‘F’ to indicate the packet start.
ASCII-hex byte to indicate the type of command being sent. Each bit in the byte has a different function. Bit 7 = Write (0) or Read (1) request. Messages from the unit are always Writes. Bit 6 = ACK bit. Should be set to 0 for messages to the unit. ACK=1 returned means message was okay. ACK=0 returned means an error was present in the message. Bit 5:3 = 0 Reserved for future use. Bit 2 = 1 This bit *must* be set. Bit 1:0 = 0 Reserved for future use.
This byte has multiple uses, and defaults to 0 unless used for: SOURCE Byte to indicate the source channel to be altered (if appropriate). 0x10 = RGB1 0x11 = RGB2 0x30 = VIDEO1 0x31 = VIDEO2 0x40 = S-VID1 0x41 = S-VID2
Bit 7 = 0 (Reserved). Bit 6..0 = Window ‘A’ is sent as ‘41’ since 0x41 is ASCII for ‘A’.
Bit 7..4 = 0 Bit 3..2 = Reserved (set to 0). Bit 1..0 = Bits 9 & 8 of the function code. (Remainder of bits [7..0] are in FUNC LOW.) Example: If the function code is 0x234, then these bits are 0x02.
ASCII-hex byte to indicate the lowest 8 bits of the actual function to set or receive.. A later table details all the functions available.
MAS-6100 / MAS-6100A
38
Page 39
Write Packets
Below is a representation of data bytes in a single packet for a ‘Write’ to the unit to set a value:
SOP CMD CHA WINDOW OUTPUT/FUNCTION FUNCTION PAYLOAD x 3 CS EOP
The table below details the function of each part of the packet:
Packet part Function SOP
(Start of packet)
CMD (Command)
SOURCE
WINDOW / LOGO
OUTPUT & FUNCTION HIGH
FUNCTION LOW
PAYLOAD x 3 bytes
CS ASCII-hex, see above. EOP <CR>
This is always the ASCII letter ‘F’ to indicate the packet start.
ASCII-hex byte to indicate the type of command being sent. Each bit in the byte has a different function Bit 7 = Write (0) or Read (1) request. Messages from the unit are always Writes. Bit 6 = ACK bit. Should be set to 0 for messages to the unit. ACK=1 returned means message was okay. ACK=0 returned means an error was present in the message. Bit 5..3 = 0 Reserved for future use. Bit 2 = 1 This bit *must* be set. Bit 1..0 = 0 Reserved for future use.
This byte has multiple uses, and defaults to 0 unless used for:. SOURCE Byte to indicate the source channel to be altered (if appropriate). 0x10 = RGB1 0x11 = RGB2 0x30 = VIDEO1 0x31 = VIDEO2 0x40 = S-VID1 0x41 = S-VID2
Bit 7 = 0 (Reserved). Bit 6..0 = Window ‘A’ is sent as ‘41’ since 0x41 is ASCII for ‘A’
Bit 7..4 = 0 Bit 3..2 = Reserved (set to 0). Bit 1..0 = Bits 9 & 8 of the function code. (Remainder of bits [7..0] are in FUNC LOW.) Example: If the function code is 0x234, then these bits are 0x02
ASCII-hex byte to indicate the lowest 8 bits of the actual function to set or receive. A later table details all the functions available.
A series of three ASCII-hex bytes carrying the data to send, MSB fi rst. Example: ‘000001’ is 1 in decimal, ‘010000’ is 65536 in decimal, and ‘FFFFF0’ is -16 in decimal.
FRONT PANEL BUTTON EXAMPLES
If the user is using the serial commands to simulate the front panel of the MAS-6100, the following commands are provided. They have been tested.
The commands are to be sent out in the following manner, with no spaces between the fi elds. F4410410082000010??<CR> Would switch the source to RGB.
