Harmonizer is a registered trademark of Eventide Inc. for its audio special effects devices incorporating pitch shift.
H7600 and UltraShifter are trademarks of Eventide Inc.
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The H7600 Family Operating Manual
Table of Contents
HOW TO USE THIS MANUAL –READTHISFIRST ......................................................................................................................................3
OVERVIEW AND QUICKSTART_____________________________________________________________________ 4
THE BIG PICTURE ................................................................................................................................................................................................4
KNOBS,KEYS, AND JACKS ................................................................................................................................................................................5
The Front Panel 5
The Back Panel 7
GETTING AROUND AND ALTERING PARAMETERS .......................................................................................................................................10
Adjusting the Brightness and Contrast of the Display 10
The “Areas” of the H7600 10
UNDERSTANDING THE DISPLAY AND SOFTKEYS ....................................................................................................................................12
Using the Cursor Keys, the SELECT Key, the NUMERIC KEYPAD, and the KNOB 14
Ganged Parameters 14
Entering or Changing Text 15
QUICKSTART OR “NEARLY INSTANT GRATIFICATION”..............................................................................................................................16
Hooking Up 16
Setting Input Levels 18
Effecting Things 19
“Panic” Muting 19
Loading Programs 19
Parameters 21
“Tweaking” and Saving “Tweaks” 23
Using User Groups to Organize Useful Programs 24
Wrap Up 25
The Level Meters 28
Controlling the Level of the Analog and Digital Inputs 29
Wet/Dry Ratios and Output Levels For the H7600’s Processor 30
Controlling the Level of the Analog and Digital Outputs 30
DIGITAL SETUP ..................................................................................................................................................................................................31
The System Sampling Rate – a digital audio primer 32
Using the Internal Clock 33
Selecting The Internal Clock’s Rate 33
The Status Of The Digital I/Os When Using The Internal Clock 34
Understanding The “System Sampling Rate And External Sync Indicator” When Using The Internal Clock 34
Using an External Clock 35
Selecting the External Clock 35
The Status Of The Digital I/Os When Using The External Clock 36
Understanding The “System Sampling Rate And External Sync Indicator” When Using The External Clock 36
Sample Rate Conversion (SRC) 37
BYPASSING AND MUTING .................................................................................................................................................................................37
“Manually” Selecting an External Controller For Modulation 42
"Manually" Selecting the External Controller for Triggers 44
External Controller Selection 46
"Automatically" Selecting a MIDI External Controller 46
Scaling the External Controller 47
The Concept Behind "Redirection" - External Assigns 1-8 and Trigs 1 & 2 49
Remote Controlling the Bypass Functions 51
Remote Controlling Parameters 52
Remote Controlling Triggers 52
MIDI Groups 53
Configuring the MIDI Group 54
PROGRAM LOAD,SAVE,DELETE,ETC. ..........................................................................................................................................................55
Categorizing Programs 55
Searching for and Loading Programs 58
Loading Programs 60
Loading a Program Remotely 60
Loading A Program Via A MIDI Program Change Message 60
Triggering the Next or Previous Program To Load 62
Saving a Program 63
Copying Programs 63
The "Size" of a Program and Its Ramifications for Storage 63
Updating a Program 63
Renaming a Program 64
Deleting a Program 64
System Tempo 65
System Timer 66
Taps 67
Textblocks 67
Graphics and Curves 67
Storing and Loading Setups 68
Miscellaneous Setup Options 69
APPENDIX A -UTILITIES__________________________________________________________________________ 70
TRANSMITTING AND RECEIVING DATA..........................................................................................................................................................70
Setting Up the Serial Port 70
Dumping Data and Receiving Data Dumps 71
Controlling One H7600 from Another H7600 72
Sending A Program From One H7600 to Another 72
Sequencing With MIDI 73
CONNECTING USER-SUPPLIED CRYSTALS AND EXTERNAL CLOCKS............................................................................................................74
SERVICE AND START-UP OPTIONS ..................................................................................................................................................................75
Fixing Internal Memory Problems 75
Fixing Memory Card Problems 76
Changing the Internal Battery 77
Clear Setup 77
Software Version and Accessories 78
Start-Up Options 78
ELECTRICAL SPECIFICATIONS ___________________________________________________________________ 80
WARRANTY INFORMATION ______________________________________________________________________ 82
INDEX___________________________________________________________________________________________ 84
Before powering up the unit, check that the voltage selector on the back panel is set correctly.
Do not remove any covers or panels from the unit when the power is connected.
No operator access to the internals of the unit is permitted - servicing must be performed by qualified
personnel only.
The unit must not be operated with a damaged or ungrounded power cord.
Suitable ventilation must be provided for the unit at all times. In particular, the rear and side vents must
not be obstructed.
HOW TO USE THIS MANUAL – READ THIS FIRST
The first and second chapters of this manual are the most important ones. The first is the Overview and
Quickstart chapter. In it you will find essential information regarding the front panel, the back panel, and
the general structure of the H7600. After these preliminaries are out of the way, you’ll start using the H7600
and learning the basic methodologies that you will employ whenever you use the H7600.
The Overview and Quickstart chapter is not meant to be complete. It’s meant to get you up and running
fast, circumventing thornier issues in favor of speed. If you would like to know more about a particular
topic discussed in this chapter, look to the abundant references contained therein. They’ll point you to
“chunkier” discussions in the remainder of the manual.
