Copyright 1991-95 Electronic Theatre Controls
4080M1002Revised June 1995
Limited warranty
Electronic Theatre Controls (ETC)
warrants to the original owner or retail
customer that for a period of one year
from date of delivery of a portable
system or energization of a permanently installed system (up to a
maximum of 18 months from delivery)
its products will be free from defects in
materials and workmanship under
normal use and service. Warranty is
limited to 90 days for rental equipment.
Warranty does not cover any product or
part of a product subject to accident,
negligence, alteration, abuse or misuse
or any accessories or parts not supplied
by ETC. Warranty does not cover
“consumable” parts such as fuses,
lamps, color media or components
warranted directly to the owner by the
original manufacturer. ETC’s warranty
does not extend to items not manufactured by us. Freight terms on warranty
repairs are FOB ETC factory or designated repair facility. Collect shipments
or freight allowances will not be
accepted.
ETC’s sole responsibility under this
warranty shall be to repair or replace
at ETC’s option such parts as shall be
determined to be defective on ETC’s
inspection. ETC will not assume any
responsibility for any labor expended or
materials used to repair any equipment
without ETC’s prior written authorization. ETC shall not be responsible for
any incidental, general or consequential
damages, damages to property,
damages for loss of use, time, profits or
income, or any other damages.
The owner’s obligations during the
warranty period under this warranty are
to notify ETC at ETC’s address within
one week of any suspected defect, and
to return the goods prepaid to ETC at
their factory or authorized service
center.
THIS WARRANTY IS CONTINGENT ON
THE CUSTOMER’S FULL AND TIMELY
COMPLIANCE WITH THE TERMS OF
PAYMENT SET FORTH IN THE
“TERMS AND CONDITIONS”. THIS
WARRANTY IS EXPRESSLY IN LIEU
OF ANY AND ALL OTHER WARRANTIES EXPRESSED OR IMPLIED
INCLUDING THE WARRANTIES OF
MERCHANTABILITY AND FITNESS
FOR A PARTICULAR PURPOSE AND
OF OTHER OBLIGATIONS AND
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OWNER ACKNOWLEDGES THAT NO
OTHER REPRESENTATIONS WERE
MADE TO HIM OR RELIED UPON HIM
WITH RESPECT TO THE QUALITY AND
FUNCTION OF THE GOODS SOLD.
This written warranty is intended as a
complete and exclusive statement of
the terms thereof. Prior dealings or
trade usage shall not be relevant to
modify, explain or vary this warranty.
Acceptance of, or acquiescing in, a
course of performance under this
warranty shall not modify the meaning
of this agreement even though either
party has knowledge of the performance and a chance to object.
table of contents
Chapter 1
Introduction
MicroVision FX
Using this manual ............................................................................... 1 - 3
Text conventions ................................................................................ 1 - 4
effects using up-to-the-minute theatrical lighting technology. This
chapter includes information to orient you to the console and the
manual. It includes the following sections:
•
MicroVision FX
•Using this manual
•Text conventions
•Pile-on convention
•Getting help
•Customer support
allows you to create a wide range of dramatic, on-stage
features
1 - 2MicroVision FX
MicroVision FX features
MicroVision FX
•Six manual faders that control programmed submasters
•Five pages of submasters memories
•125 control channels
•Proportional softpatch that accommodates up to 512 dimmers
•200 cue capacity per show
•Disk drive that can store up to five shows per 3.5-inch disk
•Two independent, timed, fader pairs used to playback recorded cues
•Chase function
•Support for the following optional accessories: Infrared Remote
Focus Unit, Real Time Clock, parallel printer, and Remote Go
provides the following features:
Chapter 1 Introduction1 - 3
Using this manual
This manual provides instructions for
optional accessories. The following chapters are included:
Chapter 1MicroVision FX
Introduction
Chapter 2
Installation
Chapter 3
Entering
softpatchMicroVision FX
and system
settings
Chapter 4
Tutorial
Chapter 5
Using print and
disk options
Chapter 6
Accessories
conventions, getting help, and customer
support.
Instructions for installing monitor and optional
accessories.
Instructions for entering system settings that
you are likely to change before using
beginning a new show.
Tutorial on working with cues and submasters,
including an overview of display and channel
modes.