39
MAS-6100 / MAS-6100A
Page 40
Source = RGB1
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 00 82 000010 D7 <CR>
Where: CMD 04, Write command CHA 00 WIN 41, Window “A” OUT 00, Output 1 FUN 82, Change Program source PAY 000010, Source RGB1 CS ??, test checksum
Source = RGB2
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 00 82 000011 D8 <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1 FUN 82, Change Program source PAY 000010, Source RGB2 CS ??, test checksum
Source = S-VID1
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 00 82 000040 07 <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1 FUN 82, Change Program source PAY 000040, Source S-VID1 CS ??, test checksum
Source = S-VID2
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 00 82 000041 08 <CR>
Where: CMD 04, Write command CHA 00,
MAS-6100 / MAS-6100A
40
Page 41
WIN 41, Window “A” OUT 00, Output 1 FUN 82, Change Program source PAY 000041, Source S-VID2 CS ??, test checksum
Source = VIDEO1
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 00 82 000030 F7 <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1 FUN 82, Change Program source PAY 000030, Source S-VID2 CS ??, test checksum
Source = VIDEO2
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 00 82 000031 F8 <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1 FUN 82, Change Program source PAY 000031, Source S-VID2 CS ??, test checksum
FREEZE ON
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 00 9C 000001 ?? <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1 FUN 9C, Freeze PAY 000001, On CS ??, test checksum
41
MAS-6100 / MAS-6100A
Page 42
FREEZE OFF
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 00 9C 000000 ?? <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1 FUN 9C, Freeze PAY 000000, Off CS ??, test checksum
KEY ON
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 01 27 000001 ?? <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1, Key Enable high bit (function is 127) FUN 27, Key PAY 000001, On CS ??, test checksum
KEY OFF
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 01 27 000000 ?? <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1, Key Enable high bit (function is 127) FUN 27, Key PAY 000000, Off CS ??, test checksum
LOCK ON
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 01 0A 000001 ?? <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A”
MAS-6100 / MAS-6100A
42
Page 43
OUT 00, Output 1, Lock function high bit (function is 11A) FUN 1A, Lock PAY 000001, On CS ??, test checksum
LOCK OFF, BGND OFF
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 01 0A 00000 ?? <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1, Lock function high bit (function is 11A) FUN 0A, Lock PAY 000000, Off CS ??, test checksum
BGND ON
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 01 0A 000001 ?? <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1, Lock function high bit (function is 11A) FUN 0A, Lock PAY 000002, Background on (Lock & Mix) CS ??, test checksum
AUTO
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 00 FE 000001 ?? <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 00, Output 1, FUN FE, Start Autoset function PAY 000002, Background on (Lock & Mix) CS ??, test checksum
DISSOLVE (Transition Type)
SOP CMD CHA WIN OUT FUN PAY CS EOP
43
MAS-6100 / MAS-6100A
Page 44
F 04 00 41 01 12 000001 ?? <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 01, Output 1, Transition type high bit (function is 112). FUN 12, Set transition. PAY 000001, Set transition type to dissolve. CS ??, test checksum
CUT(DISSOLVE OFF) (Transition Type)
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 01 12 000000 ?? <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 01, Output 1, Transition type high bit (function is 112). FUN 12, Set transition type. PAY 000000, Set transition type to cut. CS ??, test checksum Other useful messages:
WIPE (Transition Type)
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 01 12 000002 5A <CR>
Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 01, Output 1, Transition type high bit (function is 112). FUN 12, Set transition type. PAY 000002, Set transition type to wipe. CS ??, test checksum
Left to Right Wipe (Transition Type)
SOP CMD CHA WIN OUT FUN PAY CS EOP
F 04 00 41 01 45 000000 ?? <CR>
L Where: CMD 04, Write command CHA 00, WIN 41, Window “A” OUT 01, Output 1, Set wipe type high bit (function is 145). FUN 45, Set transition type.
MAS-6100 / MAS-6100A
44
Page 45
PAY 000000, Set wipe to left to right CS ??, test checksum
Other wipes: Pay Value Wipe type 000001 Right to Left 000002 Curtain up 000003 Curtain down 000004 Diagonal 000005 Diamond
FUNCTION LIST
These are grouped together into their associated on-screen menus.
Your unit and this manual should be used to determine the actual function of each of the following, as only the menu text is listed here. Where an equivalent menu item does not exist on your unit, then that feature is not supported on.
Function codes are given in hexadecimal and adjustment range is in decimal (but always sent as hexadecimal!).
The following table is a list of all menu functions, their related function number and valid range of adjustment.
