FBT FORMULA 248 User Manual [en, de, fr, it]

Manualediistruzioni

Operatingmanual

Moded’emploi

BenutzerHandbuch

FBTELETTRONICAS.p.A.-ZONAIND.LESQUARTABUE-62019RECANATI(MC)-ITALY

tel.[phone]r.a.-fax[phone]-P.O.BOX104-e-mail:[e-mail]

FORMULA248

ITALIANO

ENGLISH

INDICE

CARATTERISTICHE

INDEX

CHARACTERISTICS

°24(mod.248)32(mod.328)canalimono
°UscitegeneraliL/ReMono
°Assegnazionedelcanalesu4sub-groups,MonoeL/R
°Indicazionevisiva,con4leds,dellostatodelsegnale

dicanale
°Filtro“antipop”(HPF-100Hz)
°8mandateausiliarie:4pre,2pre/post,2post
°4matricida8insu1out
°AlimentazionePhantom48V
°2canalistereo,ognunoconmicrofonoedoppielinee

diingressoregolabiliindipendentemente
°2canalistereoperritornoeffetti
°2canalistereoassegnabiliaL/R
°IN/OUT2-trackperregistrazione
°1ingressomicroperinterfonodaassegnareallevarie

uscite
°ControlliditonoditipoShelvingperacuti,bassie

doppiosemiparametricopermedio-acuti,medio-bassi

sucanalimono
°Equalizzatorea4bandesututtiicanalistereo
°MuteePFL/AFLsuognicanale
°2uscitepercuffiaconvolumeindipendente
°UsciteControlRoomconcontrollidilivelloindipendenti
°Potenziometrislider100mmconprotezioneantipolvere
°PresaXLR4-pinpercollegareunalampadada12V/5W
°Alimentatoreswitchinginterno

°24(mod.248)32(mod.328)monochannelframes
°L/RandMonomainoutputs
°Channelassignmenton4sub-group,MonoandL/R

stereo

°Dedicatedchannel,masterandstereomonitoringvia4

ledladdermeters
°HPF-100Hzhighpassfilters
°8auxiliarysends(4pre,2pre/post,2post)
°8-IN/1-OUTx4matrix
°48VPhantompowersupply,switchableinsectionsof4

channels
°2stereochannelseachwithmicanddualstereoline

inputswithindependentlevelcontrols
°2stereoeffectreturns
°2stereochannelscanbeindependentlyroutedtoL/R
°2-TrackIN/OUTrecordingfacilityassignabletoL/R
°1xMicinputwithassignabletalkbacktothevarious

outputs
°4-bandEQwithLFandHFShelving,High/Midand

Low/Midonallmonochannels
°4-bandEQonallstereochannels
°Mute,PFL/AFLonallchannelfaders
°2headphonesoutputswithindependentvolume
°ControlRoomoutputswithindependentlevelcontrols
°100mmdustprotectedfaders
°4-pinXLRlampsockettoconnecta12V/5Wlamp
°Internalswitchmodepowersupply

1

ITALIANO

ENGLISH

PRECAUZIONI

>

Leggeteilpresentemanualeconattenzioneeseguitequeste
precauzioniprimadioperareconilmixer.Conservateilmanuale
pereventualinecessitàfuture,oltreall'imballooriginale:essi,
insiemeadunabuonaconservazionedelprodotto,
rappresentanoladocumentazionepiùqualificataperl'eventuale
valutazionenelmercatodell'usato.

>

Evitatediinstallareilmixervicinoafontidicaloreeccessivo,di
esporloairradiazionesolaredirettaediposizionarlosenzaalcuna
protezioneinambientipolverosi.

>

Assicuratevichelatensionedialimentazionenonsiasuperiore

alvaloreindicatosulpannelloposteriore.

>

Nonusatemail'apparecchioseilcavoolaspinadiretenonsono
inperfettecondizioni(senecessario,provvedeteallaloro
sostituzioneoaccuratariparazione).

>

Perpreveniredisturbiindottinelmixer,evitatediinstallarloin
prossimitàditrasformatoridialimentazione,apparecchiTV,
trasmettitoriinRF,motorielettrici,unaqualsiasifontedienergia
elettrica.

>

Evitatediorientareimicrofoninelladirezionedellecasse
acustiche:potrebberogenerarefastidiosiinneschi(effetto
Larsen)chedanneggerebberoglialtoparlanti.

>

Nelcollegaretralorodiversiapparecchiaudio(mixer,
amplificatoridipotenzaestrumentielettronici)possonoinsorgere
rumorieronzii.Generalmentelacausaèdaricercarsineglianelli
dimassa;lasoluzionedelproblemaconsistenell’aprireglianelli
creandocosìunaconfigurazione“astella”dellamassa,cioècon
tuttiidispositivicollegaticonlaterrasuununicopuntodi
riferimento.

>

Perevitarespiacevoliecostosiinconvenientiusatesolocavidi

collegamentooriginali.

>

Noncollegatemainessuncanalediuscitaconaltricanali

d’ingressodelmixer.

>

Noncollegatemainessunapresaaudiodelmixerconuna
qualsiasifontedienergiaelettrica.

>

Perlapulizianonusatesolventitipoacetoneoalcool,che
danneggerebberolafinituraesternaeleserigrafiedeipannelli.

>

Incasodicattivofunzionamentodiqualsiasidispositivodel
sistemaaffidatevialpiùvicinocentrodiassistenzaFBToadun
centrospecializzato,evitandodiprovvederepersonalmente.

PRECAUTIONS

>

Readthismanualcarefullyandfollowtheinstructionsbefore
usingthemixer.Keepthemanualforfuturereferenceandfor
tryingoutnewwaysofusingthesystem.Keepthepackingtoo:as
wellasensuringthattheequipmentremainsingoodcondition,itis
alsoanimportantfactorwhentheunitisvaluedforsaleonthe
second-handmarket.

>

Avoidinstallingthemixernearsourcesofexcessiveheat,
exposingittodirectsunlightorleavingitunprotectedindusty
surroundings.

>

Makecertainthatthemainspowervoltageisnothigherthanthat
shownontherearpanel.

>

Neverusetheunitifthepowercableorplugarenotinperfect
condition(ifnecessary,havethemreplacedorcarefullyrepaired).

>

Topreventcausinginterferenceonthemixer,avoidinstallingthe
mixernearpowertransformers,televisionsets,radiotransmitters
andelectricmotors,orlightingdimmersandthecables
connectingthemtoluminaires.

>

Avoidpointingmicrophonesinthedirectionoftheloudspeaker
enclosures:thiscancauseannoyingfeedback,whichcouldalso
damagethespeakers.

>

Whenconnectingvariousunitstogether(mixers,power
amplifiersandelectronicinstruments),noisesandhumcouldbe
caused.Thesearenormallyduetoearthloops,andcanbesolved
bybreakingtheloops,creatinga"star"earthset-up,i.e.withallthe
units'earthsconnectedtoasinglereferencepoint.

>

Toavoidregrettablecostlyproblems,onlyuseoriginalconnector

cables.

>

Neverconnectanoutputchanneltoanotherinputchannelonthe
mixer.Beforeconnectinganything,readtheinstructionsinthis
manual.

>

Neverconnectanyaudioconnectorofthemixertoanysourceof
electricalpower.