Instructions on using printer and disk options.
Instructions on using
accessories.
MicroVision FX
capabilities, console and manual
for the first time or before
’s features and
MicroVision FX's
optional
Chapter 7
Reference
Appendix A
Error messages
Appendix B
Specifications
Appendix C
Keyboard
illustration
Description of console keys and menu options
in alphabetical order.
List of
explanation of each.
Technical specifications for
console.
Pull-out illustration of
MicroVision FX
error messages and an
MicroVision FX
MicroVision FX
keyboard.
1 - 4MicroVision FX
Text conventions
In this manual, console keys are indicated by square brackets, such as,
[Enter]. System messages are printed in boldface, such as, Selectchannel. References to other sections of the manual are printed in
italics, such as,
Chapter 1, Introduction
.
Pile-on convention
MicroVision FX
tion to determine levels for channels. Pile-on means that
reads all output levels it receives for a specific channel and sets that
channel to the highest of these levels. For example, a channel included
in a submaster and a cue will output at the higher of the two levels.
The only exceptions to
captured by the keyboard or fader wheel. Captured channel settings
override submaster and fader pair outputs. When you release captured
channels, they return to the level they were set at using pile-on
convention.
uses a pile-on convention rather than last-action conven-
MicroVision FX
MicroVision FX
’s pile-on convention are channels
Chapter 1 Introduction1 - 5
Getting help
Help screens are available for all
screens:
1. Press [Help].
2. Press any key on the console.
of the key you pressed. Help screens are not available for menu
options.
MicroVision FX
MicroVision FX
keys. To display help
displays a description
1 - 6MicroVision FX
Customer service
If you have problems with your console, please refer to the manual for
instructions.
If you do not find the answer in the manual, call your local dealer or ETC
Technical Services. Please have the following information available
before you call:
•Console model and serial number
•Software version
•Dimmer installation type
•Dimmer manufacturer
To reach the ETC Techinical Services department, call 800/775-4382
Monday through Friday, from 9:00 AM to 5:00 PM Central Standard
Time. After hours and weekend calls are answered electronically and
forwarded to a service representative.
Address all correspondence about the
Electronic Theatre Controls, Inc.
Customer Service Department
3030 Laura Lane
Middleton, WI 53562
MicroVision FX
to:
chapter 2
installation
This chapter includes set up instructions that you need to perform when
you install
Entering softpatch and system settings
the software settings that you will probably update before you begin a
new show.
This chapter includes the following installation procedures:
MicroVision FX
and any optional accessories.
includes instructions for entering
Chapter 3,
•Installing your
•Configuring your system
•Connecting dimmers
•Installing printer
•Installing Infrared Remote Focus Unit (IRFU)
•Installing Remote Go
•Connecting audio input
MicroVision FX
console and monitor
2 - 2MicroVision FX
MicroVision FX back panel
MIDI
outin
Analog Interface
DMX
IR
IR
Remote
Bus
PUSH
512
Printer
AMX
AMX
97-192
1-96
Audio
Serial Port
Remote go
CRT DISPLAY
RGBmonochrome
Power in
Chapter 2 Installation2 - 3
Installing your console and monitor
This section includes installation instructions for
connector and pinout specifications for the monitor. Follow these steps
to install your
1. Place console on a hard, stable, flat surface with at least six inches
of space behind it for ventilation and cable clearance. Console
should be at least six feet away from dimmers and high-current AC
lines.
Caution: Do not leave the console in a road case tray or on a soft
surface. This will inhibit proper ventilaion.
2. Verify that your dimmer connector pinout is correct for
FX
. Pinouts for several dimmer types are listed on pages 2 - 6 and
2 - 7. If your dimmer type is not listed, contact your dealer or ETC.
Caution: Your dimmer control common must be compatible with
console control common; they must either be the same level, or the
dimmer control common must float. Verify compatibility with your
dealer if you are not sure.
3. Locate the power switch at the back of the console, and turn it to
the Off position.
4. Insert the female end of the console power cord in the connector
labeled Power in on the back panel.
MicroVision FX
:
MicroVision FX
MicroVision
, and
5. Insert the male end of the console power cord in a grounded 120V
AC outlet. For 220V AC operation, consult ETC.
