FSR Eagle 200, Eagle 200 HD User Manual

Eagle 200

»

rлЙкЫл=dмбЗЙ

43998B LIT1116A D4

b~ÖäÉ=OMM»=√=rлЙкЫл=dмбЗЙ

`зйукбЦЬн

© FSR, Inc. December 8, 2005
All rights reserved. No part of this document may be copied, reproduced or translated. It

shall not otherwise be recorded, transmitted or stored in a retrieval system without the prior
written consent of FSR.

kзнбЕЙ

FSR provides this manual “as is” without warranty of any kind, either expressed or implied,
including but not limited to the implied warranties or merchantability and fitness for a
particular purpose. FSR may make improvements and/or changes to the product(s) and/or
the program(s) described in this publication at any time without notice.

This publication could contain technical inaccuracies or typographical errors. Changes are
periodically made to the information in this publication; these changes are incorporated in
new editions of this publication.

cЙЗЙк~д=`зггмебЕ~нбзел=`зггбллбзе=Ec``F=pн~нЙгЙен

This equipment has been tested and found to comply with the limits for a class A digital
device, pursuant to Part 15 of the FCC rules. These limits are designed to provide
reasonable protection against harmful interference when the equipment is operated in a
commercial environment. This equipment generates, uses, and can radiate radio frequency
energy and, if not installed and used in accordance with the instruction manual, may cause
harmful interference to radio communications. Operation of this equipment in a residential
area may cause harmful interference, in which case the user will be responsible for
correcting any interference.

dм~к~енЙЙ=~еЗ=`згйЙел~нбзе

FSR provides a guarantee relating to perfect manufacturing as part of the legally stipulated
terms of guarantee. On receipt, the purchaser must immediately inspect all delivered goods
for damage incurred during transport, as well as for material and manufacturing faults FSR
must be informed immediately in writing of any complaints.

The period of guarantee begins on the date of transfer of risks, in the case of special
systems and software on the date of commissioning, at latest 30 days after the transfer of
risks. In the event of justified notice of compliant, FSR can repair the fault or provide a
replacement at its own discretion within an appropriate period. If this measure proves to be
impossible or unsuccessful, the purchaser can demand a reduction in the purchase price or
cancellation of the contract. All other claims, in particular those relating to compensation for
direct or indirect damage, and also damage attributed to the operation of software as well
as to other services provided by FSR, being a component of the system or independent
service, will be deemed invalid provided the damage is not proven to be attributed to the
absence of properties guaranteed in writing or due to the intent or gross negligence or part
of FSR.

If the purchaser or a third party carries out modifications or repairs on goods delivered by
FSR, or if the goods are handled incorrectly, in particu lar if the systems are commissioned
operated incorrectly or if, after the transfer of risks, the goods are subject to influences not

ii Eagle 200 • User’s Guide

agreed upon in the contract, all guarantee claims of the purchaser will be rendered invalid.
Not included in the guarantee coverage are system failures which are attributed to
programs or special electronic circuitry provided by the purchaser, e.g. interfaces. Normal
wear as well as normal maintenance are not subject to the guarantee provided by FSR
either.

The environmental conditions as well as the servicing and maintenance regulations
specified in this manual must be complied with by the customer.

qê~ÇÉã~êâë

Brand and product names mentioned in this manual may be trademarks, registered
trademarks or copyrights of their respective holders. All brand and product names
mentioned in this manual serve as comments or examples and are not to be understood as
advertising for the products or their manufactures.

`згй~еу=^ЗЗкЙлл

FSR Inc.
244 Bergen Boulevard
West Paterson, NJ 07424

• Phone: [phone]

• Fax: [phone]

• Website: www.fsrinc.com

• Email: [e-mail]

Eagle 200 • User’s Guide iii

léÉê~íçêë=p~ÑÉíó=pìãã~êó

The general safety information in this summary is for operating personnel.

aз=kзн=oЙгзоЙ=`зоЙкл=зк=m~еЙдл

There are no user-serviceable parts within the unit. Removal of the top cover will expose
dangerous voltages. To avoid personal injury, do not remove the top cover. Do not operate
the unit without the cover installed.

mзпЙк=pзмкЕЙ

This product is intended to operate from a power source that will not apply more than 230
volts rms between the supply conductors or between both supply conductor and ground. A
protective ground connection by way of grounding conductor in the power cord is essential
for safe operation.

dкзмеЗбеЦ=нЬЙ=mкзЗмЕн

This product is grounded through the grounding conductor of the power cord. To avoid
electrical shock, plug the power cord into a properly wired receptacle before connecting to
the product input or output terminals. A protective-ground connection by way of the
grounding conductor in the power cord is essential for safe operation.

rлЙ=нЬЙ=mкзйЙк=mзпЙк=`зкЗ

Use only the power cord and connector specified for your product. Use only a power cord
that is in good condition. Refer cord and connector changes to qualified service personnel.

rлЙ=нЬЙ=mкзйЙк=cмлЙ

To avoid fire hazard, use only the fuse having identical type, voltage rating, and current
rating characteristics. Refer fuse replacement to quali fied service personnel.

aз=kзн=lйЙк~нЙ=бе=bсйдзлбоЙ=^нгзлйЬЙкЙл

To avoid explosion, do not operate this product in an explosive atmosphere.

iv Eagle 200 • User’s Guide

qЙкгл=fе=qЬбл=j~ем~д=~еЗ=bимбйгЙен=j~квбеЦ=

t^okfkd

Highlights an operating procedure, practice, condition, statement, etc., which, if not strictly
observed, could result in injury to or death of personnel.

Note

Highlights an essential operating procedure, condition or
statement.

`^rqflk

The exclamation point within an equilateral triangle is intended to alert the user to the
presence of important operating and maintenance (servicing) instructions in the literature
accompanying the appliance.

^sboqfppbjbkq>

Le point d´exclamation dans un triangle equilatéral signale à alerter l´utilisateur qu´il y a
des instructions d´operation et d´entretien tres importantes dans la litérature qui
accompagne l´appareil.

slopf`eq

Ein Ausrufungszeichen innerhalb eines gleichwinkeligen Dreiecks dient dazu, den
Benutzer auf wichtige Bedienungs-und Wartungsanweisungen in der Dem Great
beiliegenden Literatur aufmerksam zu machen.

Eagle 200 • User’s Guide v

`Ь~еЦЙ=eблнзку

C

9/29/09

UPDATED WARRANTY INFO

The table below lists the changes to the Eagle 200 User’s Guide.

Table 0-1. Change History

Rev Date ECO # Description Approved By

A 9/23/05 1491 New Eagle 200 User’s Guide Andreas Yerocostas
B 12/8/05 1527 Updated Appendix A, “Input/Output Resolutions List”;

added Appendices C and D; plus other misc. corrections.

Andreas Yerocostas

vi Eagle 200 • User’s Guide

q~ДдЙ=зС=`зенЙенл

`Ü~éíÉê=N fенкзЗмЕнбзе =K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K= N

Chapter Structure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

How to Use This Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Navigating . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Table of Contents and Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Terms and Definitions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

System Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Eagle 200 High-Resolution Seamless Switcher . . . . . . . . . . . . . . . . . . 4

Eagle 200 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Product Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Multiple Screen User Interface (Optional) . . . . . . . . . . . . . . . . . . . . . . . 6

A Word About Layers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Effect Combinations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Mixer Effect 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Mixer Effect 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Mixer Effect 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Mixer Effect 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Mixer Effect 5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Mixer Effect 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

`Ü~éíÉê=O e~кЗп~кЙ=lкбЙен~нбзе =K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=NN

In This Chapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Eagle 200 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Analog Input Flexibility. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Eagle 200 Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Use of Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Front Panel Sections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Touch Screen Menu Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Source Selection Bus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Layer Control Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Transition Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Mixer Functions Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

`Ü~éíÉê=P e~êÇï~êÉ=fåëí~ää~íáçå=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=OT

In This Chapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Safety Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Unpacking and Inspection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Site Preparation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Rack-Mount Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Cable and Adapter Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Eagle 200 • User’s Guide vii

Table of Contents

Input Connection Chart. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

`Ü~éíÉê=Q jЙем=lкбЙен~нбзе=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=PR

In This Chapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Home Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Global Rules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Input Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Input Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Input Menu Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Input Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Input Pre and Sub Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Input Acquisition Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Input Configuration Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Sizing Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Color Balance Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Aspect Ratio Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Output Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Output Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Output Menu Description. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Output Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Output Sub Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Settings Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Genlock Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Test Pattern Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

System Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

System Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

System Menu Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

System Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

System Sub Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Diagnostics Setup Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Reset Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Software Version Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Serial 1 Port Setup Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

EDID DVI Input Format Menu . . . . . . . . . . . . . . . . . . . . . . . . 61

Technical Support Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Effects Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Status Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Display Settings Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Keypad Backlight Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

PIP Adjustment Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

PIP Adjustment Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

PIP Adjustment Menu Description. . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

PIP Adjustment Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

PIP Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

PIP Adjustment Sub Menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Border Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Crop Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Shadow Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

Image Effects Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Key Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

viii Eagle 200 • User’s Guide

Table of Contents

Key Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Key Menu Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Key Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Key Sub Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Matte Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Key Adjustment Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Input Source Adjustment Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Input Source Adjustment Menu Tree. . . . . . . . . . . . . . . . . . . . . . . . . . 81

Input Source Adjustment Menu Description . . . . . . . . . . . . . . . . . . . . 82

Input Source Adjustment Menu Functions. . . . . . . . . . . . . . . . . . . . . . 82

Background Input Setup Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Background Input Setup Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Background Input Setup Menu Description . . . . . . . . . . . . . . . . . . . . . 85

Background Input Setup Menu Functions . . . . . . . . . . . . . . . . . . . . . . 85

Background Matte Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Frame Grab Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

DSK Adjustment Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

DSK Adjustment Menu Tree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

DSK Adjustment Menu Description . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

DSK Adjustment Menu Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

DSK Input Setup Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

DSK Matte Adjustment Menu . . . . . . . . . . . . . . . . . . . . . . . . 94

LOGO Input Setup Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Remote Control Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

`Ü~éíÉê=R pулнЙг=pЙнмйK=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=K=VV

In This Chapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Setup Prerequisites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Return to Factory Default . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Touch Screen Calibration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 01

Output Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Projector Setup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Quick Input Setup Procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Comprehensive Input Setup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Setting up Backgrounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Programming EDID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Using A Matte Color as a Background. . . . . . . . . . . . . . . . . . . . . . . . 108

Using a DVI Input as a Background or DSK . . . . . . . . . . . . . . . . . . . 109

Using a Still Frame as a Background . . . . . . . . . . . . . . . . . . . . . . . . 110

Setting up the DSK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Using a DVI Input as the DSK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Using a Still Frame as the DSK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Setting up the LOGO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Saving the Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

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In This Chapter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Prerequisites. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Operational Configuration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Monitor Layout. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Eagle 200 • User’s Guide ix

Table of Contents

Touch Screen Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Lookahead Preview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Understanding Raster Boxes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

A Word About LOS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Working with Layers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Switching Sources. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Background Transitions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Understanding Split and Mix Modes . . . . . . . . . . . . . . . . . . . . . . . . . 122

Split Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Mix Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Working with PIPs in Split Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Working with PIPs in Mix Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Modifying PIPs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Working with Keys in Split Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Working with Keys in Mix Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Modifying Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Clearing Layers from Program. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Working with Layer Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Changing the Layer Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Using Full Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Using Swap Z-Order . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Using Freeze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Using Reset. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

Using LOGO as Black Preview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Using Move. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Programming Moves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Program Move on Preview Method. . . . . . . . . . . . . . . . . . . 132

Program Move on Program Method . . . . . . . . . . . . . . . . . . 133

Pending and Triggering Moves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Pend on Preview Method . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Pend on Program Method. . . . . . . . . . . . . . . . . . . . . . . . . . 134

Move Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Working with Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Modifying Layers On Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Capturing Still Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Still Frame Capture Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Capturing Still Frames from a Background Input. . . . . . . . . . . . . . . . 137

Capturing Still Frames from a Layer . . . . . . . . . . . . . . . . . . . . . . . . . 138

Saving Still Frames in Permanent Memory . . . . . . . . . . . . . . . . . . . . 139

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In This Appendix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Input Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Output Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

User Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Physical and Electrical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Communications Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Pinouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

DVI Connector Pinouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

Analog 15-pin D Connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146

x Eagle 200 • User’s Guide

Table of Contents

Ethernet Connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Serial Connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Input and Output Resolutions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

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In This Appendix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Warranty. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Return Material Authorization (RMA) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Contact Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

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In This Appendix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Software Upgrade Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Serial Upgrade Method. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Ethernet Upgrade Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Troubleshooting Ethernet Communications. . . . . . . . . . . . . . . . . . . . 165

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In This Appendix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

Using Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

System Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Internal Router Configuration . . . . . . . . . . . . . . . . . . . . . . . 169

External Serial Router Configuration. . . . . . . . . . . . . . . . . . 170

External Ethernet Router Configuration . . . . . . . . . . . . . . . 172

External Serial and Ethernet Router Configuration . . . . . . . 174

Setting Unique Eagle 200 IDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Enabling Remote Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Downloading Code . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

Destination Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Router Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179

Output Patching. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Disabling Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Remote Control Caveats and Capabilities. . . . . . . . . . . . . . . . . . . . . 184

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Eagle 200 • User’s Guide xi

Table of Contents

xii Eagle 200 • User’s Guide

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This chapter is designed to introduce you to the Eagle 200. Areas to be covered are:

• Chapter Structure

• How to Use This Guide

• Conventions

• Terms and Definitions

• System Overview

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The following chapters provide instructions for all aspects of Eagle 200 operations:

• Chapter 1, “Introduction” provides a system overview, a list of features, and

discusses easy ways to use this guide.

• Chapter 2, “Hardware Orientation” explains the Eagle 200’s front and rear panels

in detail.

• Chapter 3, “Hardware Installation” provides comprehensive system installation

instructions.

• Chapter 4, “Menu Orientation” explains the system’s configuration, setup and

adjustment menus, and provides basic menu “navigation” procedures.

• Chapter 5, “System Setup” outlines procedures for setting up and configuring the

Eagle 200.

• Chapter 6, “Operations” provides basic system operating instructions.

• Appendix A, “Specifications” lists the Eagle 200’s input, output, video,

mechanical and power specifications, and includes connector pinouts.

• Appendix B, “Contact Information” lists important contact, RMA, warranty and

technical support details.

• Appendix C, “Upgrading Software” provides a detailed procedure for upgrading

Eagle 200 software.

• Appendix D, “Remote Control” outlines the steps required when Eagle 200 is

connected to an external controller, such as Encore.

Eagle 200 • User’s Guide 1

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How to Use This Guide

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Following are important tips for streamlining your use of this User’s Guide in its electronic
“PDF” form.

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Use Acrobat Reader’s “bookmarks” to navigate to the desired location. All chapter files
have the same bookmark structure for instant navigation to any section. Please note:

• Extensive hyperlinks are provided within the chapters.

• Use Acrobat’s “Go to Previous View” and “Return to Next View” buttons to trace

your complete navigational path.

• Use the “Previous Page” and “Next Page” buttons to go to the previous or next

page within a file.

• Use Acrobat’s extensive search capabilities, such as the “Find” tool and “Search

Index” tool to perform comprehensive searches as required.

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Use the Table of Contents bookmarks to navigate a desired topic. Click any item to
instantly jump to that section of the guide. You can also use the Index to jump to specific
topics within a chapter. Each page number in the Index is a hyperlink.

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The following conventions are used throughout this guide:

• The symbol  denotes an operations procedure.

• The symbol S denotes an example.

• Entries written in bold-face letters denote physical buttons or rear chassis

connectors.

S Press Split Layer to ...

• When two buttons together are required for an operation or function, the plus (+)

sign is used between the buttons. This procedure requires that you hold down the
first button, then press the second.

• Button labels on the Touch Screen menus are shown in bold uppercase letters

between braces.

S Press {BORDER} to …

• When a sequence of menu selections is required to complete a given procedure,

the ">" symbol is used to divide each successive menu picks.

