FBT FORMULA 143FXA User Manual [en, de, fr, it]

withatriplebuilt-ineffect

Manualediistruzioni

Operatingmanual

Moded’emploi

BenutzerHandbuch

FBTELETTRONICAS.p.A.-ZONAIND.LESQUARTABUE-62019RECANATI(MC)-ITALY

tel.[phone]r.a.-fax[phone]-P.O.BOX104-e-mail:[e-mail]

CARATTERISTICHE

1

CHARACTERISTICS

1

IMPORTANTIISTRUZIONIDISICUREZZA

Precauzioni

PANNELLOFRONTALE&POSTERIORE

CONNESSIONI

SEZIONECANALIMONO

1-6

SEZIONECANALISTEREO

7/8-13/14

SEZIONEEFFETTI

Dettaglidelsoftware
ProgrammieAlgoritmi
TabellacomandiMIDI

SEZIONEMASTER

Uscite
Ingressi

7-21

22-23

2

3

4

5

6

IMPORTANTSAFETYINSTRUCTIONS

Precautions

FRONTPANEL/REARPANEL

CONNECTIONS

MONOCHANNELSSECTION

1-6

STEREOCHANNELSSECTION

7/8-13/14

EFFECTSSECTION

Softwaredetails
Programs&Algorithms
TableofMIDIcontrols

MASTERSECTION

Outputs
Inputs

2

3

4

5

6

7-21

22-23

SEZIONEALIMENTAZIONEEPOTENZA

Alimentazionerete
USB
MIDI

ESEMPIDICOLLEGAMENTO

Configurazionestandard
Configurazionepassiva

DIMENSIONI

SPECIFICHETECNICHE

TRACKSHEET

Canali1-14
Effetti&Master

SCHEMAABLOCCHI

24

25-26

27

28

29-30

31-32

POWERSUPPLY/POWERUNITSECTION

Powersupply
USB
MIDI

CONNECTIONEXAMPLES

Standardconfiguration
Passiveconfiguration

DIMENSIONS

TECHNICALSPECIFICATIONS

TRACKSHEET

Channels1-14
Effects&Master

BLOCKDIAGRAM

24

25-26

27

28

29-30

31-32

FORMULA143FXA

1

microfonicidedicati,piùquattrocanalistereodotati
anch’essidipreamplificatorimicrofonicimono.

Icanalimicrofonicidispongonodialimentazionephantom
+48V(globale),controllodiguadagno,unfiltropassa-altoa
100Hz,equalizzatoreatrebandecon±15dBdiboostecut,
ilcontrollodeimedisemiparametrico,dueauxpreopost
fader,dueauxpostfader,controllopan,selettorimutee
PFLedunfaderALPSda60mmantipolvere.

Icanalistereopresentanounafrequenzafissadelcontrollo
deimedi,maconuncontrollodiguadagnodedicatopergli
ingressidilinea.

FORMULA143FXA

multieffettidistinti.GlieffettiAeBsonodisponibilipertuttii
canali,offronomultitap,edhanno15programmicon16
varianti,selezionabiliancheviaMIDIdall’utente.La
sezionedieffettoCpermettemultitapecontrolloMIDIedè
esclusivamentededicataalcanalestereo13/14;disponedi
20effetticon16variazioni,deiquali4dedicatialla
simulazionediamplificatoriperchitarraelettrica.

Idueauxpre/postincorporanofiltrinotchanti-larsen
regolabilida70Hza7kHz,elasezionemasterdisponedi
dueequalizzatorigraficiasettebande,utilizzabilisui
mastero,grazieaingressiedusciteEQ,suapparecchi
esterni.

FORMULA143FXA

850Wcontinuisu4Ohm.Gliamplificatorioperanoinclasse
D,conalimentazioneacommutazionechehapermessodi
limitareilpesodelmixer.

èunmixeramplificatoconseicanali

incorporaunasezionedieffetticontre

incorporaunasezionefinaleda2x

FORMULA143FXA

dedicatedmicrophonechannelsandfourstereochannels
equippedwithmonomicrophonepreamplifiers.

Microphonechannelsfeature+48VPhantompower
(global),gaincontrol,one100Hzhigh-passfilter,three­bandequalizerwithupto±15dBboostandcutrange,semi­parametriccontrolofmiddlefrequencies,twoauxpre/post
faders,twoauxpostfaders,pancontrol,muteandPFL
switchesandone60mmALPSfaderwithanti-dust
protection.

Althoughhavingjustonefixedfrequencyformiddlecontrol,
stereochannelsfeatureonededicatedgaincontrolforline
inputs.

FORMULA143FXA

differentmulti-effects.EffectsAandBareavailableonall
channelsandfeaturemultitap,plushaving15programmes
with16variantsthatcanbeselectedviaMIDIbytheuser.
TheCeffectsectionfeaturesmultitapandMIDIcontroland
isexclusivelydedicatedtothe13/14stereochannel.Ithas
20effectswith16variations,4ofwhicharededicatedtothe
simulationofelectricguitaramplifiers.

Thetwopre/postauxsendsintegrateanti-feedbacknotch
filtersadjustablefrom70Hzto7kHz,whereasthemaster
sectionfeaturestwoseven-bandgraphicequalizersforuse
onmastersor,thankstoEQinputandoutputs,onexternal
devicestoo.

FORMULA143FXA

Ohmoutputstages.TheamplifiersoperateinclassDwith
switchingpowersupplysothatithasbeenpossibletolimit
themixerweight.

isanamplifiedmixerwithsix

integratesoneeffectsectionwiththree

integratesa2xcontinuous850W/4

ATTENZIONE

2

RISCHIODISHOCKELETTRICO

NONAPRIRE

!

WARNING

RISKOFELECTRICSHOCK

DONOTOPEN

!

PEREVITAREILRISCHIODISHOCKELETTRICO

NONUSAREUTENSILIMECCANICIALL'INTERNO

CONTATTAREUNCENTRODIASSISTENZAQUALIFICATO

PEREVITAREILRISCHIODIINCENDIOODISHOCKELETTRICO

NONESPORREL'APPARECCHIATURAALLAPIOGGIA

!

1)Leggerequesteistruzioni

2)Conservarequesteistruzioni

3)Fareattenzioneatuttigliavvertimenti

4)Seguiretutteleistruzioni

5)Nonusarequestodispositivovicinoall’acqua

6)Puliresoloconunostrofinaccioasciutto

7)Nonostruireleaperturediventilazione.L’installazionedeveessere
eseguitainbasealleistruzionifornitedalproduttore.

8)Noninstallarenellevicinanzedifontidicalorecometermosifoni,valvole
diregolazione,stufeoaltriapparecchi(amplificatoricompresi)che
produconocalore

9)Nonannullarel’obiettivodisicurezzadellespinepolarizzateocon
messaaterra.Lespinepolarizzatehannoduelame,unapiùlarga
dell’altra.Unaspinaconmessaaterrahaduelameeunterzopoloditerra.
Lalamalargaoilterzopoloservonoperlasicurezzadell’utilizzatore.Sela
spinafornitanonèadattaallapropriapresa,consultareunelettricistaper
lasostituzionedellaspina.

10)Proteggereilcavodialimentazionedalcalpestioedalla
compressione,inparticolareincorrispondenzadispine,prolungheenel
puntodalqualeesconodall’unità.

11)Usaresolodispositiviopzionali/accessorispecificatidalproduttore.

