Eventide H9000 Users Manual

Download

Page 1

Eventide H9000 User’s Manual

Software Version 1.0

Part No: 141242

Page 2

Table of Contents

INTRODUCTION ........................................................................................................................................ 4

A NOTE ON THE USER INTERFACE ........................................................................................................................ 4

WHAT’S IN THE BOX ............................................................................................................................................... 4

H9000 FEATURES ................................................................................................................................................... 5

TERMINOLOGY .......................................................................................................................................................... 6

PRESETS ...................................................................................................................................................... 8

H9000 HARDWARE .............................................................................................................................. 10

STANDARD FRONT PANEL ................................................................................................................................... 10

REAR PANEL .......................................................................................................................................................... 14

OPERATING THE H9000 ..................................................................................................................... 18

A NOTE ON “LATCHING” SOFT KEYS: ................................................................................................................ 18

THINGS TO KNOW ABOUT SIGNAL ROUTING .................................................................................................... 19

SESSIONS ................................................................................................................................................................. 20

FX CHAINS .............................................................................................................................................................. 23

Direct I/O ................................................................................................................................................................. 26

The FX Chain Preset Browser .......................................................................................................................... 27

Mix ............................................................................................................................................................................... 28

Levels .......................................................................................................................................................................... 29

ALGORITHMS .......................................................................................................................................................... 30

Algorithms Overview .......................................................................................................................................... 30

Algorithm Selection Screen .............................................................................................................................. 35

PARAMETERS ......................................................................................................................................................... 39

Editing Parameters in an Algorithm ........................................................................................................... 40

Functions .................................................................................................................................................................. 44

METERS ................................................................................................................................................................... 47

SAVING AND IMPORTING DATA ........................................................................................................................... 50

Saving......................................................................................................................................................................... 50

Importing Data ...................................................................................................................................................... 52

SCENES .................................................................................................................................................................... 53

Overview ................................................................................................................................................................... 53

Trigger Source Options ...................................................................................................................................... 54

Working with Scenes .......................................................................................................................................... 55

SETUP ........................................................................................................................................................ 59

INFO ......................................................................................................................................................................... 60

NAME ....................................................................................................................................................................... 61

CLOCK ...................................................................................................................................................................... 62

TEMPO ..................................................................................................................................................................... 64

PREFERENCES ........................................................................................................................................................ 66

PEDALS .................................................................................................................................................................... 68

ANALOG REFS ........................................................................................................................................................ 70

NETWORK ............................................................................................................................................................... 71

Ethernet Setup ....................................................................................................................................................... 71

Wireless Setup ........................................................................................................................................................ 72

Creating a Local Access Point ......................................................................................................................... 73

SOFTWARE UPDATE .............................................................................................................................................. 74

Page 3

USING THE H9000 AS A COMPUTER AUDIO INTERFACE ........................................................ 76

USING THE H9000 WITH OS X .......................................................................................................................... 76

Using the H9000 With Your Existing Computer Audio Interface ................................................... 76

APPENDICES ........................................................................................................................................... 78

APPENDIX A: SIGNAL FLOW ................................................................................................................................ 78

APPENDIX B: STARTUP SEQUENCES .................................................................................................................. 80

APPENDIX C: WORD CLOCK TERMINATION IN THE H9000.......................................................................... 81

APPENDIX D: H9000 MIDI FUNCTIONALITY .................................................................................................. 82

APPENDIX E: H9000 PRESETS ........................................................................................................................... 83

APPENDIX F: H9000 ALGORITHMS ................................................................................................................ 103

SAFETY INFORMATION ..................................................................................................................... 139

LIMITED WARRANTY ........................................................................................................................ 140

Page 4

Introduction

Congratulations on your purchase of the Eventide H9000, the new flagship processor in the Eventide product line.

The H9000 is designed to be an incredibly versatile tool, allowing you to process a large number of channels using the latest digital and networked audio formats, and offering the great sounding effects you have always loved from Eventide.

The H9000 is available in two basic models:

 The H9000 Standard: Full set of front panel controls and a color display.  The H9000R: Blank front panel. Requires Emote remote control software.

Both versions of the H9000 accept a range of expansion boards that support industry standard protocols for digital and networked audio I/O.

A Note on the User Interface

The standard H9000 comes with a front-panel color display and a large complement of hardware controls, allowing you to navigate the device with ease. However, we highly encourage you to download and use the full-featured control app/plug-in “Emote”, available as a free download at www.eventideaudio.com/emote. Emote is required to control the blank front panel model, H9000R.

Emote is available as a stand-alone program for Windows and OS X computers, as well as a plug-in for VST, AU and Pro Tools. Emote gives you control of all features and settings of your H9000, allowing you to craft your effects extremely quickly and intuitively. Think of Emote as your artistic partner, letting you dig deeper into the creative potential of the H9000.

What’s In The Box

Your H9000/H9000R comes with the following contents:

 H9000/H9000R 2RU Rack Mount processor  Rack Mount Screws  User’s Manual  Registration/Warranty Card  Wireless Network (WIFI) Dongle  Power Cable  USB Cable

Page 5

H9000 Features

The H9000 is designed to be easy to use while still giving you a large amount of power, control and versatility through the implementation of the following features:

Multiple Quad ARM Processors

The H9000 uses multiple cutting-edge effects processors, allowing it to process a large number of I/O channels and up to 16 separate effects algorithms simultaneously.

Flexible and Adaptable Effects Structure

Your H9000 can utilize up to 4 separate FX Chains, with each chain containing up to 4 separate processing algorithms. The FX Chains can be routed in series, parallel, and more.

Large Complement of Analog and Digital Input / Output

Multiple formats and connector types allow you to easily integrate the H9000 into a variety of setups.

Expandable I/O Three option card slots allow you to integrate your H9000 into the latest digital audio and networked audio environments. We are always developing new option cards, ensuring that your processor is as future-proof as possible in the always-evolving world of digital and networked audio formats.

Full Front Panel Control While we offer the extremely useful Emote control app, the standard H9000 also provides intuitive front panel control using a large color display, context sensitive soft keys, and a large complement of physical navigation controls.

Network Connectivity

Connect the H9000 to your Local Area Network for quick and easy software updates, as well as full control through our Emote software.

Computer Audio Interfacing

USB 2.0 allows you to interface your H9000 with your audio software as a standard audio interface with 16 channels of I/O. Send, process, and return 16 separate channels of individual DAW tracks.

Easy Sharing of FX Chains and Sessions

The H9000 uses standard, “off-the-shelf” USB thumb drives to save and import your custom effects settings, making it easy to back up, carry, and share your creative efforts.

Page 6

Terminology

In order to get the most out of your H9000, please familiarize yourself with the four main terms below which represent the “hierarchy” used in the product:

 Algorithm  Parameters  FX Chain  Session

Algorithm

Over many years, Eventide has created a vast library of audio processing routines, which exist as effects processing “modules”. Some of these are simple, such as a low pass filter, a limiter, a compressor, etc., while others are more complex, such as an FFT or a reverb network.

An Algorithm in the H9000 is a combination of some of these modules, and of certain variable values associated with the modules that make up that algorithm. The designer of the algorithm might choose to set some variables of some modules to a specific value that cannot be changed by the user, while at the same time allowing that user to change the values of other variables.

Simply put, the algorithms are the H9000’s “secret sauce”, with specific effects parameters that are adjustable by you, the user.

Parameters

Parameters are the individual adjustments you can make within an effects algorithm which customize that effect. On the H9000, when you navigate to a specific algorithm you are presented with that algorithm’s specific parameters, which you can easily adjust.

A parameter might control one variable of one underlying processing module, or it may control several variables of several modules. Some parameters may be adjustable, whereas for others the designer may choose to set some of the underlying variables to a fixed value and not “bring them out” to the user of the effect.

For example, a reverb algorithm would present you with settings such as reverb time, room size, decay time, etc. In contrast, a guitar amp emulator might offer parameters such as gain amount, low/mid/high EQ, etc.

Page 7

FX Chain

The H9000 allows you to chain up to 4 separate algorithms together into a custom FX Chain. The FX Chain is fed by an audio input, then the audio is routed through up to 4 algorithms, and then finally to an audio output.

You are free to decide which algorithms are included in the FX Chain, the order they process the audio in, and even determine aspects such as separate parallel and series audio paths.

Sessions

A Session is the highest level on the H9000 hierarchy. It saves the entire state of the product at any given moment, including:

 The currently loaded FX Chains (up to all 4)  The current settings for the parameters within the FX Chains  The current input/output assignments to and from the FX Chains  The current state of the assorted global settings

The standard H9000’s front panel contains dedicated hardware buttons for all four of the above modes, making it quick and easy to access any level of the hierarchy at the touch of a button.

Page 8

Presets

The term “preset” is perhaps overused in our industry, so we would like to clarify how this term is used by the H9000. The H9000 supports 3 types of presets, each corresponding to the top 3 levels of the hierarchy. You can save and load:

Algorithm Presets

An algorithm preset contains:

 Algorithm-related parameter values  General parameter values related to the algorithm container (mix,

mute/bypass, input/output gains)

 Mappings of parameters to external controllers and Functions (can be

excluded at load time)

 Assorted metadata (Name and ID are the most relevant to the user)

FX Chain Presets

An FX Chain presets contains:

 Everything contained within an algorithm preset, for all the algorithms

present in the FX chain

 General parameter values related to the entire FX chain container (mix,

mute/bypass, input/output gains)

 Additional mappings of these general FX Chain parameters to MIDI

controllers

 All routing information internal to the FX Chain (from the FX chain inputs,

to/between algorithm containers, to the FX chain outputs). No Physical I/O information is included.

 Function values, as well as mappings of the actual Function knobs to external

controllers

 Metadata (Name and ID are the most relevant to the user)

Page 9

Sessions

Sessions contain:

 Everything contained within an FX chain preset, for all the FX chains present

on the device

 Routing information external to each FX chain, including:

o Physical I/O in and out of each FX chain container o Direct I/O connections made between Physical I/O

 Additional input/output gain settings for each I/O channel routed to/from

the FX chain

 All the settings found in the Setup mode (these can be excluded by category

when loading)

 All the Scene Maps found in Scenes mode, along with current active map

index

 LED meter mappings  The state of Global Mute/Bypass  Metadata (Name and ID are the most relevant to the user)

Page 10

H9000 Hardware

Standard Front Panel

The H9000 has a full set of front panel controls, allowing for quick and easy control of all of its features.

Note that the color display on the front panel is not a touchscreen. However, eight dedicated “soft keys” are available, with their specific function always tied to a specific, context sensitive adjustment located adjacent to them on the screen.

By using the soft keys in conjunction with the large cursor diamond and jog wheel, all adjustments to the H9000 are readily available.