>

Donotusesolventssuchasacetoneoralcoholtocleanthe
mixer,astheywoulddamageitsfinishandthewritingonits
panels.

>

Intheeventoffaultyoperationofanypartofthesystem,contact
thenearestFBTassistancecentreoraspecializedcentre,but
nevertrytocarryoutrepairsyourself.

AVVERTENZE

RISCHIODISHOCKELETTRICO

NONAPRIRE

PEREVITAREILRISCHIODISHOCKELETTRICO

NONUSAREUTENSILIMECCANICIALL'INTERNO

CONTATTAREUNCENTRODIASSISTENZAQUALIFICATO

PEREVITAREILRISCHIODIINCENDIOODISHOCKELETTRICO

NONESPORREL'APPARECCHIATURAALLAPIOGGIA

NONAPRIREILCOPERCHIO

OALL'UMIDITA'

!

WARNING

RISKOFELECTRICSHOCK

DONOTOPEN

TOREDUCETHERISKOFELECTRICSHOCK

DONOTREMOVECOVER(ORBACK)

REFERSERVICINGTOQUALIFIEDSERVICEPERSONNEL

DONOTEXPOSETHISEQUIPMENTTORAINORMOISTURE

NOUSERSERVICEABLEPARTSINSIDE

TOREDUCETHERISKOFFIREORELECTRICSHOCK

2

!

PANNELLOFRONTALE FRONTPANEL

PANNEAUFRONTAL VOREDRSEITE

GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

10 10 10 10 10 10 10 10 10 10 10 10 10 10 1060 60 60 60 60 60 60 60 60 60 60 60 60 60 60mic mic mic mic mic mic mic mic mic mic mic mic mic mic mic

-20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20+30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30

line line line line line line line line line line line line line line line

HPF

HPF

100Hz

100Hz

PH48V

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

HF

HF HF HF HF HF HF HF HF HF HF HF HF HF HF HF

-150+15

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

2k 6k

2k 2k 2k 2k 2k 2k 2k 2k 2k 2k 2k 2k 2k 2k 2k6k 6k 6k 6k 6k 6k 6k 6k 6k 6k 6k 6k 6k 6k 6k

HM

HM HM HM HM HM HM HM HM HM HM HM HM HM HM HM

600

8k

600 600 600 600 600 600 600 600 600 600 600 600 600 600 600

8k 8k 8k 8k 8k 8k 8k 8k 8k 8k 8k 8k 8k 8k 8k

400 12

kHz

400 400 400 400 400 400 400 400 400 400 400 400 400 400 40012 12 12 12 12 12 12 12 12 12 12 12 12 12 12

kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

-150+15

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

200 450

200 200 200 200 200 200 200 200 200 200 200 200 200 200 200450 450 450 450 450 450 450 450 450 450 450 450 450 450 450