Ideally, we would have you read through the Overview and Quickstart guide with the H7600 in front of
you, following the examples. After you finish the Quickstart guide, we’d have you play with the H7600 for
awhile. Once the initial “new box euphoria” wore off a bit, we’d have you sit down and read the Operation
chapter. A true appreciation and mastery of the H7600 cannot be obtained without reading the manual!
We’d have you consult the appendices only when you need specific, technical information. Finally, when
you need to find information days, weeks, months, and years down the road, we’d have you use the comprehensive Table of Contents and Index.
The Eventide H7600 is a programmable, multipurpose, 24-bit/96kHz digital audio signal processor with
UltraShifter™ capability and is the stereo, single-processor companion product to the Eventide’s H8000.
That’s a lot of adjectives! It is the successor to a long, proud line of digital signal processors that stretches
back to a time when most audio manufacturers didn’t know digital audio from Morse code.
We’ve loaded the H7600 with features that put it in a class by itself. The variety and depth of its programs
are truly amazing, from lush reverbs, to choruses, to flanges, to delays, to pitch shifters, to dynamics, to
EQs, to filters, to distortions, to synthesizers, to samplers, to ring modulators, and to everything in-between.
The H7600 can do it all. And if that’s not enough, it boasts nearly three minutes of sample time in addition to
the 40 seconds of delay time!
And for the user who is interested in making his or her own programs (if the huge number of factory pro-
grams aren’t enough!), the H7600 continues the “modular programming paradigm” that made the DSP4000
famous. Programs are composed of individual building blocks, or “modules,” that allow the user to create
original programs. Inspiration and creativity are given no bounds. . .
If this is your first time learning the H7600, don’t be put off by some of the rather in-depth descriptions
that will follow; they exist for your future reference (
now, concentrate on what the various knobs and jacks are called. Their use will be explained progressively
throughout the rest of this manual.
The Front Panel
once you understand the H7600 and need a quick bit of information). For
AB
C
G
H
E
D
J
K
F
L
N
M
O
P
Q
R
A) Level Meters These measure the signals at the analog inputs, the digital inputs and the analog out-
puts. The highest LED indicates a clipped signal, and every LED below that falls off
at -3dB per decrement, with the exception of the bottom one, which indicates the
presence of any signal.
→ See The Level Meters on page 28.
B) System sampling rate and external sync indicator.
The top four LEDs display the system sampling rate of the H7600: 96 kHz, 88.2
kHz, 48 kHz, or 44.1 kHz. When solidly lit, they indicate that the system sampling
rate is exact (+/- 0.05%). When blinking, they indicate that the system sampling rate is
between one of the fixed rates (the LED corresponding to the nearest sampling rate blinks). The bot-
tom LED, EXT, reflects the current external sync status (it blinks if there’s a problem).
→ See Understanding The “System Sampling Rate And External Sync Indicator” When Using The Inter-
nal Clock on page → See Understanding The “System Sampling Rate And External Sync Indicator” When Using The Exter-
nal Clock on page
34.
36.
C)BYPASSPress this key to bypass or, depending on how you have your H7600 set up, mute
the machine.
→ See Bypassing and Muting on page 37.
D)SOFT KEYSThese four keys select the menus or events described on the bottom line of the dis-
play.
→ See Understanding the Display and SOFT KEYS on page 12.
E) The display The display tells you what’s going on. The
top line displays the currently running
program and the display area you’re
working in. The bottom line is dedicated to
the four SOFT KEYS directly below the
display. The middle section of the display changes depending on what you’re doing!
→ See Understanding the Display and SOFT KEYS on page 12.
F) CURSORkeys Press these keys to move the cursor on the display.
→ See Using the Cursor Keys, the SELECT Key, the NUMERIC KEYPAD, and the KNOB on page 14.
G) TAPTap this key a couple of times to set the System Tempo.
→ See System Tempo on page 65.
H) PROGRAMPress this key briefly to access program functions such as loading, saving, deleting.
→ See Program Load, Save, Delete, Etc. on page 55.
Press and hold this key for one second to access the Setup Storage area where “setup
configurations” are loaded and saved.
→
See Storing and Loading Setups on page 68.
J)PARAMETERPress this key briefly to access parameters for the program that is running.
Press and hold this key for one second to access the Patch Editor.
→ See the separate Programmer’s Manual for Patch Editor information.
K)SELECTPress this key briefly to select something highlighted by the cursor.
Press and hold this key for one second to set up a remote control for whatever parameter is highlighted on the display.
→ See Remote Controlling Parameters on page 52.
→ To change the “one second hold time,” alter the “key hold” parameter on the [misc] menu page in
the SETUP area (you may have to press the SETUP key several times to find it).
L) The KNOBSpin the KNOB to change the value of whatever parameter is highlighted.
→ See Using the Cursor Keys, the SELECT Key, the NUMERIC KEYPAD, and the KNOB on page 14.
M) The NUMERIC KEYPAD
Use the numbers, decimal point, and minus sign to enter numeric values or to enter
numeric text in a text field. Use the CXL key to “cancel” the last entered digit (like a
backspace key on a computer
). Use the INC/DEC keys to increment or decrement a parame-
ter’s value. Use the ENT key after you’ve entered a numeric value.
→ See Using the Cursor Keys, the SELECT Key, the NUMERIC KEYPAD, and the KNOB on page 14.
