exakta 35mm-2 User Guide

POSTED 6-27-'04
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50
EXAKTA LENSES
I
I
wide iange of
A vcry focal length and movement incorporated in the
reflex screen
the (2{
500 mm.) are for the
to
lenses
covering angles of
automatically shows the
rs available
view from 93o to 2fo. All
mount, and special
diagonal of the frame.
Exakta camerasr from 20 to 1000 mm.
for the
exact
picture
lenses have the focusing
viewfinders are not
The angles
area.
49
required
quoted
sincc
abovr
the standard lenses theii
size and the camera, the camera fixed on a tripod.
Long-focus
75 mm.
80 mm.f2.8 100 mm./2.8 100 mm./2.8 120
mm.f2.8 Biometar 135 mm./3.5 135
mm./2.8 Orestor 135 mm. 180 mm.f2.8 180 mm./3.5 Primotar 180 mrn./5.5 Tele 200
mm.
250 mm./5.5 Tele 300
mm./4 Orestegor
300 mm. 300
mm./4.5 Tele
400 mm./5.5 Tele 500 mm./8 Fernobjectiv 500 mm./5.6 500 mm.
1000 mm./5.6 While the Exa
some of the
the
on
Exa I. This occurs
plane
exceeds 70 mm.
focal length,
and thus
weight
have an
making it advisable
lenses
the
35 mm. Exaktas:
for Biotar
f4.5
Biometar Orestor
Trioplan Primotar
Sonnar
f4
Sonnar
Megor
Orestogor
f4
/4
/4
Megor
Sonnar
Megor Megor
Orestegor
Mirrorlens, Jena
Mirrorlens,
II, IIa will take
long-focus lenses,
but longer
when the
This is
focal lengths
should be focused more carefully. Also,
adverse influence on our
to operate longish exposure times with
Jena
the same lenses
the edges
distance between the lens
negligible with lenses up to
should not
as the Exakta
the
of
negatives are cut off
used.
be
steady
and film
100 mm. in
grip
with
5l
TECHNIQUE OF FOCUS
of
Depth
critically sharp image the film represents focused. Still, distance Any represented in the small confusion Furthermore, point the larger the circle on the fi.Im. Indeed, we know, longer the focal narrower the focused which not from That aiea which, although not sharp language as
confusion still appears as a sharp distance at amounts to two minutes of arc at at a viewing distance of l0 in. regarded (13 permissible
Exakta this corresponds to l/30 mm. maximum
THE
of Fiekl
Strictly speaking, an
formed
"plane
point
"circle
to
perceive
"pin-point"
by
As a
18 and 18
x
the 24x36 mm.
For
image of a single
plane
in the
focus",
of
and
the distance on
points
focused at appear
lying outside
plane
confusion"; the diameter of this
of
increases in
greater
the
be represented lies from the
length
belt
in front of and
appears
image to be
an
delineation does not exceed certain
in front and behind the the human
"depth
matter
"pin-point"
offield".
of experience
which the angle of view which it subtends
as normal for a
cm.)
x24
diameter of
photographic
ideal
of
the
plane
fiIm
only-so
is
concerned. This
its distance from the
which the lens has been
front
in
to be
sharp. How
plane
the
of
the
with the aperture of the
size
its
focal
the larger the
and
behind the
of and
of focus will not
film
as a
length
plane
behind the distance
be
to
Still, the human eye does
sharp.
unsharp as
long
plane
sharp, can
eye, is
described
in
it is found that the circle of
point
if it is
most.
print
(25
between 4 x 6 in., and 6 x 8 in.
in
size, this means that
the
circle of
(1x
in.)
lf
In
cm.), which
confusion is l/6 mm.
negative of
plane
this
give
far
as the of the
actual
possible?
lens can
is
be
point,
but as a
circle
of
lens.
the further
the
of focus, and
the
aperture,
its departure
as
the
limits.
actually focused
be
accepted
photographic
seen
plain
as
from a
English,
may be
the highest
the 35 mm.
permissible
a
is
52
depth
The
of ficld scele
picture
which
the engraved lens, note thc distances you
ere using,
at 13 ft.
will
on each
side of
rnd these indicate thc extent
(.1
m.);
at
the dcpth of
f8
on
Exakta lens mounts shows the rengc
the
be edequetely sharp. The scale
setting mark for the distance ecale. Heving
the
on the scale opposite the two
field
is 9 to 76 lt.
shows thc series of
figures representing the
the depth of field.
of
(2.7
to 8 m.).
53
DEPTH OF FIELD
of dirtanccs
Abovc
ovcr
lens aperturer
focused
.pcttur.
the lcns ir
thc rec
points
circle of
diameter are of confusion accepted sufficiently
Control
of aperture separately.
depth to the point
()
b0
L{
a
.j4
the reflex the facilitates
fact
size of the a
happen
B F
B
field blur. Indeed, good fleld
of of field
lens mount
the aperture
of the
represented
on
of
covered
as
"sharp".
of Depth
lens
of
used,
The depth
the
field-being
employed-has
The reflex
image of the Exaktas
of field
In stopping
foreground
has
focused
one
image
magnifier and
the observation
Nevertheless,
that our
focusing screen
enlarged
that
circle
towards
the
very small
seen on
in
definition
in depth, one
tables than on
lenses of the
The
field calculator,
different stops
for the
been
has
figures, diverging
not more
one should
every case
confusion.
mm. Exakta negative
the 35
than 1i30
"depth
by
Field
of
the
distance
to
down,
the
and
at can
grows
too dark
focusing
considerably.
print,
and
from a
the extremes
ground-glass,
when importance
what appears
Exakta are
allowing
one
provided
mark.
the distance
To read, focusing or we are workingwith the
first set by
two index
guessing)
a 2 in.
marked 5.6 on
lines
to, let us say,
(5
Thus, all
mm. diameter
field" and
of
dependent
actually
on the focal focused at and the
be ascertained
permits
the increase
background
be
seen
from the actual
(up
to the state where
for observation).
extension
hood
make some
is
only
that the eye
mathematical
the
should
in addition
allowance
negative
cannot
point,
range of depth of
of tlie
enlargement
rather rely
the focusing screen.
on
fitted
to read off figures
distances
and
with a special
from either
index
side of
(obtained
10 ft. Assuming
lens with aperture./5.6,
cm.)
the depth
for every stop
control of the
which
by
a circle
can be
therefore
length
in definition
Use of
(see page
for the
size, not the
distinguish
it
so
will
is
show
attached
on depth of
rvith a depth
for
depth
at once. The
bearing
scale
the index
by reflex-
that
field ring
of
as
20)
can
to
s4
point
ra.rge
the
actually
while
The different dipth uiiusttfatile manufartureri
the accepted
v'ith tives
Qtoge
Limits
The
within
limits
tlrese
have expected
For
focus
'sharpness
focusing
to have
lens down
the
In
hyperfocal
of sharpness focuiing results.-This focusing
When
forces
the
as image. This to
iudge
grourrd--glass, which somewhat
Further,
side
one
on
of depth
to l0
set
will be surprised
reader
tlnse
front
of
of
the
said
tlris
as
only
us automatically
tables,
feld
growtds
as
fhe
S2).