S To access the Genlock Menu, press {HOME} > {OUTPUT} >

{GLCK}.

2 Eagle 200 • User’s Guide

qЙкгл=~еЗ=aЙСбебнбзел

The following terms and definitions are used throughout this guide:

• A “Background” is an unscaled source, typically originating from a computer.

Eagle 200 enables you to work with two background sources, each of which
appears at the system’s lowest priority — visually in back of all other sources.

• The abbreviation “BG” is also used throughout this guide for Background.

• A “Key” is an electronic (and visual) process whereby one image is electronically

superimposed over another source or background. Keys are typically used for
titles, logos and banners.

• A “Layer” is an image display element (such as a PIP, Key or Background) that

has an associated visual priority — either in front (or in back) of another layer.

• A “LOGO” is a full screen image that is selected from one of three still frames that

you can capture with Eagle 200.

• A “Mixer” is the electronic circuitry that enables you to transition (and scale) PIPs

and Keys over a background.

• “M/E” (Mix/Effects) is synonymous with “mixer.” Eagle 200 has one internal M/E,

capable of layering either two PIPs, two keys, or one of each.

• “Operator” refers to the person who uses the system.

• “PIP” refers to Picture-in-Picture, an on-screen setup in which one picture

(typically of reduced size) is positioned over another background image — or
another PIP. PIPs can be reduced, enlarged, bordered, shadowed, and mixed on
and off Program. PIPs can overlap each other, depending on their visual priority.

• “Screen” and “Menu” both refer to the Touch Screen menus.

• “System” refers to the Eagle 200.

• A “Scaler” is the electronic circuitry that enables you to reduce or enlarge source

images, thus creating PIPs and Keys that can be positioned (and transitioned).

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Terms and Definitions

Eagle 200 • User’s Guide 3

NK==fенкзЗмЕнбзе

System Overview

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The following topics are discussed in this section:

• Eagle 200 High-Resolution Seamless Switcher

• Eagle 200 Features

• Product Models

• Multiple Screen User Interface (Optional)

• A Word About Layers

• Effect Combinations

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The Eagle 200 Seamless Switcher is a high-resolution multi-layer video display system that
combines seamless switching with a variety of creative video effects. The result is a
versatile video production tool for live event staging and fixed installation applications.

Eagle 200 uses five image layers to produce sophisticated effects, including transitioning
backgrounds, transitioning PIPs, wipes, dissolves and keys.

The five Eagle 200 layers are:

• One unscaled background

• Two scale d inputs

• One unscaled downstream key

• One LOGO

Using the mixer’s two scaled inputs, you can mix within a PIP, or you can display two
independent PIPs (or Keys) over a background. In addition, two unscaled high-resolution
input channels enable you to transition seamlessly between background images, or
alternately, to use one high-resolution background plus a high-resolution DSK. A LOGO is
also available as a full screen source, using still frames captured from the background
inputs or from the layers.

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Following is a detailed list of Eagle 200 features:

• Support for input and output resolutions up to UXGA

• High quality motion adaptive de-interlacing on SD and HD sources

• Low video processing delay, less than 3 input fields

• 3RU rack-mount chassis

• Native high-resolution background channels independent of the PIP/Key

processing channels

• Internal 8 x 2 analog video router for selecting scaler inputs, plus (on the HD

model), internal 2 x 2 HD-SDI/SD-SDI router.

• Native high resolution DSK channel, independent of PIP/KEY processing

channels

4 Eagle 200 • User’s Guide

NK==fенкзЗмЕнбзе

System Overview

• PIP effects:
~ PIP size from 1/8 to 8x source resolution
~ Adjustable PIP aspect ratio
~ PIP borders, including drop shadows and soft edge

• Transitioning PIP or Key on a transitioning background

• Numerous mix and wipe effects

• Programmable matte

• Keying
~ Luminance key
~ Split key (key alpha and fill)
~ Color key

• Video Processing
~ 10-bit processing
~ 1:1 pixel sampling
~ Motion adaptive de-interlacing (SD & HD)
~ 3:2 and 2:2 pull down detect
~ Image cropping
~ Aspect ratio correction

• Z-order control (priority layers) for overlapping PIPs or Keys

• The mixer layer is dynamically re-assignable as a mixing (transitioning) PIP, or as

two individual (SPLIT) non-transitioning PIPs or Keys

• Three assignable, internal frame stores

• Lookahead preview

• Output synchronization: free-run or vertically locked to NTSC/PAL black burst,

CSync or HD tri-level sync

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Eagle 200 is available in two different models:

• Basic Model

The basic model includes eight analog inputs on HD-15 connectors. These inputs
feed an internal 8 x 2 router, which provides sources to the two scalers. The unit
also features two high resolution DVI inputs which can be used for two unscaled
background sources, or one background and one DSK source.

• HD Model

The HD model is identical to the standard model, with the addition of two HD-SDI/
SD-SDI inputs on BNC connectors. These inputs feed an internal 2 x 2 router,
which provides these additional sources to the two scalers.

Eagle 200 • User’s Guide 5

NK==fенкзЗмЕнбзе

System Overview

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Event control is available using multiple Eagle 200 units in conjunction with the Encore SC/
LC Controller or the Eagle 200 Controller. In this mode, all Eagle 200 functions (including
system setup) are supported from the controller, which is equipped with easy-to-use
menus, a T-Bar for manual transitions and buttons for user presets.

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Eagle 200 is a five layer system, as illustrated below:

Background

Mixer Layer A

Mixer Layer B

DSK

LOGO

Figure 1-1. Eagle 200 Layers

A layer is defined as an image display element (such as a background, PIP , or Key) with an
associated visual priority. The mixer it self has two layers, A and B. For complete flexibility,
each mixer layer can be assigned to either PIP or Key functionality.

A typical Eagle 200 application is illustrated below.

Background

PIP

Nature

Key

DSK

Wilderness

Figure 1-2. Layer Illustration — Background, Mixer and DSK

Please note the following important points:

• The full screen LOGO is the highest priority layer. This image visually appears

“over” all other images, including backgrounds, PIPs, keys and the DSK.

• The Downstream Key (DSK) is the second highest priority layer. It visually

appears over all PIPs, keys and backgrounds — but it is “under” the LOGO.

6 Eagle 200 • User’s Guide

NK==fенкзЗмЕнбзе

System Overview

• The high resolution Background layer has the lowest priority. This layer visually

appears “behind” all other PIPs, keys, and the DSK. The system can transition
between two background sources — both of which must be at native projector
resolution.

• A PIP layer appears “over” backgrounds and “under” the DSK and LOGO. Effects

include mixes and wipes, linear moves and resizing, adjustable aspect ratio,
borders, drop shadows and soft edges.

• A Key layer also appears “over” backgrounds and “under” the DSK and LOGO.

Key effects include luminance keys, split keys (key alpha and fill), reverse key
(key on background), and color key (graphics).

• Within the mixer, layer B has priority over layer A, but you can change that priority

as desired with the

Swap Z-Order button.

• Up to eight analog inputs and up to two SD/HD SDI inputs can be scaled to

produce PIP or Key images.

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This section illustrates the many (but not all) combinations of image effects that you can
create on the Eagle 200. Please note:

• In the following illustrations, the specific layers used in creating each effect are

labeled (e.g.,

• The symbol ↔ denotes a PIP or a key that can transition. For example, PIP A ↔

B indicates that you can dissolve between sources within the PIP.

The Eagle 200 system provides two backgrounds, two scalable layers in the mixer plus an
unscaled DSK and a full screen, unscaled LOGO. The LOGO, DSK and backgrounds are
always unscaled.

PIP A, PIP B).

Important

If the DSK is in use, the background cannot transition
between A and B. This occurs because

shared between the DSK and BG B.

BG/DSK Input B is

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This effect includes a non-transitioning background (either A or B), one transitioning PIP
and the DSK.

Background

PIP

A ↔ B

DSK

Figure 1-3. Effect 1 Diagram

Eagle 200 • User’s Guide 7

NK==fенкзЗмЕнбзе

System Overview

jбсЙк=bССЙЕн=O

This transition is similar to effect 1, but because the DSK is not in use, the background can
transition from source A to B, and the PIP can transition between layers A and B.

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In this effect, because the DSK is in use, the background cannot transition — you can only
use background A. Here, you can independently fade (or cut) one scaled PIP and one
scaled key, with complete size and position flexibility.

Background A ↔ B

PIP

A ↔ B

Figure 1-4. Effect 2 Diagram

Background A

PIP

Key B

A

DSK

Figure 1-5. Effect 3 Diagram

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This transition is similar to effect 3, but because the DSK is not in use, the background can
transition between sources A and B. You can also independently fade, cut, size and
position both the PIP and the key.

Background A ↔ B

PIP

Key B

A

Figure 1-6. Effect 4 Diagram

8 Eagle 200 • User’s Guide

NK==fенкзЗмЕнбзе

System Overview

jбсЙк=bССЙЕн=R

In this effect, because the DSK is in use, the background cannot transition — you can only
use background A. Here, you can independently fade two scaled PIPs up and down —
with or without the DSK on screen.

Background A

PIP

A

PIP

B

DSK

Figure 1-7. Effect 5 Diagram

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This transition is similar to effect 5, but because the DSK is not in use, the background can
transition. You can also independently fade the two PIPs.

Background A ↔ B

PIP

A

Figure 1-8. Effect 6 Diagram

PIP

B

Eagle 200 • User’s Guide 9

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System Overview

10 Eagle 200 • User’s Guide

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This chapter provides detailed information about the Eagle 200’s hardware. The following
topics are discussed:

• Eagle 200 Rear Panel

• Eagle 200 Front Panel

• Use of Color

• Front Panel Sections

Eagle 200 • User’s Guide 11

2. Hardware Orientation

Eagle 200 Rear Panel

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The figure below illustrates the Eagle 200 rear panel:

7 9 10

8

31 2 4 5

Figure 2-1. Eagle 200 Rear Panel

1) SDI Inputs 5) Preview Output 9) Serial Ports

2) Ana l og Inputs 6) AC Connector 10) Ethernet Port

3) Background/DSK Inputs 7) Genlock Connectors

4) Program Outputs 8) Termination Switch

6

Following are descriptions of each rear panel connector and section.

1) SDI Inputs

Two BNC connectors are provided for HD-SDI or SD-SDI inputs (or one of each).
These numbered inputs feed the system’s internal 2 x 2 SDI router, and are
directly associated with the two SDI source buttons on the front panel’s top row.

Note

These inputs will accept:

These connectors are populated only on the HD version of
the Eagle 200.

~ SDI (SMPTE 259M-C, NTSC or PAL)
~ HD-SDI (SMPTE 292M, HDTV).

In Chapter 5, refer to the “
input setup instructions.

2) Analog Inputs

Eight 15-pin D connectors are provided for Analog Inputs. These numbered
inputs feed the system’s internal 8 x 2 analog router, and correspond directly to
the eight analog source buttons on the front panel.

12 Eagle 200 • User’s Guide

Comprehensive Input Setup” section on page 104 for

2. Hardware Orientation

Eagle 200 Rear Panel

Please note:

~ In Appendix A, refer to the “Analog 15-pin D Connector” section on

page 146 for pinout details.

~ Refer to the “Analog Input Flexibility” section on page 14 for additional

information about each analog input connector.

3) Background/DSK Inputs

Two DVI connectors are provided for Background and DSK Input s. Both
connectors are digital only, and do not include analog pins. Please note:

~ To use two background sources, connect one source to connector A and

one to connector

B.

~ T o use one background and one DSK source, connect the background to

connector

In Appendix A, refer to the “
pinout details.

4) Program Outputs

Three connectors are provided for Program Outputs — one DVI and two analog.

A and the DSK source to connector B.

DVI Connector Pinouts” section on page145 for

~ One DVI connector is provided for the Digital Program Output. This

output is designed for a digital connection to your projector. The output
is digital only, and does not include analog pins. In Appendix A, refer to

DVI Connector Pinouts” section on page 145 for pinout details.

the “

~ Two 15-p in D conne cto rs ar e pro v id ed fo r Analog Program Outputs.

These outputs (identical in content to the digital output) are designed fo r
analog connections to your projector or to analog monitoring. In
Appendix A, see the “
for pinouts.

5) Preview Output

One 15-pin D connector is provided for the Analog Preview Output. This output
is designed for an analog connection to your preview monitor. In Appendix A, see

Analog 15-pin D Connector” section on page 146 for pinouts.

the “

6) AC Connector

One AC Connector is provided to connect the Eagle 200 to your facilit y’s AC
power source. The integral switch turns the chassis on and off.

7) Genlock Connectors

Two BNC connectors are provided for analog Genlock (reference video)
connections. A genlock connection is highly recommended in Eagle 200
configurations that utilize video camera sources. Please note:

Analog 15-pin D Connector” section on page 146

~ T o genlock the chassis, connect a P AL or NTSC black burst or composite

sync signal to the

Genlock In connector.

~ If you are looping reference video to another chassis in your system,

connect a BNC cable from the
device’s

Genlock In connector.

Genlock Loop connector to the next

~ If this Eagle 200 chassis is the last device in a reference video chain, do

not make any connections to the

Genlock Loop connector.

Eagle 200 • User’s Guide 13

2. Hardware Orientation

Eagle 200 Rear Panel

8) Termination Switch

One recessed switch is provided for switching the genlock termination.

Note

User feedback for the current switch position is provided on the system’s

. Please note:

Menu

Eagle 200 units are shipped from the factory with the

Termination Switch in the “terminated” (75 Ohms) position.

~ Use the “terminated” setting (75 Ohms) if the Eagle 200 chassis is the

last device in a reference video chain.

~ Use the “high impedance” setting (Hi-Z) if you are looping reference

video to another chassis in your system.

9) Serial Ports

Two 9-pin D connectors are provided for RS-232 serial communications with the
Eagle 200 chassis and for downloading code in the field. In Appendix A, refer to

Serial Connector” section on page 148 for pinout details.

the “

10) Ethernet Port

One RJ-45 connector is provided for 10/100BaseT Ethernet communications with
the Eagle 200 chassis. When (optionally) connecting the Eagle 200 to an Encore
or Eagle 200 controller, a standard Ethernet hub or switch on an isolated network
is recommended. The Ethernet connector is compatible with:

~ Standard RJ-45 Ethernet cables
~ Neutrik EtherCon

In Appendix A, refer to the “
details.

®

series cables

Ethernet Connector” section on page 147 for pinout

Genlock

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Each analog input connector accepts a variety of analog formats including VGA, low­resolution composite video, S-video and YUV component video.

• For RGB with H and V sync, use the VGA connector directly.

• Using a VGA to 5xBNC breakout cable, five input combinations are possible.

Cells with check marks denote the connections required for the indicated format.

Table 2-1. Analog Input Combinations using Breakout Cable

Breakout Cable

Wire Color

R

G

B 3 (Pb) 333
H Sync 33
V Sync 3

14 Eagle 200 • User’s Guide

Composite

Video

S-Video

(Y/C)

3 (Chrom)

33 (Lum)

YUV

(YP

)

bPr

3 (P

) 3 33

r

RGB

Sync on Green

RGB

Comp Sync

RGB

Separate H V

3 (Lum) 333

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The figure below illustrates the Eagle 200 front panel:

2. Hardware Orientation

Eagle 200 Front Panel

3

2

Figure 2-1. Eagle 200 Front Panel

1) Chassis Handles 4) Layer Control Section 7) Eagle 200 Model

2) Touch Screen Menu Section 5) Transition Section

3) Source Selection Bus 6) Mixer Functions Section

Following are descriptions of each front panel control feature:

1) Chassis Handles

Two Chassis Handles are provided for ease of i nstallatio n and transportation.

2) Touch Screen Menu Section

The Touch Screen Menu Section is used for system configuration, setup and
operational adjustments, such as PIPs and keys. Refer to the “

Menu Section” heading on page 19 for details.

