FOR-A FA-9520, FA-95CO, FA-95PS, FA-95D-D, FA-95DE-E Operation Manual

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Page 1

OPERATION MANUAL

FA-9520 (FA-9520 Mode)

Frame Synchronizer

FA-95PS FA-95DACBL FA-95AIO FA-95CO FA-95D-D/DE-E FA-95ALA FA-95RU

FA-10DCCRU*

3rd Edition - Rev. 5 SOFT Ver. 2.11 or higher

Page 2

Edition Revision History

Edit.

Rev.

Date

Description

Where

1 2013/03/15

First edition (V0100)

2 2013/05/15

Added FA-95ALA, FA-95AIO, FA-95D-D/DE-E, FA-95CO options and Auto Video Optimizer feature.

6-10-6, etc. 3 2013/05/31

Added FA-95RU option

3 1

2014/06/02

Corrected SNMP List

18 3 2

2014/07/08

Added FA-10DCCRU option.

7-3, 9-8-2, 24-1, etc

3 3 2015/11/12

Changes note on ancillary data

5-7-5

3 4 2016/03/25

Added new SNMP MIB objects.

3 5 2017/07/27

Updated downmixing function. Added notes. Changed items not stored in event memory. Deleted the index.

6-7, 6-8, 9-3-9 6-10-2-1, 6-10-2-2 8-4

Version *1

Supported

Feature/Option

Note

FPGA1: 1.00 or higher FPGA2: 1.00 or higher FPGA3: 1.00 or higher SOFT: 1.00 or higher

FA-95PS FA-95DACBL

First edition

FPGA1:1.10 or higher FPGA2:1.10 or higher FPGA3:1.00 or higher SOFT:1.10 or higher

FA-95ALA FA-95AIO (FA-95AVO) FA-95D-D FA-95DE-E FA-95CO

Supports FA-95ALA, FA-95AIO, FA-95DE/DE-E, FA-95CO options and Auto Video Optimizer feature.

FA-95D-D and FA-95DE-E communication methods with the main unit modified to support FA-95ALA. Supported FA-95D-D/FA-95DE-E versions: FPGA1: 1.00 FPGA2: 2.00 (1.10 or lower is inoperative in this unit.)

FPGA1:1.10 or higher FPGA2:1.10 or higher FPGA3:1.00 or higher SOFT:2.00 or higher

FA-95RU

Modified FA-95RU to add FA-9520 support FA-95RU Ver. 6.00 or higher-compatible Added BY-PASS function to FA-95AIO GPI Added option slot change warning feature Enhanced FA-95ALA measurement accuracy FPGA1: 1.00 FPGA2: 1.10

FPGA1: 1.12 or higher FPGA2: 1.10 or higher FPGA3: 1.00 or higher SOFT: 2.03 or higher

FA-10DCCRU

Modified FA-10DCCRU to add FA-9520 support FA-10DCCRU SOFT Ver. 1.00, FPGA1/2 Ver 1.00 or higher-compatible

FPGA1: 1.12 or higher FPGA2: 1.10 or higher FPGA3: 1.00 or higher SOFT: 2.10 or higher

SNMP feature

Added new SNMP MIB objects on Process, CC, Converter, Video and Audio systems.

Software Versions and Supported Options

*1 Version information can be seen as described in section 7-8 “UNIT Ver.”.

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Precautions

Operate unit only on the specified supply voltage.

Disconnect power cord by connector only. Do not pull on cable portion.

Do not place or drop heavy or sharp-edged objects on power cord. A damaged cord can cause fire or electrical shock hazards. Regularly check power cord for excessive wear or damage to avoid possible fire / electrical hazards.

Ensure power cord is firmly plugged into AC outlet.

Ensure unit is properly grounded at all times to prevent electrical shock hazard.

Do not ground the unit to gas lines, units, or fixtures of an explosive or dangerous nature.

Do not operate unit in hazardous or potentially explosive atmospheres. Doing so

could result in fire, explosion, or other dangerous results.

Do not allow liquids, metal pieces, or other foreign materials to enter the unit. Doing so could result in fire, other hazards, or unit malfunction.

If foreign material does enter the unit, turn power off and disconnect power cord immediately. Remove material and contact authorized service representative if damage has occurred.

Handle with care to avoid shocks in transit. Shocks may cause malfunction. When you need to transport the unit, use the original packing materials or alternate adequate packing.

Stop

Caution

Hazard

Caution

Important Safety Warnings [Power]

[Grounding]

[Operation]

[Transportation]

Page 4

[Circuitry Access]

Do not remove covers, panels, casing, or access circuitry with power applied to the

unit! Turn power off and disconnect power cord prior to removal. Internal servicing / adjustment of unit should only be performed by qualified personnel.

Do not touch any parts / circuitry with a high heat factor. Capacitors can retain enough electric charge to cause mild to serious shock, even after power is disconnected. Capacitors associated with the power supply are especially hazardous. Avoid contact with any capacitors.

Unit should not be operated or stored with cover, panels, and / or casing removed. Operating unit with circuitry exposed could result in electric shock / fire hazards or unit malfunction.

If abnormal smells or noises are noticed coming from the unit, turn power off immediately and disconnect power cord to avoid potentially hazardous conditions. If problems similar to above occur, contact authorized service representative before attempting to again operate unit.

To rack mount or ground the unit, or to install rubber feet, do not use screws or materials other than those supplied. Otherwise, it may cause damage to the internal circuits or components of the unit. If you remove the rubber feet attached on the unit, do not reinsert the screws securing the rubber feet.

The consumables used in unit must be replaced periodically. For further details on which parts are consumables and when they should be replaced, refer to the specifications at the end of the Operation Manual. Since the service life of the consumables varies greatly depending on the environment in which they are used, they should be replaced at an early date. For details on replacing the consumables, contact your dealer.

Caution

Hazard

Stop

[Potential Hazards]

[Rack Mount Brackets, Ground Terminal, and Rubber Feet]

[Consumables]

Page 5

Upon Receipt

ITEM

QTY

REMARKS

FA-9520

AC Cord

1 set

(Incl. ladder strap/retaining clip assembly)

Rack Mount Brackets

1 set

EIA standard type (Including 4 screws.)

CD-ROM

FA-9520/FA-9500 User Manuals (PDF)

Quick Setup Guide

ITEM

QTY

REMARKS

FA-95RU

Remote Control Unit

FA-95PS

1 set

Redundant power supply unit (with AC cord and AC cord retaining clip)

FA-95DACBL *

Digital audio expansion cable (to expand digital audio I/O up to 8 inputs and 8 outputs.)

Normally installed in slot B.

FA-95D-D *

1-2

Dolby E/Digital decoder

FA-95DE-E*

1-2

Dolby E encoder FA-95D-D option required for FA-95DE-E installation.

FA-95AIO *

1-2

Analog component I/O expansion card (with dedicated connection cable: PC-3307-1)

FA-95ALA *

1-2

Automatic Loudness Adjustment card

FA-10DCCRU

Remote Control Unit for color correction.

ITEM

QTY

REMARKS

FA-95CO *

Changeover

IMPORTANT

The FA-9520 has 2 operational modes; FA-9500 mode, in which the unit operates/functions almost the same as the former FA-9500, and FA-9520 mode with 2 independently operational frame synchronizers. After purchase, select an FA-9520 operational mode for the first time. Refer to section 7-1 “MU OPERATION” for details on the mode selection procedure. This operation manual describes the operation in FA-9520 mode. When operating in FA-9500 mode, refer to the separate FA-9520 operation manual (FA-9500 mode).

Unpacking

FA-9520 units and their accessories are fully inspected and adjusted prior to shipment. Operation can be performed immediately upon completing all required connections and operational settings.

Check your received items against the packing lists below.

FA-9520

Option

* In FA-9520 mode, FA-95D-D, FA-95DE-E, FA-95AIO and FA-95ALA option cards can be installed into either or both option slots A and B. In FA-9500 mode, only the card in slot A is effective, if 2 of the same option cards are installed into both slots. Also, only the card in slot A is effective, when FA-95D-D and FA-95DE-E are installed into both slots. The FA-95DACBL option can be installed into either option slot A or B, however, not into both slots.

Software Option

* FA-95CO is effective only in FA-9500 mode. Software installation can be verified in the “SOFT OPTION1” and “SOFT OPTION2” menus.

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Check

Check to ensure no damage has occurred during shipment. If damage has occurred, or items are missing, inform your supplier immediately.

Trademark

Microsoft and Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries.

Pentium and Intel Core are trademarks of Intel Corporation in the U.S. and/or other countries. Firefox is a registered trademark of the Mozilla Foundation. Dolby is a trademark of Dolby Laboratories.

All other trademarks are trademarks or registered trademarks of their respective owners.

Rack Mounting

FA-9520/RPS can be mounted to EIA standard rack units. When rack mounting a unit, remove the rubber feet and use the accessory rack mount brackets (rack ears).

Installing the AC Cord Retaining Clip

Secure the AC cord with the supplied ladder strap/retaining clip assembly to prevent accidental removal from the FA-9520.

 Installing the clip

1) Wrap the retaining clip around the AC cord. (with the anchor of the ladder strap toward the unit.)

2) Insert the anchor into the hole next to the AC IN socket.

3) Lightly fasten the clip around the AC cord.

4) Plug in the power cord.

5) Slide the clip on the ladder strap toward the plug.

6) Fasten the clip tightly.

7) Gently pull on the AC cord to ensure it is secured.

 Unplugging the AC cord

1) Push the tab on the retaining up to unfasten the clip.

2) Push the tab on the ladder strap up and slide the clip back.

3) Unplug the AC cord.

Page 7

Table of Contents

1. Prior to Starting ......................................................................................................................... 15

1-1. Welcome ............................................................................................................................ 15

1-2. Features ............................................................................................................................ 15

1-3. FA-95LG GUI Download ................................................................................................... 15

2. Panel Descriptions .................................................................................................................... 16

2-1. Front Panel ........................................................................................................................ 16

2-2. Rear Panel ......................................................................................................................... 18

2-3. Internal Settings ................................................................................................................ 21

2-3-1. Dipswitch Settings ...................................................................................................... 21

3. Connections .............................................................................................................................. 22

3-1. For 2-Channel Frame Synchronizer Use .......................................................................... 22

3-2. For HD/SD-SDI Simul Output ............................................................................................ 23

3-3. To Embed AES Input Signals on SDI Signals .................................................................. 24

3-4. To Embed Analog Audio Signals on SDI Signals ............................................................. 25

3-5. Connecting a Computer .................................................................................................... 26

3-6. Connecting to the REMOTE (GPI) Connector .................................................................. 27

4. Front Panel Operation .............................................................................................................. 28

4-1. Powering ON ..................................................................................................................... 28

4-2. Basic Operation ................................................................................................................. 28

4-2-1. Accessing Menus ....................................................................................................... 29

4-2-2. Menu Buttons ............................................................................................................. 30

4-2-3. Arrow Buttons ............................................................................................................. 32

4-2-4. Consecutive Viewing of Settings ................................................................................ 32

4-2-5. Page Jump Feature .................................................................................................... 33

4-2-6. Changing Setting Values............................................................................................ 34

4-2-7. Resetting to Default .................................................................................................... 35

4-2-8. Switching Between 2-Channel Frame Synchronizers ............................................... 35

5. VIDEO Menus ........................................................................................................................... 37

5-1. VIDEO PROC AMP (PROCESS) ...................................................................................... 37

5-2. COLOR CORRECTOR (C.C.) ........................................................................................... 37

5-2-1. WHITE LEVEL............................................................................................................ 37

5-2-2. BLACK LEVEL ........................................................................................................... 38

5-2-3. GAMMA LEVEL.......................................................................................................... 38

5-2-4. COLOR CORRECT (C.C.) ......................................................................................... 39

5-2-5. Color Corrector and AVO Modes ............................................................................... 40

5-3. CONV (UP/DOWN/CROSS CONVERTER) ..................................................................... 40

5-3-1. CONV MODE ............................................................................................................. 41

5-3-2. CONV Conversion Table............................................................................................ 42

5-3-3. CONV SIZE/POS ....................................................................................................... 42

5-3-4. CONV CROPPING ..................................................................................................... 43

5-3-5. CONV IMPROVE ....................................................................................................... 44

Page 8

5-3-6. CONV SIDE RGB ....................................................................................................... 45

5-4. Auto Video Optimizer (AVO) ............................................................................................. 46

5-4-1. AVO SETTING ........................................................................................................... 46

5-4-2. AVO SETUP ............................................................................................................... 47

5-4-2-1. About Scene Cut Detection and Frame Delay Settings ..................................... 48

5-4-3. USER1 - 5 LEVEL SET .............................................................................................. 49

5-4-4. USER1, 2 AREA SET ................................................................................................ 52

5-4-4-1. Manual Level Adjustment.................................................................................... 53

5-5. CLIP (VIDEO CLIP) ........................................................................................................... 54

5-5-1. YPbPr/RGB CLIP ....................................................................................................... 54

5-5-2. COMPOSITE CLIP ..................................................................................................... 55

5-5-3. VIDEO CLIP Setting Ranges ..................................................................................... 55

5-6. VIDEO INPUT SELECT (IN SEL) ..................................................................................... 57

5-6-1. FS INPUT SELECT .................................................................................................... 57

5-6-2. VIDEO INPUT SET .................................................................................................... 58

5-6-3. ANC DETECT LINE ................................................................................................... 59

5-6-4. ANC DETECT SEL .................................................................................................... 59

5-6-5. AIO A IN MODE ......................................................................................................... 60

5-6-6. AIO B IN MODE ......................................................................................................... 60

5-7. VIDEO OUT SELECT (OUT SEL)..................................................................................... 61

5-7-1. OUTPUT ASSIGN ...................................................................................................... 61

5-7-2. AIO A ASSIGN ........................................................................................................... 62

5-7-3. AIO B ASSIGN ........................................................................................................... 63

5-7-4. ANC DATA EMBED ................................................................................................... 64

5-7-5. ANC EMBED LINE ..................................................................................................... 65

5-8. VIDEO OPTION (VIDEO OP) ........................................................................................... 67

5-8-1. Logo Generator .......................................................................................................... 67

5-8-1-1. LOGO SELECT ................................................................................................... 67

5-8-1-2. KEYER SET ........................................................................................................ 68

5-8-1-3. Logo Position Setting Range .............................................................................. 68

5-9. VIDEO SYSTEM (VIDEO SYS) ........................................................................................ 69

5-9-1. FS MODE SET ........................................................................................................... 69

5-9-2. HD PHASE SET ......................................................................................................... 70

5-9-3. SD PHASE SET ......................................................................................................... 71

5-9-4. VIDEO POSITION ...................................................................................................... 72

5-9-5. FREEZE SET ............................................................................................................. 73

5-9-6. ANC SET .................................................................................................................... 74

5-9-7. ANC LOSS SET ......................................................................................................... 75

5-9-8. WSS AFD ERROR ..................................................................................................... 76

5-9-9. AUDIO GROUP .......................................................................................................... 76

5-9-10. TEST SIGNAL .......................................................................................................... 77

5-9-11. BY-PASS SETTING ................................................................................................. 77

5-9-12. AIO BY-PASS SET .................................................................................................. 78

5-9-13. SD LINE MASK ........................................................................................................ 79

5-9-14. COMPOSITE SET1 .................................................................................................. 80

Page 9

5-9-15. COMPOSITE SET2 .................................................................................................. 80

5-10. Various Signal Status Display (STATUS) ....................................................................... 81

5-10-1. UNIT ALARM............................................................................................................ 81

5-10-2. VIDEO IN STATUS .................................................................................................. 82

5-10-3. VIDEO OPTION INPUT ........................................................................................... 83

5-10-4. VIDEO OUT STATUS .............................................................................................. 84

5-10-5. VIDEO OPTION OUTPUT ....................................................................................... 84

5-10-6. AUDIO IN DETECT1 ................................................................................................ 85

5-10-7. AUDIO IN DETECT2 ................................................................................................ 85

5-10-8. AUDIO OUTPUT1 .................................................................................................... 86

5-10-9. AUDIO OUTPUT3 .................................................................................................... 86

5-10-10. EMB 1 IN AUDIO ................................................................................................... 87

5-10-11. EMB 2 IN AUDIO ................................................................................................... 88

5-10-12. AES IN AUDIO ....................................................................................................... 89

5-10-13. ANALOG IN AUDIO ............................................................................................... 89

5-10-14. SDI 1/2 OUT AUDIO .............................................................................................. 90

5-10-15. SDI 3/4 OUT AUDIO .............................................................................................. 91

5-10-16. AES OUT AUDIO ................................................................................................... 91

5-10-17. ANALOG OUT AUDIO ........................................................................................... 92

5-10-18. Dolby OPA AUX ..................................................................................................... 92

5-10-19. Dolby OPB AUX ..................................................................................................... 93

5-10-20. AFD IN STATUS .................................................................................................... 94

5-10-21. ANC1 IN STATUS .................................................................................................. 94

5-10-22. ANC1 IN STATUS 1-2............................................................................................ 95

5-10-23. ANC OUT ............................................................................................................... 95

5-10-24. S2016 OUT ............................................................................................................ 95

5-10-25. VI OUT ................................................................................................................... 96

5-10-26. WSS OUT ............................................................................................................... 96

5-10-27. ANC OUT1 ............................................................................................................. 97

6. AUDIO Settings ........................................................................................................................ 98

6-1. SDI AUDIO Settings (SDI AUDIO) .................................................................................... 98

6-1-1. EMB1 IN GAIN ........................................................................................................... 98

6-1-2. EMB1 OUT MONO ..................................................................................................... 98

6-1-3. EMB1 IN SET ............................................................................................................. 99

6-1-4. EMB1 OUT CLOCK ................................................................................................. 100

6-1-5. EMB2 IN GAIN ......................................................................................................... 101

6-1-6. EMB2 OUT MONO ................................................................................................... 101

6-1-7. EMB2 IN SET ........................................................................................................... 102

6-1-8. EMB2 AUDIO CLOCK .............................................................................................. 103

6-2. AES AUDIO Settings (AES AUDIO) ............................................................................... 104

6-2-1. AES IN GAIN ............................................................................................................ 104

6-2-2. AES HYSTERESIS .................................................................................................. 104

6-2-3. AES OUT MONO ..................................................................................................... 105

6-2-4. AES I/O SETUP ....................................................................................................... 105

Page 10

6-3. ANALOG AUDIO Settings (ANALOG) ............................................................................ 106

6-3-1. ANALOG IN LEVEL ................................................................................................. 106

6-3-2. ANALOG IN GAIN .................................................................................................... 106

6-3-3. ANALOG OUT LEVEL ............................................................................................. 106

6-3-4. ANALOG OUT MONO ............................................................................................. 107

6-3-5. ANALOG IN SYSTEM .............................................................................................. 107

6-4. OUTPUT GAIN CONTROL ............................................................................................. 108

6-4-1. MASTER OUT GAIN ................................................................................................ 108

6-4-2. EMB1 OUT GAIN ..................................................................................................... 108

6-4-3. EMB2 OUT GAIN ..................................................................................................... 109

6-4-4. AES OUT GAIN ........................................................................................................ 109

6-4-5. ANALOG OUT GAIN ................................................................................................ 110

6-5. AUDIO MAPPING (MAPPING) ....................................................................................... 111

6-5-1. EMB1 OUT REMAP ................................................................................................. 111

6-5-2. EMB2 OUT REMAP ................................................................................................. 112

6-5-3. AES OUT REMAP .................................................................................................... 113

6-5-4. ANALOG OUT REMAP ............................................................................................ 114

6-6. AUDIO DELAY Settings .................................................................................................. 115

6-6-1. EMB1 IN DELAY ...................................................................................................... 115

6-6-2. EMB2 IN DELAY ...................................................................................................... 115

6-6-3. AES IN DELAY ......................................................................................................... 115

6-6-4. ANALOG IN DELAY ................................................................................................. 116

6-7. DOWN MIX1 SET ............................................................................................................ 117

6-7-1. DOWN MIX1 ASSIGN .............................................................................................. 118

6-8. DOWN MIX2 SET ............................................................................................................ 119

6-8-1. DOWN MIX2 ASSIGN .............................................................................................. 120

6-9. AUDIO MODE SET (MODE) ........................................................................................... 121

6-9-1. EMB1 SRC MODE ................................................................................................... 121

6-9-2. EMB2 SRC MODE ................................................................................................... 121

6-9-3. AES SRC MODE ...................................................................................................... 122

6-9-4. EMB1 POLARITY ..................................................................................................... 122

6-9-5. EMB2 POLARITY ..................................................................................................... 122

6-9-6. AES POLARITY ....................................................................................................... 123

6-9-7. ANALOG POLARITY ............................................................................................... 123

6-9-8. Dolby A POLARITY .................................................................................................. 124

6-9-9. Dolby B POLARITY .................................................................................................. 124

6-10. AUDIO OPTION (AUDIO OP) ....................................................................................... 125

6-10-1. FA-95D-D / FA-95DE-E.......................................................................................... 125

6-10-1-1. Dolby AUX OUT .............................................................................................. 125

6-10-1-2. Dolby DEC IN .................................................................................................. 126

6-10-1-3. Dolby DECODER REFERENCE .................................................................... 127

6-10-1-4. Dolby DOWNMIX ............................................................................................ 127

6-10-1-5. Dolby DECODER GAIN .................................................................................. 128

6-10-1-6. Dolby ENCODER INPUT ................................................................................ 129

6-10-1-7. Dolby ENCODER SETTING ........................................................................... 130

Page 11

6-10-1-8. METADATA INPUT ......................................................................................... 131

6-10-2. Automatic Loudness Adjustment (FA-95ALA) ....................................................... 132

6-10-2-1. LOUDNESS MEASUREMENT ....................................................................... 132

6-10-2-2. LOUDNESS CONTROL ENABLE .................................................................. 133

6-10-2-3. LOUDNESS CONTROL SETTINGS .............................................................. 134

6-10-2-4. LOUDNESS CHANNEL ASSIGNMENT ......................................................... 135

6-10-2-5. LOUDNESS STANDARD ............................................................................... 136

6-11. AUDIO SYSTEM Settings (AUDIO SYS) ...................................................................... 137

6-11-1. FADE IN / OUT....................................................................................................... 137

6-11-2. DIGITAL AUDIO ..................................................................................................... 138

6-11-3. AUDIO ERR SENSE .............................................................................................. 138

6-11-4. DIGITAL SILENCE ................................................................................................. 140

7. Other Settings & Information (OTHER) .................................................................................. 141

7-1. FS1/FS2 COPY ............................................................................................................... 141

7-2. MU OPERATION ............................................................................................................. 142

7-2-1. Important Note on Changing the Operation Mode ................................................... 142

7-2-2. FA-9520 Operation Mode Change Procedure ......................................................... 142

7-3. CONTROL SETTING ...................................................................................................... 143

7-4. FRONT OPERATION ...................................................................................................... 143

7-5. FRONT PANEL SET ....................................................................................................... 143

7-6. GPI SETTING .................................................................................................................. 144

7-7. NETWORK INFO ............................................................................................................ 147

7-8. UNIT Ver. ......................................................................................................................... 147

7-9. OPTION A Ver. ................................................................................................................ 148

7-10. OPTION B Ver. .............................................................................................................. 148

7-11. OTHER OPTION ........................................................................................................... 149

7-12. SOFT OPTION1 ............................................................................................................ 149

7-13. SOFT OPTION2 ............................................................................................................ 149

8. Event Memory......................................................................................................................... 150

8-1. EVENT LOAD .................................................................................................................. 150

8-2. EVENT SAVE .................................................................................................................. 151

8-3. EVENT SETUP ............................................................................................................... 151

8-4. Parameters Not Stored in Event Memory ....................................................................... 151

8-5. Note on Event Memory Operation .................................................................................. 151

9. Control via WEB Browser ....................................................................................................... 152

9-1. Connecting via a WEB Browser ...................................................................................... 152

9-2. VIDEO Settings ............................................................................................................... 153

9-2-1. FS Input Select ......................................................................................................... 154

9-2-2. Auto Video Optimizer (AVO) .................................................................................... 155

9-2-2-1. About Scene Cut Detection and Frame Delay Settings ................................... 157

9-2-2-2. User 1 - 5 LEVEL SET ...................................................................................... 158

9-2-2-3. User Area 1, 2 ................................................................................................... 160

9-2-3. Frame Delay ............................................................................................................. 161

9-2-4. Proc Amp .................................................................................................................. 162

Page 12

9-2-5. BY-PASS Setting ..................................................................................................... 163

9-2-6. Converter .................................................................................................................. 164

9-2-7. Color Corrector ......................................................................................................... 168

9-2-8. Video Test Signal ..................................................................................................... 171

9-2-9. YPbPr/RGB Clip ....................................................................................................... 172

9-2-10. Output Assign ......................................................................................................... 173

9-2-11. Composite Clip ....................................................................................................... 175

9-3. AUDIO Settings ............................................................................................................... 176

9-3-1. SDI Input .................................................................................................................. 177