Depth
held
widely
depth
is mistaken.
before,
in the
only
v-ery
exactly
is rbEiied.
should
the
be done
case of
distance
is required
the object
on
applies detailed making
magnifier
is all
picture
the
deceiving.
the assumed
permissible
standard
of
reason
as
always least
distant
use of-the
shows
6 ft., and
to
Field
of field
possible
on
the
is
field
of
ft.
given
for
-reason
the
lll\mm.
of ll30
of
depth
idea that
and
must
It
"pin-point"
critical
plane
actually
care should
at
may be-
It
be done
"depth"
afterwards.
landscapes,
(described below)
in the
in the
to the
also
page
56.
to concentrate
only
better, as
its
by
as regards
circle
other
on
-the
therefore
circle
feld
everything completely
tlrc spot
far distance
built-in
a
general
of
55
from
to
these
find
the same
has been
calculator
be emphasized
on
far
portion
otherwise pin-sharp definition
conditions
that.
being
of confusi,ott,
mm.
for
is equally
definition
focused.
be taken
which the
on
emphasized
full aperture
with
the screen
should
use distance.
of
use
magnifier,
the
on
of
one
appearance
confusion
30 ft.
to
side
ft. to 30
6
figures on
allowed
l$xl in.
is misleading.
unsharp
to
and
notbe
if_the-
In
will
the safety-zone
main
whole
the
is rather
which
ft.,
very
in our
-perfectly the-
by
compared
nega-
shg-p
outside
as we
that,
the Exakta
can
place
greatest
again
^that
the
of
stopping
made
greatest
this case,
give
better
subject,
reflex
apt
on
can
been
has
be
the
the
be
the depth
laid down supposition Wir'en the depth of coni'usion more reason
possible.
as
0n is not region increases
The
The direction is focused reaches on the This adjustment desired distance extreme
Safety-zone
There like whole meter for ever. kind
FOR Focus
Focus
-
for
that
sections
small
field
of
is enlarged
why
other hand,
the
absolutely
unshirpness
of
graduallY.
only
Hyperfocal
of
depth
innnity
bf
such
on
the far
"infinity-near
io secure
far as
as
sharpness-in
Focusing
opportunities
are
iide,
and
time
technical
of
Everything Eierything
rest-would
the
and
situations
Such
pre-prepared depth
EXAKTA
35 mm.
(4
ft.
at 15
between
(9
30 ft.
at
Ueirveei'fS
ivhole
the
of
decreases
foc-using
in exactly
uniform
Distance
extends
field
than a distance
distance
point"
focus
of
adequate
possitile into
the
wait
armament
WITH
stoP
m.),
and 30
10
m.), stoP
fi. and
of
negative
the
accordingly,
the
at
should
within
outside
towards
(infinity), then
is always
far
in a
for
bear-reflex
to
be to
are
focusing
8-
8.
56
is
negative
time. That
same
carried
be
same
the
the
the
greater
a-
fo-r
camera.
the
the
that
"hyperfocal
the
or
distance
no
best dealt
ft.
infinity
advisable
sharpness
foreground,
the
only
photogr-apher's
man;
your
let
as
(5
cm.)
in.
2
be sharp.
wiU
will
tables
focus
is
viewed
greatly
are
belause.
way
depth
depth
distance
depth
the
from
(see page
when,
focusing'
prey with follows:
LENS:
be sharp.
on the
derived
enlarged'
or
enlarged,
circle
the
just
is
as exactly
out
aq sharpness
of ield,
of field
in the
a lens
When
field
of
is focused
lens
distance"'
when
farthest
the
rather
57).
life which, bring
to
exposure
escapg
by applying
one
the
area
just
it is
than
your
you
a
Hyperfocal
These tables
laid down
In the relate to group the distance gives
depth of field.
of
Distance and Depth
have
been computed
page
on
depth of field tables the figures on
the
indicate the distance in feet
focusing
of the near limit
the distance of the distant limit
for circle of confusion.
52
setting of
the
mount. The corresponding figures above
HYPERFOCAL D'SIANCE
(For
ncer
requircd
n8 the
tivi
(5
cm.) lenses.
conversion into
point
in thc
Teblc of focusing d istances,
with the 2 in.
to infinity
Apenure
f
1.5
1.9, 2
2.2
2.8
3.5
3.2, 4 ,f.s
5.5
6.3 I 9
ll
12.5 t6 i8
z2
shrrpners is
infinity
NOTE.-The
mum
oJ'Field in
conformity with
lens stop.
The
bold
to
which
(in
feet and inches), and
(in
feet and inches)
greatest possi
Setting
(hyperfocel
far distuce.
ble depth of
metric unir, see
of lcns
in
feet
t60 120 110
80 70 60 50
.rc
35
30 25 20 17 l5 12 10
distence)
57
Tables
the
the left of
(middle)
poge
90)
figures in each
them
the figure
of the region
field
from thc forcarou
Extent ofdepti to infiniv
80 60 55 45 35 30 25
20
174
15
12-6
l0
not
usod when
be
the lens has to
rhould
principles
each
be set
give
from:
84 7-4 5 6
group
on
the
below
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d
EXPOSURE
time
OF
depends
on two sets
of
THE TECHMQUE
correct exposure
The
circumstances:
(l)
b
The amount and
photographed.
be
to
object the season of
(2) employed and exposure
The
EXPOSURE
the
The speed of film,
probably
in the case of special
correct exposure time can
TABLES. These are
calculations and
most of the factors
give
will of the leaflet
I
accurate
an exposure-figure
film.
A simplified
packed
with the film.
PHOTO-ELECTRIC
and
dependable exposure time. Some converts an
light-energy
indicator
CdS
over a
exposure meters employ a resistance. They very
sensitive and
battery which
years.
two
has an
To the experienced
colour of
year,
time
the kind of fi.lter used, the aperture
an allowance
practical
experience. They
given
above, and,
table is usually
EXPOSURE METERS.
means for arriving at
consist
electricity, which
into
table of light
narrow angle of acceptance,
a
have
accurate. They employ
average
Exakta
of the image on the reflex
guide
useful as an optical exposure time, matter a
standard
to
correct exposure,It acts
the
meter. By using a standard
l/60
e.g.
of habit to
for average subjects,
sec.
vary the
intensity of illumination or the corners of the screen details the latter
only if the subject
light reflected from the in its turn,
This,
of day, situation,
grain
fine
depends
weather, etc.
for
increase
an
development.
be ascertained by:
based on mathematical
tabulate all or
if
with
used
discretion,
which lies within the
contained
They are the right
photo-electric
a
of
cell which
in turn moves values. cadmium sulphide
mercury button
a
life, in normal use, of about
photographer,
focusing
screen soon
the brightness
becomes a
to
some
exposure
it can become a
aperture
is
so that the screen
to
be
may
of even
illumination).
see how
observed
on
latitude
in the
photo
are
extent
has
far
into
but
in
64
EXAMAT
This is
TTL
Meter Attachment
pentaprism
a and Exa I cameras exposure measuring measuring the
There are three
1. By varying shutter
2, By
light
methods
the
speed.
varying the
aperture.
3.
By measuring
on
as
To use the
Insert
1. unit with
cover.
2. Insert
3. Set film un_til the ASA or DIN
4.
Switch on "switched-on"
_ For aperture
5. Set camera
6. Set
S9t-
7.
with Turn
8. points
indicates a correct preselected. For
5. Set camera lens
6. Stop lens down Turn
7. until
8. Read the white meter.
ordinary manually Examat:
battery
a_c-oin,
The life
Examat
the
speed by turning
required speed
meter
procedure
The
lens
on the camera
the
shutter speed the white aperture ring
to
the zero index
If the meter
that
exposure
After use, switch
shutter speed
the main the meter
off the correct
setting
(PX13)
insert
of a battery exceeds
into
cut-out window.
by sliding the
position.
then varies
adjustment
manual
to
the
setting mark.
of the lens
needle
with the
adjustment
to manual aperture
to the
setting dial,
needle in
mark
finder
attachment
permits
which
by means
through the
combined viewfinding
of a built-in
lens.
of exposure
aperture
shutter
the
setting
speed
shutter speed-aperture
operated
by removing
battery with
the top
the two
points
metering:
preselected on the main
mark.
cannot
shutter
and
a slower shutter
preselected
the
shutter
and
battery
+
year.
one
of the camera
studs in the
to
the index mark
switch on the top
according
aperture
until the meter
with the
viewfinder
speed to
take
to the metering
setting.
shutter
setting dial
be aligned with the
preselected
speed
off the meter.
metering:
setting.
aperture value.
viewfinder
lines
be set
your picture.
speed.
65
for the
CdS meter,
measuring:
pre-selected
with a
with a
pre-selected
combination
meters.
cover on the
sign upwards
body.
top of the meter
of the meter in tine
needle in
speed may have to
eyepiece
up
on the
After use, switch
side of the
and replace
on the
appropriate
left to
method used.
viewfinder
the
index mark, this
one
cannot obtain
at eye
with
zero
its
camera opposite
Exakta
green
the
level,
mark.
and
disc
be
off
manual
For
5. Set camera Turn the widest aperture
6. mark on the aperture dial. Turn the
7. to the
8. Select any shutter speed other on the
metering:
lens
automatic iris.
to
main
setting dial until the meter
zero
mark and switch off meter.
the
shutter speed
camera and lens.
value of
aperture
and
and aperture dials and transfer
Exposure Meter Attachment
special exposure meter
A
Varex, but was discontinued
pentaprism
a
built-in
a
focusing unit
photo-electric
incorporates a direct vision
To
the meter:
use
1. Set filrn speed.
2. Point camera at subiect.
index
3. Set
Read off
4.
shutter.
