FBT FORMULA 122E User Manual [en, de, fr, it]

Manualediistruzioni

Operatingmanual

Moded’emploi

BenutzerHandbuch

FBTELETTRONICAS.p.A.-ZONAIND.LESQUARTABUE-62019RECANATI(MC)-ITALY

tel.[phone]r.a.-fax[phone]-P.O.BOX104-e-mail:[e-mail]

GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 1060 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60mic mic mic mic mic mic mic mic mic mic mic mic mic mic mic mic mic mic

-20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20+30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30

line line line line line line line line line line line line line line line line line line

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18

HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF

100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz

PH48V PH48V PH48V PH48V PH48V

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

HF

HF HF HF HF HF HF HF HF HF HF HF HF HF HF HF HF HF

-150+15

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

1k2

1k2

1k2

1k2

1k2

1k2

1k2

1k2

1k2

1k2

1k2

1k2

MF

MF MF MF MF MF MF MF MF MF MF MF MF MF MF MF MF MF

300 3k

300 3k

300 3k

300 3k

300 3k

300 3k

300 3k

300 3k

300 3k

300 3k

kHz

LF

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX
5

AUX
6

AUX
7

post

PAN

MUTE

100 8

-15

-150+15

L R

kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz

100 8

100 8

100 8

100 8

100 8

100 8

100 8

0

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

-12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

0

dB

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

0

dB

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

0

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

0

dB

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX

0

dB

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX

0

dB

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX

post post post post post post post post post post post post post post post post post

0

dB

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN

L L L L L L L L L L L L L L L L LR R R R R R R R R R R R R R R R R

MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE

PK PK PK PK PK PK PK PK PK PK PK PK PK PK PK PK PK PK

10

10

10

10

10

10

-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30

5

5

5

5

0

0

5

L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R

1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2

10

15

20

30

PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL

0

5

5

10

10

15

15

20

20

30

30

5

0

0

5

5

10

10

15

15

20

20

30

30

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

100 8

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

100 8

300 3k

100 8

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

300 3k

100 8

1k2

300 3k

300 3k

100 8

100 8

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

-20dB

1k2

1k2

300 3k

300 3k

100 8

100 8

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

PAD

-20dB

-20dB

1k2

1k2

300 3k

100 8

1

2

3

4

5

6

7

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18

GAIN

GAIN

dB

dB

10 60mic

10 60mic

STEREOA STEREOB CTRL

HPF HPF

100Hz 100Hz

0

STEREO

STEREO

1

2

+6

dB +6

HF

HF

-150+15

MF

MF

-150+15

LF

LF

-150+15

-12

AUX

AUX

1

1

pre

pre

0

dB

-12

AUX

AUX

2

2

pre

pre

0

dB

-12

AUX

AUX

3

3

pre

pre

0

dB

-12

AUX

AUX

4

4

pre

pre

0

dB

-12

AUX

AUX

5

5

pre

0

dB

-12

AUX

AUX

6

6

pre

0

dB

-12

AUX

AUX

7

7

post

post

0

dB

BAL

BAL

L R

MUTE MUTE MUTE MUTE MUTE MUTE MUTE

PK

10

-30
dB

5

0

5

L/R

1/2

10

15

20

30

PFL

STEREOA STEREOB EFFECT SUB1/2 LEFT RIGHT MONO

EFFECT

1612

0

14
13
12

dB

11

8910

PARAMETER

-150+15

PAB

O

N

M

L

-150+15

K

HIJ

PROGRAM

-150+15

-12

-12

AUX
1

pre

0

dB

-12

-12

AUX
2

pre

0

dB

-12

-12

AUX
3

pre

0

dB

-12

-12

AUX
4

pre

0

dB

-12

-12

AUX
5

pre

0

dB

-12

-12

AUX
6

pre

0

dB

-12

-12

AUX7
SND

0

dB

BAL

L R

L R

PK

10

10

-30
dB

5

5

0

0

5

5

L/R

1/2

10

10

15

15

20

20

30

30

PFL PFL AFL AFL AFL AFL

AUXEFF.RTN

EFFECTPROGRAMCHART

A- HALL 1

E - CONCERT1

B- HALL 2

F - CONCERT2

C- ROOM 1

G - GATE

D- ROOM 2

H - GUITAR

P-16effectOff

3415

5
6

7

C

D
E
F

G

ProfessionalLiveSoundMixer

-12

AUX
1

0

dB

0

dB

-12

AUX
2

0

dB

0

dB

-12

AUX
3

0

0

dB

dB

-12

AUX
4

0

dB

0

dB

-12

AUX

PRE

5

POST

0

dB

0

dB

-12

AUX

PRE

6

POST

0

dB

0

dB

2TRK

0

dB

+60dB

BAL

L R

PK

10

-30
dB

5

0

5

L/R

L/R LPF

1/2

10

15

20

30

PK

-30
dB

300 3k

100 8

PAD

-20dB

1k2

10

dB

5

0

5

10

15

20

30

I - ECHO 1

M- VOICE 2

J -ECHO 2

N -CHORUS 1

K -ECHO 3

O -CHORUS 2

L -VOICE 1

P -SHIFTER

LEFT RIGHT

OVL
+10
+7
+4

0

-4

-7

-10

-20

AFL

AFL

AFL

AFL

AFL

AFL

AFLL/R

PK

10

-30
dB

5

0

5

10

15

20

30

-30

PEAK

PFL

PWR

AFL

PEAK

PEAK

PEAK

PEAK

-6

PEAK

0

CTRLROOM

PK

PK

10

10

-30

-30

dB

dB

5

5

0

0

5

5

125Hz

10

10

15

15

20

20

30

30

GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN

dB dB dB dB dB dB dB dB dB dB dB dB

10 10 10 10 10 10 10 10 10 10 10 1060 60 60 60 60 60 60 60 60 60 60 60mic mic mic mic mic mic mic mic mic mic mic mic

-20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20+30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30

line line line line line line line line line line line line

1 2 3 4 5 6 7 8 9 10 11 12

HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF

100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz

0 0 0 0 0 0 0 0 0 0 0 0

HF HF HF HF HF HF HF HF HF HF HF HF

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

2k 6k

MF

300

100 12

-150+15

-150+15LF-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

AUX
1

pre pre pre pre pre pre pre pre pre pre pre pre

AUX
2

pre pre pre pre pre pre pre pre pre pre pre pre

AUX
3

pre pre pre pre pre pre pre pre pre pre pre pre

AUX
4

AUX
5

post post post post post post post post post post post post

PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN

2k 2k 2k 2k 2k 2k 2k 2k 2k 2k 2k6k 6k 6k 6k 6k 6k 6k 6k 6k 6k 6k

MF MF MF MF MF MF MF MF MF MF MF

8k

600 600 600 600 600 600 600 600 600 600 600

8k 8k 8k 8k 8k 8k 8k 8k 8k 8k

kHz

400 400 400 400 400 400 400 400 400 400 40012 12 12 12 12 12 12 12 12 12 12

kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz

0 0 0 0 0 0 0 0 0 0 0

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

0 0 0 0 0 0 0 0 0 0 0

LF LF LF LF LF LF LF LF LF LF LF

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

L L L L L L L L L L L LR R R R R R R R R R R R

10

5

0

5

10

15

20

30

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

1

1

1

1

1

1

1

1

0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB

AUX

AUX

AUX

AUX

AUX

AUX

2

2

2

2

0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB

AUX

AUX

3

0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB

AUX
4

0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB

AUX
5

0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB

PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK

10

MUTE

MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE

5

0

5

L/R

L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R

1/2

1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2

10

15

20

30

AUX

3

3

AUX

AUX

4

4

AUX

AUX

5

5

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

2

AUX

AUX

3

3

AUX

AUX

4

4

AUX

AUX

5

5

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

AUX

2

2

AUX

AUX

3

3

AUX

AUX

4

4

AUX

AUX

5

5

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

1

AUX

AUX

2

2

AUX

AUX

3

3

AUX

AUX

4

4

AUX

AUX

5

5

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

AUX

1

1

AUX

AUX

2

2

AUX

AUX

3

3

AUX

AUX

4

4

AUX

AUX

5

5

10

5

0

5

10

15

20

30

dB

10 60mic

STEREOA STEREOB

100Hz

STEREO
1

HF

MF

LF

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

AUX
5

post

BAL

10

5

0

5

10

15

20

30

GAIN

HPF

MIC

0

-150+15

-150+15

-150+15

-12

-12

-12

-12

-12

L R

10

5

0

5

10

15

20

30

GAIN

dB

10 60mic

A - HALL 1
B - HALL 2
C - ROOM 1
D - ROOM 2

P-16effectOff

AUX
1

AUX
2

AUX
3

AUX
4

2TRK

BAL

L R

EFFECTPROGRAMCHART

E - CONCERT 1
F - CONCERT 2
G - GATE
H - GUITAR

-12

0

dB

-12

0dB

-12

0

dB

-12

PRE
POST

0

dB

L/R AFL

+60dB

10

MUTE

5

0

5

L/R

10

15

20

30

I - ECHO 1

M- VOICE 2

J - ECHO 2

N -CHORUS 1

K - ECHO 3

O -CHORUS 2

L - VOICE1

P -SHIFTER

AFL PEAK

AFL

AFL

AFL

PH
48V

10

MUTE MUTE MUTE

5

0

5

10

15

20

30

EFFECT

HPFMIC

100Hz

0

STEREO
2

+6

dB

HF

-150+15

MF

-150+15

LF

-150+15

-12

AUX
1

pre

0

dB

-12

AUX
2

pre

0

dB

-12

AUX
3

pre

0

dB

-12

AUX
4

pre

0

dB

-12

AUX
5

pre

0

dB

BAL

L R

10

5

0

5

10

15

20

30

1

16

2

3415

14

5

13

6

12

+6

dB

0

dB

0

dB

0

dB

0

dB

0

dB

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX5
SND

BAL

11

PARAMETER

PAB

O

N

M

L

K

PROGRAM

L R

7

8910

C

D

E

F

G

HIJ

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0dB

10

MUTE

MUTE

5

0

5

L/R

1/2

L/R

1/2

10

15

20

30

PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL AFL AFL AFL AFL

CTRL

OVL
+10
+7
+4

0

-4

-7

-10

-20

-30

LEFT RIGHT

PFL

PWR

AFL

PEAK

PEAK

PEAK

-6

ON

10

5

0

5

10

15

20

30

CTRLROOM

0

10

5

0

5

LPF

125Hz

10

15

20

30

1 2 3 4 5 6 7 8 9 10 11 12

STEREOA STEREOB EFFECT SUB1/2 MONOLEFT RIGHT

AUXEFF.RTN

ITALIANO

ENGLISH

INDICE

CARATTERISTICHE

INDEX

CHARACTERISTICS

1

ITALIANO

ENGLISH

PRECAUZIONI

-Leggeteilpresentemanualeconattenzioneeseguitequeste
precauzioniprimadioperareconilmixer.Conservateilmanuale
pereventualinecessitàfuture,oltreall'imballooriginale:essi,
insiemeadunabuonaconservazionedelprodotto,
rappresentanoladocumentazionepiùqualificataperl'eventuale
valutazionenelmercatodell'usato.