9-3-2. AES Audio Input Settings ......................................................................................... 179

9-3-3. Analog Audio Input ................................................................................................... 181

9-3-4. Audio Delay (SDI / AES / Analog) ............................................................................ 182

9-3-5. SRC Mode (SDI / AES) ............................................................................................ 183

9-3-6. Audio Output Polarity (SDI / AES / Analog) ............................................................. 184

9-3-7. Audio Mapping ......................................................................................................... 185

9-3-8. Audio Master Gain Settings ..................................................................................... 187

9-3-9. Down Mix Setting ..................................................................................................... 188

9-3-10. SDI Audio Output Settings ..................................................................................... 190

9-3-11. AES Audio Output Settings .................................................................................... 191

9-3-12. Analog Audio Output Settings ................................................................................ 191

9-3-13. Dolby E/Digital Decoder ......................................................................................... 192

9-3-14. Dolby AUX Output Select ....................................................................................... 194

9-3-15. Dolby E Encoder .................................................................................................... 195

9-3-16. Automatic Loudness Adjustment (FA-95ALA) ....................................................... 197

9-4. SYSTEM Settings ............................................................................................................ 200

9-4-1. FS1/FS2 Video System ............................................................................................ 200

9-4-2. Audio System ........................................................................................................... 205

9-4-3. ANC Settings ............................................................................................................ 208

9-4-4. Composite Settings .................................................................................................. 212

9-5. GPI................................................................................................................................... 213

9-6. Utility Settings .................................................................................................................. 215

9-6-1. Event Control ............................................................................................................ 216

9-6-2. Backup Parameter ................................................................................................... 217

9-6-3. Downloading a MIB File ........................................................................................... 218

9-6-4. Event Data Backup .................................................................................................. 219

9-7. Status Display.................................................................................................................. 220

9-7-1. Unit/Video Status ..................................................................................................... 220

9-7-2. Audio Status ............................................................................................................. 223

9-7-3. Unit Information ........................................................................................................ 225

9-7-4. ANC Status ............................................................................................................... 226

9-8. Network Settings ............................................................................................................. 229

9-8-1. Network Information ................................................................................................. 229

9-8-2. NETWORK SETTING .............................................................................................. 229

9-8-3. SNMP SETTING ...................................................................................................... 230

9-8-4. TRAP SETTING ....................................................................................................... 232

Page 13

9-8-5. USER SETTING ....................................................................................................... 233

9-8-6. Restart ...................................................................................................................... 233

10. Downmix Block Diagram ...................................................................................................... 234

11. ANALOG/DIGITAL Audio Input/Output Level ...................................................................... 235

11-1. Analog Output Level Relative to the Digital Input Level ............................................... 235

11-2. Digital Output Level Relative to the Analog Input Level ............................................... 236

12. Analog Audio Connection ..................................................................................................... 237

13. Dolby E Decoder/Encoder Channel Assignment Table ....................................................... 238

14. REMOTE .............................................................................................................................. 239

14-1. REMOTE Connector ..................................................................................................... 239

14-2. GPI Input Circuit ............................................................................................................ 239

14-3. GPI Input Control ........................................................................................................... 240

14-4. GPI Output Circuit ......................................................................................................... 241

15. How to Install the FA-95DACBL ........................................................................................... 242

15-1. Procedure ...................................................................................................................... 242

15-2. Installation Confirmation ................................................................................................ 243

16. FA-95AIO Option .................................................................................................................. 244

16-1. FA-95AIO Pin Assignments .......................................................................................... 244

16-2. FA-95AIO Switch Settings ............................................................................................. 245

17. System Requirements .......................................................................................................... 245

18. About SNMP (Simple Network Management Protocol) ....................................................... 246

19. FA-9520 Ancillary Data Packet Name List ........................................................................... 259

20. About AFD (Active Format Description) ............................................................................... 261

20-1. AFD Codes .................................................................................................................... 262

20-2. Aspect Ratio Conversion with AFD ............................................................................... 264

20-3. AFD Supported Video Formats ..................................................................................... 268

20-4. AFD Based Auto Aspect Conversion Settings .............................................................. 268

20-5. How to Insert AFD Data to Output Video Signals ......................................................... 269

20-6. AFD Code Abbreviations ............................................................................................... 270

21. About Closed Captioning ...................................................................................................... 272

21-1. Closed Captioning Setting Procedure ........................................................................... 272

22. Verification After Option Card Removal/Replacement ......................................................... 273

22-1. Alert ............................................................................................................................... 273

22-2. Verification After Dolby Option Removal/Replacement ................................................ 273

22-3. Verification After FA-95AIO Removal/Replacement ..................................................... 273

22-4. Verification After FA-95ALA Removal/Replacement .................................................... 274

23. Expansion Slots A / B Alert .................................................................................................. 274

24. Specifications and Dimensions ............................................................................................ 275

24-1. Unit Specifications ......................................................................................................... 275

Page 14

24-2. External Dimensions ..................................................................................................... 278

Page 15

1. Prior to Starting

1-1. Welcome

Congratulations! By purchasing FA-9520 Frame Synchronizer you have entered the world of FOR-A and its many innovative products. Thank you for your patronage and we hope you will turn to FOR-A products again and again to satisfy your video and audio needs. FOR-A provides a wide range of products, from basic support units to complex system controllers, which have been increasingly joined by products for computer video based systems. Whatever your needs, talk to your FOR-A representative. We will do our best to be of continuing service to you.

1-2. Features

The FA-9520 is a multipurpose signal processor loaded with all the functions you need for video production. 3G-SDI, HD/SD-SDI, and analog composite I/O is supported in addition to its functionality as a frame synchronizer. The unit provides dual up/down/cross/aspect converters, color corrector, and automatic video optimizer (AVO) as standard features, allowing for the conversion of many types of video and audio signals. Numerous additional optional features include analog component I/O, logo generator, Dolby E encoder and Dolby E decoder. By combining these varied options, a single unit can provide optimal functionality for all your video production scene requirements, including transmission, live production, news reporting, video production, editing and distribution. As long as you have the FA -9520, you will never need another piece of peripheral video equipment!

Standard Features

 3G-SDI/HD-SDI/SD-SDI/Analog Composite I/O  Digital/Analog Audio I/O  Main Converter (Up/Down/Cross/Aspect conversion)  Second Converter (Up/Down/Cross/Aspect conversion)  Color Corrector  Auto Video Optimizer (AVO)  Powerful Frame Synchronizer Performance  Logo Generator  Other Features

 Video delay  2D/3D comb filter for Y/C separator (composite)  Web browser-based monitoring and control possible  SNMP monitoring and partial control function

Additional Features

 Redundant power supply unit  Digital audio expansion cable  Changeover function (in FA-9500 mode only)  Dolby E/Digital decoder and Dolby E encoder  Analog component I/O  Automatic Loudness Adjustment Function  Remote control unit via Ethernet

1-3. FA-95LG GUI Download

The FA-9520 Logo generator function is designed to be used with logo management software, FA-95LG GUI, enabling logo data import to FA-9520 via Ethernet. The FA-95LG GUI can be downloaded from FOR-A’s website: http://www.for-a.com/products/fa9500/fa95lg_gui.zip. The operation manual for the FA-95LG GUI will download automatically along with the software.

Page 16

2. Panel Descriptions

Name

Description

Ref.

POWER switch

Used to turn the unit ON / OFF. Pressing the "｜" side turns on the power.

4-1

LOCK button (FA-9500 mode)

FS1/LOCK (FA-9520 mode)

In FA-9500 mode: Lit when pressed, and the buttons and controls on the front panel except this LOCK button are disabled. To enable the disabled buttons and controls, press and hold this button down for several seconds. In FA-9520 mode: Used to select FS1 or FS2. There are linked menus that can be changed simultaneously by pressing the FS1/LOCK and FS2/LOCK buttons simultaneously. See 4-2-8 “2-channel frame synchronizer switching” for details. Disables operation only for FS1 when pressed and held down. Press and hold this button down again to unlock operation. * Both FS1 and FS2 LOCKs can be set simultaneously to disable all other buttons except themselves.

FS2/LOCK (FA-9520 mode)

In FA-9500 mode: Ineffective In FA-9520 mode: Used to select FS1 or FS2. There are linked menus that can be changed simultaneously by pressing FS1/LOCK and FS2/LOCK buttons simultaneously. See 4-2-8 “Switching Between 2-Channel Frame Synchronizers” for details. Disables operation only for FS2 when pressed and held down. Press and hold this button down again to unlock operation. * Both FS1 and FS2 LOCKs can be set simultaneously to disable all other buttons except themselves.

4-2-8

EVENT button

Used to save and load events.

Status indicator

VIDEO IN Lit green

Input signal is present in FS1 or FS2.

5-6-1 5-10-2

Unlit

No input signal is present in FS1 or FS2.

5-6-1 5-10-2

AUDIO IN Lit green

One or more assigned audio output signals (FS1, FS2 embedded, AES and/or analog audio) are present.

6-5

Unlit

No assigned audio signal (FS1, FS2 embedded, AES and/or analog audio) is present.

6-5

GENLOCK Lit green

Genlock signal input is present.

5-10-2

Unlit

No genlock signal input is present.

5-10-2

REMOTE Lit green

CONTROL SETTING is set to REMOTE.

7-3 Unlit

CONTROL SETTING is set to LOCAL.

DC POWER

Lit red

A power failure has occurred. Turn the power of the unit OFF, and contact your supplier.

5-10-1

Unlit

Power supply is normal.

5-10-1

FAN ALARM Lit red

One or more fans have failed. Turn the power of the unit OFF, and replace the failed fans if needed.

5-10-1 Unlit

All fans are operating normally.

5-10-1

Menu display

Used to display menus and make operational settings

4-2

Controls (F1-F4)

Used to change operational settings. Turn and select values.

4-2

MASTER

CONV2

OUT SEL

MODE

VIDEO

AUDIO

ANALOG

CONV1

IN SEL

DOWNMIX

STATUS OTHER

C C

AES AUDIO

CLIP

DELAY

AUDIO SYS

VIDEO SYS

AUDIO OP

VIDEO OP

MAPPING

A V O

PROCESS

SDI AUDIO

UNITYUNITYUNITYUNITY

F A - 9 5 0 0

DISPLAY AREA

HD / S D FR A ME S YS N CH RO NI ZE R

VIDEO IN

AUDIO IN

GENLOCK

REMOTE

FAN ALARM

DC POWER

BY-PASS

LOCK

EVENT

OFF

POWER

F1 F2 F3 F4

2-1. Front Panel

Page 17

UNITY buttons

The Unity buttons return the settings to the default values.

Arrow buttons Single-arrow buttons

Used to move between parameters. (Indicators light up to indicate the accessible direction.)

4-2

Double-arrow buttons

Used to move between menus (same as the menu buttons). (Indicators light up to indicate the accessible direction.)

4-2

Menu buttons

Used to select menus.

4-2

*1 The DC POWER indicator functions when the optional FA-95PS is installed.

Page 18

2-2. Rear Panel

Name

Description

Ref.

SDI IN 1

Used for HD/SD-SDI video input 1.

5-6

SDI OUT 1-2

Used for HD/SD-SDI video output 1. The input signal in SDI IN 1 is output from SDI OUT1

when BY-PASS is enabled or the unit is turned off.

5-10-4

SDI IN 2

Used for HD/SD-SDI video input 2.

5-6

SDI OUT 3-4

Used for HD/SD-SDI video output 2. The input signal in SDI IN 2 is output from SDI OUT3

when BY-PASS is enabled or the unit is turned off.

5-10-4

COMPOSITE IN

Used for analog composite video input.

5-6

COMPOSITE OUT 1-2

Used for analog composite video output. The input signal in COMPOSITE IN is output from

COMPOSITE OUT1 when BY-PASS is enabled or the unit is turned off.

5-10-4

GENLOCK IN

Used for reference signal input (black burst or tri-level sync) to synchronize the system. The bottom connector is for a loop through. It must be terminated at 75 ohm when not in use.

5-10-2

DIGITAL AUDIO IO

1/2 - 7/8

Used for digital audio inputs and outputs. Select whether to use for input or output as in section 6-2-4 “AES I/O SETUP”.

6-2-4

LAN1

A 1000/100BASE-TX/10BASE-T Ethernet LAN port. Used to connect an external remote control unit or to transfer data to an external device. RJ-45

3-5

LAN2

A 1000/100BASE-TX/10BASE-T Ethernet LAN port. Used to connect an external remote control unit or to transfer data to an external device. RJ-45 (For future use)

Ground Terminal

Used to ground the unit to protect operators against static electricity and electrical shock.

AC100 - 240V 50/60 Hz IN 1

FAN2

SER. NO.

LAN2LAN1

REMOTE

DIGITA L AUD IO IN / OUT

7 / 85 / 63 / 41 / 2

ANALOG A UDIO

GENLO CK INCOMPO SITE

OUT2OUT1IN

OUT4OUT3IN2OUT2OUT1

SDI

IN1

FAN1

AC100 - 240V 50/60 Hz IN2

AC100 - 240V 50/60 Hz IN 1

FAN2

SER. NO.

LAN2LAN1

REMOTE

DIGITAL AU DIO IN / O UT

7 / 85 / 63 / 41 / 2

ANALOG AUDIO

GENLOCK IN

COMPOSIT E

OUT2OUT1IN

OUT4OUT3IN 2OUT2OUT1

SDI

IN1

FAN1

AC100 - 240V 50/60 Hz IN2

 FA-9520

 FA-9520 with the FA-95PS option installed

Page 19

Name

Description

Ref.

AC IN 2

Used to connect the unit to an AC power source. (AC100V-240V 50/60Hz)

Enabled only when the optional redundant power unit FA-95PS is installed.

The operation status can be viewed from the DC POWER 2 menu as described in section 5-10-1 “UNIT ALARM”. (The menu is displayed if the optional FA-95PS is installed.)

FAN1

Used to air-cool the unit to prevent overheating. Do not block the ventilation with other equipment or objects. The operation status can be viewed from the FAN1 menu as described in section 5-10-1 “UNIT ALARM”.

5-10-1

SLOT A

OPTION SLOT A for an optional expansion card.

SLOT B

OPTION SLOT B for an optional expansion card.

ANALOG AUDIO

Used for four-channel analog audio input and output. See section 12 “Analog Audio Connection” for details.

REMOTE

Used for remote control. Assign functions to each pin.

See section 7-6 “GPI SETTING” for details on assigning functions. See section 14 “REMOTE” for connections.

7-6 14

FAN2

Used to air-cool the unit to prevent overheating. Do not block the ventilation with other equipment or objects. The operation status can be viewed from the FAN2 menu as described in section 5-10-1 “UNIT ALARM”.

5-10-1

AC IN1

Used to connect the unit to an AC power source. (AC100V-240V 50/60Hz)

The operation status can be viewed from the DC POWER 1 menu as described in section 5-10-1 “UNIT ALARM”. (The menu is displayed if the optional FA-95PS is installed.)

5-10-1

Name

Description

Ref.

DIGITAL AUDIO IO 1/2 - 7/8

Digital audio input and output connectors. Used only for inputs when the FA-95DACBL option is

installed.

6-2-4

DIGITAL AUDIO OUT 1/2 - 7/8

Digital audio output connectors. (FA-95DACBL option) (The above figure of rear panel depicts an FA-95DACBL

option installed in slot A. The option can also be installed in slot B.)

3/4 5/61/2 7/8

FAN2

3/4 7/8

FAN1

5/6

COMPO SITE

1/2

LAN2

SDI

REMOTE

LAN1

COMPO SITE

OUT3OUT2IN 1

SDI

ANALOG A UDIO

LAN2

DIGITAL AUDIO IN/OUT

OUT4OUT1 IN2 OUT1 OUT2IN

A C 100-240V 50/60H

z IN 2

DIGITA L AUDIO OUT

GENLOCK IN

AC100-240V 50/60Hz IN 1

 FA-9520 with the FA-95DACBL option installed

Page 20

 FA-9520 with the FA-95D-D/DE-E options installed

Name

Description

Ref.

Dolby E IN (AUX IN)

Digital audio input connector on the FA-95D-D/DE-E option. Used to input Dolby E and/or digital signals to the Dolby decoder.

6-10-12

Dolby E OUT (AUX OUT)

Digital audio output connector on the FA-95D-D/DE-E option. Used to output signals output from the Dolby decoder and/or Dolby

encoder.

6-10-11

REF IN

Reference signal input connector on the FA-95D-D/DE-E option. Used to input reference signal (B.B. or tri-level sync) for the Dolby

decoder. 75 ohm terminated inside.

6-10-13

Name

Description

Ref.

ANALOG COMPONENT I/O

Analog component input/output connector on FA-95AIO option.

Connect the supplied I/O cable.

AC100 - 240V 50/60 Hz IN 1

FAN2

SER. NO.

LAN2LAN1

REMOTE

DIGITAL AUDIO IN / OUT

7 / 85 / 63 / 41 / 2

ANALOG AUDIO

GENL OCK INCOMPOSITE

OUT2O UT1IN

OUT4OUT3IN2OUT2OUT1

SDI

IN1

FAN1

AC100 - 240V 50/60 Hz IN2

OUTIN REF IN

Dolby E

AC100 - 240V 50/60 Hz IN 1

FAN2

SER. NO.

LAN2LAN1

REMOTE

DIGITAL AUD IO IN / OUT

7 / 85 / 63 / 41 / 2

ANALOG AUDIO

GEN LOC K INCOMPOSITE

OUT2OU T1IN

OUT4OU T3IN2OU T2OUT1

SDI

IN1

FAN1

AC100 - 240V 50/60 Hz IN2

ANALOG COMPONENT I/O

 FA-9520 with the FA-95AIO option installed

Page 21

2-3. Internal Settings

IMPORTANT

Note that internal switch settings should not be changed from factory defaults. If you have accidentally changed the settings, return them to the factory default settings as shown in this section.

Be sure to have qualified technical personnel perform the settings and adjustments in the interior, or contact your dealer.

CAUTION

Do not access any internal cards while the unit is powered ON. Always power OFF all connected units / disconnect power cords prior to accessing the interior. To protect boards from electrostatic damage, do not touch the components on the boards.

Pin No.

Default setting

Setting

OFF

Do not change.

OFF

Do not change.

OFF

Do not change.

OFF

Do not change.

OFF

Do not change.

OFF

Do not change.

OFF

Do not change.

OFF

Do not change.

Pin No.

Default setting

Setting

OFF

Do not change.

OFF

Do not change.

OFF

Do not change.

OFF

Do not change.

OFF

If the FA-95DACBL is installed in SLOT A: OFF If the FA-95DACBL is installed in SLOT B: ON If the FA-95DACBL is not installed: OFF

OFF

Do not change.

OFF

Standard FA-9520: OFF (without FA-95PS) If the FA-95PS is installed: ON

OFF

Do not change.

2-3-1. Dipswitch Settings

The following settings can be made at the dipswitches on MAIN CARD inside the unit.

 Dipswitch S1 Settings

 Dipswitch S2 Settings

Page 22

3. Connections

AC100 - 240V 50/60 Hz IN 1

FAN2

SER. NO.

LAN2LAN1

REMOTE

DIGITAL AUD IO IN / OU T

7 / 85 / 63 / 41 / 2

ANALOG AUDIO

GENLOCK IN

COMPOSITE

OUT2OUT1INBOUT4OUT3IN2OUT2OUT1

SDI

IN1

FAN1

AC100 - 240V 50/60 Hz IN2

Terminate at 75 ohm if not used.

Reference signal (BB or Tri-level sync signal synchronized with the input signal.)

Input an HD/SDSDI signal to SDI IN1.

Outputs the SDI IN1 input signal synchronized with the SDI OUT1 and 2 reference signal.

Outputs the SDI IN2 input signal synchronized with the reference signal from SDI OUT3 and 4.

Input an HD/SDSDI signal to SDI IN2.

This section describes the connections and settings for specific usages. The descriptions on the settings are based on the factory default. If you are not sure of your current settings, you can reset the unit to the default setting by selecting DEFAULT in the EVENT LOAD menu described in the section 8-1 “EVENT LOAD”.

3-1. For 2-Channel Frame Synchronizer Use

Settings that need to be checked:

 Set FS1 INSEL to SDI1 in the FS INPUT SELECT menu (see section 5-6-1).  Set FS2 INSEL to SDI2 in theFS INPUT SELECT menu (see section 5-6-1).  Set SDI1/2 to FS1 in the OUTPUT ASSIGN menu (see section 5-7-1).  Set SDI3/4 to FS2 in the OUTPUT ASSIGN menu (see section 5-7-1).  Adjust phase and position to match the reference signal in HD PHASE SET to VIDEO

POSITION menus if necessary (see sections 5-9-2 to 5-9-4).

Page 23

3-2. For HD/SD-SDI Simul Output

AC100 - 240V 50/60 Hz IN 1

FAN2

SER. NO.

LAN2LAN1

REMOTE

DIGITAL AUD IO IN / OU T

7 / 85 / 63 / 41 / 2

ANALOG AUDIO

GENLOCK IN

COMPOSITE

OUT2OUT1INBOUT4OUT3IN2OUT2OUT1

SDI

IN1

FAN1

AC100 - 240V 50/60 Hz IN2

Reference signal (BB or Tri-level sync signal synchronized with the input signal.)

Terminate at 75 ohm if not used.

Input an HD/ SD-SDI signal to SDI IN1.

Outputs an HD-SDI signal synchronized with the reference signal from SDI OUT1 and 2.

Outputs an SD-SDI signal synchronized with the reference signal from SDI OUT3 and 4.

It is possible to always output HD-SDI signal from SDI OUT1/2, and SD-SDI signal from SDI OUT3/4 regardless of whether the input signal is HD or SD-SDI.

Settings that need to be checked:

 Set FS1 IN SEL to SDI1 in the FS INPUT SELECT menu (see section 5-6-1).  Set FS2 IN SEL to SDI2 in theFS INPUT SELECT menu (see section 5-6-1).  Set SDI1/2 to FS1 in the OUTPUT ASSIGN menu (see section 5-7-1).  Set SDI3/4 to FS2 in theOUTPUT ASSIGN menu (see section 5-7-1).  Set FS1 conversion mode (CONV) to 1080i or an HD format such as 720p in the CONV

MODE menu (see section 5-3-1).

 Set FS1 ASPECT to 16:9 P 4:3 in the CONV MODE menu (see section 5-3-1).  Set FS1 SD ASPECT to 4:3 in the VIDEO INPUT SET menu (see section 5-6-2).  Set FS2 conversion mode (CONV) to SD in the CONV MODE menu (see section 5-3-1.)  Set FS2 ASPECT to 4:3 F 4:3 in the CONV MODE menu (see section 5-3-1).

* Change ASPECT and/or SD ASPECT settings if necessary.

Page 24

3-3. To Embed AES Input Signals on SDI Signals

NOTE

Change, if necessary, audio settings in the AES AUDIO Settings (AES AUDIO) (section 6-2) and/or AUDIO DELAY Settings (section 6-6), and/ or the SRC mode setting in the EMB1 SRC MODE menu (section 6-9-1).

AC100 - 240V 50/60 Hz IN 1

FAN2

SER. NO.

LAN2LAN1

REMOTE

DIGITAL AUD IO IN / OU T

7 / 85 / 63 / 41 / 2

ANALOG AUDIO

GENLOCK IN

COMPOSITE

OUT2OUT1INBOUT4OUT3IN2OUT2OUT1

SDI

IN1

FAN1

AC100 - 240V 50/60 Hz IN2

Input an HD/ SD-SDI signal to SDI IN1.

Input AES signals to DIGITAL AUDIO IO １/2, and IO3/4.

The AES signals are embedded to AUDIO CH 1 through 4 of output signals from SDI OUT1 and 2.

The following describes how to embed 4 channel AES signals on SDI signals in SDI OUT 1 and 2 output signals

Settings that need to be checked:

 Set FS1 IN SEL to SDI1 in the FS INPUT SELECT menu (see section 5-6-1).  Set SDI 1/2 to FS1 in the OUTPUT ASSIGN menu (see section 5-7-1).  Set CH1 through CH4 to AES CH1 through CH4, respectively, in the EMB1 OUT REMAP

menu (see section 6-5-1).

Page 25

3-4. To Embed Analog Audio Signals on SDI Signals

NOTE

See section 12 "Analog Audio Connection” for the ANALOG AUDIO connector connection.

Change audio settings, if necessary, in the ANALOG AUDIO Settings (ANALOG) menu (section 6-3).

REMOTE

LAN1

COMPOSITE

OUT3OUT2IN1

SDI

ANALOG AUDIO

LAN2

IO1/2

DIGITAL AUDIO

OUT4OUT1 IN2

FAN2

IO3/4

IO5/6

IO7/8

GENLOCK IN

FAN1

OUT1 OUT2IN

Input audio signals to ANALOG AUDIO IN1 - 4 channels.

The Analog audio signals are embedded to AUDIO CH 1 through 4 of output signals from SDI OUT1 and 2.