Menu text CHA
Adjust outputs
Lock source (connector) 149
Lock method 10A 0=Off, 1=Genlock, 2=BGND Lock H Shift 14A -4096..4096 Lock V Shift 14B -4096..4096 Output resolution 083 1..1000 Output Enable 170 0 = Off, 1 = On
Output image type analogue
Output image type digital 16C
Background Y 13B 16..235 Background U 13C 16..240 Background V 13D 16..240
FUNC (Hex)
0E2
Range of adjustment (decimal)
0x10 = RGB1 0x11 = RGB2 0x30 = VIDEO1 0x31 = VIDEO2 0x40 = S-VID1 0x41 = S-VID2
0 = RGBHV 2 = RGsB 3 = YUV
0 = RGBHV 3 = YUV 9 = Not available
45
MAS-6100 / MAS-6100A
Page 46
CCIR Output Standard 101 0 = NTSC/PAL, 1 = PAL-M/PAL-N, 2 = SECAM Output CV/YC IRE 133 -7.5..12.5 Output CV/YC Hue (degrees) 139 -22..22 Output SC/H Phase 085 -180..180 Output Luma Bandwidth 134 0,1,2 = Low, Medium, High Output Chroma Bandwidth 135 0,1,2 = Low, Medium, High Output Chroma delay 137 -4..3
0 = Off 1 = 4:3 Full format 2 = 14:9 Letterbox centre 3 = 14:9 Letterbox top
PAL WSS 130
Take 11E 0->1 = Perform a Preview -> Program transition
Adjust Windows
Program source / Window source (connector)
Window Enable 12B 0..1 = Off, On Zoom level % 086 100..1000 Zoom level H % 103 100..1000 (only used in Advanced A/R mode) Zoom level V % 105 100..1000 (only used in Advanced A/R mode) Aspect ratio in 107 0.1:1..9.99:1 H/V zoom pan % (H) 09F 0..100 H/V zoom pan % (V) 0A0 0..100 Freeze 09C 0..1 = Off, On H/V out shift (H) 0AD -4096..4096 H/V out shift (V) 0AE -4096..4096 Lock pixel offset 14A -2047..2047 Lock line offset 14B -2047..2047 Aspect Adjust 102 0..1 = Simple, Advanced Aspect ratio 190 0..2 = Normal, Letter-box, Narrow Flicker reduction 092 0..3 = Off, Low, Med, High Image smoothing 0A1 0..2 = Off, Med, High Image fl ip 095 0..3 = Off, Horiz., Vertical, H & V Max fade level 10F 0..100 = Fade level % Fade out / in 193 -1= Fade out, 1= Fade in Layer priority 144 0..5 = Layer priority Headphone volume 0FD -16..15 (-16=Mute)
082
4 = 16:9 Letterbox centre 5 = 16:9 Letterbox top 6 = >16:9 Letterbox centre 7 = 14:9 Full format 8 = 16:9 Full format
0x10 = RGB1 0x11 = RGB2 0x30 = VIDEO1 0x31 = VIDEO2 0x40 = S-VID1 0x41 = S-VID2
Adjust keyers (on certain models only)
Keyer enable 127 0.. 1 = Off, On
MAS-6100 / MAS-6100A
46
Page 47
Y key min/max (min) 0AF 0..255 Y key min/max (max) 0B2 0..255 Y key Softness 121 0..255 Y key Invert 122 0..1 = Off, On U key min/max (min) 0B0 0..255 U key min/max (max) 0B3 0..255 U key Softness 123 0..255 U key Invert 124 0..1 = Off, On V key min/max (min) 0B1 0..255 V key min/max (max) 0B4 0..255 V key Softness 125 0..255 V key Invert 156 0..1 = Off, On Swap fore / background 144 0..1 = Off, On E.blnd guides 18F 0..2 = Off, Auto, On E.blnd size H 18B 0.. limited by H width E.blnd size V 18C 0.. limited by V height E.blnd gamma H 188 1..15 1=0.1, 15=1.5 E.blnd gamma V 18D 1..15 1=0.1, 15=1.5 E.blnd compensation 198 0..99
Adjust sources
0x10 = RGB1, 0x11 = RGB2
Source to adjust 116
Autoset 10..1F FE 1= Start Autoset procedure Autoset Sense 10..FF FF 0..3 = Low, medium, high, v.high Field swap 10..FF C9 0..1 = Off, On (swaps odd/even fi elds) Field Offset 10..FF 196 0..7 = -4..+3 (defaults to 4 = 0) Testcard F0..F1 0DC 0..10 TL pos. adj. (left) 10..FF 0B6 -100..100 TL pos. adj. (top) 10..FF 0B7 -100..100 BR size adj. (right) 10..5F 0DE -100..100 BR size adj. (bottom) 10..5F 0DF -100..100 Audio input 10..FF 0D0 0..3 = Channels 1 .. 4 Audio vol 10..FF 0CF -16..15 (-16=Mute) Bal 10..FF 0D1 -15..15 Input pixel phase 10..5F 091 0..31
RGB input type 10..1F 0C1
RGB contr. (red) 10..1F 0C5 75..150 RGB contr. (green) 10..1F 0C6 75..150 RGB contr. (blue) 10..1F 0C7 75..150