-Evitatediinstallareilmixervicinoafontidicaloreeccessivo,di
esporloairradiazionesolaredirettaediposizionarlosenzaalcuna
protezioneinambientipolverosi.

-Assicuratevichelatensionedialimentazionenonsiasuperiore
alvaloreindicatosulpannelloposteriore.

-Nonusatemail'apparecchioseilcavoolaspinadiretenonsono
inperfettecondizioni(senecessario,provvedeteallaloro
sostituzioneoaccuratariparazione).

-Perpreveniredisturbiindottinelmixer,evitatediinstallarloin
prossimitàditrasformatoridialimentazione,apparecchiTV,
trasmettitoriinRF,motorielettrici,unaqualsiasifontedienergia
elettrica.

-Evitatediorientareimicrofoninelladirezionedellecasse
acustiche:potrebberogenerarefastidiosiinneschi(effetto
Larsen)chedanneggerebberoglialtoparlanti.

-Nelcollegaretralorodiversiapparecchiaudio(mixer,
amplificatoridipotenzaestrumentielettronici)possonoinsorgere
rumorieronzii.Generalmentelacausaèdaricercarsineglianelli
dimassa;lasoluzionedelproblemaconsistenell’aprireglianelli
creandocosìunaconfigurazione“astella”dellamassa,cioècon
tuttiidispositivicollegaticonlaterrasuununicopuntodi
riferimento.

-Perevitarespiacevoliecostosiinconvenientiusatesolocavidi
collegamentooriginali.

-Noncollegatemainessuncanalediuscitaconaltricanali
d’ingressodelmixer.

-Noncollegatemainessunapresaaudiodelmixerconuna
qualsiasifontedienergiaelettrica.

-Perlapulizianonusatesolventitipoacetoneoalcool,che
danneggerebberolafinituraesternaeleserigrafiedeipannelli.

-Incasodicattivofunzionamentodiqualsiasidispositivodel
sistemaaffidatevialpiùvicinocentrodiassistenzaFBToadun
centrospecializzato,evitandodiprovvederepersonalmente.

PRECAUTIONS

-Readthismanualcarefullyandfollowtheinstructionsbefore
usingthemixer.Keepthemanualforfuturereferenceandfor
tryingoutnewwaysofusingthesystem.Keepthepackingtoo:as
wellasensuringthattheequipmentremainsingoodcondition,itis
alsoanimportantfactorwhentheunitisvaluedforsaleonthe
second-handmarket.

-Avoidinstallingthemixernearsourcesofexcessiveheat,
exposingittodirectsunlightorleavingitunprotectedindusty
surroundings.

-Makecertainthatthemainspowervoltageisnothigherthanthat
shownontherearpanel.

-Neverusetheunitifthe powercableorplugarenotinperfect
condition(ifnecessary,havethemreplacedorcarefullyrepaired).

-Topreventcausinginterferenceonthemixer,avoidinstallingthe
mixernearpowertransformers,televisionsets,radiotransmitters
andelectricmotors,orlightingdimmersandthecables
connectingthemtoluminaires.

-Avoidpointingmicrophonesinthedirectionoftheloudspeaker
enclosures:thiscancauseannoyingfeedback,whichcouldalso
damagethespeakers.

-Whenconnectingvariousunitstogether(mixers,power
amplifiersandelectronicinstruments),noisesandhumcouldbe
caused.Thesearenormallyduetoearthloops,andcanbesolved
bybreakingtheloops,creatinga"star"earthset-up,i.e.withallthe
units'earthsconnectedtoasinglereferencepoint.

-Toavoidregrettablecostlyproblems,onlyuseoriginalconnector
cables.

-Neverconnectanoutputchanneltoanotherinputchannelonthe
mixer.Beforeconnectinganything,readtheinstructionsinthis
manual.

-Neverconnectanyaudioconnectorofthemixertoanysourceof
electricalpower.

-Donotusesolventssuchasacetoneoralcoholtocleanthe
mixer,astheywoulddamageitsfinishandthewritingonits
panels.

-Intheeventoffaultyoperationofanypartofthesystem,contact
thenearestFBTassistancecentreoraspecializedcentre,but
nevertrytocarryoutrepairsyourself.

AVVERTENZE

RISCHIODISHOCKELETTRICO

PEREVITAREILRISCHIODISHOCKELETTRICO

NONUSAREUTENSILIMECCANICIALL'INTERNO

CONTATTAREUNCENTRODIASSISTENZAQUALIFICATO

PEREVITAREILRISCHIODIINCENDIOODISHOCKELETTRICO

NONESPORREL'APPARECCHIATURAALLAPIOGGIA

NONAPRIREILCOPERCHIO

NONAPRIRE

OALL'UMIDITA'

!

WARNING

RISKOFELECTRICSHOCK

DONOTOPEN

TOREDUCETHERISKOFELECTRICSHOCK

DONOTREMOVECOVER(ORBACK)

REFERSERVICINGTOQUALIFIEDSERVICEPERSONNEL

DONOTEXPOSETHISEQUIPMENTTORAINORMOISTURE

NOUSERSERVICEABLEPARTSINSIDE

TOREDUCETHERISKOFFIREORELECTRICSHOCK

2

!

ITALIANO ENGLISH

PANNELLOFRONTALE

GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

PAD

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

-20dB

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 1060 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60mic mic mic mic mic mic mic mic mic mic mic mic mic mic mic mic mic mic

-20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20+30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30

line line line line line line line line line line line line line line line line line line

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18

HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF

100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz

PH48V PH48V PH48V PH48V PH48V

HF

-150+15
1k2

MF

300

3k

100 8

kHz

-150+15

LF

-150+15

-12

AUX
1

pre

0

dB

-12

AUX
2

pre

0

dB

-12

AUX
3

pre

0

dB

-12

AUX
4

pre

0

dB

-12

AUX
5

0

dB

-12

AUX
6

0

dB

-12

AUX
7

post

0

dB

PAN

L R

MUTE

PK PK PK PK PK PK PK PK PK PK PK PK PK PK PK PK PK PK

10

-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30dB-30

5

0

5

L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R

1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2

10

15

20

30

PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

HF HF HF HF HF HF HF HF HF HF HF HF HF HF HF HF

HF

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

-150+15

MF MF MF MF MF MF MF MF MF MF MF MF MF MF MF MF MF

300

100 8

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX4AUX

pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre pre

AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX5AUX

AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX6AUX

AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX7AUX

post post post post post post post post post post post post post post post post post

PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN

MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

1k2

1k2

1k2

1k2

1k2

1k2

1k2

1k2

1k2

1k2

1k2

300

300

300

300

300

300

300

300

3k

3k

3k

3k

3k

3k

3k

100 8

100 8

100 8

100 8

100 8

kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB

L L L L L L L L L L L L L L L L LR R R R R R R R R R R R R R R R R

10

10

10

10

10

5

5

5

5

0

0

5

10

15

20

30

0

5

5

10

10

15

15

20

20

30

30

5

0

0

5

5

10

10

15

15

20

20

30

30

100 8

10

5

0

5

10

15

20

30

3k

100 8

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

100 8

300

3k

3k

100 8

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

300

100 8

1k2

300

100 8

300

3k

100 8

10

5

0

5

10

15

20

30

3k

10

5

0

5

10

15

20

30

-20dB

1k2

1k2

300

100 8

300

3k

100 8

10

5

0

5

10

15

20

30

3k

10

5

0

5

10

15

20

30

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18

PAD

-20dB

-20dB

1k2

1k2

300

3k

3k

100 8

1

2

3

4

5

6

7

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

FRONTPANEL

GAIN

GAIN

dB

10 60mic

10 60mic

STEREOA STEREOB CTRL

HPF HPF

100Hz 100Hz

0

STEREO
2

+6

dB +6

HF

-150+15

MF

-150+15

LF

-150+15

-12

AUX
1

pre

0

dB

-12

AUX
2

pre

0

dB

-12

AUX
3

pre

0

dB

-12

AUX
4

pre

0

dB

-12

AUX
5

pre

0

dB

-12

AUX
6

pre

0

dB

-12

AUX
7

post

0

dB

BAL

L R

MUTE MUTE MUTE MUTE MUTE MUTE MUTE

PK

-30
dB

L/R

1/2

PFL PFL PFL AFL AFL AFL AFL

STEREOA STEREOB EFFECT SUB1/2 LEFT RIGHT MONO

-150+15

-150+15

-150+15

-12

-12

-12

-12

-12

-12

-12

L R

AUXEFF.RTN

EFFECT

1612

0

3415
14
13
12

dB

7

11

8910

PARAMETER

PAB

O

C

N

M

L

K

G

HIJ

PROGRAM

-12

AUX
1

pre

0

dB

0

-12

AUX
2

pre

0

dB

0

-12

AUX
3

pre

0

dB

0

-12

AUX
4

pre

0

dB

0

-12

AUX
5

pre

0

dB

0

-12

AUX
6

pre

0

dB

0

-12

AUX7
SND

0

dB

0

BAL

L R

PK

-30
dB

L/R

1/2

EFFECTPROGRAMCHART

A- HALL 1

E - CONCERT1

B- HALL 2

F - CONCERT2

C- ROOM 1

G - GATE

D- ROOM 2

H - GUITAR

P-16effectOff

5

6

D
E
F

ProfessionalLiveSoundMixer

-12

AUX
1

dB

0

dB

-12

AUX
2

dB

0

dB

-12

AUX
3

dB

0

dB

-12

AUX
4

dB

0

dB

-12

AUX

PRE

5

POST

dB

0

dB

-12

AUX

PRE

6

POST

dB

0

dB

2TRK

dB

+60dB

BAL

L R

PK

PK

-30

-30

dB

dB

L/R

L/R LPF

1/2

300

100 8

dB

PAD

-20dB

STEREO
1

1k2

HF

3k

MF

LF

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX
5

AUX
6

AUX
7

post

BAL

10

dB

5

0

5

10

15

20

30

I - ECHO 1

M- VOICE 2

J -ECHO 2

N -CHORUS 1

K -ECHO 3

O -CHORUS 2

L -VOICE 1

P -SHIFTER

LEFT RIGHT

OVL
+10

+7
+4

0

-4

-7

-10

-20

AFL

AFL

AFL

AFL

AFL

AFL

AFLL/R

PK

10

-30
dB

5

0

5

10

15

20

30

-30

PEAK

PFL

PWR

AFL

PEAK

PEAK

PEAK

PEAK

-6

PEAK

0

CTRLROOM

PK

PK

10

10

-30

-30

dB

dB

5

5

0

0

5

5

125Hz

10

10

15

15

20

20

30

30

CAUTION

RISKOFELECTRICSHOCK

DONOTOPEN

90-240V 50-60Hz
T2A-250V35VA

SEZIONECANALIMONO

MONOCHANNELSECTION

PANNELLOPOSTERIORE

SEZIONECANALISTEREO

STEREOCHANNELSECTION

SEZIONEEFFETTI

EFFECTSECTION

REARPANEL

SEZIONEMASTER
MASTER SECTION

3

ITALIANO ENGLISH

SEZIONECANALIMONO MONOCHANNELSSECTION

MIC

PresadiingressoNeutrikbilanciataelettronicamenteper
connettoreXLR;consentedicollegaresorgentidisegnalea
bassaimpedenza,comeimicrofonioaltridispositiviabasso
livello.

LINE

Nonèpossibileusarecontemporaneamentegli

ingressiMICeLINEdellostessocanale.

INSERT

Presajackstereo(Ø6,3mm)percollegareapparecchiesterni
dielaborazionenelcircuitodelsegnaletramiteunjackstereo.
Generalmenteleconnessionidiinsertrichiedonouncavodi
divisionespecialead“Y”,terminatoconunconnettorestereo
daunaparteedueconnettorimonodall’altra.

GAIN

Regolalapreamplificazionedelsegnaleprovenientedagli
ingressiMICeLINE,ottimizzandolaalcorretto
funzionamentoneicircuitidelcanale.Lascalapresentadue
differentifascedivalori:lafasciada10a60dBsiriferisce
all’ingressoMIC;lafasciadivalorida-20a30dBsiriferisce
all’ingressoLINE.Perunaregolazioneottimaleposizionare
questocontrolloinmodotalecheilledPEAKsiaccenda
occasionalmentesoloinpresenzadipicchi.

GAIN

dB

10 60mic

-20 +30

line

PAD

-20dB

MIC

ElectronicallybalancedNeutrikinputsocketforXLR
connector,allowsconnectinglowimpedancesignalsources,
likemicrophonesorotherlowleveldevices.

LINE

Balancedinputsocketforstereojackconnectorwithdiameter
of¼”(6,35mm).Electronicallybalanced,allowstoconnect
highlevelsignalsources,askeyboards,electricguitars,
electronicmusicalinstruments,audioreproducers.Itisalso
possibletousemonoconnectors,thisdeterminesthe
automaticunbalancingofthesignal.

Itisnotpossibletouse
simultaneouslytheMICandLINEinputsofthesame
channel.

INSERT

Stereojacksocket(Ø6,3mm)toconnectexternalprocessing
equipmentinthesignalcircuitbyastereojack.Generallythe
insertconnectionsrequireaspecial“Y”splitcable,
terminatingwithastereoconnectorononesideandtwomono
connectorsontheother.

GAIN

Itadjuststhepre-amplificationofthesignalarrivingfromthe
MICandLINEinputs,optimizingthecorrectoperationinthe
channelcircuits.Thescalehastwodifferentvaluebands:the
rangefrom10to60dBisrelatedtotheMICinput,thevalue
rangefrom-20to30dBisrelatedtotheLINEinput.Forabest
adjustmentitisnecessarytopositionthiscontrolinwaythat
thePEAKledturnsonoccasionallyonlywhenpeaksare
present.

PAD

IlpulsantePADintervienesulsegnaleiningresso
riducendonel’intensitàdi-20dB.

HPF

Filtropassa-altocheeliminatuttelefrequenzeinferioriai
100Hzmigliorandolacomprensibilitàdelparlatoconil
microfono.

PH48V

Attivazionedellaphantompower(48V)periconnettoriXLR
(ogni4canali),necessariaperilfunzionamentodeimicrofoni
acondensatore;l’attivazioneèsegnalatadallaaccensione
delrelativoled.

Collegaretuttiimicrofoninecessariprima

diattivarel’alimentazionephantom.

EQUALIZZATORE(HF/MF/LF)

Icanalimonodispongonodiuna regolazionedelsuonoatre
bandeconbandamediasemiparametrica.Perognibandaè
possibileunaesaltazione/attenuazionemassimadi15dB,
nellaposizionecentralenonvieneeffettuatanessuna
alterazionetimbrica.
Labandasuperiore(HF)equellainferiore(LF)sonofiltri
Shelvingcheregolanorispettivamenteitoniacutiebassi.La
bandamediahaunaregolazioneinfrequenzada100Hza
8kHz.

HPF

100Hz

PH48V

HF

-15

MF

300

100 8

-15

LF

-15

1k2

1

PAD

ThePADbuttonoperatesontheinputsignalreducingits
intensityof-20dB.

HPF

Loudspeakerfilterthateliminatesallfrequenciesbelow
100Hz,thusmakingiteasiertounderstandanythingsaid
usingthemicrophone

PH48V

0

Phantompower(48V)activationforXLRconnectors(every4
channels),necessaryforthecondensermicrophones
operation;theactivationissignalledbytherelatedledthat

+15

turnson.

activatingthephantompowersupply.

3k

EQUALIZER(HF/MF/LF)

Connectallthenecessarymicrophonesbefore

Themonochannelshaveasoundadjustmentatthreebands

kHz

0

withsemi-parametricmid-band.Amaximum
exaltation/attenuationof15dBispossibleforeachband,in
thecentralpositionnotonealterationismade.
Theupperband(HF)andthelowerband(LF)areShelving
filtersthatrespectivelyadjustthetrebleandbasstones.The

+15

0

+15

mid-bandhasafrequencyadjustmentfrom100Hzto8kHz.

4

ITALIANO ENGLISH

SEZIONECANALIMONO MONOCHANNELSSECTION

AUX1-7

Questicontrolliservonoperregolareillivellodelsegnale
inviatoaicircuitiAUX1-6,all’’effettointernoedesterno.
LelineeAUX/presonoindipendentidallaposizionedelFader
dicanale(perapplicazionimonitor);lelineeAUX/post
prelevanoilsegnaledopocheèstatodosatodalFader
(effetti).

PAN

IlcontrolloPANregolal’immaginedelsegnalenelfronte
stereo.Perisegnalimononellaposizionecentraleilsegnale
saràpresenteinegualmisurasuentrambiicanalidiuscita;la
rotazionedellamanopolaversodestraosinistravariale
proporzionideiduesegnali,finoadottenere,nelleposizioni
estreme,l’annullamentodiunodeidue.

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulPFL.

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcomando
GAINperdiminuirelapreamplificazioneecontrollare
l’impostazionedell’equalizzazionedelcanale.

-30dB

L’accensionediquestoledindicalapresenzadelsegnale
audiosulcanale.

L/R

IlpulsanteL/RinviailsegnaledicanalealMAINL/R.

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX
5

AUX
6

AUX
7

post

PAN

AUX1-7

Thesecontrolsareneededtoadjustthelevelofthesignal

-12

senttotheAUX1-6circuits,totheinternalandexternal
effect.
TheAUX/prelinesareindependenttothechannelFader

0

dB

-12

position(formonitorapplications),theAUX/postlinesdraw
thesignalafteritisdosedbytheFader(effects).

PAN

0

dB

-12

ThePANcontroladjuststhesignalimageinthestereofront.
Formonosignalsinthecentralpositionthesignalwillbe
presentinthesamemeasureonbothoutputchannels,the
proportionofthetwosignalschangesbyturningtheknobat

0

dB

-12

1

0

dB

-12

rightoratleft,obtainingintheextremepositions,the
annulmentofoneofthetwo.

MUTE

Allowstoactivate/deactivatethechannel.Thesignalis
presentonlyonthePFL.

PK

0

dB

-12

Whenthisledturnsonitindicatesthatthelevelsignalisclose
tobeingsaturated,itisadvisedtooperateontheGAINcontrol
todecreasethepre-amplificationandcheckthechannel
equalizersetting.

0

dB

-12

-30dB

Whenthisledturnsonitindicatestheaudiosignalpresence
onthechannel.

0

dB

L/R

TheL/RbuttonsendsthechannelsignaltotheMAINL/R.

1/2

Ilpulsante1/2inviailsegnaledicanaleairelativisottogruppi
SUB1/2.

PFL

Permetteilmonitoraggioincuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelfader.È
particolarmenteutilenellefasidiregolazionedelGainedei
controllidell’equalizzatore.

FADER

Potenziometrosliderconcorsada,regolaillivellodel

100mm

segnaledelsingolocanaledainviareaicontrolligenerali
MasterL/R.Normalmentelemiglioriprestazionisiottengono
conilcursoreposizionatoacirca3/4dellasuacorsaverso
l’alto(0dB).