If you prefer to install the H9000 in a location where working with the front panel is not practical or convenient, note that all adjustments can also be made using our Emote software.

The H9000 front panel contains the following controls; please refer to the relevant sections of the user’s manual for further details on each function.

Setup

Press the Setup button to enter the setup menu, where you can configure assorted preferences for your device.

Save/Import

Press the Save/Import button to save the different types of presets to internal memory, as well as optionally saving to an attached USB drive.

Long-press the Save/Import button to import saved presets into the H9000. See the section “Saving and Importing” for more details.

Tap/Scenes

Press the Tap button multiple times to set a tempo (measured in beats per minute,

or “BPM”). This tempo setting will be used as a sync reference for time based effects

such as digital delay.

Page 11

The Tap button’s inset LED illuminates in time with the tempo you have set, giving a visual indication of the tempo itself. Note that if you’re not a fan of constant flashing, this can be disabled in the Setup menu.)

Long-press the tap/scenes button in order to create a scene; a naming screen will come up to allow you to create a name for the scene.

See the section “Creating Scenes” for more details.

Mute/Bypass

Press the Mute/Bypass button in order to mute the audio output of the H9000.

Long-press the Mute/Bypass button in order to bypass any and all processing while still preserving the flow of audio through the I/O connectors and FX chains.

When either Global Mute or Global Bypass is activated, an indicator will show in the upper right hand corner until deactivated.

Meters

Press the Meters button to switch the display to a full-fledged meter bridge. A wide variety of metering choices are available.

Soft Keys

These 8 unlabeled buttons (four on either side of the display) allow you to quickly navigate the H9000’s front panel user interface. The soft keys correspond to different functions that are displayed adjacently, and are always context sensitive to the currently displayed screen.

Color Display

The H9000’s large color display allows you to both view and control all aspects of the product while working with its front panel controls.

8-Channel Meters

These 3-segment hardware meters display metering information for the H9000 and are active at all times.

Cursor Diamond

Page 12

Use the 4 keys of the cursor diamond to navigate up, down, left and right. The color display will always highlight the object that you have navigated to with the cursor diamond.

Enter (√)

Press the Enter (check mark) button to confirm or complete an action that you are currently performing; for example, if you have used the cursor diamond to highlight an object, pressing the Enter button will select that object. The color display offers a pop-up window to let you know when the Enter button can be used.

Cancel (X)

Press the Cancel (X) button to “cancel out of” an action. As with the Enter button, the color display offers a pop-up window to let you know when the Cancel button can be used.

Jog Wheel

The large, heavily weighted jog wheel is used to both navigate around the display, as well as adjust a currently highlighted setting. For example, if adjusting a room size parameter in a reverb algorithm, you can spin the wheel to comfortably adjust the specific parameter value.

Mode Buttons

The H9000 has 4 dedicated Mode buttons that let you switch to any of the editing modes with a single touch:

 Sessions  FX Chains  Algorithms  Parameters

The mode button illuminates to remind you which mode you are currently in, at any given time.

Power

Press the latching power button to turn the H9000 on or off.

Page 13

USB Ports

The front panel USB ports provide three separate functions:

 Connect a standard USB thumb drive or hard drive to either of the front/rear

panel USB ports to save or import any H9000 presets you have created.

 Attach the included USB Wi-Fi dongle to connect the H9000 to a local area

network

 Connect a class-compliant USB MIDI controller for real-time adjustment of

assorted H9000 functions

Number Pad

Use the buttons on the number pad to type in a custom name, for any naming screen you are presented with.

The number buttons operate “vintage mobile phone” style, where each button cycles through multiple letters and also offers special characters such as “.” and “-“.

Up/Down Arrows

The up/down arrows act as modifier keys for the number pad when naming an object, allowing you to switch between upper and lower case characters as well as enter in different symbols.

You can also use the arrow keys to fine-tune parameter values, as well as scroll through list items.

Cancel (CXL)

Press the CXL button to cancel (delete) a character you have typed when creating a custom name.

Long press the CXL button to clear the entire text field.

Back

Press the back arrow to move the cursor backwards within a naming field, allowing you to make corrections to an existing name you are typing.

Page 14

Rear Panel

The H9000’s rear panel offers a wide variety of audio and data connections,

allowing it to be used in many different environments and workflows.

Power Connector

Connect your H9000 to your power source using a standard IEC power cable. The H9000’s power supply is designed to work with a wide variety of international voltages; your unit will ship with a power cable designed to work in your territory.

Pedal (x2)

The H9000 allows you to connect 2 separate foot pedals, which you can then assign to different functions of the processor. This ability is useful in a live performance situation.

Relay (x2)

The dual ¼” relay connectors allow H9000 actions to be completed using standard

relay signals.

Note: In the current 1.0 Firmware, the relay connectors on the H9000 are not yet operational. Please check back at www.eventideaudio.com for details of a future software update that will enable their operation.

Ethernet Connector

The H9000’standard RJ-45 connector allows you to connect it to your Local Area Network (LAN).

Once connected, you can view and control the H9000’s operations using Emote. Additionally, if your LAN has Internet access, your H9000 can connect to Eventide’s servers to install software/firmware updates.

Page 15

USB A Connector

The rear panel USB ports provide the exact same functions as the front panel ports:

 Connect a standard USB thumb drive or hard drive to either of the rear panel

USB ports to save or import any H9000 presets you have created.

 Attach the included USB Wi-Fi dongle to connect the H9000 to a local area

network

 Connect a class-compliant USB MIDI controller

USB B Connector

Connect the H9000 to your Mac or PC, allowing you to use it as a 16-input, 16output computer audio interface.

AES/EBU Connector

This connector allows you to feed the H9000 with 8 channels of AES-EBU digital audio, and also allows the unit to output 8 channels, all on the same single DSUB connector.

AES/EBU 2-channel Input

This XLR input accepts a standard 2-channel AES/EBU digital audio signal.

AES/EBU 2-channel Output

This connector outputs 2 channels of audio in the AES/EBU digital audio format at whatever sample rate the system is currently set to.

S/PDIF Input

This input accepts a standard 2-channel S/P DIF digital audio signal.

S/PDIF Output

This connector outputs 2 channels of audio in the S/P DIF digital audio format at whatever sample rate the system is currently set to.

Note: The H9000’s digital audio connectors support the following sample rates:

 44.1kHz  48kHz  88.2kHz  96kHz

Page 16

Analog Input 8-channel

This connector feeds the H9000 with 8 channels of balanced analog audio input.

Analog Output 8-channel

This connector outputs 8 channels of balanced analog audio.

Note: You can adjust the operating level of the 8-channel analog inputs and outputs in the Setup menu, between +4dBu and -10dBv. Levels can be set independently for each stereo pair of analog inputs and outputs.

Analog Input 2-Channel

These dual balanced XLR connectors accept two channels of balanced analog audio.

Analog Output 2-Channel

These balanced XLR connectors output two channels of balanced analog audio.

MIDI Input

The MIDI input allows you to control various H9000 parameters with incoming MIDI messages, using MIDI controller hardware or MIDI software of your choosing. The MIDI input also allows you to synchronize the H9000’s time-based effects to an incoming MIDI clock signal.

MIDI Output

The MIDI Out connector outputs a MIDI clock signal, allowing you to synchronize other equipment with the internal tempo set for your unit.

MIDI THRU

The MIDI THRU connector accepts any incoming MIDI signals and outputs a mirrored duplicate of those signals. This allows you to daisy chain multiple MIDI devices when you do not have enough MIDI ports on your standalone MIDI interface.

Word Clock Input

This connector allows the H9000 to slave its digital system clock to an incoming word clock signal. It is compatible with word clock signals ranging in sample rate from 44.1kHz to 96kHz.

Page 17

Work Clock Output

This connector outputs the H9000’s digital clock signal at the unit’s currently configured sample rate.

Optical Input

The H9000’s optical input accepts an 8-channel ADAT signal.

Optical Output

The optical output sends 8 channels of ADAT format digital audio.

Note: The ADAT optical connectors only support sample rates of 44.1kHz and 48kHz; they are not operational when the H9000 is set to run at higher sample rates of 88.2kHz or 96kHz.

Page 18

Operating the H9000

In this next section, we will show you how to navigate around the H9000 front panel, perform common operations, and operate the unit in general.

This section is divided into the following areas:

 Sessions  FX Chains  Algorithms  Parameters  Meters

A Note on “Latching” Soft Keys:

The H9000 UI has context-sensitive “soft keys” on the left and right sides of the display.

There are two different types of soft keys on the H9000:

 “Normal” soft keys: These execute their labeled action when pressed  “Latching” soft keys: When pressed, they change the front panel display to a

different state. Think of the latching soft keys as a quick and easy way to access “sub-menus” or alternate screens on the H9000

Latching soft keys are visually distinguished by a small triangular “flag” in the top corner of the key.

In this user’s manual, any time you are presented with a list of soft key functions,

latching soft keys will be distinguished with an underline.

Page 19

Things to Know About Signal Routing

There are a few general “rules” about signal routing in the H9000 which are useful to keep in mind.

● You can only use one of the following digital audio protocols at any given

time:

○ AES3 (aka AES/EBU) over the DB25 connector ○ AES3 (aka AES/EBU) over the XLR connector ○ S/PDIF over the optical connector ○ S/PDIF over the RCA connector ○ ADAT over the optical connector

● When using S/PDIF over the optical ADAT connectors, you can only work at

sample rates of 44.1kHz and 48kHz. 88.2kHz and 96kHz are not supported.

● FX Chains support 8 inputs and 8 outputs. However, the eight outputs of an

FX Chain can be “multed” to an arbitrary number of physical Input/Output channels, computer audio interface channels, etc.

Page 20

Sessions

A Session is the “big picture” for the H9000, a snapshot of the current state of all settings on the unit.

To load a session, press the front panel Sessions button; the button will illuminate as a reminder you are currently working with the sessions screen.

The screen will switch to the Sessions view, presenting you with a numbered list of sessions available for loading. The presently loaded session is displayed in the title bar at the top of the screen.

There are several different ways to navigate through the list of sessions:

 Press the cursor up/down buttons or rotate the wheel to scroll through the list one

entry at a time;

 Press the cursor left/right buttons to navigate through the Sessions list one page at

a time.

 The session you have currently navigated will highlight in green.  Press the Enter button to load the highlighted session.  The chosen session will load and you will automatically be taken to the FX

CHAINS screen where you can edit the session’s FX Chains.

Page 21

Session Screen Soft Keys

The 8 Session soft keys offer additional session-related functions:

 New  Copy  Delete  Rename  Search  Preview  Load

New

Press the New soft key to create a new session.

If you have made changes to the currently loaded session, you will be prompted to save your changes; press the Yes or No soft key.

You will then see the Create New Session screen; press the Create New Session soft key (or the Cancel soft key if you wish to cancel out of the operation).