12) Utilizzareesclusivamenteconcarrelli,supporti,treppiedi,mensoleo
tavolespecificatidalproduttoreovendutiunitamenteall’apparecchio.Se
siutilizzauncarrelloprestareattenzionedurantelo
spostamentocombinatodelcarrelloedell’apparecchio,
perevitareilverificarsididannidovutiadeventuale
ribaltamento.

13)Staccarelaspinaincasoditemporaleoquandonon
siusal’apparecchioperunlungoperiodo.

14)Perl’assistenzatecnicarivolgersiapersonale
qualificato.L’assistenzatecnicaènecessarianelcasoin
cuil’unitàsiadanneggiata,peres.perproblemidelcavo
dialimentazioneodellaspina,rovesciamentodiliquidiodoggetticaduti
all’internodell’apparecchio,esposizioneallapioggiaoall’umidità,
anomaliedifunzionamentoocadutedell’apparecchio.

NONAPRIREILCOPERCHIO

OALL'UMIDITA'

QUESTOSIMBOLOAVVERTE,LADDOVEAPPARE,LAPRESENZADIUNA
TENSIONEPERICOLOSANONISOLATAALL’INTERNODELLACASSA:
ILVOLTAGGIOPUÒESSERESUFFICIENTEPERCOSTITUIRE
ILRISCHIODISCOSSAELETTRICA.

QUESTOSIMBOLOAVVERTE,LADDOVEAPPARE,DELLA
PRESENZADIIMPORTANTIISTRUZIONIPERL’USOEPER
LAMANUTENZIONENELLADOCUMENTAZIONE
ALLEGATA.SIPREGADICONSULTAREILMANUALE.

TOREDUCETHERISKOFELECTRICSHOCK

DONOTREMOVECOVER(ORBACK)

REFERSERVICINGTOQUALIFIEDSERVICEPERSONNEL

DONOTEXPOSETHISEQUIPMENTTORAINORMOISTURE

!

NOUSERSERVICEABLEPARTSINSIDE

TOREDUCETHERISKOFFIREORELECTRICSHOCK

WHEREMARKED,THISSYMBOLINDICATESADANGEROUSNON­ISOLATEDVOLTAGEINSIDETHELOUDSPEAKER:

SUCHVOLTAGECOULDBESUFFICIENTTORESULTINTHERISKOF
ELECTRICSHOCK.

WHEREMARKED,THISSYMBOLINDICATESIMPORTANT
USAGEANDMAINTENANCEINSTRUCTIONSINTHE
ENCLOSEDDOCUMENTS.PLEASEREFERTOTHE
MANUAL.

IMPORTANTSAFETYINSTRUCTIONSIMPORTANTIISTRUZIONIDISICUREZZA

1)Readtheseinstructions

2)Keeptheseinstructions

3)Heedallwarnings

4)Followallinstructions

5)Donotusethisapparatusnearwater

6)Cleanonlywithdrycloth

7)Donotblockanyventilationopenings.Installinaccordancewiththe
manufacturer’sinstructions.

8)Donotinstallnearanyheatsources,suchasradiators,heatregisters,
stovesorotherapparatus(includingamplifiers)thatproduceheat

9)Donotdefeatthesafetypurposeofthepolarizedorgrounding-type
plug.Apolarizedplughastwobladeswithonewiderthantheother.A
groundingtypeplughastwobladesandathirdgroundingprong.Thewide
bladeorthethirdprongareprovidedforyoursafety.Iftheprovidedplug
doesnotfitintoyouroutlet,consultanelectricianforreplacementofthe
obsoleteoutlet.

10)Protectthepowercordfrombeingwalkedonorpinchedparticularlyat
plugs,conveniencereceptacles,andthepointwheretheyexitfromthe
apparatus.

11)Onlyuseattachments/accessoriesspecifiedbythemanufacturer.

12)Useonlywiththecart,stand,tripod,bracket,ortablespecifiedbythe
manufacturerorsoldwiththeapparatus.Whenacartisused,usecaution
whenmovingthecart/apparatuscombinationtoavoid
injuryfromtip-over.

13)Unplugthisapparatusduringlightningstormsorwhen
unusedforlongperiodsoftime.

14)Referallservicingtoqualifiedservicepersonnel.
Servicingisrequiredwhentheapparatushasbeen
damagedinanyway,suchaspower-supplycordorplugis
damaged,liquidhasbeenspilledorobjectshavefallen
intotheapparatus,theapparatushasbeenexposedto
rainormoisture,doesnotoperatenormally,orhasbeendropped.

Questoapparecchioèdotatodipresadialimentazione;installare
l’apparatoinmanierachelapresadelcavodialimentazionerisulti
facilmenteaccessibile.

PRECAUZIONI

-Perconsentireunaventilazionesufficienteènecessariopredisporreuna

distanzaminimadicirca30cm.pertuttiilatidell’apparecchiio.

-Laventilazionenondovrebbeessereimpeditacoprendoleaperturedi
ventilazioneconoggettiqualigiornali,tovaglie,tende,ecc.

-Nessunasorgentedifiammanuda,qualicandeleaccese,dovrebbe
esserepostasull’apparecchio.

-L’apparecchionondeveessereespostoastillicidiooaspruzzid’acquae
quindisopraaldispositivonondevonoesserepostioggetticontenenti
liquidi,comeades.vasi.

Thisdevicefeaturesapoweroutlet;installthedevicesothattheoutletfor
thepowercordisaccessible.easily

°

PRECAUTIONS

-Forproperairventilationpleasemakesuretoleavesufficientclearance
(min11inc.)onallsidesofthedevice.

-Pleasedonotcovertheventilationslotswithpapers,tablecloths,
curtains,etc.inordernottopreventventilationofthedevice.

-Pleasedonotplaceanynakedflamesource,suchaslightedcandles,on
thedevice.

-Pleasekeepthedeviceawayfromwaterspringsandsplashesand
pleasedonotplaceanyobjectscontainingliquids,suchasvases,onthe
device.

3

1 2 3 4 5 6

7/8 9/10 11/12 13/14

MIC MIC MIC MIC MIC MIC MIC MIC MIC

L

LINE LINE LINE LINE LINE LINE

INS INS INS INS INS INS

STEREO

mono

L

mono

STEREO STEREO STEREO

R

R

mono

3 4

AUXSND

A

L

L

mono

R

R

L

EFFRTN

A B

R

1 2

C

B

L R

EQ.OUT

EQ.IN

AUX

EFFECTS
FOOTSW

2TRK

L R

SND

MONO

L

MAINL R

INSERT

L R

CTRL
ROOM

R

pre

post

-12
pre

post

dB 0

-12

dB 0

-12

dB 0

-30
dB

5

6 7/8 9/10 11/12 13/14

0

ST.

ST. ST. ST.