L R

MUTE

1/2

The1/2buttonsendsthechannelsignaltotherelatedsub­unitsSUB1/2.

PFL

Allowstomonitorintheheadphoneseachsinglechannel

PK

10

-30
dB

independentlybythegeneralmixing.Thisfunctionallowsto
listenthelevelbeforethefader.Itisusefulespeciallyduring
theGainadjustmentandequalizercheckphases.

FADER

Sliderpotentiometerwithstrokeof,adjuststhesingle

5

channelsignalleveltobesenttothegeneralMasterL/R

100mm

controls.Usuallythebestperformancesareobtainedwiththe

0
5

L/R

1/2

10

15

20

30

cursorispositionedatapprox3/4ofitsupwardsstroke(0dB).

PFL

5

ITALIANO ENGLISH

SEZIONECANALISTEREO STEREOCHANNELSSECTION

MIC

PresadiingressoNeutrikbilanciataelettronicamenteper
connettoreXLR;consentedicollegaresorgentidisegnalea
bassalimpedenza,comeimicrofonioaltridispositiviabasso
livello.

LEFT(mono)/RIGHT

Ognicanalestereodisponedidueingressibilanciatisuprese
jackperilcanalesinistroequellodestro.Sevieneutilizzata
solamentelapresaLEFTilcanalelavorainmono.

GAIN

Regolalapreamplificazionedelsegnaleproveniente
dall’ingressoMIC,ottimizzandolaalcorrettofunzionamentonei
circuitidelcanale.Perunaregolazioneottimaleposizionare
questocontrolloinmodotalecheilledPEAKsiaccenda
occasionalmentesoloinpresenzadipicchi.

HPF

Filtropassa-altocheeliminatuttelefrequenzeinferioriai100Hz
migliorandolacomprensibilitàdelparlatoconilmicrofono.

PH48V

Attivazionedellaphantompower(48V)periconnettoriXLR
(ogni4canali),necessariaperilfunzionamentodeimicrofonia
condensatore;l’attivazioneèsegnalatadallaaccensionedel
relativoled.

Collegaretuttiimicrofoninecessariprimadi
attivarel’alimentazionephantom.
STEREO

Regolaillivellodelvolumediingressodeisegnaliprovenienti
dallepresejackLEFT(mono)/RIGHT.

EQUALIZZATORE(HF/MF/LF)

Icanalistereodispongonodiunaregolazionedelsuonoatre
bandeconfiltrotipo“Shelving”(acutiebassi)“peacking”peri
medi.Perognibandaèpossibileunaesaltazione/attenuazione
massimadi15dB,nellaposizionecentralenonvieneeffettuata
nessunaalterazionetimbrica.

AUX1-7

Questicontrolliservonoperregolareillivellodelsegnaleinviato
aicircuitiAUX1-6,all’effettointernoedesterno.
LelineeAUX/presonoindipendentidallaposizionedelFaderdi
canale(perapplicazionimonitor);lelineeAUX/postprelevano
ilsegnaledopocheèstatodosatodalFader
(effetti).

BAL

IlcontrolloBALregolailbilanciamentofralesorgentisinistrae
destra.

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulPFL.

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcomando
GAINosullivellodiingressoStereoperdiminuirela
preamplificazioneecontrollarel’impostazione
dell’equalizzazionedelcanale.

-30dB

L’accensionediquestoledindicalapresenzadelsegnaleaudio
sulcanale.

L/R

IlpulsanteL/RinviailsegnaledicanalealMAINL/R.

1/2

Ilpulsante1/2inviailsegnaledicanaleairelativisottogruppi
SUB1/2.

PFL

Permetteilmonitoraggioincuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelfader.Èparticolarmente
utilenellefasidiregolazionedelGainedeicontrolli
dell’equalizzatore.

FADER

Potenziometrosliderconcorsada,regolaillivellodel

100mm

segnaledelsingolocanaledainviareaicontrolligeneraliMaster
L/R.Normalmentelemiglioriprestazionisiottengonoconil
cursoreposizionatoacirca3/4dellasuacorsaversol’alto
(0dB).

dB

10 60mic

GAIN

GAIN

dB

10 60mic

STEREOA STEREOB

HPF HPF

100Hz 100Hz

0

STEREO
1

+6

dB +6

HF

-150+15

MF

-150+15

LF

-150+15

-12

AUX
1

pre

0

dB

-12

AUX
2

pre

0

dB

-12

AUX
3

pre

0

dB

-12

AUX
4

pre

0

dB

-12

AUX
5

0

dB

-12

AUX
6

0

dB

-12

AUX
7

post

0

dB

BAL

L R

MUTE MUTE

10

5

0
5

L/R

1/2

10

15

20

30

PFL PFL

0

STEREO
2

HF

-150+15

MF

-150+15

LF

-150+15

-12

AUX
1

pre

-12

AUX
2

pre

-12

AUX
3

pre

-12

AUX
4

pre

-12

AUX
5

pre

-12

AUX
6

pre

-12

AUX
7

post

BAL

L R

PK

10

-30
dB

5

5

0

0

5

10

15

20

30

AUXEFF.RTN

STEREOA STEREOB

MIC

ElectronicallybalancedNeutrikinputsocketforXLRconnector,
allowsconnectinglowimpedancesignalsources,like
microphonesorotherlowleveldevices.

LEFT(mono)/RIGHT

Eachstereochannelhastwobalancedinputsonjacksockets
fortheleftandrightchannels.IfonlytheLEFTsocketisused
thechannelworksinmono.

GAIN

Adjuststhepre-amplificationofthesignalarrivingfromtheMIC
input,optimizingittothecorrectoperationinthechannel
circuits.Forabestadjustmentitisnecessarytopositionthis
controlinwaythatthePEAKledturnsonoccasionallyonly
whentherearepeaks.

HPF

Loudspeakerfilterthateliminatesallfrequenciesbelow
100Hz,thusmakingiteasiertounderstandanythingsaid
usingthemicrophone

PH48V

Phantompower(48V)activationforXLRconnectors(every4
channels),necessaryforthecondensermicrophonesoperation;
theactivationissignalledbytherelatedledthatturnson.
Connectallthenecessarymicrophonesbeforeactivatingthe
phantompowersupply.

STEREO

Adjuststheinputvolumelevelofthesignalsarrivingfromthe
LEFTjacksockets(mono)/RIGHT.

EQUALIZER(HF/MF/LF)

dB

Thestereochannelsareequippedofasoundadjustmentat
threebandswith“Shelving”filter(trebleandbass)“peaking”for
mids.Amaximumexaltation/attenuationof15dBispossiblefor
eachband,inthecentralpositionnotonealterationismade.

AUX1-7

Thesecontrolsareneededtoadjustthelevelofthesignalsent
totheAUX1-6circuits,totheinternalandexternaleffect.The
AUX/prelinesareindependenttothechannelFaderposition(

0

0

formonitorapplications),theAUX/postlinesdrawthesignal

dB

afteritisdosedbytheFader(effects).

BAL

dB

TheBALcontroladjuststhebalancingbetweentheleftandright
sources.

0

dB

MUTE

Allowstoactivate/deactivatethechannel.Thesignalispresent

0

0

0

0

onlyonthePFL.

dB

PK

Whenthisledturnsonitindicatesthatthelevelsignalisclose

dB

tobeingsaturated,itisadvisedtooperateontheGAINcontrol
orontheSTEREOinputleveltodecreasethepre-amplification

dB

andcheckthechannelequalizersetting.

-30dB

dB

Whenthisledturnsonitindicatestheaudiosignalpresenceon
thechannel.

L/R

TheL/RbuttonsendsthechannelsignaltotheMAINL/R.

1/2

The1/2buttonsendsthechannelsignaltotherelatedsub-units

PK

-30

SUB1/2.

dB

PFL

Allowstomonitorintheheadphoneseachsinglechannel
independentlybythegeneralmixing.Thisfunctionallowsto
listenthelevelbeforetheFader.Itisusefulespeciallyduring
theGainadjustmentandequalizercheckphases.

L/R

FADER

1/2

Sliderpotentiometerwithstrokeof,adjuststhe

100mm

singlechannelsignalleveltobesenttothegeneralMaster
L/Rcontrols.Usuallythebestperformancesareobtained
withthecursorispositionedatapprox3/4ofitsupwards
stroke(0dB).

6

ITALIANO ENGLISH

SEZIONEEFFETTI EFFECTSSECTION

IlmixerFORMULAèdotatodiunasezione
effetticonprocessoredigitaledisegnaliaudioin
gradodisimularelesonoritàdiqualsiasi
ambienteacustico.256programmiconsentono
diaggiungereparticolarieffettiaisuonidirettiche
transitanosuicanalidelmixer(vedisezioneDSP
DIGITALEFFECT).

EXT.EFF.

Presejackstereobilanciateperilcollegamentodiuneffetto
esterno.
SND:uscitacheconsentediinviareisegnaliprovenienti
dall’AUX7versol’effettoesterno
RTN:ingressocheconsentedicollegarealmixerl’uscita
stereodell’effettoesterno,
l’effettointerno.

AUX1-6

Questicontrolliservonoperregolareillivellodelsegnale
inviatoaicircuitiAUX1-6,all’’effettointernoedesterno.
LelineeAUX/presonoindipendentidallaposizionedelFader
dicanale(perapplicazionimonitor);lelineeAUX/post
prelevanoilsegnaledopocheèstatodosatodalFader
(effetti).

AUX7(SND)

Volumegeneraledell’AUX7(EFFECT)cheregolailsegnale
diingressodell’effettointernoediquellopresentesullapresa
jackAUX7(SND)usatapercollegareuneffettoesterno.

BAL

IlcontrolloBALregolailbilanciamentofralesorgentisinistra
edestra.

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulPFL

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione.

-30dB

L’accensionediquestoledindicalapresenzadelsegnale
audiosulcanale.

L/R

IlpulsanteL/RinviailsegnaledicanalealMAINL/R.

1/2

Ilpulsante1/2inviailsegnaledicanaleairelativisottogruppi
SUB1/2.