LM

LM LM LM LM LM LM LM LM LM LM LM LM LM LM LM

50

650

50 50 50 50 50 50 50 50 50 50 50 50 50 50 50

650 650 650 650 650 650 650 650 650 650 650 650 650 650 650

35

1kHz

35 35 35 35 35 35 35 35 35 35 35 35 35 35 35

1kHz 1kHz 1kHz 1kHz 1kHz 1kHz 1kHz 1kHz 1kHz 1kHz 1kHz 1kHz 1kHz 1kHz 1kHz

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

-150+15

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

LF

LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF

-150+15

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE DIRECTPRE

EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

PST PST PST PST PST PST PST PST PST PST PST PST PST PST PST
PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX

post post post post post post post post post post post post post post post

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX8AUX8AUX8AUX8AUX8AUX8AUX8AUX8AUX8AUX8AUX8AUX8AUX8AUX8AUX

post post post post post post post post post post post post post post post

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN

L L L L L L L L L L L L L L LR R R R R R R R R R R R R R R

MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE

PK PK PK PK PK PK PK PK PK PK PK PK PK PK PK

10

10

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

-30 -30 -30 -30 -30 -30 -30 -30 -30 -30 -30 -30 -30 -30 -30

5

5

0

0

5

5

M M M M M M M M M M M M M M M

L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R

10

10

1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2

15

15

3/4 3/4 3/4 3/4 3/4 3/4 3/4 3/4 3/4 3/4 3/4 3/4 3/4 3/4 3/4

20

20

30

30

PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL

HPF

HPF

HPF

HPF

100Hz

100Hz

HPF

100Hz

100Hz

100Hz

PH48V

10

10

10

10

5

5

5

0
5

10

15

20

30

5

0

0

0

5

5

5

10

10

10

15

15

15

20

20

20

30

30

30

9 10 11 12 13 14 15 161 2 3 4 5 6 7 8

HPF

HPF

HPF

HPF

100Hz

100Hz

100Hz

100Hz

PH48V

10

10

10

10

10

5

5

5

5

0

0

0

5

5

5

10

10

10

15

15

15

20

20

20

30

30

30

5

0

0

5

5

10

10

15

15

20

20

30

30

-20dB

HPF

HPF

100Hz

100Hz

PH48V

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

PAD

-20dB

-20dB

HPF

HPF

100Hz

100Hz

1

2

3

4

5

6

7

8

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

9 10 11 12 13 14 15 161 2 3 4 5 6 7 8

GAIN

GAIN

dB

10 60mic

-20 +30

line

HPF

100Hz

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX
5

AUX
6

AUX
7

post

AUX
8

post

PAN

L R

PAD

-20dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

PST
PRE

-12

0

dB

-12

0

dB

10

5

0
5

M

L/R

10

1/2

15

3/4

20

30

PFL

dB

10 60mic

STEREOA STEREOB

HPF

100Hz

STEREO
1

STEREO
2

HF

-150+15

HM

-150+15

LM

-150+15

LF

-150+15

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX
5

AUX
6

PST

PRE
AUX
7

post

AUX
8

post

BAL

L R

MUTE

PK
0

-30

GAIN

dB

10 60mic

HPF

100Hz

0 0

STEREO
3

+6

dB dB

0 0

STEREO
4

+6

dB dB

HF

-150+15

HM

-150+15

LM

-150+15

LF

-150+15

EQ

-12

-12

AUX
1

pre

0

dB

-12

-12

AUX
2

pre

0

dB

-12

-12

AUX
3

pre

0

dB

-12

-12

AUX
4

pre

0

dB

-12

-12

AUX
5

0

dB

-12

-12

AUX
6

0

dB

PST
PRE

-12

-12

AUX
7

post

0

dB

-12

-12

AUX
8

post

0

dB

BAL

L R

MUTE MUTE MUTE

PK

10

10

0

-30

5

5

0

0

5

5

M

L/R

10

10

1/2

15

15

3/4

20

20

30

30

PFL

+6

+6

EQ

0

0

0

0

0

0

0

0

EFF1
RTN

HF

HM

LM

LF

AUX
1

pre

dB

AUX
2

pre

dB

AUX
3

pre

dB

AUX
4

pre

dB

AUX
5

pre pre

dB

AUX
6

pre pre

dB

AUX7
SND

dB

dB

BAL

PK

0

-30

M

L/R

1/2

3/4

PFL

LAMP

EFFECTSRETURN

0

+6

dB +6

-150+15

-150+15

-150+15

-150+15

EQ

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

0

10dB

L R

PK

10

-30

5

0
5

M

L/R

10

1/2

15

3/4

20

30

PFL

MATRIX1 MATRIX2 MATRIX3 MATRIX4 ST./RTN TLK.BACK CTRL 17 18 19 20 21 22 23 24

-12

EXT
IN

0

dB

-12

GRP
1

0

dB

-12

GRP
2

0

dB

0

-12

EFF2

GRP

RTN

3

dB

0

dB

-12

HF

GRP
4

-150+15

0

dB

-12

HM

L

-150+15

0

dB

-12

LM

R

-150+15

0

dB

-12

LF

M

-150+15

0

dB

0

LEV

EQ

+6

dB

-12

AUX
1

pre

0

dB

MUTE MUTE MUTE MUTE

-12

AUX
2

pre

0

dB

-12

AFL AFL AFL AFL

AUX
3

pre

AUX1 AUX2 AUX3 AUX4 AUX5 AUX6

0

dB

0

-12

AUX

AUX

4

1

pre

0

dB

10dB

PEAK PEAK PEAK PEAK PEAK PEAK

-12

AUX
5

0

dB

-12

AUX

MUTE MUTE MUTE MUTE MUTE MUTE

6

0

dB

AFL AFL AFL AFL AFL AFL

PEAK PEAK PEAK PEAK PEAK PEAK PEAK

0

AUX8
SND

BAL

0

10 10 10 10 10 10 10

0 0 0 0 0 0 0

10dB

-10 -10 -10 -10 -10 -10 -10

BAL BAL BAL BAL

L R

L L L LR R R R

MUTE MUTE MUTE MUTE MUTE MUTE MUTE

PK

10

10

0

-30

5

5

0

0

5

5

M

M M M M M M

L/R

L/R L/R L/R L/R

10

10

1/2

15

15

3/4

20

20

30

30

PFL

AFL AFL AFL AFL AFL AFL AFL

ProfessionalLiveSoundMixer

-12

-12

EXT
IN

GRP
1

GRP
2

GRP
3

GRP
4

L

R

M

LEV

AUX
2

-12

EXT

EXT

IN

IN

0

dB

0

dB

0

-12

0

-12

0

-12

0

-12

0

-12

0

-12

0

-12

0

0

+6

dB

-12

-12

GRP

GRP

1

1

dB

0

dB

0

dB

-12

-12

GRP

GRP

2

2

dB

0

dB

0

dB

-12

-12

GRP
3

dB

-12

GRP
4

dB

-12

L

dB

-12

R

dB

-12

M

dB

LEV

dB

0

GRP

1

GAIN

3

0

dB

0

dB

+6

dB 10 60

-12

GRP

L/R

4

0

dB

L

0

dB

R

0

dB

M

0

dB

0

LEV

+6

dB

AUX1,2,3

AUX4,5,6

0

dB

-12

0

2

GROUP1-4

0

dB

+6

dB

-12

L/R

L/R

M

0

dB

-12

2-TRACK

0

dB

0

0

+6

dB

+6

dB

L/R

AFL TALK

0

0

0

0

AUX

AUX

3

4

10dB

10dB

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

0

AUX

AUX

5

6

10dB

10dB

-12 -12

LEV

LEV

to

to

M

M

0dB 0dB

10

10

10

5

5

0

0

5

5

10

10

10

15

15

15

20

20

20

30

30

30

GAIN

GAIN

GAIN

line

100Hz

-150+15

400 12

-150+15

50

35

-150+15

-150+15

L R

GAIN

dB

dB

PAD

PAD

-20dB

2k 6k

8k

200 450

650

1kHz

EQ

-12

0

-12

0

-12

0

-12

0

-12

0

-12

0

PST
PRE

-12

0

-12

0

10

5

0
5

L/R

10

1/2

15

3/4

20

30

PAD

-20dB

-20dB

10 60mic

10 60mic

-20 +30

line

-20 +30

line

HPF

HPF

100Hz

100Hz

HF

HF

-150+15

-150+15
2k 6k

2k 6k

HM

HM

600

8k

600

8k

400 12

kHz

400 12

kHz

kHz

-150+15

-150+15
200 450

200 450

LM

LM

50

650

50

650

35

1kHz

35

1kHz

-150+15

-150+15

LF

LF

-150+15

-150+15

DIRECTPRE

DIRECTPRE

EQ

EQ

-12

-12

AUX

AUX

1

1

pre

pre

0

dB

0

dB

dB

-12

-12

AUX

AUX

2

2

pre

pre

0

dB

0

dB

dB

-12

-12

AUX

AUX

3

3

pre

pre

0

0

dB

dB

dB

-12

-12

AUX

AUX

4

4

pre

pre

0

dB

0

dB

dB

-12

-12