+6

dB

0 0 0 0

HF HF HF HF

-15 -15 -15 -15
0 0 0 0

MF MF MF MF

-15 -15 -15 -15
0 0 0 0

LF LF LF LF

AUX

AUX

pre

1

1

post

-12

AUX

AUX

pre

post

2

2

dB 0

-12

AUX

AUX

3

3

dB 0

-12

AUX

AUX

4

4

dB 0

10

10

-30
dB

5

5

0

0

5

5

10

10

15

15

20

20

30

30

-15 -15 -15 -15

AUX

pre

1

post

-12

-12

AUX

pre

post

2

dB 0

-12

-12

AUX
3

dB 0

-12

-12

AUX
4

dB 0

10

-30
dB

5
0

5

10
15
20

30

+60dB +60dB +60dB

+15 +15 +15 +15

+15 +15 +15 +15

+15 +15 +15 +15

AUX

AUX

pre

1

post

-12

AUX

pre

post

2

dB 0

-12

AUX
3

dB 0

-12

AUX
4

dB 0

10

-30
dB

5
0

5

10
15
20

30

pre

post

pre

post

dB 0

dB 0

dB 0

-30
dB

AUX

pre

1

1

post

-12

AUX

AUX

pre

post

2

2

dB 0

-12

AUX
3

dB

-12

AUX
4

dB

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

1 2 3 4

GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN

10 10 10 10 10 10 10 10 10 1060 60 60 60 60 60 60 60 60 60mic mic mic mic mic mic mic mic mic mic

dB dB dB dB dB dB dB dB dB dB

-20 -20 -20 -20 -20 -20+30 +30 +30 +30 +30 +30

line line line line line line

HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF

100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz

0 0 0 0 0 0

HF HF HF HF HF HF

-15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15

1k2 1k2 1k2 1k2 1k2 1k2

MF MF MF MF MF MF

300 300 300 300 300 300

3k 3k 3k 3k 3k 3k

kHz kHz kHz kHz kHz kHz100 100 100 100 100 1008 8 8 8 8 8

0 0 0 0 0 0

-15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15

0 0 0 0 0 0

LF LF LF LF LF LF

-15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX

AUX

AUX

pre

1

0 0 0 0 0 0 0 0 0 0

-12

AUX
2

0

-12

AUX
3

0

-12

AUX
4

0

PAN PAN PAN PAN PAN PAN BAL BAL BAL BAL

L L L L L L L L L LR R R R R R R R R R

MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE

PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL

10

5
0

5

10
15
20

30

pre

1

post

post

dB dB dB dB dB dB dB dB dB dB

-12

AUX

pre

pre

post

post

2

dB 0

dB 0

-12

AUX
3

post post post post post post post post post

dB 0

dB 0

-12

AUX

post post post post post post post post post

4

dB 0

dB 0

10

PK PK PK PK PK PK PK PK PK PK

-30

-30

dB

dB

5
0

5

10
15
20

30

AUX

pre

1

1

post

-12

AUX

AUX

pre

post

2

2

dB 0

-12

AUX

AUX

3

3

dB 0

-12

AUX

AUX

4

4

dB 0

10

10

-30
dB

5

5

0

0

5

5

10

10

15

15

20

20

30

30

LEFT

+15

0

-15

A
B
C

TRIPLEDIGITALSTEREOEFFECTS

PRESET

pushto
CONFIRM

AUX

pre

post

1

-12

AUX

pre

post

2

dB

EFF
C

AUX
3

100dB

muteserial parallel

BAL BAL

L R

10

-30
dB

5
0

5

10
15
20

30

EFFECT
SELECT

-12

AUX

pre

1

0

dB

-12

AUX

pre

2

0

dB

0

send

10dB

AUX
4

L R

MUTE

PFL

10

PK

-30
dB

5
0

5

10
15
20

30

RIGHT

+15

TAP/

MODIFY

-12
pre

0

dB

-12
pre

0

dB

0

send

10dB

MUTE

PFL

PK

-30
dB

0

-15

0

2TRK

MONO

FREQ.

70Hz

FEEDBACKREDUCTION

10

5
0

5

10
15
20

30

GRAPHIC EQUALIZER

63Hz 125Hz 400Hz 1kHz 2.5kHz 6kHz 12kHz

GRAPHIC EQUALIZER

63Hz 125Hz 400Hz 1kHz 2.5kHz 6kHz 12kHz

L/R AFL

+6dB

CTRL
ROOM

10

FREQ.

7kHz

FEEDBACKREDUCTION

ON ON

PRE

POST

MUTE

PFL

10

PK

-30
dB

5
0

5

10
15
20

30

-60

0

7kHz70Hz

PRE

POST

MUTE

PFL

PH.48V

LEFT RIGHT

10

PK

-30
dB

5
0

5

10
15
20

30

ON

ON

OVL
+10

+7
+4

0

-4

-7

-10

-20

-30

PWRPFL/AFL

MUTE

PFL

10

5
0

5

10
15
20

30

1 2

3

5 6

4

7/8 9/10 11/12 13/14

EFFECT

A B 1 2 L R

SEZIONECANALIMONO SEZIONECANALISTEREO SEZIONEEFFETTO SEZIONEMASTER

MONOCHANNELSECTION STEREOCHANNELSECTION EFFECTSECTION MASTERSECTION

MIDI

USB

IN THRU

MIDIIN

3

1

4 5

GND

MIDITHRU

1 3

4 5

GND

N.C.

2

MIDIDATA

N.C.

2

MIDIDATA

N.C.
+5V

N.C.
+5V

0dB

6dB

VOLUMEINPUT

RIGHT

SPKROUT

MIN.IMP.4OHM

0dB

6dB

LEFT

SPKROUT

MIN.IMP.4OHM

VOLUMEINPUT

1+

1-

2+

SPKROUT

INPUT

THESYMBOL““INDICATESTHE

PRESENCEOFTOUCH-SENSIBLEVOLTAGES

WHICHCANCAUSEHARMTOBODYANDHEALT

2-

N.C.2-/2+

RISKOFELECTRICSHOCK

TOREDUCETHERISKOFELECTRICSHOCK

DONOTREMOVECOVER(ORBACK)

NOUSERSERVICEABLEPARTSINSIDE

REFERSERVICINGTOQUALIFIEDPERSONNEL

TOREDUCETHERISKOFFIREREPLACEWITH

SAMETYPEFUSEANDRATING

CAUTION

DONOTOPEN

AUX MASTER

120VFUSET16A250V
230VFUSET8A250V

50/60Hz

PWRCONS.2000VAPEAK

4

XLRfemaleplug

2
3
1

XLRmaleplug

1
3
2

SleeveTip

SleeveTip

Ring

TSjackplug

TRSjackplug

IconnettoriXLRhannotrepolievengonoutilizzatiquasisempreper
condurresegnalimonobilanciati;itrepolicorrispondonorispettivamente
allamassa(1),alsegnalepositivo(2)ealsegnalenegativo(3).

SPEAKONèunconnettoreadattoappositamenteperilcollegamentotra
finalidipotenzaealtoparlanti;inserendolonell’appositapresasibloccain
mododaimpedireundistaccoaccidentale;inoltreèdotatodiprotezione
controscosseelettricheegarantisceunacorrettapolarizzazione.

RCAphonojack

SPEAKON

PHONOCABLE

UNBALANCEDJACKCABLE

BALANCEDJACKCABLE

pluginandrotate
beforelocking

RCAPHONOJACKS

GliRCAnonpossonoesserebilanciatiperchèhannosoloduepoli:
segnale(puntacentrale)emassa(marginecircolare),quindisono
connettorimonosbilanciati.