PFL

Permetteilmonitoraggioin cuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelfader.È
particolarmenteutilenellefasidiregolazionedelGainedei
controllidell’equalizzatore.

FADER

Potenziometrosliderconcorsada,regolaillivellodel
segnaledelsingolocanaledainviareaicontrolligenerali
MasterL/R.Normalmentelemiglioriprestazionisiottengono
conilcursoreposizionatoacirca3/4dellasuacorsaverso
l’alto(0dB).

escludendocontemporaneamente

100mm

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX
5

pre

AUX
6

pre

AUX7
SND

BAL

MUTE

-12

0

-12

0

-12

0

-12

0

-12

0

-12

0

-12

0

L R

10

5

0
5

10

15

20

30

EFFECT

dB

dB

dB

dB

dB

dB

dB

L/R

1/2

PFL

TheFORMULAmixerisequippedofaneffects
sectionwithdigitalprocessorofaudiosignals
abletosimulatesonoritiesofanyacoustic
environment.256programsallowadding
specialeffectstodirectsoundsthattransiton
themixerchannels(seeDSPDIGITALEFFECT
section).

EXT.EFF.

Balancedstereojacksocketsforconnectiontoanexternal
effect.
SND:outputthatallowssendingsignalscomingfromAUX7
towardstheexternaleffect
RTN:inputthatallowsconnectingtothemixerthestereo
outputoftheexternaleffect,excludingatthesametimethe
internaleffect.

AUX1-6

Thesecontrolsareneededtoadjustthelevelofthesignalsent
totheAUX1-6circuits,totheinternalandexternaleffect.The
AUX/prelinesareindependenttothechannelFaderposition
(formonitorapplications),theAUX/postlinesdrawthesignal
afteritisdosedbytheFader(effects).

AUX7(SND)

GeneralvolumeofAUX7(EFFECT)thatadjuststheinput
signaloftheinternaleffectandofthesignalpresentontheAUX
7(SND)jacksocketusedtoconnectanexternaleffect.

BAL

TheBALcontroladjuststhebalancingbetweentheleftandright
sources.

MUTE

Allowstoactivate/deactivatethechannel.Thesignalispresent
onlyonthePFL.

PK

Whenthisledturnsonitindicatesthatthelevelsignalisclose
tobeingsaturated.

PK

-30
dB

-30dB

Whenthisledturnsonitindicatestheaudiosignalpresenceon
thechannel.

L/R

TheL/RbuttonsendsthechannelsignaltotheMAINL/R.

1/2

The1/2buttonsendsthechannelsignaltotherelatedsub-units
SUB1/2.

PFL

Allowstomonitorintheheadphoneseachsinglechannel
independentlybythegeneralmixing.Thisfunctionallowsto
listenthelevelbeforetheFader.Itisusefulespeciallyduring
theGainadjustmentandequalizercheckphases.

FADER

Sliderpotentiometerwithstrokeof,adjuststhe

100mm

singlechannelsignalleveltobesenttothegeneralMaster
L/Rcontrols.Usuallythebestperformancesareobtained
withthecursorispositionedatapprox3/4ofitsupwards
stroke(0dB).

7

ITALIANO ENGLISH

SEZIONEMASTER MASTERSECTION

CAUTION

RISKOFELECTRICSHOCK

DONOTOPEN

90-240V
T2A-250V35VA

50-60Hz

2TRACK

PreseCINCHRCAperlaconnessionediunregistratorea2
tracce(es.DATrecorder).Collegaregliingressidiun
apparatodiregistrazioneallepreseSNDeleuscitealleprese
RTN.

FOOTSW.

Presajackmonoperlaconnessionediuncomandoadistanza
cheattiva/disattival’effettointerno

AUX1-6

PresejackstereoincuisonopresentiisegnalidegliAusiliari
1-6provenientidaicontrolligeneraliAUX1-6(vedi
descrizionedeicomandipag.10).

MAINOUTL/R

PreseXLRchefornisconolamiscelazionedeisegnali
controllatidaiFaderLEFTeRIGHT.Ilsegnaleprelevatoda
questeusciterichiedel’usodiunamplificatoreesternoperil
collegamentoaidiffusori.Nelcasodiutilizzodidiffusoriattivi
(conamplificazioneinterna),èpossibileilcollegamento
diretto.

INSERT

Presejackstereodiingresso/uscitapercollegare
apparecchiatureesterne(equalizzatori,ecc..)sulleuscite
Main.

SUB1/2

Presejackstereoincuisonopresentiisegnalibilanciati
provenientidaicontrolliFaderSUB1/2.

MNO

QuestauscitariceveisegnalisommatiLEFTeRIGHTregolati
dalcontrolloFaderMONO.

CTRLROOML/R

L’uscitaControlRoomvienenormalmentecollegataconil
sistemamonitordellaregia.

PHONES

Presajackstereopercollegareunacuffia.

ALIMENTAZIONE

Interruttorediaccensionedelmixer:l’accensioneè
visualizzatadalledPWR.
Presaperilcollegamentoallareteelettrica:90-240Vac/50­60Hz
Alloggiodelfusibilediprotezionedelcircuitodialimentazione:
incasodirotturadelfusibile,quest’ultimovasostituitosolo
confusibiliequivalenti:T2A/250V.

2TRACK

CINCHRCAsocketstoconnecta2tracksrecorder(example
DATrecorder).Connectstheinputsofarecordingequipment
totheSNDsocketsandtheoutputstotheRTNsockets.

FOOTSW.

Monojacksockettoconnectaremotecontrollerthat
activates/deactivatestheinternaleffect

AUX1-6

Stereojacksocketsinwhicharepresentsignalsofthe
Auxiliaries1-6arrivingfromthegeneralcontrolsAUX1-6(
seecontrolsdescriptiononpage10).

MAINOUTL/R

XLRsocketsthatmixthesignalscontrolledbytheLEFTand
RIGHTFaders.Thesignaldrawnbytheseoutputsrequirethe
useofanexternalamplifiertoconnecttothediffusers.Ifactive
diffusersareused(withinternalamplification),itispossibleto
makeuseofthedirectconnection.

INSERT

Input/outputstereojacksocketstoconnectexternal
equipment(equalizers,etc.)ontheMainoutputs.

SUB1/2

Stereojackconnectorsonwhicharepresentthebalanced
signalsarrivingfromtheFaderSUB1/2controls.

MNO

ThisoutputreceivestheLEFTandRIGHTaddedsignals
adjustedbytheFaderMONOcontrol.

CTRLROOML/R

TheControlRoomoutputisusuallyconnectedwiththe
monitorsystemofthecontrolroom.

PHONES

Stereojacksocketstoconnectaheadphone.

POWERSUPPLY

Switchtoturnonthemixer:thePWDledlightingonindicates
thatthemixeristurnedon.
Socketforconnectiontothemainssupply:90-240Vac/50­60Hz
Protectionfusehousingofthepowersupplycircuit:incaseof
fusebreakage,ithastobereplacedonlywithequivalent
fuses.T2A/250V.

8

ITALIANO ENGLISH

SEZIONEMASTER MASTERSECTION

SUB1/2

IlsegnaledelSUB1/2,regolatoconil
relativoFader,puòessereasseganto(1su
LEFT,2suRIGHT)aicontrolliL/RdelMain
(pulsanteL/R).Ognisottogruppohala
propriauscitaindipendente,quindi
assegnarecanalidiversisusottogruppi
diversipuòessereunbuonmodoper
averepiùdidueuscite.

BAL

L R

MUTE MUTE MUTE

PK

10

-30
dB

5

0

5

L/R

PK

10

-30
dB

5

0

5

SUB1/2

TheSUB1/2signal,adjustedwiththe
relatedFader,canbeassigned(1onLEFT,

PK

10

-30
dB

2onRIGHT)totheL/RcontrolsoftheMain
(buttonL/R).Eachsub-unithasitsown
independentoutput,thereforeassign

5

0

5

differentchannelstodifferentsub-unitsisa
goodwaytoachievemoreoutputsthan
two.

BAL

IlcontrolloBALregolailbilanciamentofralesorgentisinistra
edestra;inquestocasofrailSUB1/2presentisulMainL/R.

MUTE

Permettediattivare/disattivareilcanaleSUB1/2.Ilsegnaleè
presentesolosuAFL.

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcontrollo
delFaderperdiminuirelapreamplificazione.

-30dB

L’accensionediquestoledindicalapresenzadelsegnale
audiosulcanale.

L/R

IlpulsanteL/RinviailsegnaledicanalealMAINL/R.

AFL

Permettedimonitorare,indipendentementedallaposizione
delMUTE,ilsegnaledelSUBdopolaregolazionedelFader.

FADER

Potenziometrosliderconcorsada,regolaillivellodel

100mm

segnaledelsingolocanaledainviareaicontrolligenerali
MasterL/R.Normalmentelemiglioriprestazionisiottengono
conilcursoreposizionatoacirca3/4dellasuacorsaverso
l’alto(0dB).

10

15

20

30

AFL AFL AFL

10

15

20

30

10

15

20

30

SUB1/2 LEFT RIGHT

BAL

TheBALcontroladjuststhebalancingbetweentheleftand
rightsources,inthiscasebetweentheSUB1/2presentonthe
MainL/R.

MUTE

Allowstoactivate/deactivatetheSUB1/2channel.Thesignal
ispresentonlyontheAFL.

PK

Whenthisledturnsonitindicatesthatthelevelsignalisclose
tobeingsaturated,itisadvisedtooperateontheFader
controltodecreasethepre-amplification.

-30dB

Whenthisledturnsonitindicatestheaudiosignalpresence
onthechannel.

L/R

TheL/RbuttonsendsthechannelsignaltotheMAINL/R.

AFL

Allowstomonitor,independentlyfromtheMUTEposition,the
SUBsignalaftertheFaderadjustment.

FADER

Sliderpotentiometerwithstrokeof,adjuststhe

100mm

singlechannelsignalleveltobesenttothegeneralMaster
L/Rcontrols.Usuallythebestperformancesareobtained
withthecursorispositionedatapprox3/4ofitsupwards
stroke(0dB).

LEFT/RIGHT

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulAFL.

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcontrollo
delFaderperdiminuirelapreamplificazione..