N) BUSY LED If a Memory Card is in place, this LED illuminates when data is being written to the
card. Don’t remove the Memory Card if this LED is lit! If no Memory Card is in
place, this illuminates when data is present at the MIDI In port or at the serial port.
Use the latter feature to troubleshoot communication problems between the H7600
and the rest of the world.
O) Card slot Insert a Memory Card here to add new programs or to save your own. Press the re-
lease to the right of the slot to remove the card (but not when the busy LED is lit!).
→ See Memory Cards on page 26.
P) LEVELSPressing this key accesses menus for metering and levels.
→ See Controlling Levels on page 28.
Q) SETUPPressing this key accesses menus for digital configuration, MIDI configuration, ser-
vice utilities, data dump utilities, and program advance options.
R) POWERFlip this switch to bring the H7600 to life! When the power is off the unit is by-
passed, i.e., each audio input is connected to its corresponding audio output.
Line up the dot with the triangle so that your preferred voltage is up. It is absolutely
essential that you select the voltage corresponding to your local AC power!
b) Fuse Holder A 1-Amp Slow Blow fuse. Always replace it with the correct value.
c) AC Port Connect an IEC standard 3-prong AC power cord here. The center post is chassis
ground.
d) Analog Audio Inputs
The H7600’s analog inputs accept either unbalanced 1/4”
connectors or balanced XLR connectors. The H7600’s
XLR input connectors are female. Pin #1 is ground. Pin #2
is +phase (hot) and Pin #3 is -phase.
To “unbalance” the XLR jack, use both pins #1
ground and use Pin #2 as “hot.”
are unconnected, you will get more noise and hum than signal !
These may be used as both line and guitar inputs, depending on the input level setting.
e) Analog Audio Outputs
The H7600’s XLR analog audio output jacks are male. Pin
#1 is ground. Pin #2 is +phase (hot) and Pin #3 is -phase.
To “unbalance” the jack, use pins #1
and use Pin #2 as “hot.”
unconnected, you will get more distortion than signal !
→ See Controlling the Level of the Analog and Digital Inputs on page
and
#3 as
If either pins #2 or #3
and
#3 as ground
If either pins #2 or #3 are
29.
2
1
1/4"
3
21
3
Do not connect these outputs to a phantom powered microphone input –damage
may be caused to either the 7000 or to the phantom power supply. The peak output
level from the H7600 will probably be too high for a low-level microphone input.
Use these connectors to connect professional digital audio gear to the H7600. These cables are differential
with a shielded twisted pair. Eventide recommends the use of purpose-manufactured Digital Audio cables,
which have low capacitance and a controlled impedance, for carrying AES signals.
Ordinary microphone cables will usually work at 48kHz, but are likely to reduce range and add jitter and
possible distortion to the signal. It is unlikely that microphone cable will prove satisfactory for 96kHz operation.
f)AES/EBU input jack
If the parameter DIG IN on the audio
menu page in the SETUP area is set to
AES/EBU, then digital inputs are
accepted at this jack.
g)AES/EBU output jack
If the parameter DIG OUT on the audio
menu page in the SETUP area is set to
AES/EBU, then both the AES/EBU and
S/P DIF outputs will use the “professional” digital format.
S/P DIF Digital Audio Input/Output (Consumer)
S/P DIF is a consumer digital audio standard, with two audio channels encoded into a single connector. Use
these connectors to hook up the H7600 to CD players, DAT recorders, and other audio gear using this
format. The connectors are two-conductor RCA jacks. Your plug should have the shield connected to the
sleeve with the single shielded conductor connected at the tip.
Eventide recommends the use of professional quality cables made of RG-59/U coaxial cable. Ordinary "hifi" type leads will probably prove inadequate. The use of S/P DIF is not recommended above 48kHz sample rates – at these rates AES/EBU is preferred.
h)S/P DIF input/output jacks
If the parameter
DIG IN on the audio
menu page in the SETUP area is set to S/P
DIF
, then digital inputs are accepted at the
S/P DIF input jack. If the parameter
SETUP area is set to S/P DIF, then both the AES/EBU and S/P DIF outputs will
DIG OUT on the audio menu page in the
use the “consumer” digital format.
→ See S/P DIF & AES/EBU on page 31.
j) WordClock In and Out
Use these jacks to sync the H7600 to wordclock or to output wordclock. → See 1Using
Stereo 1/4” connectors. The sleeve is ground reference, the ring is +5 volts (source),
and the tip is an analog signal from 0 to 5 volts. Connect either foot switches, foot
pedals, or control voltage sources to these inputs to modulate parameters or to trigger events (including remote program loads).
→ See Foot Pedals 1 and 2 on page 38.
m) Relay JackTwo relays are connected to this Stereo 1/4" connector. They can be controlled
from suitable programs, allowing the H7600 to drive real-world equipment, and can
switch up to 1.0A at 30V dc. Relay #1 is connected between ring and sleeve, while
Relay # 2 is connected between ring and tip. All of these connections are electrically
isolated from the H7600. See the separate Programming Manual for information on
controlling the relays.
MIDI is used for instrument to instrument digital communications. The H7600 sends and receives
Eventide system exclusive messages that allow a MIDI sequencer to remote control the H7600, among
other things. In addition, the H7600 may respond to standard MIDI messages and may output standard
MIDI messages. The H7600 has three MIDI ports:
n) InThe H7600 accepts (and processes) MIDI messages received at the MIDI In port.