1. The film speed is set printed
either The light falling on the
3. needle in the cut-out window disc until the black triangle
or
In
needle.
red
4. The correct
the exposure time or
A
open
to needle
aperture-exposure combination
aperture numbers
(left)
DIN
white
poor
tiangle
vice versa.
translucent
cell is intended for incident light
or
band facing
light there may be no noticeable movement of the
this
In
case, open up the front
(V
opposite the black or white band facing the
)
aperture
you
Transfer this
plastic
The TTL Pentaprism
The TTL
the with
pentaprism
pentaprism
focusing-viewing system
internal through-the-lens measuring
unit was
in 1961. It is
(still
exposure
optical finder.
position.
turning
by
(from
2 to 22) to the
(righ|.
ASA
produces
cell
on top of the meter. Rotate the outer
(y
engraved on it
)
the
needle.
(in
to
for
the
use
want
to use
result
which
disc
the Exakta RTLI000
for
the Exakta RTLI000 combines
66
your
lens
to the white
needle in the finder
combination which
provided
available,
meter
the wedge-shaped disc
a certain deflection
cover
cut-out in the inner disc)
(on
the bush of the outer
to
the lens and shutter.
may be clipped
measurement. See
for the Exakta
a combination
page
see
and, in addition,
and transfer to lens
appropriate value in
points
of the cell
over
the closed or
described earlier
of the exposure,
setting
points
face each
them to
2l) with
with the
of the
to the
black
meter
and set the
needle.
page
72.
and
faces
disc)
of
it
www. butkus.
ore/chinon
TTL PENTAPRISM FOR
EXAKTA
r--------
RTLIOOO
6
10
12
automatically speed,
be connected to
may
The
taking into account film speed, shutter
aperture, any
measurement applies
light used in conjunction microprism centre. employed, with a
Fitting
The earlier. After driver grooves speed connected, shutter-speed
the film speed
matt screen with
the TTL Pentaprism
connecting of
fitting the
pin
of the shutter-speed
base
the
on
setting disc
the shutter-speed
disc
extension tubes, etc., which
filters,
the camera. with the regular
If a completely
be increasedby 4 DIN and
to
has
bright
6 mm.
the TTL
from
prism
prism
prism
the
of
stop to stop.
into the
knob
knob
prism
of the
is turned.
when the TTL
focusing screen
prism
with
matt focusing screen
centre spot
by 3 DIN.
is the same as described
camera,
on the camera
engage
in the
by rotating its shutter-
When correctly
will turn when the
is is
the
www.
pentaprism
The TTL The features are: finder eyepiece. 6, Cenrre 8, Change retting
mark. I 3,
finder replaces the normal
1 , TTL
over switch.9,
Push-button
butkus.
pentaprism.
disc
of
Film speed setting disc. 10, Shutter speed setting
for film
orglchinon
pentaprism
Battery
2,
speed
chamber.
setting
aperture setting device.
finder
reflex
or
3, Switch signal. 4, Meter switch, 5, View-
7.
disc
Lower
67
the
on
Exakte RTL 1 000
ol aperture setting
disc.
12, Shutter rpeed
device.
film
Pentaprism speed:
triangle
Using the TTL
Set the
that the orange
of the aperture setting line of the home white figures
far as it will
as disc ASA or
Open
With automatic automatic at the recess setting device points mediate values may
centre disc
at the two
lines. The film speed
DII.{)
go
into the TTL
of the aperture
DIN speed
Apertare
Measufing
(A), push
without
so that
triangular
to the
is
setting device
of the film to
aperture
change-over
line. Raise and turn
be
Meter
First turn
the
shutter-speed
is visible. Now turn
device.so
and
that its line
push
the change-over switch
(orange
pressing
finally set
by prism
and
with its white
be used.
(see
switch
page
on
lenses
the widest aperture of
mark on the
set).
Let the
inside
lower disc return. One
68
disc so
the lower disc
points
to the
figures ASA,
push-button
the
the lower
turning
line to the
lens to
29), set
lower disc
home
the lower aperture
lens used
the
(inter-
disc
White
Battery cover
Eyepiece Fresnel lens
Examat converts
The readings to be taken through
use.
in
lt combined viewing/focusing by a battery housed in the side of
earlier exposure
The
unit and exposure
focusing a direct-vision
replaces
viewfi
the Exakta
the normal
and
meter unit for
meter, but
nder,
the camera
EXPOSURE METER UNITS
Film speeds
setting mark
Shutter
speeds
res
Apertu
Zero index
Meter needle
Exa I cameras to TTL types, enabling
and
lens,
pentaprism
exposure
finder or focusing screen
meter attachment. lts CdS
unit.
the
Varex
the
did not read through
no matter
and
Exa I
what lens or attachments
was the lens. lt also incorporated
69
meter
a combined
accurate light
and serves as
powered
is
cover
Cell
light index
Poor Bright light
Needle
speeds
DIN ASA speeds Apertures
Shutter
pentaPrism
are
a
index
sPeeds
can NOT measure with incorrectly (smallest
aperture
To measure, shutter-speed disc Push meter switch circle
will appear the meter is subject and turn the until the shows
pointer
in the centre
cannot be reached, use
number).
pre-select
(one
can NOT use intermediate
(above
in the
window above it to indicate
switched on.
lower
the left-hand
on
the
of
a slower shutter speed. Read
and set
eyepiece)
Point
disc of the aperture
engraved circle. If the circle
the aperture setting device the aperture value triangular mark and transfer this to
set widest aperture
shutter speed on the
to
the left.
the camera towards
in
side
the viewfinder
pointing
aperture setting ring of the lens. Now release. Switch offthe meter by switch to the right.
can reverse the
One
procedure Turn the lower disc of the pointer
shows in to the circle. the required setting device disc. It
the lens if
on
the
If a larger
aperture on the central disc of the
points
to the triangular mark
may be necessary to
one does not arrive at a full aperture number.
required
position
or smaller
on the
aperture
aperture setting device until the
has
pre-select
and
Turn shutter-speed disc until
readjust
slightly
pointer
cannot be
to be
selected.
Stop Down Measurement
To use non-automatic lenses manual aperture lower
disc
home
setting,
the
at
push
recess
setting device so that the lines of all three
each other by raising the lower
of
To measure, shutter-speed
values must be circle will camera to
pointer
preset
the
setting disc above the mark.
set. Switch on appear in subject
the left
on
f.he
window
and turn the lens
the viewfinder
of
or automatic
the change-over
line.
Set the shutter-speed
disc and turning it.
shutter speed
meter-a
above
aperture ring until the
is in
discs are on top
by
NO
green
the
the
70
speeds).
green
A
that
the
setting device
off on to
the
turning the
the aperture.
aperture
the lower
on
the aperture
obtained,
lenses
for
switch of the
turning the
intermediate
indicator
Point
switch.
centre of the
circular mark there engraved. reached, switch off
required on the until the switch values; aperture setting ring. If pre-select
pre-select
meter.
can reverse the
One
lens,
pointer
in the
off meter. Do not
if necessary, make
a wider or smaller lens
a slower shutter speed. Release and
procedure
and turn the shutter-speed setting
finder show to the circle,
set
fine corrections by means of the
pointer
position
If this
pre-select
and
intermediate
position
cannot be reached,
aperture.