AUX

AUX

5

5

0

dB

0

dB

dB

-12

-12

AUX

AUX

6

6

0

dB

0

dB

dB

PST

PST

PRE

PRE

-12

-12

AUX

AUX

7

7

post

post

0

dB

0

dB

dB

-12

-12

AUX

AUX

8

8

post

post

0

dB

0

dB

dB

PAN

PAN

L R

L R

MUTE

MUTE

PK

PK

PK

10

10

0

0

0

-30

-30

-30

5

5

0

0

5

5

M

M

M

L/R

L/R

10

10

1/2

1/2

15

15

3/4

3/4

20

20

30

30

PFL

PFL

PFL

dB

dB

PAD

-20dB

10 60mic

10 60mic

-20 +30

line

-20 +30

HPF

HPF

100Hz

PH48V PH48VPH48V

HF

HF

LEFT RIGHT

-150+15
2k 6k

HM

HM

+10

600

600

8k

+8

400 12

PFL
AFL PWR

kHz

+4
+2

0

-150+15

-1

200 450

-2

LM

LM

-4

50

650

-8

35

1kHz

-10

-20

-30

-150+15

LF

LF

-150+15

DIRECTPRE

DIRECTPRE

EQ

-12

AUX

AUX

1

1

pre

pre

0

dB

-12

AUX

AUX

2

2

pre

pre

0

dB

-12

-6

CTRL

AUX

AUX

ROOM

3

3

pre

pre

0

dB

0

-6

-12

AUX

AUX

4

4

pre

pre

0

dB

0

-12

AUX

AUX

5

5

0

dB

-12

AUX

AUX

6

6

0

dB

PST
PRE

-12

AUX

AUX

7

7

post

post

0

dB

-12

AUX

AUX

8

8

post

post

0

dB

PAN

PAN

L R

MUTE

MUTE

PK

10

10

0

-30

5

5

0

0

5

5

M

L/R

10

10

1/2

15

15

3/4

20

20

30

30

PFL

dB

10dB

5

0
5

STEREOA STEREOB EFF1RTN EFF2RTN GROUP1 GROUP2 GROUP3 GROUP4 LEFT RIGHT MONO 17 18 19 20 21 22 23 24

GAIN

GAIN

GAIN

line

100Hz

-150+15

400 12

-150+15

35

-150+15

-150+15

L R

GAIN

dB

dB

PAD

PAD

-20dB

2k 6k

8k

200 450

650

1kHz

EQ

-12

0

-12

0

-12

0

-12

0

-12

0

-12

0

PST
PRE

-12

0

-12

0

10

5

0
5

L/R

10

1/2

15

3/4

20

30

PAD

-20dB

-20dB

10 60mic

10 60mic

-20 +30

line

-20 +30

line

HPF

HPF

100Hz

100Hz

HF

HF

-150+15

-150+15

2k 6k

2k 6k

HM

HM

600

8k

600

8k

400 12

kHz

kHz

400 12

kHz

-150+15

-150+15

200 450

200 450

LM

LM

50

650

50

650

35

1kHz

35

1kHz

-150+15

-150+15

LF

LF

-150+15

-150+15

DIRECTPRE

DIRECTPRE

EQ

EQ

-12

-12

AUX

AUX

1

1

pre

pre

0

dB

dB

0

dB

-12

-12

AUX

AUX

2

2

pre

pre

0

dB

dB

0

dB

-12

-12

AUX

AUX

3

3

pre

pre

0

0

dB

dB

dB

-12

-12

AUX

AUX

4

4

pre

pre

0

dB

dB

0

dB

-12

-12

AUX

AUX

5

5

0

dB

dB

0

dB

-12

-12

AUX

AUX

6

6

0

dB

dB

0

dB

PST

PST

PRE

PRE

-12

-12

AUX

AUX

7

7

post

post

0

dB

dB

0

dB

-12

-12

AUX

AUX

8

8

post

post

0

dB

dB

0

dB

PAN

PAN

L R

L R

MUTE

MUTE

PK

PK

PK

10

10

0

0

0

-30

-30

-30

5

5

0

0

5

5

M

M

M

L/R

L/R

10

10

1/2

1/2

15

15

3/4

3/4

20

20

30

30

PFL

PFL

PFL

dB

dB

PAD

-20dB

10 60mic

10 60mic

-20 +30

line

-20 +30

HPF

HPF

100Hz

HF

HF

-150+15
2k 6k

HM

HM

600

600

8k

400 12

kHz

-150+15

200 450

LM

LM

50

50

650

35

1kHz

-150+15

LF

LF

-150+15

DIRECTPRE

DIRECTPRE

EQ

-12

AUX

AUX

1

1

pre

pre

0

dB

-12

AUX

AUX

2

2

pre

pre

0

dB

-12

AUX

AUX

3

3

pre

pre

0

dB

-12

AUX

AUX

4

4

pre

pre

0

dB

-12

AUX

AUX

5

5

0

dB

-12

AUX

AUX

6

6

0

dB

PST
PRE

-12

AUX

AUX

7

7

post

post

0

dB

-12

AUX

AUX

8

8

post

post

0

dB

PAN

PAN

L R

MUTE

MUTE

PK

10

0

-30

5

0
5

M

L/R

10

1/2

15

3/4

20

30

PFL

SEZIONECANALIMONO

MONOCHANNELSECTION

SECTIONCANAUXMONO

MONOKANÄLESEKTION

CANALISTEREO

STEREOCHANNEL

CANAUXSTEREO

STEREOKANÄLE

SEZIONEEFFETTI

EFFECTSECTION

SECTIONEFFETS

EFFEKTESEKTION

SEZIONEMASTER

MASTERSECTION

SECTIONMASTER

MASTERSEKTION

SEZIONECANALIMONO

MONOCHANNELSECTION

SECTIONCANAUXMONO

MONOKANÄLESEKTION

PANNELLOPOSTERIORE REARPANEL PANNEAUPOSTÉRIEUR RÜCKSEITE

-6

-6

0

0

CAUTION

RISKOFELECTRICSHOCK

DONOTOPEN

90-240V 50-60Hz

T2A-250V60VA

3

ITALIANO ENGLISH

SEZIONECANALIMONO MONOCHANNELSSECTION

MIC

PresadiingressoNeutrikbilanciataelettronicamenteper
connettoreXLR;consentedicollegaresorgentidisegnalea
bassaimpedenza,comeimicrofonioaltridispositiviabasso
livello.

LINE

Nonèpossibileusarecontemporaneamentegli

ingressiMICeLINEdellostessocanale.

INSERT

Presajackstereo(Ø6,3mm)percollegareapparecchiesterni
dielaborazionenelcircuitodelsegnaletramiteunjackstereo.
Generalmenteleconnessionidiinsertrichiedonouncavodi
divisionespecialead“Y”,terminatoconunconnettorestereo
daunaparteedueconnettorimonodall’altra.

DIRECT

Presajackstereoperl’inserimentodiapparecchiature
esternecomeadesempiounregistratoremultipista.Il
segnale,alivellodilinea,puòesserePreoPostequalizzatore
(tramiteappositopulsantedicanale)erisente

DIRECTPRE

dellaregolazionedelGain.

GAIN

Regolalapreamplificazionedelsegnaleprovenientedagli
ingressiMICeLINE,ottimizzandolaalcorretto
funzionamentoneicircuitidelcanale.Lascalapresentadue
differentifascedivalori:lafasciada10a60dBsiriferisce
all’ingressoMIC;lafasciadivalorida-20a30dBsiriferisce
all’ingressoLINE.Perunaregolazioneottimaleposizionare
questocontrolloinmodotalecheilledPEAKsiaccenda
occasionalmentesoloinpresenzadipicchi.

PAD

IlpulsantePADintervienesulsegnaleiningresso
riducendonel’intensitàdi-20dB.

HPF

Filtropassa-altocheeliminatuttelefrequenzeinferioriai
100Hzmigliorandolacomprensibilitàdelparlatoconil
microfono.

PH48V

Attivazionedellaphantompower(48V)periconnettoriXLR
(ogni4canali),necessariaperilfunzionamentodeimicrofoni
acondensatore;l’attivazioneèsegnalatadallaaccensione
delrelativoled.

Collegaretuttiimicrofoninecessariprima

diattivarel’alimentazionephantom.

EQUALIZZATORE(HF/HM-LM/LF)

Icanalimonodispongonodiunaregolazionedelsuonoa4
bandecondoppiosemiparametricopermedio-acutiemedio­bassi.
Labandasuperiore(HF)equellainferiore(LF)sonofiltridi
tipoShelvingcheregolanorispettivamentelealteelebasse
frequenzepermettendofinoa15dBdiesaltazioneo
attenuazione,inposizionecentralelarispostaèlineare.
Lefrequenze medievengonoregolatedadueequalizzatori
semiparametrici:perlefrequenzecompresetra400Hze
12kHzedperlefrequenzecompresetra35Hze1kHz.

HM

LM

Entrambiconunguadagnodi±15dBconQ(campana)fisso.

GAIN

dB

10 60mic

-20 +30

line

HPF

100Hz

PH48V

HF

-15
2k 6k

HM

600

400 12

-15

200 450

LM

50

35

-15

LF

-15

DIRECTPRE

MIC

ElectronicallybalancedNeutrikinputsocketforXLR
connector,allowsconnectinglowimpedancesignalsources,
likemicrophonesorotherlowleveldevices.

LINE

Balancedinputsocketforstereojackconnectorwithdiameter
of¼”(6,35mm).Electronicallybalanced,allowstoconnect
highlevelsignalsources,askeyboards,electricguitars,
electronicmusicalinstruments,audioreproducers.Itisalso
possibletousemonoconnectors,thisdeterminesthe
automaticunbalancingofthesignal.

Itisnotpossibletouse
simultaneouslytheMICandLINEinputsofthesame
channel.