3) Source Selection Bus

The Source Selection Bus allows you to choose the sources that are routed into
PIPs and keys.

41

7 6

Touch Screen

~ On the basic model, up to 8 analog sources can be routed.
~ On the HD model, up to 8 analog sources plus up to two HD-SDI/SD-SDI

sources can be routed.

Refer to the “

4) Layer Control Section

The Layer Control Section is the operational heart of the Eagle 200, enabling
you to assign sources to PIPs and keys on the mixer. Here, you control the
overall “look” on Preview and Program. Refer to the “
heading on page 21 for details.

Source Selection Bus” section on page 20 for details.

Layer Control Section”

5

Eagle 200 • User’s Guide 15

2. Hardware Orientation

Eagle 200 Front Panel

5) Transition Section

The Transition Section includes three dedicated buttons used for cutting, mixing
and wiping sources on and off Program. Refer to the “
heading on page 23 for details.

6) Mixer Functions Section

When a layer is active (and blinking) in the Layer Control Section, all buttons in

Mixer Functions Section apply to that layer, enabling you to change its mode

the
and manipulate the source. Refer to the “
page 24 for details.

7) Eagle 200 Model

This section displays the Eagle 200 model, either basic or HD.

Eagle 200 HD Eagle 200

Figure 2-2. Eagle 200 Model Labels

Transition Section”

Mixer Functions Section” heading on

16 Eagle 200 • User’s Guide

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Color plays an important “visual” role with the Eagle 200’s front panel buttons:

White buttons are used for sources.

1

Yellow buttons are functions and modes that always apply to the active (blinking) laye r.

Functions include assigning PIPs and keys to the active layer, setting up moves, freezing

PIP

MIX

the active layer and swapping layer priority.

Red buttons are transition functions, including cut, mix and wipe.

2. Hardware Orientation

Use of Color

BG

A

LAYER

A

Green buttons indicate unscaled sources, such as backgrounds and the DSK source.

Blue buttons indicate scaled sources.

Eagle 200 • User’s Guide 17

2. Hardware Orientation

Front Panel Sections

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This section provides detailed descriptions and illustrations of each front panel section.
The following topics are discussed:

• Touch Screen Menu Section

• Source Selection Bus

• Layer Control Section

• Transition Section

• Mixer Functions Section

18 Eagle 200 • User’s Guide

2. Hardware Orientation

Front Panel Sections

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The figure below illustrates the Touch Screen Menu Section. A sample menu is also
shown for reference.

PIP ADJUSTMENT

H
O
M
E

S
R
C

B
O
R
D
E
R

H Size < 37.3% > 674
V Size < 58.9% >
H Position
V Position

452

-34
70

Move Rate [ 2.0 ]
Key Frame Effect [ LINEAR ]

S

I
Z
E

H
P

O
S

C
R
O
P

TRACK H SIZE V SIZE

RATE

V
P

O
S

1 2

Figure 2-3. Touch Screen Menu Section

1) Touch Screen 2) Rotary Knobs

Following are descriptions of each area:

1) Touch Screen

All menus and functions can be accessed by touching the desired label or button
on the Touch Screen itself.

S Example: Press the {BORDER} button to access the Border Menu.
S Example: Press the V Size line to highlight that line. You can now adjust

V Size using the ADJ rotary knob.

2) Rotary Knobs

Three Rotary Knobs are provided to the right of the Touch Screen. Each knob
controls or adjusts the function that is labeled on the Touch Screen itself,
immediately adjacent to the knob. Please note:

~ The Top Knob is generally assigned to navigating fields on the selected

menu. For example, turning the knob moves a highlight up and down a
list of parameters, allowing you to adjust the highlighted function. This
knob also adjusts adjacent parameters.

Eagle 200 • User’s Guide 19

2. Hardware Orientation

Front Panel Sections

~ The Middle and Bottom knobs are generally assigned to adjusting the

adjacent parameters, as labeled on the Touch Screen.

Source Selection

Program

1

Note

There is no Enter button. If you adjust a value with the
knobs, that function or value is immediately active in Preview.

pзмкЕЙ=pЙдЙЕнбзе=_мл

The figure below illustrates the Source Selection Bus.

1 2 3 4

Figure 2-4. Source Selection Bus

Each button represents an input that you can assign to a PIP or key.

5

6 7 8

• Buttons 1 through 8 correspond to the eight analog inputs on the rear panel.

• The two SDI buttons correspond to SDI inputs 1 and 2 on the rear panel. These

buttons are only labeled (and active) with the HD model of Eagle 200 .

Press a button in the section to assign the source to the blinking “mixer” button in the

Control Section

active for manipulation as the PIP or key source on that layer.

. When the button is lit and blinking, the source is on Preview, and is

• When a source button lit solid, the source is on Preview — but it is not active for

manipulation.

• When the Red LED above a source button is lit, the source is on Program.

• Multiple sources can appear on Program and Preview simultaneously, but only

one button can be blinking and active for modification on Preview.

• In Chapter 5, refer to the “Comprehensive Input Setup” section on page 104 for

details on all source setup procedures.

SDI

1

SDI

2

Layer

20 Eagle 200 • User’s Guide

2. Hardware Orientation

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The figure below illustrates the Layer Control Section.

Program

Front Panel Sections

BG

A

BG

B

LAYERALAYER

B

DSK

LOGO

Background Mixer

Figure 2-5. Layer Control Section

The buttons in the Layer Control Section enable you to select (on Preview) the sources
that will transition to or from
and the full screen LOGO.

When you select a blue “layer” button, you are electronically selecting a scaler that you
want to assign as a PIP or key, or modify in some manner. In this way, you control the
overall look on Preview before you “transition” that look to Program.

Please note the following important points:

Program — including backgrounds, individual layers, the DSK

• Two background sources, one DSK, and one full screen LOGO are provided.

• The buttons are arranged left-to-right in order of visual priority — from the

backgrounds (at the lowest priority) to the LOGO (at the highest visual priority).

• Any combination of backgrounds, layers, DSK and LOGO can be selected on

Preview for transition to or from Program.

Note

The only restriction is that BG B and the DSK are mu tu ally
exclusive. This occurs because the

shared between the DSK and BG B.

BG/DSK Input B is

Following are descriptions of each button’s function.

Important

Background Buttons — press to select an unscaled background on Preview for transition

to or from Program. The button lights when selected. Please note:

BG

A

Eagle 200 • User’s Guide 21

• If the Red LED is lit, the background is on Program.

• If BG A is on Program and BG A is selected in Preview, there will be no change of

backgrounds on the next transition.

Eagle 200 uses a “lookahead” Preview monitor that fully
represents how the
selecting combinations of PIPs, keys, backgrounds and the
DSK, you are composing a Preview
Program — after the next transition. A “lit” button does not
necessarily mean that the source will transition on or off — it
simply means that it is part of the “look” on Preview.

Program output will appear next. By

image that will appear on

2. Hardware Orientation

Front Panel Sections

• If BG A is on Program and BG B is selected in Preview, BG A will dissolve, cut or

wipe to

• Toggle mode also affects background transitions. In Chapter 6, refer to the

Background Transitions” section on page 121 for complete instructions.

“

Layer Buttons — press to select a layer on Preview for transition to or from Program.

• When lit and blinking:

LAYER

A

~ The layer is active for manipulation.
~ A source can be assigned to the layer from the Source Selection Bus.
~ The layer can be assigned as a PIP or key using the buttons in the Mixer

• When lit solid, the layer is on Preview, but it is not active for manipulation. It is,

however, ready to be transitioned to Program.

• When the Red LED above the button is lit, the layer is on Program.

• To clear a layer from Preview (so that it will transition off Program), press Clear

Layer

the red led above the layer button is lit, it indicates that the layer will transition off
of Program on the next transition.

BG B on the next transition.

Functions Section

in the Mixer Functions Section. This causes the layer button to turn off. If

.

DSK

LOGO

DSK — press to select the unscaled DSK on Preview for transition to or from Program.

The button lights when selected. Please note:

• When the Red LED above the button is lit, the DSK is on Program.

• The DSK and BG B are mutually exclusive.

LOGO — press to select the unscaled, full screen LOGO on Preview for transition to or

from Program. The button lights when selected. Please note:

• When the Red LED above the button is lit, the LOGO is on Program.

• The logo is the system’s highest priority layer, and is selected from one of Eagle

200’s three internal frame stores.

• The LOGO layer is often used as a “black preview” function. If Black is selected

as the “type” on the
selecting

LOGO on preview.

Logo Input Setup menu, you can fade to black at any time by

• The logo is not a live input, and does not have an associated key signal.

Important

In Chapter 6, refer to the “
instructions on all layer, PIP and key modes.

All layers are maintained underneath the LOGO. For
example, if you have two PIPs and a DSK on Program when
you transition to the
the previous "look" is still there.

Working with Layers” section on page 120 for complete

LOGO, when you fade the LOGO off —

22 Eagle 200 • User’s Guide

WIPE

2. Hardware Orientation

Front Panel Sections

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The figure below illustrates the Transition Section.

WIPE CUT MIX

Transitions

Figure 2-6. Transition Section

Descriptions of each button are provided below:

WIPE — press to transition from Preview to Program at a pre-defined rate — using one of

several wipe patterns. The wipe patterns, edge types and transition rates are selected
using the

Effects Menu.

• In Chapter 4, refer to the “Effects Menu” section on page 63 for menu details.

• In Chapter 6, refer to the “Working with Transitions” section on page 135 for

operational procedures.

CUT

MIX

CUT — press to instantly cut the images from Preview to Program.

MIX — press to dissolve from Preview to Program at a pre-defined rate. Auto transition

rates are defined using the

Effects Menu.

• In Chapter 4, refer to the “Effects Menu” section on page 63 for menu details.

• In Chapter 6, refer to the “Working with Transitions” section on page 135 for

operational procedures.

Eagle 200 • User’s Guide 23

2. Hardware Orientation

Front Panel Sections

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The figure below illustrates the Mixer Functions Section.

Split

Layer

Mixer Functions

Split

Layer

KEY

KEY Reset

The buttons in the Mixer Functions Section enab le you to change or modify the selected
(blinking) layer button in the

Split Layer — press to select whether or not the mixer’s two layers work independently or

in tandem.

Full

Screen

Figure 2-7. Mixer Functions Sections

PIP

Clear
Layer

Layer Control Section.

Swap

Z-Order

Freeze

Move

Setup

Move

• With Split Layer enabled (and the button lit), each layer works independently.

You have the freedom to size, position, manipulate and transition each one
independently of the other.

• With Split Layer disabled, the two layers are ganged together, offering a variety of

additional transitions including the toggle, mix source and swap functions.

In Chapter 6, refer to the “

Key — press to change the selected layer (in the Layer Control Section) and its

associated source to a key effect. The
Screen. In Chapter 4, refer to the “

Working with Layers” section on page 120 for details.

Key Adjustment Menu appears on the Touch

Key Menu” section on page 75 for details.

Full Screen — press to take the active PIP or key to full screen. In each case, the source’s

Full

Screen

PIP

Clear
Layer

24 Eagle 200 • User’s Guide

height will be used as the parameter that defines the full screen size.

S Example: If a source’s original dimension is 1280 x 1024, pressing Full

Screen

expands (or reduces) that PIP to fill the output screen vertically. If

borders are

In Chapter 6, refer to the “

PIP — press to change the selected layer (in the Layer Control Section) and its

associated source to a PIP effect. The
Screen. In Chapter 4, refer to the “

Clear Layer — press Clear Layer to remove the currently selected (blinking) layer from

Preview — in preparation for transitioning it off Program.
In Chapter 6, refer to the “

instructions.

ON, they will be taken into account so that they are visible.

Using Full Screen” section on page 129 for instructions.

PIP Adjustment Menu appears on the Touch

PIP Adjustment Menu” section on page 67 for details.

Clearing Layers from Program” section on page 128 for

Swap

Z-Order

Freeze

Reset

Move

Setup

2. Hardware Orientation

Front Panel Sections

Swap Z-order — press to change the visual priority (on Preview) of the two mixer layers.

The PIPs or keys remain at their current locations — only the priority changes.

S Example: If PIP B is visually on top of PIP A, press Swap Z-Order to place

A on top of B.

PIP

In Chapter 6, refer to the “

Freeze — enables you to freeze a layer on both Program and Preview.

In Chapter 6, refer to the “

Reset — press to reset the current effect (e.g., PIP, Key, crop, etc.) to a nominal default

value. You can think of this function as being “context sensitive” — as it resets only the
current effect, without affecting other modifications.

S Example: If you adjust a PIP’s size, border and shadow, and wish to reset

only the border, navigate to the Border Menu and press Reset.

In Chapter 6, refer to the “

Move Setup — press to set up a “move” for a PIP or key, enabling you to choose the

move’s start and end points.
In Chapter 6, refer to the “

Using Swap Z-Order” section on page 129 for instructions.

Using Freeze” section on page 130 for instructions.

Using Reset” section on page 130 for details.

Using Move” section on page 132 for complete instruct ions.

Move

Move — press to pend a “move” for a PIP or key, enabling you to fly the PIP or key from

one location to another on the next auto transition.
In Chapter 6, refer to the “

Using Move” section on page 132 for complete instruct ions.

Eagle 200 • User’s Guide 25

2. Hardware Orientation

Front Panel Sections

26 Eagle 200 • User’s Guide

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få=qÜáë=`Ü~éíÉê

This chapter provides comprehensive installation instructions for the Eagle 200 system’s
hardware. The following topics are discussed:

• Safety Precautions

• Unpacking and Inspection

• Site Preparation

• Rack-Mount Installation

• Cable and Adapter Informatio n

• Input Connection Chart

• Installation

Eagle 200 • User’s Guide 27

3. Hardware Installation

Safety Precautions

p~СЙну=mкЙЕ~мнбзел=

For all Eagle 200 installation procedures, please observe the following important safety and
handling rules to avoid damage to yourself and the equipment:

• To protect users from electric shock, ensure that the chassis connects to earth via

the ground wire provided in the AC power Cord.

• The AC Socket-outlet should be installed near the equipment and be easily

accessible.

rей~ЕвбеЦ=~еЗ=fелйЙЕнбзе=

Before opening the Eagle 200 shipping box, inspect it for damage. If you find any damage,
notify the shipping carrier immediately for all claims adjustments. As you open the box,
compare its contents against the packing slip. If you find any shortages, contact your sales
representative.

Once you have removed all the components from their packaging and checked that all the
listed components are present, visually inspect the system to ensure there was no damage
during shipping. If there is damage, notify the shipping carrier immediately for all claims
adjustments.

páíÉ=mêÉé~ê~íáçå=

The environment in which you install your Eagle 200 should be clean, properly lit, free from
static, and have adequate power, ventilation, and space for all components.

o~ÅâJjçìåí=fåëí~ää~íáçå

The Eagle 200 chassis is designed to be rack mounted and is supplied with front rack­mount hardware. Rear rack-mount brackets are available as a kit and are recommended
for use when units are mounted in transit cases.

Note

When rack mounting the Eagle 200 chassis, remember the following important points:

• Maximum ambient operating temperature for the unit is 40 degrees C.

• Leave at least one inch of space (front and rear) to ensure that the airflow through

the fan and vent holes is not restricted.

• When installing multiple units into a rack, distribute them evenly to prevent

hazardous conditions that may be created by uneven weight distribution.

The Eagle 200 chassis can also be used in a “tabletop”
configuration, without rack mounting.

28 Eagle 200 • User’s Guide

3. Hardware Installation

NOTE: When using an Analog Matrix, the SDI inputs are currently non­functional. Conversely, when using an SDI Matrix, analog inputs are currently
non-functional.

Cable and Adapter Information

• Rack mount each Eagle 200 chassis from the front rack ears using four rack

screws (not supplied). Rack threads may be metric or otherwise — depending
upon the rack type.

• Install the lower of the two mounting holes first.