Input an HD/SD-SDI signal to SDI IN1.

The following describes how to embed a 4- channel analog audio signal on SDI OUT1 and 2 output signals.

Settings that need to be checked:

 Set FS1 IN SEL to SDI1 in the FS INPUT SELECT menu (see section 5-6-1).  Set SDI 1/2 to FS1 in the OUTPUT ASSIGN menu (see section 5-7-1).  Set CH1 through CH4 to ANALOG CH1 through CH4 respectively in the EMB1 OUT REMAP

menu (see section 6-5-1).

Page 26

3-5. Connecting a Computer

NOTE

The FA-9520’s IP address can be checked on the front panel display. See section 7-7 “NETWORK INFO” for details.

AC100 - 240V 50/60 Hz IN 1

FAN2

SER. NO.

LAN2LAN1

REMOTE

DIGITAL AUD IO IN / OU T

7 / 85 / 63 / 41 / 2

ANALOG AUDIO

GENLOCK IN

COMPOSITE

OUT2OUT1INBOUT4OUT3IN2OUT2OUT1

SDI

IN1

FAN1

AC100 - 240V 50/60 Hz IN2

Crossover LAN cable

LAN1

AC100 - 240V 50/60 Hz IN 1

FAN2

SER. NO.

LAN2LAN1

REMOTE

DIGITAL AUD IO IN / OU T

7 / 85 / 63 / 41 / 2

ANALOG AUDIO

GENLOCK IN

COMPOSITE

OUT2OUT1INBOUT4OUT3IN2OUT2OUT1

SDI

IN1

FAN1

AC100 - 240V 50/60 Hz IN2

Straight-through

LAN cable

LAN1

The FA-9520 can be controlled from a computer through a Web browser. Connect a computer to the FA-9520 as shown below.

 Connection using a crossover LAN cable.

 Connection using a hub

The FA-9520 network settings must be adjusted for your network after purchase.

 The FA-9520’s LAN1 IP address is set to 192.168.0.10 at the factory.  Set the IPaddress and subnet mask of the computer.

IP address: 192.168.0.1 to 192.168.0.254 (except 192.168.0.10) Subnet mask: 255.255.255.0 In Windows, open the Local Area Connection Properties dialog box, and open the Internet Protocol (TCP/IP) Properties window. The settings must be made in the window. See the user’s manual of your computer for details.

 Start a web browser on your computer, and enter the address as http://192.168.0.10.  Enter the default user name (fa9520), and the default password (foranetwork).  The FA-9520 control window appears on the web browser window.  See section 9-8 “Network Settings” for details on changing the FA-9520’s IP address.  See section 9 “Control via WEB Browser” for details on the FA-9520 web browser control

window.

Page 27

3-6. Connecting to the REMOTE (GPI) Connector

AC100 - 240V 50/60 Hz IN 1

FAN2

SER. NO.

LAN2LAN1

REMOTE

DIGITAL AUD IO IN / OU T

7 / 85 / 63 / 41 / 2

ANALOG AUDIO

GENLOCK IN

COMPOSITE

OUT2OUT1INBOUT4OUT3IN2OUT2OUT1

SDI

IN1

FAN1

AC100 - 240V 50/60 Hz IN2

Connect a device to the REMOTE connector.

Easy control over the FA-9520 from an external device is also possible by connecting the device to the REMOTE connector. Seven ports are provided on the connector. Assign functions to the respective ports to control the FA-9520.

 See section 14 “REMOTE” for details on pin assignments and triggers.  See section 7-6 “GPI SETTING” for details on function assignments for the ports.

Page 28

4. Front Panel Operation

V I D E O I N S T A T US

502

S D I 1 : 1 0 8 0 / 5 9 i

S D I 2 : 5 2 5 / 6 0

C O M P O S I T E : 5 2 5 / 6 0

R E F E R E N C E : 5 2 5 / 6 0

L O A D I N G L O G O D A T A . . .

0 0 % C O M P L E T E

IMPORTANT

Make sure that the FS1/LOCK and FS2/LOCK button LEDs are lit green or unlit before starting an operation. If FS1/LOCK and/or FS2/LOCK button LED(s) are lit orange, all operations on the front panel for FS1 and/or FS2 except the LOCK button(s) are disabled. Press and hold the FS1/LOCK and/or FS2/LOCK button(s) that are lit orange to unlock the operations.

POWER

OFF

PS1/LOCK

PS2/LOCK

EVENT

VIDEO IN

GENLOCL

REMOTE

AUDIO IN

FAN ALARM

DC POWER

F 1 F 2 F 3 F 4

F A - 9 5 2 0HD / S D F R A ME S YN C HR O NI Z E R

DISPLAY

F 1

UNITY

F 2

UNITY UNITY

F 3

F 4

UNITY

PROCESS SDI AUDIO

MAPPING

VIDEO OP AUDIO OP

C C

A V O CLIP

DELAY

VIDEO SYS AUDIO SYS

AES AUDIO

CONV1

ANALOG

IN SEL

DOWNMIX

STATUS

OTHER

CONV2 MASTER

OUT SEL MOD E

VIDEO AUDIO

FS1/LOCK button

FS2/LOCK button

4-1. Powering ON

Turn the power ON after all system connections are complete. The indicators on the front panel light up during startup. When startup is complete, the indicators will go off and the VIDEO IN STATUS menu showing the current input video and reference signal formats will be displayed.

If Logo data is stored: A loading progress message is displayed in the menu display as shown below. Logo data may take up to 2.5 minutes to load.

4-2. Basic Operation

This section explains how to select menus and parameters. Most of the menus can be controlled by these basic operations. However, some menus work differently. See the descriptions given for each menu for details. The FA-9520 has two modes for the menu operation: NORMAL mode, in which setting changes immediately take effect, and LIVE SAFE mode, in which some settings request confirmation before changes take effect. NORMAL and LIVE SAFE modes can be selected in the FRONT OPERATION menu (sec. 7-4). Factory default is NORMAL mode. Menus that request a setting confirmation are shown in the menu list in section 4-2-2. “Menu Buttons” with a black circle (●).

Page 29

4-2-1. Accessing Menus

V I D E O P R O C A M P

V I D E O L E V E L : 1 0 0 . 0 %

C H R O M A L E V E L : 1 0 0 . 0 %

S E T U P / B L A C K : 0 . 0 %

H U E : 0 . 0 °

MASTER

CONV2

OUT SEL

MODE

VIDEO

AUDIO

ANALOG

CONV1

IN SEL

DOWNMIX

STATUS

OTHER

C C

AES AUDIO

CLIP

DELAY

AUDIO SYS

VIDEO SYS

AUDIO OP

VIDEO OP

MAPPING

A V O

PROCESS

SDI AUDIO

POWER

OFF

PS1/LOCK

PS2/LOCK

EVENT

VIDEO IN

GENLOCL

REMOTE

AUDIO IN

FAN ALARM

DC POWER

F 1 F 2 F 3 F 4

F A - 9 5 2 0HD / S D F R A ME S YN C HR O NI Z E R

DISPLAY

F 1

UNITY

F 2

UNITY UNITY

F 3

F 4

UNITY

PROCESS SDI AUDIO

MAPPING

VIDEO OP AUDIO OP

C C

A V O CLIP

DELAY

VIDEO SYS AUDIO SYS

AES AUDIO

CONV1

ANALOG

IN SEL

DOWNMIX

STATUS

OTHER

CONV2 MASTER

OUT SEL MOD E

VIDEO AUDIO

Menu buttons

VIDEO/AUDIO button

Parameter

Menu Title

Value

Page number

F 1 F 2 F 3 F 4

F A - 9 5 2 0HD / SD FRAM E S Y NCHRONI ZER

Every press of the VIDEO/AUDIO button alternates the menu button assignments between video menus and audio menus. The button indicators light up green when the buttons are accessible to video menus that are indicated on the top row of each menu button. They light up orange when they are accessible to audio menus that are indicated on the bottom row of each menu button. Pressing a menu button displays the corresponding menu on the menu display. Menus are divided into categories. The single-arrow buttons allow you to move between menus if the selected menu button has multiple menu pages in the category. The single-arrow button lights up when there are more menus to be accessed in the direction. If the single-arrow button is unlit, the direction is not accessible. The double-arrow buttons allow you to go to the first menu of the menu button. The FS1/LOCK or FS2/LOCK button lights green as well as the selected VIDEO button for menus in which settings can be set for FS1 and FS2 separately. If the FS1/LOCK button is pressed and lit green, settings for FS1 are enabled. Settings for FS2 are enabled in the same manner. These menus are described in the menu list in section 4-2-2 “Menu Buttons”.

 Menu Buttons

In the example above, the PROCESS/SDI AUDIO button has been pressed, so that the VIDEO PROC AMP menu is displayed.

Page 30

4-2-2. Menu Buttons

Menu Button

VIDEO menus (lit green)

AUDIO menus (lit orange)

PROCESS SDI AUDIO

⊚VIDEO PROC AMP

EMB1 IN GAIN

EMB1 OUT MONO

● EMB1 IN SET

● EMB1 OUT CLOCK EMB2 IN GAIN EMB2 OUT MONO

● EMB2 IN SET

● EMB2 OUT CLOCK

CC AES AUDIO

⊚WHITE LEVEL ⊚BLACK LEVEL ⊚GAMMA LEVEL COLOR CORRECT

AES IN GAIN

AES HYSTERESIS AES OUT MONO

● AES I/O SETUP *3

CONV1 ANALOG

● CONV MODE CONV SIZE/POS CONV CROPPING CONV IMPROVE CONV SIDE RGB

ANALOG IN LEVEL

ANALOG IN GAIN ANALOG OUT LEVEL ANALOG OUT MONO

● ANALOG IN SYSTEM

CONV2 MASTER

Not functioning

MASTER OUT GAIN EMB1 OUT GAIN EMB2 OUT GAIN AES OUT GAIN ANALOG OUT GAIN

AVO MAPPING

●AVO SETTING USER1-5 LEVEL SET USER1-2 AREA SET AVO SETUP

● EMB1 OUT REMAP

● EMB2 OUT REMAP

● AES OUT REMAP

● ANALOG OUT REMAP

CLIP DELAY

YPbPr/RGB CLIP COMPOSITE CLIP

EMB1 IN DELAY

EMB2 IN DELAY AES IN DELAY ANALOG IN DELAY

IN SEL DOWN MIX

● FS INPUT SELECT ANC DETECT LINE ANC DETECT SEL

● AIO A IN MODE *1

● AIO B IN MODE *2

● DOWN MIX1 SET

● DOWN MIX1 ASSIGN ● DOWN MIX2 SET

● DOWN MIX2 ASSIGN

OUT SEL MODE

● OUTPUT ASSIGN

● AIO A ASSIGN *1

● AIO B ASSIGN *2

ANC DATA EMBED ANC EMBED LINE

● EMB1 SRC MODE

● EMB2 SRC MODE

● AES SRC MODE ● EMB1 POLARITY

● EMB2 POLARITY

● AES POLARITY

● ANALOG POLARITY

VIDEO OP AUDIO OP

LOGO SELECT KEYER SET

● Dolby AUX OUT A

*6*8

● Dolby DEC IN A

*6*8

● Dolby DEC REF A

*6*8

● Dolby DOWNMIX A

*6*8

Dolby DEC GAIN A

*6*8

● Dolby ENC INPUT A*8

● Dolby ENC SET A*8

● METADATA INPUT

◇LOUD MEASURE 1A

LOUD CTRL ENA1A

LOUD CTRL SET1A

LOUD CH ASGN1A

◇LOUD MEASURE 2A

LOUD CTRL ENA2A

LOUD CTRL SET2A

LOUD CH ASGN2A

◇

● Dolby AUX OUT B

*7*9

● Dolby DEC IN B

*7*9

● Dolby DEC REF B

*7*9

● Dolby DOWNMIX B

*7*9

The VIDEO/AUDIO button at the bottom right switches between the video and audio-related menus. Pressing the button alternates the button to work as video menu buttons (lit green) and audio menu buttons (lit orange). The menus at the top of each button label are video menus (lit green), and the menus at the bottom are audio menus (lit orange). Menus that request a setting confirmation in LIVE SAFE mode are shown with a black circle (●) in the following list.

Page 31

Menu Button

VIDEO menus (lit green)

AUDIO menus (lit orange)

VIDEO OP AUDIO OP

LOGO SELECT KEYER SET

Dolby DEC GAIN B

*7*9

● Dolby ENC INPUT B*9

● Dolby ENC SET B*9

● METADATA INPUT B

LOUD MEASURE 1B

LOUD CTRL ENA1B

LOUD CTRL SET1B

LOUD CH ASGN1B

◇LOUD MEASURE 2B

LOUD CTRL ENA2B

LOUD CTRL SET2B

LOUD CH ASGN2B

LOUD STANDARD

*4 *5

VIDEO SYS AUDIO SYS

● FS MODE SET HD PHASE SET SD PHASE SET VIDEO POSITION FREEZE SET ● ANC SET ANC LOSS SET WSS AFD ERROR AUDIO GRP TEST SIGNAL ● BY-PASS SETTING SD LINE MASK COMPOSITE SET1

● COMPOSITE SET2

● FADE IN/OUT

● DIGITAL AUDIO

● AUDIO ERR SENSE

● DIGITAL SILENCE

STATUS OTHER *5

UNIT ALARM VIDEO IN STATUS

VIDEO OP INPUT

*1*2

VIDEO OUT STATUS VIDEO OP OUTPUT

*1*2

AUDIO IN DETECT1 AUDIO IN DETECT2 AUDIO OUTPUT1 AUDIO OUTPUT2

EMB1 IN AUDIO CH1 to 16 EMB2 IN AUDIO CH1 to 16 AES IN AUDIO CH1 to 8  ANALOG IN AUDIO CH1 to 4 SDI1/2 OUT AUDIO CH1 to 16 SDI3/4 OUT AUDIO CH1 to 16 AES OUT AUDIO CH1 to 8  ANALOG OUT AUDIO CH1 to 4 Dolby OP A AUX

*6*8

Dolby OP B AUX

*7*9

AFD IN STATUS ANC IN STATUS ANC IN STATUS1 to 2 ANC OUT S2016 OUT VI OUT WSS OUT ANC OUT1

FS1/FS2 COPY

MU OPERATION

● CONTROL SETTING FRONT OPERATION

FRONT PANEL SET

GPI SETTING NETWORK INFO

UNIT Ver. OPTION A Ver. OPTION B Ver. OTHER OPTION SOFT OPTION1 SOFT OPTION2

VIDEO AUDIO

VIDEO menus

AUDIO menus

*1 Shown if the optional FA-95AIO is installed in option slot A. *2 Shown if the optional FA-95AIO is installed in option slot B. *3 Hidden if the optional FA-95DACBL is installed. *4 Shown if the optional FA-95ALA is installed in option slot A. *5 Shown if the optional FA-95ALA is installed in option slot B. *6 Shown if the optional FA-95D-D is installed in option slot A. *7 Shown if the optional FA-95D-D is installed in option slot B. *8 Shown if the optional FA-95DE-E is installed in option slot A. *9 Shown if the optional FA-95DE-E is installed in option slot B.  Can be navigated to using double (up and down) arrow buttons. “ “ is not shown in the menu

display.

⊚ Settings for FS1 and FS2 can be selected or verified separately using the FS1 or FS2 button. ⊚

Can change settings for FS1 and FS2 simultaneously in LINK mode. “ “ and “⊚” are not shown in

the menu display.

● When changed in LIVE SAFE mode, single (up and down) arrow buttons and the LED around the control knob of which setting is changed blink confirming the setting change. To set the FA-9520 to LIVE SAFE mode, change the mode setting referring to section 7-4. “FRONT OPERATION”. “● “ is not shown in the menu display.

Page 32

4-2-3. Arrow Buttons

IMPORTANT

NORMAL and LIVE SAFE modes can be switched in the FRONT OPERATION menu (see section 7-4).

 Double-arrow buttons (up and down) <NORMAL mode> The double-arrow buttons allow you to go to the first menu of the video or audio menus that are assigned to the respective menu buttons or first menus of major setting menus (designated by “” in the above menu list). <LIVE SAFE mode> Button functions are the same as NORMAL mode, however, double-arrow buttons are inoperative while single-arrow buttons are blinking (indicating the FA-9520 is in the setting change confirming state, because a parameter in one of the menus requiring a setting change confirmation has been changed).

 Single-arrow buttons (up and down) < NORMAL mode> The single-arrow buttons allow you to move between menus within the menus that are assigned to respective menu buttons. When it reaches the last menu, the light goes off. < LIVE SAFE mode> Single-arrow buttons blink when a parameter in one of the menus requiring a setting change confirmation is changed. To confirm the change, press the single down arrow button. Pressing the single up arrow button cancels the change, and the parameter before change will be displayed. While single-arrow buttons are blinking, all buttons except single-arrow buttons are disabled until either single-arrow button is pressed.

Menus that request a setting confirmation are shown with a black circle (●) in the menu list in section 4-2-2. “Menu Buttons”.

4-2-4. Consecutive Viewing of Settings

<NORMAL mode> While a menu button is turned on, the menu display will be in consecutive display mode when both single (up and down) arrow buttons are pressed simultaneously. Both single arrow buttons blink when they are in consecutive display mode. To exit the mode, simultaneously press both arrow buttons again. Then arrow buttons will stop blinking. The single down and up arrow buttons, while in consecutive display mode, can consecutively display all menus in which menu list settings can be changed, from the first to last or last to first menu item. Meanwhile, holding down the single down or up arrow button also allows you to consecutively view menus.

<LIVE SAFE mode> Button functions are the same as NORMAL mode, however, consecutive display mode is inoperative while single-arrow buttons are blinking (indicating the FA-9520 is in the setting change confirming state, because a parameter in one of the menus requiring a setting change confirmation has been changed). Consecutive display mode will be canceled when a setting is changed.

Order of Consecutive Menu Display

 VIDEO Menus (Lit green) The single down-arrow button consecutively displays menu pages from VIDEO PROC AMP of PROCESS to ANC OUT1 of STATUS in the menu list in section 4-2-2. On the other hand, the single up-arrow button consecutively displays menu pages from ANC OUT1 of STATUS to VIDEO PROC AMP of PROCESS in the menu list.

Page 33

 AUDIO Menus (Lit orange)

Button mode

Button

Destination

Reference

VIDEO

CONV1

ANC SET(66)

5-9-6

VIDEO

CONV2

AFD IN STATUS(601)

5-10-20

VIDEO

IN SEL

VIDEO IN STATUS (502)

5-10-2

VIDEO

OUT SEL

VIDEO OUT STATUS (511)

5-10-4

AUDIO

SDI AUDIO

EMB1 IN AUDIO (551)

5-10-10

AUDIO

AES AUDIO

AES IN AUDIO(559)

5-10-12

AUDIO

ANALOG

ANALOG IN AUDIO(561)

5-10-13

AUDIO

AUDIO OP *1

Dolby OP A AUX (591) *1

Dolby OP B AUX (596) *1

5-10-18 5-10-19

VIDEO

AUDIO

The single down-arrow button consecutively displays menu pages from EMB1 IN GAIN of SDI AUDIO to SOFT OPTION2 of OTHER in the menu list in section 4-2-2. On the other hand, the single up-arrow button consecutively displays menu pages from SOFT OPTION2 of OTHER to EMB1 IN GAIN of SDI AUDIO in the menu list.

* The EVENT button-assigned menus cannot be consecutively viewed. The consecutive

display mode is not supported for EVENT menus.

* While the menu display is in consecutive display mode, pressing the EVENT button

cancels the mode.

4-2-5. Page Jump Feature

Some menu buttons allow you to directly go to specific menus when they are held down for at least 1 second. This feature helps you quickly check the state of specific settings.

*1 The Dolby OP A AUX (591) or B AUX (596) menu is available only if an FA-95D-D or

FA-95DE-E option is installed in option slot A or B. The page jump feature is inoperative while the FA-9520 is in the setting change confirming state. It becomes operable once the change is confirmed. Refer to section 4-2-6. “Changing Setting Values” for details.

Page 34

4-2-6. Changing Setting Values

V I D E O P R O C A M P

VIDEO LE V E L : 1 0 0 . 0 %

C H R O M A L E V E L : 1 0 0 . 0 %

S E T U P / B L A C K : 0 . 0 %

H U E : 0 . 0 °

FS I N P U T S E L E C T

FS1 I N S E L : S D I 1

F S 2 I N S E L : S D I 1

POWER

OFF

PS1/LOCK

PS2/LOCK

EVENT

VIDEO IN

GENLOCL

REMOTE

AUDIO IN

FAN ALARM

DC POWER

F 1 F 2 F 3 F 4

F A - 9 5 2 0HD / S D F R AM E S Y N C HR ON I ZE R

DISPLAY

F 1

UNITY

F 2

UNITY UNITY

F 3

F 4

UNITY

PROCESS SDI AUDIO

MAPPING

VIDEO OP AUDIO OP

C C

A V O CLIP

DELAY

VIDEO SYS AUDIO SYS

AES AUDIO

CONV1

ANALOG

IN SEL DOWNMIX

STATUS

OTHER

CONV2

MASTER

OUT SEL MOD E

VIDEO AUDIO

Control

F1-F4

F 1 F 2 F 3 F 4

F A - 9 5 2 0HD / S D F RAM E S Y NCHRONI ZER

Parameter

Menu title

Setting value

Menu page number

F 1 F 2 F 3 F 4

F A - 9 5 2 0HD / S D F RAM E S Y NCHRONI ZER

Parameter

Menu title

Setting value

Menu page number

Once the desired menu is displayed, use the control knobs (F1-F4) to change the setting values.

In the above example, the PROCESS/SDI AUDIO button has been pressed while the menu buttons are turned to video menus (lit green) by pressing the VIDEO/AUDIO, so that the VIDEO PROC AMP menu is displayed. (If the LEDs around control F1 through 4 knobs are lit, the setting value corresponding to the lit control knob can be changed.) If you want to change the VIDEO LEVEL setting value, turn F1. To change the CHROMA LEVEL setting value, turn F2. For SETUP/BLACK, turn F3, and for HUE turn F4. To go to other menus assigned to the menu button, press the single-arrow down button. To return to the previous menu, press the single-arrow up button.

Menus that do not request a setting change confirmation (such as VIDEO PROC AMP) are used the same as in NORMAL mode. Menus that request a setting change confirmation (such as VIDEO INPUT SET) will be in the setting change confirming state when the parameter is changed.

Example:

Pressing the IN SEL/DOWNMIX button while the button is in VIDEO menu selection mode (lit green) will display the VIDEO INPUT SET menu (above figure). To change the FS1 input video signal, turn F1. Turn F2 to change the FS2 input video signal. If any setting is changed, single-arrow buttons and the control knob for the setting that has changed will blink in the setting change confirming state. Pressing the single down arrow button confirms the change and LEDs stop blinking, then light. Pressing the single up arrow button cancels the change, the setting returns to before the change, and LEDs stop blinking, then light. While the FA-9520 is in a setting change confirming state, all buttons except single-arrow buttons, control knobs F1 to F4 and their Unity buttons are disabled. To go to other menus, press either single-arrow button to complete the confirmation.

Page 35

4-2-7. Resetting to Default

V I D E O P R O C A M P

V I D E O L E V E L : 1 0 0 . 0 %

C H R O M A L E V E L : 1 0 0 . 0 %

S E T U P / B L A C K : 0 . 0 %

HUE : 0 . 0 °

V I D E O P R O C A M P

V I D E O L E V E L : 1 0 0 . 0 %

C H R O M A L E V E L : 1 0 0 . 0 %

S E T U P / B L A C K : 0 . 0 %

HUE : 0 . 0 °

UNITY UNITY UNITY UNITY

Press the UNITY button to reset the value. The indicator lights up orange.

Menu button

PROCESS

SDI AUDIO

Lit green

FS1/LOCK

Unlit

FS2/LOCK

Menu button

PROCESS

SDI AUDIO

Unlit

FS1/LOCK

Lit green

FS2/LOCK

The UNITY indicator light goes off when the setting value is changed from the default value. Pressing the UNITY button while the light is off returns the corresponding setting value to the default value. Then the light goes off. Pressing the button again returns the value to the previous value before resetting to the default value.

The UNITY indicator light goes off when the setting value is changed from default. Pressing the UNITY button while the light is off returns the corresponding setting value to default. When a setting value is changed, the single-down-arrow button and the LED around the control knob corresponding to the changed setting blinks in the setting change confirming state. Pressing the single-down-arrow button while blinking confirms the change, and the blinking arrow button and control knob lights turn on. Pressing the single-up-arrow button cancels the change, the setting returns to the value before it was changed, and the blinking arrow button and control knob lights turn on.

