E-MU Systems Orbit V2 Owner's Manual

Orbit V2
OPERATION MANUAL
E-mu Systems, Inc.
Operation Manual
• FI560 Rev. A
E-mu World Headquarters
E-mu Systems, Inc. U.S.A. P.O. Box 660015 Scotts Valley, CA USA 95067–0015 Telephone: 408-438-1921 Fax: 408-438-8612
Important Notice:
In order to obtain warranty service on your Orbit unit, the serial number sticker must be intact and you must have a sales receipt or other proof of purchase. If there is no serial number sticker on your Orbit, please contact E-mu Systems at once.
This product is covered under one or more of the following U.S. patents: 4,404,529; 4,506,579; 4,699,038; 4,987,600; 5,013,105; 5,072,645; 5,111,727; 5,144,676; 5,170,367; 5,248,845; 5,303,309; 5,317,104; 5,342,990; 5,430,244 and foreign patents and/or pending patents. Orbit is a registered trademark of E-mu Systems, Inc.
Europe, Africa, Middle East
E-mu Systems, Ltd. Suite 6, Adam Ferguson House Eskmills Industrial Park Musselburgh, East Lothian Scotland, EH21 7PQ Telephone: +44 (0) 131-653-6556 Fax: +44 (0) 131-665-0473
PRINTED AND MADE IN THE USA
WARNING: READ THIS FIRST!
IMPORTANT SAFETY INSTRUCTIONS
Use in countries other than the U.S.A. may require the use of a different line cord or attachment plug, or both. To reduce the risk of fire or electric shock, refer servicing to qualified service personnel. To reduce risk of fire or electric shock do not expose this product to rain or moisture.
GROUNDING INSTRUCTIONS
This product must be grounded. If it should malfunction or break down, grounding provides a path of least resistance for electric current, reducing the risk of electric shock. This product is equipped with a cord having an equipment-grounding conductor and a grounding plug. The plug must be plugged into an appropriate outlet properly installed and grounded in accordance with all local codes and ordinances.
DANGER
Improper connection of equipment grounding conductor can result in the risk of electric shock. Check with a qualified electrician or service personnel if you are in doubt as to whether the product is properly grounded. Do not modify the plug provided with this product — if it will not fit the outlet, have a proper outlet installed by a qualified technician.
CAUTION
If the 9090, Orbit V2 is rack mounted, a standard 19-inch open frame rack must be used.
USER-MAINTENANCE INSTRUCTIONS
1. Orbit should be kept clean and dust free. Periodically wipe the unit with a clean, lint free cloth. Do not use solvents or cleaners.
2. There are no user lubrication or adjustment requirements.
3. Refer all other servicing to qualified service personnel.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS
WARNING; When using electric products, basic precautions should always be followed, including the following:
1. Read all instructions before using Orbit.
2. To reduce the risk of injury, close supervision is necessary when Orbit is used near children.
3. Do not use Orbit near water — for example near a bathtub, washbowl, kitchen sink, in a wet basement, on a wet bar, or near or in a swimming pool.
This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
This symbol is intended to alert the user to the presence of uninsulated dangerous voltage within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
SAVE THESE INSTRUCTIONS
4. Orbit should be situated so that its location or position does not interfere with its proper ventilation.
5. Orbit should be located away from heat sources such as radiators, heat registers, fireplaces, stoves, or ovens.
6. Orbit should only be connected to a power supply of the type described in the operating instructions and as marked on the product.
7. This product, in combination with an amplifier, headphones, and speakers, may be capable of producing sound levels that could cause full or partial hearing loss or damaged equipment. Do not operate for long periods of time at high volume levels or at a level that is uncomfortable. Additionally, care must be taken when programming any of the filters contained herein using extreme operating parameters. This action could also produce signals which result in unacceptable high sound levels as noted previously. If you experience any hearing loss or ringing of the ears consult your physician.
8. Orbit may be equipped with a polarized line plug (one blade wider that the other). This is a safety feature. If you are unable to insert this plug into the outlet, do not defeat the safety purpose of the plug. Contact an electrician to replace your obsolete outlet.
9. The power supply cord of Orbit should be unplugged from the outlet when left unused for a long period of time.
10. Care should be taken so that objects do not fall and liquids are not spilled
into the enclosure of Orbit through openings.