IJACKsonoconnettoritipicipertrasportareduesegnaliseparatididue
canali,destraesinistra,conununicoconnettoreequindipossonoessere
ditipomonoostereo.Ijackmono(TS)dettianchesbilanciatisi
differenzianodaquellistereo(TRS)obilanciatiperlalorocomposizione.I
primihannolospinottodivisoindueparti,puntaemassa(TipeSlave)alle
qualisonocollegatiiduepoli;ijackstereoobilanciatisonoinvecedivisiin
treparti,inquantohannounanellocentrale(Ring)dacui(TRS)collegato
adunsecondofilochecostituisceilterzopolo(polonegativo).

The3-poleXLRconnectorsarealmostalwaysusedforconductingmono­balancedsignals;thethreepolescorrespondrespectivelytoground(1),
thepositivesignal(2)andthenegativesignal(3).

SPEAKONisaconnectorwhichisspeciallyadaptedforconnectingpower
terminalstoloudspeakers;wheninsertedinanappropriatesocket,itlocks
soastopreventaccidentaldisconnection;moreover,itisequippedwith
protectionagainstelectricalshocksandguaranteesthecorrect
polarisation.

TheRCAcannotbebalancedastheyhavejusttwopoles:signal(central
point)andground(perimeter);theyarethereforeunbalancedmono
connectors.

TheJACKSaretypicalconnectorsforthetransportingoftwoseparate
signalsthroughtwochannels,leftandright,usingasingleconnectorand
thereforetheycanbeeithermonoorstereo.Monojacks(TS),alsoknown
asunbalancedjacks,arerecognisablefromstereoorbalancedjacks
(TRS)bytheircomposition.Thepointofthemonojacksisdividedintotwo
parts,tipandground(TipandSlave)towhichthetwopolesareconnected;
thestereoorbalancedjacksaredividedinthreeparts,astheyhavea
centralring(Ring)whichisconnectedtoasecondwire,thethird(negative)
pole.

RING-COLD(-)

TIP-HOT(+)

2-HOT(+)/1-GROUND

RING-COLD(-)

TIP-HOT(+)

2-HOT(+)/1-GROUND

3-COLD(-)

LINKPINS1&3

SLEEVE-GROUND

BALANCEDXLRCABLE

XLRMALE XLRFEMALE

BALANCEDJACKTOFEMALEXLRCABLE

SLEEVE-GROUND

BALANCEDJACKTOMALEXLRCABLE

XLRMALE

UNBALANCEDJACKTOFEMALEXLRCABLE

UNBALANCEDJACKTOMALEXLRCABLE

XLRMALE

UNBALANCEDPHONOTOFEMALEXLRCABLE

UNBALANCEDPHONOTOMALEXLRCABLE

XLRMALE

XLRFEMALE

XLRFEMALE

XLRFEMALE

SLEEVE-GROUND

RING-COLD(-)

1-GROUND/2-HOT(+)

1-GROUND/2-HOT(+)

SLEEVE-GROUND

RING-COLD(-)

LINKPINS1&3

RCAPHONO

TIP-HOT(+)

3-COLD(-)3-COLD(-)

3-COLD(-)

TIP-HOT(+)

IjackINSERTdevonoessereusaticonuncavospecialead
inserimentochedisponediunjackTRSphoneadunaestremitàediun
jackmonophonesull’altraestremitàsuddivisaad“Y”.
Unodeijackmonophonetrasportailsegnaledimandata(send)da
inviareall’ingressodelprocessoreesternoel’altrotrasportailsegnale
diritorno(return)dall’uscitadelprocessore.

TousetheINSERTjack,aspecialinsertYcablefeaturingaTRSphone
Jackatoneendandamonophonejackattheother–Y-endisrequired.
Oneofthemonophonejackscarriesthesendsignaltotheinputofthe
externalprocessor.Theotheronecarriesthereturnsignalfrom
processor'soutput.

Tip

(send)

INSERT

Ring

(return)

Sleeve

SEND

Sleeve Tip

RETURN

5

MIC

PresadiingressoNeutrikbilanciataelettronicamenteper
connettoreXLR;consentedicollegaresorgentidisegnalea
bassaimpedenza,comeimicrofonioaltridispositiviabasso
livello.

LINE

Nonèpossibileusare
contemporaneamentegliingressiMICeLINEnellostesso
canale.

INSERT

Presajackstereo(Ø6,3mm)percollegareapparecchiesternidi
elaborazionenelcircuitodelsegnaletramiteunjackstereo.
Generalmenteleconnessionidiinsertrichiedonouncavodi
divisionespecialead“Y”,terminatoconunconnettorestereoda
unaparteedueconnettorimonodall’altra(vedipag.4).

MIC

LINE

INS

MIC

ElectronicallybalancedNeutrikinputsocketforXLRconnector,
allowsconnectinglowimpedancesignalsources,like
microphonesorotherlowleveldevices.

LINE

Balancedinputsocketforstereojackconnectorwithdiameterof
¼”(6,35mm).Electronicallybalanced,allowstoconnecthigh

1

levelsignalsources,askeyboards,electricguitars,electronic
musicalinstruments,audioreproducers.Itisalsopossibletouse
monoconnectors,thisdeterminestheautomaticunbalancingof
thesignal.

ItisnotpossibletousesimultaneouslytheMICand

LINEinputsofthesamechannel.

INSERT

Stereojacksocket(Ø6,3mm)toconnectexternalprocessing
equipmentinthesignalcircuit byastereojack.Generallythe
insertconnectionsrequireaspecial“Y”splitcable,terminating
withastereoconnectorononesideandtwomonoconnectorson
theother(seepag.4).

GAIN

Regolalapreamplificazionedelsegnaleprovenientedagli
ingressiMICeLINE,ottimizzandolaalcorrettofunzionamentonei
circuitidelcanale.Lascalapresentaduedifferentifascedivalori:
lafasciada10a60dBsiriferisceall’ingressoMIC;lafasciadi
valorida-20a30dBsiriferisceall’ingressoLINE.Peruna
regolazioneottimaleposizionarequestocontrolloinmodotale
cheilledPEAKsiaccendaoccasionalmentesoloinpresenzadi
picchi.

HPF

Filtropassa-altocheeliminatuttelefrequenzeinferioriai100Hz
migliorandolacomprensibilitàdelparlatoconilmicrofono.

EQUALIZZATORE(HF/MF/LF)

Icanalimonodispongonodiunaregolazionedelsuonoatre
bandeconbandamediasemiparametrica.Perognibandaè
possibileunaesaltazione/attenuazionemassimadi15dB,nella
posizionecentralenonvieneeffettuatanessunaalterazione
timbrica.
Labandasuperiore(HF)equellainferiore(LF)sonofiltriShelving
cheregolanorispettivamenteitoniacutiebassi.Labandamedia
haunaregolazioneinfrequenzada100Hza8kHz.

AUX1-4

Questicontrolliregolanoillivellodelsegnaleinviatoaicircuiti
AUX,all’effettointernoedesterno.
LelineeAUX/PresonoindipendentidallaposizionedelFaderdi
canale(perapplicazionimonitor);lelineeAUX/Postprelevanoil
segnaledopocheèstatodosatodalFader(effetti).

PAN

IlcontrolloPANregolal’immaginedelsegnalenelfronte
stereofonico.Perisegnalimononellaposizionecentraleil
segnalesaràpresenteinegualmisurasuentrambiicanalidi
uscita;larotazionedellamanopolaversodestraosinistravariale
proporzionideiduesegnali,finoadottenere,nelleposizioni
estreme,l’annullamentodiunodeidue.