The connector is “7 pin.” It can also send MIDI messages from this connector to a
suitably equipped system. A normal "5 pin" MIDI cable can be used as a standard
MIDI input.
o) OutThe H7600 sends MIDI messages to other devices via the Out port. MIDI messages are
also sent out the serial port if they are “enabled.”
p) ThruAny MIDI information received at the MIDI In port is echoed directly to the MIDI
Thru port regardless of the H7600’s configuration (as long as the H7600 is powered up).
With the Memory Card removed, the BUSY LED on the front panel illuminates whenever a MIDI message is received
at the MIDI In port. Note: If the serial port is “enabled” and MIDI is “enabled,” a command received over either the
serial port or the MIDI In port causes the port not receiving the command to be ignored until the command is complete.
→ See MIDI Setup on page 39.
q)Eve/Net Ethernet-like jack for use with Eve/Net remote controllers. See the Eventide Web
Site http://www.eventide.com for more information on Eve/Net. Do not connect
this jack to an Ethernet network or electrical damage may result.
r) Serial Port An IBM PC type RS232 connector that looks like a modem or printer to a connected
computer. Connect a "9 pin" serial cable to this port to transfer information to and
from a personal computer (do not use the "null modem" type of cable designed for
file transfer between two computers - it will not work). With the Memory Card removed, the
BUSY LED on the front panel illuminates whenever a message is received at the serial port. Note: If the serial port is
“enabled” and MIDI is “enabled,” a command received over either the serial port or the MIDI In port causes the port
not receiving the command to be ignored until the command is complete.
Adjusting the Brightness and Contrast of the Display
Before we begin to describe the H7600’s interface, we ought to
make sure you can see the display! Adjust the contrast of the
display by pressing the SETUP key, then the SETUP key again, and
then the leftmost SOFT KEY. Turn the KNOB to adjust contrast or
press the DOWN CURSOR key and turn the KNOB to adjust brightness.
The “Areas” of the H7600
The H7600’s interface is divided into several functional “areas.” You access each area by pressing its key.
You’ll know which area you’re in because the LED next to its key will be illuminated. The areas are:
PROGRAM Press the PROGRAM key to access this area.
Inside you’ll find utilities for sorting programs, loading programs, saving programs,
deleting programs, and grouping programs
of your choosing into "user groups." Press
the PROGRAM key to access additional SOFT KEYS.
→ See Program Load, Save, Delete, Etc. on page 55.
SETUP Storage Press and hold down the PROGRAM key
for one second to access this area. The
LED next to the PROGRAM key blinks.
Inside you’ll find utilities for loading,
saving, or deleting “setups.”
→ See Storing and Loading Setups on page 68.
→ To change the “hold time," see Miscellaneous Setup Options on page
PARAMETER Press the PARAMETER key to access this
area. Here you’ll find the parameters for the
currently loaded programs. Continue pressing the PARAMETER key to access additional SOFT KEYS (if available).
→ See Parameters on page 63.
The PARAMETER key also gives access to the built-in Patch
Editor. Press and hold down the PARAMETER key for one second
to access this area. The LED next to the PARAMETER key blinks.
The Patch Editor allows you to create your own effects from
scratch or to customize programs that already exist.
→ See the separate Programmer’s Manual for more information on the Patch Editor.
→ To change the “hold time," see Miscellaneous Setup Options on page
Inside you’ll find level and Level Meter parameters.
→ See Controlling Levels on page 28.
SETUP Press the SETUP key to access this global,
“catch-all” area. Inside you’ll find digital
setup controls, global MIDI setup, global
“external” setup, display contrast/brightness, the pedal jacks’ setup, dump data utilities, next/previous program
advance, and miscellaneous service utilities. Press the SETUP key more than once to
access additional
Every “area” in the H7600 makes use of the display, so understanding the display is critical. A generic screen
of the sort typically found in the PARAMETER area is shown below. It exemplifies various aspects of the
display that remain constant no matter what area of the H7600 you’re in.
tap tempo
indicator
more
soft keys
indicator
indicates current Menu Page
The upper left-hand corner of the display always shows the name and number of the program currently
running. In the example shown above, we’re running the program “Centering Echoes.” The upper righthand corner of the display always describes the menu page you’re looking at. In the example shown above,
we’re looking at the “tone controls” menu page.
Situated along the bottom of the display are the so-called “SOFT KEYS.” The four physical keys located below the display select menu pages or events corresponding to these SOFT KEYS. (They’re called “soft” because their function changes depending on context.) The “More soft keys” indicators are the little arrows
next to the SOFT KEYS shown above. They indicate that if you press the “area” key you used to access the
current display again, you will access more SOFT KEYS. The arrows are meant to imply that more pages exist
in a nether-world beyond the display. . .
For example, press the SETUP key to see the “More soft keys”
indicators.
Press the
SETUP key again to get more SOFT KEYS.
Press the SETUP key twice more to return to the original set of
SOFT KEYS.
A “Stacked” SOFT KEY (such as pedals in the screen above) indicates that if you repeatedly press the
“stacked” SOFT KEY, you will access more menus. The graphic is meant to imply that there are more pages
lying “below” the “top” one.
For example, press the SETUPkey. Press the stacked SOFT KEY
Press it twice more to return to the original menu page.
Pressing a SOFT KEY repeatedly that is not stacked puts the H7600 into “self-destruct” mode. Just kidding.