De-int. 10..FF 0B8 (Film mode detected) 10..FF 0E3 0..1 = Not detected, Detected
Bright 30..5F 0BB 0..180
0x30 = VIDEO1, 0x31 = VIDEO2 0x40 = S-VID1, 0x41 = S-VID2
0 = Auto 1 = D-RGB 2 = D-YUV 3 = A-RGB 4 = A-YUV
0..5 = Normal, Auto, Film 3:2, M.comp.low, M.comp. med., M.comp.high
47
MAS-6100 / MAS-6100A
Page 48
Contrast 30..5F 0BC 0..180 Saturation 30..5F 0B9 0..180 Hue 30..5F 0BA - 180..180 Sharpness 30..5F 080 -7..+7 Luma delay 30..5F 0BD -4..3
Adjust transitions
Transition type 112 0 = Cut, 1 = Dissolve, 2 = Wipe Switching fade time 0F5 0 (off) to 50 (5.0 seconds)
0 = Left -> Right 1 = Right -> Left
Wipe type 145
Wipe Size 146 10..2000, 1000 = Full Screen
Adjust resolutions
Note: You MUST set the ‘Image to adjust’ value to the correct value fi rst, and only then change the other values
- otherwise you may be adjusting the wrong entry. The user should not adjust the ‘Image to adjust’ entry using the front panel while also accessing it via RS232
Image to adjust 081 1..1000 Interlaced 0CA 0..1 = Off, On H.freq.crse 0BE 10000..200000 H.freq.fi ne 0BF 10000..200000 H/V active (H) 096 64..2047 H/V active (V) 097 64..2047 H/V start (H) 08B 0..1023 H/V start (V) 08C 0..1023 Clks/l 08D 64..4095 Lines/f 08E 64..2047 H/V sync (H) 08F 8..1023 H/V sync (V) 090 1..1023 Sync polarity 094 0..3 = ++, +-, -+, --
2 = Up -> Down 3 = Down -> Up 4 = Diagonal 5 = Diamond
System
SW (Software version) 0D2 Read only PT (Product type) 0C4 Read only BT (Board type) 0C2 Read only Advanced menus 11D 0..1, Off, On OSD on Power up 189 0..1, Off, On Store 0C8 Set to 1 to store Buzzer 0CB 0..1 = Off, On Power cycles 0D6 Read only Firmware updates 0DD Read only Hours in use 0D7 Read only Resolutions 0D8 Read only Number of Testcards 0D9 Read only Number of logos 14F Read only Board temp. (deg.C) 0CD Read only
MAS-6100 / MAS-6100A
48
Page 49
Air temp. (deg.C) 148 Read only Regulators temp.(deg.C) 147 Read only PLD temp. (deg.C) 111 Read only Fan speed (rpm) 0CE Read only Led brightness 12C 0..100
0 = 9600 1 = 19200 2 = 28800
RS232 Baud rate 0AB
TAC number 0 15D Read only TAC number 1 15E Read only TAC number 2 15F Read only TAC number 3 160 Read only TAC number 4 161 Read only TAC number 5 162 Read only
Not part of menu system
Front panel lock 0FC 0 = unlocked, 1 = locked
3 = 33600 4 = 38400 5 = 57600 6 = 115200
49
MAS-6100 / MAS-6100A
Page 50
MAS-6100 / MAS-6100A
50
Page 51
SPECIFICATIONS
VIDEO INPUT
MODEL MAS-6100 AND MAS-6100A SIGNAL TYPE COMPONENT COMPOSITE RGB S-VIDEO CONNECTOR
NUMBER/TYPE
IMPEDANCE 75 OHM LEVEL 1 VOLT P/P VSWR <1.1@250MHz <1.3@100MHz <1.1@250MHz <1.3@100MHz ISOLATION >80dB@10MHz
DIFFERENTIAL PHASE
DIFFERENTIAL GAIN
TWO (VIA OP­TIONAL BREAK­OUT) TO HD-15 OR 5-BNC INPUTS
>65dB@100MHz NA 0.05 degrees NA 0.05 degrees
NA 0.02% NA 0.02%
ONE 1 BNC FE­MALE
>80dB@10MHz >63dB@100MHz
ONE HD-15 FE­MALE ONE 5-BNC FE­MALE
>80dB@10MHz >65dB@100MHz
VIDEO OUTPUT
MODEL SIGNAL TYPE COMPONENT RGB CONNECTOR
NUMBER/TYPE
IMPEDANCE 75 OHM GAIN UNITY INTO 75 OHMS OFFSET 15mV MAX 15mV MAX BANDWIDTH 450 MHz 450MHz FLATNESS +/-0.25dB 0 to
MAS-6100 AND MAS-6100A
ONE 3 RCA AND ONE HD-15 FE­MALE (VIA OP­TIONAL BREAK­OUT)
150MHz +/-1dB 150 to 400 MHz
ONE HD-15 FE­MALE and ONE 5 BNC FEMALE
+/-0.25dB 0 TO 150MHz +/-1dB 150 TO 400 MHz
TWO 4 PIN FEMALE DIN
>80dB@10MHz >63dB@100MHz
AUDIO (MAS-6100A)
BANDWIDTH 20 Hz to 20 kHz (+/- 0.1dB) THD+NOISE 0.1% @20 kHz at rated max output NOISE FLOOR <-90dBu CHANNEL SEPARATION <-85dB @ 1kHz
AUDIO INPUTS (MAS-6100A)