Fitting and Changing Battery
The TTL
with
battery in normal use is
the
To change
in
the side replace points battery dirt, battery TTL
Using
To
This may
accurate light-measuring instrument.
an subject-highlights,
the
so
The subjects-i.e., subjects with average areas of tones. reading
But
little
and have to modify the exposure reading to obtain the
So and accepting
pentaprism
a 625 or equivalent mercury
the battery,
wall of the
by new
one,
towards the
its contacts free
and
etc., which can impair
be removed
should
prism
unit is not used for
for the RTL1000
oxide
in
well
Exakta
battery.
excess of one
unscrew the battery compartment
prism,
TTL
making
screw
remove old
certain that its
lid
from
and
finger
close lid
marks,
the function of the meter. The
and stored in a dry
some time.
an Exposure Meter
get
the best results, the exposure meter has to
look like
a contradiction, since we have already said that it is
shadows
gives
it
reading
Exakta meter-as any other-is
you point
if
So
will be correct.
if the subject is not average-if there are large highlight areas
there is more to
shadow,
without
or large
and middle
is
us
an average one for
the meter
shadow areas
a meter than
using
question
But
tones-falls on the meter;
scaled
at a subject of this
with
just
the
reading indicated.
used intelligently.
be
light
from all
the whole
to
suit
light, dark
kind, the
highlights-then
few
best
pointing
typically
7l
cannot be
the aperture
disc
release and
shutter-speed
is
fitted
life
The
of
year.
battery
(f)
and
sign
plus
again. Keep perspiration,
place
if the
parts
of the
subject area.
average
middle
and
exposure
results. it
you
the
at
subject
REFLECTED LIGHT MEASUREMENT.
using the meter is to
photo-electric
the
is
method average mixture of highlights, shadows and
is a large near
the closer and is what
the meter at the optimum exposure. For instance, many reading of the the reading subject.
then subject, and take a reading
sky, "seen"
meter down to exclude some tone range.
shadows, so It is usual to
assessing subject at
subject. So correct exposure. with designed to reduce important light falling on
films, impossible
subject and main light-say, tum round and
called
gives
This
bright
to the
subject is a
you
therefore
you
For some subjects
you
cannot
If
try to find something near
When taking readings
you
have to
by the meter. The sky
Open views, such
INCIDENT LIGHT
exposure is to
instead of that reflected by
the light
the Exakta
purpose,
The incident
and
to make a close-up
To take a reading,
point
it directly at
cell is therefore that reflected by the subject, so this
"reflected
the correct exposure reading
area, or a large dark area,
main subject
figure
will reduce the
get
a
want.
part
sitter's
from
go
tilt the meter down slightly to reduce the area of sky
you
can
give
half
you get the
light
meter over
the
light method
for subjects
point
the sun-is coming
point
light measurement".
and take a close-up reading. For example, if
against
amount
reading in terms of a more average
you
take a reading from really close up, aiming
can
the
of
subject
face in
the
This is done by sliding
of
back
to
close up
from this.
general
of
as distant
give
a shorter exposure
the exposure-i.e., use
MEASUREMENT.
measure the strength of the light falling on
higher reading
a much
has to be cut down
the honeycomb cell of the meter which is
the lightjust
this is
and
over an angle
subject
the mer:r
is
with contrasting backgrounds
the method is simply
in
the meter at
the
a white or dark background,
of background affecting the meter
that
photographers
portraiture;
your
hand instead of
that
a subject
at hand that is similar in tone
scenes, including a
is a
bright
of it the
subject becomes
landscapes, usually have very light
it.
if
But
the
amount. It also serves another
right
to
reading.
that the meter includes all the
ensure
of almost a full 180'.
particularly
the opposite direction.
exactly
from the side, don't
this; turn round completely and
72
The
subject. The light reaching
provided
middle tones.
the
best
you
want to make
out-of-doors
needs a close-up
highlight, and by tipping
than the meter indicates.
the
next
Another method of
point
you
than if
for the meter to indicate the
the white diffuser supplied
useful for reversal colour
to turn
method
usual
the
higher light
the meter straight
you point
your
has
subject
if there
But
method is to
by
which
subject,
sure
take a close-up
you
can
going
to the
up
readirrg,
good
deal of
"average"
it
at
when it is
back on
just
partly
to
value.
If the
going
has
take
the
the
the
the
the
of
an go
in
the
let
main light strike the
subject.
light
If the camera sun-you must then the meter towards the
AGAINST THE LIGHT tone range. The main lighting field of indicate final
This is all exposure for take a reading from the exposure the meter,
then
and
COLOUR larly careful reading is advisable. The meter is used in the
for
as often these tutes a highlight, with the
Because meter double the reading, and not multiply it mended for black-and-white negative films.
on the
position-say,
view,
so if
too
short an exposure
picture.
right
the
subject,
indicated.
the
double
FILMS
black-and-white films, although the incident light method is considered best for reversal films. This is because exposure of should be based on the highlights, and
of the
without
importance of the highlights, if
diffuser for an
meter at the same angle that it
subject is different from that on
the
if
subject is in the
go
up to the
subject and take the reading,
position.
camera
subjects are
you point
if
Another way is to use the incident light
it towards the subject from the
exposure indicated.
becomes a
the
meter straight at
and
you
want
a silhouette.
you
should either
position
camera
have only a small exposure latitude,
meter in effect reading directly from it.
against
give
and
the light
shade
extreme
very
you
take
give
four
yourself
and
cases of non-average
bright highlight in the
the
a silhouette effect in the
you
But if
a close-up reading or four to
camera
the
diffuser itself
you
is
shot, it
to
eight times as recom-
you
subject it will
want correct
eight
are using
73
strikes the
are in the
pointing
times
diffuser on
position,
particu-
so
same
consti-
to only
best
THE TECHNIQUE OF TONE
the
at
Use of Filters
The
the
way
the
photographic
The
panchromatic, and-white
quite of
tone values, so that the
false impression of the real
a
this discrepancy
Scientifically speaking,
be
over
red,
and one
panchromatic
ten
to as average brilliance of about four-fifths that of one-third, and red with two-thirds of the brightness of yellow.
is therefore
It rendering accuracy the other achieved
Filters are the
which will correspond with
to the impression of colours received by our eye,
comparative sensitivity
in our film will
by the use offilters.
intended to correct on our negative material
various degrees of Principally, they lighten objects of their own colour and darken those oJ' their
will darken
filter obtain a
colour rendering in our more closely to the object: here
we speak of
also be employed
picture
our
particularly
only light clouds are termed
can
dark sky, whereas the actual landscape revealed
'oeffect
Allfilters cut out
in exposure time is always necessary when using them.
black-and-white
fails to render colours
fllm, even though
in
photograph
scene.
is the
following.
to
times
as bright
the
as
eye
human
blue, three times
and a half times as bright as
film,
however,
registers blue with
yellow,
evident
have
that in
of the
to
brightness
to
order
various colours to
be
corrected. This can
of the actual
complententary colour
the blue of the sky).
impression made upon
"correction
produce
to
be made to
show heavy clouds against a
in a blue sky.
They
picture
which corresponds
filters". Filters may
certain effects; for instance,
Filters employed
fi.lters".
parts
certain
the light
of
74
their true black-
gives
often
The explanation
yellow
appears
bright
as
green.
The
green
with
a colour
obtain
some degree of
each
be
picture.
(e.g. a yellow
may be used to
to
such ends
increase
by
the
our eye
and an
a
can
figures
Exact
according not only sensitivity the
Yellow-Light
Green
Orange-Light.
Red
Yellow
Green
Blue
The following a short and
YELLOW FILTERS mainly reduce rendering photography normal blue sky. should be
also hold back films are comparatively oversensitive
to the film used, on the nature of of
photograph
ln Daylight
(1)
Medium
(3)
Dark
-Light
...
Medium
Dark...
-Light
...
Dark ."
In Artificial Light
-Light
(1)
Medium
(3)
Dark
-Light
...
.,.
Dark
explanation of their use. The best
handling
it darker, and are therefore
used and
FILTERS
GREEN
only
the film and on the colour of
has to
(2)
...
(2)
...
gives
list
filters is the Focal Filter Chart.
in order to obtain clearly defined
In the
vice
(render
red
given
be
for the
the filter,
be
taken.