MUTE

Permettediattivare/disattivareilcanale;ilsegnaleèpresente
solosulPFL.

PFL

Permetteilmonitoraggioincuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelFader;èparticolarmente
utilenellefasidiregolazionedelGainedeicontrolli
dell’equalizzatore.

PK

L’accensionedelleddiPeakindicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcomandoGain
perdiminuirelapreamplificazioneecontrollarel’impostazione
dell’equalizzazionedelcanale.

-30dB

L’accensionediquestoledindicalapresenzadelsegnaleaudio
sulcanale.

FADER

Potenziometrosliderconcorsada60mm,regolaillivellodel
segnaledelsingolocanaledainviareaicontrolligeneraliMaster
L/R.Normalmentelemiglioriprestazionisiottengonoconil
cursoreposizionatoacirca3/4dellasuacorsaversol’alto(0dB).

GAIN

10 60mic

-20 +30

line

100Hz

HF

-150+15

MF

300

-150+15

LF

-150+15

AUX
1

AUX
2

AUX
3

AUX
4

PAN

L R

10

5
0

5

10
15
20

30

1

GAIN

Itadjuststhepre-amplificationofthesignalarrivingfromtheMIC

dB

HPF

andLINEinputs,optimizingthecorrectoperationinthechannel
circuits.Thescalehastwodifferentvaluebands:therangefrom
10to60dBisrelatedtotheMICinput,thevaluerangefrom-20to
30dBisrelatedtotheLINEinput.Forabestadjustmentitis
necessarytopositionthiscontrolinwaythatthePEAKledturns
onoccasionallyonlywhenpeaksarepresent.

1k2

3k

kHz100 8

HPF

Loudspeakerfilterthateliminatesallfrequenciesbelow100Hz,
thusmakingiteasiertounderstandanythingsaidusingthe
microphone

EQUALIZER(HF/MF/LF)

Themonochannelshaveasoundadjustmentat3bandswith
semi-parametricmid-band. Amaximumexaltation/attenuationof
15dBispossibleforeachband,inthecentralpositionnotone

-12
pre

post

0

dB

-12
pre

post

0

dB

-12

post

0

dB

-12

post

0

dB

alterationismade.
Theupperband(HF)andthelowerband(LF)areShelvingfilters
thatrespectivelyadjustthetrebleandbasstones.Themid-band
hasafrequencyadjustmentfrom100Hzto8kHz.

AUX1-4

Thesecontrolsareneededtoadjustthelevelofthesignalsentto
theAUXcircuits,totheinternalandexternaleffect.
TheAUX/prelinesareindependenttothechannelFaderposition(
formonitorapplications),theAUX/postlinesdrawthesignalafter
itisdosedbytheFader(effects).

PAN

ThePANcontroladjuststhesignalimageinthestereofront.For
monosignalsinthecentralpositionthesignalwillbepresentinthe

MUTE

PFL

PK

-30
dB

samemeasureonbothoutputchannels,theproportionofthetwo
signalschangesbyturningtheknobatrightoratleft,obtainingin
theextremepositions,theannulmentofoneofthetwo.

MUTE

Allowstoactivate/deactivatethechannel.Thesignalispresent
onlyonthePFL.

PFL

Allowstomonitorintheheadphoneseachsinglechannel
independentlybythegeneralmixing.Thisfunctionallowstolisten
thelevelbeforethefader.ItisusefulespeciallyduringtheGain
adjustmentandequalizercheckphases.

PK

Whenthisledturnsonitindicatesthatthelevelsignaliscloseto
beingsaturated,itisadvisedtooperateontheGAINcontrolto

1

decreasethepre-amplificationandcheckthechannelequalizer
setting.

-30dB

Whenthisledturnsonitindicatestheaudiosignalpresenceon
thechannel

FADER

Sliderpotentiometerwithstrokeof,adjuststhesingle

60mm

channelsignalleveltobesenttothegeneralMasterL/Rcontrols.
Usuallythebestperformancesareobtainedwiththecursoris
positionedatapprox3/4ofitsupwardsstroke(0dB).

6

MIC

PresadiingressoNeutrikbilanciataelettronicamenteper
connettoreXLR;consentedicollegaresorgentidisegnalea
bassaimpedenza,comeimicrofonioaltridispositiviabasso
livello.

STEREO-Lmono/R

Ognicanalestereodisponedidueingressibilanciatisuprese
jackperilcanalesinistroequellodestro.Sevieneutilizzata
solamentelapresaL/monoilcanalelavorainmono.

GAIN

Regolalapreamplificazionedelsegnaleproveniente
dall’ingressoMIC,ottimizzandolaalcorrettofunzionamento
neicircuitidelcanale.Perunaregolazioneottimale
posizionarequestocontrolloinmodotalecheilledPEAKsi
accendaoccasionalmentesoloinpresenzadipicchi.

HPF

Filtropassa-altocheeliminatuttelefrequenzeinferioriai
100Hzmigliorandolacomprensibilitàdelparlatoconil
microfono.

ST(STEREO)

Regolaillivellodelvolumediingressodeisegnaliprovenienti
dallepresejackLmono/R.

EQUALIZZATORE(HF/MF/LF)

Icanalistereodispongonodiunaregolazionedelsuonoatre
bandeconfiltroditipo“shelving”(acutiebassi)e“peacking”
perimedi.Perognibandaèpossibileuna
esaltazione/attenuazionemassimadi15dB,nellaposizione
centralenonvieneeffettuatanessunaalterazionetimbrica.

AUX1-4

Questicontrolli regolanoillivellodelsegnaleinviatoaicircuiti
AUX,all’effettointernoedesterno.
LelineeAUX/PresonoindipendentidallaposizionedelFader
dicanale(perapplicazionimonitor);lelineeAUX/Post
prelevanoilsegnaledopocheèstatodosatodalFader
(effetti).

EFF“C”

VedisezioneEFFETTI

BAL

IlcontrolloBALregolailbilanciamentofralesorgentisinistrae
destra.

MUTE

Permettediattivare/disattivareilcanale;ilsegnaleèpresente
solosulPFL.

PFL

Permetteilmonitoraggioincuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelFader;è
particolarmenteutilenellefasidiregolazionedelGainedei
controllidell’equalizzatore.

PK

L’accensionedelleddiPeakindicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcomando
Gainperdiminuirelapreamplificazioneecontrollare
l’impostazionedell’equalizzazionedelcanale.

-30dB

L’accensionediquestoledindicalapresenzadelsegnale
audiosulcanale.

FADER

Potenziometrosliderstereoconcorsada60mm,regolail
livellodelsegnaledelsingolocanaledainviareaicontrolli
generaliMasterL/R.Normalmentelemiglioriprestazionisi
ottengonoconilcursoreposizionatoacirca3/4dellasua
corsaversol’alto(0dB).

11/12 13/14

MIC

L

mono

STEREO STEREO

R

11/12 13/14

GAIN GAIN

10 1060 60mic micdB dB

HPF HPF

100Hz 100Hz

ST. ST.

+60dB +60dB

0 0

HF HF

-15

MF MF

-15 -15

LF LF

-15 -15

AUX
1

AUX
2

AUX
3

AUX
4

BAL BAL

L LR R

10

5
0

5

10
15
20

30

-15

+15 +15

0 0

+15 +15

0 0

+15 +15

-12 -12

AUX

pre

1

post

0 0

dB dB

-12

AUX

pre

2

post

0

dB 0

-12

EFF

post

C

0

dB

-12
post

0

dB

MUTE MUTE

PFL PFL

10

PK PK

-30
dB

5
0

5

10
15
20

30

MIC

ElectronicallybalancedNeutrikinputsocketforXLR
connector,allowsconnectinglowimpedancesignalsources,
likemicrophonesorotherlowleveldevices.

