The information contained herein is CONFIDENTIAL and PROPRIETARY to Fender Musical Instruments Corp. It is
disclosed solely for use by qualified technicians for purposes of equipment maintenance and service. It is not to be
disclosed to others without the expressed permission of Fender Musical Instruments Co. All specifications subject to
change without notice.
For warranty repair service, only Fender specified part numbers are to be used. It is recommended they also be used
for post-warranty maintenance and repair.
Parts marked with an asterisk (
and SAFETY requirements. DO NOT USE A SUBSTITUTE!
A coded naming convention is used in the description of certain parts. The codes and what they mean are as follows:
CAPACITOR CODES HARDWARE CODES
CAP AE=Aluminum ElectrolyticBLX=Black Oxide
CAP CA=Ceramic AxialCR=Chrome Plated
CAP CD=Ceramic DiskHWH=Hex Washer Head
CAP MPF =Metalized Polyester FilmM=Machine Screw
CAP MY=MylarNI=Nickel Plated
CAP PFF=Polyester Film/FoilOHP=Oval Head Phillips
RESISTOR CODES
RES CC=Carbon CompSMA=Sheet Metal "A" Point
RES CF=Carbon FilmSMB=Sheet Metal "B" Point
RES FP=Flame ProofSS=Stainless Steel
RES MF=Metal FilmTF=Thread Forming
RES WW=Wire WoundZI=Zinc Plated
*
) indicate the required use of that specific part. This is necessary for RELIABILITY
PB=Particle Board
PHP=Pan Head Phillips
PHPS=Pan Head Phillips Sems
’94 TWIN AMP
SPECIFICATIONS
Product Release No.:PR 266 (This is not a model number)
Part Number:120V Version :21-4809
230V Version : 21-4889
Power Requirements:120V Version: 120 volts AC, 60 HZ, 360 watts.
Product specifications are subject to change without notice
’94 TWIN AMP
THEORY OF OPERATION
INPUTS
J1 and j2 are high and low sensitivity inputs that feed the first preamp stage (V1A). V1A provides a gain of about 38
for channel 1, and about 49 for channel 2. The gain difference is due to different loading of the plate of V1A. The
signal then couples to relay K1B, which routes it to the channel one or channel two circuitry.
CHANNEL ONE
The ’94 Twin Amp is a direct descendent of classic tube amps like the Twin Reverb and the 410 Bassman. Channel
one is the traditional Fender design which offers the vintage sound as well as contemporary sounds with the use of
switch-selectable Gain and Master Volume controls. It’s like two channels in one. The first stage of Channel One
contains the Treble (R17), Bass (R18) and Mid (R19) tone controls. The signal from the Treble control feeds through
Relay K2B, which routes the signal to either the Clean or Vintage Overdrive section of channel one.
CLEAN
The signal from pin 11 of Relay K2B feeds through the Clean Volume control (R11) to V1B. R12 and C4 provide the
Bright boost feature via a pull switch on the Clean Volume control. V1B provides a gain of about 45. The Clean
channel circuitry terminates at pin 6 of Relay K2A. K2A selects between the output of the Clean or Vintage Drive
circuit.
VINTAGE DRIVE
The signal from Pin 9 of Relay K2B feeds through the Gain control (R8) to the first stage (V2A) of the Vintage Drive
circuitry. V2A provides a gain of about 20, then drives the second gain stage (V2B). V2B provides a gain of about
48; then couples the signal to the vintage drive Volume control (R23), which also contains the select switch for the
Clean/Drive feature. When in the Channel 2 mode, Relay K1A connects the wiper of the Gain control (R8) to ground,
muting the input to the Vintage Drive stage. The Vintage Drive circuit terminates at pin 8 of Relay K2A.
CHANNEL TWO
Channel Two is like owning a second, modern hot-rodded amp with more soaring gain than previously found in a
Fender tube amp. The signal from pin 9 of Relay K1B feeds through the Channel Two Gain control (R25) to the first
(V3A) and then second (V3B) stage of the overdrive circuitry. From V3B, the signal is fed to through the Treble
(R35), Bass (R36), and Mid (R37) tone controls. Finally the signal travels through the channel two Volume control
(R39), which also contains the Channel Select switch. Channel two terminates at pin 9 of Relay K4B. K4B selects
between channels one and two.
EFFECTS LOOP
The selected (Ch-1 or Ch-2) signal from Relay K4B is fed to a Split-Load Phase Inverter (V4A). The output from Pin 1
of V4A follows two paths to Relay K3A. One path travels through one half of the Mix control. The second path
connects directly to K3A. The signal from Pin 3 of V4A drives the Effects Send Jack (J3), and is normalled to the
Effects Return jack (J4). The Effects Level switch provides three signal levels for matching a wide variety of external
signal processing devices. The switch also maintains unity gain between the Send and Return jacks. The signal from
the Effects Return jack feeds V4B, then travels through the other half of the Mix control (R44B), and to Relay K3B.
The dry and wet signals sum together through R54 and R55. Relay K3 is controlled by the Effects Select switch in
the Both position, K3 will be in the Normally Closed position. Any signal available at the Effects Return jack will pass,
whether in Ch-1 or Ch-2. The Mix control will be active. With the Effects Select switch in the Ch-1 position, the
Effects Return will be active while the amp is in the Ch-1 mode. When the amp is switched to the Ch-2 mode, the
control voltage from U2B will energize relay K3, K3A will toggle, bypassing one half of the Mix control (R44A), and
K3B will break the connection from the Effects Return. Therefore the Effects Return will be active only for the channle
that is selected by the Effects Select switch.