FILTER FACTORS
a summary of
of a very light blue sky, a darker
case versa.
have
a similar
it
darker),
75
for each
particular
exposure
but
ratio depends
on
the light in which
Panchromotic lnfro-red
Film Film
1.5
t.5
1.5 2-
3­5-
't.5
the filters
particularly
effect to
to which some
(photographing
recommended
practical guide
the actinic effect of blue,
suitable for
cloud effects
yellow
filters, but
panchromatic
it too light).
case,
the colour
10 15
and
to
choosing
landscape
on a
filter
they
SKY
FILTERS are
background and a dark foreground, such as often occur in landscape
photography. are obtainable as the object should cover the top if.
plcture. an
very extreme
sunshine into moonlight effects, etc. used absorb
darker
(as
the
exposure time has been determined for the
ORANGE
"effect"
filter for
distances
clear
RED FILTERS
contrast, creating
DARK RED FILTERS to
for scientific
BLUE FILTERS
part
of the red sensitivity. This results in
(lips).
reds
FILTERS FOR
designed
They serve mainly to avoid
graduated green
in landscapes)
part
FILTERS
give
drawing
in landscapes, eliminating
of still stronger effect than the
are
purposes,
for
are
COLOUR
photographing
for
partial
yellow
or
is bright, the coloured
the lens.
of
overcorrection,
heavy
filters. If the top
No exposure increase is
and serve,
clouds against a dark sky, and
light
black sky with brilliant clouds, faking
be used only with infra-red film. Chiefly
penetrates
it
panchromatic
mist.
film in
PHOTOGRAPHY-see
with
scenes
overexposure, and
part
of the filter
necessary
part
darker
therefore,
haze, etc.
filter, for
orange
light.
artificial
skin tones
better
page
43.
a bright
part
of the
They
and
of
as
Polarizing Filter
polished
Highly
successfully so as to obtain a true
they will reflect too much light and
since reproduction overcome introduced. It suppresses plane,
while light will freely polished in one extinguished position
The Exaktas front of the filter on to the lens in the slightly being about
wooden surfaces, water, vibrate
plane
over the lens.
The filter has to
the lens, or desired result on the reflex-focusing screen,
best
tinted, the
subjects can be very dimcult to illuminate
photographic
glare
with a
this difficulty the
vibrating
pass.
Light reflections
(:it
is
placing
by
rotated to find out its best
be
for this observation. The filter is
are ideal
then
and
exposure
three times.
which obscures
light
in
a
polarized)
the
by slowly rotating
position
selected.
time
should be
polarizing
vibrating in plane
at
glass,
from
can therefore be almost
and polarizing
the
As the
rendering,
spoil the
so
the detail. To
filter
right
one
angles
been
has particular
to this
china, enamel,
to a large extent
on the
simply
and
proper
held
push
filter
lens.
find
the
filter in
position
filter one can
polarizing
increased, the factor
in
76
is
CARE
Storage
When not in
and
damp precaution,
Care should be in abnormally temperature
Take the however well made deterioration
Exercise
Cameras exercised your
camera
its
normal operations
l. Set the
2.
Turn to a release and
3. Examine the
4.
Check
5.
Check the
These exercises retaining ensuring the
Running Test
Before
your
be ment,
make a few
camera
at
time
for a test
avoid a
use, the camera preferably
dust,
inserted
high
is best.
precaution
and corrosion.
(like
most mechanical instruments)
regularly to
where
shutter release
slow shutter speed and
fire. Also
fllm transport
viewfinder.
the
natural
camera
after
embarking
constant
least
four
film to be
possibly
spoiled
OF THE
into
a
taken to
low
or
of removing any batteries,
these may be there is
keep
you
can
at least
exposure
will
keep
qualities
is ready for instant
Storage
on
a companion, trial
exposures. It is
weeks
exposed and
holiday record.
CAMERA
should in its case, polythene
see
them
get
once a
and fire several
operate delayed
meter for correct
the mechanism
holiday
prior
77
and, as an
bag.
that
the
temperatures-normal
good
in
at it easily
month:
again set the shutter
of the lubricant-thus
where
or on an
advisable to
your
to
processed.
protected
be
camera
always a risk
condition.
put
and
times.
action device.
in
use when required.
your
important
departure to
from
additional
is not
kept
room
because
need
to be
Store
it through
operation.
good
order,
camera will
assign-
test the
This will
of
give
Keeping
ditions where mechanism, with flying dust, the camera. down on camera fall upon
therefore, is fi.lm.
Treating produced
allow back of
|f knock,
trouble-free
Coping with Tropical
as occur in humidity protect
camera. These
on organic
problems. should be
leave keep
the Interior
your
When
its case into
Small spotless.
Your camera
it to be
you protect
High and widely
The camera
the camera unnecessarily
it in its
camera
dust
take
the
a
sand, etc.,
This
applies
a sandy beach.
in
chips of film
the
a car, nor treat
you
the life
position
such a
it.
This could
always make
with
in
wax
your
Check
Camera with
is a
great
swung by its
the
camera will be amply service.
varying
desert regions
rainy
seasons,
and continued
conditions
matter.
should
polished,
case. The lens
Clean
is used
or sand
precaution
polythene
particles
fine,
care
Conditions
Sand,
be
on the beach,
can easily
particularly,
Furthermore,
that
ruin a camera.
can
easily sure that camera
Care precision
and
shoulder
as if
it were
against
repaid by
temperatures and dry seasons,
call for
also cause
dust and insects
kept
dry and
parts
metal
should be
78
or other
infiltrate
puiting
of
or
other container prevented
are
direct
damage
the inside
every
instrument.
attention
as robust
possible
good performance
exposed to
the
from
of
course, if it
avoid leaving
sunlight
time it is
strap, thrown into
years
special
the
lightly
covered with
is allowed
the mechanism;
your
of
loaded
It
to detail. Do
as a
damage
of excellent
with low
and very
precautions
growth
may
clean. Leather
greased.
heat.
con-
into
the
instrument
so that
entering
is laid
the
to
camera
with
been
has
not
the
battleship.
due to-a
and
humidity,
high
to
of the
of moulds
present
parts
Never
Always
lens
the
cap when clean, dirt and tapping. Wipe the lens mesh fabric
or tape. (e.g.
moved from a cool removed before use and the
not in
use. Outer lens
grit
removed with
surface with cotton-wool
(butter
photographic
Store
a tin which should be
In a
humid
gel).
silica
muslin) when
equipment
sealed with adhesive
atmosphere, add some desiccating
Condensation on the lens mav
place
into
Lumid heat;
whole camera carefully wiped
surfaces have to be kept
an
required.
in an airtight metal
occur
before re-storing.
Films should not be original airtight tins peratures life of
of 90'F
most for as short a time as and film in the
(32'C).
films is limited
glove
trouble.
Films should
be exposure-within a week or two climates, within a few container with desiccant
in a refrigerator, but
keep
longer than
kept
(tropical
possible
packing)
continual 100'F
At
month
to a
in
the camera. Storing camera
compartment
processed
as
soon
or,
days. Keep the film
(to
absorb moisture). If
you
if
only
of the car is inviting
exposed fllm and the container is sealed.
79 80
air-blower
and
or
open
box
(e.g.
medical)
agent
when
the
camera is
this has to be
months in
six
their
at continual tem-
(38"C),
or two. Keep films
possible
as
in
very hot humid
in
after
an airtight
possible,
can dry out
by
the
the
CLOSE-UP
single-lens reflex
The close-up lenses as the exact definition, focusing almost any other type of necessitates expensive not
photography.
extension tubes,
or
screen.
When working with supplementary
Parallax, which makes close-up work with
auxiliary attachments, simply does
exist in the Exaktas.
cameras
WORK
are
the
actual
can be controlled
camera at least very difficult or
Supplementary Lenses
Exakta
The
cameras
This figure varies somewhat
can
focused down to about 3 ft.
be
in
accordance
employed.
The field covered at 3 ft.
with a 2 in.
251+tt in.
photograph
To
work,
similar three lenses, described as a
diopter, and
+2 photographic
venient to
get interchangeable filter mount, required and a distance at which one has
distances covered by these supplementary
The
Supplementary Lens
diopter
*l
diopter
*2
diopter from 13$
*3
field covered. the distance at
The
as well
set, ground-glass.
intended for
son:
closer range for table top, copying and
at
supplementary
giving
covering
a
dealers
lenses
these
lenses can be
a scope which can reasonably
practical
all
diopter. These may be
*3
or opticians.
of suitable
so
lens can be inserted in
to work.
Distance Covered
from 39$ to 19 in.
definition can
as
following table
The
general
information and
from 19f to 13 in. ( 50 to 33 cm.)
to
be
particularly
suited
image covered, as well
the reflex-
on
with the lens
(5
cm.) lens is
range of
used. A
needs, are a
One will
diopter,
*l
had from
find it con-
diameter to fit into an
that
mount only
one
accordance
with
lenses are:
(100
to 50 cm.)
in. ( 33 to 25 cm.)