INSERT

Stereojacksocket(Ø6,3mm)toconnectexternalprocessing
equipmentinthesignalcircuitbyastereojack.Generallythe
insertconnectionsrequireaspecial“Y”splitcable,
terminatingwithastereoconnectorononesideandtwomono
connectorsontheother.

DIRECT

Stereojacksocketfortheconnectionofexternaldevicessuch
as,forinstance,amultitrackrecorder.Atthelinelevel,the
signalcanbePreorPost-equalizer(throughthespecial
channelbutton)andisaffectedbythe

DIRECTPRE

adjustmentoftheGain.

GAIN

Itadjuststhepre-amplificationofthesignalarrivingfromthe

PAD

-20dB

MICandLINEinputs,optimizingthecorrectoperationinthe
channelcircuits.Thescalehastwodifferentvaluebands:the
rangefrom10to60dBisrelatedtotheMICinput,thevalue
rangefrom-20to30dBisrelatedtotheLINEinput.Forabest

1

adjustmentitisnecessarytopositionthiscontrolinwaythat
thePEAKledturnsonoccasionallyonlywhenpeaksare
present.

PAD

ThePADbuttonoperatesontheinputsignalreducingits
intensityof-20dB.

0

HPF

Loudspeakerfilterthateliminatesallfrequenciesbelow
100Hz,thusmakingiteasiertounderstandanythingsaid

+15

8k

kHz

0

usingthemicrophone

PH48V

Phantompower(48V)activationforXLRconnectors
necessaryforthecondensermicrophonesoperation;the
activationissignalledbytherelatedledthatturnson.

Connectallthenecessarymicrophonesbeforeactivating

+15

650

1kHz

0

thephantompowersupply.
EQUALIZER(HF/HM-LM/LF)

Themonochannelsfeaturea4-bandsoundadjustmentwith
twosemi-parametrictonecontrolsformiddle-trebleand
middle-bass.
Theupperband(HF)andthelowerband(LF)areShelving-

+15

0

typefilterscontrollingthehighandlowfrequencies
respectivelyandprovidingupto15dBboostorcut.Thecentre
positionprovidesalinearresponse.

+15

EQ

Middlefrequenciesareadjustedbymeansoftwosemi­parametricequalizers:,forthefrequenciesbetween
400Hzand12kHz,andforthefrequenciesbetween35Hz

HM

LM

and1kHz.
Bothofthemhavea±15dBgainwithfixedQ(bell).

4

ITALIANO ENGLISH

SEZIONECANALIMONO MONOCHANNELSSECTION

AUX1-8

Questicontrolliservonoperregolareillivellodelsegnale
inviatoaicircuitiAUX1-6eallemandateeffettiAUX7eAUX
8(SEND).
LelineeAUX/presonoindipendentidallaposizionedelFader
dicanale(perapplicazionimonitor);lelineeAUX/post
prelevanoilsegnaledopocheèstatodosatodalFader
(effetti).IcontrolliAUX5eAUX6sonoconfigurabilicomePre
oPostfadertramiteilrelativopulsante.

PST/PRE

PAN

IlcontrolloPANregolal’immaginedelsegnalenelfronte
stereo.Perisegnalimononellaposizionecentraleilsegnale
saràpresenteinegualmisurasuentrambiicanalidiuscita;la
rotazionedellamanopolaversodestraosinistravariale
proporzionideiduesegnali,finoadottenere,nelleposizioni
estreme,l’annullamentodiunodeidue.

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulPFL.

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcomando
GAINperdiminuirelapreamplificazioneecontrollare
l’impostazionedell’equalizzazionedelcanale.

0/-30dB

L’accensionediquestiledindicalapresenza(-30)ol’assenza
(0)delsegnaleaudiosulcanale.

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX
5

AUX
6

AUX
7

post

AUX
8

post

PAN

PST
PRE

-12

AUX1-8

ThesecontrolsadjustthelevelofthesignalsenttotheAUX1­6circuitsandtotheeffectsendsAUX7andAUX8(SEND).

0

dB

-12

AUX/prelinesareindependentofthechannelFaderposition
(formonitorappliances);AUX/postlinespickupthesignal
afterithasbeenadjustedbytheFader(effects).TheAUX5

0

dB

-12

0

dB

-12

andAUX6controlscanbesetupasPreorPostfaderby
meansoftherelevantbutton.

PST/PRE

PAN

ThePANcontroladjuststhesignalimageinthestereofront.
Formonosignalsinthecentralpositionthesignalwillbe

0

dB

-12

0

dB

1

-12

presentinthesamemeasureonbothoutputchannels,the
proportionofthetwosignalschangesbyturningtheknobat
rightoratleft,obtainingintheextremepositions,the
annulmentofoneofthetwo.

MUTE

Allowstoactivate/deactivatethechannel.Thesignalis

0

dB

-12

presentonlyonthePFL.

PK

Whenthisledturnsonitindicatesthatthelevelsignalisclose
tobeingsaturated,itisadvisedtooperateontheGAINcontrol

0

dB

-12

0

dB

todecreasethepre-amplificationandcheckthechannel
equalizersetting.

0/-30dB

WhentheseLEDslightup,theysignalthattheaudiosignalis
onthechannel.

M

IlpulsanteMinviailsegnaledicanalealMAINMONO.

L/R

IlpulsanteL/RinviailsegnaledicanalealMAINL/R.

1/2-3/4

Ipulsanti1/2-3/4invianoilsegnaledicanaleairelativi
sottogruppiSUB1/2/3/4.

PFL

Permetteilmonitoraggioincuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelfader.È
particolarmenteutilenellefasidiregolazionedelGainedei
controllidell’equalizzatore.

FADER

Potenziometrosliderconcorsada,regolaillivellodel

100mm

segnaledelsingolocanaledainviareaicontrolligenerali
MasterL/R.Normalmentelemiglioriprestazionisiottengono
conilcursoreposizionatoacirca3/4dellasuacorsaverso
l’alto(0dB).

L R

MUTE

M

TheMbuttonroutesthechannelsignaltoMAINMONO.

L/R

PK

10

0

-30

TheL/RbuttonsendsthechannelsignaltotheMAINL/R.

1/2-3/4

The1/23/4buttonsroute thechannelsignaltotherelevant

5

subgroupsSUB1/2/3/4.

PFL

0
5

M

L/R

10

1/2

15

3/4

20

30

PFL

Allowstomonitorintheheadphoneseachsinglechannel
independentlybythegeneralmixing.Thisfunctionallowsto
listenthelevelbeforethefader.Itisusefulespeciallyduring
theGainadjustmentandequalizercheckphases.

FADER

Sliderpotentiometerwithstrokeof,adjuststhesingle

100mm

channelsignalleveltobesenttothegeneralMasterL/R
controls.Usuallythebestperformancesareobtainedwiththe
cursorispositionedatapprox3/4ofitsupwardsstroke(0dB).

1

5

ITALIANO ENGLISH

SEZIONECANALISTEREO STEREOCHANNELSSECTION

MIC

PresadiingressoNeutrikbilanciataelettronicamenteper
connettoreXLR;consentedicollegaresorgentidisegnalea
bassalimpedenza,comeimicrofonioaltridispositiviabasso
livello.

LEFT(mono)/RIGHT

Suognicanalestereoèpossibilecollegareduestrumenti
stereofonici,percuisiavràilbilanciamentodelsegnaledi
ingresso;utilizzandosolamentelapresaLEFT(mono)ilcanale
lavoreràinmono.