STEREO-Lmono/R

Eachstereochannelhastwobalancedinputsonjacksockets
fortheleftandrightchannels.IfonlytheLEFTsocketisused
thechannelworksinmono.

GAIN

Adjuststhepre-amplificationofthesignalarrivingfromthe
MICinput,optimizingittothecorrectoperationinthechannel

L

mono

circuits.Forabestadjustmentitisnecessarytopositionthis
controlinwaythatthePEAKledturnsonoccasionallyonly
whentherearepeaks.

R

HPF

Loudspeakerfilterthateliminatesallfrequenciesbelow
100Hz,thusmakingiteasiertounderstandanythingsaid
usingthemicrophone

ST(STEREO)

Adjuststheinputvolumelevelofthesignalsarrivingfromthe
LEFTjacksockets(mono)/RIGHT.

EQUALIZER(HF/MF/LF)

Thestereochannelsareequippedofasoundadjustmentat
threebandswith“Shelving”filter(trebleandbass)“peaking”
formids.Amaximumexaltation/attenuationof15dBis
possibleforeachband,inthecentralpositionnotone
alterationismade.

AUX1-4

Thesecontrolsareneededtoadjustthelevelofthesignalsent
totheAUXcircuits,totheinternalandexternaleffect.The
AUX/prelinesareindependenttothechannelFaderposition(
formonitorapplications),theAUX/postlinesdrawthesignal
afteritisdosedbytheFader(effects).

EFF“C”

SeeEFFECTsection

post

-12
post

dB

TheBALcontroladjuststhebalancingbetweentheleftand
rightsources.

pre

MUTE

Allowstoactivate/deactivatethechannel.Thesignalis

BAL

pre

presentonlyonthePFL.

100dB

muteserial parallel

PFL

Allowstomonitorintheheadphoneseachsinglechannel
independentlybythegeneralmixing.Thisfunctionallowsto
listenthelevelbeforetheFader.Itisusefulespeciallyduring
theGainadjustmentandequalizercheckphases.

PK

Whenthisledturnsonitindicatesthatthelevelsignalisclose
tobeingsaturated,itisadvisedtooperateontheGAINcontrol
todecreasethepre-amplificationandcheckthechannel
equalizersetting.

-30dB

Whenthisledturnsonitindicatestheaudiosignalpresence
onthechannel.

-30
dB

FADER

Sliderpotentiometerwithstrokeof,adjuststhesingle

0mm

channelsignalleveltobesenttothegeneralMasterL/R
controls.Usuallythebestperformancesareobtainedwiththe
cursorispositionedatapprox3/4ofitsupwardsstroke(0dB).

11/12 13/14

IlmixerFORMULA143FXAèdotatodiuna

7

sezionecontriploeffettointernoingradodioffrire
svariatitipidieffetto.
LesezioniEFFETTO“A”eEFFETTO“B”
sonodisponibiliintuttiicanalicon15
banchidieffettoe16variazioni
programmabilidall’utenteanche

A

attraversoconnessioneMidi.Laterza
sezioneEFFETTO“C”èpresentesul
canalestereo13/14edèprovvistadi20
effetticon16variazioni;inquestasezione

A B

4banchisonoesclusivamentededicatialla
chitarraelettricaoadaltristrumenti
musicali.L’EFFETTO“C”puòessere
usatoinserieoinparalleloalsegnaledel
canale.
Itreeffettipossonoessereprogrammati
dall’utentetramitelaconnessioneMidi.

A
B
C

EFFECTSFOOTSW

PreseJackmonoperlaconnessionediuncomando
adistanzacheattiva/disattivaglieffettiinterni.

EFF.RTN

PreseJackstereobilanciateperilcollegamentodiun
effettoesterno(inquestocasosiescludel’effetto
interno).

AUX1-2

Questicontrolliregolanoillivellodelsegnaledel
relativoeffettoinviatoalleusciteAUX1-2.

AUX3-4

Volumigeneralidell’AUXSND3-4;regolanoil
segnalediingressodell’effettointernoediquello
presentesullepresejackAUXSND3-4usateper
collegareuneffettoesterno.

BAL

Regolailbilanciamentofralesorgentisinistrae
destra.

MUTE

Permettediattivare/disattivarel’effetto.

PFL

Permetteilmonitoraggioincuffiadiognisingolo
canaleindipendentementedalmixaggiogenerale.
Questafunzioneconsentel’ascoltodellivelloprima
delfader.Èparticolarmenteutilenellefasidi
regolazionedituttelefunzionidell’effetto;lapresenza
delsegnaleèindipendentedallaposizionedelMute.

PK

L’accensionedelledPKindicacheillivellodel
segnaleèprossimoallasaturazione.

-30dB

Illedaccesoindicalapresenzadelsegnaleaudiosul
canale.

FADER

Potenziometroslider,corsada60mm,regolaillivello
delsegnaledelsingoloeffettodainviareaicontrolli
generaliMasterL/R;normalmentelemigliori
prestazionisiottengonoconilcursoreposizionatoa
circa3/4dellasuacorsaversol’alto(0dB).

pushto
CONFIRM

AUX
1

AUX
2

AUX
3

BAL BAL

10

5
0

5

10
15
20

30

C

B

L

EFFRTN

R

TRIPLEDIGITALSTEREOEFFECTS

PRESET

-12

-12

0

L R

A B

MUTE

PFL

pre

0

dB

pre

0

dB

send

10dB

PK

-30
dB

EFFECT

EFFECT

TAP/

SELECT

MODIFY

-12

AUX
1

0

-12

AUX
2

0

0

AUX
4

10dB

L R

MUTE

PFL

10

5
0

5

10
15
20

30

TheFORMULA143FXAmixerfeaturesasection
withtripleinternaleffectandcapableofoffering
differenteffecttypes.

EFFECT“A”andEFFECT“B”sectionsare
availableonallchannelswith15effect
racksand16variantsthatcanbesetvia

EFFECTS
FOOTSW

MIDIconnectionbytheuser.Thethird
section,EFFECT“C”,isavailableonthe
13/14stereochannelandfeatures20
effectswith16variations;4racksofthis
sectionareexclusivelydedicatedto
electricguitarsorfurthermusic
instruments.TheEFFECT“C”maybe
usedinseriesorinparallelwiththe
channelsignal.
Theusercansetthethreeeffectsthrough
MIDIconnection.

EFFECTSFOOTSW

Monojacksocketsforconnectingaremotecontrol
whichactivates/deactivatesinternaleffects.

EFF.RTN

Balancedstereojacksocketsfortheconnectionofan

pre

dB

pre

dB

send

PK

-30
dB

externaleffect(inthiscasetheinternaleffectis
muted).

AUX1-2

Thesecontrolsadjustthesignalleveloftherelevant
effectroutedtoAUX1-2outputs.

AUX3-4

MainvolumesofAUXSND3-4;theyadjusttheinput
signaloftheinternaleffectandoftheeffectthatis
presentontheAUXSND3-4jacksocketsusedforthe
connectionofanexternaleffect.