4-2-8. Switching Between 2-Channel Frame Synchronizers

Independent 2-channel frame synchronizers FS1 and FS2 can be switched to one from another using the FS1/LOCK or FS2/LOCK button. Menus that allow FS1 and FS2 setting selections are shown with  or ⊚ in the menu list in section 4-2-2. “Menu Buttons”. Either the FS1/LOCK or FS2/LOCK button lights green in a menu that can be set for FS1 and FS2 separately. The setting for the frame synchronizer corresponding to the lit button can be changed. Pressing both the FS1/LOCK and FS2/LOCK buttons simultaneously, for LINK setting menus shown with ⊚ in the menu list in section 4-2-2. “Menu Buttons”, makes one button turn on and light green, and the other blink. Changing settings for one frame synchronizer will also change settings for the other.

 Example 1: Setting VIDEO PROCESS AMP for FS1

1. Press the PROCESS/SDI AUDIO button to open the VIDEO PROCESS AMP menu. Press the FS1/LOCK button for it to light green.

2. Turn F1 to F4 control knobs to change FS1 settings.

 Example 2: Setting VIDEO PROCESS AMP for FS2

1. Press the PROCESS/SDI AUDIO button to open the VIDEO PROCESS AMP menu. Press the FS2/LOCK button for it to light green.

2. Turn control knobs F1 to F4 to change FS2 settings.

Page 36

 Example 3: Setting VIDEO PROCESS AMP for FS1 and FS2 simultaneously

V I D E O P R O C A M P

FS1

V I D E O L E V E L : 1 0 0 . 0 %

C H R O M A L E V E L : 1 0 0 . 0 %

SETU P / B L A C K : 0 . 0 %

HUE : 0 . 0 °

IMPORTANT

FS1 and FS2 cannot be changed simultaneously by pressing FS1/LOCK and FS2/LOCK buttons at the same time in the following cases:

1. When the Color correction mode for either FS1 or FS2 is set to SEPIA. See section 5-2-4. “COLOR CORRECT (C.C.)” for details on Color correction mode.

2. When FS1 AVO mode is set to AUTO or HOLD. See section 5-4-1 “AVO SETTING” for details on AVO modes.

NOTE

In FS1/FS2 simultaneous setting mode, each control knob applies identical adjustment values to both FS1 and FS2.

Menus supported for simultaneous setting mode are shown with “⊚” in the menu list in section 4-2-2. “Menu Buttons”.

Button light color

Inhibition of

Setting procedure

Cancelling procedure

FS1/LOCK

FS2/LOCK

Orange

Green

FS1 settings

Hold down the FS1/LOCK button > 3 sec.

Green

Orange

FS2 settings

Hold down the FS2/LOCK button >t 3 sec.

Hold down the FS2/LOCK button > 3 sec.

Orange

Front panel buttons

Hold down both FS1/LOCK and FS2/LOCK buttons > 3 sec for them to light orange.

Hold down either the FS1/LOCK or FS2/LOCK button > 3 sec for either one to lock.

Menu button

PROCESS

SDI AUDIO

Lit green

FS1/LOCK

Blinking green

FS2/LOCK

1. Press the PROCESS/SDI AUDIO button to open the VIDEO PROCESS AMP menu. Press the FS2/LOCK button for it to light green.

2. Press the FS1/LOCK and FS2/LOCK buttons simultaneously. One button will blink and another will light green. Press the FS1/LOCK button for it to light green. In the VIDEO PROCESS AMP menu, FS1 setting values are displayed. (“FS1” or “FS2” will be displayed in the space a page number is usually displayed.) Pressing the FS2/LOCK button will light the button green, and display FS2 setting values in the menu.

3. Turn control knobs F1 to F4 to change setting values. The same amount of setting values are changed for FS1 and FS2 simultaneously.

4. To exit simultaneous setting mode, simultaneously press FS1/LOCK and FS2/LOCK buttons again. One button will go off and the other will light green allowing setting changes only for the corresponding FS.

 Example 4: Disabling FS1/FS2 settings or front panel buttons To prevent unexpected operation, settings for FS1 or FS2, or front panel buttons can be disabled.

* When either FS setting is disabled, the menus will display settings of another non-disabled

FS.

* When front panel buttons are disabled, the last displayed menu will remain displayed. All

operations except unlocking FS1 or FS2 are disabled.

Page 37

5. VIDEO Menus

V I D E O P R O C A M P

V I D E O L E V E L : 1 0 0 . 0 %

C H R O M A L E V E L : 1 0 0 . 0 %

S E T U P / B L A C K : 0 . 0 %

HUE : 0 . 0 °

Parameter

Default

Setting range

(Steps)

Description

VIDEO LEVEL

100.0%

0.0 - 200.0% (0.1％)

Adjusts the video level.

CHROMA LEVEL

100.0%

0.0 - 200.0% (0.1％)

Adjusts the chrominance level.

SETUP/BLACK

0.0%

-20.0 - 100.0% (0.1％)

Adjusts the black level.

HUE

0.0°

-179.8 - 180.0°

(0.2°)

Adjusts the color phase.

W H I T E L E V E L

R E D : 1 0 0 . 0 %

G R E E N : 1 0 0 . 0 %

B L U E : 1 0 0 . 0 %

G R O U P A D J U S T

Parameter

Default

Setting range

(Steps)

Description

RED, GREEN, BLUE

(RGB White Level)

100.0%

0.0 - 200.0% (0.5%)

Adjusts the white level of R, G, and B components separately.

GROUP ADJUST

(Group Adjustment)

100.0%

0.0 - 200.0% (0.5%)

Adjusts the white level of R, G, and B components all together while retaining the proportion of the separately adjusted levels.

W H I T E L E V E L

R E D : N O T A D J U S T

G R E E N : N O T A D J U S T

B L U E : N O T A D J U S T

C . C M O D E I S S E P I A *1

Menu button

VIDEO AUDIO

Menu button

PROCESS

SDI AUDIO

FS1/LOCK

FS2/LOCK

Menu button

AES AUDIO

FS1/LOCK

FS2/LOCK

Make the menu buttons light up green using the VIDEO/AUDIO button. (Pressing the button while the buttons are lit orange turns the lights green.) Then the menus displayed on the upper row on each menu button can be selected.

5-1. VIDEO PROC AMP (PROCESS)

* Settings can be set for FS1 and FS2 separately.

5-2. COLOR CORRECTOR (C.C.)

Allows you to adjust the Color corrector settings.

5-2-1. WHITE LEVEL

* Settings can be set for FS1 and FS2 separately. If MODE is set to SEPIA in the COLOR CORRECT (C.C.) menu (5-2-4), the menu as shown

below will be displayed.

*1 If AVO is enabled, the message “AVO IS USING IT” will be displayed.

Page 38

5-2-2. BLACK LEVEL

B L A C K L E V E L

R E D : 1 0 0 . 0 %

G R E E N : 1 0 0 . 0 %

B L U E : 1 0 0 . 0 %

G R O U P A D J U S T

Parameter

Default

Setting

range

(Steps)

Description

RED, GREEN, BLUE

(RGB Black Level)

100.0%

0.0 - 200.0% (0.5%)

Adjusts the black level of R, G, and B components separately.

GROUP ADJUST

(Group Adjustment)

100.0%

0.0 - 200.0% (0.5%)

Adjusts the black level of R, G, and B components all together while retaining the proportion of the separately adjusted levels.

B L A C K L E V E L

R E D : N O T A D J U S T

G R E E N : N O T A D J U S T

B L U E : N O T A D J U S T

C . C M O D E I S S E P I A *1

G A M M A L E V E L

R E D : 1 0 0 . 0 %

G R E E N : 1 0 0 . 0 %

B L U E : 1 0 0 . 0 %

G R O U P A D J U S T

Parameter

Default

Setting range

(Steps)

Description

RED, GREEN, BLUE

(RGB Gamma level)

100.0%

0 - 200%

(0.5%)

Adjusts the gamma level of R, G, and B components separately.

GROUP ADJUST

(Group Adjustment)

100.0%

0 - 200%

(0.5%)

Adjusts the gamma level of R, G, and B components all together while retaining the proportion of the separately adjusted levels.

G A M M A L E V E L

S E P I A : 1 0 0 . 0 %

G A M M A L E V E L

R E D : N O T A D J U S T

G R E E N : N O T A D J U S T

B L U E : N O T A D J U S T

A V O I S U S I N G I T

FS1/LOCK

FS2/LOCK

Menu button

AES AUDIO

Menu button

AES AUDIO

FS1/LOCK

FS2/LOCK

* Settings can be set for FS1 and FS2, separately. If MODE is set to SEPIA in the COLOR CORRECT (C.C.) menu (5-2-4), the menu as shown

below will be displayed.

*1 If AVO is enabled, the message “AVO IS USING IT” will be displayed.

5-2-3. GAMMA LEVEL

* Settings can be set for FS1 and FS2, separately. If MODE is set to SEPIA in the COLOR CORRECT (C.C.) menu (5-2-4), the menu as shown

below will be displayed. Only the value of GREEN can be changed.

The menu appears as shown below if AVO is enabled.

Page 39

5-2-4. COLOR CORRECT (C.C.)

C O L O R C O R R E C T

M O D E : B A L A N C E

C U R V E : C E N T E R

Parameter

Default

Setting range

(Steps)

Description

MODE

(Correction on Mode)

BALANCE

DIFFERENTIAL

SEPIA

Selects a correction mode from BALANCE (RGB), DIFFERENTIAL (YPbPr), or SEPIA.

BALANCE: RGB signal correction

mode Allows you to adjust the white balance. Gray scale can be changed by adjusting R, G and B levels.

DIFFERENTIAL: Color difference

signal mode Allows you to adjust contrast without changing white balance. R, G and B levels can be changed without affecting gray scale. This adjustment is effective for images with different color saturation levels.

SEPIA: Sepia mode

Useful for creating black and white images.

CURVE

(Gamma Curve)

CENTER

BLACK WHITE

Selects a gamma curve type.

C O L O R C O R R E C T

M O D E : S E P I A

C U R V E : C E N T E R

S E P I A L E V E L : 2 5 . 0 %

S E P I A C O L O R : - 1 6 0 . 0 °

Parameter

Default

Setting range

(Steps)

Description

SEPIA LEVEL

25.0%

0％ - 100％

(0.1％)

Adjusts the color level in the SEPIA mode.

SEPIA COLOR

-160.0°

-179.8° - 180.0° (0.2°)

Adjusts the color in the SEPIA mode.

C O L O R C O R R E C T

M O D E : N O T A D J U S T

C U R V E : N O T A D J U S T

A V O I S U S I N G I T

Menu button

AES AUDIO

FS1/LOCK

FS2/LOCK

* Settings can be set for FS1 and FS2, separately. *1 SEPIA is unselectable when LINK setting mode is enabled in the FA-9520 or a connected

FA-95RU. To select SEPIA, disable LINK setting mode. See section 4-2-8. “Switching Between 2-Channel Frame Synchronizers” for details on LINK settings.

If MODE is set to SEPIA, the menu as shown below will be displayed.

If AVO is enabled, the menu as shown below will be displayed.

Page 40

5-2-5. Color Corrector and AVO Modes

AVO Modes

Color Corrector Menus

AUTO

HOLD

OFF - ✓

✓

WHITE LEVEL

- ✓ ✓

BLACK LEVEL

- ✓ ✓

GAMMA LEVEL

- - ✓

CORRECTION MODE /CURVE

IMPORTANT

DIFFERENTIAL and SEPIA mode settings under COLOR CORRECT will automatically change to BALANCE mode whenever AVO is enabled.

While AVO is being used, the color corrector performs correction as if MODE is set to BALANCE and CURVE is set to BLACK in the COLOR CORRECT menu.

Color correction enabled by setting AVO Control to HOLD is also performed in the above state.

Auto Video Optimizer and Color Corrector use the same circuit. The color corrector settings are not fully changeable when AVO mode is set to Auto. (See section 5-4-1 “AVO SETTING”.)

Changeable Color Corrector menus according to AVO modes

✓: Enabled setting

-: Disabled setting

5-3. CONV (UP/DOWN/CROSS CONVERTER)

Both FS1 and FS2 are supported in up/down/cross conversions, as well as aspect ratio conversion according to S2016, VI, or WSS AFD (Active Format Description) data.

Input signals that are assigned to FS1 and FS2 under IN SEL in the FS INPUT SELECT menu (section 5-6-1) will be synchronized and input to an FS1 or FS2 UP/DOWN/CROSS CONVERTER, respectively. The signals will then be processed in the respective converters, and output to output connectors according to the output assignments set in the VIDEO OUT SELECT (OUT SEL) menu (section 5-7).

Page 41

5-3-1. CONV MODE

C O N V M O D E

CONV : BY- P A S S

A S P E C T : A F D ( 4 : 3 )

1 0 8 0 / 5 9 i > > 5 2 5 / 6 0

Parameter

Default

Setting range

Description

CONV

BY-PASS

1080i

720p

1080PsF

1080p(3G)

Selects a mode for UP/DOWN CONVERTER to convert the input signal in FS1 and FS2.

BY-PASS: Outputs the signal without converting. SD: Converts signals to a standard definition

format.

1080i: Converts signals to a 1080i format. 720p: Converts signals to a 720p format. 1080PsF: Converts signals to a 1080PsF format. 1080P(3G): Converts signals to a 3G-SDI 1080p

format.

ASPECT

AFD(4:3)

AFD-ALT(4:3)

AFD(16:9)

AFD-ALT(16:9)

4:3 L 16:9 T 4:3 L 14:9 T

4:3 L>16:9

4:3 F 4:3

4:3 L16:9PRTD

4:3 L 14:9

4:3 F ALT14:9

4:3 L ALT14:9 *1

4:3 L ALT 4:3 *1

16:9L >16:9

16:9 F 16:9 *1

16:9 P 4:3

16:9 F PRTD *1

16:9 P 14:9 *1

16:9P ALT 14:9 *1

16:9F ALT14:9 *1

16:9F ALT4:3 *1

Selectable aspect ratio settings when CONV is set to SD.

AFD(4:3), AFD-ALT(4:3), AFD(16:9), AFD-ALT(16:9) automatically select an aspect ratio according to the AFD data in the input signal. If no AFD data is found in the input signal, the aspect ratio will be determined according to the setting made under ANC LOSS SET (Sec. 5-9-75-9-7).

To output video signals in 4:3, select either ratio with (4:3). To output in 16:9, select either ratio with (16:9). Other options will output video signals in the specified aspect ratio. See section 20 “About AFD (Active Format Description)” for details.

Options (4:3 L 16:9 T to 16:9 F ALT 4:3) other than the above four require the input signal aspect ratio to be specified in VIDEO INPUT SET (Sec. 5-6-2) if the input signal is an SD signal.

AFD

AFD-ALT

16:9 L>16:9

16:9 F 16:9

16:9 P 4:3

16:9 F PRTD

16:9 P 14:9

16:9P ALT14:9

16:9F ALT14:9

16:9F ALT4:3

Selectable aspect ratios when CONV is set to 1080i, 720p, 1080PsF, or 1080(3G). AFD and AFD-ALT automatically select an aspect ratio according to the AFD data in the input signal. If no AFD data is found in the input signal, the aspect ratio will be determined according to the setting made under ANC LOSS SET (Sec. 5-9-7).

Options other than the above two are output in the specific aspect ratio. See section 20 “About AFD (Active Format Description)” for details on conversions according to AFD data.

- - -

The format of the input signal to CONV and the format the signal will be converted to in CONV of FS1 and FS2 are displayed on the 4th row.

*1 BT1119 WSS will be embedded according to the WSS AFD ERROR settings (Sec. 5-9-8) for the

non-WSS aspect ratio conversions.

FS1/LOCK

FS2/LOCK

Menu button

CONV1

ANALOG

Converts video signals according to the AFD (Active Format Description) data.

* Settings can be set for FS1 and FS2 respectively.

Page 42

5-3-2. CONV Conversion Table

CONVERTER mode selection

Input signal

1080i

720p

1080PsF

1080p(3G)

NTSC

formats

525/60

1080/59i

720/59p

1080/23PsF

1080/59p

1080/59i

525/60

1080/59i

720/59p

1080/59i

(BY-PASS)

1080/59p

720/59p

525/60

1080/59i

720/59p

(BY-PASS)

1080/59p

525/60

1080/59i

720/59p

1080/59p

(BY-PASS)

1080/59p

PAL

formats

625/50

1080/50i

720/50p

1080/24PsF

1080/50p

1080/50i

625/50

1080/50i

720/50p

1080/50i

(BY-PASS)

1080/50p

720/50p

625/50

1080/50i

720/50p

(BY-PASS)

1080/50p

625/50

1080/50i

720/50p

1080/50p

(BY-PASS)

1080/50p

Other

formats

1080/23PsF

525/60

1080/23PsF (BY-PASS)

1080/23PsF

1080/23PsF (BY-PASS)

1080/24PsF

625/50

1080/24PsF (BY-PASS)

1080/24PsF

1080/24PsF (BY-PASS)

In the conversions to the formats indicated as (BY-PASS), the CONV SIZE/POS, CONV CROPPING, CONV IMPROVE, and CONV SIDE RGB settings cannot be changed.

C O N V S I Z E / P O S

H S I Z E : 1 0 0 . 0 %

V S I Z E : 1 0 0 . 0 %

H P O S : 0 P I X E L

V P O S : 0 L I N E

Parameter

Default

Setting range

(Steps)

Description

H SIZE

(Horizontal Size)

100.0％

50.0 - 150.0% (0.1%)

Adjusts the width of the video displayed on the monitor. *1

V SIZE

(Vertical Size)

100.0％

50.0 - 150.0% (0.1%)

Adjusts the height of the video displayed on the monitor. *1

H POS

(Horizontal Position)

0 Pixel

Variable *2

(2 Pixel)

Adjusts the horizontal position of the video displayed on the monitor.

V POS

(Vertical Position)

0 Line

Variable *2

(1 Line)

Adjusts the vertical position of the video displayed on the monitor.

C O N V S I Z E / P O S

H S I Z E : N O T A D J U S T

V S I Z E : N O T A D J U S T

H P O S : N O T A D J U S T

V P O S : N O T A D J U S T

FS1/LOCK

FS2/LOCK

Menu button

CONV1

ANALOG

Possible Conversions in CONV for Input Signal Formats and Mode Selections

5-3-3. CONV SIZE/POS

(Common for FS1 and FS2)

* Settings can be set for FS1 and FS2, respectively. *1 If the size is made smaller than the original size, set the background color under CONV

SIDE RGB (see section 5-3-6).

*2 The following parameters interact with each other. When you change one of their setting

values, setting ranges of other parameters will also change. SYNC FRMT Parameter in FS MODE SET (see section 5-9-1). CONV parameter in CONV MODE (see section 5-3-1).

If the CONV mode is set to BY-PASS, the CONV SIZE/POS setting cannot be changed. Also, it cannot be changed if the conversion is set to the formats indicated as (BY-PASS) in the CONV Conversion Table (see section 5-3-2). In both cases, the menu as shown below will be displayed.

Page 43

5-3-4. CONV CROPPING

C O N V C R O P P I N G

L E F T : 0 P I X E L

R I G H T : 0 P I X E L

T O P : 0 L I N E

B O T T O M : 0 L I N E

Parameter

Default

Setting range

(Steps)

Description

LEFT

0 Pixel

Variable *1

(2 Pixel)

Crops the left side of the video.

RIGHT

0 Pixel

Variable *1

(2 Pixel)

Crops the right side of the video.

TOP

0 Line

Variable *1

(1 Line)

Crops the top of the video.

BOTTOM

0 Line

Variable *1

(1 Line)

Crops the bottom of the video.

C O N V C R O P P I N G

L E F T : N O T A D J U S T

R I G H T : N O T A D J U S T

T O P : N O T A D J U S T

B O T T O M : N O T A D J U S T

IMPORTANT

The cropping setting range resets itself if the video input changes. If the set value exceeds the setting range due to an input change, the set value will automatically reset itself to the default value. If the set value exceeds the horizontal range, the LEFT and RIGHT settings will reset to their default values. If the value exceeds the vertical range, the TOP and BOTTOM settings will also reset accordingly.

FS1/LOCK

FS2/LOCK

Menu button

CONV1

ANALOG

* Settings can be set for FS1 and FS2, respectively. These setting ranges vary depending on the input signal format. The LEFT and RIGHT settings, and the TOP and BOTTOM settings interact with each other. If the size cannot be adjusted as desired, try changing the setting of another parameter.

*1 The following parameters interact with each other. When you change one of their setting

values, setting ranges of other parameters will also change. Video format SYNC FRMT Parameter in FS MODE SET (see section 5-9-1).

If the CONV mode is set to BY-PASS, the CONV CROPPING setting cannot be changed. Also, it cannot be changed if the conversion is set to the formats indicated as (BY-PASS) in the CONV Conversion Table (see section 5-3-2). In both cases, the menu as shown below will be displayed.

Page 44

5-3-5. CONV IMPROVE

C O N V I M P R O V E

M O T I O N : A D A P T I V E

A N T I A L I A S H : N O R M A L

A N T I A L I A S V : N O R M A L

E N H A N C E : L E V E L 0

Parameter

Default

Setting range

(Steps)

Description

MOTION

ADAPTIVE

FIELD

ADAPTIVE

FRM(ODD 1st)

FRM(EVEN 1st)

FIELD: Generates a progressive scan image from one field of an interlaced scan image.

The created image has no motion artifacts, but vertical resolution will be reduced.

ADAPTIVE: Detects whether there is motion or no

motion in the scene, and generate an optimal progressive scan image.

FRM(ODD 1st): Generates a progressive scan image

from two fields (odd/even) of and interlaced scan image.

Suitable for the progressive segment frame input of progressive scan signals.

FRM(EVEN 1st): Generates a progressive scan image

from two fields (even/odd) of interlaced scan image.

ANTIALIAS H *1

NORMAL

WEAK 8-1

NORMAL

STRONG1-8

Performs horizontal anti-aliasing for the output video image.

WEAK 8 to STRONG 8 (low to high) This setting cannot be changed if the

conversion is set to the formats indicated as (BYPASS) in the CONV Conversion Table in section 5-3-2.

ANTIALIAS V *1

NORMAL

WEAK 8-1

NORMAL

STRONG1-8

Performs vertical anti-aliasing for the output video image.

WEAK 8 to STRONG 8 (low to high) This setting cannot be changed if the

conversion is set to the formats indicated as (BYPASS) in the CONV Conversion Table in section 5-3-2.

ENHANCE *1

LEVEL 0

LEVEL 0-8

Sharpens the output video image. LEVEL 0 to 8 (low to high)

C O N V I M P R O V E

M O T I O N : F I E L D

A N T I A L I A S H : N O T A D J

A N T I A L I A S V : N O T A D J

E N H A N C E : N O T A D J U S T

IMPORTANT

Setting MOTION to FRM (ODD 1st) or FRM (EVEN 1st) for input signals other than progressive segment frame inputs causes motion artifacts to appear. In such case, change the MOTION setting to FIELD or ADAPTIVE.

FS1/LOCK

FS2/LOCK

Menu button

CONV1

ANALOG

* Settings can be set for FS1 and FS2, respectively. *1 ANTIALIAS and ENHANCE settings cannot be changed if CONV MODE is set to BY-PASS,

or the conversion is set to the formats indicated as (BY-PASS) in the CONV Conversion Table (see section 5-3-2). In both cases, the menu as shown below will be displayed.

Page 45

5-3-6. CONV SIDE RGB

C O N V S I D E R G B

R E D : 0

G R E E N : 0

B L U E : 0

G R O U P A D J U S T

Parameter

Default

Setting range

Description

RED, GREEN, BLUE

(Background color)

0 - 255

Sets background color that will be visible if the converted image is set smaller than original in CONV SIZE/POS (5-3-3).

R, G, and B components can be adjusted separately.

F4 control knob allows you to adjust R, G, and B at the same time.

Group Adjust

(Group Adjustment)

0 - 255

Adjusts the R, G, and B components separately, then turns this Group Adjust on. Changing any R, G, or B value will change the values of the three components accordingly while retaining the proportion.

C O N V I M P R O V E

R E D : N O T A D J U S T

G R E E N : N O T A D J U S T

B L U E : N O T A D J U S T

FS1/LOCK

FS2/LOCK

Menu button

CONV1

ANALOG

* Settings can be set for FS1 and FS2, respectively. If the CONV mode is set to BY-PASS, the CONV SIDE RGB setting cannot be changed. Also,

it cannot be changed if the conversion is set to the formats indicated as (BY-PASS) in the CONV Conversion Table (see section 5-3-2). In both cases, the menu as shown below will be displayed.

Page 46

5-4. Auto Video Optimizer (AVO)

A V O S E T T I N G

1 6

M O D E : O F F

L E V E L : S T A N D A R D

A R E A : F U L L S C R E E N

A R E A D I S P L A Y : O F F

Parameter

Default

Setting range

Description

MODE

(Auto level

adjustment)

OFF

OFF AUTO *1 HOLD *1

AUTO: Enables automatic level adjustment. HOLD: Stops auto level adjustment. When

MODE selection is changed from AUTO to HOLD, the signal levels stop and remain as they are. OFF: Disables automatic level adjustment. When MODE selection is changed from AUTO to OFF, the signal levels return to their state before auto level adjustment is applied. When set to OFF, the signal levels can be manually adjusted. See section 5-4-4-1 “Manual Level Adjustment” for details.