It has no effect.
When you press a SOFT KEY, it becomes highlighted. The middle section of the screen is a menu page corresponding to that highlighted SOFT KEY. Use the cursor keys to “move around” on the menu page. Use
the KNOB, the NUMERIC KEYPAD, and the SELECT key to change and enter values.
→ See Using the Cursor Keys, the SELECT Key, the NUMERIC KEYPAD, and the KNOB on page 14.
Before moving on, we ought to say that not all SOFT KEYS are
menu pages. Some SOFT KEYS are “triggers.” A “trigger” is a key
that triggers an event, get it? You’ll always know the difference between menu page SOFT KEYS and trigger SOFT KEYS because
menu page SOFT KEYS are rectangular, whereas triggerSOFT KEYS
are hexagonal. On this screen main and info are menu pages, and
Using the Cursor Keys, the SELECT Key, the NUMERIC KEYPAD, and the KNOB
We use the CURSOR keys, the KNOB, the SELECT key, and the NUMERIC KEYPAD to navigate and manipulate the menu pages found in the PARAMETER, Patch Editor, LEVELS, and SETUP areas. We’ll discuss their
use in the
Use of the cursor keys is straightforward. The
right, respectively. If you move the cursor “past the edge of the screen," it will “wrap” around to the other
side. The UP and DOWN CURSOR keys move the cursor up and down, respectively. Again, the top and bottom “wrap” around.
Use the KNOB, NUMERIC KEYPAD, or the INC/DEC keys to alter the
value of a numeric
screen to change the value of
the NUMERIC KEYPAD (pressing ENT when you’re done).
Use the KNOB or the INC/DEC keys to alter the value of a text
parameter. For example, spin the KNOB or press the INC key to
change Shape from Sine to Triangle on this screen.
Numeric parameters and text parameters cover 99% of the
parameters you’ll see in the H7600, but there are a few more
esoteric parameters you’ll encounter. One such oddball is the
“trigger” parameter. “Triggers” trigger things to happen. You
place the cursor over a trigger parameter, and trigger it by pressing
SELECT. Other oddballs include “Taps” and “Graphics.”
→ See Taps on page 65.
→ See Graphics and Curves on page 67.
PROGRAM and SETUP Storage areas in a bit.
LEFT and RIGHT CURSOR keys move the cursor left and
parameter. For example, spin the KNOB on this
Mix or enter a new value directly with
To get to a screen like this one, first press the
PROGRAM key. Scroll through the banks (using the
LEFT or RIGHT CURSOR keys and the KNOB) to
“PHASERS." Scroll through the programs in that bank
to “Stereoizing-Phaser." Load it and press the
PARAMETER key.
Ganged Parameters
In some cases there are multiple, related parameters that are usually
adjusted together. To make such “mass adjustments” easy, a
feature exists that gangs parameters together. The main menu page
in the LEVELS area contains a good example of ganged parameters.
The purpose of this menu page is to assign signal levels and
wet/dry ratios. Such assignments are typically made in stereo gangs. So, both parameters are initially ganged
together. Spin the KNOB and both values change.
Now, let’s say you only want to change
CURSOR
value for
key to “ungang” the pair. Now spin the KNOB; only the
Pressing the DOWN CURSOR key again allows you to adjust OUT 2, while pressing the UP CURSOR key
regangs the parameters. Gangs are much easier to use than to describe, so take a minute and play with the
gangs on this menu page. You will find gangs sprinkled liberally throughout the H7600 as their presence
facilitates many tasks.
Entering or Changing Text
In some menus, it will be necessary to enter or change text. For
example, you will often change text when saving a new program.
The method by which this is done is straightforward, albeit a bit
tedious. To play along, go to the PROGRAM area and press the
(You may have to press the PROGRAM key a second time to see it.) Move the cursor
KEY.
over the
rename
field and press SELECT.
Here’s how it works:
• The upper-left portion of the display contains the text that’s being changed. Here we’ve entered "I Can
Type Fas..." - we’re not quite done.
• The CURSOR keys take you around the virtual keyboard.
• SELECT enters the currently selected letter (equivalent to actually pressing a key on a real keyboard).
• The Ø key toggles between "insert" and "overwrite" modes. Alternatively, you can place the cursor over
Ovr/Ins and press SELECT.
• The KNOB moves the insert/overwrite point on the top row.
• The × key toggles between capital and lower-case letters and
gives you access to very special characters such as "!", "@",
and "&". Alternatively, you can place the cursor over Caps
and press SELECT.
• The numeric keypad enters numbers, a decimal point, or a
minus sign.
• CXL will delete the current character.
• When you are finished naming the thing that needed naming, place the cursor over Enter and press
SELECT (or use the ENT key on the keypad). If you change your mind and don’t want to name the
thing that you thought needed naming, place the cursor over
All right, all right! Areas, displays, SOFT KEYS, parameter this, scroll that. . . BUT WHAT CAN IT DO?
Let’s cut to the chase and get you up and running! Besides, if you play with the box a good deal before moving on to the finer points of operation, those finer points will stick better to the ol’ gray matter. . .