The new session you have created will be titled “Default Session” and will contain a single default FX Chain.

Copy

Press the Copy soft key to make a copy of the currently highlighted session.

The naming screen will appear, allowing you to create a new name for the copy of the session. In this sense, it is similar to the “Save As” function on a word processor application, where you can save a copy of a currently loaded document under a different name.

Delete

Press the Delete soft key to delete the currently highlighted session in the list. You will be prompted with a confirmation screen; press either the Cancel or OK soft keys.

Note that you cannot delete sessions that are part of the “Factory Sessions” group of presets. These sessions are meant to always be available on the H9000 and never be removed.

Rename

Press the Rename soft key to rename a currently highlighted session. You will then be presented with the naming screen where you can enter in a new name for your session.

Page 22

Note that you cannot rename sessions that are part of the “Factory Sessions” group of Session presets. If you attempt to do so, you will be presented with the option of creating a new user session, which you can then rename.

Load

Press the Load soft key to load the currently highlighted session. This soft key duplicates the function of pressing the Enter key when a session is highlighted.

Press the latching Search soft key to bring up the search screen, where you can use the keypad to type in a keyword. Sessions containing the letters you type will appear in the filtered list of available sessions.

As you type additional characters, the list of sessions will further refine your search.

Preview

Press the latching Preview soft key to get a visual representation of the layout of the session, such as:

 The number of FX chains  The Algorithms in each FX Chain  Physical Inputs and Outputs

Since loading a session is not an immediate operation, the Preview function offers a quicker way to see what the session contains before you actually load it.

Page 23

FX Chains

Press the front panel FX Chain button to switch the display to the FX Chains screen, where you can view and edit the various FX Chains of the currently loaded session.

Press the cursor left/right buttons or use the wheel to highlight the different FX Chains in the currently loaded session;

Press the cursor up/down buttons to move through the signal chain blocks in the currently highlighted FX Chains Block: An FX Chain is comprised of:

 Audio inputs  The algorithms contained in the FX Chain  Audio outputs

Configuring the Audio Input/Output of your FX Chain

Use the cursor buttons to highlight the Edit block of the FX Chain’s audio input section; you will then be presented with choices for selecting both the physical input connector, and then separately the channel number of your selected input connector.

Use the wheel to scroll through the available choices. When you have found your desired audio input, highlight the Connect block and press the Enter key.

Your chosen input source will now be routed to the input of the FX Chain and the display will show a connecting line to show that the connection has been made.

To assign an output to the FX Chain, follow the same procedure using the Edit block located at the bottom of the FX Chain display.

Note: You cannot select an Output that has been previously assigned to another FX Chain.

Page 24

Replacing the Algorithm Used in an FX Chain

The middle section of the FX Chain block shows the Algorithm(s) that make up the current FX Chain. To replace the current FX Chain with a different FX Chain preset:

• Highlight the latching Replace soft key to initiate the replacement process.

You will be presented with a list of available FX Chain presets.

• Navigate to the FX Chain preset you wish to use as a replacement then press

the Replace soft key.

• Press the Enter key to insert the chosen preset into the FX Chain as a

replacement for the previous one.

At any time, you can press the Exit button to back out of the current screen state and return to the previous state. Pressing the Exit button a final time will exit the FX Chains screen and return you to the Sessions screen.

Note: You can always return to the Sessions screen by pressing the Exit button once

for each iteration of menus you have entered. In other words, if you’re in too deep

and need to reset, press the Exit button a couple of times to go back home.

FX Chain Soft Keys

The FX Chain screen contains 8 soft keys that offer the following functions:

 Add  Delete  Rename  Direct I/O  Mix  Mute/Bypass  Levels

Page 25

Add: Press the Add soft key to add a new FX Chain to the currently loaded session.

You can have up to four FX Chains in your H9000. The H9000 will prompt you to select an I/O configuration for the FX Chain, which will be routed automatically upon creation.

Delete: Press the Delete soft key to delete the currently highlighted FX Chain. Note that you cannot delete the FX Chain if it is currently the only one loaded in the session.

Rename: Press the Rename soft key to bring up the naming screen, where you can rename the currently highlighted FX Chain container in the session.

Note that the name of the FX Chain container is distinct from the name of the FX Chain preset loaded into it; this can be useful for distinguishing an FX Chain’s purpose (e.g. Guitar 1, Guitar 2) if the same preset is loaded into multiple containers.

Mute/Bypass

Press the Mute/Bypass soft key to mute the currently highlighted FX Chain. Press it again to unmute the FX Chain.

When muted, a red “Mute” label will appear at the bottom of the FX Chain block.

Long-press the Mute/Bypass soft key to bypass the currently highlighted FX Chain. Long-press it again to un-bypass the FX Chain.

When bypassed, a red “Bypass” label will appear at the bottom of the FX Chain block.

Page 26

Direct I/O

Press the latching Direct I/O soft key to create a “Direct I/O” Signal Chain. This is not an FX Chain, but rather a direct audio pathway between a physical audio input and audio output.

Direct I/O allows you to take advantage of your H9000 as a network attached I/O box, making the H9000’s pristine analog converters available for highest quality analog I/O.

Even at times when you do not require any of the external processing the H9000 can provide, the 8 analog input and outputs, along with their different routing options, allows the H9000 to work as a network-attached patch bay.

In the Direct I/O screen, use the cursor keys to highlight the input/output you wish to assign, then use the wheel to select the physical input /output you wish to use in your direct I/O pathway.

Four additional soft keys are available in the Direct I/O screen:

 Add: Press the Add soft key to add another direct I/O pathway within the

Direct I/O screen.

 Delete: Press the Delete soft key to delete a Direct I/O pathway that you have

highlighted.

 Page Left/Right: Press the Page Left/Right soft keys to navigate among the

different direct I/O pathways you have created, when there are more of them than fit on the screen at one time.

Note: Direct I/O assignments are saved with Sessions, not with FX Chains.

Page 27

The FX Chain Preset Browser

 Press the Presets soft key to enter the FX Chain preset browser.  Navigate to the FX Chain you wish to load and press Enter (√).

Rename

Press the Rename soft key to rename the currently highlighted FX Chain. Note that factory FX Chains cannot be renamed.

Delete

Press the Delete soft key to delete the currently highlighted FX Chain preset. Note that factory FX Chains cannot be deleted.

Press the latching Search soft key to bring up the virtual keypad, where you can enter in letters and numbers to search for a specific FX Chain or algorithm name. As you enter in more characters, the algorithm list is filtered to show only FX Chains that contain the characters you are typing.

Levels

Short press the latching Gain/Levels soft key to adjust the output gain levels of the FX Chains present in the currently loaded session.

Similar to the Mix mode, the display will show level controls for each FX Chain. Use the cursor keys to navigate to the FX Chain for which you wish to adjust the level, and use the wheel to adjust its output gain.

Long-press the latching Gain/Levels soft key to show signal levels for the audio inputs/outputs of the currently highlighted FX Chain. The levels screen contains its own set of soft keys, as follows:

Clear Clip

Press the Clear Clip soft key to clear any overloads that are displayed on the I/O meters.

Group

Press the latching Group soft key to group together the inputs or outputs of the selected FX Chain input or output level.

When the latching soft key is illuminated, adjusting the level of either fader will adjust the level of both equally.

Page 30

Algorithms

In the H9000, each FX Chain can contain up to four separate signal-processing Algorithms. The Algorithms screen is where you work with these specific algorithms; you can navigate to it by either:

 Pressing the Algorithms button on the front panel, or;  Highlighting the Edit button in the center portion of an FX Chain block, then

pressing the Enter button.

The screen will switch to the Algorithms display and the front panel Algorithms button will illuminate.

Algorithms Overview

The Algorithms overview screen displays the specific algorithms that make up the currently highlighted FX Chain.

The display shows the different algorithms present, their routing within the FX Chain, and the audio inputs/outputs that feed the FX Chain.

Rotate the wheel to navigate to the different objects in the FX Chain, which include:

 Algorithm processing blocks  Input and Output blocks

When viewing the Algorithms overview screen, pressing the Enter button works contextually for whatever specific object you have highlighted:

 Algorithm: When the Edit label is highlighted, pressing Enter takes you to the

Parameters page (see Parameters section for more details)

Page 31

 I/O Label: Pressing Enter takes you to the editor screen for the audio

inputs/outputs

Configuring Audio I/O For an Algorithm

To configure the audio I/O on the Algorithms Overview screen:

 Use the cursor keys to highlight the audio input or output block you wish to

configure.

Note that you can then use the cursor keys to highlight only the audio I/O category (Analog, Digital, Card Slot), then cursor over to the channel number and adjust it separately.

This type of fine-tuned I/O control is particularly important when an option card slot is populated with a networked audio option card, which can have dozens of I/O channels per slot.

 Use the wheel to cycle through the available input or output assignments.  Press the Edit soft key to allow for finer control configuring audio I/O for the

selected algorithm.

Algorithm Screen Soft Keys

The algorithms Overview screen contains eight Soft Keys:

 Add Algorithm  Delete  Move  Expert Router  Presets  Mix  Mute/Bypass  Gain

Page 32

Add Algorithm:

 Press the Add Algorithm soft key to add a new algorithm to the currently

selected FX Chain. A new algorithm block will appear labeled “Select Algorithm”.

 Use the cursor keys to highlight the “Select Algorithm” block and press the

Enter (√) key.

 Use the navigation controls to select an Algorithm. Each entry contains

helpful info (number of inputs and outputs, a description of the algorithm, tips on its use, etc.).

Delete

Press the Delete soft key to remove the highlighted algorithm from the FX Chain.

Move

Press the Move soft key to change the location of the algorithm within the FX Chain. You can move an algorithm in an FX Chain to be above or below any other algorithm in series, or next to another algorithm in parallel.

Page 33

Mix

Press the latching Mix soft key to change the display to a set of mixing controls, where you can control the relative level of each Algorithm within the FX Chain.

Use the cursor keys to navigate to the Algorithm you wish to adjust the mix level for, then rotate the wheel to adjust its mix level.

Gain

Press the latching Gain soft key to change the display to a set of gain controls, where you can control the output level of each Algorithm within the FX Chain.

Note: The difference between the Gain control and Mix control is that Gain determines the overall signal presence of an algorithm in an FX Chain, whereas Mix controls the overall Wet/Dry mix of an individual algorithm and its signal.

Mute/Bypass

Press the Mute/Bypass soft key to mute the audio output of the currently

highlighted Algorithm. A red “Mute” label will appear at the bottom of the Algorithm

block when muted.

Press the Mute/Bypass soft key again to unmute the audio output.

Page 34

Long-press the Mute/Bypass soft key to bypass the currently highlighted Algorithm. A red “Bypass” label will appear at the bottom of the Algorithm block when muted.