LEVEL

(Adjustment

level)

STANDARD

DARKER

DARK

STANDARD

BRIGHT

BRIGHTER

USER1, USER2, USER3, USER4,

USER5

Selects a type of signal level adjustment. 10 options are available: Five fixed options and

five custom options.

Darker < Dark < Standard < Bright < Brighter User1 - User5: Customizable

Selecting one user settings from User1 through 5 opens the USER1 - 5 LEVE SET page. See section 5-4-3 “USER1 - 5 LEVEL SET” for details.

AREA

(Sample area)

FULL

SCREEN

FULL

SCREEN,

BOTTOM

RIGHT,

USER

AREA1,

USER

AREA2

Sets the sample area to calculate the adjustment. 10 options are available: Eight fixed areas and two custom areas.

 Fixed areas

FULL SCREEN, LETTER BOX, PILLAR BOX, CENTER, TOP-LEFT, TOP-RIGHT, BOTTOM LEFT, BOTTOM RIGHT (See "Sample Area" in the next page.)

 Custom areas

Selecting USER AREA1, or 2 opens the USER AREA SET page. See section 5-4-4 “USER1，2 AREA SET” for details.

AREA DISPLAY

(Marker display)

OFF

OFF,

Sets sample area display ON/OFF. If set to ON, the sample area appears as a semi-transparent white rectangle on all output videos. It is set to OFF at startup. Also, if MODE is set to

OFF, AREA DISPLAY is automatically set to OFF.

*1 MODE cannot be set to AUTO or HOLD when LINK setting mode is enabled in the FA-9520

or a connected FA-95RU. To set to AUTO or HOLD, disable LINK setting mode. See sec. 4-2-8. “Switching Between 2-Channel Frame Synchronizers” for details on LINK settings.

IMPORTANT

The Auto Level Adjustment will provide optimal results in many cases, but it does not always yield optimal results. Sample Area determines the area where the data are sampled and the level adjustments are applied to whole images.

Menu button

AVO

MAPPING

AVO settings are effective for FS1 video signals.

5-4-1. AVO SETTING

Page 47

 Sample Area (Fixed area)

A V O S E T U P

1 9

R E S P O N S E : L E V E L 3

S C E N E C U T : O F F

G A M M A M O D E : O N

Parameter

Default

Setting range

Description

RESPONSE

(Filtering

strength)

LEVEL 3

LEVEL

1 - 5

Sets the filtering strength for calculating the mean distances that are applied to histograms created using the sample data.

The larger the value, the more gradually filtering is performed, with a more stable image but slower response.

The smaller the value, the less stable the image, but with a faster response.

SCENE CUT *1

(Scene cut

detection)

OFF

OFF,

When set to ON, the cut transitions are detected and images are properly adjusted even if there are sharp luminance changes.

GAMMA MODE

(Gamma

correction)

OFF,

When set to ON, signal levels are adjusted using the GAMMA LEVEL settings. (See section 5-2-3 “GAMMA LEVEL”.

Menu button

AVO

MAPPING

FULL SCREEN

Sample area

LETTER BOX

Sample area

PILLAR BOX

Sample area

CENTER

TOP LEFT

Sample

area

Sample

area

TOP RIGHT

Sample

area

BOTTOM LEFT

Sample

area

BOTTOM RIGHT

Sample

area

Eight available sample areas are as shown below. Data are continuously sampled within each area. (See section 5-4-4 “USER1, 2 AREA SET” for USERAREA 1, and 2.)

5-4-2. AVO SETUP

*1 The following delay will be produced when performing scene cut detection depending on

the input signal format. Interlaced formats: 2 fields (1 frame) + some lines

Progressive and PsF formats: 2 frames + some lines Scene cut detection images will be properly adjusted and output when enough frame delay is set. If the amount of frame delay is insufficient, Scene cut detection will not be properly processed. To perform AVO scene cut detection properly, set enough delay using the FRAME DELAY function. The output delay varies depending on the SYNCRO MODE, input signal format, FRAME DELAY setting, and video signal H/V phase difference. FRAME DELAY settings are described on the next page.

Page 48

5-4-2-1. About Scene Cut Detection and Frame Delay Settings

SYNCHRO

Setting Range per Input Video Format

525/60i 625/50i 1080/59i 1080/50i

720/59p/50p 1080/59p,50p 1080/23PsF, 24PsF

FRAME

1 to 8 FRAME

2 to 8 FRAME

LINE/AVDL

Cannot be set

INPUT

2 to 8 FRAME

3 to 8 FRAME

*1 FS mode settings under SYNCRO in section 5-9-1 “FS MODE SET” *2 The current input video format can be verified in the VIDEO IN STATUS menu

(Sec. 5-10-2) for each input selected in the FS INPUT SELECT menu (Sec. 5-6-1).

IMPORTANT

Adjust the audio delay as required in the AUDIO DELAY Settings menu (Sec. 6-6) to account for any additional video signal delay produced by changing FRAME DELAY.

To properly perform AVO scene cut detection and adjustment, the FRAME DELAY must

be set in the setting range according to the menu settings (5-9-1 “FS MODE SET” menu)

as shown in the table below.

FRAME DELAY Setting Range Chart

Page 49

5-4-3. USER1 - 5 LEVEL SET

U S E R 1 L E V E L S E T

1 7

I N W H I T E : 9 9 . 0 %

I N B L A C K : 1 . 0 %

T A R G E T W H I T E : 8 0 . 0 %

T A R G E T B L A C K : 3 . 0 %

Parameter

SELECT LEVEL (Adjustment level)

(Custom levels)

USER1

Default

USER2

Default

USER3

Default

USER4

Default

USER 5

Default

(Fixed levels)

Darker

Dark

Standard

Bright

Brighter

IN WHITE

99.0%

98.0%

97.0%

95.0%

93.0%

IN BLACK

1.0%

2.0%

3.0%

5.0%

7.0%

TARGET WHITE

80.0%

88.0%

93.0%

95.0%

97.0%

TARGET BLACK

3.0%

5.0%

7.0%

12.0%

17.0%

IMPORTANT

While the USER setting menu is open and the LEVEL is changed via web browser or the connected FA-95RU to other than USERs 1 through 5 in the AVO SETTING menu (5-4-1), the menu will change to display the AVO SETTING menu (5-4-1).

Parameter

Setting

range (step)

Description

IN WHITE

80.0% -

99.0% (0.5%)

The maximum value of luminance in the sample data is defined as 100%. Based on this reference value, this determines the highest level of luminance for level control.

If the value is too large, some noise may be picked up and cause the results to become unstable. If the value is too small, it increases contrast, but it may cause the images to be overexposed.

IN BLACK

1.0% -

20.0% (0.5%)

The minimum value of luminance in the sample data is defined as 0%. Based on this reference value, this determines the lowest level of luminance for level control.

If the value is too small, some noise may be picked up and cause the results to become unstable. If the value is too large, it increases contrast, but it may cause the images to be underexposed.

Menu button

AVO

MAPPING

Setting LEVEL of the AVO SETTING menu to one user settings from USER1 through 5 opens the USER1 - 5 LEVEL SET menu. This menu allows you to store five sets of level settings as USER1 – 5.

Each USER1 – 5 is composed of four level settings such as IN WHITE, IN BLACK, TARGET WHITE, and TARGET BLACK. The default settings of USERs 1 through 5 are the same as those for DARKER, DARK, STANDARD, BRIGHT, and BRIGHTER, respectively. The desirable level settings are easily obtained by adjusting values from the default values.

 USER1 – 5 Default Settings

IN WHITE and IN BLACK

These two parameters determine the highest and lowest levels of luminance in the input signal.

Page 50

The figures below are luminance histograms of input.

Parameter

Setting

range (step)

Description

TARGET WHITE

60.0 -

100.0% (0.5%)

Determines the maximum value of luminance for outputs. The maximum luminance value of the image after

correction should approximate this value. The larger the value, the brighter the image, which may

however cause the image to be overexposed. The smaller the value, tones of the bright part are kept. However, the overall obtained image may be dark.

TARGET BLACK

0 -

40.0%

(0.5%)

Determines the minimum value of luminance for outputs. The minimum luminance value of the image after correction

should approximate this value. The larger the value, the dark area in pictures will appear

brighter, which may however lower the contrast and the noise will become apparent. The smaller the value, the higher the contrast, which may however cause the image to be underexposed.

TARGET BLACK

TARGET WHITE

100%

Reference values

IN BLACK

IN WHITE

Minimum

value of inputs

0％

Maximum

value of

inputs 100％

IN BLACK

IN WHITE

Wide correction range setting

IN BLACK

IN WHITE

Narrow correction range setting

(X-axis: Luminance level, Y-axis: Number of pixels)

TARGET WHITE and TARGET BLACK

These two parameters determine the highest and lowest levels of luminance for target images (outputs). (See figures below and in the next page.)

The figure below is a luminance histogram of output. (X-axis: Luminance level, Y-axis: Number of pixels)

Page 51

The figures below compare the reference values (dotted line) for output and the actual values

Large TARGET BLACK setting

100%

TARGET BLACK

Small TARGET BLACK setting

100%

TARGET BLACK

Small TARGET WHITE setting

100%

TARGET WHITE

Large TARGET WHITE setting

100%

TARGET WHITE

100%

IN WHITE

IN BLACK

TARGET BLACK

TARGET WHIE

Input image

Output image

after correction (full line).

Relationship between IN BLACK, IN WHITE and TARGET BLACK, TARGET WHITE levels

Page 52

5-4-4. USER1, 2 AREA SET

U S E R 1 A R E A S E T

1 8

S T A R T H : 0 P I X E L

S T A R T V : 0 L I N E

H S I Z E : 3 6 0 P I X E L

V S I Z E : 3 6 0 L I N E

Parameter

Default

Setting

range

Description

START H

0 Pixel

Variable

(2Pixel)

Specifies the horizontal start point.

START V

0 Line

Variable

(2Line)

Specifies the vertical start point.

H SIZE

360

Variable

(2Pixel)

Specifies the horizontal size (distance) from the start point.

V SIZE

360

Variable

(2Line)

Specifies the vertical size (distance) from the start point.

IMPORTANT

The sample area should be set within the effective lines and pixels. Otherwise, the sample area will automatically revert to their default values. Be particularly careful in the following cases.

- When the video format is changed to SDTV after the sample area has been set.

- When the sample area settings are changed by loading an event. While the USER 1, 2 AREA SET setting menu is open and the AREA is changed via

web browser or the connected FA-95RU to other than USER AREAs 1 and 2 in the AVO SETTING menu (5-4-1), the menu will change to display the AVO SETTING menu (5-4-1).

Sample

area

V SIZE

H SIZE

(START V , START H)

Default setting of sample area

in 1080/59.94i.

Menu button

AVO

MAPPING

Selecting USER1 (or 2) AREA for AREA in the AVO SETTING menu opens the USER1, 2 AREA SET menus.

To set the sample area, set the start point and the size.

Page 53

5-4-4-1. Manual Level Adjustment

AVO MODE selection

Color Corrector Menu

Reference

AUTO

HOLD

OFF - ✓

✓

WHITE LEVEL

5-2-1 WHITE LEVEL

- ✓ ✓

BLACK LEVEL

5-2-2 BLACK LEVEL

- ✓ ✓

GAMMA LEVEL

5-2-3 GAMMA LEVEL

- - ✓

CORRECTION MODE /CURVE

5-2-4 COLOR CORRECT

The FA-9520 automatically adjusts the signal level if the MODE of the AVO SETTING menu is set to AUTO (see section 5-4-1). The signal level can also be manually adjusted if the MODE is set to HOLD or OFF.

 To provide fine adjustment on the automatically adjusted level Changing the AVO MODE selection from AUTO to HOLD will enable fine adjustment of the adjusted signal levels that are provided by the automatic level adjustment. However, the change will not be retained after restarting the unit. The signal levels return to the values before the manual adjustment (the values provided by the automatic level adjustment). While AVO is turned on, the COLOR CORRECT menu settings will automatically adjust. MODE will change to BALANCE, and CURVE to BLACK. The fine adjustment enabled in HOLD mode is enabled only for color correction BALANCE mode.

 To manually adjust the signal levels Set AVO MODE to OFF to manually adjust the signal levels. If the AVO MODE selection is changed from AUTO to OFF, the signal levels return to their values before the automatic level adjustment. The adjustable items in the Color Correction menus are as shown in the table below.

✓ : The setting is enabled.

- : The setting is disabled. The message "NOT ADJUST" appears when the disabled menu is opened.

Page 54

5-5. CLIP (VIDEO CLIP)

Y P b P r / R G B C L I P

2 5

C L I P M O D E : O F F

Parameter

Default

Setting range

Description

CLIP MODE

(Clip Mode)

OFF

OFF,

YPbPr CLIP,

RGB CLIP

Selects a mode whether to clip signals in the YPbPr color space or RGB color space.

Y P b P r / R G B C L I P

2 5

M O D E : Y P b P r C L I P

Y W H I T E : 1 0 9 . 0 %

Y B L A C K : - 7 . 5 %

C H R O M A : 1 1 1 . 0 %

Parameter

Default

Setting range

(Steps)

Description

Y WHITE

(Y White Clip)

109.0%

50.0 - 109.0% (0.5％)

Sets the Y signal upper threshold.

Y BLACK

(Y Black Clip)

-7.5％

-7.5 - 50.0% (0.5％)

Sets the Y signal lower threshold.

CHROMA

(YPbPr Chroma Clip)

111.0％

50.0 - 111.0% (0.5％)

Sets both the upper and lower thresholds of PbPr signals.

Y P b P r / R G B C L I P

2 5

M O D E : R G B C L I P

W H I T E : 3 0 0 . 0 %

BLACK:- 2 0 0 . 0 %

Parameter

Default

Setting range

(Steps)

Description

WHITE

(RGB White Clip)

300.0%

50 - 300%

(0.5％)

Sets the upper threshold of RGB color space.

BLACK

(RGB Black Clip)

-200.0％

-200 - 50% (0.5％)

Sets the lower threshold of RGB color space.

FS1/LOCK

FS2/LOCK

Menu button

CLIP

DELAY

5-5-1. YPbPr/RGB CLIP

* Settings can be set for FS1 and FS2, respectively.

 YPbPr CLIP

 RGB CLIP

Page 55

5-5-2. COMPOSITE CLIP

C O M P O S I T E C L I P

2 6

M O D E : C O M P O S I T E C L I P

W H I T E : 1 5 0 . 0 %

BLACK: - 5 0 . 0 %

Parameter

Default

Setting range

(Steps)

Description

CLIP MODE

(Clip Mode)

OFF

OFF,

COMPOSITE CLIP

COMPOSITE CLIP enables clipping on the composite output signals.

WHITE

(Composite White Clip)

150.0%

50 - 150%

(0.5％)

Sets the upper threshold of analog composite color space.

BLACK

(Composite Black Clip)

-50.0％

-50 - 50% (0.5％)

Sets the lower threshold of analog composite color space.

SMPTE 100% color bar when 100% white.

109%

100%

50%

Y white clip level setting range

Y Black clip level setting range

SMPTE 100% color bar when 100% black.

100%

50%

-7.5%

FS1/LOCK

FS2/LOCK

Menu button

CLIP

DELAY

The COMPOSITE CLIP settings are effective only on the analog composite outputs. The settings are not effective on the SDI1/2 and SDI3/4 outputs. To enable the COMPOSITE CLIP menu, set YPbPr/RGB CLIP to OFF.

5-5-3. VIDEO CLIP Setting Ranges

 YPbPr CLIP Y Signal Settings ① Y White Clip Level

Setting range 50 - 109％ (Default: 109％)

② Y Black Clip Level

Setting range -7.5 - 50％ (Default: -7.5％)

Page 56

③ C White Clip Level

300%

100％

-200%

0％

50％

White setting range

Black setting range

RGB Clip Processing

50%

100%

111% (default)

SMPTE 100% color bar when color 700mVp-p.

150%

100％

0％

-50%

50％

White setting range

Black setting range

Composite Clip processing

Setting range 50 - 111％ (Default: 111％)

 RGB CLIP To adjust the RGB clipping, select the RGB CLIP under CLIP MODE, and then set RGB White Clip and RGB Black Clip. Once the “RGB CLIP” is selected, the YPbPr input video signal is converted into an RGB signal in the unit. The converted RGB signal is processed so as not to exceed the RGB gamut range set under the RGB White Clip and RGB Black Clip parameters in the menu. Then the processed RGB signal is converted again to YPbPr format. This correction is used to eliminate out-of RGB gamut problems.

 COMPOSITE CLIP To adjust the COMPOSITE clip, set WHITE and BLACK. Once the COMPOSITE CLIP mode is turned ON, YPbPr input video signal is converted to composite signal in the unit. The converted composite signal is processed so as not to exceed the composite gamut range set at WHITE and BLACK in the menu. The processed composite signal is then reconverted to YPbPr format. This correction is used to eliminate out-of composite gamut problems. This correction is applied to composite output signals.

Page 57

5-6. VIDEO INPUT SELECT (IN SEL)

F S I N P U T S E L E C T

F S 1 I N S E L : S D I 1

F S 2 I N S E L : S D I 2

Parameter

Default

Setting range

Description

FS1 IN SEL

SDI1

SDI1 SDI2

COMPOSITE

OPTION A *1 OPTION B *2

Selects an input video signal for FS1. OPTION A: Input signal from the FA-95AIO in option slot A.

OPTION B: Input signal from the FA-95AIO in option slot B.

FS2 IN SEL

SDI2

SDI1 SDI2

COMPOSITE

OPTION A *1 OPTION B *2

Selects an input video signal for FS2. OPTION A: Input signal from the FA-95AIO in option slot A.

OPTION B: Input signal from the FA-95AIO in option slot B.

Menu button

IN SEL

DOWNMIX

Allows you to select input video signals, and select the operation for when signal input is lost.

5-6-1. FS INPUT SELECT

*1 Selectable only if the FA-95AIO option is installed in option slot A. *2 Selectable only if the FA-95AIO option is installed in option slot B.

COMPOSITE, OPTION A, or OPTION B cannot be selected for both FS1 and FS2. If you wish to select COMPOSITE, OPTION A, or OPTION B for either FS while the same signal is selected for the other FS, reset the current COMPOSITE, OPTION A, or OPTION B selection to SDI 1 or 2 first, then select a signal as you wish. If COMPOSITE, OPTION A or OPTION B is selected for both FS1 IN SEL and FS2 IN SEL, the “CANNOT ASSIGN SIMUL COMPOSITE, FA-95AIO” alert message will appear.

Page 58

5-6-2. VIDEO INPUT SET

V I D E O I N P U T S E T

L O S S : B A C K C O L O R

B A C K C O L O R : O F F

S D A S P E C T : 4 : 3

I N S T A T U S :

Parameter

Default

Setting range

Description

LOSS

BACK COLOR

AUTO FREEZE *1

COLOR BAR

OUT DISABLE

Selects an operation for the time the signal input selected under FS INPUT SELECT is lost.

BACK COLOR

BLACK

OFF

BLACK

BLUE

RED

MAGENTA

GREEN

CYAN

YELLOW

Select a background color.

SD ASPECT

4:3

16:9

Selects the aspect ratio for SD input signals. This setting is used for fixed aspect ratio conversions that are performed when ASPECT in the CONV menu is set to other than AFD (4:3), AFD-ALT (4:3), AFD (16:9), AFD-ALT (16:9), AFD, or AFD-ALT.

IN STATUS

SDI1

SDI2 OPTION A OPTION B

Displays the input video signal in FS1 or FS2. (Cannot be changed.)

FS1/LOCK

FS2/LOCK

Menu button

IN SEL

DOWNMIX

* Settings can be set for FS1 and FS2, respectively. *1 The selected AUTO FREEZE functions the same as BACK COLOR if SYNCHRO in

section 5-9-1 “FS MODE SET” is set to LINE or AVDL. In such case, the menu is indicated as “＊AUTO FREEZE”.

 LOSS Operation If the signal input that is selected under FS INPUT SELECT is lost, the FA-9520 operates in the selected LOSS mode as follows.

 In BACK COLOR mode

Outputs a matte signal of the color selected under BACK COLOR.

 In AUTO FREEZE mode

Freezes the last image before signal input is lost. Freezes the field. Freezes the frame if the lost input signal is of a progressive scan video format such as 720p.

 In COLOR BAR mode

Outputs the SMPTE color bar.

 In OUT DISABLE mode

Does not output any signal from SDI OUT1, 2, 3, 4, COMPOSITE OUT1 or 2.

 In AUTO FREEZE mode Outputs a black screen if SYNCHRO is set to LINE or AVDL under FS MODE SET (section 5-9-1).

Page 59

5-6-3. ANC DETECT LINE

A N C D E T E C T L I N E

ANC ： R P 1 8 6 V I

FORMAT： 525/60

FIELD1： 1 4 L I N E

FIELD2： 2 7 7 L I N E

Parameter

Default

Setting range

Description

ANC

RP186 VI

BT1119 WSS

Selects an ancillary data standard.

FORMAT

525/60

525/60 625/50

Selects the input signal format.

FIELD1

14 LINE (525/60) 19 LINE (625/50)

12-19 LINE (525/60)

8-22 LINE (625/50)

Selects a line to detect ancillary data in field 1.

FIELD2

277 LINE (525/60) 324 LINE (625/50)

275-282 LINE (525/60) 321-335 LINE (625/50)

Selects a line to detect ancillary data in field 2.

A N C D E T E C T L I N E

ANC ： B T 1 1 1 9 W S S

FORMAT： 625/50

FIELD1： 2 3 L I N E

Parameter

Default

Setting range

Description

ANC

RP186 VI

BT1119 WSS

Selects an ancillary data standard.

FORMAT

625/60

625/50

Selects the input video format.

FIELD1

23LINE

8-23 LINE

Selects a line to detect ancillary data in field 1.

A N C D E T E C T S E L

C A P T I O N : C E A 6 0 8 C C

A F D : S 2 0 1 6 - 3AFD

Parameter

Default

Setting range

Description

CAPTION *1

CEA608 CC

S334-1 CC

Select CEA608 CC to process closed caption data in the luminance signal (Y) of 525/60 system.

Select S334-1 CC to process closed caption data in ancillary data space of SDI signal.

AFD

S2016-3 AFD

RP186 VI

BT1119 WSS

Selects a type of AFD data to be detected for SD input signals.

FS1/LOCK

FS2/LOCK

Menu button

IN SEL

DOWNMIX

FS1/LOCK

FS2/LOCK

Menu button

IN SEL

DOWNMIX

FS1/LOCK

FS2/LOCK

Menu button

IN SEL

DOWNMIX

Allows you to select a line to detect ancillary RP186 VI or BT1119-2 WSS data in input signals.

 For RP186 VI

 For BT1119 WSS

5-6-4. ANC DETECT SEL

*1 Be sure to set to CEA608 CC when processing closed caption data in 525/60 composite

signals. Otherwise the caption data will not be detected.

Page 60

5-6-5. AIO A IN MODE

A I O A I N M O D E

M O D E : Y P b P r S M P T E

Parameter

Default

Setting range

Description

MODE

YPbPr SMPTE

YPbPr BETACAM

RGB

Y/C

Selects the operation mode for input video signals in the FA-95AIO installed in slot A.

This menu will not appear if no FA-95AIO is installed in slot A.

A I O B I N M O D E

M O D E : Y P b P r S M P T E

Parameter

Default

Setting range

Description

MODE

YPbPr SMPTE

YPbPr BETACAM

RGB

Y/C

Selects the operation mode for input video signals in the FA-95AIO installed in slot B.

This menu will not appear if no FA-95AIO is installed in slot B.

Menu button

IN SEL

DOWNMIX

Menu button

IN SEL

DOWNMIX

5-6-6. AIO B IN MODE

Page 61

5-7. VIDEO OUT SELECT (OUT SEL)

O U T P U T A S S I GN

S D I 1 / 2 : F S 1

S D I 3 / 4 : F S 2

C O M P O S I T E : F S 1

Parameter

Default

Setting range

Description

SDI1/2

FS1

FS1 FS2

Selects either FS1 or FS2 signal to be output from SDI1 and 2 connectors.

SDI3/4

FS1

FS1 FS2

Selects either FS1 or FS2 signal to be output from SDI3 and 4 connectors.

COMPOSITE

FS1

FS1 FS2

Selects either FS1 or FS2 signal to be output from COMPOSITE connectors.

Outputs a black signal for HD output signals.

FS1 and 2 output signals

Output signal from COMPOSITE connector

525/60

CONV signals in 525/60

625/50

CONV signals in 625/50

1080/59i

B.B. in 525/60

1080/50i

B.B. in 625/50

1080/24PsF

B.B. in 625/50

1080/23.98PsF

B.B. in 525/60

720/59p

B.B. in 525/60

720/50p

B.B. in 625/50

1080/59p

B.B. in 525/60

1080/50p

B.B. in 625/50

Menu button

OUT SEL

MODE

Allows you to select output modes and whether to output a signal from FS1 or FS2 for respective video output connectors.