-30dB

L’accensionediquestoledindicalapresenzadelsegnale
audiosulcanale.

AFL

Permettedimonitorare,indipendentementedallaposizione
delMUTE,ilsegnaledelMainL/R.

FADER

Potenziometrisliderconcorsada,regolanoilivelli
generalidiascoltodituttiisegnaliprovenientidaicanali
mono,stereo,dallasezioneeffetti,inviandolialleusciteMAIN
OUT.

100mm

LEFT/RIGHT

MUTE

Allowstoactivate/deactivatetheSUB1/2channel.Thesignal
ispresentonlyontheAFL.

PK

Whenthisledturnsonitindicatesthatthelevelsignalisclose
tobeingsaturated,itisadvisedtooperateontheFader
controltodecreasethepre-amplification.

-30dB

Whenthisledturnsonitindicatestheaudiosignalpresence
onthechannel.

AFL

Allowstomonitor,independentlyfromtheMUTEposition,the
L/RMAINsignal.

FADER

Sliderpotentiometerwithstroke,adjustingthe

100mm

generallisteninglevelsofallthesignalsarrivingfromthe
mono,stereochannels,fromtheeffectssection,sending
themtotheMAINOUToutputs.

9

MONO

ITALIANO ENGLISH

SEZIONEMASTER MASTERSECTION

-12

AUX
1

AUX
2

AUX
3

AUX
4

AUX
5

AUX
6

2TRK

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

PRE

POST

0

dB

-12

PRE

POST

0

dB

L/R

+60dB

AFL

AFL

AFL

AFL

AFL

AFL

AFL

PEAK

PEAK

PEAK

PEAK

PEAK

PEAK

LEFT RIGHT

PFL

PWR

AFL

OVL
+10

+7
+4

0

-4

-7

-10

-20

-30

MONO

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulAFL.

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcontrollo
delFaderperdiminuirelapreamplificazione.

-30dB

L’accensionediquestoledindicalapresenzadelsegnale
audiosulcanale.

LPF

Inserisceunfiltropassa-bassoa125Hzsulsegnaledi
ingressodiunamplificatorechealimentaunsub-woofer.

AFL

Permettedimonitorareilsegnalerelativo,dopoleregolazioni
dellivello.

FADER

Potenziometrosliderconcorsada,regolaillivello

100mm

generalidiascoltoinviatoall’uscitajackMONO.

AUX1-6

QuesticontrolliregolanoilivelligeneralidellemandateAUX.
OgnilineacomprendeuntastodiAFLeilleddiPEAK.
InoltreicontrolliAUX5eAUX6sonomunitiditastoper
mandatePre/Postcheselezionanoiltipodisegnale(preo
post)dainviareallerelativeuscite.

2-TRK

Regolaillivellodell’ingresso2-Track.
IlpulsanteL/RinviailsegnalealleuscitegeneraliL/R.

CTRLROOM

MUTE

MUTE

-6

Allowstoactivate/deactivatethechannel.Thesignalis
presentonlyontheAFL.

PK

0

Whenthisledturnsonitindicatesthatthelevelsignalisclose
tobeingsaturated,itisadvisedtooperateontheFader
controltodecreasethepre-amplification.

-30dB

Whenthisledturnsonitindicatestheaudiosignalpresence
onthechannel.

LPF

Itinsertsalow-passfilterat125Hzontheinputsignalofan
amplifierthatsuppliesasub-woofer.

AFL

Allowsmonitoringtherelatedsignal,afterthelevel
adjustments.

FADER

10

10

5

0

5

LPF

125Hz

-30

PK

Sliderpotentiometerwithstrokeof,adjuststhe
generallisteninglevelsenttotheMONOjackoutput

dB

AUX1-6

ThesecontrolsadjustthegenerallevelsoftheAUXsends.
EachlineincludesanAFLbuttonandthePEAKled.
FurthermoretheAUX5andAUX6controlsaresuppliedofa
buttonforPre/Postsendsthatselectthekindofsignal(preor
post)tosendtotherelatedoutputs.

2-TRK

Adjuststhe2-Trackinputlevel.
TheL/RbuttonsendsthesignaltothegeneralL/Routputs.

100mm

CTRLROOM

RegolalaquantitàdisegnaledainviarealControlRoomeil
volumedellacuffia.

VU-Meter

Leddivisualizzazioneemisuraindecibeldeilivellidel
segnalediuscita.IledOVLindicanoipicchidisegnaleche
possonocausaresovraccarichiedistorsioni.

PFL/AFL

Indical’attivazionedellafunzionePFLeAFLinunodeicanali.

PWR

Accensionedelsistema

15

20

30

MONO

10

AFL

CTRLROOM

Adjuststhequantityofsignaltosendtothe
ControlRoomandtheheadphonesvolume.

VU-Meter

Ledfordisplayingandmeasuring,indecibel,theoutputsignal
levels.OVLledsindicatesthesignalpeaksthatcouldcause
overloadsanddistortions.

PFL/AFL

IndicatestheactivationofthePFLandAFLfunctioninoneof
thechannels.

PWR

Ledindicatingthatthesystemison.

ITALIANO ENGLISH

PANNELLOFRONTALE FRONTPANEL

GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN

dB dB dB dB dB dB dB dB dB dB dB dB

10 10 10 10 10 10 10 10 10 10 10 1060 60 60 60 60 60 60 60 60 60 60 60mic mic mic mic mic mic mic mic mic mic mic mic

-20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20+30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30 +30

line line line line line line line line line line line line

1 2 3 4 5 6 7 8 9 10 11 12

HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF HPF

100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz

0 0 0 0 0 0 0 0 0 0 0 0

HF HF HF HF HF HF HF HF HF HF HF HF

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

2k 6k

MF

300

LF

AUX
1

pre pre pre pre pre pre pre pre pre pre pre pre

AUX
2

pre pre pre pre pre pre pre pre pre pre pre pre

AUX
3

pre pre pre pre pre pre pre pre pre pre pre pre

AUX
4

AUX
5

post post post post post post post post post post post post

PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN

2k 2k 2k 2k 2k 2k 2k 2k 2k 2k 2k6k 6k 6k 6k 6k 6k 6k 6k 6k 6k 6k

MF MF MF MF MF MF MF MF MF MF MF

8k

600 600 600 600 600 600 600 600 600 600 600

100 12

-150+15
0

-15

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

-12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12 -12

L L L L L L L L L L L LR R R R R R R R R R R R

10

5

0

5

10

15

20

30

8k 8k 8k 8k 8k 8k 8k 8k 8k 8k 8k

kHz

400 400 400 400 400 400 400 400 400 400 40012 12 12 12 12 12 12 12 12 12 12

kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz kHz

0 0 0 0 0 0 0 0 0 0 0

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

0 0 0 0 0 0 0 0 0 0 0

LF LF LF LF LF LF LF LF LF LF LF

-15 -15 -15 -15 -15 -15 -15 -15 -15 -15 -15

+15

+15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

AUX

1

1

1

1

1

1

1

1

0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB

AUX

AUX

AUX

AUX

AUX

AUX

2

2

2

2

0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB

AUX

AUX

3

0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB

AUX
4

0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB

AUX
5

0 0 0 0 0 0 0 0 0 0 0 0

dB dB dB dB dB dB dB dB dB dB dB dB

PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK

10

MUTE

MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE

5

0

5

L/R

L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R

1/2

1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2

10

15

20

30

PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL AFL AFL AFL AFL

AUX

3

3

AUX

AUX

4

4

AUX

AUX

5

5

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

2

AUX

AUX

3

3

AUX

AUX

4

4

AUX

AUX

5

5

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

AUX

2

2

AUX

AUX

3

3

AUX

AUX

4

4

AUX

AUX

5

5

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

1

AUX

AUX

2

2

AUX

AUX

3

3

AUX

AUX

4

4

AUX

AUX

5

5

10

10

5

5

0

0

5

5

10

10

15

15

20

20

30

30

AUX

1

1

AUX

AUX

2

2

AUX

AUX

3

3

AUX

AUX

4

4

AUX

AUX

5

5

10

5

0

5

10

15

20

30

dB

10 60mic

STEREOA STEREOB

100Hz

STEREO
1

HF

MF

LF

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

AUX
5

post

BAL

10

5

0

5

10

15

20

30

GAIN

HPF

MIC

0

-150+15

-150+15

-150+15

-12

-12

-12

-12

-12

L R

10

5

0

5

10

15

20

30

GAIN

dB

10 60mic

100Hz

STEREO
2

+6

dB +6

HF

-150+15

MF

-150+15

LF

-150+15

AUX
1

pre

0

dB

AUX
2

pre

0

dB

AUX
3

pre

0

dB

AUX
4

pre

0

dB

AUX
5

pre

0

dB

BAL

L R

A- HALL 1
B- HALL 2
C- ROOM 1
D- ROOM 2

P-16effectOff

AUX
1

AUX
2

AUX
3

AUX
4

2TRK

BAL

L R

EFFECTPROGRAMCHART

E - CONCERT 1
F - CONCERT 2
G - GATE
H - GUITAR

-12

0

dB

-12

0dB

-12

0

dB

-12

PRE

POST

0

dB

L/R

+60dB

10

MUTE

5

0

5

L/R

10

15

20

30

I - ECHO 1
J - ECHO 2
K - ECHO 3
L - VOICE1

AFL PEAK

AFL

AFL

AFL

AFL

PH

48V

10

MUTE MUTE MUTE

5

0

5

10

15

20

30

EFFECT

HPFMIC

1

16

0

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

10

5

0

5

10

15

20

30

2

3415

14

5

13

6

12

dB

MUTE

L/R

1/2

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX5
SND

BAL

11

PARAMETER

O

N

M

L

K

PROGRAM

L R

7

8910

PAB

C

D
E
F

G

HIJ

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0dB

10

MUTE

5

0

5

L/R

1/2

10

15

20

30

M -VOICE 2
N - CHORUS 1
O - CHORUS 2
P - SHIFTER

PEAK

PEAK

PEAK

ON

10

5

0

5

10

15

20

30

CTRL

OVL
+10

+7
+4
0

-4

-7

-10

-20

-30

LEFT RIGHT

PFL
AFL

-6

CTRLROOM

10

10

15

20

30

PWR

0

5

0

5

LPF

125Hz

1 2 3 4 5 6 7 8 9 10 11 12

SEZIONECANALIMONO

MONOCHANNELSECTION

PANNELLOPOSTERIORE REARPANEL

CAUTION

RISKOFELECTRICSHOCK

DONOTOPEN

90-240V 50-60Hz

T2A-250V25VA

STEREOA STEREOB EFFECT SUB1/2 MONOLEFT RIGHT

AUXEFF.RTN

SEZIONECANALISTEREO

STEREOCHANNELSECTION

SEZIONEEFFETTI

EFFECTSECTION

SEZIONEMASTER
MASTER SECTION

11

ITALIANO ENGLISH

SEZIONECANALIMONO MONOCHANNELSSECTION

MIC

PresadiingressoNeutrikbilanciataelettronicamenteper
connettoreXLR;consentedicollegaresorgentidisegnalea
bassalimpedenza,comeimicrofonioaltridispositiviabasso
livello.