9+ which the lens has to observed
giving
purposes
on
these
the
figures
compari-
of
for
be
is
the
be
reflex
is
&ght: The two-in-one adaptor (A) provides The extension tubs set E) C-5 mm., D:15 mm.. E: 30 mm.
5
gives
to 60 mm.; B:10 mm.,
10
leng extension.
mm.
(8,
C,
ACCESSORIES FOR CLOSE.UPS
D.
!eft: The lens camera magnifier for is shown fitted to the microscope attachment Type 2.
magnifier
lens to be used as a
photomicrography,
attachment
distortion-free
etc.
enables
scre€n
The camerr
the
CIOSE.UP FOCUS'NG IABIE
(For
conversion into metrie
Lens setting
(feet)
o
100
50 25 15 10
8 6 5 4 3* 3
It required when perfect
be noted that no change in exposure
should
working with these close-up lenses. To
definition,
diopter
*1
3ei
38* 37 34t 32*
2et
27t 25' 23t 2tt 201 181
iMeasured
is
it
FOR
SUPPLEMENTARY
poge
units, see
focused
dioDter
+2
191 191 1e* 18* 17t 16tr 168 1s* 14t 14 131 12*
on
lens.
Distonces
from supplementary
advisable to stop down.
90)
(inches)
I-ENSES
.
+3
diopt r
131
13 12r 12t
12t
111 1'tt 11* 101 108 10
9
time is
obtain
Right: The bellows attachment close-ups and macrophotography, giving
lens extensions between 35
rnd 220 mm. A simolified miniature
focusing attachment
bellows
lenr l25mm.
cxtensions
between 35
for
gives
and
www.
butkus.
org/chinon
The depth of
very small
6 2 in. with f I diopter 2 in. with
I in. with
1} in. with
*
when
field,
one. One can count on an approximate in. with f I diopter
diopter lens, at/6.3 and
*2
diopter lens, at16.3 and 3*
*2
diopter lens, at16.3 and
*3
in. with
*3
diopter
Extension Tubes
Instead of supplementary
extension
tubes body. They extension of
can
be fitted
can
be had in different
the lens
of
working
such close range,
at
lens,
at16.3 and
lens, atl6.3
lens, at
f6.3
lenses for close-up between the lens and
the Exakta at
82
is obviously
total depth of:
infinity setting; 3* ft. setting;
and
infinity
setting;
ft.
setting; infinity setting; 3i ft. setting.
and
focusing,
camera
lengths to increase
Their
purpose
will.
a
the
is
to that
similar distances are rather
the
of
supplementary
less. natural size, and even straight on to the film
A set lengths extension. There is fit to the camera, to take the lens. of 10 screwed 15 mm. separate item, length used alone to the set
The Exa I is 20-50 mm. Longer picture
a b b+c a+ b+c b+d
a+ b+d a+
b+c+d
b+e
a*b*e
a+b+c+e b+d b+c+d+e
tubes
of which are fitted
(b).
mm.
betrveen
(d),
and
with bayonet
tubes.
of
without
extensions,
field.
c Lo s E- u P' o
Extension
(^^.)
+e
'Note
that the
consists
a back
and
These screw
lengthen
To
them.
and 30
there
is
give
5 mm.
suitable
cutting
however,
";'
(For
conversion
Focused
5 10 15
20 25 30 35 40 45 50 55 60
values for 2{ in.
mm.
l::
They
allow
larger-thanJife
(see
table
of a
together
below).
number
to
section
a front
section with
together to
the tube,
There
are
(e).
In
addition and
a two-in-one
fittings
at
extension;
for
use with
off any of the
produce
ff^tfI*"s'oN
2::.f
into metric units,
on
(tn.)
21* 91x14
1
1
8* 3* x 4t 5i 6 13 s* 4* 4* 4* 4 3l 3t
Subject
oreo (tn.) (magnificotion)
4tx7
I
28x3*
x 23 0.s
1* x 28 1tx2 1* x 11
1x1*
+*x1+
*xl*
+lxlfT
(5,8
cm.) lenses are rather different.
83
lenses,
but the
photographs
size, to
of sections provide
the required
with bayonet
bayonet fitting
give
an extension
intermediate
three-5
adaptor ring
each end
it may
or
(a).
be
extension tubes
picture
a
noticeably reduced
ruBEs
poge
see
90)
Scole
of ExDosure
reproduction
0.1 O.2
0.3
0.4
0.6 o-7
0.8 3.2
0.9 3.6
1.0
1.1 4.4
1.2
working
up to
be taken
various
of
fitting
rings
are (c),
mm.
sold as
5 mm.
of
This is
used with
from area.
foctor
1.2 1-4 1-7
2
2.3 2-6
2.9
4
4.8
FLASH
Flash is an efficient available, own
to
a
at any time or current
1/50 sec. Each afterwards.
is used most allow a medium shutter speed-provided on focal
-see _
flash tube. with
accumulator.
How to socket is fitted
the means On release, the the flash bulb coincides with the instant
marked for electronic the may l/100 and
marked speed,of ll30 or F flash
if the Exakta bulb will
such as at
"sun"
private
The flash
The flash
exposure
Electronic
All Exakta
battery case
Exakta
shutter
be used
The Exakta
Ordinary
place.
bulb is similar to
passes
bulb is inserted in
to set off the
of the light towards
since the flash
plane
shutters do
instructions
flash is
Unlike flash
power
supplied
Use Flash
cameras
on the
of a special
contact
II, V and VX models have
(formerly
M
flash.
speed of l/50
(e.g.,
1/1000 sec.
Varex
F, for use
(U25)
bulbs.)
"M"
shutter produce
still
WITH THE
light source
indoors,
night,
with
through
bulb will flash
or small
below.
(with
two-pin
shutter
and sets off the
V) for flash bulbs
With the X setting,
Philips
lfa, IIb and VXl000
with small
sec.
class
you
which
a small electric
it, it lights
only once
a flash
bulb, while a reflector
the
subject. The light
aperture to
it is
not faster than 1/50
is shorter than the
free the
not
produced
from
camera front. An electric
is set to
by an electric discharge
these
bulbs,
the
mains or various types
are internally synchronized
flash bulb and reflector)
plug (the
automatically closed the
that the
sec. With the M setting,
P.F.24 or P.F.45)
bulbs
(The
letters
flash bulbs may
U5
an instantaneous
EXAKTA
where
can illuminate
up in an intense
whole
tubes
bulb, so that the
sec.; the
or
no
etc.
1956 VX takes
and one marked
electronic flash
(P.F.l,
M
insufficient
the
In
flash
your
bulb. However,
flash lasting
and has to
gun,
the
current of the
behind the
is strong enough to
used for
be
negative area simultaneously
will
shutter is fully open.
two
with shutter
also
and F do nor
be used with the
shot.
the exposure; the
sec.-has
exposure time,
yield
thousands
for flash.
cable is connected
to the flash
a concentric
firing circuit through
peak
of flash
sets
focal-plane flash
have
a third flash socket,
P.F.5, etc.)
short flash
daylight is
you
subjsct or scene
X
can be used with
speeds between
signify class
duration
your
carry
when the
about
be discarded
battery
directi
bulb
no effect but since
in a suitable
flashes
of
of
battery or
A flash
from
socket by
plug).
light
of the
contacts. one
(formerly
bulbs
shutter
at a
"X"
contact
of the
E)
M
84
with one flash
Cameras
---€xcept install an
contact above), establish older cameras.
of sec. and
qlmera set the
speed. For bulbs, set the flash and black-and-white films.
and-white only are now discontinued.
l2 ft. 18 ft. 25 ft. 35 ft.
Shutter 6ft.
t/100 1l2so I
films. larger. Outdoors at night, increme the
RTLI000, see
"X"
contact into these cameras. While the single flash
cameras have
it is
advisable
the correct
The Exakta RTL1000
Exa cameras
When Blue+intedflash
6 ft. 9 ft.
Speed
/500
The
(X)
the
body
(2 (3 (4 (6 (8 (12
above exposures In small bright rooms, use one stop smaller;
which is
with flash
have the flash
plate,
top
flash
symbol opposite the
working
attachment
t#ith
m.) ... m.) ... m.) ... m.)
,..
m.)