REVERB
The signals from Relays K3A & K3B sum through R54&R55, then split to feed the Reverb Drive circuit and the
summing amp for the Wet and Dry signal. V5 (12AT7) and T1 make up the standard Reverb Drive circuit. The
’94 TWIN AMP
THEORY OF OPERATION(CONT)
Reverb return circuit uses JFET Q1. Without a footswitch connected to the footswitch jack, diode CR17 enables the
reverb to function. V6A amplifies the reverb return signal. Note that V6A should provide a minimum gain of 49. The
output from V6A drives the Reverb control (R62), then sums with the dry signal through R63.
V6B feeds the Cathode Follower V7B, which drives the Preamp Out jack. The signal is normalled to the Power Amp
in jack and then feeds V7A. V7A contains the Presence control, accepts feed back from the output and feeds the
Phase Inverter V8.
OUTPUT SECTION
The output tubes (V9, V10,V11, V12, 5881/6L6WGC) are arranged in a push-pull configuration that will produce
100watts into a 4, 8, or 16 Ω load. The Impedance Selector (S10) will switch between the respective taps of the
output transformer secondary. CR1&CR4 are flyback protection diodes that prevent the output transformer from an
over voltage condition. This can occur when the output transformer experiences an open load. A separate
secondary winding drives an XLR jack (J13), which provides a balanced line out with a floating ground pin (pin1).
This can be used to drive a slave amp and additional speaker cabinets. It can also be used as a send to a mixing
console. However to get a useful sound, the signal should be pre-equalized before the console input. A low-pass
filter set a 5 to 6 kHz with a minimum 18 db per octave slope works well.
BIAS
The Bias is set by measuring the voltage drop across the Flame Proof 1 Ω resistors R89 & R90. If the voltage drop
reads 80mV, then the current through the resistors will be 80mA (E/R=1) = (80mV divided by 1 Ω = 80mA). CR2 & 3
are protection diodes for R89 & R90. If an output tube shorts, the fault current will shunt through the diodes instead of
R89 & R90.
BIAS ADJUSTMENT
The Bias Adjust and Balance Adjust controls, along with the Bias and Balance test points are located on the rear
panel for easy access. Allow the amplifier to warm up for at least 2-3 minutes with the Output switch set to High, and
the Standby switch in the On position. With a digital voltmeter set to its most sensitive DC voltage scale; connect the
test probes to the test points (J11 & J12) labeled “Bias”. Adjust the Output Bias Adjust control (R94) to read .08 VDC
(80mVDC). This will Bias V9 &V10. Now connect the test probes across the “Balance” test points (J10 & J11). The
meter is now referenced to the 80mVDC instead of ground. Adjust the Output Balance Adjust control to obtain 0VDC.
This precisely matches V11 & V12 to V9 & V10. For optimum sonic performances, set Bias to 80mVDC, then set
Balance.
For optimum sonic performance with increased tube life, set Bias to 60mVDC, then set Balance.
For optimum tube life, set Bias to 40mVDC, then set Balance.
Note: If a bias measurement of 40mVDC cannot be obtained, it may be time to replace the output tubes.
CHANNEL/REVERB SWITCHING
A 27.5VAC signal is tapped off from the Brown secondary of the power transformer. This signal is presented to the
Footswitch jack. By rectifying the positive or negative half of the waveform, a DC control voltage is created. This
voltage is used to control several opamp comparator circuits.
TROUBLESHOOTING TIP
Most channel switching problems will probably be related to intermittent or sticky relays. However troubleshooting the
switching circuitry is easy. All test point voltages are on the schematic. First verify the reference voltage at the
comparator. The reference voltage is applied to the non-inverting input of the opamp. Then measure the output of
the comparator. If it doesn’t toggle properly, check the control voltage. If the control voltage is not correct, hang a
scope probe on the footswitch jack. Look at the AC waveform, activate the channel select switches, and look for the
rectified waveform. The Reverb is switched by rectifying the negative side of the waveform. The Gain Select and
Channel Select are switched by rectifying the positive side of the waveform at two different voltage levels. Diode
CR16 and Zener CR18 set the two voltage levels.
POWER LEVEL SWITCHING
Via the output switch (S9) the output power of the amplifier can be switched between 25 and 100 watts. S9A selects between the
center tap and full winding of the high voltage secondary of the power transformer. This causes the B+ and Z supplies to
’94 TWIN AMP
THEORY OF OPERATION(CONT)
switch from +454Vdc to +230Vdc. This voltage change only affects the four output tubes. The high voltage supplies for the
preamp tubes are tapped off prior to the output switch (S9). When switching the high voltages at the power tubes, the negative
Bias voltage must also be switched. The Bias supply is derived through a voltage doubler from the Brown secondary of the
power transformer. S9B determines the path of the Bias current. The low power path is through R97 (100K), and the high power
path is through R98 (18K) and R97 (100K) in parallel. R96 (82K) sets up the voltage divider that feeds the Bias and Balance
controls (-52Vdc High, -21 Vdc Low).
Note: It is recommended that the amplifier be in the Stand-by mode before switching the High/Low Output switch.
LOW POWER OPTION
The ’94 Twin Amp can be run with only two output tubes instead of four. This is done by removing the inner two 5881/6l6wgc
tubes. The Impedance Selector switch must be set to one-half the total speaker load. The rule is ---half the tubes---half the
impedance. Therefore when using the internal two speakers (16 Ω load), the Impedance Selector switch must be set to 8 Ω. This
will produce 60 watts RMS in the Output High setting, and 15 watts RMS in the Output Low setting.