GAIN

Regolalapreamplificazionedelsegnaleproveniente
dall’ingressoMIC,ottimizzandolaalcorrettofunzionamentonei
circuitidelcanale.Perunaregolazioneottimaleposizionare
questocontrolloinmodotalecheilledPEAKsiaccenda
occasionalmentesoloinpresenzadipicchi.

HPF

Filtropassa-altocheeliminatuttelefrequenzeinferioriai100Hz
migliorandolacomprensibilitàdelparlatoconilmicrofono.

PH48V

Attivazionedellaphantompower(48V)periconnettoriXLR(per2
canali),necessariaperilfunzionamentodeimicrofonia
condensatore;l’attivazioneèsegnalatadallaaccensionedel
relativoled.

Collegaretuttiimicrofoninecessariprimadi
attivarel’alimentazionephantom.
STEREO1/2

Regolanoilvolumediingressodeiduestrumentistereofonici
collegatiallepresejackL(mono)/R.

EQUALIZZATORE(HF/HM/LM/LF)

Icanalistereodispongonodiunaregolazionedelsuonoa4bande
confiltrotipo“Shelving”(acutiebassi)“peacking”perimedi.Per
ognibandaèpossibileunaesaltazione/attenuazionemassimadi
15dB,nellaposizionecentralenonvieneeffettuatanessuna
alterazionetimbrica.

Ilpulsanteinserisceicontrolliditono.EQ

AUX1-8

Questicontrolliservonoperregolareillivellodelsegnaleinviatoai
circuitiAUX1-6eallemandateeffettiAUX7eAUIX8(SEND).
LelineeAUX/presonoindipendentidallaposizionedelFaderdi
canale(perapplicazionimonitor);lelineeAUX/postprelevanoil
segnaledopocheèstatodosatodalFader(effetti).IcontrolliAUX
5eAUX6sonoconfigurabilicomePreoPostfadertramiteil
relativopulsante.

PST/PRE

BAL

IlcontrolloBALregolailbilanciamentofralesorgentisinistrae
destra.

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulPFL.

PK

L’accensionediquestoled indicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcomandoGAIN
osullivellodiingressoStereoperdiminuirelapreamplificazionee
controllarel’impostazionedell’equalizzazionedelcanale.

0/-30dB

L’accensionediquestiledindicalapresenza(-30dB)delsegnale
audiosulcanale.
M
IlpulsanteMinviailsegnaledicanalealMainMONO.

L/R

IlpulsanteL/RinviailsegnaledicanalealMAINL/R.

1/2/3/4

Ipulsanti1/2-3/4invianoilsegnaledicanaleairelativisottogruppi
SUB1/2/3/4.

PFL

Permetteilmonitoraggioincuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelfader.Èparticolarmente
utilenellefasidiregolazionedelGainedeicontrolli
dell’equalizzatore.

FADER

Potenziometrosliderconcorsada,regolaillivellodel

100mm

segnaledelsingolocanaledainviareaicontrolligeneraliMaster
L/R.Normalmentelemiglioriprestazionisiottengonoconil
cursoreposizionatoacirca3/4dellasuacorsaversol’alto(0dB).

GAIN

dB

10 60mic

STEREOA STEREOB

HPF

100Hz

PH48V

STEREO
1

STEREO
2

HF

-150+15

HM

-150+15

LM

-150+15

LF

-150+15

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX
5

AUX
6

PST
PRE

AUX
7

post

AUX
8

post

BAL

L R

MUTE MUTE

dB

10 60mic

HPF

0 0

STEREO
3

+6

dB dB

0 0

STEREO
4

+6

dB dB

HF

HM

LM

LF

EQ

-12

AUX
1

pre

0

dB

-12

AUX
2

pre

0

dB

-12

AUX
3

pre

0

dB

-12

AUX
4

pre

0

dB

-12

AUX
5

0

dB

-12

AUX
6

0

dB

-12

AUX
7

post

0

dB

-12

AUX
8

post

0

dB

BAL

PK

10

0

-30

5

0
5

M

L/R

10

1/2

15

3/4

20

30

PFL

GAIN

100Hz

-150+15

-150+15

-150+15

-150+15

L R

STEREOA STEREOB

MIC

ElectronicallybalancedNeutrikinputsocketforXLRconnector,
allowsconnectinglowimpedancesignalsources,like
microphonesorotherlowleveldevices.

LEFT(mono)/RIGHT

Twostereoinstrumentscanbeconnectedtoeachstereochannel;
theinputsignalwillthusbebalanced.IfonlytheLEFT(mono)
socketisused,thechannelwilloperateinmonomode.

GAIN

Adjuststhepre-amplificationofthesignalarrivingfromtheMIC
input,optimizingittothecorrectoperationinthechannel
circuits.Forabestadjustmentitisnecessarytopositionthis
controlinwaythatthePEAKledturnsonoccasionallyonly
whentherearepeaks.

HPF

Loudspeakerfilterthateliminatesallfrequenciesbelow
100Hz,thusmakingiteasiertounderstandanythingsaid
usingthemicrophone

PH48V

Phantompower(48V)supplytoXLRconnectors(fortwo
channels),requiredforcapacitormicrophonesoperation.When
thepowerissupplied,therelevantLEDlightsup.

Connectallthe
microphonesrequiredbeforesupplyingphantompower.
STEREO1/2

Theyadjusttheinputvolumeofthetwostereoinstruments
connectedtotheL(mono)/Rjacksockets.

EQUALIZER(HF/HM/LM/LF)

Thestereochannelsfeaturea4-bandsoundadjustmentwith
Shelving-typefilter(trebleandbass)and“peaking”filterfor

+6

+6

middle.Foreachband,amaximum15dBboost/cutispossible.
Inthecentrepositionnochangeintimbreisproduced.The

EQ

buttonswitchesonthetonecontrols.

AUX1-8

ThesecontrolsadjustthelevelofthesignalroutedtotheAUX
1-6circuitsandtotheeffectssendsAUX7andAUX8(SEND).
AUX/prelinesareindependentofthechannelFaderposition
(formonitorappliances);AUX/postlinespickupthesignalafter
ithasbeenadjustedbytheFader(effects).TheAUX5and
AUX6controlscanbesetupasPreorPostfaderbymeansof
therelevantbutton.

EQ

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

PST
PRE

-12

0

dB

-12

0

dB

BAL

TheBALcontroladjuststhebalancingbetweentheleftandright
sources.

MUTE

Allowstoactivate/deactivatethechannel.Thesignalispresent
onlyonthePFL.

PK

Whenthisledturnsonitindicatesthatthelevelsignalisclose
tobeingsaturated,itisadvisedtooperateontheGAINcontrol
orontheSTEREOinputleveltodecreasethepre-amplification
andcheckthechannelequalizersetting.

0/-30dB

WhentheseLEDslightup,theysignalthattheaudiosignalis
onthechannel.

M

TheMbuttonroutesthechannelsignaltoMainMONO.

PST/PRE

L/R

TheL/RbuttonsendsthechannelsignaltotheMAINL/R.

1/2/3/4

The1/2/3/4buttonsroutethechannelsignaltotherelevant

PK

10

0

subgroupsSUB1/2/3/4.