...
m,)
With M-synchronizotion
(2
m.l
4
f f1o F6.s rs F3.s f2.2 f6.s
contact are unsuitable
below. A reliable workshop can, however,
designed for
been
practical
to
make
working, as variations
has
shutter suitable for use with electronic flash at 11125
bulbs at 1/30 sec.
opposite
with flash, it is essential
DrzlDs are suitable for colour-reversal, colour negative
X-synchronizotion and shutter set dt
(3
f
apply to
synchronization setting marked on the
the
shutter speed disc. For the is
connected
gft.
m.)
10
f4 f3 f2
dot between
bulb sign opposite the dot.
(or
Clear bulbs,
FIASH
EXPOSURES
G.E.,G.E.C.,
Mozdo: Mozdo: PF 60
No. I No.5
Philips: Philips:
Philips PF
ond
12ft. 18Ft. (4
m.)
f8 fs.6 f3.s f2.2
rooms
of average brightness and 30-320 BS
aperture by two stops.
85
for
electronic
"M"
synchronization
tests
one
the bulb
originally intended
PF1 PF'
AG1
f16
f11 18 f't6 f22 fs.6 f11 f16 f1 f8 fl1 f2.s fs.6 r8
focal-plane
with
have
been found in these
flash
contact on
electronic
1/30 and
to transport the
inserted).
"8"
or t/5 sec.
G.E.,G.E.C., Phitips:.
f22
68 bulb on Exakta
(5
or
23 (8
m,)
in large darker rooms,
m.)
bulbs to
the
side wall
l/60 shutter
frlm before
for black-
ft.
(8G1
flash
(see
flash,
35
fr.
(12
m.l
1.8
f
25 ASA)
one stop
EXAKTA
o
FINDER leather box 35 mm. Exakta. It cuts of the reflex image and makes focusing
EXAKTA LENS HOOD. stray when used. This is a metal tube There brilliance by available for the different Exakta lenses.
hoods are slightly conical shaped
HOOD
which
light
from objects outside the
photographing
picture
no
is
the
use of
ACCESSORIES
EXTENSION.
pushed
can be
out stray
against the
which
could not be improved in
a lens
over the reflex
light, increases
protect
To
light,
placed
over the front of the lens.
hood.
tubes which are
This
easier.
picture
a lens
Various
one's lens
is a collapsible
area,
hood has
lens
The Exakta lens
to the lens mount.
EXAKTA can be screwed into the release It facilitates releasing the
CABLE RELEASE. A cable Exakta the
release
MICROSCOPE
ments
BUTTON
RELEASE. A convex metal button
shutter while wearing
which
screws
into the
button.
(page
ATTACHMENTS. The micro
88) of the Exakta consist simply
increasing its
knob,
is
release
screw thread
supplied for
in
of a which can be fitted to the microscope around holding the eyepiece; hinged to this
which fastens to the camera. by means
of the
hinged
tubes is swung to one side. The microscope can usual way, set and focused. Now the Exakta is into the taking the Exakta shows the appear on exchange mount.
both
sary, corrected by
position.
the negative.
regards
as
The
picture Type2
Adjustments
picture
observation through
(Type
1) is
connecting
After
microscope,
to the
now
ground-glass
and its
is not
screen image of
definition as
but
hinged,
which may be found neces-
framing
and focusing, can be
the reflex image. Particu-
86
of
hood
the
the brilliance
against
particularly
to be
clarity and
hoods
are
pushed
on
surface.
gloves.
the
the centre
attach-
metal
tube
the draw-tube
a second tube
the Exakta
the camera
be
used in the
back
swung
it
will
a rapid
has
of
Right: For stercoscopic graphy,
two ettachments
available
for use with
(5
2 in. 65 mm. basc end infinity-6f l2 mm. base and covers 6{
ft.-8 in, The stereo effect bc observed on means of 1 stereo viewer. ir dso used to vicw
ides.
rl
the stendard
cm.) lenr. One has
is for distences
ft. The other has
the screen
the finishcd
photo-
thc renge
which
EXAKTA
ers
a
a
can
by
STEREO
ATTACHMENT
FURTHER EXAKTA ACCESSORIES
Right: Microscope
I, with a hinged clamp; and
Type
2, with a rapid exchange
Type mount, The camera without lens, the microscope
forming the image.
optics
attachments
is used
@I@ .^
- a /afdf
w
ffre
ii
,i,=.,i
FT
t:t
!r+
T-T
TT
tllT:a)
--.i.-.t,
o
E
(t,
J
,h:-:lj
-------
iHEJ
Above.' The
dimensions of a stereo slide proiection, standerd 2x2 uced
for 2.1x 36
prrcncies.
mounted
The mount
(50x50
in.
mm.
(in
mm.) er
trans-
mm.) is e
for
8clow.'
Thc stereo lttachment
prisms,
P.L. "see"
len: to
produce
and
-R
thc right-eye imegc
and P.R., which enable
the subiect
two imeges side by
consistc o ltwo
from two viewpointr
ridc on the film
end L the left-eye
the cemerr
imegc.
F
Above,' The
ettrchment-i.e.
and bellows extension-may used on a tripod or similar support. multipurpose
comolete bellows
focusing slide
Here it
is
stand for copying.
set up
Eelow:
The Kolpofot
for close-ups, clinical
includes
It
(13.5
5N in.
around
tube
be
the
on
electronic
flash attachment
flash
photography.
head
with
and medical
the bellows attachment, a special
cm.)
lens,
and
f4
lens mount.
the
a flash
when taking living
larly the microscope or of enlargement
the
is
image
reflex
FOCUSING
close-ups and
macrophotography. tripod or copying stand and bracket clamped to the slide. A control
and
slide,
therefore
BELLOWS ATTACHMENT. This
focusing slide and
objects, following up the object on
by moving the mechanical stage of the
slide
may
invaluable.
prove
determined by objective and eyepiece.
SLIDE.
is to facilitate focusing for
This
The slide
is screwed to
the camera attached to
knob
the camera, to and fro.
is used with the
gives
3.5 to 22 cm. lens extension for
close-ups and macrophotography. o
PRISM ATTACHMENT FOR EXAKTA I and
pushed
is camera to be used visible, right way up finder therefore This in the viewfinder. The tional
A VX, where finder
A for the Exakta, sirch as a multipurpose stand photography,
graphy; endoscope, for The description of these instruments has as being beyond the
over the opened finder hood, and allows the
level. The full reflex image is
at eye
right way round. The
and
particularly
is
moves in the
valuable in following moving
prism
direction as the
same
attachment carries an addi-
magnifier.
similar attachment is available for the Exakta V and
it is interchangeable
(pages
18-21).
range of specialised
duplicating
and adaptbrs
gastroscope,
photographing
for medical instruments-cystoscope,
cavities
scope
attachments have
transparencies
ophthalmoscope, the Koloscope
with the regular reflex
the
of
human and animal
of this booklet.
been
photomicro-
and
been
omitted here
The degree
moves
II.
This
image
in the
object.
subjects
produced
for macro-
body.
the
CONYERS'ON OF
lleny cameras arc merked the tebles in this book
cquivdent lcngthr.
e
3lrncc
arc.rlso
FEET AND 'NCHES
either
only in
given
metric or Blitish rystem,
thc
one system. The following
in only
'NTO A4ETR'C
UN'TS
whilc moct of
teble showr et
a a
I 2 in. 3 in. .t
5 in. 6 7 in, 8 in.
9 in. 10 in. ll
t ft.
2 Ir.
3 ft.
4 Ir,
5 ft.
6 ft.
7
8
9 ft.
l0 fr. l5 ft. 20 ft. 30 fr.
.t0 50 ft.
l0O ft.
British ao
in.
I
in.
*
in.
*
in.
in.
in.
in.
lr. ft.
ft.
Mctric
0.32 cm.
0.6.f cm.
1.27 cm, 2,5.{ cm.
5.08 cm,
7.62 cm.
10.2 cm.
12.7 cm.
15.2 cm.
17.8 cm.
20.3 cm.
22.9 cm.
25..f
27.9 cm.
30.5 cm.
61.0 cm.
91.{ cm.
1.Tl m.
1.52 m.
1.83
2.13
2.11 n.
2.71 m.
3.05
.{.57
6.10
9.1,1 m,
12.20
15.2,f m.
30.€ m.
cm.
m. m.
m.
m.
0.5 cm. I cm. 2 cm. 3 cm.