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The table below provides information regarding cables and adapters:

Table 3-1. Eagle 200 System Cables and Adapters

Cable Description Note

Input Connections

HD-15 to 5xBNC Breakout Cable Analog input connectors (via breakout) Customer Supplied
HD-15 to HD-15 Analog input connections (direct) Customer Supplied
DVI to DVI Digital background/DSK connections (direct) Customer Supplied
Belden 1694A (recommended) SDI/HD-SDI input connections Customer Supplied
Belden RG-59 (recommended) Analog connections (via breakout) Customer Supplied

Output Connections

HD-15 to HD-15 Analog Preview and Program outputs (direct) Customer Supplied
DVI to DVI Digital Program output (direct) Customer Supplied

Remote Connections

Ethernet Hub or Switch For use with optional Encore or Eagle 200 Controller Customer Supplied
RJ-45 Ethernet Cable For use with optional Encore or Eagle 200 Controller Customer Supplied

Power Connections

AC Power Cord AC Power, 7 foot, 10A 1 Cord Supplied

Eagle 200 • User’s Guide 29

3. Hardware Installation

Input Connection Chart

fеймн=`зееЙЕнбзе=`Ь~кн=

The following Input Connection Chart is provided to assist with your input connections.
Please complete one chart for every Eagle 200 system, and make copies as required.
Please note the following important points:

• The mixer has eight analog input connections (scaled), and with the HD model,

two scaled HD/SD inputs. Additionally, two unscaled DVI connections are
provided for background and DSK sources.

• There is a direct correspondence between the first eight buttons in the Source

Selection Bus

button-to-source configuration is required.

• On the HD model, there is a direct correspondence between the two SDI buttons

Source Selection Bus and two numbered HD/SD input connections. No

in the
additional button-to-source configuration is required.

• The Analog inputs can also be used to connect composite, S-Video (Y/C) and

component video. In Chapter 2, refer to the “
page 14 for details.

• To use two background sources, connect one to the Background A connector

and one to the

• To use one background and one DSK source, connect the background to the

Background A connector and the DSK source to the Backgro und B connector.

• (Optional, for use with an Encore or Eagle 200 Controller) Two “router” modes are

available:

~ The “internal” mode is the standalone Eagle 200 mode, with sources

connected

~ In the “external” mode, two analog outputs from a router (contro lled by

the Encore or Eagle 200 console) are connected to Eagle 200 SP analog
inputs 1 and 2. In addition, two SDI outputs from a router could be
connected to SDI inputs 1 and 2.

Chart instructions:

• Column 1 lists all input connectors.

• Column 2 lists additional connector details:
~ Remember that the DVI connectors are digital only. There is no analog

component to them.

~ Be sure to check [ 3 ] the desired assignment of BG/DSK input B for your

later reference.

• In Column 3, please list the physical source that supplies the input signal.

• In Column 4, please list any notes or details pertaining to the source.

Please complete the

and the eight numbered analog input connections. No additional

Analog Input Flexibility” section on

Background B connector.

directly to inputs.

Input Connection Chart on the following page.

30 Eagle 200 • User’s Guide

3. Hardware Installation

Complete the following input connection chart for your system:

Table 3-2. Input Connection Chart

Input Input Detail Physical Source Note

Analog Input 1 Scaled
Analog Input 2 Scaled
Analog Input 3 Scaled
Analog Input 4 Scaled
Analog Input 5 Scaled
Analog Input 6 Scaled
Analog Input 7 Scaled
Analog Input 8 Scaled
HD/SD Input 1 (HD model only) Scaled
HD/SD Input 2 (HD model only) Scaled

Input Connection Chart

BG Input A Digital, Unscaled - BG [ ]
BG/DSK Input B Digital, Unscaled - BG [ ] DSK [ ]

Eagle 200 • User’s Guide 31

3. Hardware Installation

NOTE: When using an Analog Matrix, the SDI inputs are currently non-functional.
Conversely, when using an SDI Matrix, analog inputs are currently non-functional.

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The figure below illustrates a block diagram of a basic Eagle 200 system. This diagram
can be used as reference in the following installation procedure.

Program Preview

Inputs
Analog Sources to Analog Inputs 1-8
HD/SD Sources to HD/SD Inputs 1-2

(HD Model Only)

DVI Sources to BG/DSK Inputs A-B

Genlock In

Genlock Loop (or terminate)

Figure 3-1. Block Diagram, Basic Eagle 200 System

FSR

You will need:

Table 3-3. Equipment List, Basic Eagle 200 System

Projector

Ethernet

(Optional)

Ethernet Hub / Switch

Program Out 1 (Analog)

Preview Out

Program Out (Digital)

To Encore
Controller

Qty. Item Note

1 Eagle 200 Chassis
1 Video Projector Customer supplied
1 Analog Monitor Preview (customer supplied)
1 Analog or Digital Monitor Program (customer supplied)
1 Ethernet Hub or Switch Customer supplied (Optional, with Encore or Eagle 200 Controller)
2 Ethernet cables Customer supplied (Optional, with Encore or Eagle 200 Controller)
2 Video cables Customer supplied (Genlock and Genlock Loop)
TBD Dedicated sources Analog video and/or DVI as required (customer supplied)

 Use the following steps to install Eagle 200:

1. Follow the unpacking procedures as listed in the “Unpacking and Inspection”

section on page 28.

2. As required, refer to the “Physical and Electrical Specifications” section on

page 144 in Appendix A for electrical and mechanical details.

32 Eagle 200 • User’s Guide

3. Hardware Installation

Installation

3. As required, refer to the “Eagle 200 Rear Panel” section on page 12 in Chapter 2

for the locations of all connectors.

4. If you are rack mounting the Eagle 200 chassis, follow the rack mount procedures

as outlined in the “

5. Ethernet Connections (optional, for use with an Encore or Eagle 200 Controller)

— a completely “local” network connection is recommended, without IP
connections to the outside world.

a. Using an Ethernet cable, connect the Eagle 200’s Ethernet port to a Hub

or Switch.

b. Connect the Ethernet Hub or Swi tch to the Encore or Eagle 200

Controller’s Ethernet port.

6. Source Connections

As an important prerequisite, complete the “Input Connection Chart” on

a.

page 30 to streamline your source installation procedure.

b. Using the information from the chart, connect the desired sources to the

analog and digital input connectors as required.

7. Output Connections
a. One Analog Preview Output is provided. Connect this output to the

input of your analog Preview Monitor.

b. Three Program Outputs are provided: One digital and two analog. Use

these outputs to connect your Program Monitor(s) and your projector.
For example:

Rack-Mount Installation” section on page 28.

S Connect the Digital Program Output to the input of your projector.
S Connect Analog Program Output 1 to the input of your main

program monitor.

S Connect Analog Program Output 2 to an auxiliary or spare

program monitor.

8. Genlock Connections
a.

If you will be using synchronous video camera sources in your
production, use a BNC cable to connect a PAL or NTSC black burst or
composite sync signal to the

b. If you are looping reference video to another chassis in your system,

connect a BNC cable from the
device’s

c. If this Eagle 200 chassis is the last device in a reference video chain, do

not make any connections to the

d. Once the system has powered up, complete with Genlock Termination

procedure. Refer to the “
details.

9. Power Connection — connect an AC power cord to the AC Power Connector

on the rear of the Eagle 200 chassis, and then to AC outlets. Connect AC Power
cords (or AC adapters) to all peripheral equipment, such as Ethernet Hubs and
monitors. Please note:

Genlock In connector.

Genlock In connector.

Genlock Loop connector to the next

Genlock Loop connector.

Genlock Termination” step on page 34 for

~ Connect each unit only to a properly rated supply circuit.
~ Reliable grounding (earthing) of rack-mounted equipmen t should be

maintained.

10. Power On — turn on power to all units.

Eagle 200 • User’s Guide 33

3. Hardware Installation

Installation

11. Genlock Termination

On the rear of the Eagle 200 chassis, one recessed switch is provided for genlock
termination.

Note

a. If you are looping reference video to another chassis in your system, wait

until the system is powered up, then access the
pressing {
see the current setting of the termination switch.

b. Press the switch until the “high impedance” (Hi-Z) setting appears.

12. System ID — (optional, for use with an Encore or Eagle 200 Controller).
a. Access the Remote Control Menu by pressing {REMOTE CONTROL}

on the
200 chassis.

b. Set the Eagle 200 chassis ID to a value that is not used within the

Encore or Eagle 200 Controller’s system. The system will not function
properly if duplicate IDs are in use.

Note

Eagle 200 units are shipped from the factory with the

Termination Switch in the “terminated” (75 Ohms) position.

If the Eagle 200 chassis is the last device in a reference video
chain, no adjustment to the Termination Switch is required.

Genlock Menu by

HOME} > {OUTPUT} > {GLCK}. This menu enables you to

Home Menu. This menu enables you to set the ID of the Eagle

Encore or Eagle 200 Controllers will detect multiple IDs and
prompt the user to correct the problem. Only the first device
will connect to the console. Other devices with conflicting IDs
will be refused a connection.

13. Display Calibration — calibrate the Touch Screen display using the Display

Settings Menu

following the prompts to calibrate the display.

This completes the hardware installation procedure. Please continue with Chapter 4,

Menu Orientation.”

“

. From the Home Menu, press {DISPLAY} > {LCD CAL}, and

34 Eagle 200 • User’s Guide

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This chapter describes all Eagle 200 system menus, including how they are accessed, the
functions that are available, and simple descriptions of each menu tree (in block diagram
format).

The following menus are discussed:

• Home Menu

• Input Menu

• Output Menu

• System Menu

• Effects Menu

• Status Menu

• Display Settings Menu

• PIP Adjustment Menu

• Key Menu

• Input Source Adjustment Menu

• Background Input Setup Menu

• Frame Grab Menu

• DSK Adjustment Menu

• LOGO Input Setup Menu

• Remote Control Menu

Note

Eagle 200 • User’s Guide 35

Button labels on the touch screen menus are shown in bold
upper and lowercase letters between braces.

S Press {BORDER} to …

4. Menu Orientation

Home Menu

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The figure below illustrates the Home Menu:

Eagle 200

INPUT

STATUS

Figure 4-1. Home Menu

The Home Menu is the system’s top level menu, from which all other menus can be
accessed. To access a menu, press the desired button on the touch screen. You can also
return to the
itself. The {

The following menus can be accessed from the

Home Menu by pressing the {Home} button from within an adjustment menu

Home} button is always the top left button on a screen.

OUTPUT

DISPLAY

SYSTEM

FRAME

GRAB

Home Menu:

EFFECTS

REMOTE

CONTROL

• Press {INPUT} to access the “Input Menu.”

• Press {OUTPUT} to access the “Output Menu.”

• Press {SYSTEM} to access the “System Menu.”

• Press {EFFECTS} to access the “Effects Menu.”

• Press {STATUS} to access the “Status Menu.”

• Press {DISPLAY} to access the “Display Settings Menu.”

• Press {FRAME GRAB} to access the “Frame Grab Menu.”

• Press {REMOTE CONTROL} to access the “Remote Control Menu.”

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The following global rules apply to all menus:

• Parameters and values displayed between brackets (e.g., [525] ) cannot be

changed.

• Press {HOME} to return to the Hom e Menu.

• Press {BACK} to return to the menu from which you accessed the current menu.

36 Eagle 200 • User’s Guide

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The following topics are discussed in this section:

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The figure below illustrates the Input Menu tree:

4. Menu Orientation

Input Menu

• Input Menu Tree

• Input Menu Description

• Input Menu Functions

• Input Pre and Sub Menus

Source Selection

Input

Configuration

Menu

Aspect Ratio

Menu

HOME MENU

INPUT

H
O

M

E

C
F
G

A
R

S
A
V
E

SELECT

FORMAT

1

INPUT MENU

SIZING

COLOR

BALANCE

Input

Acquisition

Menu

FORCE

ACQUIRE

Sizing

Menu

Figure 4-2. Input Menu Tree

Color

Balance

Menu

Eagle 200 • User’s Guide 37

4. Menu Orientation

Input Menu

All functions, sub menus and “pre-menus” are discussed in the following sections.

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The figure below illustrates a sample Input Menu:

H
O
M
E

INPUT MENU SRC_3

Format 1024 x 768 @ 59.94

Input Type

[ RGB ]

N
A
V

C
F
G

A
R

S
A
V
E

Color Space
Sampling Mode
Contrast < % > 100.0
Brightness < % > 100.0
Gamma 1.0
Input Sync Type H/V
Pulldown Compensation On

SELECT
FORMAT

Figure 4-3. Input Menu (sample)

SIZING

COLOR

BALANCE

[ RGB ]

[ 1:1 ]

FORCE

ACQUIRE

A
D
J

The Input Menu is used to adjust all parameters relating to inputs. Using the menu, you
can set all of the configuration options for the selected input channel.

There are several ways to access the menu:

• Press {INPUT} on the Home Menu.

• Select a layer button in the Layer Control Section and ensure the button is

blinking. Select an input on the
blinking. If the

Input Acquisition Menu appears (because the source has not yet

been saved, or because video has not been detected), press {ADJUST}.

On the

Input Menu, the currently selected input is shown in the menu’s upper right corner

(e.g., SRC_3). The menu tracks the selected input, thus, if you switch inputs on the

Source Selection Bus, the menu is immediately re-assigned to the new input.

Source Selection Bus and ensure the button is

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The following Input Menu functions are provided:

• Format — this line performs two functions:
~ Displays the resolution that is automatically determined by the FORCE

ACQUIRE

~ Enables you to set the resolution of the incoming source if desired. Once

the format is selected manually with the rotary knob, press {SELECT

FORMAT

38 Eagle 200 • User’s Guide

function.

} to “accept” the selection.

4. Menu Orientation

Input Menu

In Appendix A, refer to the “Input and Output Resolutions“ section on page 149
for additional details regarding resolutions.

Note

Selecting a format manually will automatically default the

Input Type. In some cases, the Input Type cannot be

changed due to the selected resolution.

• Input Type — sets the type of input connected to the Eagle 200, such as RGB,

SD, HD or Composite. Available choices
format. Selections include

SDI

.

RGB, YP

change depending on the selected

, Composite/S-Video, SDI and HD

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• Color Space — sets the input’s color space. Choices include SMPTE and RGB.

Note that the system will automatically set the Color Space based on the selected

Format and Input Type.

• Sampling Mode — sets the sampling mode for the selected input, either 1:1 or

oversample.

~ When 1:1 Sampling is selected, the system provides pixel-for-pixel

sampling, and generally better image quality.

~ When Oversample is selected, the system performs multiple samples

for every pixel, with a resulting “softer” image.

• Contrast — sets the input’s contrast. The adjustment range is from 75% to

125%.

• Brightness — sets the input’s brightness. The adjustment range is from 75% to

125%.

• Gamma — sets the input gamma, enabling you to match the gamma of the

source. The adjustment range is from 1.0 to 3.0, in 0.1 increments.

• Input Sync Type — sets the type of sync used by the selected source. Choices

include H/V, CSync (composite sync), SOG (sync on green) and Auto.

• Pulldown Compensation — (On/Off) This function is applicable only for

standard video (component, s-video, composite) inputs. The default mode is off.
The feature should be turned on to process video derived from film material.

• Sync Slice <mv> — This function selects the sync comparator threshold for

RGsB (RGB with Sync on Green) or YP
The value ranges from 20mV to 280mV and is adjustable in steps of 10mV. The
default value is 160mV.

When Eagle 200 detects Macrovision
NTSC/PAL video, the
reduced amplitude sync pulse.

Sync Slice value is repositioned to 60mV to account for the

analog component video sources.

bPr

®

copy protection on the incoming YPbPr

Note

The default Sync Slice level has been optimized for virtually
all sources that will be encountered and should rarely, if ever,
require adjustment. However, the ability to adjust the Sync

level is provided to improve sync detection and

Slice
synchronization in cases of extremely noisy RGsB or YP
video signals.