LINE

Nonèpossibileusarecontemporaneamentegli

ingressiMICeLINEdellostessocanale.

INSERT

Presajackstereo(Ø6,3mm)percollegareapparecchiesterni
dielaborazionenelcircuitodelsegnaletramiteunjackstereo.
Generalmenteleconnessionidiinsertrichiedonouncavodi
divisionespecialead“Y”,terminatoconunconnettorestereo
daunaparteedueconnettorimonodall’altra.

MIC

ElectronicallybalancedNeutrikinputsocketforXLR
connector,allowsconnectinglowimpedancesignalsources,
likemicrophonesorotherlowleveldevices.

LINE

Balancedinputsocketforstereojackconnectorwithdiameter
of¼”(6,35mm).Electronicallybalanced,allowstoconnect
highlevelsignalsources,askeyboards,electricguitars,
electronicmusicalinstruments,audioreproducers.Itisalso
possibletousemonoconnectors,thisdeterminesthe
automaticunbalancingofthesignal.

Itisnotpossibletouse
simultaneouslytheMICandLINEinputsofthesame
channel.

INSERT

Stereojacksocket(Ø6,3mm)toconnectexternalprocessing
equipmentinthesignalcircuitbyastereojack.Generallythe
insertconnectionsrequireaspecial“Y”splitcable,
terminatingwithastereoconnectorononesideandtwomono
connectorsontheother.

GAIN

Regolalapreamplificazionedelsegnaleprovenientedagli
ingressiMICeLINE,ottimizzandolaalcorretto
funzionamentoneicircuitidelcanale.Lascalapresentadue
differentifascedivalori:lafasciada10a60dBsiriferisce
all’ingressoMIC;lafasciadivalorida-20a30dBsiriferisce
all’ingressoLINE.Perunaregolazioneottimaleposizionare
questocontrolloinmodotalecheilledPEAKsiaccenda
occasionalmentesoloinpresenzadipicchi.

HPF

Filtropassa-altocheeliminatuttelefrequenzeinferioriai
100Hzmigliorandolacomprensibilitàdelparlato.

EQUALIZZATORE(HF/MF/LF)

Icanalimonodispongonodiunaregolazionedelsuonoatre
bandeconbandamediasemiparametrica.Perognibandaè
possibileunaesaltazione/attenuazionemassimadi15dB,
nellaposizionecentralenonvieneeffettuatanessuna
alterazionetimbrica.
Labandasuperiore(HF)equellainferiore(LF)sonofiltri
Shelvingcheregolanorispettivamenteitoniacutiebassi.La
bandamediahaunaregolazioneinfrequenzada100Hza
8kHz.

GAIN

GAIN

dB

dB

10 60mic

10 60mic

-20 +30

line

-20 +30

line

HPF

HPF

100Hz

100Hz

HF

HF

-15

-15
2k 6k

2k 6k

MF

MF

300

300

100 12

100 12

-15

-15

LF

LF

GAIN

Itadjuststhepre-amplificationofthesignalarrivingfromthe
MICandLINEinputs,optimizingthecorrectoperationinthe
channelcircuits.Thescalehastwodifferentvaluebands:the
rangefrom10to60dBisrelatedtotheMICinput,thevalue
rangefrom-20to30dBisrelatedtotheLINEinput.Forabest
adjustmentitisnecessarytopositionthiscontrolinwaythat
thePEAKledturnsonoccasionallyonlywhenpeaksare
present.

1

1

HPF

Loudspeakerfilterthateliminatesallfrequenciesbelow
100Hz,thusmakingiteasiertounderstandanythingsaid
usingthemicrophone

0

0

EQUALIZER(HF/MF/LF)

+15

+15

Themonochannelshaveasoundadjustmentatthreebands
withsemi-parametricmid-band.Amaximum
exaltation/attenuationof15dBispossibleforeachband,in

8k

8k

kHz

kHz

0

0

+15

+15

0

0

thecentralpositionnotonealterationismade.
Theupperband(HF)andthelowerband(LF)areShelving
filtersthatrespectivelyadjustthetrebleandbasstones.The
mid-bandhasafrequencyadjustmentfrom100Hzto8kHz.

-15

-15

+15

+15

12

ITALIANO ENGLISH

SEZIONECANALIMONO MONOCHANNELSSECTION

AUX1-5

Questicontrolliservonoperregolareillivellodelsegnale
inviatoaicircuitiAUX1-4,all’’effettointernoedesterno.
LelineeAUX/presonoindipendentidallaposizionedelFader
dicanale(perapplicazionimonitor);lelineeAUX/post
prelevanoilsegnaledopocheèstatodosatodalFader
(effetti).

PAN

IlcontrolloPANregolal’immaginedelsegnalenelfronte
stereo.Perisegnalimononellaposizionecentraleilsegnale
saràpresenteinegualmisurasuentrambiicanalidiuscita;la
rotazionedellamanopolaversodestraosinistravariale
proporzionideiduesegnali,finoadottenere,nelleposizioni
estreme,l’annullamentodiunodeidue.

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulPFL.

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcomando
GAINperdiminuirelapreamplificazioneecontrollare
l’impostazionedell’equalizzazionedelcanale.

L/R

IlpulsanteL/RinviailsegnaledicanalealMAINL/R.

1/2

Ilpulsante1/2inviailsegnaledicanaleairelativisottogruppi
SUB1/2.

PFL

Permetteilmonitoraggioincuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelfader.È
particolarmenteutilenellefasidiregolazionedelGainedei
controllidell’equalizzatore.

FADER

Potenziometrosliderconcorsada,regolaillivellodel

100mm

segnaledelsingolocanaledainviareaicontrolligenerali
MasterL/R.Normalmentelemiglioriprestazionisiottengono
conilcursoreposizionatoacirca3/4dellasuacorsaverso
l’alto(0dB).

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

AUX
5

post

PAN

L R

AUX1-5

Thesecontrolsareneededtoadjustthelevelofthesignal

-12

senttotheAUX1-4circuits,totheinternalandexternal
effect.TheAUX/prelinesareindependenttothechannel
Faderposition(formonitorapplications),theAUX/postlines

0

dB

-12

drawthesignalafteritisdosedbytheFader(effects).

PAN

ThePANcontroladjuststhesignalimageinthestereofront.

0

dB

-12

Formonosignalsinthecentralpositionthesignalwillbe
presentinthesamemeasureonbothoutputchannels,the
proportionofthetwosignalschangesbyturningtheknobat
rightoratleft,obtainingintheextremepositions,the

0

dB

-12

annulmentofoneofthetwo.

MUTE

Allowstoactivate/deactivatethechannel.Thesignalis

0

dB

-12

presentonlyonthePFL.

PK

Whenthisledturnsonitindicatesthatthelevelsignalisclose

0

dB

tobeingsaturated,itisadvisedtooperateontheGAINcontrol
todecreasethepre-amplificationandcheckthechannel
equalizersetting.

L/R

TheL/RbuttonsendsthechannelsignaltotheMAINL/R.

PEAK

10

1/2

The1/2buttonsendsthechannelsignaltotherelatedsub­unitsSUB1/2.

PFL

MUTE

5

0

5

L/R

Allowstomonitorintheheadphoneseachsinglechannel
independentlybythegeneralmixing.Thisfunctionallowsto
listenthelevelbeforethefader.Itisuseful especiallyduring
theGainadjustmentandequalizercheckphases.

FADER

Sliderpotentiometerwithstrokeof,adjuststhesingle

100mm

channelsignalleveltobesenttothegeneralMasterL/R
controls.Usuallythebestperformancesareobtainedwiththe
cursorispositionedatapprox3/4ofitsupwardsstroke(0dB).

1/2

10

15

20

30

PFL

1

13

ITALIANO ENGLISH

SEZIONECANALISTEREO STEREOCHANNELSSECTION

MIC

PresadiingressoNeutrikbilanciataelettronicamenteper
connettoreXLR;consentedicollegaresorgentidisegnalea
bassalimpedenza,comeimicrofonioaltridispositiviabasso
livello.

LEFT(mono)/RIGHT

Ognicanalestereodisponedidueingressibilanciatisuprese
jackperilcanalesinistroequellodestro.Sevieneutilizzata
solamentelapresaLEFTilcanalelavorainmono.

GAIN

Regolalapreamplificazionedelsegnaleproveniente
dall’ingressoMIC,ottimizzandolaalcorrettofunzionamento
neicircuitidelcanale.Perunaregolazioneottimale
posizionarequestocontrolloinmodotalecheilledPEAKsi
accendaoccasionalmentesoloinpresenzadipicchi.

MICHPF

Filtropassa-altocheeliminatuttelefrequenzeinferioriai
100Hzmigliorandolacomprensibilitàdelparlatoconill
microfono.

STEREO

Regolaillivellodelvolumediingressodeisegnaliprovenienti
dallepresejackLEFT(mono)/RIGHT.

EQUALIZZATORE(HF/MF/LF)

Icanalistereodispongonodiunaregolazionedelsuonoatre
bandeconfiltrotipo“Shelving”(acutiebassi)“peacking”peri
medi.Perognibandaèpossibileuna
esaltazione/attenuazionemassimadi15dB,nellaposizione
centralenonvieneeffettuatanessunaalterazionetimbrica.