BAL

Foradjustingthebalancebetweenleftandright
sources.

MUTE

Itenablestoswitchon/offtheeffect.

PFL

Itenablesmonitoringeverysinglechannelin
headphones,regardlessofthegeneralmixing.This
functionpermitshearingthelevelbeforethefader.It
ismostusefulduringtheadjustmentofalleffect
functions;thesignalpresencedoesnotdependon
theMuteposition.

PK

WiththePKLEDlitup,thesignallevelisreaching
saturation.

-30dB

AlitupLEDindicatesthattheaudiosignalisonthe
channel.

FADER

Sliderpotentiometer,60mmtravel,itadjuststhe
signallevelofasingleeffecttoberoutedtothemain
MasterL/Rcontrols;generallythebestperformance
isachievedwhenthesliderissettoapproximately¾
ofitstravelupward(0dB).

GlieffettiAeBhanno16banchi(A-O)con16presets(256).

8

EffectsAandBhave16racks(A-O)with16presets(256).

L’effettoCha20banchi(A-T)con16presets(320);

iprimi16banchisonougualiadAeB;ibanchidal17al20
sonodedicatiaglistrumenti(inparticolareallachitarra)
inquantovienesimulataunagrandequantitàdi
amplificatori(JCClean,Metal,Crunch,ecc..).

IlpulsanteEFFECTSELECTselezionaunodeitre
effetti(A-B-C)nelqualeoperare.NellamodalitàEDIT
questopulsantehalafunzionediuscitadalmenù.

IlcommutatorePRESETcambiailbanco,ilpresetei
valorideiparametri;unaleggerapressionesulla
manopolahalafunzionedi“conferma”.

IlpulsanteTAP/MODIFYnellamodalitaEDITdefinisce
iltempodiripetizionedesiderato,secondoilritmo
musicale.

r o c e s so r

FBT P

A

EFF ECT A

B

EFF ECT B

C

EFF ECT C

TRIPLEDIGITALSTEREOEFFECTS

pushto
CONFIRM

PRESET

EFFECT

SELECT

EffectChas20racks(A-T)with16presets(320);

thefirst16racksareequaltoAandB;theracksfrom17to20

arededicatedtotheinstruments(toguitarsin
particular)sinceitispossibletosimulatemanydifferent
typesofamplifiers(JCClean,Metal,Crunch,etc.).

TheEFFECTSELECTbuttonselectsoneofthethree
effects(A-B-C)foroperation.InEDITmodethisbutton
servesasmenuexit.

ThePRESETswitchenablesrack,presetand
parametervaluesswitching;alightpressureonthe
knobconfirmstheselection.

InEDITmodetheTAP/MODIFYbuttonsetsthedesired
repetitiontimedependingonthemusicrhythm.

TAP/

MODIFY

TramiteilpulsanteEFFECTSELECTsceglierel’effetto
dautilizzare:A,BoC.Confermarepremendola
manopolaPRESET.

RuotandolamanopolaPRESETscegliereilbancoe
premerlaperselezionareunodei16presetdisponibili.

Confermarepremendonuovamentelamanopola
PRESET;aquestopuntoconilpulsanteTAP/MODIFY
(tenerlopremutopercirca2sec.)apparelamaschera
EDIT.

Inquestamascheraappareilpresetselezionato
precedentementeeiltempodiripetizionedamodificare
semplicementecondueleggeritocchidelpulsante
TAP/MODIFY:ilritardoèiltempotraduebattute(se
vengonoeffettuatepiùbattuteilritardoèquellodelle
ultimedue).

o c e s so

FBT P

r

EF FECT A
EF FECT B
EF FECT C

o c e s so

FBT P

r

ABankAEcho1

EF FECT B
EF FECT C

FBT P

r o c e s so r

ADelay03

EF FECT B
EF FECT C

EDIT

Delay03
Time:143.9ms

r

UsetheEFFECTSELECTbuttontoselecttheeffectto
beused:A,BoC.PressthePRESETknobtoconfirm
theselection.

r

TurnthePRESETknobtoselecttherackandpressitto
selectoneofthe16presetsavailable.

ConfirmbypressingthePRESETknobagain;nowhold
theTAP/MODIFYbuttonpressedforapproximately2
sec.todisplaytheEDITscreen.

Thisscreendisplaysthepreviouslyselectedpresetand
therepetitiontimetobeadjustedbysimplypressingthe
TAP/MODIFYbuttontwice:thedelayisthetime
betweentwobeats(whenseveralbeatsaremadethe
delayisthatofthelasttwo).

Confermareconunaleggerapressionesullamanopola
PRESET;
nellamascheraappareilparametrodiRep.(numerodi
ripetizioni);
ruotandolastessamanopolascegliereilnumerodi
ripetizionidesideratoeconfermare.

EDIT

Delay03
Rep:4

ConfirmbypressingthePRESETknoblightly:
thescreendisplaystheRep.parameter(numberof
repetitions);
byturningthesameknobselectthedesirednumberof
repetitionsandconfirm.

9

EFFECTA-B-C

BANKA Echo1

Number ProgramName Time(ms) Rep.

1

2
3
4
5
6
7
8
9

10

11
12
13
14
15
16

Delay01

Delay02
Delay03
Delay04
Delay05
Delay06
Delay07
Delay08
Delay09

Delay10

Delay11
Delay12
Delay13
Delay14
Delay15
Delay16

r o c e s so r

FBT P

A

EFFECT A

B

EFFECT B

C

EFFECT C

TRIPLEDIGITALSTEREOEFFECTS

pushto
CONFIRM

PRESET

EFFECT
SELECT

20-1350 1-5

TAP/

MODIFY

note

10

EFFECTA-B-C

BANKB

Number

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

Echo2

ProgramName

Delay01
Delay02
Delay03
Delay04
Delay05
Delay06
Delay07
Delay08
Delay09

Delay10

Delay11
Delay12
Delay13
Delay14
Delay15
Delay16

Time(ms)

20-1350

Rep.

1-5

note

EFFECTA-B-C

BANKC

Number

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

Echo3

ProgramName

3/4Echo

3/4PanEcho

4/4Echo1

4/4PanEcho1

4/4Echo2

4/4PanEcho2

Triplet

PanTriplet

PanDelay1

PanDel1+Reg

PanDelay2

PanDel2+Reg

PanDelay3

PanDel3+Reg

PanDelay4

PanDel4+Reg

Time(ms)

20-1350

Rep.