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• Sharpness — sets the input’s sharpness. The adjustment range is from -10 (soft)

to 10 (sharp).

Eagle 200 • User’s Guide 39

4. Menu Orientation

Input Menu

• Press {CFG} to display the Input Configuration Menu. Refer to the “Input

• Press {AR} to display the Aspect Ratio Menu. Refer to the “Aspect Ratio Menu”

• Press {SA VE} to save the selected input in the designated input file.

Configuration Menu” section on page 42 for details.

section on page 46 for details.

Note

Every sub menu under the Input Menu includes a {SAVE}
button. This enables you to save the input at any point in the
adjustment process, regardless of your location within the
menu tree. The “save” uses the information selected on the

Input Configuration Menu.

• Press {SELECT FORMAT} to “accept” a manually selected input format. In

Appendix A, refer to the “
details on all available resolutions.

Input and Output Resolutions“ section on page 149 for

• Press {SIZING} to display the Sizing Menu. Refer to the “Sizing Menu” section

on page 43 for details.

• Press {COLOR BALANCE} to display the Color Balance Menu. Refer to the

Color Balance Menu” section on page 45 for details.

“

• Press {FORCE ACQUIRE} to force the system to perform the optimum image

setup. Use this feature as a good starting point for setup, as required.

Note

If you have made changes to the selected input, use the
save your changes. See the “

The FORCE ACQUIRE command only works on the

selected input — not on all inputs simultaneously.

Input Configuration Menu to

Input Configuration Menu” section on page 42 for details.

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The following pre and sub menus can be accessed from the Input Menu:

• Input Acquisition Menu

• Input Configuration Menu

• Sizing Menu

• Color Balance Menu

• Aspect Ratio Menu

40 Eagle 200 • User’s Guide

4. Menu Orientation

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The figure below illustrates a “pre” menu — the Input Acquisition Menu.

INPUT ACQUISITION SRC_3

H
O
M
E

S
A
V
E

Source acquired.
Select ADJUST to adjust source
or SAVE to save configuration.

ADJUST

Input Menu

Figure 4-4. Input Acquisition Menu: No File Saved (sample)

The Input Acquisition Menu appears if you have selected a source, video is present and
the source is “acquired” — but the source has not been saved.

• Press {SA VE} to save the source and display the Input Menu, or ...

• Press {ADJUST} to display the Input Menu without saving the source.

Once the source has been saved, the next time you select the source, the
be displayed — or the source will simply switch (if you are on another menu, such as the

PIP Adjustment Menu).

If you select a source and there is a video mismatch, if video is not present or if the
acquisition fails, one of the following messages will appear:

File mismatch or no video
detected.
Check cable connections
for input _______ .
Ensure video source is present.
Select FORCE ACQUIRE once video
is reconnected.

Figure 4-5. Input Acquisition Menu: Mismatch or No Video (sample)

Source acquisition failed.
Check cable connections
for input _______ .
Ensure video source is present.
Select FORCE ACQUIRE once video
is reconnected.

In this situation, the following actions are recommended:

Input Menu will

• Check all cable connections for the selected input.

• With a connection established, press {FORCE ACQUIRE} to perform the optimum

image setup and automatically display the

Input Menu, or ...

• Press {ADJUST} to display the Input Menu without performing a FORCE

ACQUIRE.

Eagle 200 • User’s Guide 41

4. Menu Orientation

Input Menu

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From the Input Menu, press {CFG} to display the Input Configuration Menu , a sample of
which is shown below.

H
O
M
E

B
A
C
K

INPUT CONFIGURATION SRC_3

File Number [ 3 ]

File Name [ IFILE_003 ]

SAVE DELETE

N
A
V

A
D
J

Figure 4-6. Input Configuration Menu (sample)

Each input has an associated input file that stores all input parameters and settings. Each
time an input is selected in the

Source Selection Bus, its associated file is recalled — in

the instant before it appears on Preview.

Input Configuration Menu enables you to save the input’s associated file — which

The
guarantees that the exact parameters you set are those that are used on air.

The following functions are provided:

• File Number — sets the file number into which data is stored. In the current

version, the file number automatically defaults to the input number and cannot be
changed.

• File Name — sets the alphanumeric file name. In the current version, the file

name automatically defaults to the input name and cannot be changed.

• Press {SAVE} to save the selected input in the designated input file.

• Press {DELETE} to delete the selected input file.

42 Eagle 200 • User’s Guide

4. Menu Orientation

Input Menu

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From the Input Menu, press {SIZING} to display one of two Sizing Menus. These menus
are context sensitive — they

change depending on the Sampling Mode selected on the

Input Menu.

• If 1:1 Sampling is selected, the 1:1 Sizing Menu appears.

• If Oversample is selected, the Oversample Sizing Menu appears.

Each menu and function is described below.

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The figure below illustrates a sample 1:1 Sizing Menu.

1:1 SIZING SRC_3

H
O
M
E

Clock Phase 0

H Total

[ 858 ]

N
A
V

B
A
C
K

S
A
V
E

H Active
H Position
V Total
V Active
V Position

Figure 4-7. 1:1 Sizing Menu (sample)

720
123

[ 0 ]

486

36

FORCE

ACQUIRE

A
D
J

• Clock Phase — sets the system’s A/D converter, allowing you to select where

pixels are sampled (ideally, on the pixel’s peak). The adjustment range is

15. For optimum visual results when adjusting high-resolution computer sources,

project a burst test pattern and adjust the sampling for the minimum noise. Refer

Test Pattern Menu” section on page 51 for information.

to the “

-16 to

• H Total — sets the total pixel count per line.

Note

This field is not adjustable for digital sources, including digital
signals on both the DVI and BNC input connectors. This field
is also not adjustable for NTSC and PAL sources, regardless
of connection type.

• H Active — sets the width of the active area.

• H Position — sets the start of the active area’s horizontal offset from H sync.

• V To tal — fixed value which cannot be adjusted.

• V Active — sets the number of vertical lines in the image.

• V Position — sets the start of the active area’s vertical offset from V sync.

Eagle 200 • User’s Guide 43

4. Menu Orientation

Input Menu

• Press {SAVE} to save the selected input in the designated input file.

• Press {FORCE ACQUIRE} to force the system to perform the optimum image

setup. Adjustments can be made on the

1:1 Sizing Menu.

Note

If you switch to another input, the menu does not change. If
there is no valid input video, the settings are not applicable.

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The figure below illustrates a sample Oversample Sizing Menu.

OVERSAMPLE SIZING SRC_3

H
O
M
E

B
A
C
K

S
A
V
E

Right Edge 4062

Left Edge
Top Edge
Bottom Edge

606

36

519

FORCE

ACQUIRE

N
A
V

A
D
J

Figure 4-8. Oversample Sizing Menu (sample)

With Oversample enabled, four timing parameters are provided that enable you to adjust
the image to properly fit the image’s raster box.

• Select and adjust Right Edge, Left Edge, Top Edge or Bottom Edge as

required, to fit the image precisely in its raster box.

• Press {SAVE} to save the selected input in the designated input file.

• Press {FORCE ACQUIRE} to force the system to perform the optimum image

setup. Adjustments can be made on the

Note

If you switch to another input, the menu does not change. If
there is no valid input video, the settings are not applicable.

Oversample Sizing Menu.

44 Eagle 200 • User’s Guide

4. Menu Orientation

Input Menu

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From the Input Menu, press {COLOR BALANCE} to display the Color Balance Menu, a
sample of which is shown below.

COLOR BALANCE SRC_3

H
O
M
E

B
A
C
K

S
A
V
E

Saturation < % > 100

Hue 0

RESET

ALL

N
A
V

A
D
J

Figure 4-9. Color Balance Menu (sample)

The Color Balance Menu changes depending on the selected Input Type.

• When RGB sources are selected, the Color Balance Menu provides individual

contrast and brightness adjustments for R, G and B. Adjustment range is -25% to
+25%.

~ Adjust Red Contrast and Brightness as required.
~ Adjust Green Contrast and Brightness as required.
~ Adjust Blue Contrast and Brightness as required.

• When Composite, S-Video or YP

is selected:

bPr

~ Adjust Saturation as required. The adjustment range is 75% to 125%.
~ Adjust Hue as required. The range (in degrees) is -90.0 to 90.0.

Note

When the Input Type is YP
because Hue does not apply to this type of source.

, the Hue field reads 0

bPr

• Press {SAVE} to save the selected input in the designated input file.

• Press {RESET ALL} to return all parameters to their default values.

Eagle 200 • User’s Guide 45

4. Menu Orientation

Input Menu

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From the Input Menu, press {AR} to display the Aspect Ratio Menu, a sample of which is
shown below.

H
O
M
E

B
A
C
K

S
A
V
E

ASPECT RATIO SRC_3

Mode Custom

Ratio 1.279

N
A
V

A
D
J

Figure 4-10. Aspect Ratio Menu (sample)

The Aspect Ratio Menu enables you to change the image’s aspect ratio to pre-defined configurations, or enter a “custom” configuration if desired.

• Mode — select 16:9, 5:4, 4:3, 3:2, 1:1 or Custom aspect ratios.

• Ratio — when Custom is selected, the Ratio line appears. Enter a custom

aspect ratio as desired. The field is hidden when pre-defined ratios are selected.

• Press {SAVE} to save the selected input in the designated input file.

46 Eagle 200 • User’s Guide

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The following topics are discussed in this section:

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The figure below illustrates the Output Menu tree:

4. Menu Orientation

Output Menu

• Output Menu Tree

• Output Menu Description

• Output Menu Functions

• Output Sub Menus

HOME MENU

OUTPUT

Genlock Menu

Figure 4-11. Output Menu Tree

All functions and sub menus are discussed in the followi ng sections.

H
O

M

E

G
L
C
K

SELECT

FORMAT

OUTPUT MENU

SETTINGS

Settings

Menu

TEST

PATTERN

Test

Pattern

Menu

Eagle 200 • User’s Guide 47

4. Menu Orientation

Output Menu

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The figure below illustrates a sample Output Menu:

H
O
M
E

G
L
C
K

OUTPUT MENU

Format 1024x768 @ 59.94

Color Space [ RGB ]

Press SELECT FORMAT to select
the output resolution.

DVI EDID format can be adjusted

N
A
V

A
D
J

S
A
V
E

to match the output format in
The HOME > SYSTEM > EDID menu.

SELECT
FORMAT

Figure 4-12. Output Menu (sample)

SETTINGS

TEST

PATTERN

The Output Menu enables you to configure Eagle 200’s outputs, including the ability to
display test patterns. To access the menu:

• Press {OUTPUT} on the Home Menu.

Note that brief “help” messages are displayed to assist you with format selection and EDID
programming.

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The following Output Menu functions are provided:

• Format — sets the resolution and frame rate at which you want to drive your

projector. To minimize synchronization problems, select a fra m e rate that is
consistent with your input sources.

S Example: If you are using 59.94 NTSC video inputs, run the output at the

same rate in order to reduce jutter artifacts.

After selecting a format with the rotary knob, press {
“accept” the selection.

In Appendix A, refer to the “

Input and Output Resolutions“ section for details on

all available resolutions.

• Color Space — displays the output color space, which is fixed at RGB.

• Press {GLCK} to display the Genlock Menu. Refer to the “Genlock Menu”

section on page 50 for details.

• Press {SAVE} to save all output settings in the output file.

• Press {SELECT FORMAT} to “accept ” a selected output format. In Appendix A,

refer to the “
resolutions.

Input and Output Resolutions“ section for details on all available

SELECT FORMA T } to

48 Eagle 200 • User’s Guide

4. Menu Orientation

Output Menu

• Press {SETTINGS} to display the Settings Menu. Refer to the “Settings Menu”

section on page 49 for details.

• Press {TEST PATTERN} to display the Test Pattern Menu. Refer to the “Test

Pattern Menu” section on page 51 for details.

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The following sub menus can be accessed from the Output Menu:

• Settings Menu

• Genlock Menu

• Test Pattern Menu

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From the Output Menu, press {SETTINGS} to display the Settings Menu, a sample of
which is shown below.

SETTINGS

H
O
M
E

Output Monitor Program

Sync Out

-H-V

N
A
V

B
A
C
K

Figure 4-13. Settings Menu (sample)

SOG
Gamma 1.0

Off

A
D
J

The Settings Menu enables you to set sync parameters for the monitors and projector
connected to the system.

• Output Monitor — selects the monitor(s) that are affected by the sync settings,

either All, Program (affects both Program connections) or Preview.

• Sync Out — sets the desired sync value. Select +H+V, -H-V, +H-V , -H+V or

CSync.

• SOG — turns the “sync on green” signal Off or On.

• Gamma — sets the output gamma to match that of your projector. The default

value is 1.0.

Eagle 200 • User’s Guide 49

4. Menu Orientation

Output Menu

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From the Output Menu, press {GLCK} to display the Genlock Menu, a sample of which is
shown below.

H
O
M
E

GENLOCK

Source Black Burst

Type

[ V LOCK ]

N
A
V

B
A
C
K

Termination [ 75 ohm ]

To change termination between
75 Ohm and Hi-Z, press the
switch on the rear panel
next to the Genlock Loop BNC.

Figure 4-14. Genlock Menu (sample)

A
D
J

The Genlock Menu tells the Eagle 200 which type of analog genlock signal is connected to

Genlock In BNC connector.

the

• Source — sets the genlock source, either Black Burst, CSync or None.

• Type — displays the type of genlock provided:
~ When Source = None, Type = [Free-Run]
~ When Source = Black Burst, Type = [V Lock]
~ When Source = CSync, Type = [V Lock]

• Termination — displays the current setting of the rear-panel Termination Switch

75 ohm or Hi-Z), along with a “help” message. Please note:

(either

~ Eagle 200 units are shipped from the factory with the Termination

in the “terminated” (75 Ohms) position. If Eagle 200 is the last

Switch

device in a reference chain, no adjustment to the switch is required.

~ If you are looping reference video to another chassis in your system, set

the switch to the “

Please note:

high impedance” (Hi-Z) setting.

• PAL or NTSC black burst or composite sync signals are recommended.

• Genlock is highly recommended in configurations that utilize video camera

sources.

50 Eagle 200 • User’s Guide

4. Menu Orientation

Output Menu

qЙлн=m~ннЙке=jЙем

From the Output Menu, press {TEST P ATTERN} to display the Test Pattern Menu, a
sample of which is shown below.

TEST PATTERN

H
O
M
E

Output Monitor All

Type

Burst

N
A
V

B
A
C
K

Raster Box On

Figure 4-15. Test Pattern Menu (sample)

A
D
J

The Test Pattern Menu enables you to display a variety of test patterns, for syst em and
projector alignment.

• Output Monitor — selects the monitor(s) that are affected by the test pattern

settings, either

All, Program or Preview.

• Type — sets the test pattern. Choose between:
~ Off
~ H Ramp, V Ramp
~ 100% Color Bars, 75% Color Bars
~ 16x16 Grid, 32x32 Grid
~ Burst
~ 50% Gray, Gray Steps 1, Gray Steps 2
~ White, Black, Red, Green, Blue

Note

When the test pattern is enabled, it assumes the highest
visual priority and covers all effects beneath. When disabled,
the effects once again re-appear.

• Raster Box — displays a raster box defined by the exact outer edges of the

selected output resolution. For example, if the output is set to 1024 x 768, the
raster box will encapsulate that exact format. Please note:

~ The Burst test p attern is the only pattern that is smaller than the selected

output resolution. When the
will appear within its boundaries.

Raster Box is enabled, the Burst pattern

~ The Raster Box can be enabled when the test pattern is Off.