AUX1-5

Questicontrolliservonoperregolareillivellodelsegnale
inviatoaicircuitiAUX1-4,all’effettointernoedesterno.
LelineeAUX/presonoindipendentidallaposizionedelFader
dicanale(perapplicazionimonitor);lelineeAUX/post
prelevanoilsegnaledopocheèstatodosatodalFader
(effetti).

BAL

IlcontrolloBALregolailbilanciamentofralesorgentisinistra
edestra.

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulPFL.

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione;siconsigliadiagiresulcomando
GAINosullivellodiingressoStereoperdiminuirela
preamplificazioneecontrollarel’impostazione
dell’equalizzazionedelcanale.

L/R

IlpulsanteL/RinviailsegnaledicanalealMAINL/R.

1/2

Ilpulsante1/2inviailsegnaledicanaleairelativisottogruppi
SUB1/2.

PFL

Permetteilmonitoraggioincuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelfader.È
particolarmenteutilenellefasidiregolazionedelGainedei
controllidell’equalizzatore.

FADER

Potenziometrosliderconcorsada,regolaillivellodel

100mm

segnaledelsingolocanaledainviareaicontrolligenerali
MasterL/R.Normalmentelemiglioriprestazionisiottengono
conilcursoreposizionatoacirca3/4dellasuacorsaverso
l’alto(0dB).

GAIN

dB

10 60mic

GAIN

dB

10 60mic

STEREOA STEREOB

HPF

STEREO
1

HF

MF

LF

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

AUX
5

post

BAL

MIC

100Hz

-150+15

-150+15

-150+15

L R

0

+6

dB +6

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

-12

0

dB

PEAK PEAK

10

MUTE

5

0

5

10

15

20

30

HPFMIC

100Hz

0

STEREO
2

HF

-150+15

MF

-150+15

LF

-150+15

-12

AUX
1

pre

-12

AUX
2

pre

-12

AUX
3

pre

-12

AUX
4

pre

-12

AUX
5

pre

BAL

L R

10

L/R

1/2

PFL PFL

10

15

20

30

AUXEFF.RTN

STEREOA STEREOB

MIC

ElectronicallybalancedNeutrikinputsocketforXLRconnector,
allowsconnectinglowimpedancesignalsources,like
microphonesorotherlowleveldevices.

LEFT(mono)/RIGHT

Eachstereochannelhastwobalancedinputsonjacksockets
fortheleftandrightchannels.IfonlytheLEFTsocketisused
thechannelworksinmono.

GAIN

Adjuststhepre-amplificationofthesignalarrivingfromtheMIC
input,optimizingittothecorrectoperationinthechannel
circuits.Forabestadjustmentitisnecessarytopositionthis
controlinwaythatthePEAKledturnsonoccasionallyonly
whentherearepeaks.

MICHPF

Loudspeakerfilterthateliminatesallfrequenciesbelow
100Hz,thusmakingiteasiertounderstandanythingsaid
usingthemicrophone

STEREO

Adjuststheinputvolumelevelofthesignalsarrivingfromthe
LEFTjacksockets(mono)/RIGHT.

EQUALIZER(HF/MF/LF)

Thestereochannelsareequippedofasoundadjustmentat
threebandswith“Shelving”filter(trebleandbass)“peaking”for
mids.Amaximumexaltation/attenuationof15dBispossiblefor
eachband,inthecentralpositionnotonealterationismade.

AUX1-5

Thesecontrolsareneededtoadjustthelevelofthesignalsent
totheAUX1-4circuits,totheinternalandexternaleffect.The
AUX/prelinesareindependenttothechannelFaderposition(
formonitorapplications),theAUX/postlinesdrawthesignal

dB

afteritisdosedbytheFader(effects).

BAL

TheBALcontroladjuststhebalancingbetweentheleftandright
sources.

MUTE

Allowstoactivate/deactivatethechannel.Thesignalispresent
onlyonthePFL.

PK

0

0

0

0

Whenthisledturnsonitindicatesthatthelevelsignalisclose

dB

tobeingsaturated,itisadvisedtooperateontheGAINcontrol
orontheSTEREOinputleveltodecreasethepre-amplification

dB

andcheckthechannelequalizersetting.

L/R

dB

TheL/RbuttonsendsthechannelsignaltotheMAINL/R.

1/2

dB

The1/2buttonsendsthechannelsignaltotherelatedsub-units
SUB1/2.

0

PFL

dB

Allowstomonitorintheheadphoneseachsinglechannel
independentlybythegeneralmixing.Thisfunctionallowsto
listenthelevelbeforetheFader.Itisusefulespeciallyduring
theGainadjustmentandequalizercheckphases.

FADER

Sliderpotentiometerwithstrokeof,adjuststhe

MUTE

5

0

5

singlechannelsignalleveltobesenttothegeneralMaster
L/Rcontrols.Usuallythebestperformancesareobtained
withthecursorispositionedatapprox3/4ofitsupwards
stroke(0dB).

L/R

1/2

100mm

14

ENGLISHITALIANO

SEZIONEEFFETTI EFFECTSSECTION

IlmixerFORMULAèdotatodiunasezione
effetticonprocessoredigitaledisegnaliaudioin
gradodisimularelesonoritàdiqualsiasi
ambienteacustico.256programmiconsentono
diaggiungereparticolarieffettiaisuonidirettiche
transitanosuicanalidelmixer(vedisezione

DSPDIGITALEFFECT).

EXT.EFF.

Presejackstereobilanciateperilcollegamentodiuneffetto
esterno.
SND:uscitacheconsentediinviareisegnaliprovenienti
dall’AUX5versol’effettoesterno
RTN:ingressocheconsentedicollegarealmixerl’uscita
stereodell’effettoesterno,
l’effettointerno.

AUX1-4

Questicontrolliservonoperregolareillivellodelsegnale
inviatoaicircuitiAUX1-4,all’’effettointernoedesterno.
LelineeAUX/presonoindipendentidallaposizionedelFader
dicanale(perapplicazionimonitor);lelineeAUX/post
prelevanoilsegnaledopocheèstatodosatodalFader
(effetti).

AUX5(SND)

Volumegeneraledell’AUX5(EFFECT)cheregolailsegnale
diingressodell’effettointernoediquellopresentesullapresa
jackAUX5(SND)usatapercollegareuneffettoesterno.

BAL

IlcontrolloBALregolailbilanciamentofralesorgentisinistra
edestra.

MUTE

Permettediattivare/disattivareilcanale.Ilsegnaleèpresente
solosulPFL

PK

L’accensionediquestoledindicacheillivellodelsegnaleè
prossimoallasaturazione.

L/R

IlpulsanteL/RinviailsegnaledicanalealMAINL/R.

1/2

Ilpulsante1/2inviailsegnaledicanaleairelativisottogruppi
SUB1/2.

PFL

Permetteilmonitoraggioin cuffiadiognisingolocanale
indipendentementedalmixaggiogenerale.Questafunzione
consentel’ascoltodellivelloprimadelfader.È
particolarmenteutilenellefasidiregolazionedelGainedei
controllidell’equalizzatore.

FADER

Potenziometrosliderconcorsada,regolaillivellodel
segnaledelsingolocanaledainviareaicontrolligenerali
MasterL/R.Normalmentelemiglioriprestazionisiottengono
conilcursoreposizionatoacirca3/4dellasuacorsaverso
l’alto(0dB).

escludendocontemporaneamente

100mm

AUX
1

pre

AUX
2

pre

AUX
3

pre

AUX
4

pre

AUX5
SND

BAL

-12

0

-12

0

-12

0

-12

0

-12

0dB

L R

10

5

0

5

10

15

20

30

EFFECT

dB

dB

dB

dB

PEAK

MUTE

L/R

1/2

PFL

TheFORMULAmixerisequippedofaneffects
sectionwithdigitalprocessorofaudiosignals
abletosimulatesonoritiesofanyacoustic
environment.256programsallowadding
specialeffectstodirectsoundsthattransiton
themixerchannels(seeDSPDIGITALEFFECT
section).

EXT.EFF.

Balancedstereojacksocketsforconnectiontoanexternal
effect.
SND:outputthatallowssendingsignalscomingfromAUX5
towardstheexternaleffect
RTN:inputthatallowsconnectingtothemixerthestereo
outputoftheexternaleffect,excludingatthesametimethe
internaleffect.

AUX1-4

Thesecontrolsareneededtoadjustthelevelofthesignalsent
totheAUX1-4circuits,totheinternalandexternaleffect.The
AUX/prelinesareindependenttothechannelFaderposition
(formonitorapplications),theAUX/postlinesdrawthesignal
afteritisdosedbytheFader(effects).

AUX5(SND)

GeneralvolumeofAUX5(EFFECT)thatadjuststheinput
signaloftheinternaleffectandofthesignalpresentontheAUX
5(SND)jacksocketusedtoconnectanexternaleffect.

BAL

TheBALcontroladjuststhebalancingbetweentheleftandright
sources.

MUTE

Allowstoactivate/deactivatethechannel.Thesignalispresent
onlyonthePFL.

PK

Whenthisledturnsonitindicatesthatthelevelsignalisclose
tobeingsaturated.

-30dB

Whenthisledturnsonitindicatestheaudiosignalpresenceon
thechannel.

L/R

TheL/RbuttonsendsthechannelsignaltotheMAINL/R.

1/2

The1/2buttonsendsthechannelsignaltotherelatedsub-units
SUB1/2.

PFL

Allowstomonitorintheheadphoneseachsinglechannel
independentlybythegeneralmixing.Thisfunctionallowsto
listenthelevelbeforetheFader.Itisusefulespeciallyduring
theGainadjustmentandequalizercheckphases.

FADER

Sliderpotentiometerwithstrokeof,adjuststhe
singlechannelsignalleveltobesenttothegeneralMaster
L/Rcontrols.Usuallythebestperformancesareobtained
withthecursorispositionedatapprox3/4ofitsupwards
stroke(0dB).

100mm

15