5-7-1. OUTPUT ASSIGN

Allows you to assign video signals to output from video output connectors.

Composite Output Format Table

Page 62

5-7-2. AIO A ASSIGN

A I O A A S S I G N

A S S I G N : F S 1

M O D E : Y P b P r S M P T E

Parameter

Default

Setting range

Description

ASSIGN

FS1

FS1 FS2

Selects either FS1 or FS2 signal to be output from the video output connector on the FA-95AIO in slot A.

MODE

YPbPr SMPTE

YPbPr BETACAM

RGB

Y/C

Selects the operation mode for output video signals from the FA-95AIO installed in slot A.

FS1 or 2 output signal

FA-95AIO YPbPr/RGB

output signal

525/60

525/60 signal in FS 1 or 2

625/50

625/50 signal in FS 1 or 2

1080/59i

1080/59i signal in FS 1 or 2

1080/50i

1080/50i signal in FS 1 or 2

1080/24PsF

1080/24PsF signal in FS 1 or 2

1080/23.98PsF

1080/23.98PsF signal in FS 1 or 2

720/59p

720/59p signal in FS 1 or 2

720/50p

720/50p signal in FS 1 or 2

1080/59p

1080/59i black video

1080/50p

1080/50i black video

FS 1 or 2 output signal

Y/C output signal

525/60

525/60 signal in FS 1 or 2

625/50

625/50 signal in FS 1 or 2

1080/59i

525/60 BB signal

1080/50i

625/50 BB signal

1080/24PsF

625/50 BB signal

1080/23.98PsF

525/60 BB signal

720/59p

525/60 BB signal

720/50p

625/50 BB signal

1080/59p

525/60 BB signal

1080/50p

625/50 BB signal

Menu button

IN SEL

DOWNMIX

Allows you to assign video signals to output from video output connectors on the FA-95AIO in slot A.

* This menu does not appear if there is no FA-95AIO installed in slot A. * The FA-95AIO connector outputs a black video if the output signal from the selected FS1

or FS2 is 1080p and MODE is set to YPbPr or RGB. See the below YPbPr/RGB Output Format table for details.

* The FA-95AIO connector outputs a black video if the output signal from the selected FS1

or FS2 is an HD signal and MODE is set to Y/C. See the below Y/C Output Format table for details.

YPbPr/RGB Output Format

Y/C Output format

Page 63

5-7-3. AIO B ASSIGN

A I O B A S S I G N

A S S I G N : F S 1

M O D E : Y P b P r S M P T E

Parameter

Default

Setting range

Description

ASSIGN

FS1

FS1 FS2

Selects either FS1 or FS2 signal to be output from the video output connector on the FA-95AIO in slot B.

MODE

YPbPr SMPTE

YPbPr BETACAM

RGB

Y/C

Selects the operation mode for output video signals from the FA-95AIO installed in slot B.

FS1 or 2 output signal

FA-95AIO YPbPr/RGB

output signal

525/60

525/60 signal in FS 1 or 2

625/50

625/50 signal in FS 1 or 2

1080/59i

1080/59i signal in FS 1 or 2

1080/50i

1080/50i signal in FS 1 or 2

1080/24PsF

1080/24PsF signal in FS 1 or 2

1080/23.98PsF

1080/23.98PsF signal in FS 1 or 2

720/59p

720/59p signal in FS 1 or 2

720/50p

720/50p signal in FS 1 or 2

1080/59p

1080/59i black video

1080/50p

1080/50i black video

FS 1 or 2 output signal

Y/C output signal

525/60

525/60 signal in FS 1 or 2

625/50

625/50 signal in FS 1 or 2

1080/59i

525/60 BB signal

1080/50i

625/50 BB signal

1080/24PsF

625/50 BB signal

1080/23.98PsF

525/60 BB signal

720/59p

525/60 BB signal

720/50p

625/50 BB signal

1080/59p

525/60 BB signal

1080/50p

625/50 BB signal

Menu button

IN SEL

DOWNMIX

Allows you to assign video signals to output from video output connectors on the FA-95AIO in slot B.

* This menu does not appear if there is no FA-95AIO installed in slot B. * The FA-95AIO connector outputs a black video if the output signal from the selected FS1

or FS2 is 1080p and MODE is set to YPbPr or RGB. See the below YPbPr/RGB Output Format table for details.

* The FA-95AIO connector outputs a black video if the output signal from the selected FS1

or FS2 is an HD signal and MODE is set to Y/C. See the below Y/C Output Format table for details.

YPbPr/RGB Output Format

Y/C Output format

Page 64

5-7-4. ANC DATA EMBED

A N C D A T A E M B E D

ANC:C E A 6 0 8 C C

F O R M A T : 5 2 5 / 6 0

E M B E D : D I S A B L E

Parameter

Default

Setting range

Description

ANC

CEA608 CC

S334-1 CC SD

CEA708 CC HD

S2016-3 AFD

RP186 VI

BT1119 WSS

Selects an ancillary data type to insert.

FORMAT - *

Selects a video format that supports the ancillary data selected under ANC. Only selectable format will be shown.

EMBED

DISABLE

ENABLE

DISABLE: Does not insert ancillary data selected under ANC.

ENABLE: Inserts ancillary data selected under ANC.

Data type

Description

CEA608 CC

Closed caption data inserted as Y signals into line 21 of 525/60 analog and SDI signals.

S334-1 CC

Closed caption data inserted as data packets into the ancillary data space of 525/60 SDI signals.

CEA708 CC

Closed caption data inserted as data packets into the ancillary data space of HD-SDI signals (1080i/720p).

S2016-3 AFD

Aspect ratio data inserted as data packets into the ancillary data space of SD and HD-SDI signals (525/60, 625/50, 1080i/PsF, 720p, 1080p/(3G)).

RP186 VI

Aspect ratio data inserted into bit 3 of Chroma data in the SD-SDI (525/60, 625/50) V ANC data space.

BT1119 WSS

Aspect ratio data inserted as Y signals into line 23 of 625/50 analog or SDI signals.

Menu button

VIDEO SYS AUDIO SYS

Allows you to set ancillary data insertion into SDI signal ancillary spaces.

* Settings can be set for FS1 and FS2, respectively. See the “Ancillary Data Types” table

below for details.

 Ancillary Data Types

Page 65

5-7-5. ANC EMBED LINE

A N C E M B E D L I NE

A N C : C E A 6 0 8 C C

F O R M A T : 5 2 5 / 6 0

F I E L D 1 : 2 1 ( 2 8 4 ) L I N E

Parameter

Default

Setting range

Description

ANC

CEA608 CC

S334-1 CC SD

CEA708 CC HD

S2016-3 AFD

RP186 VI

BT1119 WSS

Selects a type of ancillary data to insert.

FORMAT

Selects a video format compatible with the ancillary data selected under ANC. Only compatible Video formats will be displayed.

LINE

FIELD1

Selects a line in ancillary data space into which ancillary data is inserted. A line can be selected for different ANC and FORMAT selections separately. If ANC is set to RP186 VI, this parameter allows you to select a line for FIELD 1. Lines can be selected for fields 1 and 2 respectively.

FIELD2

If ANC is set to RP186 VI, this parameter allows you to select a line for FIELD 2. Lines can be selected for fields 1 and 2 respectively.

Ancillary data type

FORMAT

LINE

Default

ANC:CEA 608 CC

525/60

FIELD1: 21(284) fixed *1

ANC:S334-1 CC SD

525/60

FIELD1:12(275) to 19(282) *1

FIELD1:12(275) *1

ANC:CEA708 CC HD 1080i

LINE 9 to 20

LINE 9

720p

LINE 9 to 25

LINE 9

ANC:S2016-3 AFD

525/60

FIELD1:12(275) to 19(282) *1

FIELD1:12(275) *1

625/50

FIELD1:8(321) to 22(335) *1

FIELD1:8(321) *1

1080i/PsF

LINE 9 to 20

LINE 9

720p

LINE 9 to 25

LINE 9

1080p/(3G)

LINE 9 to 41

LINE 9

ANC:RP186 VI 525/60

FIELD1: 12 to 19

FIELD1: 14

FIELD2: 275 to 282

FIELD2: 277

625/50 FIELD1: 8 to 22

FIELD1: 11

FIELD2: 321 to 335

FIELD2: 324

ANC:BT1119 WSS

625/50

FIELD1: 8 to 23

FIELD1: 23



If CEA608 or S334-1 CC closed caption data is detected in the input signal, and the FS1 and/or FS2 converter output signal format(s) is/are 1080/59i or 720/59p, the detected closed caption data will be automatically converted to CEA708. However, if CEA708 closed caption insertion is disabled, the data will not be inserted.

If FS1 and/or FS2 converter output format(s) is/are 1080/PsF or 1080/59p, the CEA708 closed caption data insertion will be automatically terminated.

Menu button

VIDEO SYS AUDIO SYS

Allows you to select a line of SDI signal ancillary data space to insert closed caption data.

* Settings can be set for FS1 and FS2, respectively. *1 The setting range varies according to the ancillary data type and video format.

*1 Field2 line number displayed in parentheses.

Page 66



Meanwhile, if CEA708 closed caption data is detected in the 1080/59i or 720/59p HD-SDI input signal, and the FS1 and/or FS2 converter output signal format(s) is/are 525/60, the detected closed caption data will be automatically converted to S334-1 CC and/or CEA608 CC.

However, if S334-1 CC and/or CEA608 closed caption insertions are disabled, the data will not be inserted. If the input signal is 1080/59p or 1080/PsF, detection and automatic conversion to S334-1 CC and/or CEA608 CC will not be performed.

IMPORTANT

Closed caption data output will stop when data input is lost. S2016-3 AFD, RP186 VI, and BT1119 WSS ancillary data will be output according to the ANC LOSS SET settings when their data input is lost. See section 5-9-7 “ANC LOSS SET” for details.

Video

format

Ancillary data type

S334-1 CC

S2016-3 AFD

RP186 VI

BT1119 WSS

525/60

S334-1 CC

Can be set to

same line

Unable to set

to same line

S2016-3 AFD

Can be set to

same line

Unable to set

to same line

RP186 VI

Unable to set

to same line

Unable to set

to same line

625/50

S2016-3 AFD

Unable to set

to same line

Unable to set

to same line

RP186 VI

Unable to set

to same line

Can be set to

same line

BT1119 WSS

Unable to set

to same line

Can be set to

same line

A N C E M B E D L I N E

A N C : * R P 1 8 6 VI

F O R M A T : 5 2 5 / 6 0

F I E L D 1 : * 1 2 L I N E

F I E L D 2 : * 2 7 5 L I N E

IMPORTANT

Ancillary data insersion line settings specified under the ANC DATA EMBED (sec. 5-7-4) and ANC EMBED LINE (sec. 5-7-5) menus take priority over the line settings specified under the SDI LINE MASK menu (sec. 5-9-13) and take effect.

 Ancillary data combinations that cannot be simultaneously embedded to the same

line.

If the same line is set for the ancillary data combination described as “Unable to set to same line”, and both ancillary data types are set to be embedded in the ANC DATA EMBED menu (see Sec. 5-7-4), an asterisk “*” will appear next to the selected data type as an error message. If the sign is displayed, ancillary data will not be properly embedded. The line settings must be properly set. Usually the default value will properly embed the ancillary data. Keep this in mind when changing the value to configure a system with other devices.

Error message example:

Page 67

5-8. VIDEO OPTION (VIDEO OP)

IMPORTANT

The FA-9520 front panel button/control operation, and web browser will be slowed down while storing logo data using FA-95LG GUI. Complete necessary settings before storing logo data.

L O G O S E L ECT

4 1

L O G O I D : 1

NAME:F O R A

L O G O F O R M A T ： H D 1 0 8 0

FS F O R M A T : 1 0 8 0 / 5 9 i

Parameter

Default

Setting

range

Description

LOGO ID

1-256

Selects a logo to be output to FS1 or FS2 output signal.

NAME *1

Displays the registered name of the ID-selected logo. Displays “-----“ if the logo is not registered.

LOGO

FORMAT *1

Displays the format of the ID-selected logo. Logo formats: SD 525, SD 625, HD 1080, HD 720 Displays “-----“ if the logo is not registered.

FS FORMAT *2

Displays the video format of the FS1 or FS2 output signal.

FS1/LOCK

FS2/LOCK

Menu button

VIDEO OP AUDIO OP

5-8-1. Logo Generator

The logo generator allows you to superimpose logos to FA-9520 outputs for each converter. Run the FA-95 LG GUI, which can be downloaded from FOR-A’s website, on a PC to register logos to the FA-9520 via Ethernet. See the FA-95LG GUI Operation Manual (downloaded with the software) for details on logo management. The VIDEO OP/AUDIO OP button LED flashes red while storing logo data to the FA-9520 from the FA-95LG GUI. Once the data is stored, it will be transmitted to the video memory. The VIDEO OP/AUDIO OP button LED flashes green during this transmission. Do not turn the power of the unit off while the button is flashing in order not to obstruct the data storage process.

5-8-1-1. LOGO SELECT

Allows you to select a logo function mode for FS1 and FS2.

*1 NAME and LOGO FORMAT can be registered for each logo ID via FA-95LG GUI. See

the separate FA-95LG GUI Operation Manual for details.

*2 The video format displayed under FS FORMAT and the logo format displayed under

LOGO FORMAT must match. Otherwise no logo will be displayed even if KEYER in section 5-8-1-2 “KEYER SET” is turned On.

Page 68

5-8-1-2. KEYER SET

K E Y E R S E T

K E Y E R : O F F

LEVEL : 1 0 0 %

H P O S : 0 P I X E L

V P O S : 0 L I N E

Parameter

Default

Setting range

(Steps)

Description

KEYER

OFF

Allows you to enable or disable the keyer for the FS1 or FS2 output signal.

ON: Enables display of logos selected in the LOGO SELECT menu (5-8-1-1).

LEVEL *1

100%

0-100%

(0.1%)

Allows you to set a key level for a logo to be output to the FS1 or FS2 output signal.

H POS *1

(2 Pixel)

Allows you to set the horizontal positon for a logo to be output to the FS1 or FS2 output signal.

V POS

(1 Line)

Allows you to set the vertical positon for a logo to be output to the FS1 or FS2 output signal.

K E Y E R S E T

K E Y E R : O N

L E V E L : N O T A D J

H P O S : N O T A D J

V P O S : N O T A D J

Logo Format

H POS setting range

V POS setting range

SD 525

0 to 718

0 to 486

SD 625

0 to 718

0 to 575

HD 1080

0 to 1918

0 to 1079

HD 720

0 to 1278

0 to 719

FS1/LOCK

FS2/LOCK

Menu button

VIDEO OP AUDIO OP

*1 Key level and position settings are saved for each logo ID. Changing logo settings for

FS1 will also change the logo settings of FS2 using the same logo.

*2 Actual logo position differs depending on the logo format selected when registering the

logo. See section 5-8-1-3 “Logo Position Setting Range” for details.

Allows you to set a keyer for FS1 or FS2.

LEVEL and H/V POS settings are disabled under the following conditions:

 No logo is assigned to the logo ID selected under LOGO ID in the 5-8-1-1 LOGO

SELECT menu.

 Different formats are displayed for LOGO FORMAT and FS1 or FS2 in the 5-8-1-1

LOGO SELECT menu.

5-8-1-3. Logo Position Setting Range

Positional settings will vary according to the logo formats as shown below.

The logo format selection is saved for each logo ID using FA-95LG GUI. See the separate FA-95LG GUI Operation Manual for details.

Page 69

5-9. VIDEO SYSTEM (VIDEO SYS)

F S M O D E S E T

6 1

S Y N C H R O : F R A M E

SYNC F R M T : A U T O D E T

F R A M E D E L A Y ： O F F

F O R C E D F I E L D : O F F

Parameter

Default

Setting range

Description

SYNCHRO

*1 *2 *3 *4 *5

FRAME

LINE

AVDL*6

FRAME: Enables horizontal and vertical alignment of video signals to a genlock signal. Effective on both synchronous and asynchronous signals.

LINE: Locks the video signal of within ±1/2H to a genlock signal. Output delay is 1H. Effective only when video signal is synchronous to the genlock signal.

AVDL: Locks the video signal to a genlock signal with a 1H delay. Effective only when video signal is synchronous to the genlock signal.

INPUT: Locks the system to an input video signal. The delay can be adjusted by System Phase and/or Frame Delay. However, the minimum delay is 520clk common in all formats. (HD: 74MHz, SD: 27MHz) Does not use a genlock signal.

SYNC FRMT

AUTO

DET

AUTO DET

525/60

625/50 1080/59i 1080/50i

720/59p

720/50p 1080/23f 1080/24f

1080/59p *2 1080/50p *2

Sets a system format for the FA-9520. AUTO DET: Detects and sets the detected input video

format to the system format. Other values make the system work in the format.

FRAME

DELAY *1 *2

OFF

1 FRAME to

8 FRAME

Sets the amount of frame delay.

FORCED

FIELD *1 *3

OFF

ODD

EVEN

Selects which field to be used twice to compose a frame. (Effective on composite signal inputs.)

* Settings can be set for FS1 and FS2, respectively. *1 Selecting ODD/EVEN for FORCED FIELD, while IN SEL in section 5-6-1 “FS INPUT SELECT” is set to

COMPOSITE, SYNCHRO to FRAME, and FRAME DELAY is set to OFF, FRAME DELAY will always reset to 1 frame. Set FRAME DELAY between 1 and 8 frames.

*2 FRAME DELAY cannot be set if SYNCHRO is set to LINE or AVDL. In such case, the menu will be

displayed as “FRAME DELAY: NOT ADJ”.

*3 FORCED FIELD cannot be set if SYNCHRO is set to LINE or AVDL. In such case, the menu will be

displayed as “FORCED FIELD: NOT ADJ”.

*4 The FREEZE function via GPI input is disabled if SYNCHRO is set to LINE or AVDL. See section 7-6 “GPI

SETTING” for details.

*5 Changing the SYNCHRO setting will reset V 1080 and V 720 settings in section 5-9-2 “HD PHASE SET”

and the V PHASE setting in section 5-9-3 “SD PHASE SET” to their default values according to the set SYNCHRO mode.

*6 Switching input signals with a phase difference using a router or such device may cause shock noise to

occur on video or audio signals if the phase difference (compared to the genlock signal) exceeds the range shown in the following table. If the difference is within range, shock noise will not occur.

Video format

Phase difference from genlock signal

-1H (with line differences depending on video format) to +1/2H

-5H (with line differences depending on video format) to +1/2H

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS AUDIO SYS

5-9-1. FS MODE SET

Allows you to set the FS (Frame Synchronizer) operation modes.

Page 70

Table of Reference signals and Input formats that can lock

Reference signal

Input signal

525/60

1080/59i

720/59p

625/50

1080/50i

720/50p

1080/23PsF

1080/24PsF

525/60

✓✓✓

✓✓✓ ✓ - - - ✓ -

1080/59i

✓✓✓

✓✓✓ ✓ - - - ✓ -

720/59p

✓✓✓

✓✓✓ - - - ✓ - 1080/59p

✓✓✓

✓✓✓ - - - ✓ - 625/50

- - -

✓✓✓

✓✓✓ ✓ - ✓ 1080/50i

- - -

✓✓✓

✓✓✓ ✓ - ✓ 720/50p

- - -

✓✓✓

✓✓✓ - ✓

1080/50p

- - -

✓✓✓

✓✓✓ - ✓

1080/23PsF

✓ ✓ ✓ - - - ✓✓✓

1080/24PsF

- - - ✓ ✓ ✓ -

✓✓✓

H D P H A S E S E T

H 1 0 8 0 : 0 C L K

V 1 0 8 0 : 0 L I N E

H 7 2 0 : 0 C L K

V 7 2 0 : 0 L I N E

Parameter

Default

Setting range(Steps)

Description

H 1080 *1

(Horizontal Phase)

-1375 - 1375 (CLK)

Adjusts the horizontal and vertical phases of the system referring to genlock signal. This setting is applied to 1080-format output signals.

V 1080 *1

(Vertical Phase)

0 *2

(FRAME)

1 *2

(LINE,AVDL)

-563 - 563 (LINE)

H 720 *1

(Horizontal Phase)

-2063 - 2063 (CLK)

Adjusts the horizontal and vertical phases of the system referring to genlock signal. This setting is applied to 720-format output signals.

V 720 *1

(Vertical Phase)

0 *2

(FRAME)

1 *2

(LINE,AVDL)

-375 - 375 (LINE)

HD P H A S E S E T

H 1 0 8 0 : N O T A D J U S T

V 1 0 8 0 : N O T A D J U S T

H 7 2 0 : N O T A D J U S T

V 7 2 0 : N O T A D J U S T

SYNCHRO

IN SEL

Default

FRAME

─

LINE

SDI1, 2

COMPOSITE (525/60)

COMPOSITE (625/50)

COMPONENT (Y/C)

COMPONENT (others)

AVDL

SDI1, 2

COMPOSITE (525/60)

COMPOSITE (625/50)

COMPONENT (Y/C)

COMPONENT (others)

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS AUDIO SYS

✓✓✓: SYNCHRO can be set to FRAME, LINE, or AVDL. ✓: SYNCHRO can only be set to FRAME.

-: Unable to synchronize.

5-9-2. HD PHASE SET

*1 The settings are not available if there is no reference signal input. In such case, the menu

as shown below will be displayed.

*2 The default value varies depending on the SYNCHRO setting in section 5-9-1 “FS MODE

SET” and the setting in section 5-6-1 “FS INPUT SELECT” as shown in the below table. The set value will be reset to its relevant default value whenever the SYNCHRO setting is changed.

Page 71

5-9-3. SD PHASE SET

SD P H A S E S E T

H P H A S E : 0 C L K

V P H A S E : 0 L I N E

Parameter

Default

Setting range

(Steps)

Description

H PHASE*1

-864 - 864 ( CLK)

Adjusts the horizontal and vertical phases of the system referring to genlock signal. This setting is applied to SD output signals.

V PHASE *1

0 *2

(FRAME)

1 *2

(LINE, AVDL)

-313 - 313

( LINE)

SD P H A S E S E T

H P H A S E : N O T A D J U S T

V P H A S E : N O T A D J U S T

S C P H A S E : N O T A D J U S T

SYNCHRO

IN SEL

Default

FRAME

─

LINE

SDI1, 2

COMPOSITE (525/60)

COMPOSITE (625/50)

COMPONENT (Y/C)

COMPONENT (others)

AVDL

SDI1, 2

COMPOSITE (525/60)

COMPOSITE (625/50)

COMPONENT (Y/C)

COMPONENT (others)

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS AUDIO SYS

* Settings can be set for FS1 and FS2, respectively. *1 The settings are not available if there is no reference signal input. In such case, the menu

as shown below will be displayed.

*2 The default value varies depending on the SYNCHRO setting in section 5-9-1 “FS MODE

SET” and the IN SEL setting in section 5-6-1 “FS INPUT SELECT” as shown in the below table. The set value will be reset to its relevant default value whenever the SYNCHRO setting is changed.

Page 72

5-9-4. VIDEO POSITION

V I D E O P O S I T I O N

H P O S : 0 P I X E L

V P O S : 0 L I N E

Parameter

Default

Setting range

(Steps)

Description

H POS

525/60 ±92

625/50 ±92 1080/59i ±240 1080/50i ±240

1080/23PsF ±240 1080/24PsF ±240

720/59p ±160

720/50p ±160 1080/59p ±240 1080/50p ±240

(PIXEL)

Adjusts the horizontal/vertical position of output videos.

V POS

525/60 ±30

625/50 ±36 1080/59i ±68 1080/50i ±68

1080/23PsF ±68 1080/24PsF ±68

720/59p ±90

720/50p ±90 1080/59p ±135 1080/50p ±135

( LINE)

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS AUDIO SYS

* Settings can be set for FS1 and FS2, respectively.

Page 73

5-9-5. FREEZE SET

F R E E Z E S E T

F R E E Z E : O F F

M O D E : F R A M E

STROBE： OFF

Parameter

Default

Setting range

Description

FREEZE *1

OFF

OFF, ON

Turns FREEZE ON/OFF.

MODE *2

FRAME

ODD, EVEN

Selects an operation mode for FREEZE.

STROBE

OFF

1 - 255

Sets the interval to refresh the images by the number of fields for the field or frame freeze.

OFF: Images are not refreshed.

F R E E Z E S E T

F R E E Z E : N O T A D J U S T

M O D E : N O T A D J U S T

S T R O B E : N O T A D J U S T

F S M O D E I S N O T F R A M E

Input signal

SYNC FRMT setting

525/60

625/50

1080/59i

1080/50i

720/59p

720/50p

1080/23PsF

1080/24PsF

1080/59p

1080/50p

AUTO

OE F F F F F F

525/60

NOE

625/50

NOE

1080/59i

NOE

1080/50i

NOE

720/59p

NF F NF

720/50p

NF F NF

1080/23PsF

NF F NF

1080/24PsF

NF F NF

1080/59p

NF F NF

1080/50p

VIDEO SYS AUDIO SYS

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS AUDIO SYS

Allows you to set an operation mode for FREEZE.