Eagle 200 • User’s Guide 51

4. Menu Orientation

System Menu

pулнЙг=jЙем

The following topics are discussed in this section:

• System Menu Tree

• System Menu Description

• System Menu Functions

• System Sub Menus

pулнЙг=jЙем=qкЙЙ

The figure below illustrates the System Menu tree:

HOME MENU

SYSTEM

Reset Menu

Software

Version Menu

Diagnostics

Menu

Rotary Encoder Menu
Key Detect Menu

H
O

M

E

R
E
S
E
T

SW

V
E
R

D

I
A
G

SERIAL 1

Serial 1 Port

Setup

Menu

Figure 4-16. System Menu Tree

SYSTEM MENU

EDID

EDID DVI

Input Format

Menu

Support Menu

TECH

SUPPORT

Technical

All functions and sub menus are discussed in the followi ng sections.

52 Eagle 200 • User’s Guide

pулнЙг=jЙем=aЙлЕкбйнбзе

The figure below illustrates a sample System Menu:

SYSTEM MENU

H
O
M
E

Modify Layers On Program Off

- - - - - - - - - - - - - - - - - - - - - - - - -

4. Menu Orientation

System Menu

N
A
V

Toggle On
Mix Src / Swap SWAP

I

SERIAL 1 SAVE

Figure 4-17. System Menu (sample)

EDID

TECH

SUPPORT

A
D
J

SW

R
E
S
E
T

V
E
R

D
A

G

The System Menu enables you to configure Eagle 200 using various functions and sub
menus, and set the operation mode for the

Split Layer button. To access the menu:

• Press {SYSTEM} on the Home Menu.

pулнЙг=jЙем=cмеЕнбзел

The following System Menu functions are provided:

• Modify Layers On Program — when enabled, you can change PIPs and Keys

directly on Program, without first setting up your “look” on Preview. When
disabled, Preview must be used to set up the next look. In Chapter 6, refer to the

Modifying Layers On Program” section on page 136 for details.

“

• Toggle — enables or disables the Toggle Mode.

Important

There are two independent toggle modes — one for the
backgrounds and one for Mix Mode. The

Toggle line

indicates the mode’s status, depending on which layer button
is selected.

~ When a BG button is selected, this function applies to the Background

Toggle Mode

with each transition. In Chapter 6, refer to the “

Transitions” section on page 121 for details.

. When the mode is enabled, the two backgrounds toggle

Background

~ When a Layer button is selected, this function applies to the Mix Mode,

which is active only when the
enabled, sources toggle back and forth with each transition, in both Mix

Source

and Swap modes. In Chapter 6, refer to the “Understanding

Split and Mix Modes” section on page 122 for details.

Eagle 200 • User’s Guide 53

Split Layer button is off. When toggle is

4. Menu Orientation

System Menu

• Mix Src / Swap — allows you to switch between Mix Source and Swap modes:
~ With Mix Source enabled, both of the mixer’s PIPs are perfectly co-

located. Layer
same position — with exactly the same border and shadow.

A and Layer B are exactly the same size — in exactly the

~ With Swap enabled, both of the mixer’s PIPs can be located

independently, with different positions, sizes, borders and shadows.

A and Layer B can be positioned and sized as desired — but only

Layer
one can be on screen at a time.

In Chapter 6, refer to the “
page 122 for details on Split and Mix modes.

Understanding Split and Mix Modes” section on

Important

The Mix Src / Swap function only appears on the System

Menu

when the Split Lay er button is off. When the Split

Layer

button is on, the line is hidden.

• Press {RESET} to display the Reset Menu. Refer to the “Reset Menu” section on

page 58 for details.

• Press {SW VER} to display the Sof tware Version Menu. Refer to the “Soft ware

Version Menu” section on page 59 for details.

• Press {DIAG} to display the Diagnostics Setup Menu. Refer to the

Diagnostics Setup Menu” section on page 55 for details.

“

• Press {SERIAL 1} to display the Serial 1 Port Setup Menu. Refer to the “Serial 1

Port Setup Menu” section on page 60 for details.

• Press {EDID} to display the EDID DVI Input Format Menu. Refer to the “EDID

DVI Input Format Menu” section on page 61 for details.

• Press {TECH SUPPORT} to display the Technical Support Menu. Refer to the

Technical Support Menu” section on page 62 for details.

“

• Press {SAVE} to save all settings in the system file.

54 Eagle 200 • User’s Guide

4. Menu Orientation

System Menu

pулнЙг=pмД=jЙемл

The following sub menus can be accessed from the System Menu:

• Diagnostics Setup Menu

• Reset Menu

• Software Version Menu

• Serial 1 Port Setup Menu

• EDID DVI Input Format Menu

• T echnical Support Menu

aб~ЦезлнбЕл=pЙнмй=jЙем

From the System Menu, press {DIAG} to display the Diagnostics Setup Menu, a sample
of which is shown below.

DIAGNOSTICS SETUP

H
O
M
E

Reset Rotary Encoders Yes

NVRAM Battery [ OK ]

N
A
V

B
A
C
K

START

LED TEST

Figure 4-18. Diagnostics Setup Menu (sample)

ROTARY

ENCODER

KEY

DETECT

A
D
J

The Diagnostics Setup Menu enables you to perform a variety of diagnostic tests on the
Eagle 200. The following functions are provided:

• Reset Rotary Encoders — (Yes/No) determines whether or not you wish to reset

the rotary encoder values when you exit the

Rotary Encoder Menu.

• NVRAM Battery — displays the condition of the system’s NVRAM battery.

• Press {START LED TEST} to begin testing all LEDs. The test takes several

minutes to complete. Press {

EXIT} at the conclusion of the test.

• Press {ROTARY ENCODER} to display the Rotary Encoder Menu. Refer to the

Rotary Encoder Menu” section on page 56 for details.

“

• Press {KEY DETECT} to display the Key Detect Menu. Refer to the “Key Detect

Menu” section on page 57 for details.

Eagle 200 • User’s Guide 55

4. Menu Orientation

System Menu

oзн~ку=bеЕзЗЙк=jЙем

From the Diagnostics Setup Menu, press {ROTARY ENCODER} to display the Rotary

Encoder Menu

E
X

I

T

, a sample of which is shown below.

ROTARY ENCODER DIAGNOSTICS

Rotary #

1

RelCnt

0

AbsCnt

0
2
3

Figure 4-19. Rotary Encoder Menu (sample)

0
0

0

0

The Rotary Encoder Menu enables you to test the functionality of each rotary encoder, displaying both relative and absolute counts for each.

• Press {EXIT} to return to the Diagnostics Setup Menu.

56 Eagle 200 • User’s Guide

4. Menu Orientation

System Menu

hЙу=aЙнЙЕн=jЙем

From the Diagnostics Setup Menu, press {KEY DETECT} to display the Key Detect

Menu

, a sample of which is shown below.

KEY DETECTION DIAGNOSTICS

E
X

I

T

Key Label:
Key Status:

BG B

Released

Key Scan Code:

Please select any key.

Figure 4-20. Key Detect Menu (sample)

0x8B

row=3 col=1

The Key Detect Menu shows you the key that is pressed, its status (pressed or released) its scan code and its location in the button matrix.

• Press {EXIT} to return to the Diagnostics Setup Menu.

Eagle 200 • User’s Guide 57

4. Menu Orientation

System Menu

oÉëÉí=jÉåì

From the System Menu, press {RESET} to display the Reset Menu:

H
O
M
E

B
A
C
K

SYSTEM RESET

SOFTReset Type

RESET

N
A
V

A
D
J

Figure 4-21. Reset Menu

The Reset Menu enables you to perform various system reset functions. The following
functions are provided:

• Reset Type — selects the specific type of reset that you wish to perform. Choose

between
defined configurations, while

SOFT or FACTORY. Note that selecting SOFT will not delete any user

FACTORY deletes all user configurations.

• Press {RESET} to perform the selected reset operation. When the confirmation

screen appears:

~ Press {YES} to start the reset procedure. An “In Progress” message will

be displayed.

~ Press {NO} to cancel the procedure.

Note

A factory reset will erase any “frame grab” images that have
been stored in flash memory.

58 Eagle 200 • User’s Guide

4. Menu Orientation

System Menu

pзСнп~кЙ=sЙклбзе=jЙем

From the System Menu, press {SW VER} to display the Software Version Menu, a
sample of which is shown below.

SOFTWARE VERSION

H
O
M
E

B
A
C
K

Eagle 200 1.00

N
A
V

A
D
J

Figure 4-22. Software Version Menu (sample)

The Software Version Menu enables you to display and verify the system’s software
version. The following functions are provided:

• Eagle 200 — displays the system’s current software version.

Eagle 200 • User’s Guide 59

4. Menu Orientation

System Menu

pÉêá~ä=N=mçêí=pÉíìé=jÉåì

From the System Menu, press {SERIAL 1} to display the Serial 1 Port Setup Menu, a
sample of which is shown below.

H
O
M
E

SERIAL 1 PORT SETUP

Baud Rate 115200

N
A

8Data Bits

V

B
A
C
K

Figure 4-23. Serial 1 Port Setup Menu (sample)

NONEParity

1Stop Bits

A
D
J

The Serial 1 Port Setup Menu enables you to set the Eagle 200’s RS-232 communications parameters for serial port 1.

• Baud Rate — sets the desired baud rate (2400, 4800, 9600, 14400, 19200,

28800, 38400, 57600, 115200).

• Data Bits — sets the desired number of data bits (5, 6, 7 or 8).

• Parity — sets the desired parity (None, Even, or Odd).

• Stop Bits — sets the desired number of stop bits (1, 1.5 or 2).

60 Eagle 200 • User’s Guide

4. Menu Orientation

System Menu

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From the System Menu, press {EDID} to display the EDID DVI Input Format Menu, a sample of which is shown below.

EDID DVI Input Format

H
O
M
E

Format 1280 x 1024 @ 60

B
A
C
K

To change EDID for BGA, BGB,
and DSK, select desired format
and select Program EDID.

Figure 4-24. EDID DVI Input Format Menu (sample)

[ 1280 x 1024 @ 60 ]Current:

A
D
J

PROGRAM

EDID

The EDID DVI Input Format Menu enables you to update the system’s preferred EDID
resolution for the two DVI inputs (

Note

BG A and BG/DSK B).

This menu is designed for advanced users only. Do not
program the EDID unless it is necessary.

Extended Display Identification Data (EDID) is a VESA standard data format that contains
information about a display device and its resolution capabilities, both preferred and
allowed. The Eagle 200 EDID file is stored in non-volatile memory. This file is read by an
external computer’s DVI graphic card when the DVI output is connected to the Eagle 200’s

BG A or BG/DSK B input connectors during boot-up.

• Format — select the preferred DVI video format with which you want to program

the Eagle 200’s EDID non-volatile memory

• Current — displays the current EDID video format that resides in memory.

• Press {PROGRAM EDID} to program EDID with the new selected format. A

warning message will be shown.

Note

Once EDID programming is complete on Eagle 200, you will
be prompted to power down the external computer, power it
back on again, and then ensure that the computer’s format is
set to match.

Eagle 200 • User’s Guide 61

4. Menu Orientation

System Menu

qЙЕЬебЕ~д=pмййзкн=jЙем

From the System Menu, press {TECH SUPPORT} to display the Technical Support

:

Menu

H
O
M
E

B
A
C
K

TECHNICAL SUPPORT

Eagle 200 1.00
Phone: [phone]

Figure 4-25. Technical Support Menu (sample)

The Techni cal Support Menu lists the current version of Eagle 200 software, and displays the Technical Support phone number.

62 Eagle 200 • User’s Guide

bССЙЕнл=jЙем

The figure below illustrates a sample Effects Menu:

4. Menu Orientation

Effects Menu

EFFECTS MENU

H
O
M
E

Transition Rate 1.0

Transition Wipe Wipe Down
Transition Edge 16
Key Frame Effect [ LINEAR ]

N
A
V

A
D
J

Figure 4-26. Effects Menu (sample)

The Effects Menu allows you to modify and manage effects, including the ability to set
transition rates and wipe patterns. The following functions are provided:

• Tran si tio n Ra te — sets the auto-transition rate that is used when the WIPE or

MIX button is pressed. The transition value is in 0.1 second increments.

• Tran si tio n Wipe — sets the type of wipe that is used whe n the WIPE button is

pressed. A variety of wipe patterns are provided.

• Transi tio n Edge — sets the width of wipe edge (in pixels) for the selected wipe

pattern.

• Key Frame Effect — displays the type of motion used for Move effects. The

motion type is currently fixed as LINEAR.

Note

Eagle 200 can perform wipes in conjunction with both PIPs
and Keys.

Eagle 200 • User’s Guide 63

4. Menu Orientation

Status Menu

pí~íìë=jÉåì

The Status Menu provides basic software version information, as shown in the sample
menu below:

H
O
M
E

SYSTEM STATUS

Eagle 200 1.00

Figure 4-27. Status Menu (sample)

The following status information is provided:

• Eagle 200 — displays the system’s current software version.

64 Eagle 200 • User’s Guide

aблйд~у=pЙннбеЦл=jЙем

The Display Settings Menu enables you to adjust the displays brightness and contrast, as
well as calibrate the display. A sample menu is shown below:

4. Menu Orientation

Display Settings Menu

DISPLAY SETTINGS

H
O
M
E

Brightness 85
Contrast 97

RESET

Figure 4-28. Display Settings Menu (sample)

LIGHT

ADJUST

LCD CAL

B
R

I
T
E

C

O

N
T
R
A
S
T

The following display adjustments are provided:

• Brightness — use the top rotary knob to adjust the display’s brightness.

• Contrast — use the middle rotary knob to adjust the display’s contrast.

• Press {RESET} to return the display’s settings to factory default values.

• Press {LIGHT ADJUST} to adjust the backlight of the front panel buttons. The

Keypad Backlight Menu appears. Refer to the “Keypad Backlight Menu”

section on page 66 for details.

• Press {LCD CAL} to calibrate the touch screen display to your finger, or to a

stylus. Once pressed, you will be prompted to touch the center of a target three
times. At the conclusion of the procedure, the display is calibrated and the system
returns to the

Home Menu.

Eagle 200 • User’s Guide 65

4. Menu Orientation

Display Settings Menu

hЙуй~З=_~ЕвдбЦЬн=jЙем

From the Display Settings Menu, press {LIGHT ADJUST} to display the Keypad

Backlight Menu

A sample menu is shown below:

H
O
M
E

B
A
C
K

, which enables you to adjust the backlight of all “dim” front panel buttons.

KEYPAD BACKLIGHT

Keypad Backlight 100

A
D
J

Figure 4-29. Keypad Backlight Menu (sample)

The following adjustments are provided:

• Keypad Backlight — use the top rotary knob to adjust the backlight of all “dim”

(un-selected) front panel buttons. This adjustment will assist overall button
visibility in dark control room or stage settings.

66 Eagle 200 • User’s Guide

mfm=^ЗамлнгЙен=jЙем

The following topics are discussed in this section:

• PIP Adjustment Menu Tree

• PIP Adjustment Menu Description

• PIP Adjustment Menu Functions

• PIP Adjustment Sub Menus

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The figure below illustrates the PIP Adjustment Menu tree:

4. Menu Orientation

PIP Adjustment Menu

Shadow Menu

Pip Adjustment Menu
Border Menu
Input Source Adjustment Menu

LAYER

A

Home Menu

Input Source

Adjustment Menu

Pip Adjustment Menu
Border Menu
Crop Menu

Border Menu

Pip Adjustment Menu

LAYER

A

PIP

H
O
M
E

S
R
C

ADJUSTMENT

B
O
R
D
E
R

C
R
O
P

MENU

PIP

Image Effects Menu

Pip Adjustment Menu
Border Menu
Shadow Menu

Figure 4-30. PIP Adjustment Menu Tree

Crop Menu

Pip Adjustment Menu
Border Menu
Input Source Adjustment Menu

All functions and sub menus are discussed in the followi ng sections.