SIGNAL TYPE 4 stereo balanced (may be used with unbalanced sources) CONNECTOR NUMBER/TYPE 5 pin pluggable screw terminal IMPEDANCE 20k ohms balanced TRIM RANGE -15dB to +5dB in 1dB steps GAIN RANGE -45dB to +5dB in 1dB steps
AUDIO OUTPUT (MAS-6100A)
NUMBER/TYPE 1 stereo balanced or unbalanced CONNECTOR NUMBER/TYPE One 5 pin pluggable screw terminal IMPEDANCE 50 ohms
MAXIMUM LEVEL DELAY ADJUSTMENTS 85ms / 43ms / 21ms / 11ms—Set via rear panel dipswitches in any combination
600 ohms: +12dBm balanced / +6dBm unbalanced HI-Z: +14dBm balanced / +8dBm unbalanced
SYNC
INPUT IMPEDANCE 511 ohms OUTPUT IMPEDANCE 75 ohms INPUT LEVEL TTL 2.0 V minimum OUTPUT LEVEL 5 V into HI-Z / 2.4 V into 75
OUTPUT RISE AND FALL TIME
PROPAGATION DELAY 16nS
ohms 1nS
RS-232 HARDWARE CONFIGURATION
CONNECTOR 1 DB-9 FEMALE BAUD RATE 38400 DATA BITS 8 STOP BITS 1 PARITY NONE FLOW CONTROL NONE
POWER AND PHYSICAL
POWER 9 VAC @500mA power supply
included or 12VDC @ 300mA CONNECTOR TYPE 2 pin pluggable screw terminals MOUNTING Standard 19” rack mount included SHIPPING WEIGHT 3 lbs.
51
MAS-6100 / MAS-6100A
Page 52
WARRANTY AND RETURN INFO
WARRANTY POLICY
This product is warranted against failures due to defective parts or faulty workmanship for a period of three years after delivery to the original owner. During this period, FSR will make any necessary repairs or replace the unit without charge for parts or labor. Shipping charges to the factory or repair station must be prepaid by the owner, return-shipping charges, via UPS / FedEx ground, will be paid by FSR.
This warranty applies only to the original owner and is not transferable. In addition, it does not apply to repairs done by other than the FSR factory or Authorized Repair Stations.
This warranty shall be cancelable by FSR at its sole discretion if the unit has been subjected to physical abuse or has been modifi ed in any way without written authorization from FSR. FSR’s liability under this warranty is limited to repair or replacement of the defective unit.
FSR will not be responsible for incidental or consequential damages resulting from the use or misuse of its products. Some states do not allow the exclusion of incidental or consequential damages, so the above limitations may not apply to you. This warranty gives you specifi c legal rights, and you may also have other rights which vary from state to state.
Warranty claims should be accompanied by a copy of the original purchase invoice showing the purchase date (if a Warranty Registration Card was mailed in at the time of purchase, this is not necessary). Before returning any equipment for repair, please read the important information on service below.
SERVICE AND RETURN AUTHORIZA TION
Before returning any equipment for repair, please be sure that it is adequately packed and cushioned against damage in shipment, and that it is insured. We suggest that you save the original packaging and use it to ship the product for servicing. Also, please enclose a note giving your name, address, phone number and a description of the problem.
NOTE: All equipment being returned for repair must have a Return Authorization (RMA) Number. To get a RMA Number, please call FSR Service Department (973-785-4347).
Please display your RMA Number prominently on the front of all packages.
CONTACT INFORMATION
FSR Inc. 244 Bergen Boulevard, West Paterson, NJ 07424
Tel: (973) 785-4347 · Fax: (973) 785-4207
E-Mail: sales@fsrinc.com · Web: http://www.fsrinc.com
MAS-6100 / MAS-6100A
52
Page 53
MAS-6200
Page 54
MAS-6200
Loading...
Buy Points How it Works FAQ Contact Us Questions and Suggestions Privacy Policy Cookie Policy Terms of Use