6. Insert the female end of the monitor power cord in the monitor
connector, and the male end of the monitor power cord in a
grounded 120V AC outlet.
7. Insert the video cable in the monitor. Connect the other end of cable
in the appropriate console connector listed below.
Digital RGB color monitorsDB-9 connector
TTL monochrome monitorsDB-9 connector
Composite monochrome monitors BNC connector
2 - 4MicroVision FX
8. Turn console and monitor power switches to their On positions.
9. Press [Setup].
10. Select 7, System settings, press [Enter].
System Settings Menu.
12. Select the proper setting for your monitor, either 1 for color, or 2 for
TTL or composite monochrome monitor.
displays Color/Monochrome Monitor selection menu.
Installing two monitors
You may want to install two monitors at the same time, one next to the
console and one at a remote location. Install one monitor using the DB9
video connector, and the other using the BNC video connector.
The color monitor should be located next to the console because the
length of the color cable is limited to about 10 feet. The monochrome
cable (RG59U) can be as long as 150 feet. Therefore, use the monochrome monitor at the remote location.
To connect dimmers, first determine which of the following connectors
are appropriate and insert dimmer cables in appropriate connectors.
Then follow the instructions below to select the proper output
protocol(s) from the System Settings Menu. If your console is appropriately configured,
control signals simultaneously.
Caution: Your dimmer control common must be compatible with console
control common; they must either be the same level, or the dimmer
control common must float.
To select the proper output protocols from the System Settings Menu,
follow these steps:
1. Press [Set Up].
2. Select 7, System settings, and press [Enter].
3. Verify that options 6, 7 and 8 indicate the proper dimmer settings for
your system.
MicroVision FX
can output digital, AMX192 and analog
Standard digital output protocols
DMX512 and D192 protocols are standard on
the correct protocol, select 6, Digital protocol, and press [Enter]. Enter
1 to select DMX512, or 2 to select D192.
Optional output protocols
AMX192 and analog are optional output protocols that must be installed
at the factory. For more information, contact ETC.
AMX192
AMX192 is either enabled or disabled at all times. To select the proper
setting for your system, select 7, AMX192, and press [Enter]. Then
select either 1 to enable, or 2 to disable AMX192 dimmers.
Analog outputs
Analog outputs are either enabled or disabled at all times. To select the
proper setting for your system, select 8, Analog outputs, and press
[Enter]. Then select either 1 to enable, or 2 to disable analog outputs.
MicroVision FX
. To select
Chapter 2 Installation2 - 7
Digital outputs (DMX512 and D192)
Connector
XLR 5-pin female
512 digital multiplex dimmers
Pinout
1Common
2Data (-) (DMX512 and D192)
3Data (+) (DMX512 and D192)
4Not used
5Not used
AMX192, CD80 analog multiplex output (optional)
Connector
XLR 4-pin male
(Either one connector for 192 outputs, or two connectors for 384
outputs; 192 outputs per connector)
Pinout
1Common (Earth ground)
2Clock (+)
3Analog data
4Clock (-)
Note: You can configure MicroVision FX for Strand CD80 Dimmer I and
Dimmer II cabling convention (maximum 192 ouitputs). Contact an
authorized dealer or ETC if you need more information on connecting to
CD80 racks.
The Infrared Remote Focus Unit (IRFU) allows you to set channel levels
and record or run cues from remote locations in your studio or theatre.
The IRFU can be used as either a wireless or wired remote control unit.
Used as a wireless remote control, the IRFU consists of two components; a transmitter and a receiver. The transmitter is a hand-held,
battery-powered unit that sends infrared control signals to the receiving
unit. The receiving unit is connected to the console via the connector
labeled IRFU on the back panel.
If you want to use the IRFU exclusively as a wired remote control, only
the transmitter is necessary. In this situation, the transmitter unit is
connected directly to the IRFU connector on the back panel. Power is
supplied by the console.
MicroVision FX
remote in some circumstances and a wired remote in others. To do this,
connect the receiver to the IRFU connector on the console's back panel.
When wireless, infrared control is appropriate, use the transmitter in its
wireless configuration. If wireless infrared control is not convenient,
connect the transmitter to the receiver unit by connecting it to the
connector on the receiver unit labeled I.R. Connector.