Here are the steps we will take:
1. First, we’ll connect the H7600 to the rest of your gear.
2. On page 18 we’ll set the input levels so that things don’t distort.
3. On page 19 we’ll learn how to “mute” the H7600 in the event of feedback.
4. On page 21 we’ll run programs and “tweak” their parameters.
5. Finally, on page 23 we’ll learn how to save the programs you’ve “tweaked” for future use.
Hooking Up
The diagram above shows the signal flow through the H7600 and is discussed in detail on page 28. But before we concentrate on what happens inside the H7600, we ought to get it hooked up to the rest of your studio. As was stated in the overview, we have two analog inputs, two analog outputs, two digital inputs, and
two digital outputs all at our disposal all the time. The analog and digital inputs are summed before processing, and the output of the processor is always available at both the analog and digital outputs.
→ See The Back Panel on page 7 for information on the jack types and their specifications.
Hook up the analog inputs to suitable output sources, such as an analog mixer’s effect sends or the outputs
of a preamplifier. The connections may be made with either balanced XLR connectors or unbalanced 1/4”
connectors. You can plug a guitar into the 1/4" jacks, but you will need to turn up the input gain.
→ See Setting Input Levels on page 18.
Hook up the balanced analog outputs to suitable input recipients, such as an analog mixer or an amplifier.
Hook up the digital inputs to suitable output sources, such as a DAW (digital audio workstation) or a keyboard with digital outputs. The source of your digital signal must come from the same device (because a single cable carries two channels) and is taken from either the AES/EBU input jack or the S/P DIF input jack
(see below to learn how to switch between the two).
Hook up the digital outputs to a suitable input recipient, such as a DAW, a sampler, or a DAT machine.
While the H7600’s output will be present at both the AES/EBU jack and the S/P DIF jack, the digital format at both will either be “pro” or “consumer” at both jacks (see below to learn how to switch between the
two).
Note: You don’t have to hook up all of the inputs and outputs! You can, for instance, feed the H7600 with
analog inputs and output digitally, or vice versa.
To make sure we aren’t stopped before we start, go to the audio
menu page in the SETUP area (you may have to press the SETUP key a few
times to find it)
parameter to internal and the sample rate parameter to 48
kHz
as shown to the right (using the CURSOR keys and the KNOB).
If you are using the digital inputs, set the Source parameter to
external. The H7600 will derive its sampling rate from the
digital inputs and dstatus will read locked if all is well.
The digital inputs are “taken” from either the AES/EBU input
jack or the S/P DIF input jack. Select one or the other with the
parameter DIG IN on the left side of the menu page.
Digital outputs are “sent” to both the AES/EBU output jack and
the S/P DIF output jack. Select the correct format (either “pro AES/EBU” or “consumer – S/P DIF”) with the parameter
DOUT.
→ To read about the digital setup in more detail, see Digital Setup on page 31.
. If you aren’t using the digital inputs, set the Source
As we’re sure you know, getting a high, but not distorted, signal
at every point in a signal path is essential. The Level Meters help
us to achieve this goal. In the LEVELS area go to the meter
menu page to reach this screen. Adjust Source (with the KNOB
or the INC/DEC keys) to read either analog in or digital in depending on which input levels you would
like to view. The Level Meters now reflect either the analog or the digital inputs.
In this cursory introduction, we’ll only fiddle with the levels at the inputs but, rest assured, you can change
levels anywhere in the signal path.
→ See:
• Controlling the Level of the Analog and Digital Inputs on page
• Wet/Dry Ratios and Output Levels on page
• Controlling the Level of the Analog and Digital Outputs on page
30.
Of course, it’s always best to optimize levels at their source
(leaving the H7600’s boost/cut at 0dB). But if you can’t, then go
to the inputs menu page in the LEVELS area. There you can
boost/cut the analog inputs by +30dB/-90dB before the analog-to-digital converter with the gaintrim parameter.
Use the analog parameter to cut the analog inputs by 0dB/100dB after the analog-to-digital converter.
Use the digital parameter to cut the digital inputs by 0dB/100dB.
Assuming you set the Source of the Level Meters to analog in or digital in on the meter menu page in
the LEVELS area, the meters reflect the input levels (after gaintrim is applied, but beforeanalog or digital
cuts are made). You want the loudest portions of the signal to approach, but not reach, the red “clip” LED
at the top of the Level Meters. If you do clip a signal, you won’t hurt the H7600, but you will hurt your
chances for career advancement - a clipped signal typically sounds nasty.
loss” box, it is possible, though very unlikely, to have undistorted signals at both the analog and digital inputs that become distorted when summed. If this
is an issue (e.g., with heavily compressed material), set both the
→ For more information on setting input levels see Controlling the Level of the Analog and Digital Inputs on page 29.
In a moment you’ll be loading and playing with programs, but
before you do let it be said that the H7600 can produce LOUD
sounds with very little warning in some of the programs in some
situations. It would be nice to have a “panic” key to press in such
B
Y
P
A
S
a situation. Let’s arrange things so that pressing the
B
Y
B
Y
key mutes all of the H7600’s outputs. Go to the audio menu in the SETUP area. Change the value of the
bypass parameter to mute as shown above. Now press the
light - you’ve muted the H7600. To un-mute, simply press the
→ For more information see Bypassing and Muting on page 37.
Loading Programs
S
P
P
A
S
S
A
S
S
B
Y
P
A
S
S
B
Y
P
B
Y
P
B
Y
B
Y
B
Y
key. The yellow led next to it will
A
S
S
A
S
S
P
A
S
S
A
S
S
A
S
S
key again.