Eagle 200 • User’s Guide 67

4. Menu Orientation

PIP Adjustment Menu

mfm=^ЗамлнгЙен=jЙем=aЙлЕкбйнбзе

The figure below illustrates a sample PIP Adjustment Menu:

H
O
M
E

S
R
C

B
O
R
D
E
R

PIP ADJUSTMENT
H Size < 37.3% > 674
V Size < 58.9% >
H Position
V Position

Move Rate [ 2.0 ]
Key Frame Effect [ LINEAR ]

452

-34
70

S

I
Z
E

H
P

O

S

C
R
O
P

TRACK H SIZE V SIZE

Figure 4-31. PIP Adjustment Menu (sample)

RATE

V
P

O

S

The PIP Adjustment Menu provides tools that enable you to adjust the “active” PIP. To
access the menu:

• Select a blue “layer” button in the Layer Control Section.

• Press the PIP button in the Layer Function Section.

The menu will immediately appear on the Touch Screen display.

Note

If you press PIP and a layer button is not selected, the system
displays a brief prompt: “

selected

.”

LAYER A or LAYER B must be

mfm=^ЗамлнгЙен=jЙем=cмеЕнбзел

The following PIP Adjustment Menu functions are provided:

• H Size — adjusts the PIP’s horizontal size using the SIZE knob. The “%” value

indicates the PIP’s size as a percentage of the screen’s horizontal resolution. The
numeric value is the PIP’s width in pixels. Refer to the “
on page 69 f or more details.

• V Size — adjusts the PIP’s vertical size using the SIZE knob. The “%” value

indicates the PIP’s size as a percentage of the screen’s vertical resolution. The
numeric value is the PIP’s height in pixels. Refer to the “
on page 69 f or more details.

• H Position — indicates the PIP’s position, relative to the horizontal center of the

screen (
34 pixels to the left of center. Use the
along the X-Axis.

00), as measured from the exact center of the PIP. Thus, the value -34 is
H Pos knob to move the image left and right

PIP Functions” section

PIP Functions” section

68 Eagle 200 • User’s Guide

4. Menu Orientation

PIP Adjustment Menu

• V Position — indicates the PIP’s position, relative to the vertical center of the

screen (
70 pixels above center. Use the
along the Y-Axis.

00), as measured from the exact center of the PIP. Thus, the value 70 is

V Pos knob to move the image up and down

• Move Rate — adjusts the rate (in 0.1 second increments) for programmed PIP

movement, from keyframe to keyframe. To adjust, press the
and use the

SIZE rotary knob.

RATE radio button

• Key Frame Effect — indicates the “motion type” that is used to move the PIP

from point to point.

~ If no move is programmed, the display reads [N/A].
~ If a move is programmed, the motion type is fixed as [Linear].

• Press {SRC} to display the Input Source Adjustment Menu. Refer to the “Input

Source Adjustment Menu” section on page 81 for details.

• Press {BORDER} to display the Border Menu. Refer to the “Border Menu”

section on page 70 for details.

• Press {CROP} to display the Crop Menu. Refer to the “Crop Menu” section on

page 71 for details.

mfm=cмеЕнбзел

At the bottom of the PIP Adjustment Menu, three radio buttons enable you to modify the
various PIP adjustment functions.

• Press {TRACK} to lock H Size and V Size together. Regardless of the PIP’s

current aspect ratio, its size will adjust proportionally when the

SIZE knob is used.

• Press {H SIZE} to adjust only the horizontal size, leaving the vertical size alone.

In this way, you can stretch the PIP horizontally.

• Press {V SIZE} to adjust only the vertical size, leaving the horizontal size as is. In

this way, you can stretch the PIP vertically.

• Press {RATE} to adjust the move rate of the PIP, from keyframe to keyframe.

Note

To return the PIP to its default size and aspect ratio, press the

Reset button in the Mixer Functions Section. No other

parameters (such as

Shadow or Border) will be affected.

mfm=^ЗамлнгЙен=pмД=jЙемл

The following sub menus can be accessed via the PIP Adjustment Menu:

• Border Menu

• Crop Menu

• Shadow Menu

• Image Effects Menu

• Input Source Adjustment Menu

Eagle 200 • User’s Guide 69

4. Menu Orientation

PIP Adjustment Menu

_зкЗЙк=jЙем

From the PIP Adjustment Menu, the Input Source Adjustment Menu, the Shadow

or the Image Effects Menu, press {BORDER} to display the Border Menu, a

Menu

sample of which is shown below.

H
O
M
E

BORDER

Mode On

Style

N
A

5

V

P
P

S
H
A
D
O

W

E
F
X

Color: Red

I

Size Specified In
Size < % of PIP > 10.2

Figure 4-32. Border Menu (sample)

Green
Blue

609
600
531

% of PIP

A
D
J

The Border Menu enables you to add a border to a PIP, and adjust its shape, style and color as desired. The following functions are provided:

• Mode — enables or disables the PIP’s border.

• Style — select one of many border styles, including single color and dual color

with various combinations of soft edge.

• Color — enables you to individually adjust the border’s Red, Green and Blue

attributes as desired.

• Size Specified In — select the method by which you want to specify the border

size, either as a percentage of the PIP size or in pixels.

• Size — adjust’s the border size, using the method selected on the “Size

Specified In

the system auto converts one display method to the other.

” line. Note that if “% of PIP” is selected and you switch to “Pixels,”

• Press {PIP} to return to the PIP Adjustment Menu. Refer to the “PIP

Adjustment Menu Functions” section on page 68 for details.

• Press {SHADOW} to display the Shadow Menu. Refer to the “Shadow Menu”

section on page 72 for details.

• Press {EFX} to display the Image Effects Menu. Refer to the “Image Effects

Menu” section on page 73 for details.

Note

To remove any border effects from the PIP, press the RESET
button in the Layer Functions Section. No other parameters
(such as

Size or Crop) will be affected.

70 Eagle 200 • User’s Guide

4. Menu Orientation

PIP Adjustment Menu

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From the PIP Adjustment Menu, the Input Source Adjustment Menu, the Key Menu, or

Key Adjustment Menu, press {CROP} to display the Crop Menu.

the

CROP ADJUSTMENT

H
O
M

E

H Size < 46.9% > 480
V Size < 46.9% >

360

N
A
V

S

R

C

B
O

R

D

E

R

P

P

Crop Type
Aspect Ratio Mode
Ratio 1.333

I

TRACK SIZE

3

Figure 4-33. Crop Menu (sample)

ALL-SIDES

4:3

A
D
J

The Crop Menu lets you crop the sides of a PIP or a Key — individually or proportionally, without affecting the size of the source image. The following functions are provided:

• H Size — adjusts the PIP or Key’s horizontal size. The “%” value indicates size as

a percentage of the screen’s horizontal resolution. The numeric value is the width
in pixels. If {

TRACK SIZE} is checked, H and V crop proportionally.

• V Size — adjusts the PIP or Key’s vertical size. The “%” value indicates size as a

percentage of the screen’s vertical resolution. The numeric value is the height in
pixels. If {

TRACK SIZE} is checked, H and V crop proportionally.

• Crop Type — selects th e cu rre nt type of cro p function, either ALL-SIDES, TOP-

, or BOTTOM-RIGHT.

LEFT

• Aspect Ratio Mode — enables you to select one of several standard aspect

16:9, 5:4, 4:3, 3:2 and 1:1.

ratios:

• Ratio — displays the corresponding ratio based on the selected Aspect Ratio

: 1.777, 1.25, 1.333, 1.500, 1.000, respectively.

Mode

Note

If you select Ratio and make adjustments away from the
default setting, the
changes to

Aspect Ratio Mode automatically

Custom.

• Enable the {TRACK SIZE} function to proportionally crop H Size and V Size.

Disable the function for individual parameter adjustments.

• Press {SRC} to display the Input Source Adjustment Menu. Refer to the “Input

Source Adjustment Menu” section on page 81 for details.

• Press {BORDER} to display the Border Menu. Refer to the “Border Menu”

section on page 70 for details.

Eagle 200 • User’s Guide 71

4. Menu Orientation

PIP Adjustment Menu

• Press {PIP} to return to the PIP Adjustment Menu. Refer to the “PIP

Adjustment Menu Functions” section on page 68 for details.

Note

To remove any crop effects from the PIP or Key, press the

RESET button in the Layer Functions Section. No other

parameters will be affected.

pÜ~Ççï=jÉåì

From the Border Menu or the Image Effects Menu, press {SHADOW} to display the

Shadow Menu

H
O
M

E

P

I

P

B
O

R

D

E

R

E

F

X

, a sample of which is shown below.

SHADOW

Mode On

H Size < % >
V Size < % >

H Pos < pixel >
V Pos < pixel >
Transparency

106
106

28
11

100

N
A
V

A
D
J

TRACK SIZE

3

Figure 4-34. Shadow Menu (sample)

The Shadow Menu enables you place a shadow behind a PIP, and adjust its size, position
and transparency. The following functions are provided:

• Mode — enables or disables the PIP’s shadow.

• H Size < % > — adjusts the shadow’s horizontal size as a percentage of the PIP’s

size. If {

TRACK SIZE} is checked, H and V size adjust proportionally.

• V Size < % > — adjusts the shadow’s vertical size as a percentage of the PIP’s

size. If {

TRACK SIZE} is checked, H and V size adjust proportionally.

• H Pos < pixel > — adjusts the shadow’s horizontal position in pixels, as an offset

from the PIP’s horizontal position.

• V Pos < pixel > — adjusts the shadow’s vertical position in pixels, as an offset

from the PIP’s vertical position.

• Transparency — adjusts the shadow’s transparency, from 0 (full transparency) to

1024 (opaque).

• Enable the {TRACK SIZE} function to adjust the shadow’s H Size and V Size

proportionally.

• Press {PIP} to return to the PIP Adjustment Menu. Refer to the “PIP

Adjustment Menu Functions” section on page 68 for details.

72 Eagle 200 • User’s Guide

4. Menu Orientation

PIP Adjustment Menu

• Press {BORDER} to display the Border Menu. Refer to the “Border Menu”

section on page 70 for details.

• Press {EFX} to display the Image Effects Menu. Refer to the “Image Effects

Menu” section on page 73 for details.

Note

To remove any shadow effects from the PIP or Key, press the

RESET button in the Layer Functions Section. No other

parameters will be affected.

fг~ЦЙ=bССЙЕнл=jЙем

From the Border Menu and Matte Menu, press {EFX} to display the Image Effects Menu:

IMAGE EFFECTS

H
O
M

E

P

P

B
O

R

D

E

R

S

H

A

D
O
W

Monochrome Mode Off

Red
Green

I

Blue
Invert
Hue

- - - - - - STROBE - - - - - ­Mode Off
Interval (frames) 2

RESET

RGB

100
100
100

Off

N
A
V

A
D

0

J

Figure 4-35. Image Effects Menu (sample)

The Image Effects Menu enables you to creatively manipulate the selected PIP or Key:

• Monochrome Mode — turns chroma on or off. When the mode is enabled, the

image is completely monochrome.

• Red — adjusts the image’s red saturation. Adjustment range is 0 to 100.

• Green — adjusts the image’s green saturation. Adjustment range is 0 to 100.

• Blue — adjusts the image’s blue saturation. Adjustment range is 0 to 100.

Note

Tip

The Red, Green and Blue adjustments function whether or
not Monochrome Mode is enabled.

For a sepia tone effect, turn Monochrome Mode on, and set

Red to 100, Green to 65 and Blue to 10.

• Invert — enables you to invert all image colors.

Eagle 200 • User’s Guide 73

4. Menu Orientation

PIP Adjustment Menu

• Hue — adjusts the image’s hue, by rotating color vectors throughout the 360

• Mode — In the “Strobe” section, enables or disables the strobe mode which when

• Interval (frames) — In the “Strobe” section, sets the freeze interval.

• Press {RESET RGB} to reset all image colors to their default values.

• Press {PIP} to return to the PIP Adjustment Menu. Refer to the “PIP

• Press {BORDER} to display the Border Menu. Refer to the “Border Menu”

• Press {SHADOW} to display the Shadow Menu. Refer to the “Shadow Menu”

degree color spectrum.

enabled, acts as a programmable freeze.

Adjustment Menu Functions” section on page 68 for details.

section on page 70 for details.

section on page 72 for details.

Note

To remove any image effects from the PIP or Key, press the

RESET button in the Layer Functions Section. No other

parameters will be affected.

74 Eagle 200 • User’s Guide

hÉó=jÉåì

4. Menu Orientation

Key Menu

The following topics are discussed in this section:

• Key Menu Tree

• Key Menu Description

• Key Menu Functions

• Key Sub Menus

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The figure below illustrates the Key Menu tree:

LAYER

LAYER

A

Home Menu

Crop Menu

Pip Adjustment Menu
Border Menu
Input Source Adjustment Menu

A

H
O
M
E

C
R
O
P

KEY

KEY

MENU

MATTE

SIZE &

POS

Matte Menu

Key Menu
Image Effects Menu
Key Adjustment Menu

Figure 4-36. Key Menu Tree

Key Adjustment

Menu

Key Menu
Matte Menu
Crop Menu

All functions and sub menus are discussed in the followi ng sections.

Eagle 200 • User’s Guide 75

4. Menu Orientation

Key Menu

hЙу=jЙем=aЙлЕкбйнбзе

The figure below illustrates a sample Key Menu:

H
O
M

E

KEY

Key Type [ Luma ]

Invert Mode Off

N
A
V

1.00

SIZE &

POS

0

A
D
J

Clip
Gain
Opacity 624
Fill Source Self

C
R

O

P

Figure 4-37. Key Menu (sample)

MATTE

The Key Menu provides tools to adjust the “active” key. To access the menu:

• Select a blue “layer” button in the Layer Control Section.

• Press the KEY button in the Layer Function Section.

The menu will immediately appear on the Touch Screen display.

Note

If you press KEY and a layer button is not selected, the
system displays a brief prompt: “

must be selected

.”

LAYER A or LAYER B

hЙу=jЙем=cмеЕнбзел

The following Key Menu functions are provided:

• Key Type — displays the type of key, currently fixed as a “Luma” key.

• Invert Mode — enables you to invert the key signal.

• Clip — adjusts the threshold of the video that electronically “cuts” into the

background image. A hole will be cut into the background anywhere that
foreground luminance is greater than the clip level. The hole is then filled with the

Fill Source. Adjustment range is 0 to 1023.

• Gain — adjusts the sensitivity of the keyer, enabling you to change the sharpness

of the keyed image. Gain only affects the key hole, as set by the clip. Adjustment
range is 0 to 1023.99.

• Opacity — enables you to adjust the opacity of the keyed image, from fully

opaque to fully transparent. Adjustment range is 0 to 1024.

76 Eagle 200 • User’s Guide

4. Menu Orientation

Key Menu

• Fill Source — determines the video that fills the key hole:
~ Self — fills the hole with the key source video itself, for example, the

video from a character generator.

~ Matte — fills the hole with a matte color, which can then be adjusted with

Matte Menu. Refer to the “Matte Menu“ section on p age78 for

the
details.

• Press {CROP} to display the Crop Menu. Refer to the “Crop Menu” section on

page 71 for details.

• Press {MA TTE} to display the Matte Menu. See the “Matte Menu” section on

page 78 for details.

• Press {SIZE & POS} to display the Key Adjustment Menu. Refer to the “Key

Adjustment Menu” section on page 79 for details.

Note

To return the Key to its default clip values, press the RESET
button in the
will be affected.

Layer Functions Section. No other parameters

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The following sub menus can be accessed from the Key Adjustment Menu:

• Crop Menu

• Matte Menu

• Key Adjustment Menu

Eagle 200 • User’s Guide 77

4. Menu Orientation

Key Menu

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From the Key Menu or the Key Adjustment Menu, press {MATTE} to display the Matte

Menu

, a sample of which is shown below.