Long-press the Mute/Bypass soft key again to un-bypass the audio output.

Expert Router

Press the latching Expert Router soft key to enter the “Expert Routing” mode. The display switches to a graphical routing matrix, where you can view and edit a highlevel detailed overview of:

 All of the algorithms present in the current FX Chains.  Their audio I/O assignments.  Their signal routing configuration.

Note: The H9000 allows not only serial routing of algorithms, but also parallel and mixed serial/parallel routing as well. The expert page is where you can view and control this aspect of the routing.

To make adjustments in the Expert screen:

 Use the cursor keys to highlight the aspect of the block diagram you wish to

adjust (audio I/O block, routing, Algorithm).

 Use the wheel to adjust a highlighted audio I/O routing.  Use the Move soft key to adjust a routing pathway when it is highlighted

Page 35

Algorithm Selection Screen

The Algorithm Selection Screen shows a list of the different algorithms available on the H9000. To the right of the list is a description that shows information for the currently highlighted algorithm, including:

 Algorithm Name  The specific Eventide product the Algorithm is sourced from  Numbers of Inputs and Outputs available in the Algorithm  A description of the algorithm and tips on its use

Note that the description field will usually contain more text than can fit on the display; in this case, use the cursor keys to highlight the description field, then rotate the wheel to view the remaining description text.

For a quick overview of the thousands of H9000 algorithms, refer to the Appendix H9000 Algorithms located at the end of this document.

Algorithm Presets

Some Algorithms also contains Presets, which are variations of each Algorithm with their parameters configured for different sounds. For a quick overview, refer to the Appendix H9000 Presets located at the end of this document.

Press the latching Presets soft key to shows/hide the Presets contained within each Algorithm. This approach makes it easier to navigate all of the H9000’s unique Algorithms, without having to wade through all of the presets contained within some of the Algorithms.

Page 36

The Algorithm Presets screen contains numerous following soft keys, as detailed below:

Sort Options

Press the Sort Options soft key to select which way the Algorithm presets are sorted, including:

 By ID Ascending  By ID Descending  By Name  By Recently Used  By Most Used

Use the cursor up/down keys to navigate to the sort option you wish to use, and then press the Enter key.

Jump to Loaded Press this soft key to jump to the algorithm that is currently loaded in the FX Chain.

Search Press the latching Search soft key to bring up the virtual keypad, where you can enter in letters and numbers to search for a specific Algorithm name. As you enter in more characters, the list is filtered to show only algorithms that contain the characters you have typed.

Parameters

On the H9000, each Algorithm contains a set of parameters; you adjust these parameters to adjust the sound of the Algorithm you have selected.

For example, a reverb Algorithm contains parameters for settings such as room size, decay time, pre-delay, and so on. The Parameters screen allows you to view and adjust these parameters.

To switch to the Parameters screen:

 When the Edit label is highlighted, press the Enter key when an algorithm is

highlighted; you will be taken to the Parameters screen for that algorithm.

 Alternatively, press the front panel Parameters button.

The parameter page offers a handy list on the left-hand side of the screen, which displays:

 The master parameters for the current FX Chain container  The algorithms currently loaded in the selected FX Chain  The parameter categories within each algorithm

Use the cursor keys to highlight the specific parameter category you wish to view the parameters for. The screen will then display the parameters for only that category.

This approach allows you to more easily “get your head around” the large number of parameters that may be available to you. Many algorithms contain a large number of parameters, and a single list of all of them would not be very intuitive to work with.

Page 40

Editing Parameters in an Algorithm

To adjust a specific parameter:

 Use the cursor up/down keys to navigate to a specific parameter category;

the right-hand side of the screen will display the specific parameters within that category.

 Use the cursor left/right keys to highlight the specific parameter you wish to

adjust.

 Use the Enter key and/or wheel to adjust the parameter you have

highlighted.

Note: You can also use the two middle-left soft keys to page up/down among the parameter categories, or the two outer-left soft keys to page up / page down through the Algorithms, while highlighting parameters within the parameter view.

This can be a faster way to work than using the cursor keys exclusively; you can jump around the screen quickly and don’t need to constantly “cursor left” back to the parameter category list.

The parameters screen contains four additional soft keys:

 Quick Map  Custom Map  Random  Functions

Page 41

Quick Map

Press the latching Quick Map soft key to bring up the quick mapping function for the parameters you are viewing.

The quick map feature is extremely powerful, as it lets you quickly map a wide variety of MIDI controller software or hardware to any Algorithm parameter on the H9000. Different aspects of different processing effects can be adjusted in real time using hardware faders, knobs, foot pedals, buttons, etc.

The MIDI functionality on the H9000 is “plug-and-play”. You can connect a MIDI device to the 5-pin DIN ports, or connect a MIDI class compliant interface to one of the USB connectors. All MIDI Channel configuration is done when individual controllers are mapped, as opposed to in a central MIDI settings screen.

You can even map multiple parameters to a single MIDI continuous controller; you cannot, however, have multiple MIDI controllers affect a single parameter.

For more complex mapping of multiple parameters to a single control source, please refer to the FUNCTIONS section.

The Quick Map feature works as follows:

 Press the Quick Map soft key; you will see a “Press Enter to Learn” label

superimposed over each of the parameters on the screen.

 Use the cursor buttons to navigate to the parameter you wish to map a

controller to.

 Press the Enter button; the highlighted parameter’s label will change to

“Move Any Controller”.

 Move the MIDI hardware/software control you wish to pair to the

highlighted parameter.

Page 42

 The MIDI hardware/software controller and the parameter are now paired.

Custom Map

The Custom Map feature is also designed to map MIDI controllers to H9000 parameters, but with a much finer level of control. It works as follows:

 Use the cursor keys to navigate to the parameter you wish to custom map a

controller to, then press the Enter key.

 The “Controller Type” popup menu will appear, where you can select from

the following types of MIDI hardware controllers you wish to map:

o Expression Pedal 1-4 o Switch 1-6 o Note On o Poly Pressure o MIDI CC (Continuous Controller) Single o MIDI CC (Continuous Controller) Double o MIDI Program Change o Channel Pressure o Pitch Wheel o MIDI Start o MIDI Stop

 Navigate to the controller type you wish to use then press the Enter key;

many of the controller types listed above will contain additional settings that you can select.

 Press the Enter key to navigate to the controller type you wish to use; you

will then be presented with an additional set of controls that allow you to refine the mapping:

o Control Minimum o Control Maximum o Value Minimum o Value Maximum

Page 43

 Use the cursor keys to navigate among the above 4 controls, then use the

wheel to set their value.

 When you have finished, press the OK soft key and the custom mapping will

be completed.

 The display will return to the Parameters display. You will now see a green

text label above the parameter, showing you the specific controller you have mapped to that parameter.

Random

Press the Random soft key to instantly assign random values to each and every parameter of the Algorithm you are currently working with.

This extremely creative function allows you to try out different Algorithms in a freeform “what-if” type scenario, because the different parameter values are all selected with no specific purpose or sound in mind. Give it a whirl with your favorite algorithm and see what happens…

Page 44

Functions

Functions in the H9000 act much like Macros in Ableton Live; essentially, they are higher-level groupings of parameters that can be adjusted with a single knob.

There are 8 Functions available in each FX chain, with the following three parameters available:

 Range  Map  Ext Control

Range

Each parameter that belongs to a Function has a defined range; it can be as large as the true Minimum/Maximum range of the Parameter, or anywhere in-between. It can also be inverted, becoming Max/Min). The main Function knobs then cause each parameter change to be scaled, according to its defined range.

Minimum/Maximum

You can use the Min/Max soft key to toggle between adjusting the minimum or maximum value of the range, as indicated by the white and green end cap markers.

Page 45

MAP

The Map view displays a condensed view of all the parameters in the FX chain, allowing selection of them for assigning to Functions. The Add/Remove key assigns/unassigns the parameter, depending on which Function is selected.

 Highlight the Function knob on the left side of the display.  Use the cursor up/down keys to select which of the 8 functions to work with.  A list of available parameters will appear; use the cursor up/down keys to

highlight the function you wish to map.

 Press the Enter key; the highlighted parameter is now mapped to the

Function knob you had selected, and that Function’s number (e.g. F1) now appears on the left side of that parameter’s entry in the list.

If a function is already mapped to a parameter you have highlighted, pressing the Add/Remove soft key will remove the mapping.

Page 46

External Control

External Control offers the same interface for mapping MIDI/foot controllers as individual parameters, but for the higher-level Function controls.

 Use the cursor keys to highlight one of the 8 functions.  Press the Enter key to learn a command.  Move the control on your external MIDI Controller; that control will now be

mapped to the highlighted function.

The Custom Map dialog can also be accessed through this interface, and utilized in the same way as for normal Parameters.

Page 47

Meters

The H9000 offers a set of 8 dedicated 3-segment hardware LED meters, positioned above the front panel color display. These LED meters are always active.

The first segment of the hardware LED meter represents signal presence, at any dB level. The second segment, if lit, means the signal is reaching -6dB – in other words, nominal headroom and nominal S/N ratio. The third segment represents a signal overload, or too much signal presence.

For a more detailed metering view, press the front panel Meters button to switch the color display to the Meters page.

The Meters page displays 8 channels of metering at a time, and allows you to assign which signal sources are assigned to the metering display.

Assigning Input/Output sources to Meters

 On the main metering page, use the cursor buttons or the wheel to navigate to

the metering slot you wish to assign an audio input or output to.

 Press the Enter key, or the Assign soft key, to make an assignment.  You will be presented with a list of all physical input channels; use the cursor

up/down buttons or wheel to navigate to the physical input you wish to assign.

Page 48

 Press the Enter button to select your choice; the selected input/output is now

assigned to the highlighted metering channel, and that channel will now show the assignment above the channel number.

On a stock H9000 unit with no expansion cards installed, the following single input/output channels can be assigned to the meters:

 Off  Digital Audio Connector In 1-8  Analog In 1-8  USB In 1-16  FX Chain In 1-8 (for however many FX Chains are currently running)  Digital Audio Mode Connector Out 1-8  Analog Out 1-8  USB Out 1-16  FX Chain Out 1-8 (for however many FX Chains are currently running)

More Meters

Press the latching More Meters soft key to enter the More Meters screen; the display changes to show metering data for the currently loaded available FX Chains.

The More Meters screen also has soft keys for the following functions:

 Clear Clips  Levels  I/O Meters

Clear Clips: Press this soft key to clear any overload clips that have occurred.

Page 49

Levels: Press this latching soft key to switch to the Levels screen; you are presented with input and output level faders for the currently selected FX Chains.

Use the cursor buttons to navigate to the input or output slider you wish to adjust, then use the wheel to adjust the signal level fader of the highlighted fader.