P
P
Assuming you’ve loaded an appropriate routing configuration, the
H7600 should be ready to process! All that remains is to load a
program. To load a program, enter the PROGRAM area. The two
"normal" menu pages you immediately find here, list and
Criteria, work together to give you access to the H7600’s hundreds of programs in a way that suits your
needs. In this section, we’ll only focus on two parameters on the
Criteria menu page, Sort By and Search By. Of the two,
Search By is the most important parameter to understand.
→ The remaining parameters are discussed in Loading Programs on page 19.
You will see that each program has a three- or four-digit number and a name. The program number has two
parts - the last two digits are a number between 0 and 99, the remaining digits are the bank number. The
bank is a loose grouping of related programs, whose name appears briefly at the top right of the screen
when a program is selected by moving onto it. The screen on the right shows that the selected program is
part of a bank of "Distortion Tools."
Let’s go through an example. Say you want to use a delay-based
program. First, go to the
Criteria menu page in the PROGRAM
area and set Search By to Effect and Sort By to Number.
Then, go to the
list menu page. The < - - and - - > SOFT KEYS search through programs as defined by
Search By on the Criteria menu page. Since we opted to Search By Effects, the < - - and - - > SOFT KEYS search through all of the available programs to find those that contain certain types of Effects:
You’ll know which set of effects is currently displayed by the information provided in the upper right-hand corner of the screen.
In this example, the set contains 35 programs that use Dynamics
(compressors, gates, etc.). Notice that all of the programs shown
have a "Y" icon to the right of their name, indicating that they perform dynamics processing, among other
things.
Press the
programs that contain delays. Notice that all of the programs
shown have a "D" icon to the right of their name, indicating that
they perform delay processing, among other things.
Now, you can use the left and right CURSOR keys (not the SOFT
KEYS
"century." Pressing the right CURSOR key from the screen above
jumps from program numbers that start with 2xx to programs that
start with 3xx, as shown here! Pressing it again would jump to
programs with numbers 4xx. You will recall that the first one or
two digits form the bank number, so using these keys will jump
from bank to bank.
Use the KNOB or the up and down CURSOR keys to move the
highlighted section of the screen up or down.
Press the
do, the H7600 moves you to the PARAMETER area so you can
tweak the program. Notice that 8 Diatonicshifts is now the currently loaded program!
Back in the
where
designed for. The "searchable" sources are:
• Guitar Vocals
• Drums Keyboard
• Special FX Surround
< - - or - - > SOFT KEYS until you see the set of
we’ve been discussing!) to jump through the programs by
SELECT key to load the highlighted program. Once you
PROGRAM area, you can also Search BySource,
Source refers to the type of input the program was
Press the < - - or - - > SOFT KEYS to flip through programs
designed for these different Sources. Here we see 50 programs
that were designed for use with Drums. The CURSOR keys and
the KNOB behave just as they did when we Searched By
Effect
You can also
In this mode, the < - -SOFT KEY flips through the different
sources (here we see programs designed for use with Gtr). The
- - > SOFT KEY flips through the different effect types (here we
see programs that use a Dly algorithm).
If you
displayed in numerical order, but rather are displayed in alphabetical order.
See? Alphabetical order! Now, pressing the left or right CURSOR
keys jumps through the alphabet. Pressing the right CURSOR key
here would cause us to jump to Reverb programs that begin
with "C".
The "Speed" indicator (a little
be loaded and run for use at 88.2kHz and 96kHz sampling rates.
In the screen shown to the right, only Basilica could not be run
at higher sampling rates because it does not have the "Speed"
indicator.
→ See Sampling Rates on page 32 for more information.
s.
Search By Src+FX.
Sort By Name, as shown here, the programs are no longer
9
) indicates that this program can
6
Parameters
Simply loading programs probably won’t prove satisfying for too
long; you’ll want to mess with the parameters on the programs
you load. This is accomplished in the PARAMETER area. Very
little can be said generally about what you’ll find in the
PARAMETER area because every program in the H7600 is a
unique “algorithm.” Each unique algorithm (i.e., program) calls
for its own unique parameters.
→ To learn more about the “algorithmic” nature of the H7600’s programs, read
the separate Programmer’s Manual.
A huge number of the H7600's LFO's, delay times, reverb decays,
etc., are designed to synch to a system tempo defined on the
tempo
menu page in the SETUP area. Say you're working on a song that’s
at 130 BPM. Simply set the system tempo to 130 and most of the H7600's LFO's delay times will be appropriate for the song. No more calculators. You can also derive the system tempo from a MIDIclock signal
applied to the H7600's MIDI input. Simply set Source to Midiclock. When system tempo is active, the
little icon at the top left of the screen will flash at the tempo rate.
Parameters that synch to the system tempo are identified by "t_"
such as "t_rate" and "t_fmrate" and are adjusted in musical
terms such as "whole note" and "dot 1/8." You will find them
in the PARAMETER area of most programs.
→ See System Tempoon page 65
→ Some parameters, such as delay loops, use the system timer. They are also denoted by "t_". See System Timer on page 66.
You will usually find an info or about menu page in the
PARAMETER area. In it, you will find general information about
what the program does along with any notes concerning special
parameters or “non-obvious things.”
Many, but by no means all, of the programs in the H7600
currently support an "expert mode” feature. The expert mode
parameter controlling this feature is found on the misc menu
S
E
T
U
page in the SETUP area (you may have to press the
S
S
a few times to find it). A setting of 0 hides all but the most relevant menu pages in the PARAMETER area.