See following page for pinout information for all IRFU connections.
Whether you intend to connect the IRFU directly to the console, or use it
as a wireless unit, ETC must configure the IRFU interface at the factory.
also allows you to use the IRFU configured as a wireless
Chapter 2 Installation2 - 11
To install the IRFU on a properly configured
MicroVision FX
console,
follow these steps:
1. Verify that the receiver unit is properly connected to the console and
that battery in transmitter is good.
2. Press [Set Up].
3. Select 9, Options, and press [Enter].
4. Select 1, Remote focus, and press [Enter].
5. Enter 1 to enable, or 2 to disable, and press [Enter].
2 - 12MicroVision FX
IRFU receiver unit to console connector and pinout
Receiver connectorConsole connector
DIN 3-pin femaleDIN 5-pin female
PinSignalPin
1Ground1
2PPM data2
3+12V3
Not used4
Not used5
IRFU transmitter to console connector and pinout
Transmitter connectorConsole connector
LEMO series DB 3-pinDIN 5-pin female
FGG.1B.304.CNADxx
PinSignalPin
1Ground1
2WSI data4
3Charge current5
Not used2
Not used3
IRFU transmitter to receiver unit connector
and pinout
Transmitter connectorReceiver connector
LEMO series DB 3-pinDIN 5-pin female
FGG.1B.304.CNADxx
PinSignalPin
1Ground1
2WSI data4
3Charge current5
Not used2
Not used3
Chapter 2 Installation2 - 13
Installing Remote Go
A
MicroVision FX
a 25-pin connector on the back panel. The remote unit connects to the
MicroVision FX
tor cable with one twisted pair designated for each switch (Belden 9507
S-R PCV Insulated or Alpha 5477 80 Deg. C 300 V PVC). The cable
connector at the remote unit will vary depending on the unit itself.
Remote Go connector and pinout
Console connectorRemote connector
DB-25 femaleConnector type depends on
PinFunction
1- AB Hold
2- AB Go
3- AB Back
4- Cue 1
5- CD Hold
6- CD Go
7- Plus
8not connected
9not connected
10Common
11+ 12V DC
12not connected
13not connected
14+ AB Hold
15+ AB Go
16+ Back
17+ Cue 1
18+ CD Hold
19+ CD Go
20+ Plus
21not connected
22not connected
23Common
24+ 12V DC
25not connected
console configured for an optional Remote Go provides
console via a 24 AWG, aluminum-shielded, multi-conduc-
unit
2 - 14MicroVision FX
Installing audio input
MicroVision FX
audio input. See page 4 - 42 for more information on using audio inputs.
Follow the steps below to connect an audio input:
1. Insert the audio input cable into the connector labeled Audio on the
back panel of the console.
2. Check to be sure that the opposite end is properly terminated to the
audio source.
3. Verify that power is on for both the
source.
4. Start the chase running.
5. Use the rate pot to select Audio.
allows you to create chases and control chase rate with
Audio connector and pinout
Console connector
XLR 3-pin female
Pinout
1Common
2Audio in
3nc
MicroVision FX
and the audio
Chapter 3 Entering softpatch3 - 1
chapter 3
entering softpatch and
system settings
Before you begin creating cues for a show you should first create your
softpatch. The softpatch assigns individual dimmers to control channel
numbers. You can use a default one-to-one softpatch setup, or you can
assign groups of dimmers to channels. The softpatch display lets you
proportionally patch dimmers to channels.
System settings allow you to set default up and down fade times and
the level that the [Full] key enters for selected channels.
This chapter includes the following system setting instructions:
•Entering softpatch
•Setting default full level
•Setting default up and down fade times
3 - 2MicroVision FX
Entering softpatch
MicroVision FX
Softpatch gives you complete flexibility in assigning dimmers to control
channels.
Softpatch also allows you to proportionally patch individual dimmers to
channels to balance a wash or ensure that a specific lamp cannot be
brought above a specific level. For instructions see page 3 - 8.
If you are patching dimmers in a Strand CD80 dimmer rack, see page
3 - 11 for special instructions.
accommodates up to 512 dimmers on 125 channels.
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