-30

5

0
5

L/R

10

1/2

15

3/4

20

30

PFL

Allowstomonitorintheheadphoneseachsinglechannel
independentlybythegeneralmixing.Thisfunctionallowsto

M

listenthelevelbeforetheFader.Itisusefulespeciallyduring
theGainadjustmentandequalizercheckphases.

FADER

Sliderpotentiometerwithstrokeof,adjuststhe

100mm

singlechannelsignalleveltobesenttothegeneralMaster
L/Rcontrols.Usuallythebestperformancesareobtained

PFL

withthecursorispositionedatapprox3/4ofitsupwards
stroke(0dB).

6

ITALIANO ENGLISH

SEZIONEEFFETTI EFFECTSSECTION

EFFECTSRETURN

Presejackstereobilanciateperilcollegamentodiuneffetto
esterno.
SEND:uscitecheconsentonodiinviareisegnaliprovenienti
dall’AUX7/AUX8versol’effettoesterno
RETURN:ingressicheconsentonodicollegarealmixer
l’uscitastereodell’effettoesterno.

EFF1/2RTN

Regolanoilvolumedelsegnaledell’effettoesternocollegato
allepresejackLEFT(mono)/RIGHTRETURN1/2.

EQUALIZZATORE(HF/HM/LM/LF)

Regolazionedelsuonoa4bandeconfiltrotipo“Shelving”(acuti
ebassi)“peacking”perimedi.Perognibandaèpossibileuna
esaltazione/attenuazionemassimadi15dB,nellaposizione
centralenonvieneeffettuatanessunaalterazionetimbrica. Il

pulsanteinserisceicontrolliditono.

EQ

AUX1-6

Questicontrolliservonoperregolareillivellodelsegnale
inviatoaicircuitiAUX1-6eall’’effettoesterno.
LelineeAUX/presonoindipendentidallaposizionedelFader
dicanale(perapplicazionimonitor);lelineeAUX/post
prelevanoilsegnaledopocheèstatodosatodalFader
(effetti).

AUX7/AUX8(SND)

Volumegeneraledell’AUX7/AUX8(EFFECT)cheregolail
segnaleinviatoallepresejackAUX7/AUX8(SND)usate
percollegareuneffettoesterno.

BAL

IlcontrolloBALregolailbilanciamentofralesorgentisinistra
edestra.

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulPFL

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione.

0/-30dB

L’accensionediquestiledindicalapresenza(-30dB)del
segnaleaudiosulcanale.

M

IlpulsanteMinviailsegnaledicanalealMainMONO.

L/R

IlpulsanteL/RinviailsegnaledicanalealMAINL/R.

1/2-3/4

Ipulsanti1/2-3/4invianoilsegnaledicanaleairelativi
sottogruppiSUB1/2/3/4.

PFL

Permetteilmonitoraggioincuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelfader.È
particolarmenteutilenellefasidiregolazionedelGainedei
controllidell’equalizzatore.

FADER

Potenziometrosliderconcorsada,regolaillivellodel

100mm

segnaledelsingolocanaledainviareaicontrolligenerali
MasterL/R.Normalmentelemiglioriprestazionisiottengono
conilcursoreposizionatoacirca3/4dellasuacorsaverso
l’alto(0dB).

EFFECTSRETURN

0

EFF1
RTN

+6

HF

HM

LM

LF

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX
5

pre pre

AUX
6

pre pre

AUX7
SND

BAL

dB +6

-150+15

-150+15

-150+15

-150+15

EQ

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

0

10dB

L R

MUTE MUTE

PK

10

0

-30

5

0

5

M

L/R

10

1/2

15

3/4

20

EFF2
RTN

HF

HM

LM

LF

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX
5

AUX
6

AUX8
SND

BAL

0

-150+15

-150+15

-150+15

-150+15

EQ

-12

-12

-12

-12

-12

-12

0

L R

10

5

0

5

10

15

20

EFFECTSRETURN

Balancedstereojacksocketsforconnectiontoanexternal
effect.
SEND:outputthatallowssendingsignalscomingfrom
AUX7/AUX8towardstheexternaleffect
RETURN:inputthatallowsconnectingtothemixerthestereo
outputoftheexternaleffect.

EFF1/2RTN

Theyadjustthevolumeofthesignaloftheexternaleffect
connectedtotheLEFT(mono)/RIGHTRETURN1/2jack
sockets.

EQUALIZER(HF/HM/LM/LF)

4-bandsoundadjustmentwithShelving-typefilter(trebleand
bass)and“peaking”filterformiddle.Foreachband,a
maximum15dBboost/cutispossible.Inthecentreposition
nochangeintimbreisproduced.Thebuttonswitcheson

dB

thetonecontrols.

EQ

AUX1-6

ThesecontrolsadjustthelevelofthesignalroutedtotheAUX
1-6circuitsandtotheexternaleffect.
AUX/prelinesareindependentofthechannelFaderposition
(formonitorappliances);AUX/postlinespickupthesignal
afterithasbeenadjustedbytheFader(effects).

AUX7/8(SND)

AUX7/AUX8(EFFECT)mainvolume,thatadjuststhesignal
routedtotheAUX7/AUX8(SND)jacksocketsusedforthe
connectionofanexternaleffect.

BAL

TheBALcontroladjuststhebalancingbetweentheleftand

0

dB

rightsources.

MUTE

0

dB

Allowstoactivate/deactivatethechannel.Thesignalis
presentonlyonthePFL.

0

dB

PK

Whenthisledturnsonitindicatesthatthelevelsignalisclose

0

dB

tobeingsaturated.

0/-30dB

WhentheseLEDslightup,theysignalthattheaudiosignal

0

dB

isonthechannel.

M

0

dB

TheMbuttonroutesthechannelsignaltoMainMONO

L/R

TheL/RbuttonsendsthechannelsignaltotheMAINL/R.

1/23/4-

The1/2/3/4buttonsroutethechannelsignaltotherelevant

10dB

subgroupsSUB1/2/3/4

PFL

Allowstomonitorintheheadphoneseachsinglechannel
independentlybythegeneralmixing.Thisfunctionallowsto
listenthelevelbeforetheFader.Itisusefulespeciallyduring

PK

theGainadjustmentandequalizercheckphases.

0

-30

FADER

Sliderpotentiometerwithstrokeof,adjuststhesingle

100mm

channelsignalleveltobesenttothegeneralMasterL/R
controls.Usuallythebestperformancesareobtainedwiththe
cursorispositionedatapprox3/4ofitsupwardsstroke(0dB).

M

L/R

1/2

3/4

30

PFL

30

EFF1RTN EFF2RTN

7

PFL

ITALIANO ENGLISH

SEZIONEMASTER MASTERSECTION

2TRACK

PreseCINCHRCAperlaconnessionediunregistratorea2tracce(es.DAT
recorder).Collegaregliingressidiunapparatodiregistrazionealleprese
SNDeleusciteallepreseRTN.

STEREORTN

Presejackdausarecomeingressistereoausiliari;collegandosoloiljack
LEFT(mono)ilmixerriconosceràilsegnalecomemonoediffonderàlo
stessosegnaleadentrambiijackLeR.

AUXILIARYOUT1-6

PreseXLRincuisonopresentiisegnalidegliAusiliari1-6provenientidai
controlligeneraliAUX1-6(vedidescrizionedeicomandi

pag.10).