H
O
M

E

MATTE

Red 528

Green 204

N
A
V

K
E
Y

E
F
X

Blue 260

TRACK RGB

Figure 4-38. Matte Menu (sample)

SIZE &

POS

A
D
J

The Matte Menu enables you to adjust the fill color of a matte key. The following functions are provided:

• Red — adjust the red component of the matte fill as required, from 0 to 1023.

• Green — adjust the green component of the matte fill as required, from 0 to 1023.

• Blue — adjust the blue component of the matte fill, from 0 to 1023.

• Press {KEY} to return to the Key Menu. Refer to the “Key Menu Description”

section on page 76 for details.

• Press {EFX} to display the Image Effects Menu. Refer to the “Image Effects

Menu” section on page 73 for details.

• Enable the {TRACK RGB} function to adjust Red, Green and Blue proportionally.

Disable the function to adjust colors individually.

• Press {SIZE & POS} to display the Key Adjustment Menu. Refer to the “Key

Adjustment Menu” section on page 79 for details.

Note

To return all matte values to 512, press the RESET button in

Layer Functions Section. No other parameters will be

the
affected.

78 Eagle 200 • User’s Guide

4. Menu Orientation

Key Menu

hЙу=^ЗамлнгЙен=jЙем

From the Key Menu and the Matte Menu, press {SIZE & POS} to display the Key

Adjustment Menu

H
O
M

E

K

E

Y

M

A

T

T

E

H Size < 33.5% > 606
V Size < 58.3% >
H Position
V Position

Move Rate 2.0
Key Frame Effect [ N/A ]

, a sample of which is shown below.

KEY ADJUSTMENT

448

-160
64

S

I
Z
E

H
P

O

S

C
R

O

P

TRACK H SIZE V SIZE

Figure 4-39. Key Adjustment Menu (sample)

RATE

V
P

O

S

The Key Adjustment Menu is virtually identical to the PIP Adjustment Menu — except that it pertains to Keys rather than PIPs. The following functions are provided:

• H Size — adjusts the Key’s horizontal size in pixels using the SIZE knob. The “%”

value indicates the key’s size as a percentage of the screen’s horizontal
resolution. The numeric value is the Key’s width in pixels. See the “

Key

Functions” section on page 80 for more details.

• V Size — adjusts the Key’s vertical size in pixels using the SIZE knob. The “%”

value indicates the Key’s size as a percentage of the screen’s vertical resolution.
The numeric value is the Key’s height in pixels. See the “

Key Functions” section

on page 80 f or more details.

• H Position — indicates the Key’s position, relative to the horizontal center of the

screen (
is 160 pixels to the left of center. Use the
right along the X-Axis.

00), as measured from the exact center of the Key. Thus, the value -160
H Pos knob to move the key left and

• V Position — indicates the Key’s position, relative to the vertical center of the

screen (00), as measured from the exact center of the Key. Thus, the value 64 is
64 pixels above center. Use the

V Pos knob to move the key up and down along

the Y-Axis.

• Move Rate — adjusts the rate (in 0.1 second increments) for programmed Key

movement, from keyframe to keyframe. To adjust, press the
and use the SIZE rotary knob.

RATE radio button

• Key Frame Effect — indicates the “motion type” that is used to move the Key

from point to point.

~ If no move is programmed, the display reads [N/A].
~ If a move is programmed, the motion type is fixed as [Linear].

Eagle 200 • User’s Guide 79

4. Menu Orientation

Key Menu

• Press {KEY} to return to the Key Menu. Refer to the “Key Menu Description”

• Press {MA TTE} to display the Matte Menu. See the “Matte Menu” section on

• Press {CROP} to display the Crop Menu. Refer to the “Crop Menu” section on

section on page 76 for details.

page 78 for details.

page 71 for details.

Note

T o return the Key to its default size and aspect ratio, press the

RESET button in the Layer Functions Section. No other

parameters will be affected.

hЙу=cмеЕнбзел

At the bottom of the Key Adjustment Menu, three radio buttons enable you to perform
various Key adjustment functions.

• Press {TRACK} to lock H Size and V Size together. Regardless of the Key’s

current aspect ratio, its size will adjust proportionally when the
to change size.

SIZE knob is used

• Press {H SIZE} to adjust only the horizontal size, leaving the vertical size alone.

In this way, you can stretch the Key horizontally.

• Press {V SIZE} to adjust only the vertical size, leaving the horizontal size as is. In

this way, you can stretch the Key vertically.

• Press {RATE} to adjust the move rate of the Key, from keyframe to keyframe.

80 Eagle 200 • User’s Guide

fеймн=pзмкЕЙ=^ЗамлнгЙен=jЙем

The following topics are discussed in this section:

• Input Source Adjustment Menu Tree

• Input Source Adjustment Menu Description

• Input Source Adjustment Menu Functions

fеймн=pзмкЕЙ=^ЗамлнгЙен=jЙем=qкЙЙ

The figure below illustrates the Input Source Adjustment Menu tree:

4. Menu Orientation

Input Source Adjustment Menu

Home Menu

Pip

Adjustment Menu

Input Source Adjustment Menu
Border Menu
Crop Menu

Border Menu

Pip Adjustment Menu
Shadow Menu
Image Effects Menu

PIP

ADJUSTMENT

MENU

S
R
C

H
O
M
E

P

I

P

B

ADJUSTMENT

O
R
D
E
R

C
R
O
P

ADJUSTMENT

INPUT

SOURCE

MENU

CROP

MENU

S
R
C

Crop Menu

Pip Adjustment Menu
Border Menu
Input Source Adjustment Menu

Figure 4-40. Input Source Adjustment Menu Tree

All functions and sub menus are discussed in the followi ng sections.

Eagle 200 • User’s Guide 81

4. Menu Orientation

Input Source Adjustment Menu

fеймн=pзмкЕЙ=^ЗамлнгЙен=jЙем=aЙлЕкбйнбзе

The figure below illustrates a sample Input Source Adjustment Menu:

H
O
M

E

P

I

P

B
O

R

D

E

R

C

R
O

P

INPUT SOURCE ADJUSTMENT
H Size < 100.0% > 640
V Size < 100.0% >
H Position
V Position

Move Rate 2.0
Key Frame Effect [ N/A ]

TRACK H SIZE V SIZE

475

RATE

S

I
Z
E

0
0

H
P

O

S

V
P

O

S

Figure 4-41. Input Source Adjustment Menu (sample)

The Input Source Adjustment Menu is virtually identical to the PIP and Key Adjustment
menus — except that the menu pertains to the source “inside” the PIP or Key, rather than
the boundaries of the PIP or Key itself. In this way, for example, a PIP can remain in its

exact location on screen, but you can scale or re-position the image inside the PIP.

To access the menu:

• Press {SRC} from the PIP Adjustment Menu or the Crop Adjustment Menu.

Important

The Input Source Adjustment Menu is also used to adjust
Key sources, and the menu functions are identical. The only
difference is the menu’s title:

Key Source Adjustment.

fеймн=pзмкЕЙ=^ЗамлнгЙен=jЙем=cмеЕнбзел

The following Input Source Adjustment Menu functions are provided:

• H Size — adjusts the input source’s horizontal size using the SIZE knob. The “%”

value indicates the source’s size as a percentage of the original PIP or Key’s
horizontal resolution. The numeric value is the source’s width in pixels. See the

Input Source Functions” section on page 83 for more details.

“

• V Size — adjusts the input source’s vertical size using the SIZE knob. The “%”

value indicates the size as a percentage of the original PIP or Key’s vertical
resolution. The numeric value is the source’s height in pixels. See the “

Source Functions” section on page 83 for more details.

• H Position — indicates the input source’s horizontal position, relative to its default

horizontal position (
of its default position. Use the
the X-Axis.

00) with no offset. Thus, the value 50 is 50 pixels to the right
H Pos knob to move the source left and right along

Input

82 Eagle 200 • User’s Guide

4. Menu Orientation

Input Source Adjustment Menu

• V Position — indicates the input source’s vertical position, relative to its default

vertical position (
default position. Use the

00) with no offset. Thus, the value -10 is 10 pixels below its
V Pos knob to move the source along the Y-Axis.

• Move Rate — adjusts the rate (in 0.1 second increments) for programmed Key or

PIP movement, from keyframe to keyframe. To adjust, press the
button and use the

SIZE rotary knob.

RATE radio

• Key Frame Effect — indicates the “motion type” that is used to move the Key or

PIP from point to point.

~ If no move is programmed, the display reads [N/A].
~ If a move is programmed, the motion type is fixed as [Linear].

• Press {PIP} to jump to the PIP Adjustment Menu. Refer to the “PIP Adjustment

Menu Functions” section on page 68 for details.

• Press {BORDER} to display the Border Menu. Refer to the “Border Menu”

section on page 70 for details.

• Press {CROP} to display the Crop Menu. Refer to the “Crop Menu” section on

page 71 for details.

Note

To return the input source to its default size and aspect ratio,
press the
No other parameters will be affected.

RESET button in the Layer Functions Section.

fеймн=pзмкЕЙ=cмеЕнбзел

At the bottom of the Input Source Adjustment Menu, three radio buttons enable you to
perform various input source adjustment functions.

• Press {TRACK} to lock H Size and V Size together. Regardless of the input

source’s current aspect ratio, its size will adjust proportionally when the
rotary knob is used.

SIZE

• Press {H SIZE} to adjust only the horizontal size, leaving the vertical size alone.

In this way, you can stretch the input source horizontally.

• Press {V SIZE} to adjust only the vertical size, leaving the horizontal size as is. In

this way, you can stretch the input source vertically.

• Press {RATE} to adjust the move rate of the PIP or Key, from keyframe to

keyframe.

Eagle 200 • User’s Guide 83

4. Menu Orientation

Background Input Setup Menu

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The following topics are discussed in this section:

• Background Input Setup Menu Tree

• Background Input Setup Menu Description

• Background Input Setup Menu Functions

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The figure below illustrates the Background Input Setup Menu tree:

BG

A

H

Home Menu

Background

Matte Menu

Figure 4-42. Background Input Setup Menu Tree

All functions and sub menus are discussed in the followi ng sections.

O

M

E

M

A
T
T
E

BACKGROUND INPUT

SETUP MENU

FRAME

GRAB

Frame Grab

Menu

BG

B

84 Eagle 200 • User’s Guide

4. Menu Orientation

Background Input Setup Menu

_~ЕвЦкзмеЗ=fеймн=pЙнмй=jЙем=aЙлЕкбйнбзе

The figure below illustrates a sample Background Input Setup Menu:

BG INPUT SETUP BG_A

H
O
M

E

R

E

S

E

T

Type DVI

Format 1024 x 768 @ 60
Crop: H Offset [ 0 ]

V Offset [ 0 ]

To change EDID for BGA, BGB and

N
A
V

A
D
J

S

A

V

E

DSK, use the HOME > SYSTEM > EDID
menu.

SELECT
FORMAT

Figure 4-43. Background Input Setup Menu (sample)

FRAME

GRAB

FORCE

ACQUIRE

The Background Input Setup Menu is used to select and define background sources A

B. To access the menu:

and

• Press either the BG A or BG B buttons in the Layer Control Section. This action

causes the selected button to blink, enabling modification.

Please note:

• If the selected background is already on Program, the Background Input Setup

Menu

will not appear.

• If the selected background is not on Program, the menu appears.

Note

The array of buttons on the Background Input Setup Menu

changes depending upon the selected background type.

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The following Background Input Setup Menu functions are provided:

• Type — selects the desired background type:
~ When DVI is selected, the DVI input video is selected as supplied from a

computer or other source. In this mode, you may also choose to grab a
still frame. Ensure that the desired source is connected to the rear
panel’s

BG A or BG/DSK B input.

~ When MATTE is selected, a solid color can be used as defined on the

Background Matte Menu. Refer to the “Background Matte Menu”

section on page 87 for menu details.

Eagle 200 • User’s Guide 85

4. Menu Orientation

Background Input Setup Menu

• Format — this line performs two functions:

• For the two Crop settings:

• If Matte is selected as the Type, the {MATTE} button appears. Press {MATTE} to

display the
section on page 87 for details.

• Press {SAVE} to store all selected background settings.

• Press {SELECT FORMAT} to “activate” the selected background format.

• Press {FRAME GRAB} to display the Frame Grab Menu. Refer to the “Frame

Grab Menu” section page 88 on for details.

• Press {FORCE ACQUIRE} to automatically detect the input signal resolution and

update the display

~ When FG_1, FG_2 or FG_3 is selected, a captured still frame can be

used as the background. This background type cannot be selected until
one or more frames have been captured.

~ Displays the resolution that is automatically determined by the FORCE

ACQUIRE

function.

~ With DVI selected as the background type, enables you to manually set

the resolution of the incoming background source, if desired. Once the
format is selected manually with the rotary knob, press

FORMAT

} to “accept” and activate the selection.

{SELECT

~ If the background input resolution matches the output resolution, or if the

output resolution is
settings will be bracketed.

larger than the background input resolution, the Crop

~ If the background input resolution is larger than the output resolution, the

H Offset and V Offset values can be used to choose which portion of the

background you want to display.

~ Press {RESET} to reset the H and V offsets to 0.

Background Matte Menu. Refer to the “Background Matte Menu”

Format field accordingly.

86 Eagle 200 • User’s Guide

4. Menu Orientation

Background Input Setup Menu

_~ЕвЦкзмеЗ=j~ннЙ=jЙем

The figure below illustrates a sample Background Matte Menu:

BG MATTE

B
A
C
K

Red 0

600Green

N
A
V

M

N

M

A
X

Blue

I

Figure 4-44. Background Matte Menu (sample)

900

BLACK

A
D
J

The Background Matte Menu enables you to create a solid background matte color to use
behind your PIPs and Keys.

• Red — adjust the red component of the background matte color as required, from

0 to 1023.

• Green — adjust the green component of the background matte color as required,

from 0 to 1023.

• Blue — adjust the blue component of the background matte col or as required,

from 0 to 1023.

• Press {MIN} to change the highlighted color to 0.

• Press {MAX} to change the highlighted color to 1023.

• Press {BLACK} to change all three colors to 0.

Note

The default state is a black matte color.

Eagle 200 • User’s Guide 87

4. Menu Orientation

Frame Grab Menu

cê~ãÉ=dê~Ä=jÉåì

The figure below illustrates a sample Frame Grab Menu:

BG FRAME GRAB

H
O
M

E

FG to Capture FG _1

Temp FG 1 Info:
File Name
Format
Perm FG 1 Info:

File Name
Format

CAPTURE SAVE

Figure 4-45. Frame Grab Menu (sample)

[ 1280 x 1024 ]Capture Format

[ 1280 x 1024 ]

[ 1280 x 1024 ]

DELETE

BG_A

[ FG1_T ]

[ FG1_P ]

N
A
V

A
D
J

The Frame Grab Menu enables you to capture still frames into the system’s three internal
frame stores. The “sources” of the still frames are the system’s
inputs or the scaled inputs. All captures occur on the

Preview monitor — thus the desired

BG A and BG/DSK B

full screen source that you want to capture must be visible on Preview.
Once captured, a still frame can be assigned as the input “type” for

source or the

LOGO source — basically any “green” button in the Layer Control Section.

BG A, BG B, the DSK

Note

Resource usage applies to BG B and DSK. These two layers
are mutually exclusive — if one is on program, the other can
not be used.

The three frame stores utilize Eagle 200’s

“temp” (temporary) memory for on-air

production. During operation, you can overwrite the memory with new captured stills as
desired — as it takes only a few seconds to capture a still. Note that stills in “temp”
memory are lost when the system is powered down.

You can also store three stills in “permanent” flash memory, which will not be lost when the
system is powered down. At bootup, the contents of flash memory is read into “temp”
memory for use on-air. It takes several minutes to save a still into permanent memory, and
this procedure should not be performed on-air. Permanent frames can also be overwritten.

Note

The contents of a layer can also be captured. In Chapter 6,
refer to the “

Capturing Still Frames” section on page 137 for

details.

88 Eagle 200 • User’s Guide