Conversely, a setting of 9reveals all of the available menu pages in the PARAMETER area. Settings between 0
and 9 reveal an increasing number of menu pages in the PARAMETER area.
Leave expert mode at 9 if you like lots of parameters to tinker with, at 0 if you find lots of parameters
annoying, or somewhere in-between if your tastes fall somewhere in-between.
→ See Miscellaneous Setup Options on page 68 for information on the other parameters on this screen.
It should also be mentioned that any parameter on any menu page can be “remote controlled” via MIDI or
the rear foot pedal jacks. Telling you how to do this entails discussing voluminous topics such as setting up
MIDI globals, setting up foot pedal globals, and navigating a “remote control” menu page. Such a discussion wouldn’t be in keeping with the concept of this Quickstart section.
→ If this really piques your interest, go ahead and read:
• Setting Up the External Controllers on page
• External Modulation and Trigger Menu Pages on page
Different sets of parameter values for a single program are said to be different "tweaks" of that program.
As you play with the parameters on the preset programs, you are "tweaking" those preset programs. For
instance, let’s say you want a program that mimics the frequency response of your neighbor’s television as
heard through your wall. You want to "tweak" the parameters of a filter program in order to get the correct
frequency response.
First, load the program "Filter_Q."
Do some long calculations involving transmission coefficients and
dispersion laws to arrive at the proper filter cutoff frequency and
resonance. Enter them. Notice the asterisk "*" that appears after
the name. This is to tell you that the program has been changed
and that you will lose the changes if you don't do a save.
→ See Saving a Program on page 55.
To avoid going through the entire arduous math the next time you want to mimic the frequency response of
your neighbor’s television, you should save your tweaks as a new program. Press the PROGRAM key to enter the program area.
Press the PROGRAM key a second time and then press the Save
SOFT KEY. Check that there is enough Space and then place the
cursor over the rename field and press SELECT.
Use the fancy typewriter to give your tweak an endearing name.
Then place the cursor over Enter and press SELECT to return to
the Save menu page.
→ To learn how to enter text, see
Entering or Changing
Turn the KNOB on the top line to select an unoccupied program
slot. Then place the cursor over
After selecting save, you can verify that your program is now
listed under the list menu page in the PROGRAM area. Note that
there is a U to the left of the I/O Identifiers - this shows that this
was saved as a User Program. A C would indicate that the program
was saved on a Memory Card.
Now, you can load your tweak and feel edgy and irritated even when the neighbors are on vacation!
→ To read about using Memory Cards, see Memory Cards on page 26.
The H7600 contains an easy to use facility for organizing programs that you find useful. You may want to
keep a "collection" of your favorite programs. You may want to keep a "collection" of effects that were used
on a particular project. You may want to keep a "collection" of programs for use during a show.
→See Categorized by You (User Groups) on page 57 for more info.
Go to the usergrp menu page in the PROGRAM area. There are
twenty groups in which we can collect programs, ten stored internally U and ten on a Memory Card C. Let’s say we want to collect
the currently loaded program, Seethy Two Reverb, in Group3.
Simply move the cursor to "Loaded Program" and hit SELECT.
This will put the name in the top row (or, you could use the knob or keypad to find it, but this is easier).
Then move to the second row and turn the KNOB until Group3 appears and press SELECT! This will
change out to in and vice-versa. The Usergroup will be saved automatically every time a change is made.
Now for quick access to your collections, set Search By to User
Grp
on the Criteria menu page in the PROGRAM area.
Go to the list menu page and use the < - - and - - > SOFT KEYS
to find Group3. There’s the Seethy Two Reverb!
You can also change the names of the groups to something more
useful than "group." Press and hold the PROGRAM key until you
see the Routing Storage area. Do it again until you see the Setup
Storage area. Do it again! Now you’ll see all the Usergroups!
To rename a group, highlight it with the KNOB. Then tap the
PROGRAM key so you can see the <rename> SOFT KEY. Press
the <rename> key and use the typewriter to enter a better name.
When you’re finished, use the
name!
So, there you have it. The procedure we followed in this Quickstart section is more or less the procedure
you will follow whenever you use the H7600. First, you’ll get an input level, then you’ll load a program, then
you’ll tweak the parameters to “customize” your effect, and then you’ll save your tweak for later use.
Doing this much will give you an appreciation of the horsepower under the hood of the H7600. But only
doing this much won’t give you an appreciation of the amazing versatility of the H7600:
• In addition to altering levels at the inputs, you can alter and monitor levels at any point in the signal
path.
→ See Controlling Levels on page 28.
• Programs and “setups” can be saved to and loaded from removable Memory Cards, as well as internal
memory.
→ See Memory Cards on page 26.
• In addition to loading programs from the front panel, programs can be loaded remotely via MIDI pro-
gram change messages or external “triggers."
→ See Loading a Program Remotely on page 55.
• The digital inputs and outputs have comprehensive sample rate and sync parameters to complement any
digital installation.
→ See Digital Setup on page 31.
• Any parameter in the H7600 can be “remote controlled” via MIDI or the rear panel foot pedal jacks 1
and 2.
→ See Setting Up the External Controllers on page 38, External Modulation and Trigger Menu Pages on page 41, and Remote
Controlling Parameters on page
• Existing programs can be altered or entirely new programs can be created in the Patch Editor.