The information contained herein is CONFIDENTIAL and PROPRIETARY to Fender Musical Instruments Corp. It is
disclosed solely for use by qualified technicians for purposes of equipment maintenance and service. It is not to be
disclosed to others without the expressed permission of Fender Musical Instruments Co. All specifications subject to
change without notice.
For warranty repair service, only Fender specified part numbers are to be used. It is recommended they also be used
for post-warranty maintenance and repair.
Parts marked with an asterisk (
and SAFETY requirements. DO NOT USE A SUBSTITUTE!
A coded naming convention is used in the description of certain parts. The codes and what they mean are as follows:
CAPACITOR CODES HARDWARE CODES
CAP AE=Aluminum ElectrolyticBLX=Black Oxide
CAP CA=Ceramic AxialCR=Chrome Plated
CAP CD=Ceramic DiskHWH=Hex Washer Head
CAP MPF =Metalized Polyester FilmM=Machine Screw
CAP MY=MylarNI=Nickel Plated
CAP PFF=Polyester Film/FoilOHP=Oval Head Phillips
RESISTOR CODES
RES CC=Carbon CompSMA=Sheet Metal "A" Point
RES CF=Carbon FilmSMB=Sheet Metal "B" Point
RES FP=Flame ProofSS=Stainless Steel
RES MF=Metal FilmTF=Thread Forming
RES WW=Wire WoundZI=Zinc Plated
*) indicate the required use of that specific part. This is necessary for RELIABILITY
PB=Particle Board
PHP=Pan Head Phillips
PHPS=Pan Head Phillips Sems
Page 3
VIBRO-KING
THEORY OF OPERATION
J1 and J2 are summed by R11 and R12. These 10K Ω resistors are a lower than usual value for a tube
amplifier. This value was chosen for two reasons. 10K Ω is smaller than 33K Ω or 68K, Ω therefore the
amplifier will produce less noise at high volume settings. Secondly, when linking two or more amplifiers a
common trick is to plug the guitar into Input 1 and use Input 2 as the output to the next amplifier. With 68K
Ω resistors, 1/10
After the input resistors, the signal is split and fed to V1A and V2A. V1A serves as a preamp for the
Reverb Drive, or Dwell control. The Dwell control feeds V3, a small power tube which drives the Reverb.
V2A is a Cathode-Follower circuit which creates a low impedance, isolated (from the input) signal to drive
the Mix control (R2).
V2B amplifies the Reverb return (sense) signal and sends it to the Tone control (R3). High frequencies are
sent (shunted) to ground via C17. Varying R3 will move the wiper closer to or further from C17, thus
making the Reverb brighter (Clockwise) or duller (Counterclockwise). The Reverb signal then sums with
the Dry signal at the Mix control (R2).
After the Mix control, the signal travels to the Send jack (J3) of the Effects Loop. The signal is then
Normaled to the Return jack (J4) and drives V4A. This configuration allows the Reverb functions of the
Vibro King to be sent out to other amplifiers (via the Send jack). It also enables a player to insert a delay
unit between the reverb and the amplifier for a Rock-A-Billy type effect. A Volume pedal can also be
inserted to control the Guitar and the Reverb.
th
of the signal is lost with each link.
The V4A circuit contains the Fat switch (S1). The Fat switch connects C4 to ground to provide a 3dB
increase in gain, mostly in the low and mid frequencies. R17 is there to prevent “popping” of the Fat switch
when actuated. NOTE: the Fat switch may pop the first time it is switched. This is due to the warmup/stabilization cycle of the tube.
The Volume control R4A is linked to R4B. R4B reduces the gain of the Reverb at high volume levels. This
allows adjustment of the Volume without readjusting the Reverb Mix control.
From the Volume control (R4A), the signal is fed to V4B, the Tone control driver section. The signal leaves
the tone controls through the Treble control (R5), and is fed to the Vibrato and Phase Inverter circuits.
V6B is a low frequency oscillator. The Speed control (R8) varies the oscillation frequency. V6A is the Neon
Lamp driver. The lamp flashes faster or slower based on the position of the Speed control (R8). The
brightness of the neon bulb is sensed by two LDRs (Light Dependent Resistors) in parallel. The resistors
connect to the Intensity control (R9) which varies the amount of attenuation. Because the Vibrato circuit
connects to the amplifier directly after the Treble control, the high frequencies will attenuate before the
bass frequencies. This simulates a rotating speaker effect.
(TROUBLESHOOTING TIP: If the Vibrato does not function, first check the footswitch jack. The switching
part of the jack serves to short one side of R57 to ground. If R57 is not grounded, the Vibrato will not
operate.