.l 5 cm. I 6
7 cm. 2l in. 8 cm. 3* in. 9 cm, 3* in.
10 12 cm. 15 20 25 cm. 30 cm,
.{0 50
60 cm. 231 in. 80 cm.
l0O cm.
1.5 2 m. 6|t. 7 in.
2.5 m. I ft, 3 in,
m. m.
3
4 m. 13 ft. 2 In.
5 m. 16
l0 m. llft.9 ln.
f 5 20 m.
Eritish
/Uctric ro
rt I *l
cm. lfi in,
cm. 2l in.
cm. 3ff in.
cm. cm. 7f
cm. cm.
m.
m.
m.
lfiin.
f]
.lf 5l in.
9ff llf in. tSf 191
3l * in. 39f
.tft.
ll in.
9
t0
ft,
ft. 5
491t. 2 in, 65 k. 7 In.
in. in. in.
in,
in.
in, in.
ln. ln.
in.
ln.
ln.
89
90
SHUTTER SPEEDS TO ARRESI MOVET{iENT
Subiect
Swimmer
Welker Runner Cyclist Sketer
welking
Horse
trottinS
..
gallopin8
,,
Rrcehorse
Weves Hcrvy Borts making
Tnmcr Motor cer
Slow trrin ... Express trein Aeroplanc...
...
wrves
knots
10
...
20 knoc
on
open road...
given
The vrlues for PERPENDIC.
ULAR displacemcnt
to the opticel axis.
HOTION optical time by 50
MOTION optical time
.l5c
exis increasc
per
perellel
axis incre.sc
per
30O
Gent.
Speed
With
in
m.P.h.
Lcngth
z*
3 t0 ft.
12t
Speed m.P.h.
15 28
1
o-t
I l9 31
t5 11
1r+ 23
20
35-80
25 60
100 1l7SO 1l1so 1l2OO
9s-7q)
rre
With o wide-angle lens normol one-third
with o
to
holf
cent.
three tirnes the
to
of the time listed lenses should
Distancc Between
3m. 5m, 7.5 m. 12.5 m 25 m. 50 m.
17 h. 2t lc.
Shutter Speeds in Fractions of Sccondr
rlso I rpo I rxe
2 1 3
4 6 1120i) 1ll0o 1l7S r I
10 r 20 30
,t0 60 1l7so
80 I
r
160
/30
r/r00 r/60 1110
1l1?5 I
l7s
1l2so 1/150
11200
/300
I
1l+co 1
/600
I
000 1
/r
/600
1l7so
length the exposure
focol
longer
lens twice
the exposure
normol
be
used.
Camerr
I
1l2]5
r
/50r /30
r/r0o 1160 r
11123 1lls 1
/250
11100 1lzso 11125 1
r/50o 11300 1/rs0 1175
000
/1
of two-thirds of
indicoted obove,
thon
the normol
permissible
is
time
focol
obove
for
9l
and Obiect
12it. 83 fr. 165 ft.
rltz | zts l rtz
1l1S
118 1lt
1l25 1112
/50
r/1s0 1l7S 1110
r
l5oo
r
/600I /30O
focol
length only one-third
normol
116
I
tl8
lls
I
1l1O
lzs
1l1S
/30
1l7O
160
160
1l2jo r/r00
1/r50
the
time
con be
while
length only
ond
with
lengh
focol
HOWTO...
Exalrta
Load the
Exalda
Hold the
Exakta
the
Carry
Exaktr
Shoot with
Unload
Ctange
Cut offexposed
Focus
Set the
Assess
Use
Cloose the
Use
Use
Take close-ups
Use
Care
the
Exakta
the
part-exposed
stop
the exposure
the shutter
film
fiIters
the lenses
flash
for
camera
films
lengths
13 24
15
26 30 32 33
20,52
28 & 27
34 74 45 80 84 77
WHAT IS WHERE?
Accessories Aperture Arresting movement Bellows attachment
camera
Carrying Changing Clos+ups Coating Colour Cutting Delayed action Depth of field Exposure Extension Film Films Filters Flash exposures Focusing Handling Holding Hyperfocal I-enses Loading Loading Micro attachment Pentaprism finder Polarizing filter Reflex finder Releasing Safelight Shooting Shutter Stop Supplementaries Zone focusing
lenses
film
film
tubes
transport
film
camera
distance
camera cassettes
86 28 9t 89 l6 45 80 47
42 33 28 52 & 82 26 34 80 84 52 34 24 57 45
13 37 86 2l 76
18 24 34 26 27 28
80
56
The Focalguide
Clyde through technical snobbery and how cameras buyers, owners,
The Focalguide
A concise kind, including cartridge loading cameras.
disadvantages of each typc and of
and
beginner on choice of camera
The Focalguide
Leonard
book
This accessories work for all users, students, how to choose it, most of its
to Cameras Clyde
each reader on which camera
advises
jargon,
concentrates on selecting
work, and how to use them.
designers and salesmen.
to
introduction to
to the 35mm
Gaunt
tells exactly
advantages
sales
35mm
photography
how the single
it and
use
and overcome
get
flannel,
Leonard Gaunt
and how to
Single Lens
best results
the
its few disadvantages.
Reynolds
he needs.
gadget gimmickry the right camera
It is wdtten
with 35mm
its accessories,
get
lens
amateurs
cameras
the advantages
It shows
the most
Ref,ex
reflex camera
professionals-
and
out of it,
He cuts
and
for the
for camera-
of any
advises
it.
from
and its
make the
price
job,
the
The Focalguide to
Magic is no mystery-just another man's skill. This survey of
photography explains what the exposure stage. rules with
Focalguide to Low Light Photography Paul Petzold
The
Photography by colour or picture
under a street sports stadium, it offers.
The Focalguide to Flash
Bad light does not
'flash'
know-how
exhaustive treatment of flash
fundamentals
in to the most sophisticated.
Effects
which brings about
you
can
It
your
black-and-white is the
teaches
camera.
'existing
light
you
can learn to make the most of the opportunities
stand
your
at
it studies applications and techniques; the simplest
Tricks
and
fantastic
while taking
achieve
you
light', however dull, indoors
subject.
night, in
at
Giinter Spitzing
in
the way of
fingertips.
photography.
Gi.inter Spitzing
changes in the subject,
the
how
to have fun and bend the
Whether
a smokey
good
results when
users
Camera
After
picture-that
and out,
you
find
pub
or a floodJit
you
welcome
will
a thorough course
is at
in
your
have
this
The Focalguide to Lenses Leonard
A the moit modern. It studies a wary eye open for new lenses, performance.
The
A made of and the way they work, which prior needed for emphasis on colour.
The Focalguide to
Colour advice about achieving the snapshots and successful
guide
compact
Focalguide to Filters guide
knowledge
is everywhere.
photographer
to all lenses used
gimmicks,
for
probes
and
to all types of filter
of the subject. job
each
and
Colour
Colour
has
ever taken. It
their history and
examines
the theory
Clyde
photography,
in
is
the
David Lynch
is
easy. Colour
good
colour
pictures.
in
It tells him
first such
photos
forms a bridge between
93
Gaunt
photography-the
the validity
behind
Reynolds
assumes
even
while
desigrr
of claims
lens design
the materials they
reader has
the
which filter
exactly
book to
isn't expensive.
if they are the
earliest
keeping
put
its main
successful
made
and
are
no
Here is
fust
to
is
The Focalguide
good
Get light when taking valuable
aids
problems and artificial light.
Focalguide to Home
The
Why
wait to see the
hour
an
of
how
Find out and-white
Focalguide to Enlarging
The
Here are the techniques used for enlarging and black-and-white exactly what want-and it takes less money, time think.
Lighting
to
photos
from
pictures.
to success. Special
of high
contrast
removing photography.
results
them
simple and inexpensive it is for both colour and black-
photography.
you
enlarge-just
Paul Petzold
the start by mastering the use of artificial
from
You don't need
photo
Flash,
lighting
Processing R. E.
when
the camera, and
a small section of the
and domestic lamps
paid
attention
is
conditions and of combining day
you
process
can
you
a darkroom either.
Spitzing
Gi.inter
graphic
It is fun to
do,
and trouble than
the
to
Jacobson
your
films
save money ?
can
effects in colour
you
can control
photo
you
are
perennial
within
you
if
might
94
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