NO

note

11

EFFECTA-B-C

BANKD Regen1

Number ProgramName Time(ms) Regen(%)

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

Regen01
Regen 02
Regen 03
Regen 04
Regen05
Regen 06
Regen 07
Regen 08
Regen 09

Regen10

Regen11

Regen 12

Regen 13

Regen 14

Regen 15

Regen 16

note

20-1350 1-99

EFFECTA-B-C

BankE Regen2

Number ProgramName Time(ms) Regen(%)

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

Regen01
Regen 02
Regen 03
Regen 04
Regen05
Regen 06
Regen 07
Regen 08
Regen 09

Regen10

Regen11

Regen 12

Regen 13

Regen 14

Regen 15

Regen 16

note

20-1350 1-99

12

EFFECTA-B-C

BANKF ShortRoom

Number ProgramName Time(ms) HDamp(%)

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

ShortRoom01
ShortRoom 02
ShortRoom 03
ShortRoom 04
ShortRoom 05
ShortRoom 06
ShortRoom 07
ShortRoom 08
ShortRoom 09

ShortRoom 10

ShortRoom 11
ShortRoom 12
ShortRoom 13
ShortRoom 14
ShortRoom 15
ShortRoom 16

note

0-12 0-100

EFFECTA-B-C

BANKG Room

Number ProgramName Time(ms) HDamp(%)

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

Room01
Room 02
Room 03
Room 04
Room 05
Room 06
Room 07
Room 08
Room 09

Room 10

Room 11
Room 12
Room 13
Room 14
Room 15
Room 16

note

12-30 0-100

13

EFFECTA-B-C

BANKH Hall

Number ProgramName Time(ms) HDamp(%)

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

Hall01
Hall 02
Hall 03
Hall 04
Hall 05
Hall 06
Hall 07
Hall 08
Hall 09
Hall10

Hall 11
Hall 12
Hall 13

Hall14

Hall 15
Hall 16

note

30-60 0-100

EFFECTA-B-C

BANKI Concert

Number ProgramName Time(ms) HDamp(%)

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

Church1
Church2
Church3

Church4
Church5
Church6
Church7
Church8

Cathedral1
Cathedral2
Cathedral3
Cathedral4
Cathedral5
Cathedral6

Cathedral7
Cathedral8

note

60-250 0-100

14

EFFECTA-B-C

BANKJ Plate

Number ProgramName Time(ms)

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

Plate01
Plate02
Plate03
Plate04
Plate05
Plate06
Plate07
Plate08
Plate09

Plate10

Plate11
Plate12
Plate13
Plate14
Plate15
Plate16

0-250

HDamp(%)

NO

note

EFFECTA-B-C

BANKK Chorus1

Number ProgramName

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

Choruslight1

Choruslight2

Chorusmedium1

Chorusmedium2

Chorusdeep1
Chorusdeep2

Chorusfast1
Chorusfast2

Resonantchorus

Longtime

Fastchlgdl

Quadhighfbk

Quadchreso
Quadmeddep
Quadhighdep

Deepstflang

Time(ms)

HDamp(%)

NONO

note

15

EFFECTA-B-C

BANKL Chorus2

Number ProgramName Time(ms)

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

ChFt1+Shr9

ChFt1+Ro12
ChFt1+Ro16

ChDp2+Ha12

ChDp2+Ha11

ChDp2+Ha16

ChFt2+Chu4

ChFt2+Cat7
ChMed1+Reg1
ChMed1+Reg2

ChMed1+Reg3
ChMed1+Reg4
ChMed1+Reg5
ChMed1+Reg6

ChMed1+Reg7

ChMed1+Reg8

0-1350

0-1350

HDamp/Regen(%)

HDamp1-99

Regen1-99

note

EFFECTA-B-C

BANKM Pitch

Number ProgramName

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

NoDetune

UpM3rd

Upm3rd

Up4th

Up5th
DownM3rd
Downm3rd

Down4th
Down5th

Downm6th
Downoctave
Lightdetune

Mediumdetune

Deepdetune

Octaver

Fbkcancel

Time(ms)

NO NO

HDamp/Regen(%)

note

16

EFFECTA-B-C

BANKN Guitar1

Number ProgramName Threshold(dB)

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

GateReverbA1
GateReverbA2
GateReverbA3
GateReverbA4

GateReverbB1
GateReverbB2
GateReverbB3
GateReverbB4

GatePlateA1
GatePlateA2
GatePlateA3
GatePlateA4

GatePlateB1
GatePlateB2
GatePlateB3
GatePlateB4

note

-10/-60

EFFECTA-B-C

BANKO Guitar2

Number ProgramName

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

FlangeLight

Flangemedium

Flangeslowdeep

Flangedeep
FlangeL+SR2
FlangeM+R5

FlangeSD+H9

PhaserLight

Phasermedium

Phaserslowdeep

Phaserdeep

Tremoloslow
TremoloMedium1
TremoloMedium2

Tremolofast

TremoloM1+R5

Threshold(dB)

NO

note

17

EFFECTC

BANKP Guitar3

Number ProgramName

1
2
3

4

5

6

7

8
9

10

11
12
13

note

TubeLow1

TubeLow2

TubeMedium1

TubeMedium2

TubeHigh1
TubeHigh2

SmoothOD

Distortion

Crunch

Fuzz

Grugen

Metal

Mess

EFFECTC

BANKQ MultiFX1

Number

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

ProgramName noteProgram

MultiFX01
MultiFX02
MultiFX03
MultiFX04
MultiFX05
MultiFX06
MultiFX07
MultiFX08
MultiFX09

MultiFX10

MultiFX11
MultiFX12
MultiFX13
MultiFX14
MultiFX15
MultiFX16

00,A02-----O02
00,A05-----O05
00,A10-----O10
00,A15-----O15
00,A05-----O05
00,A10-----O10
00,A15-----O15
00,A05-----O05
00,A08-----O08
00,A01-----O01
00,A16-----O16
00,A04-----O04
00,A08-----O08
00,A12-----O12
00,A15-----O15
00,A16-----O16

AmpName

OFF
JCClean
Acoustic

BlackPanel

BritCombo

Tweed

StackClassic

Metal

R-Fier

DynaAmp

Crunch

VODrave

BGLead

MSHiGain

Cabinet

Compressor

Auto-Wah

18

EFFECTC

BANKR MultiFX2

Number

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

MultiFX01
MultiFX02
MultiFX03
MultiFX04
MultiFX05
MultiFX06
MultiFX07
MultiFX08
MultiFX09

MultiFX10

MultiFX11
MultiFX12
MultiFX13
MultiFX14
MultiFX15
MultiFX16

00,A01-----O01
00,A05-----O05
00,A10-----O10
00,A15-----O15
00,A05-----O05
00,A10-----O10
00,A15-----O15
00,A05-----O05
00,A08-----O08
00,A01-----O01
00,A16-----O16
00,A04-----O04
00,A08-----O08
00,A12-----O12
00,A15-----O15
00,A16-----O16

AmpName

OFF
JCClean
Acoustic

BlackPanel

BritCombo

Tweed

StackClassic

Metal

R-Fier

DynaAmp

Crunch

VODrave

BGLead

MSHiGain

Cabinet

Compressor

Auto-Wah

noteProgramProgramname

EFFECTC

BANKS MultiFX3

Number

1
2
3

4

5

6

7

8
9

10

11
12
13
14
15
16

Programname

MultiFX01
MultiFX02
MultiFX03
MultiFX04
MultiFX05
MultiFX06
MultiFX07
MultiFX08
MultiFX09

MultiFX10

MultiFX11
MultiFX12
MultiFX13
MultiFX14
MultiFX15
MultiFX16

00,A01-----O01
00,A05-----O05
00,A10-----O10
00,A15-----O15
00,A05-----O05
00,A10-----O10
00,A15-----O15
00,A05-----O05
00,A08-----O08
00,A01-----O01
00,A16-----O16
00,A04-----O04
00,A08-----O08
00,A12-----O12
00,A15-----O15
00,A16-----O16

AmpName

OFF
JCClean
Acoustic

BlackPanel

BritCombo

Tweed

StackClassic

Metal

R-Fier

DynaAmp

Crunch

VODrave

BGLead

MSHiGain

Cabinet

Compressor

Auto-Wah

noteProgram