On the levels screen, press the latching Group soft key to group together level faders. When the latching soft key is illuminated, adjusting the level of either fader will adjust the level of both equally.

I/O Meters: Press the I/O Meters soft key to display the I/O meters screen; you will be presented with metering views for the H9000’s banks of physical inputs and outputs, regardless of what custom assignments you have made in the main metering screen.

The I/O meters screen shows which bank of I/O metering you are on in the upper left corner, and which of the 8 pages you are on in the upper-right corner. On a stock H9000 with no expansion cards installed, the following 8 views are available:

1. Digital Audio Connector In 1-8

2. Analog In

3. USB In 1-8

4. USB In 9-16

5. Digital Audio Connector Out 1-8

6. Analog Out

7. USB Out 1-8

8. USB Out 9-16

Use the cursor up/down buttons or wheel to navigate among the 8 pages of metering views.

Note: While in the I/O Meters page, you can use the navigation keys to navigate around the meters, IF a Physical Input/Output is routed to or from an FX Chain. In this scenario, you can highlight the meter to see which FX Chain specifically. This is indicated by a purple square under the meter, and the corresponding label bar at the bottom of the page.

Page 50

Saving and Importing Data

The H9000 allows you to save various types of data, both to its internal memory as well as to an off-the-shelf USB drive connected to the front or rear panel USB ports.

Once you have saved this data to an attached drive, you can import it to a H9000, allowing you to easily share your work between different machines.

The importing/saving process works as follows:

Note: The USB drive must be formatted in FAT32 format. The most recent versions of Windows and OS X do not offer FAT32 formatting as part of their built in disk utilities, so depending on the version of Windows or OS X your computer is running, you may need to format the drive with a 3rd party utility.

Saving

Press the front panel Save/Import button. The Save screen will appear and you will be presented with the following options:

 Save Session  Save FX Chain  Save Preset  Export Sessions  Export Presets  Export FX Chains  Export Algorithms

Page 51

The data to be saved is contextually based on the currently selected item, as follows:

 Save Session will always save the currently loaded session.  For FX Chains and Presets, the current FX Chain and Algorithm container

selected on the screen will be the items saved for each save option.

At any time, you can refer to the cursor highlight or the title bar in the FX Chain or Algorithms mode view in order to see the currently selected item.

 Navigate to one of the choices above and press the Enter (√) key to access the

naming screen.

 Use the front panel keypad to type a custom name for your saved data, then

press the OK soft key. The data will be saved to the H9000’s internal storage.

 If a USB drive is attached, you will then be presented with the option to also

save the data to the drive as well.

 Press the YES soft key to save your data to the attached USB drive; you will

receive a confirmation message that the data was saved successfully.

Exporting Data

If you have a USB stick plugged in, you will also see the “Export” options. The export options will NOT appear in the list if no drive is attached.

Whereas “Saving” refers to storing something onto the H9000’s internal memory, “Exporting” transfers it from the box to the flash drive.

Note that when Saving with a USB stick plugged in, you’ll be given the option to also Export after the save is complete.

Page 52

Importing Data

Once you have saved H9000 data to a USB drive, that data can be imported back into any H9000 unit by connecting the drive. Importing works as follows:

 Attach a USB drive containing H9000 data to a USB port of your H9000.  Long-press the front-panel Save/Import button; the Load Options screen will

appear.

 Use the cursor up/down buttons or wheel to navigate to the specific type of

data you wish to load, then press the Enter key. Options include:

o Sessions o Presets o FX Chains o Algorithms

Note: Any loaded Algorithms would be sourced from a 3rd party development environment, such as Eventide’s “VSIG” software editor. The VSIG software is available for download at:

https://www.eventideaudio.com/products/software/algorithm-editor/vsig

Use the cursor up/down keys or wheel to select the data you wish to load, then press the SELECT key; the selected data will be loaded into memory.

If you wish to load all of the data in the list, press the SELECT ALL soft key instead, or press the CANCEL soft key to cancel out of the load operation.

Page 53

Scenes

Long press the front panel Tap/Scenes button to bring up the SCENES screen. The H9000 can hold 128 scenes in its internal memory.

Overview

Scenes are a high-level functionality used to control sequenced program changes in the H9000. This mode can be useful when you are using the H9000 in a live

environment such as a concert or theatrical production, and wish to “step through”

different pre-configured states in a certain order you have set up in advance.

For example, the main vocalist in a concert may need different reverb parameters at different times during the show; scenes provide a quick, simple way to achieve this.

 You can create multiple “Scene Maps” and select which one is active at any

given time. 

 A Scene Map is a collection of Scenes, along with the Trigger Sources, which

define how the scenes are activated.

 A Scene itself can be thought of as a particular state of the FX chains, running

under a current session. 

 The “Scene” denotes a set of actions to be triggered that put the H9000 into

that particular state, either an:

o FX Chain or Algorithm preset to be loaded into a destination

container;

o A mute/bypass/enable action to be applied to a destination container.



 A “Trigger Source” allows assignment of actions, such as loading a Scene by

number, or incrementing and decrementing through Scenes to a MIDI controller. 

 You can control Scene changes from the front panel, but usually it will be

more convenient to do so from a MIDI controller. 

Page 54

Trigger Source Options

Scenes can be triggered in the following ways:

Load By Number

Load By Number works like a traditional program change message: it will load whatever Scene matches the number of the program change message you send, between 1 and 128.

Although it usually makes sense to use actual MIDI Program Changes, you can also use Note On or Continuous Controller triggers. 

Increment/Decrement

Increment/Decrement switches the H9000 to the next or previous scene, but keeps it in a pending state to be loaded later. The scene can then be loaded by using the “Load Current” function.

Increment & Load/Decrement & Load: These functions switch the H9000 to the next or previous scene and then load it immediately 

Note: If your scenes are nicely sequenced, it’s probably easier to use the Increment & Load/ Decrement & Load options. However, if you need to jump around or skip Scenes, you can use Increment/Decrement with the Load Current option. 

Note that if you are using Load By Number, the full range of:

 Program Change  Note On  Continuous Controller messages

will be observed and used to determine which Scene to load. 

Page 55

Working with Scenes

The right-hand side of the screen displays the 128 available scenes, while the lefthand side of the screen displays a list of scenes you have created.

Create Map

When focused on the left side of the screen, press the Create Map button to create a MIDI map of a new scene.

You will be prompted to name the scene, at which point it will be added to the list of created scenes on the left.

Page 56

When highlighting any scene in the list on the left, the following soft keys are available for that scene:

Delete Press this soft key to delete the highlighted scene.

Activate Press this soft key to activate the highlighted scene. The circle to the left of the scene key will turn green, indicating that this scene is now active.

Rename

Press this soft key to rename the highlighted scene; the naming screen will appear.

Trigger Sources

The top of the scenes list on the right-hand side contains the Trigger Sources function. Highlight this function, then press the Add Source soft key.

Page 57

You are presented with the options of:

 Load by number  Increment  Increment and load  Decrement  Decrement and load  Load current

Use the cursor up/down keys or wheel to select an option from the above list, then press the Enter key. You will then be presented with the option to trigger the action using:

 Program change  Note on  CC (MIDI Continuous Controller)  Aux switch

Page 58

Add Action

Highlight a scene on the right-hand side, and press the Add Action soft key. You will be presented with the choices of:

 Scene Capture  Manual

Scene Capture: This is a way to take a “Snapshot” of the current settings of the Session for a Scene.

Manual:

This allows you to go in and fine-tune the assorted parameters, beforehand.

Page 59

Setup

Press the Setup button to enter the Setup menus for the H9000. The left-hand side of the display shows a list of different areas you can customize, including:

 Info  Name  Clock  Tempo  Preferences  Pedals  Analog Reference Level  Network  Software Update

Use the cursor buttons or wheel to navigate to the setup screen you wish to adjust. The setup category will highlight and the right-hand side of the display will show the specific items that can be adjusted in that section.

Page 60

Info

The Info screen is a display only; none of its settings can be adjusted. It provides a high-level overview of your specific H9000 unit, with the following information:

System Info: This column displays:

 Model: (In this case the H9000)  Name: The custom name that you can assign to your unit  Serial Number  Software Version

DSP Modules: This column displays revision and ID information for the DSP modules installed in your unit.

Expansion cards: This column displays information on any expansions cards that are installed in the H9000’s three expansion slots (which are labeled slots A, B, and C).

Page 61

Name

The Name screen allows you to create a custom name for your H9000. With custom names assigned, you can easily select the desired unit when using multiple units at the same time and controlling them with Emote.

To assign a custom name to your unit:

 Use the cursor keys to navigate to the System Name field  Press the front panel Number keys to enter the letters of the custom name

you wish to give your unit.

Each number key has three letters assigned to it, similar to how text entry worked for old-style cellular telephones. Press the number key repeatedly to cycle through each of the three letters.

A “virtual number pad” is displayed, showing you which letters are available on each physical number key.

 Press the arrow down key to toggle between uppercase and lowercase

letters.

 Press the arrow up key to toggle between letters and special symbols.  Press the Enter key to save the custom name. You will be asked to confirm

your new custom name.

 Press the OK soft key to save the name, or Cancel to cancel the operation.

Page 62

Clock

The clock setup menus allow you to set the unit’s sample rate and MIDI Clock tempo. Available settings include:

 Clock Source  Digital Audio Mode  Clock Status

To adjust the clock source:

 Use the cursor keys to highlight the clock or tempo setting  Press the Enter button or adjust the wheel to reveal up a popup menu with

available choices for that setting.

 Use the cursor up/down buttons or wheel to select your desired choice  Press the enter key again to select that choice.

Clock Source

The clock source is the digital audio clock that your H9000 synchronizes to. You can select an internal clock at various sample rates; alternatively, you can synchronize your H9000’s system clock to an external clock signal derived from a wide variety of sources.

Page 63

Available clock choices include:

 Internal 44.1 kHz  Internal 48 kHz  Internal 88.2 kHz  Internal 96 kHz  AES Any (any AES signal feeding the 8-channel AES connector)  S/P DIF/XLR/AES in 1 (Dig 1-2)  AES In 2 (Dig 3-4)  AES In 3 (Dig 5/6)  AES in 4 (Dig 7/8)  ADAT  USB Audio  Word Clock (BNC Connector)

Digital Audio Mode

The H9000 contains several different digital audio connectors. However, for simplicity’s sake they are “shared” as an input source to any given FX Chain; you choose which one you wish to make active at any time.

The Digital Audio Mode menu is where this selection is made. Use the Digital Audio mode selector to pick your preferred digital audio connector, which will then be available in the audio routing menus of the H9000.

Available choices include:

 AES 3 (DB25 Connector)  AES 3 (XLR Connector)  S/P DIF (RCA Connector)  S/P DIF (Optical Connector)  ADAT (Optical Connector)

By contrast, for the outputs, the same signal is “mult-ed” to all of the digital audio output connectors simultaneously.