INSERT(auxiliaryout)

Presejackstereodiingresso-uscitapercollegareapparecchiatureesterne
sulleusciteAUXILIARY.

MAINOUTL/R-MONO

PreseXLRincuisonopresentiisegnalidelMAINL/ReMONO.

INSERT(mainout)

Presejackstereodiingresso/uscitapercollegareapparecchiatureesterne
(equalizzatori,ecc..)sulleusciteMain.

GROUPOUT

PreseXLRchefornisconolamiscelazionedeisegnalicontrollatidaiFader
GROUP1/2/3/4.

INSERT(groupout)

Presejackstereodiingresso/uscitapercollegareapparecchiatureesterne
(equalizzatori,ecc..)sulleusciteGROUP.

MATRIX

presejackstereobilanciateincuisonopresentiisegnalidellaMatrice

OUT:

(1/2/3/4)

presejackstereobilanciatepercollegareilsegnalemonodasommare

IN:

allaMatrice(1/2/3/4).

CTRLROOML/R

L’uscitaControlRoomvienenormalmentecollegataconilsistemamonitor
dellaregia.

PHONES

Presajackstereopercollegareunacuffia.Primadicollegarelacuffiaalla
presainiziatesempreconillivelloPhonesazzerato,quindialzatelo
gradualmente.

AUX1/2HEADPH

UscitecuffiaconrelativovolumedeisegnaliAUX1eAUX2;normalmente
usateperfornireunmonitoraggioincuffiaaduemusicisti.

TALKBACK

L’ingressoTALKBACKpermettedicollegareunmicrofonoilcuisegnalepuò
essereinviatoalleusciteAUX1/6,aiGruppi1/4,alleusciteL/ReMONO.

ALIMENTAZIONE

Interruttorediaccensionedelmixer:l’accensioneèvisualizzatadalledPWR
(sulpannellofrontale).
Presaperilcollegamentoallareteelettrica:90-240Vac/50-60Hz
Alloggiodelfusibilediprotezionedelcircuitodialimentazione:incasodi
rotturadelfusibile,quest’ultimova sostituitosoloconfusibiliequivalenti:
T2A/250V.

-6

0

90-240V 50-60Hz

T2A-250V80VA

-6

0

CAUTION

RISKOFELECTRICSHOCK

DONOTOPEN

2TRACK

CINCHRCAsocketstoconnecta2tracksrecorder(exampleDAT
recorder).ConnectstheinputsofarecordingequipmenttotheSND
socketsandtheoutputstotheRTNsockets.

STEREORTN

Jacksocketstobeusedasauxiliarystereoinputs.IfonlytheLEFT(mono)
jackisconnected,themixerwillrecognizethesignalasmonoandroute
thesamesignaltobothLandRjacks.

AUXILIARYOUT1-6

XLRsocketstransmittingthesignalsoftheAuxiliaries1-6comingfrom
AUX1-6maincontrols(seecontrolsdescription,page10).

INSERT(auxiliaryout)

Input-outputstereojacksocketsfortheconnectionofexternaldevicesto
theAUXILIARYoutputs.

MAINOUTL/R-MONO

XLRsocketsonwhicharepresentthesignalsfromMAINL/RandMONO

INSERT(mainout)

Input/outputstereojacksocketstoconnectexternalequipment
(equalizers,etc.)ontheMainoutputs.

GROUPOUT

XLRsocketsprovidingthemixingofthesignalscontrolledbytheGROUP
1/2/3/4Faders.

INSERT(groupout)

Input/outputstereojacksocketsfortheconnectionofexternaldevices
(equalizers,etc…)totheGROUPoutputs.

MATRIX

balancedstereojacksocketstransmittingMatrix(1/2/3/4)signals.

OUT:

balancedstereojacksocketsfortheconnectionofthemonosignal

IN:

tobesummedtotheMatrix(1/2/3/4).

CTRLROOML/R

TheControlRoomoutputisusuallyconnectedwiththemonitorsystemof
thecontrolroom.

PHONES

Stereojacksocketstoconnectaheadphone.

AUX1/2HEADP

HeadphoneoutputswiththerelevantvolumeoftheAUX1andAUX2
signals.Generally,theyareusedtoprovideheadphonemonitoringtotwo
musicians.

TALKBACK

TheTALKBACKinputenablestheconnectionofamicrophonewhose
signalcanberoutedtotheAUX1/6outputs,totheGroups1/4,andtothe
L/RandMONOoutputs.

POWERSUPPLY

Switchtoturnonthemixer:thePWRled(onthefrontpanel)lightingon
indicatesthatthemixeristurnedon.
Socketforconnectiontothemainssupply:90-240Vac/50-60Hz
Protectionfusehousingofthepowersupplycircuit:incaseoffuse
breakage,ithastobereplacedonlywithequivalentfuses.T2A/250V.

8

ITALIANO ENGLISH

SEZIONEMASTER MASTERSECTION

Conlamatrice8ingressisu4uscitesirealizzano
quattrolineeaudioindipendentiottenuteconla
miscelazionedeisegnalideisub-gruppi,delMain
L/R,delMonoeunsegnaleesterno,dausareper
registrazioni,perfornireascoltisuzonediverse,
persistemidicontrolloaudioedaggiuntiveuscite
ausiliarie.
Perognicanalematrixèpresenteuncontrollodi
livellomastereinterruttoriMuteeAFL.

Alcunivantaggicheoffronolematrix:
°Ladisponibilitàdi4lineeaudio(matrix)

aumentanoinmodoconsiderevolela

capacitàdilavorodelmixer
°Creareconfigurazionimonoostereo
°Creareundifferentebilanciamento

acustico
°Aggiungereconfigurazioniingrandi

ambientiosupalco

MATRIX4

-12

EXT
IN

0

-12

GRP
1

0

-12

GRP
2

0

-12

GRP
3

0

-12

GRP
4

0

-12

L

0

-12

R

0

-12

M

0

0

LEV

+6

The8-in-x-4-outmatrixcreatesfourindependent
audiolinesobtainedbymixingsub-groups,L/R
Main,Monosignalsandanexternalsignal.These

dB

lineswillbeusedforrecording,forlisteningto
differentareas,foraudiocontrolsystemsandfor
additionalauxiliaryoutputs.

dB

Anymatrixchannelhasamasterlevelcontroland
MuteandAFLswitches.

dB

Someoftheadvantagesprovidedbythematrices
arelistedbelow:

dB

°considerablyincreaseoftheworkoutputofthe

mixerthankstotheavailabilityof4audiolines

dB

(matrix)

°creationofMonoorStereoconfigurations

dB

°obtainmentofadifferentacousticbalance
°additionofconfigurationsinwidehallsandon

thestage

dB

dB

dB

C
H
1

C

C

H

H

2

3

MIXBUS

MUTE

AFL

MATRIX

M

M

M

A

A

T

T

R

INPUTS

C

C

C

C

C

C

C

C

C

C

C

C

H

H

H

H

H

H

H

H

H

4

5

6

7

8

9

10

H

11

12

13

C

H

H

H

14

15

16

R

I

I

X

X

1

2

G

G

G

R

R

R

O

O

O

U

U

U

P

P

P

1

2

3

M

A

A

T

T

R

R

I

I

X

X

3

4

G
R
O
U
P

4

9