If the Vibrato exhibits a clicking sound, the problem is caused by the position of the neon bulb in relation to
the LDR’s. Adjust the bulb by gently pulling on the leads. Test and repeat as necessary.)
Page 4
VIBRO-KING
THEORY OF OPERATION (CONT)
The signal then feeds the Phase Inverter (V5), which is a classic style split-load type, used without
feedback.
The output tubes (5881/6L6WGC) are arranged in a push-pull configuration that will produce sixty (60)
watts into two (2)Ω.
BIAS PROCEDURE: The bias, measured at pin 5 of V7 or V8 should be set to –46Vdc. However, the
Bias need not be measured to be accurately set. To set the Bias without removing the chassis, set the
Volume knob between 1-1/2 to 2. (The Bias control is located on the under side of the chassis, next to the
power cable.) Adjust the Bias so the amp produces the maximum Hiss. Strum a full chord and let ring.
Now, turn the Bias control back just to the point that the sound of the guitar loses warmth and sustain.
Then increase it slightly. This will ensure minimum crossover distortion and the best sound.
1040760CAB ASSY VIBRO KING(COMPLETE CABINET)
1040885BACK ASSY UPPER VIBRO KING
1040886BACK ASSY LOWER VIBRO KING
1031849BAG-REVERB SPRING UNIT(BAG ONLY)
1025722CABLE ASSY REVERB 1100mm
Page 6
VIBRO-KING
CABINET ASSEMBLY (CONT)
QTY PART # DESCRIPTION REFERENCE DESIGNATION
1038566CABLE ASSY SPKR RT ANG 13-1/2”(SPEAKER CABLE)
1036784Handle molded brown
2024851Leg 19” amp
1036795Nameplate 62 fender
2021998Nut flex lock 10-32 w/ nylon in(TILT BACK LEG MOUNT)
1064063REVERB UNIT 4 SPRING 4AB3C1B(PAN)
2037210SCREW SMA 2X3/8 OHP NI(LOGO MOUNT)
8037952SCRW SMA #6X1 OHP NI(BACK BOARD MOUNT)
4037247SCRW M 8-32X1 OHP NI(HANDLE MOUNT)
4022236SCRW M 8-32X3-1/4 OHP NI CONE(CHASSIS MOUNT)
2022277SCRW M 10-32X1-1/2 OHP NI(TILT BACK LEGS MOUNT)
2031344SCRW SMA 10X3/4 OHP NI(LEG STOP MOUNT)
12043331SCRW M 10-32X5/8 HWHS BLX(SPEAKER MOUNT)
3036457
2024752STRAP CHASSIS 4-1/2”
8037215WSHR C’SNK #6 NI(BACKBOARD ASSY MOUNT)
6022319WSHR FLAT 1/4X9/16 NI(TILT BACK LEGS MOUNT)
2024646WASHER LEG STOP TN
2022285WSHR SP LCOK 1/4X.493 ZI(TILT BACK LEG MOUNT)
QTY PART # DESCRIPTION REFERENCE DESIGNATION
1041273FTSW ASSY 2 BTTN VIB/FAT(COMPLETE FOOTSWITCH)
1021691BUSHING SR .500X.100X7/16 BLK
1022665COVER CUP DUAL FTSW ASSY
1013172PLUG PHONE 3 CONDUCTOR 238 RA
2024042SWITCH SPST PUSH BUTTONS1,2
2022293WSHR FLAT .473X.750 NI
SPEAKER 10” 8 Ω 30 WATTS
FOOTSWITCH ASSEMBLY
MISCELLANEOUS
QTY PART # DESCRIPTION REFERENCE DESIGNATION
1041223MANUAL OWNERS VIBRO KING
1041727SCHEM REDUCED VIBRO KING
VIBRO-KING 212 SPEAKER ENCLOSURE
QTY PART # DESCRIPTION REFERENCE DESIGNATION
4026566CORNER 2 HOLE W/TAB NI
4026568CORNER 3 HOLE NI
1047402GRILLE ASSY VIBRO KING 212(COMPLETE GRILLE)
2025395HANDLE CAP 1 HOLE NI
1037121HANDLE STRAP BRN(NO INSERT)
1032524INSERT HANDLE(SPRING STEEL)
1021956JACK PHONE OPEN CIRCUIT 11
2022244SCRW M 10-32X1-1/8 OHP NI(HANDLE MOUNT)
2047279
SPEAKER 12” 8 Ω CEL VINTAGE
(CELESTION VINTAGE 30 T3903
Page 7
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