Clock Status

The right-hand side of the screen displays the status of various clocks, as follows:

 Clock Status: The large virtual LED illuminates green when the H9000 is

locked to either its internal clock, or a valid external clock that you have told it to slave to.

The LED illuminates red if the H9000 is not locked; for example, if you tell it to slave to an external AES signal, but one is not connected, the LED will illuminate red.

Page 64

 USB Driver: This field will display as “attached” if the H9000 has a valid USB

connection to an attached computer.

 Actual Rate: This field displays the actual sample rate that the H9000 is

operating at.

Please note that the H9000 does not support sample rate conversion. If you want to feed the H9000 a digital audio signal, the external digital signal and the H9000 must both be locked to the same digital clock, at the same sample rate.

Tempo

The tempo menu provides controls for setting the H9000’s tempo.

The unit’s tempo affects the H9000’s many time-based effects, which can be

synchronized to an incoming MIDI Clock signal. For example, a digital delay line can synchronize the tempo of the delay repeats to an incoming MIDI clock.

Tempo Mode: The tempo mode menu includes the following three settings:

 Off: In this mode, no MIDI clock signal is sent to the H9000’s MIDI output and

no MIDI clock data is received from the MIDI inputs. Any time-based effects will not be synchronized to a MIDI clock signal.

 Internal: In this mode, you set your own tempo, expressed as Beats per

Minute (BPM); this BPM value is the tempo base for any relevant time-based effects.

You can set the internal tempo in two different ways:

o Tap Tempo: Tap the front panel Tap button at least two times; the

H9000 will automatically set the unit’s internal tempo to the average

Page 65

of the most recent taps, and temporarily display the tempo in BPM on the display.

The tap function is very useful when using the H9000 in a live sound environment. Simply press the tap button in time with the music you are hearing, and then the unit is instantly ready to sync any loaded effects with the song currently being performed.

o Manual Tempo Adjustment: (See Below)

 MIDI Clock: In this mode, the H9000 will automatically set the tempo to an

incoming MIDI signal feeding the rear panel MIDI input (as long as that MIDI signal contains a valid MIDI clock signal.

Manual Tempo Dial: Highlight the Tempo setting, then adjust the wheel to manually select the BPM value you wish to set your tempo to.

Page 66

Preferences

The Preferences section controls aspects of the H9000’s display, allowing you to customize various aspects of the H9000’s user-interface.

Use the cursor keys to highlight the setting you wish to adjust, then use the Enter key and/or wheel to adjust the setting.

Screen Brightness

This control adjusts the brightness of the front panel screen on a scale of 1-10. This allows you to optimize the screen based on your viewing angle and the amount of ambient light in your working environment.

Screen Dim Level

This setting adjusts the level that the screen dims to when it automatically dims its screen after a set amount of time, dubbed display “sleep”. It ranges from being off to “only slightly dimmed”.

Display Sleep

This setting controls the amount of time after which the front panel display will automatically dim.

 Never  1 minute  5 minutes  10 minutes  20 minutes  30 minutes  1 hour  2 hours

Page 67

Key Click

This setting toggles on/off an audible click when using the front panel buttons. The click is played from a small internal speaker located inside the H9000.

Animations

By default, the H9000 offers assorted onscreen animations for the front panel display. This control toggles the animations on/off.

Tap LED Timeout

By default, the front panel Tap button flashes in time with the tempo you have set using the front panel Tap button.

Change this setting to “On” if you wish the button to stop flashing a few moments after you have set the tempo.

Bonjour Enabled

Turning this setting to “On” configures the H9000 to advertise its services using the “Bonjour” protocol on the local area network.

Bonjour is a zero-configuration network protocol that allows the H9000 to be automatically discovered by the Emote software.

Page 68

Pedals

The H9000 allows connection of up to four independent foot pedals; these pedals can be a “switch” type (on/off) or a “continuous” type (volume) pedal.

When setting up an FX Chain and its underlying algorithms, you can map the action of the footswitch/foot pedals to any parameter of your choosing, allowing expressive control of the effects. For example, a guitar player can control the cutoff frequency of a resonant filter using a foot pedal, while playing their instrument.

The Pedals setup page allows you to configure your unit for the wide variety of different types of pedals available in the marketplace, taking into consideration factors such as:

 On/Off Switch vs. Continuous pedal  How many switches on the foot pedal (pedals can range from one to as many

as three switches per pedal)

 “Polarity” of the attached pedal

To configure your attached pedal:

 Use the cursor buttons to highlight the “Pedal 1 Mode” or “Pedal 2 Mode”

mode.

 Press the Enter key, then use the cursor keys or wheel to navigate among the

popup menu of options. Available choices include:

Page 69

o Expression Pedal o 2 expression Pedals o 1 Expression Pedal + 1 Aux Switch o 1 Aux switch + 1 Expression Pedal o 2 button Aux Switch o 3 button Aux switch

After you have selected the mode appropriate for your connected switch/pedal, press the Enter key to save your selection.

Calibrating Your Attached Pedals and Switches

Once you have selected your desired type of pedal/switch hardware you are using, the H9000 will populate the rest of the display with relevant calibration tools.

 Use the cursor button and the Enter key to navigate to and engage the

“Calibrate” field.

 If you have attached an on/off type pedal, physically press on it and make

sure that you see the appropriate “SW” circle illuminates. There are separate

SW circles for 1, 2 or 3 button pedals.

 If you have attached a continuous foot pedal, navigate to the “Calibrate Pedal”

field, then sweep the pedal back and forth with your foot. You should see the Calibrate Pedal field display a range between 0-100% on the calibration meter.

 When you’ve finished calibrating, disengage the “Calibrate” button using the

Enter key.

Note: Even though there are only two pedal/switch connectors on the H9000, you can connect up to four pedals. This is made possible by connecting two pedals to each connector, using a “Y” cable such as the “Hosa YPP-117 ¼-inch TRS to Dual ¼inch TSF Stereo Breakout cable”.

This capability is possible because:

 In the external control section of the parameters mode, there are 4

expression pedals listed.

 In set-up mode, there are options to configure a single connector to be

connected to two separate expression pedals.

Page 70

Analog Refs

The Analog Reference Levels screen allows you to set the levels for the 8 analog inputs and outputs present on the 25-pin DSUB connector. This allows the H9000 to be installed in a wide variety of environments, and interface at an optimum level with a vast assortment of other equipment.

Each pair of analog inputs and outputs on the DSUB connectors can be separately adjusted between -10dB and +4dB.

Use the cursor buttons to highlight the specific pair of inputs or outputs you wish to adjust. Options include:

 Analog In 1/2  Analog In 3/4  Analog In 5/6  Analog In 7/8  Analog Out 1/2  Analog Out 3/4  Analog Out 5/6  Analog Out 7/8

Once you have highlighted the appropriate pair of inputs or outputs, press the Enter button to switch to the alternate operating level.

Note that the rear panel XLR analog connectors are a duplicate “mult” of channels 12 of the 8-channel analog DSUB connectors. As a result, any reference level changes made to analog input or output 1-2 of the DSUB connector will also affect the XLR inputs and outputs.

Page 71

Network

The network screen controls settings for connecting your H9000 to a standard Local Area Network. Once connected to a network, the H9000 has the following capabilities:

 Download and install software updates directly from Eventide’s servers. Note

that your Local Area Network must have Internet access.

 View and control H9000 parameters from the Emote software.

The middle column of the network screen shows the available network connections, including:

 Ethernet (for a hard-wired connection)  Wireless (for a connection using the included Wi-Fi dongle, which can be

connected to any of the 4 USB connectors).

Ethernet Setup

Use the cursor buttons to highlight the Ethernet field in the middle column. The right-hand column will display the parameters of the network you have joined including:

 Network Name  Network Type (Wired or Wireless)  IP Address  Netmask  Gateway

Page 72

Wireless Setup

To connect the H9000 to a wireless network:

Connect the included Wi-Fi dongle to one of the H9000’s 4 USB ports.

On the network screen, any available wireless networks will be automatically listed beneath the Ethernet option.

Navigate to the wireless network you wish to connect to and press the Enter key.

If the network is not password protected, you will then be connected to the wireless network.

If the network is password protected, you will be prompted to enter in the appropriate password. Use the front panel numbers pad to enter in the password, then press the OK soft key.

You will then be connected to the Wireless network, and can now use the Emote software to control the H9000.

Note: The H9000 stores the authentication settings for the most recently joined network, so if you lose connection for any reason, you can easily re-join the network without having to enter your details again.

Page 73

Creating a Local Access Point

The H9000 also has the ability to broadcast its own personal Wi-Fi network, called an “access point”. You can use the Emote software with the H9000 on this private network in environments where there is not an existing LAN for the H9000 and the computer running Emote to connect to each other.

To create an Access Point, highlight the Create Access Point field and press Enter.

You can choose to enter a password if you wish, or leave the password field blank to create an unprotected network.

You will then see a message that the Access Point has been created. The Access Point will appear on your computer or mobile device as a Wi-Fi network with the same name as the H9000.

Page 74

Software Update

The software update screen allows you to update the software of your H9000 unit quickly and easily. We are always improving the capabilities of the H9000, and this feature ensures that you can always enjoy the latest and greatest capabilities.

To update your unit:

 Please make sure your unit is connected to a network that offers Internet

access

 Press the soft key labeled “Download and Install” then follow the onscreen

prompts. When the update has been downloaded and installed, you will be prompted to restart your unit to complete the update process.

 Note: As a precaution against data corruption which could affect system

startup, performing a software update will clear the current state of your H9000. It is advised to save your current session before updating the H9000’s software.

If your H9000 unit is connected to a valid Internet connection and a new update is available, a popup “reminder” message will appear on the display, no matter which screen you are currently on.

IMPORTANT NOTE: Please be sure not to interrupt power to your unit during the update process; doing so could damage its internal software, and result in putting the unit into an unbootable state.

In the event this does occur, the H9000 contains a “fail safe” updater that can be used to reinstall the software on your H9000. To use it, perform the following steps:

 Power on the H9000 on with the check and the X keys pressed, it will open

the fail-safe updater.

Page 75

 Your H9000 must either be connected to a network via Ethernet for this to

work, or you must have a USB stick connected containing an update file. This file can be obtained by contacting Eventide support to request the latest H9000 software as a USB updateable file.

Page 76

Using the H9000 as a Computer Audio Interface

The H9000 can stream 16 inputs and 16 outputs to/from your computer/DAW to serve as a powerful outboard effects processor for your DAW tracks. With this number of separate I/O channels, you could, for example:

 Set up an H9000 reverb effect on an aux send/return of your DAW.  Set up an H9000 Harmonizer effect on another, separate aux/send return.  Set up individual specialized effects on multiple DAW channel insert

sends/returns.