* Settings can be set for FS1 and FS2, respectively. *1 Changing the SYNCHRO setting in section 5-9-1 “FS MODE SET” while FREEZE is set to

ON will turn FREEZE OFF. FREEZE cannot be set to ON if SYNCHRO is set to LINE. FREEZE is always set to OFF at startup. These settings are not stored in the event memory.

When FREEZE is ON: button flashes.

*2 If the input signal is a PsF signal, MODE is automatically set to FRAME and the setting

cannot be changed. See the following FREEZE MODE table for details.

FREEZE Mode Table

OE: Can be set to FRAME, ODD, or EVEN. F: Fixed to FRAME. NOE: Can be set to FRAME, ODD, or EVEN, but the image does not appear properly. NF: Fixed to FRAME, and the image does not appear properly.

See section 5-9-1 “FS MODE SET” for the SYNC FRMT.

Page 74

5-9-6. ANC SET

ANC SET

A N C M O D E : H / V A N C

H A N C : O V E R W R I T E

V A N C : B L A N K

Parameter

Default

Setting range

Description

ANC

MODE

H/V ANC

DETAIL

Selects ancillary data processing mode for the FS1 or FS2 output signal. H ANC and V ANC menu settings will become available when H/V ANC is selected.

DETAIL: Removes all H and V ancillary data, and embeds newly specified ancillary data (such as CC and AFD).

Set to DETAIL to enable settings in 5-7-4. “ANC DATA EMBED” and 5-7-5. “ANC EMBED LINE”.

H ANC *

OVERWRITE

IN DATA

BLANK

Embeds audio signals into horizontal ancillary data of FS1 or FS2 output videos.

OVERWRITE: Removes the embedded audio signal from the input SDI video signal, then embeds the processed audio data on the video signal. Whether to embed is determined by the AUDIO GROUP setting in section 5-10-10 “EMB 1 IN AUDIO”.

The input SDI data will be embedded on the video signal after audio signals are embedded.

IN DATA: Passes the input SDI horizontal ancillary data without processing. (Processed audio data cannot be embedded.)

BLANK: Deletes all horizontal ancillary data, and embeds the processed audio data.

V ANC *

PASS

BLANK

Embeds audio signals into vertical ancillary data of FS1 or FS2 output videos.

PASS: Embeds the vertical ancillary data without processing.

BLANK: Deletes all vertical ancillary data.

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS AUDIO SYS

* Settings can be set for FS1 and FS2, respectively. * H ANC and V ANC settings become available when ANC MODE is set to H/V ANC. H ANC

and V ANC settings are effective if input and output formats are the same. If such formats are different, both H ANC and V ANC will be set to BLANK.

Page 75

5-9-7. ANC LOSS SET

A N C L O S S S E T

ANC ： S2016- 3 A F D

FORMAT： S D

M O D E : R E M O V E

Parameter

Default

Setting range

Description

ANC

S2016-3

AFD

S2016-3 AFD

RP186 VI

BT1119 WSS

Selects an ancillary data type to insert into the SDI signal.

FORMAT

HD *1

Selects a video format compatible with the ancillary data selected under ANC. Only compatible Video formats will be displayed

MODE

REMOVE

If FORMAT is set to SD

REMOVE *2

HOLD *2

4:3 L 16:9 T *2

4:3 L14:9 T *2

4:3 L>16:9 *2

4:3 F 4:3 *2

4:3 L16:9PRTD *2

4:3 L 14:9 *2

4:3 F ALT14:9 *2

4:3 L ALT14:9

4:3 L ALT 4:3

16:9 L>16:9

16:9 F FRM *2

16:9 P 4:3

16:9 F PRTD

16:9 P 14:9 16:9P ALT14:9 16:9F ALT14:9

16:9 F ALT4:3

MODE can be set for respective ANC and FORMAT selections.

REMOVE: Does not embed the ancillary data to either FS1, or 2.

HOLD: Retains the last ancillary data aspect ratio and outputs video signal in the aspect ratio.

Other values operate according to the selected AFD as an input AFD.

BT1119 WSS selected under ANC can only select AFD codes indicated by *2.

If FORMAT is set to HD

REMOVE

HOLD

16:9 L>16:9

16:9 F 16:9

16:9 P 4:3

16:9 F PRTD

16:9 P 14:9 16:9P ALT14:9 16:9F ALT14:9

16:9F ALT4:3

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS AUDIO SYS

Allows you to select an operation mode when input AFD data is lost, or unsupported AFD code is input.

* Settings can be set for FS1 and FS2, respectively. *1 HD is selectable only when ANC is set to S2016-3. *2 BT1119 WSS selected under ANC can only select the AFD codes above indicated by *2

Page 76

5-9-8. WSS AFD ERROR

W S S A F D E R R O R

M O D E : R E M O V E

Parameter

Default

Setting range

Description

MODE

REMOVE

F 4:3

REMOVE: Does not embed BT1119 WSS to FS1 and/or

2. F 4:3: Embeds BT1119 WSS F 4:3 (code 8) to FS1 and/or 2.

A U D I O G R OUP

G R O U P 1 : E N A B L E

G R O U P 2 : E N A B L E

G R O U P 3 : E N A B L E

G R O U P 4 : E N A B L E

Parameter

Default

Setting range

Description

GROUP1

ENABLE

DISABLE

ENABLE

DISABLE: Does not insert the GROUP1 embedded audio.

ENABLE: Inserts the GROUP1 embedded audio.

GROUP2

ENABLE

DISABLE

ENABLE

DISABLE: Does not insert the GROUP2 embedded audio.

ENABLE: Inserts the GROUP2 embedded audio.

GROUP3

ENABLE

DISABLE

ENABLE

DISABLE: Does not insert the GROUP3 embedded audio.

ENABLE: Inserts the GROUP3 embedded audio.

GROUP4*1

ENABLE

DISABLE

ENABLE

DISABLE: Does not insert the GROUP4 embedded audio.

ENABLE: Inserts the GROUP4 embedded audio.

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS

AUDIO SYS

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS AUDIO SYS

Allows you to select the operation mode when the aspect ratio conversion result is not standardized by WSS, and embedding WSS AFD ancillary data to FS1 and/or 2 is enabled.

* Settings can be set for FS1 and FS2, respectively.

5-9-9. AUDIO GROUP

Allows you to set whether or not to embed audio signals as a group.

* Settings can be set for FS1 and FS2, respectively. *1 GROUP4 embedded audio cannot be inserted into SD-SDI output signals regardless of

the GROUP4 setting.

*2 The setting is ineffective if the input and output formats are the same and H ANC is set to

IN DATA in the 5-9-6 ANC SET menu.

Page 77

5-9-10. TEST SIGNAL

T E S T S I G N A L

7 0

V I D E O : O F F

A U D I O : O F F

E X T A U D I O : O F F

Parameter

Default

Setting range

Description

VIDEO

OFF

FULL CB

75％ CB

SMPTE CB

RAMP

Selects an internal video test signal.

AUDIO

OFF

1KHzTONE

Outputs an internal embedded audio test signal in FS1 or FS2, respectively.

EXT AUDIO

OFF

1KHzTONE

Outputs an audio test signal to AES and analog audio outputs.

BY- P A S S S E T T I N G

SDI1 IN- S D I 1 O U T : O F F

SDI2 IN- SDI3 O U T : O F F

VBS IN – V B S O U T : O F F

Parameter

Default

Setting range

Description

SDI1 IN-SDI1 OUT

OFF

Setting to ON bypasses SDI1 input signals to SDI 1 output with a relay connection.

SDI2 IN-SDI3 OUT

OFF

Setting to ON bypasses SDI2 input signals to SDI 3 output with a relay connection.

VBS IN-VBS OUT

OFF

Setting to ON bypasses composite input signals to composite output with a relay connection.

VIDEO SYS AUDIO SYS

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS AUDIO SYS

Menu button

VIDEO SYS AUDIO SYS

Internal test signal settings. Video and audio signal processing will stop and a test signal will be output from all output connectors.

* Settings can be set for FS1 and FS2, respectively. If VIDEO, AUDIO and EXT AUDIO of the TEST SIGNAL menu are set to other than OFF:

button flashes.

5-9-11. BY-PASS SETTING

This setting is used to bypass through input signals. Input signals will be output to output connectors without being internally processed.

If any by-pass setting is set to ON: button flashes.

 Conditions for by-passing SDI1 IN-SDI1 OUT circuit The SDI1 IN to SDI1 OUT by-pass circuit is enabled, when the FS1 input signal is assigned to SDI1 and SDI 1/2 output is set to FS1, or, when the FS2 input signal is assigned to SDI1 and the SDI 1/2 output is set to FS2. If the BY-PASS setting cannot be turned ON, an “SDI1 BYPASS DISABLED” message will be displayed.

Page 78

 Conditions for by-passing SDI2 IN-SDI3 OUT circuit

AIO BY- P A S S S E T

7 2

A I O O P A I N - O U T : O F F

A I O O P B I N - O U T : O F F

Parameter

Default

Setting range

Description

AIO OP A IN-OUT

OFF

Setting to ON bypasses the input signal in the FA-95AIO in option slot A to its output connector with a relay connection.

AIO OP B IN-OUT

OFF

Setting to ON bypasses the input signal in the FA-95AIO in option slot B to its output connector with a relay connection.

Menu button

VIDEO SYS AUDIO SYS

The SDI2 IN to SDI3 OUT by-pass circuit is enabled, when FS1 input signal is assigned to SDI2 and SDI 3/4 output is set to FS1, or, when FS2 input signal is assigned to SDI2 and SDI 3/4 output is set to FS2. If the BY-PASS setting cannot be turned ON, an “SDI2 BYPASS DISABLED” message will be displayed.

 Conditions for by-passing VBS IN-VBS OUT circuit The VBS IN to VBS OUT by-pass circuit is enabled, when FS1 input signal is assigned to COMPOSITE and COMPOSITE output is set to FS1, or, when FS2 input signal is assigned to COMPOSITE and COMPOSITE output is set to FS2. If the BY-PASS setting cannot be turned ON, a “VBS BYPASS DISABLED” message will be displayed.

See section 5-6-1 “FS INPUT SELECT” for details on FS1 and FS2 input signal assignments, and 5-7-1 “OUTPUT ASSIGN” for details on output signal assignments.

5-9-12. AIO BY-PASS SET

This setting is used to bypass through FA-95AIO input signals. Input signals will be output to output connectors without being internally processed.

*1 Available only if the FA-95AIO is installed in option slot A. *2 Available only if the FA-95AIO is installed in option slot B. The AIO BY-PASS SET menu does not appear, if no FA-95AIO is installed in either option slot A or B.

If any by-pass setting is set to ON: button flashes.

 Conditions for by-passing AIO OP A IN-OUT circuit The AIO OPT A IN-OUT by-pass circuit is enabled when the FS1 input signal is assigned to OPTION A and AIO A ASSIGN output is set to FS1, or when the FS2 input signal is assigned to OPTION A and the AIO A ASSIGN output is set to FS2. If AIO BY-PASS SET cannot be set to ON, an “AIO OP A DISABLED” message will be displayed.

 Conditions for by-passing AIO OP B IN-OUT circuit The AIO OPT B IN-OUT by-pass circuit is enabled when the FS1 input signal is assigned to OPTION B and AIO B ASSIGN output is set to FS1, or when the FS2 input signal is assigned to OPTION B and the AIO B ASSIGN output is set to FS2. If AIO BY-PASS SET cannot be set to ON, an “AIO OP B DISABLED” message will be displayed.

Page 79

5-9-13. SD LINE MASK

S D L I N E M A S K

7 3

L I N E S E L : L I N E 6

M A S K S E T : P A S S

Parameter

Default

Setting range

Description

LINE SEL

LINE6

LINE6 - 23

Selects a line from lines 6 through 23 of an SD-SDI or COMPOSITE output signal.

MASK SET

PASS

BLANK

Sets the line selected in LINE SEL to PASS or BLANK.

PASS: Outputs a line of the composite, Y/C

, SD-SDI input signal that is the same number as the selected output signal line to a composite, Y/C *1, SD-SDI output signal without processing.

BLANK: Masks the selected composite, Y/C

, SD-SDI output signal line.

IMPORTANT

FS1/LOCK

FS2/LOCK

Menu button

VIDEO SYS AUDIO SYS

* Settings can be set for FS1 and FS2, respectively. *1 Selectable only if FA-95AIO option is installed.

Page 80

5-9-14. COMPOSITE SET1

C O M P O S I T E S E T 1

7 4

S C P H A S E : 0 . 0 〫

C O M B F I L T E R : 3 D

N R L E V E L : O F F

C R O S S C O L O R : O F F

Parameter

Default

Setting range

Description

SC PHASE

0.0°

-179.8° - 180°

Adjusts the subcarrier phase of composite and Y/C output signals referring to the B.B. genlock signal.

Not adjustable with the tri-level genlock signal. In such case, the menu will appear as “NOT ADJUST”.

COMB FILTER

3D 2D

TRAP

Selects a mode to separate the Y (luminance) and C (chrominance) of composite signals.

NR LEVEL

OFF

LEVEL1 - 4

Sets the noise reduction level for the composite signal inputs.

CROSS COLOR

OFF

LEVEL1 - 3

Sets the cross color (noise) reduction level.

C O M P O S I T E S E T 2

7 5

VITS ： OFF

N T S C S E T U P : O F F

PAL- M M O D E : D I S A B L E

Parameter

Default

Setting range

Description

VITS

OFF

ON: Passes through VITS (V-ANC) lines 10 to 21 (NTSC), or 6 to 23 (PAL) of composite input signals. For SD-SDI output signals, inserts VITS lines into Y signals.

NTSC SETUP

OFF

Set to OFF for signals without 7.5 IRE setup. Set to ON for signals with 7.5 IRE setup.

PAL-M MODE

DISABLE

ENABLE

DISABLE: Allows NTSC signals to be output. ENABLE: Allows PAL-M signals to be output.

Menu button

VIDEO SYS AUDIO SYS

Menu button

VIDEO SYS AUDIO SYS

*1 The setting is effective on Y/C and composite outputs on the FA-95AIO option installed in

option slot A and/or B.

5-9-15. COMPOSITE SET2

*1 The setting is effective on Y/C and composite I/O on the FA-95AIO option installed in

option slot A and/or B.

*2 This setting enables PAL-M output for COMPOSITE OUT and Y/C *1 outputs, however,

NTSC signal output will be disabled. To synchronize the PAL-M output, input a PAL-M BB or 59.94/29.97 Hz tri-level sync signal to the GENLOCK IN connector. (NTSC BB signals cannot synchronize PAL-M output signals.) PAL signals can always be input and output regardless of this setting.

Page 81

5-10. Various Signal Status Display (STATUS)

U N I T A L A R M

501

F A N 1 : N O R M A L

F A N 2 : N O R M A L

D C P O W E R 1 : N O R M A L

D C P O W E R 2 : N O R M A L

Parameter

Display

Description

FAN1

NORMAL

STOPPED

Displays the status of FAN1.

NORMAL: Operating normally. STOPPED: FAN1 has stopped.

Turn the unit power OFF, and contact your dealer if the replacement is needed.

FAN2

NORMAL

STOPPED

Displays the status of FAN2.

NORMAL: Operating normally. STOPPED: FAN2 has stopped.

Turn the unit power OFF, and contact your dealer if the replacement is needed.

DC POWER1 *1

NORMAL

ABNORMAL

Displays the status of DC POWER1.

NORMAL: The power supply is normal. ABNORMAL: DC POWER1 has failed.

A power failure has occurred. Although the unit is working properly, It is recommended that the power supply unit be replaced. Contact your dealer if a replacement is necessary.

DC POWER2 *1

NORMAL

ABNORMAL

Displays the status of DC POWER2.

NORMAL: The power supply is normal. ABNORMAL: DC POWER2 has failed.

A power failure has occurred. Although the unit is working properly, It is recommended that the power supply unit be replaced. Contact your dealer if a replacement is necessary.

Menu button

STATUS

OTHER

5-10-1. UNIT ALARM

*1 Displayed only if FA-95PS is installed.

Page 82

5-10-2. VIDEO IN STATUS

V I D E O I N S T A T U S

502

FS1 ( S D I 1 ) ： 1 0 8 0 / 5 9 i

F S 1 ( S D I 2 ) ： 5 2 5 / 6 0

C O M P O S I T E : 5 2 5 / 6 0

R E F E R E N C E : 5 2 5 / 6 0

Parameter

Display

Description

FS1(SDI1)

LOSS 525/60 625/50

1080/59i 1080/50i

720/59p

720/50p 1080/23PsF 1080/24PsF

1080/59p 1080/50p BY-PASS

UNKNOWN

Displays the video format of the SDI1 input signal. Displays “LOSS” if there is no input signal. Displays “UNKNOWN” if there is an unsupported input

signal. Displays video format, LOSS, or UNKNOWN only if

FS1 IN SEL or FS2 IN SEL is set to SDI1 in the FS INPUT SELECT menu (section 5-6-1). Otherwise, “-----“ is displayed.

FS2(SDI2)

LOSS 525/60 625/50

1080/59i 1080/50i

720/59p

720/50p 1080/23PsF 1080/24PsF

1080/59p 1080/50p BY-PASS

UNKNOWN

-----

Displays the video format of the SDI2 input signal. Displays “LOSS” if there is no input signal. Displays “UNKNOWN” if there is an unsupported input

signal. Displays video format, LOSS, or UNKNOWN only if

FS1 IN SEL or FS2 IN SEL is set to SDI2 in the FS INPUT SELECT menu (section 5-6-1). Otherwise, “-----“ is displayed.

COMPOSITE

LOSS 525/60 625/50

BY-PASS

Displays the video format of the COMPOSITE input signal.

Displays “LOSS” if there is no input signal.

REFERENCE

LOSS 525/60 625/50

1080/59i 1080/50i

720/59p

720/50p 1080/23PsF 1080/24PsF

PAL-M *1

UNKNOWN

Displays the video format of the genlock input signal. Displays “LOSS” if there is no input signal. Displays “UNKNOWN” if there is an unsupported input

signal.

Menu button

STATUS

OTHER

*1 Shown when PAL-M Mode in the 5-9-15 “COMPOSITE SET2” is set to ENABLE, and an

input signal in GENLOCK IN connector is 525/60 or PAL-M signal.

Page 83

5-10-3. VIDEO OPTION INPUT

V I D E O O P T I O N I N P U T

503

OP A :5 2 5 / 6 0

MODE A:Y P b P r S M P T E

O P B : 5 2 5 / 6 0

M O D E B : Y P b P r S M P T E

Parameter

Display

Description

OP A

LOSS 525/60 625/50

1080/59i 1080/50i

720/59p

720/50p 1080/23PsF 1080/24PsF

BY-PASS

UNKNOWN

Displays the input video format of the FA-95AIO installed in slot A.

Displays “LOSS” if there is no input signal. Displays “UNKNOWN” if there is an unsupported

input signal.

MODE A

YPbPr SMPTE

YPbPr BETACAM

RGB

Y/C

-----

Displays the input signal format of the FA-95AIO installed in slot A.

OP B

Same as OP A

Displays the input video format of the FA-95AIO installed in slot B.

Displays “LOSS” if there is no input signal. Displays “UNKNOWN” if there is an unsupported

input signal.

MODE B

Same as MODE A

Displays the input signal format of the FA-95AIO installed in slot B.

Menu button

STATUS

OTHER

This menu is accessible only if the FA-95AIO option is installed in slot A or B.

Page 84

5-10-4. VIDEO OUT STATUS

V I D E O O U T S T A T U S

511

SDI1/2： 1 0 8 0 / 5 9 i

SDI3/4： 1 0 8 0 / 5 9 i

C O M P O S I T E : 5 2 5 / 6 0

Parameter

Display

Description

SDI1/2

525/60

625/50 1080/59i 1080/50i

720/59p

720/50p 1080/23PsF 1080/24PsF

1080/59p 1080/50p BY-PASS DISABLE

Displays the video format of the SDI1/2 output signals.

Displays “DISABLE” if there is no signal output.

SDI3/4

Same as above

Displays the video format of the SDI3/4 output signals.

Displays “DISABLE” if there is no signal output.

COMPOSITE

525/60

625/50 BY-PASS DISABLE

PAL-M

Displays the video format of the COMPOSITE output signal.

Displays “DISABLE” if there is no signal output. Displays “PAL-M” if 5-9-15 “COMPOSITE SET2”

is enabled, and the format of the output video signal from COMPOSITE OUT is 525/60.

V I D E O O P O U T N P U T

512

O P A : 5 2 5 / 6 0

M O D E A : Y P b P r S M P T E

O P B : 5 2 5 / 6 0

M O D E B : Y P b P r S M P T E

Parameter

Display

Description

OP A

525/60

625/50 1080/59i 1080/50i

720/59p

720/50p 1080/23PsF 1080/24PsF

BY-PASS

DISABLE

Displays the output video format of the FA-95AIO installed in slot A.

Displays “DISABLE” if there is no signal output.

MODE A

YPbPr SMPTE

YPbPr BETACAM

RGB

Y/C *1

Displays the output signal format of the FA-95AIO installed in slot A. See section 5-7-2 “AIO A ASSIGN” for details on signal format settings.

OP B

Same as OP A

Displays the output video format of the FA-95AIO installed in slot B. Displays “DISABLE” if there is no signal output.

MODE B

Same as MODE A

Displays the output signal format of the FA-95AIO installed in slot B. See section 5-7-2 “AIO A ASSIGN” for details on signal format settings.

*1 The output video format for Y/C mode is either 525/60,625/50, or PAL-M.

Menu button

STATUS

OTHER

Menu button

STATUS

OTHER

Displays the status of output video signals.

5-10-5. VIDEO OPTION OUTPUT

This menu is accessible only if the FA-95AIO option is installed in slot A or B.

Page 85

5-10-6. AUDIO IN DETECT1

A U D I O I N D E T E C T 1

541

E M B 1 ( S D I I N 1 ) C H 1 - 16

P P P P N N N N S S S S ----

E M B 2 ( S D I I N 2 ) C H 1 - 16

P P P P N N N N S S S S ----

Parameter

Display

Description

EMB1(SDI IN1) CH1-16 *1

P S

Displays information on EMB1 audio input signals CH1 through 16 in 16 characters on the 2nd line from top.

P (PCM): Normal audio signal S (Silence): Mute signal N (NON-PCM): Compressed audio data such as AC3

-: No audio signal *: Detection is disabled due to the input setting. *2

EMB2(SDI IN2) CH1-16 *1

P S

Displays information on EMB2 audio input signals CH1 through 16 in 16 characters on the 4th line from top.

P (PCM): Normal audio signal S (Silence): Mute signal N (NON-PCM): Compressed audio data such as AC3

-: No audio signal *: Detection is disabled due to the input setting. *2

A U D I O I N D E T E C T 2

542

A E S C H 1 - 8

PPSS NN--

A N A L O G C H 1 - 4

PP--

Parameter

Display

Description

AES CH1-8

Displays information on AES input audio signals CH1 through 8 in 8 characters on the 2nd line from top.

P (PCM): Normal audio signal S (Silence): Mute signal N (NON-PCM): Compressed audio data such as AC3 O (Output): AES connector is set to for output use. *1

-: No audio signal

ANALOG CH1-4

Displays information on ANALOG input audio signals CH1 through 4 in 4 characters on the 4th line from top.

P (Present): An audio signal is present

-: No audio signal

Menu button

STATUS

OTHER

Menu button

STATUS

OTHER

*1 (SDI IN1) and (SDI IN2) indicate the detected SDI signal. If it is displayed as (***), SDI

embedded audio signal detection is disabled due to the FS input video signal setting.

*2 Displayed when SDI embedded audio signal detection is disabled due to the FS input

video signal setting. See section 5-6-1. “FS INPUT SELECT” for details on FS input video signal settings.

5-10-7. AUDIO IN DETECT2

*1 See section 6-2-4. “AES I/O SETUP” for details on AES connector I/O settings.

Page 86

5-10-8. AUDIO OUTPUT1

A U D I O O U T P U T 1

5 46

S D I 1 / 2 ( E M B 1 ) C H 1 - 16

P P P P N N N N S S S S ----

S D I 3 / 4 ( E M B 2 ) C H 1 - 16

P P P P N N N N S S S S ----

Parameter

Display

Description

SDI 1/2 (EMB1)

CH1-16

Displays information on SDI 1/2 output audio signals CH1 through 16 in 16 characters on the 2nd line from top.

P (PCM): Normal audio signal S (Silence): Mute signal N (NON-PCM): Compressed audio data such as AC3

-: No embedded audio B (BY-PASS): Video signal is bypassed and output. *1

SDI 3/4 (EMB2)

CH1-16

Displays information on SDI 3/4 output audio signals CH1 through 16 in 16 characters on the 4th line from top.