All at the same time!

Note: As of this writing, the H9000 is not currently compatible with Windows-based DAWs. Check back with our website at www.eventideaudio.com regarding future availability of a Windows driver/compatibility.

Using the H9000 with OS X

The H9000 works as a “Plug and Play” Core Audio device in OS X, versions 10.10 and

higher. Simply connect a USB cable between the USB B connector on the H9000 and an available USB A port on your OS X computer. No driver installation required!

The H9000 will now be available to all CoreAudio compatible software as a 16input, 16-output computer audio device, and can be operated at sample rates between 44.1kHz and 96kHz.

Using the H9000 With Your Existing Computer Audio Interface

The H9000 is an outboard effects processor, and not a traditional, standalone

“Computer Audio Interface” with control room monitoring functions. This means

that you will likely not have a pair of H9000 outputs patched to your main monitoring system.

As a result, you will likely want to use the H9000’s computer connectivity in conjunction with your main computer audio interface (the one that likely does have a main pair of outputs patched into your monitoring setup).

Fortunately, the OS X Core Audio system makes it easy to combine multiple audio

interfaces into one large device called an “Aggregate Device”. Doing so lets you use

your main audio interface and its monitoring capabilities as you always have, while also having the H9000’s 16 channels of I/O available to process tracks on your DAW session.

Page 77

To Create an Aggregate Device:

 In your applications folder, go to “Utilities”, then launch “AudioMidi Setup”.  In the “Audio Devices” window that appears, you should see entries for:

o The H9000 o Any other computer audio interfaces you have connected o The computer’s built in audio output

 Click on the “+” Icon in the lower left-hand corner and select “Create

Aggregate Device”.

 In the Aggregate Device configuration window that appears, select the

appropriate I/O for the different devices you wish to use.

 In your DAW software of choice, select the Aggregate Device as your audio

device for the software to use.

 You will now have the I/O of your main audio interface AND the 16-

input/output channels of the H9000, all available to use in your DAW session as needed.

 Ensure that the H9000’s sample rate matches the sample rate shown in both:

o The Audio MIDI Setup window o Your DAW session’s

To change the sample rate on your H9000, go to SETUP>CLOCK>CLOCK SOURCE.

Enjoy using USB Audio with the H9000! You can now have 16 I/O’s with just one

simple cable.

Page 78

Appendices

AES DB25

AES3 XLR

S/PDIF RCA

S/PDIF Optical

ADAT

XOR

Router

8/8

2/2

USB Audio

Analog XLR

Analog DB25

2/2

8/8

2/2

Analog XLR jacks

use ﬁrst two

channels of Analog

DB25 jack

8/8

2/2

8/8

16/16

Expansion Slot 1

32/32

Expansion Slot 2

32/32

Expansion Slot 3

32/32

The router allows any physical I/O device to be routed to any other

physical I/O device.

The number of channels

provided by each physical I/O

device is sample rate

independent except for ADAT

which cannot run at 96 Khz.

DSP Module 1

DSP Module 2

DSP Module 3

DSP Module 4

32/32

Appendix A: Signal Flow

Audio Signal Flow

Page 79

Control Signal Flow

Page 80

Appendix B: Startup Sequences

The H9000 contains various “Startup Sequences”. By pressing and holding different

button sequences while powering up, you can perform the following functions:

Soft Reset: Press the SESSIONS and FX CHAINS buttons for 5 seconds at start-up. This will clear the current state of the H9000, but does not affect any of your stored sessions or presets.

Factory Reset: Press the SESSIONS, FXCHAINS, and ALGORITHMS buttons while powering up. This will clear the current state of the H9000, and will also remove all of your stored sessions or presets. This operation effectively serves as a “Factory Reset”.

Fail Safe Updater: Press the CHECK and X buttons while powering up the unit; this will power up the H9000 into a “Fail Safe Updater” mode.

This mode is useful if a problem occurs when updating the H9000’s software from a network connection using the normal SETUP menu.

If a problem occurs, the fail safe updater can be used to install an update either from a USB stick.

Users can contact support@eventide.com to ask for H9000 releases that can be downloaded and installed via USB.

Page 81

Appendix C: Word Clock Termination in the H9000

The H9000 has no internal word clock termination, and can be used in the middle of a Word Clock cable without change.

To use it at the end of a word clock chain however, external 50-Ohm termination must be applied. To do this, you will need a BNC T piece, as shown below on the left, as well as a 50-Ohm terminator as shown below on the right.

Connect the T piece to the Word Clock input, the cable end to one side and the terminator to the other side.

Why is this Necessary?

Any cable has a characteristic impedance that should be matched to both the signal source and destination impedance for best results with high speed sharp edged signals such as Word Clock. This becomes more important with longer cables.

Most Word Clock signals are generated with 50 Ohm source impedance, whereas the BNC cables used to connect to them may have 50 or 75 Ohm impedances; clearly the former are to be preferred.

So, we have covered the source and the cable, but what about the destination? If we only have a single destination it is easy: the destination must also be 50 Ohm, and this is ensured by the use of termination. An input will be either terminated meaning its impedance is set to 50 Ohm, or un-terminated meaning it has a high impedance that will not load the cable.

With multiple destinations only the one at the end of the cable needs to be terminated; intermediate destinations need not and should not be terminated, as

long as the “stub length” of the cable to them is short. These should be connected by the use of a BNC “T” connector or splitter attached directly to their inputs so as to

ensure the shortest possible stub length.

Using multiple terminations is wrong, both because twice 50 Ohm in parallel gives 25 Ohms, and also because it increases loading on the source.

Page 82

Appendix D: H9000 MIDI Functionality

On the H9000, MIDI is always on and received by both the USB ports as well as the MIDI DIN connectors.

The H9000 does not currently transmit or respond to any sysex messages.

Controller functionalities such as omni-channel, note mode, pitch bend range etc. are made at the controller-mapping level, rather than globally.

MIDI Program changes are handled through Scenes mode.

When using the H9000’s custom map feature, the following action types are available for note-based MIDI controllers (such as a MIDI keyboard)

 Velocity: Uses the velocity of the selected note as the control value.  Trigger: Emits a trigger pulse whenever the note is played.  Toggle: Flips between the min and max values when the note is played.  Note Number: Uses the whole range of the keyboard, using the note number

as the control value.

 Note To Hz: Uses the whole range of the keyboard, and emits a control value

equal to the actual frequency of the note being played. This can be useful for “playing” the frequency control of an oscillator or filter.

The “Range” dialog contains 2 range knobs, Control Range and Parameter Range.

 Control Range selects what part of the 0-127 the controller will respond to;  Parameter Range controls how that value is applied to the parameter it’s

affecting.

For example, you could use half of the Control Range to sweep the full range of a parameter, or you could use the full Control Range to sweep half the Param Range.