P (PCM): Normal audio signal S (Silence): Mute signal N (NON-PCM): Compressed audio data such as AC3

-: No embedded audio B (BY-PASS): Video signal is bypassed and output. *1

A U D I O O U T P U T 3

548

A E S C H 1 - 8

PPSS NN--

A N A L O G C H 1 - 4

PP--

Parameter

Display

Description

AES CH1-8

P S

Displays information on AES output audio signals CH1 through 8 in 8 characters on the 2nd line from top.

P (PCM): Normal audio signal S (Silence): Mute signal N (NON-PCM): Compressed audio data such as AC3 I (Input: AES connector is set for input use. *1

ANALOG CH1-4

Displays information on ANALOG output audio signals CH1 through 4 in 4 characters on the 4th line from top.

P (Present): An audio signal is present

-: No embedded audio S (Silence): Mute signal

Menu button

STATUS

OTHER

Menu button

STATUS

OTHER

*1 See section 5-3-1. “CONV MODE” for details on SDI output signal by-pass settings.

5-10-9. AUDIO OUTPUT3

*1 See section 6-2-4. “AES I/O SETUP” for details on DIGITAL AUDIO connector I/O settings.

Page 87

5-10-10. EMB 1 IN AUDIO

EMB1 IN A U D I O

5 5 1

C H 1 : L O S S

C H 2 : L O S S

C H 3 : L O S S

C H 4 : L O S S

E M B 1 I N A U D I O

5 5 2

C H 5 : L O S S

C H 6 : L O S S

CH 7:LO S S

C H 8 : L O S S

E M B 1 I N A U D I O

5 5 3

C H 9 : L O S S

C H 1 0 : L O S S

C H 1 1 : L O S S

C H 1 2 : L O S S

E M B 1 I N A U D I O

5 5 4

C H 1 3 : L O S S

C H 1 4 : L O S S

C H 1 5 : L O S S

C H 1 6 : L O S S

Parameter

Display

Description

CH1-CH16

LOSS

PCM

SILENCE

NON-PCM

PCM(Async)

SILENCE (Async)

NON-PCM(Async)

UNKNOWN

Displays the status of audio signals CH1 through CH16 embedded to the FS1 video signal.

LOSS: No audio signals PCM: Normal audio signal (SDI input) SILENCE: Mute signal (SDI input) NON-PCM: Compressed audio data such as AC3 PCM (Async) : Normal audio signal (Asynchronous SDI

input)

SILENCE (Async): Mute signal (Asynchronous SDI input) NON-PCM (Async): Compressed audio data such as AC3

(Asynchronous SDI input)

UNKNOWN: Unidentifiable

Menu button

STATUS

OTHER

Page 88

5-10-11. EMB 2 IN AUDIO

E M B 2 I N A U D I O

555

C H 1 : L O S S

C H 2 : L O S S

C H 3 : L O S S

C H 4 : L O S S

E M B 2 I N A U D I O

556

C H 5 : L O S S

C H 6 : L O S S

C H 7 : L O S S

C H 8 : L O S S

E M B 2 I N A U D I O

557

C H 9 : L O S S

C H 1 0 : L O S S

C H 1 1 : L O S S

C H 1 2 : L O S S

E M B 2 I N A U D I O

558

C H 1 3 : L O S S

C H 1 4 : L O S S

C H 1 5 : L O S S

C H 1 6 : L O S S

Parameter

Display

Description

CH1-CH16

LOSS

PCM

SILENCE

NON-PCM

PCM(Async)

SILENCE (Async)

NON-PCM(Async)

UNKNOWN

Displays the status of audio signals CH1 through CH16 embedded to the FS2 video signal.

LOSS: No audio signals PCM: Normal audio signal (SDI input) SILENCE: Mute signal (SDI input) NON-PCM: Compressed audio data such as AC3 PCM (Async) : Normal audio signal (Asynchronous SDI

input)

SILENCE (Async): Mute signal (Asynchronous SDI input) NON-PCM (Async): Compressed audio data such as AC3

(Asynchronous SDI input)

UNKNOWN: Unidentifiable

Menu button

STATUS

OTHER

Page 89

5-10-12. AES IN AUDIO

A E S I N A U D I O

5 59

C H 1 : L O S S

C H 2 : L O S S

C H 3 : L O S S

C H 4 : L O S S

A E S I N A U D I O

5 60

C H 5 : L O S S

C H 6 : L O S S

C H 7 : L O S S

C H 8 : L O S S

Parameter

Display

Description

CH1 - CH8

LOSS

PCM 48kHz

PCM 44.1kHz

PCM 32kHz

PCM Other

SILENCE 48kHz

SILENCE 44.1kHz

SILENCE 32kHz

SILENCE Other

NON-PCM

OUTPUT SETTING

Displays the status of the audio signal input to the DIGITAL AUDIO IO connectors.

LOSS: No audio signals PCM 48kHz: Normal audio signal (approx. 48kHz) PCM 44.1kHz: Normal audio signal (approx. 44.1kHz) PCM 32kHz: Normal audio signal (approx. 32kHz) PCM Other: Normal audio signal (Non AES input) SILENCE 48kHz: Mute signal (approx. 48kHz) SILENCE 44.1kHz: Mute signal (approx. 44.1kHz) SILENCE 32kHz: Mute signal (approx. 32kHz) SILENCE Other: Mute signal (Non AES input) NON-PCM: Compressed audio data such as AC3 OUTPUT SETTING: Connector is set to output

A N A L O G I N A U D I O

5 61

C H 1 : L O S S

C H 2 : L O S S

C H 3 : L O S S

C H 4 : L O S S

Parameter

Display

Description

CH1 - CH4

LOSS

Displays the status of the input audio signal in the ANALOG AUDIO connector.

LOSS: No audio signal is present. IN: An audio signal is present.

Menu button

STATUS

OTHER

Menu button

STATUS

OTHER

5-10-13. ANALOG IN AUDIO

Page 90

5-10-14. SDI 1/2 OUT AUDIO

S D I 1 / 2 O U T A U D I O

5 7 1

C H 1 : P C M

C H 2 : P C M

C H 3 : P C M

C H 4 : P C M

S D I 1 / 2 O U T A U D I O

5 7 2

C H 5 : P C M

C H 6 : P C M

C H 7 : P C M

C H 8 : P C M

S D I 1 / 2 O U T A U D I O

5 7 3

C H 9 : P C M

C H 1 0 : P C M

C H 1 1 : P C M

C H 1 2 : P C M

S D I 1 / 2 O U T A U D I O

5 7 4

C H 1 3 : P C M

C H 1 4 : P C M

C H 1 5 : P C M

C H 1 6 : P C M

Parameter

Display

Description

CH1 - CH16

PCM

SILENCE

NON-PCM

UNKNOWN

BLANK

BY-PASS

Displays the status of audio signal channels CH1 through CH16 of the SDI 1/2 output.

PCM: Normal audio signal SILENCE: Mute signal NON-PCM: Compressed audio data such as AC3 UNKNOWN: Unidentifiable BLANK: No audio signal embedding BY-PASS: By-passed through

Menu button

STATUS

OTHER

Page 91

5-10-15. SDI 3/4 OUT AUDIO

S D I 3 / 4 O U T A U D I O

5 7 5

CH 1:P C M

CH 2:P C M

CH 3:P C M

CH 4:P C M

S D I 3 / 4 O U T A U D I O

5 7 6

CH 5:P C M

CH 6:P C M

CH 7:P C M

CH 8:P C M

S D I 3 / 4 O U T A U D I O

5 7 7

CH 9:P C M

CH10:P C M

CH11:P C M

CH12:P C M

S D I 3 / 4 O U T A U D I O

5 7 8

CH13:P C M

CH14:P C M

CH15:P C M

CH16:P C M

Parameter

Display

Description

CH1 - CH16

PCM

SILENCE

NON-PCM

UNKNOWN

BLANK

BY-PASS

Displays the status of audio signal channels CH1 through CH16 of the SDI 3/4 output.

PCM: Normal audio signal SILENCE: Mute signal NON-PCM: Compressed audio data such as AC3 UNKNOWN: Unidentifiable BLANK: No audio signal embedding BY-PASS: By-passed through

A E S O U T A U D I O

5 87

C H 1 : P C M

C H 2 : P C M

C H 3 : P C M

C H 4 : P C M

A E S O U T A U D I O

5 88

C H 5 : P C M

C H 6 : P C M

C H 7 : P C M

C H 8 : P C M

Parameter

Display

Description

CH1 - CH8

PCM

SILENCE

NON-PCM

UNKNOWN

INPUT SETTING

Displays the status of the audio signal output from the DIGITAL AUDIO IO connectors.

PCM: Normal audio signal SILENCE: Mute signal NON-PCM: Compressed audio data such as AC3 UNKNOWN: Unidentifiable

INPUT SETTING: Connector is set to input

Menu button

STATUS

OTHER

Menu button

STATUS

OTHER

5-10-16. AES OUT AUDIO

Page 92

5-10-17. ANALOG OUT AUDIO

A N A L O G O U T A U D I O

5 89

C H 1 : S I L E N C E

C H 2 : S I L E N C E

C H 3 : S I L E N C E

C H 4 : S I L E N C E

Parameter

Display

Description

CH1 - CH4

SILENCE

OUT

Displays the status of the output audio signal from the ANALOG AUDIO connector.

SILENCE: Mute signal OUT: Output signal is present

Dolb y O P A A U X

5 91

INPUT A :LOSS

OUTPUT A : N O N E

R E F E R E N C E A : L O S S

Parameter

Display

Description

INPUT A

LOSS

PCM

NON-PCM

UNKNOWN

Displays status or type of signal input to the optional Dolby input connector (Dolby IN) in slot A.

LOSS: No audio signal PCM: Standard audio signal NON-PCM: Compressed audio data such as

Dolby E encoded data UNKNOWN: Unknown signal.

OUTPUT A

PCM

NON-PCM

NONE

Displays status or type of signal output to the optional Dolby output connectors (Dolby OUT) in slot A.

PCM: Standard audio signal NON-PCM: Compressed audio data such as

Dolby E encoded data NONE: No signal

REFERENCE A

LOSS 525/60 625/50

1080/59i 1080/50i

720/59p

720/50p 1080/23PsF 1080/24PsF UNKNOWN

Displays signal format of reference signal input to the optional Dolby REF IN connector in slot A.

LOSS: No signal UNKNOWN: Unknown signal format

Menu button

STATUS

OTHER

Menu button

STATUS

OTHER

5-10-18. Dolby OPA AUX

* This menu is displayed only if FA-95D-D option is installed in option slot A.

Page 93

5-10-19. Dolby OPB AUX

Dolb y O P B A U X

596

I N P U T B : L O S S

O U T P U T B : N O N E

R E F E R E N C E B : L O S S

Parameter

Display

Description

INPUT B

LOSS

PCM

NON-PCM

UNKNOWN

Displays status or type of signal input to the optional Dolby input connector (Dolby IN) in slot B.

LOSS: No audio signal PCM: Standard audio signal NON-PCM: Compressed audio data such as

Dolby E encoded data UNKNOWN: Unknown signal.

OUTPUT B

PCM

NON-PCM

NONE

Displays status or type of signal output to the optional Dolby output connectors (Dolby OUT) in slot B.

PCM: Standard audio signal NON-PCM: Compressed audio data such as

Dolby E encoded data NONE: No signal

REFERENCE B

LOSS 525/60 625/50

1080/59i 1080/50i

720/59p

720/50p 1080/23PsF 1080/24PsF UNKNOWN

Displays signal format of reference signal input to the optional Dolby REF IN connector in slot B.

LOSS: No signal UNKNOWN: Unknown signal format

Menu button

STATUS

OTHER

* This menu is displayed only if FA-95D-D option is installed in option slot B.

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5-10-20. AFD IN STATUS

AFD1 I N S T A T U S

6 0 1

D E T E C T : S 2 0 1 6 - 3

A F D : 0 2 A R : 0

4 : 3 L 1 6 : 9 T

D : 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

AFD1 I N S T A T U S

6 0 1

DETECT： R P 1 8 6 V I

AFD： 02 SS： 00

4 : 3 L 1 6 : 9 T

D1： 10 D2： 00 D3： 00

AFD1 I N S T A T U S

6 0 1

DETECT： B T 1 1 1 9 W S S

AFD:01

B O X 1 4 : 9 C E N T E R

BIT13- 0 : 0 0 0 0



See section 20-6“AFD Code Abbreviations” for details on AFD types.

ANC1 I N S T A T U S

6 1 1

C E A 6 0 8 : P R E S E N T L : 2 1

WSS:A B S E N T

VI:P R E S E N T L : 1 4 / 2 7 7

Menu button

STATUS

OTHER

Menu button

STATUS

OTHER

FS1/LOCK

FS2/LOCK

Displays the state of FS1/FS2 AFD detection.  When detecting AFD in input S2016-3

AFD: Active Format Description is displayed in hexadecimal format. AR: Aspect Ratio is displayed in binary format (0=4:3, 1=16:9) The detected AFD type is shown on the third row. D: Detected Data1-8 are displayed in hexadecimal format.

 When detecting AFD in input RP186 VI

Displays the status of RP186 VI (Video Index) Class1. AFD: Active Format Description is displayed in hexadecimal format. SS: Scanning System is displayed in hexadecimal format. The detected AFD type is shown on the third row. D1-D3: Detected Data are displayed in hexadecimal format.

 When detecting AFD in input BT1119-2 WSS

Displays the status of BT1119-2 WSS (Wide Screen Signaling). AFD: Active Format Description is displayed in hexadecimal format. The detected AFD type is shown on the third row. BIT13-0: Detected Bits 13 – 0 are displayed in hexadecimal format.

5-10-21. ANC1 IN STATUS

Displays the state of CEA608, WSS, and VI ancillary data in the FS1/FS2 input signal luminance component. The line number in which the ancillary data is in is displayed.

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5-10-22. ANC1 IN STATUS 1-2

ANC1 I N S T A T U S 1

6 21

D I D / S D I D : * * / * *

S334- 1 C D P ( 7 0 8 )

S 3 5 2 M V P I D

-----

ANC OUT

6 4 1

C E A 6 0 8 : P R E S E N T L : 2 1

WSS:A B S E N T

VI:P R E S E N T L : 1 4 / 2 7 7

S 2 0 1 6 O U T

6 46

S2016- 3 : A B S E N T

S 2 0 1 6 O U T

6 46

S2016- 3 : P R E S E N T

A F D : 0 2 A R : 0

4:3 L 1 6 : 9 T

D : 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0



See section 20-6“AFD Code Abbreviations” for details on AFD types.

Menu button

STATUS

OTHER

FS1/LOCK

FS2/LOCK

Menu button

STATUS

OTHER

FS1/LOCK

FS2/LOCK

Menu button

STATUS

OTHER

FS1/LOCK

FS2/LOCK

Displays the status of ancillary data packets in an FS1/FS2 input SDI signals. Displays the detected DID and SDID of the ancillary data in hexadecimal format, such as DID/SDID: 15/30, if they are different from that of supported formats. Displays the ancillary data name, such as S334-1CDP(708), if the DID and SDID of the ancillary data match that of supported formats. See section 19. “FA-9520 Ancillary Data Packet Name List” for details on ancillary data names, and DID and SDID of formats. The status of up to 8 ancillary data can be displayed.

5-10-23. ANC OUT

Displays the status of CEA608, WSS, and VI ancillary data inserted into luminance signal of FS1/FS2 output. The line number in which the ancillary data is in is displayed. Displays PRESENT if ancillary data is inserted. Displays ABSENT if no ancillary data is inserted. If ANC MODE is set to H/V ANC, the state of the V ANC setting (PASS or BLANK) will be displayed. In such case, no line number will be displayed. (See section 5-9-6 ANC SET for details on ANC MODE and V ANC setting.)

5-10-24. S2016 OUT

Displays whether the S2016-3 ancillary data is inserted into FS1/FS2 output video signals.  When no S2016-3 is in the FS1 output video signal

If ANC MODE in 5-9-6 ANC SET is set to H/V ANC, the state of the V ANC setting (PASS or BLANK) is displayed.

 When S2016-3 is in the FS1 output video signal

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5-10-25. VI OUT

VI OUT

6 47

R P 1 8 6 V I : A B S E N T

VI OUT

6 47

R P 1 8 6 V I : P R E S E N T

A F D : 0 2 S S : 0 2

B O X 1 6 : 9 T O P

D 1 : 1 2 D 2 : 0 2 D 3 : 0 2



See section 20-6 “AFD Code Abbreviations” for details on AFD types.

WSS OUT

6 48

B T 1 1 1 9 W S S : A B S E N T

WSS OUT

6 48

B T 1 1 1 9 W S S ： P R E S E N T

AFD:04

B O X 1 6 : 9 T O P

BIT13- 0 : 0 0 0 4



See section 20-6“AFD Code Abbreviations” for details on AFD types.

Menu button

STATUS

OTHER

FS1/LOCK

FS2/LOCK

Menu button

STATUS

OTHER

FS1/LOCK

FS2/LOCK

Menu button

STATUS

OTHER

FS1/LOCK

FS2/LOCK

Menu button

STATUS

OTHER

FS1/LOCK

FS2/LOCK

Displays whether the RP186 VI ancillary data is inserted into FS1/FS2 output video signals.  When no RP186 VI is in the output video signal

If ANC MODE in 5-9-6 ANC SET is set to H/V ANC, the state of the V ANC setting (PASS or BLANK) is displayed.

 When RP186 VI is in the output video signal

5-10-26. WSS OUT

 When no BT1119-2 WSS is in the FS1/FS2 output video signals

If ANC MODE in 5-9-6 ANC SET is set to H/V ANC, the state of the V ANC setting (PASS or BLANK) is displayed.

 When BT1119-2 WSS is in the FS1/FS2 output video signals

Displays the status of BT1119-2 WSS. AFD: Active Format Description is displayed in hexadecimal format. SS: Scanning System is displayed in hexadecimal format. The detected AFD type is shown on the third row. D1-D3: Detected Data are displayed in hexadecimal format.

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5-10-27. ANC OUT1

A N C O U T 1

6 61

S334- 1 C E A 6 0 8 L 11

Menu button

STATUS

OTHER

FS1/LOCK

FS2/LOCK

L indicates the line number into which ancillary data is inserted. Displays the ancillary data packet name and line number for the inserted ancillary data in the FS1/FS2 output signals. The status of up to 4 ancillary data can be displayed. See section 19. “FA-9520 Ancillary Data Packet Name List” for details on ancillary data names.

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6. AUDIO Settings

EMB1 IN GAIN

1 0 1

C H S E L : C H 1

G A I N S E T : 0 . 0 d B

M A S T E R : 0 . 0 d B

Parameter

Default

Setting range

(Steps)

Description

CH SEL

CH1

CH1 - CH16

Selects an FS1 embedded audio channel for which to adjust the gain.

GAIN SET

0.0 dB

-20.0 - +20.0 dB (0.1 dB) *1

Sets the input gain for the SDI embedded audio channel that is selected under CH SEL.

MASTER

0.0 dB

-20.0 - +20.0 dB

(0.1 dB)

Sets the offset to the input gain for all channels CH1 to CH16 of SDI-embedded audio.

E M B 1 O U T M O N O

1 02

C H S E L : CH1 / 2

M O N O S U M ： D I S A B L E

Parameter

Default

Setting range

Description

CH SEL

CH1/2

CH1/2-15/16

Selects a stereo pair of FS1 embedded audio channels.

MONO SUM

DISABLE

ENABLE

ENABLE: Outputs the stereo pair channels selected under CH SEL as a mono sum.

(The signals of the selected pair channels are added and divided by two to output from each channel.)

Menu button

PROCESS

SDI AUDIO

Menu button

VIDEO AUDIO

Menu button

PROCESS

SDI AUDIO

Make the menu buttons light up orange using the VIDEO/AUDIO button. (Pressing the button while the buttons are lit green turns the lights orange.) Afterwards, the audio menus displayed on the lower row on each menu button can be selected.

6-1. SDI AUDIO Settings (SDI AUDIO)

Allows you to set FS1/FS2 embedded audio signal settings.

6-1-1. EMB1 IN GAIN

*1 The total value of GAIN SET and MASTER should not exceed the setting range. If the

range is exceeded, the alert will be displayed as *20.0 dB or *-20.0 dB.

6-1-2. EMB1 OUT MONO

Page 99

6-1-3. EMB1 IN SET

E M B 1 I N S E T

103

A L I G N M E N T : D I S A B L E

HD- S D I A C L K : A U T O

Parameter

Default

Setting range

Description

ALIGNMENT

DISABLE

ENABLE

DISABLE

Enables or disables automatic phase adjustment for FS1 input embedded audio channel groups.

ENABLE: Automatic adjustment DISABLE: No adjustment (normal setting)

HD-SDI

ACLK

AUTO

SYNC SDI

AUD CLK

Selects audio clock signal to use for de-embedding and processing audio data in HD-SDI input signal.

AUTO: De-embeds HD-SDI embedded audio data using the audio clock phase data in the embedded audio. Synchronous and asynchronous embedded audio signals from 4 audio groups can be de-embedded separately.

Audio data will be processed as synchronous data if the audio clock phase data is incorrect, or jitter is too great.

SYNC SDI: All audio data in 4 audio groups are always processed as synchronous data without referring to the respective audio clock phase data. *3

AUD CLK: Always uses audio clock phase data in HD-SDI embedded audio data to de-embed the audio data. *4

IMPORTANT

Use this Alignment enable/disable function only if the audio output has noise or is muted. Do not change the setting for normal audio output.

Note that the audio output will be temporally muted when ALIGNMENT is changed from DISABLE to ENABLE while audio signal phases are aligning.

Menu button

PROCESS

SDI AUDIO

*1 Embedded audio signal groups are automatically phase-adjusted when they are input to

the FA-9520. If there is an abnormal audio signal in an audio group, whether the audio group is in use or not, audio streams may be obstructed by the auto phase adjustment. In such cases, audio stream obstruction can be avoided using this Alignment enable/disable function.

*2 Embedded audio signals in SD-SDI video inputs are always processed as synchronous

signals.

*3 SYNC SDI should be selected only if audio data cannot pass through as AUTO or

asynchronous audio data is never input.

*4 AUD CLK may be effective in the case audio data cannot properly pass through as AUTO

or Sync SDI.

Page 100

6-1-4. EMB1 OUT CLOCK

EMB1 O U T C L O C K

104

G R O U P 1 : R E F E R E N C E

G R O U P 2 : R E F E R E N C E

G R O U P 3 : R E F E R E N C E

G R O U P 4 : R E F E R E N C E

Parameter

Default

Setting range

Description

GROUP 1

REFERENCE

AUTO

REFERENCE INPUT CH 1/2 INPUT CH 3/4

Selects an audio clock signal per group for SDI embedded audio output from FS1.

AUTO: Automatically selects audio clock input in the NON-PCM signal channel, if an input NON-PCM signal is in the selected SDI embedded audio group. Automatically selects audio clock signal in the smallest numbered channel, if all signals in the audio group are NON-PCM. Automatically selects audio clock signal synchronized to the output video signal, if all signals in the audio group are PCM. *2

REFEFENCE: Audio clock signal synchronized to the output video signal. (Used to synchronize audio with the video signals processed in the SRC.)

CH 1/2 to 15/16: Audio clock input in SOURCE channels CH 1/2 to 15/16. *1

To output asynchronous audio signals, select one input channel pair for each group. *2

For SD-SDI outputs, REFERENCE is automatically selected regardless of the settings.

GROUP 2

REFERENCE

AUTO

REFERENCE INPUT CH 5/6 INPUT CH 7/8

GROUP 3

REFERENCE

AUTO

REFERENCE

INPUT CH 9/10

INPUT CH 11/12

GROUP 4

REFERENCE

AUTO

REFERENCE

INPUT CH 13/14 INPUT CH 15/16

Menu button

PROCESS

SDI AUDIO

*1 See section 6-5 “AUDIO MAPPING (MAPPING)” for details on SOURCE settings. *2 Embedded audio signals are divided into 4 groups. Each group consists of 4 audio

channels; Group 1 (CH 1 to 4), Group 2 (CH 5 to 8), Group 3 (CH 9 to 12), Group 4 (CH 13 to 16). The audio signals in the same group are transmitted together using the same audio clock (48kHz). PCM audio signals will be synchronized to a genlock signal in the SRC (sampling rate converter) so as to synchronize with the output video signal. Non-PCM audio signals (compressed audio data such as AC-3) do not go into SRC. If the NON-PCM audio input signal is asynchronous with the output video signal, the NON-PCM audio output signal will be asynchronous. The asynchronous NON-PCM audio signals can be embedded to SDI video signals by selecting an audio clock for each audio group. To do so, all 4 channels in the respective audio groups must be synchronous. Assign 4 synchronous audio signals to channels in a group. (See section 6-5-1. “EMB1 OUT REMAP” for details.) Then the asynchronous audio signal will be properly embedded to the video signal.

100