Page 83

Appendix E: H9000 Presets

GUITARS IN SPACE

OVER THE RAINBOW

REGGAE WAHDELAY DARK

REGGAE WAHDELAY BRIGHT

TIME SLIPS1

TIME SLIPS2

TIME SLIPS3

WAH ECHO1

HAW ECHOES1

HAW ECHOES2

PHASERY BAND

PHASERY BAND2

LASTFEWBRICKS2

BLACKHOLE

DARKMATTER

NEBULA

NEUTRINO

PULSAR

CIGAROOS

HEY HONEY

FISHHOLE

TRAIN TRACKS

DOGSTAR

TRANSFIGURED

VORTEXTING

CENTAURUS

STARCRATER

AMEBLACKDRONE

Band Delay

Black Hole

Page 84

Chorus

WARMTH

POLYMODELICIOUS

SPINNING

PULSATING

70S GUITAR CHORUS

CHORUS BUMPS

LIQUID SWEETENER

BIG CLONE

PHASYCHORUS

Fra Diavolo

Bisque

Sag Harbor

Bottom Feeder

Jumbo Shrimp

Scuttle Butter

PunkRock Lobster

Steamed in Beer

Crawdaddy

Decapod Muff

CLASSIC CRYSTALS

SEAGULLS

AREYOUTHERE

STEAMPUNK

FROM A BAD DREAM

REVERSE DETUNE

PITCH A LA V

REVERSELOWS

WEIRDBASS

NS REVERB

EERIE CAVERN

VOICE ON ICE

CrushStation

Crystals

Page 85

Diatonic

STORYTELLER

THIRD DREAMING I

DELAYED 3RD AND

GUITAR TOY

OCTAVE LONG DELA

WYLD STALLIONS S

COPYCATDELAY

BASSTOY

PRISTINE DIGITAL DELAY

BRIDGE OF SIGHS

TWINDELAY

COPY CAT

WHAT I'M LOOKING FOR

1.. AND 2

BIG WARM DIGITAL

TREM DELAYS

DUAL BIG WARM DIGITAL

BIG NICE DAY

FILTERED DIGITAL

CHORUSYTREM

FLASER

STORM BREWING1

STORM BREWING2

ANOTHRBRICK1

LASTFEWBRICKS1

COMFNUMBVERSE

RUNRUNRUN

DUALVERB

HOTSW FREEZE

SPACEGALLOP

ECHO VERBS

Digital Delay

DualVerb

Page 86

Ducked Delay

VOLUME SWELL HELPER

COUNTRY COMPRESSOR

THINICE

DONTLEAVEME

COMFNUMBSOLO

DYNAVERB

TAP-N-TREM

RADIO STATIC

ADAPT-A-ROOM

PHIL MCAVITY

AMES DUCK

Flat EQ

Leo to Les

Les to Leo

Sweet Home

DiscoGuit

FunkGuit

JazGuitar

JCM to Metal

Balls

ParkedWah

AcousticElec

Mountain1

Bright

BassPre

BassPre2

BassPre3

DubBass

BassyBass

SlapBass1

SlapBass2

PaulsBass1

PaulsBass2

Basonex

Bootyshaker

Dynaverb

EQ Compressor

Page 87

Walkingbass

Walkingbass 2

SM58Enhancer

SweetVocal

VocalPresence

Telephony

SCHIZO DELAY

SPRINGY VERB

PONG ECHOES

NICE THICK THICKENER

WUBBAWUBBAWUB

SCIENCE MUSEUM

GOOEYFILTEROPONG

LONG FLYBY

BARREL ROLL

SUGARFLANGE

ROTATOR FLANGE

CLASSICFLANGESWEEP

CLASSICFLANGESWEEP2

PULSINGFLANGE

PULSINGWOWFLANGE

PULSINGFLANGE2

SUBTLEFLANGE

PULSERFLANGE

SUBTLE-DRASTIC FLANGE

SUBTLEFLANGE2

FilterPong

Flanger

Page 88

H910 H949

BALLERINA

1984

WOMENINLOVE

1984

3 OCTAVE RANGE

POWERCHORD

SHATTER

PHOTON BEAM

INSANITY BUILD

RISING SWIM

BACKING VOCAL

ECHOES OF 910 PAST

949 CHORUS

DLY1

DLY2

COUNTRY SLAP

SLAP

DLYOCTAVE

CHNELVOCALS1

VOXDLY

GUITCHNEL

SPICY SPRING

BUM-BA-DUM

DLYDOTSWEET

GUITBASSCHORUS

FAT H910

EARTH HALL

KUBRIX

CORRIDORS

DARK CAVE

DELAYEDPLATE

CARNEGIE HALL

DOOM CHAMBER

PHANTOM VERB

VAPOR TRAIL

PANOROMANCE

HALL

HI FI

1985

Hall

Page 89

CAVE SPACE

DISH DELAY

TORNADIAN

AMEDEO-SLAP

TRANCE OCTAVES

PSYCHO WAITING

FOREBODING

CHROMATIC DELAYE

VAIBALLERINA

ELEC12STRING ROO

LIGHTSIDE DARKSI

ONE FINGER POWER

PHOTON PISTOL

PLANET OBELISK

BASSGUITSOLO

BASS MIN MAJ MOD

MUNCHKIN WHALES

HYPERNOTES ARP

GET THEM KIDS MO

BASSWITH ARPS

BOILINGSOLO

BUBBLES

DOWNUP

FAKE SHREDDING

INTELLIVISION

LIGHTEMUP

MACHINES

MENACE

SPACETREM

TREMBOT

MOLTEN

BIGCHILL

OLD VIDEO GAME

RAVE VOCALS

HarModulator

HarPeggiator

Page 90

Looper

Basic Looper

16 Beat Auto Loop

16 Beat Reverse Start

Dub Decay Looper

8 Beat Punch

8 Beat Punch Replace

Thin Loop

Long Basic Looper

48 Beat Basic Looper

LoFi 16 Beat

MANGLEDVERB

FLUFFER

OBLIVION

SANSKRITUAL1

SCREAMWARP

REVUNCHED

MANGLEDVERN

DOOMDRIVE

DRIVEDOOM

H3000

NICECHORUS

VIBRACHORUS

CHORUS ROOM

SLAP MY ECHO

DARKECHOES

SPACEY SPRINGS

ELEVATOR DELAYS

BASSCHORUS(ES)

BOTTOMLESS DROP

MangledVerb

MicroPitch

Page 91

Mod Delay

EVERY LEAD YOU FAKE

LOST LUNCH

PEDAL PITCH

1.. AND 2 MOD

LAZYPHASY

FUNK ECHO

PHASERECHO1

PHASERECHO2

CREEPY

CHORUSPHASE NO DELAY

MODECHOVERB

EKOSPACE-GOD

SOLARDELAY

AMBIENCE

FLANGE TILES

MATRIX DECAY

PLANETARIUM1

JUNGLEAPPETITE

BASS AUTO WAH

JUPITER REACTS

NERVOUS FILTER

HYPERWAH

WATERYFILTER DARK

WATERYFILTERBRIGHT

BUBBLYFILTER

TREMMODFILTER

ModEchoVerb

ModFilter

Page 92

MultiTap

AIRPLANE HANGER

GHOST TOWN

500 SEATER

BIG SWELLPAD1

MULTI HALL

AMBIENT MULTI

MULTI WETLIVE

GALLOPER MULTI

TAPPER

STRUMMER

STRUMMER2

KING'S MISSILE

AUTOMARCH

EMPTYSPACE

WORMS

NAZZTYBASS

THROATYBASS

WAHELECTRONIQUE

CRAB BASS

CLASSIC OCTAVER

MASSIVUZZ

OCTOFUZZVER

BASS VOWELER GRO

DRTY VOCALS

FUNKPHASE

AIN'T TALKIN 'BOUT PHASE

PHASER WAH

LOU-NIVIBE

VIBRAPHASER

SAWMODPHASER

STOPPEDPHASE

PHAT PHASE

Octaver

Phaser

Page 93

PitchFlex

OCTAVE FLEXSWITC

FLEX HARMONY -1O

FLEX HARMONY -5T

FLEX HARMONY -4T

FLEX HARMONY +5T

FLEX HARMONY +4T

FLEX HARMONY +3R

FLEX HARMONY +FL

FLEX HARMONY +2N

PITCH FLEX +1OCT

PITCH FLEX +2OCT

PITCH FLEX -1OCT

PITCH FLEX -2OCT

PITCH FLEX -2ND

PITCH FLEX -4TH

PITCH FLEX UNISO

Just the Fuzz

WholeLottaPeach

Peach Dog

HOT MCADAM

Chorus and Delay

Arpeggiate

PEACH SLAP

CHERUB

HARP CHORDS

Peaches KICK IT

ORGANIZOR

Dovers Peach

LawfulKnowledge

OhYouAteOneToo

Atmospheres

MIMA LEAD

SUSPENDED PEACH

PEACH-TAVIA

Fripper Fuzz

R U Fuzz

COPELAND

COBBLER TRIADS

PitchFuzz

Page 94

FUZZSTACK

Lethal Weapon 7

Schnapps

Goof Delays

Delicate Trinkets

Muscle

Pitch Busters

Weird Orchestra

Space Peach

FruitInTheRain

Working Man Bass

JUICED UP BASS

Boogie Oogie Bass

BIG BASS SYNTH

PLATE

GUITPLATE

OILDRUM

DINNER PLATE

JUST CUZ

PRESSURE

SIFT PLATE

CENTAURI

LAZYPHASYWAH

SQUAREMODWAH

TALKING BACK

OTTAWAH

MUMBLER

VINTAGE WAH

PHASYWAH

LESSEVENAUTOWAH

NERVOUS WAH

SLOWSWEEPWITHTREATS

BIGMODDEDPLANETSWEEP

SOFTCHOPPER

WAH-BRAVIBE

VIBRAPHASYWAH

Plate

Q-Wah

Page 95

TEENAGE WASTELAN

ANTHEM

BANJO STRUMMER

GOOD MORNING SUN

MOODSWITCH

IF IT'S BAROQUE

GUITARHARP

PITCHDRAMA

HEAVY QUAD OCTAV

SPELUNKING

FILTERED MULTITAP

SAVERENCE

RESOVERB

GUMDROP

SUBMERGED

TRANSCENDENTAL DOLPHIN

SCARY CHORD

CLEAN DELAY

BEECUZ

RENO

TICK TOCK

RAAG MALHAR

CAVERN

ELECTRONS

THE BEAUTIFUL

ANDY WARHOL ON THE RUN

CASCADE

DISSONANT REPEATER

THOR'S BELLS

Quadravox

Resonator

Page 96

Reverse

BACKWARDS RIFFS

ETHEREAL ECHOES

DRING MODULATOR

REVERSE FLUTTERS

REVERSE FLUTTERS2

REVERSE SPACE

BACKWARDS ALL

REVERSE SPACE2

BACKWARDS ALL2

REVERSE SPACE3

REVERSE NO CRYSTALS

INSIDE OUT

RAMP UP REVERSE

REVERSE

SPINDIZZY

CONTINUUM

TWEET OFF

REFLEXIVE

GHOST PLATE

ALIEN VERB

GARBLE SPACE

WHAT'S THAT SMELL

GUITAR DRUMS

HELLSBELLS

STATIC

ELECTRICITYRING

RING'S TREM

RING'S LESLIE FAST

RING'S LESLIE SLOW

RING'S CHORUS

RING'S TREM2

RING'S TREM 2 FASTER

TREM TURNS UGLY

INTERFERENCE

BUZZBELLS

Reverse Reverb

RingMod

Page 97

Room

ROOM

BOXY RO0M

PCM60ROOM

GUITAR ROOM

LUX SPACE

SHUTTER ROOM

CANISMAJOR

ROOM 667

SLOWLY ROTATE

WHIRLING DERVISH

BIG FAT CABINET

HYPER ROTOR

JAZZYROTARY

TREBLE SPIN

BASSSTILLROTARY

AUTOFASTSLOWROTARY

AUTOFASTSLOWROTARY2

OLDTYME RADIO

SPACESHIP ROTARY

Sculpt

Wahvolver

Dirt Boost

Butter Churner

Little Speaker

Fuzzy Pillow

Land O Lakes

Embwahss

Honki Tonki

UFO Shred

Chisel

Jazzy Box

Airbag

Wizards Tele

Dissect

AntiWah

Rotary

Sculpt

Page 98

Meow Wow

Rumble Down Lo

Sculpt Da Bass

MuthaShip Connect

Funke Biass

SHIMMER

MOUNTAINS

IRONWORX

TOUCHED BY AN H9

HELLS GATE

SIZE MATTERS

SNEAKY VERB

QUASAR

DARK ANGELS

NEROS ASCENT

GUNSHOT SNARE

DEMON CALL

AMEDEO-BASS-SHIM

SpaceTime

Nice Chorus

Space Cathedral

Quarter Delay

Faux Leslie

Verb Repeats Only

Small Tight Room

Parallel Delays

Aphelion

Slap in Space

IntaStella

Off the Ground

Shadows

Voyage

TwilightZoned

Sunlight

HUBBLE

On the Verge

Shimmer

SpaceTime

Page 99

EventHorizon

Gravitation

ExtraTerrestrial

Outer Limits

Star Sailor

SPRING

RW TANK

SPRINGTHEORY

SPICY SPRING

BIG BALLS

DARK SPRING

GUTTER FLANGE

AMESPRING

MOTORBIKE LEAD

FLUTEFACTOR

TROMBONEFACTOR

WELCOME TO THE M

BASSIC SYNTH

LENNON SLAP

FIBONACCI TAPE

TAPE FOR VOCALS

CLASSIC SLAP

RECORD HEAD

BE WOWED

MULTI SLAP

REELTOREEL

FLUTTERWOW

TAPEDRONE

WARPED RECORD

Spring

Synthonizer

TapeEcho

Page 100

100

TremoloPan

I WALK ALONE

TUMBLEWEED TREM

RAMPCHOPPER

SQUARE CHOPPER

SPECIAL AGENT FACTOR

FLUTTER TREM

PULSING TREM

PANNING TREMO

MODACITY

HYPERCHOPTREM

CHOPPER TREM

TREMOLOVERB

BROKEN GLITCH

HORROR SHOW

SPLITTER VERB

ABITSHAKEY

AMETREMVERB1

AMETREMVERB2

ULTRATAP

BATMAN

BOUNCING BALL

GHOSTHUNTER

MOSQUITO

DISAPPEARING HALL

STUTTER

SLOWING DOWN

ULTRASWELL

ZIPPERVERB

CHOP HALL

SIX PULSING

HUH FLANGE

FOLLOW ME

CLOCKWORKS

NANO STUDDER

SYNTH GHOSTS

TremeloVerb

UltraTap