11. The product should be serviced by qualified service personnel when:
A. The power supply cord has been damaged; or
B. Objects have fallen, or liquid has been spilled into the product; or
C. The product has been exposed to rain; or
D. The product does not appear to operate normally or exhibits a marked change in performance; or
E. The product has been dropped or the enclosure damaged.
12. All servicing should be referred to qualified service personnel.
SAVE THESE INSTRUCTIONS
INTRODUCTION & BASIC SETUP 1
CONTENTS
Introduction
............................................................................................... 3
Orbit Architecture..................................................................................... 4
Connection Instructions.......................................................................... 5
BASIC OPERATION 9
Main Controls
......................................................................................... 11
Selecting MIDI Channels ...................................................................... 12
Selecting Presets...................................................................................... 12
Adjusting Volume & Pan Position...................................................... 12
Beats/Song Mode ................................................................................... 13
Multi-Timbral Operation...................................................................... 17
About Orbit ..............................................................................................18
MASTER MENU 19
Enabling the Master Menu
.................................................................. 21
Master Tune ............................................................................................. 21
Transpose ................................................................................................. 22
Global Bend ............................................................................................. 22
Global Velocity Curve ............................................................................ 22
Mix Output............................................................................................... 24
MIDI Mode .............................................................................24
MIDI Mode Change ................................................................25
MIDI Overflow ........................................................................25
MIDI Enable ...........................................................................25
MIDI Bank Select ....................................................................25
MIDI Program Preset ........................................................................ 26
Preset Change ........................................................................27
MIDI Controller Assign.......................................................................... 27
X Factor Control .....................................................................................27
Tempo Control ........................................................................................28
Retrigger ...................................................................................................28
MIDI Footswitch Assign ........................................................................29
Send MIDI Data ...................................................................................... 30
Beats MIDI Out ....................................................................................... 31
User Key Tuning ...................................................................................... 31
Song Start/Stop ...................................................................................... 31
Global Tempo.........................................................................32
Beats Control..........................................................................32
CONTENTS
MASTER MENU (continued)
Beats Mode ............................................................................33
Demo Sequence ......................................................................33
Viewing Angle
....................................................................................... 34
PROGRAMMING BASICS 35
Modulation
.............................................................................................. 38
Modulation Sources ...............................................................39
Envelope Generators.............................................................................. 40
Low Frequency Oscillators ................................................................... 41
MIDI Patch ...............................................................................................42
Filter Modulation....................................................................43
What is a Filter? .....................................................................43
Parametric Filters....................................................................46
The Z-Plane Filter ...................................................................46
Orbit Signal Flow....................................................................48
Keyboard & Velocity Modulation ............................................49
Key Number............................................................................50
Velocity Curves .......................................................................50
Realtime Modulation ..............................................................51
MIDI Realtime Controls...........................................................52
Stereo Mix Outputs .................................................................54
EDIT MENU 55
Enabling the Edit Menu
........................................................................ 57
Preset Name ............................................................................................. 58
Primary Instrument ................................................................................ 59
Secondary Instrument ........................................................................... 59
Key Range ................................................................................................. 59
Primary Key Range................................................................................. 60
Secondary Key Range ............................................................................ 60
Coarse Tuning ......................................................................................... 61
Fine Tuning .............................................................................................. 61
Volume ...................................................................................................... 61
Pan ............................................................................................................. 61
Alternate Envelope On/Off ................................................................... 62
Primary Alternate Envelope Parameters........................................... 62
Secondary Alternate Envelope Parameters ...................................... 62
Delay.......................................................................................................... 63
Sound Start .............................................................................................. 63
Reverse Sound.......................................................................................... 63
EDIT MENU (continued)
CONTENTS
Solo Mode
................................................................................................. 64
Portamento Rate .................................................................................... 64
Chorus .......................................................................................................64
Crossfade Mode ...................................................................................... 65
Crossfade Direction ................................................................................ 66
Crossfade Balance ..................................................................66
Crossfade Amount ..................................................................67
Cross-switch Point ..................................................................................67
Primary Filter Type ................................................................................. 67
Primary Filter Cutoff & Q ..................................................................... 69
Secondary Filter Type ............................................................................69
Secondary Filter Cutoff & Q................................................................. 69
Auxiliary Envelope .................................................................................. 70
LFO 1 - Shape & Amount ..................................................................... 71
LFO 1 - Rate, Delay & Variation ..............................................71
LFO 2 - Shape & Amount ........................................................72
LFO 2 - Rate, Delay & Variation ..............................................72
Keyboard & Velocity Modulation Control ................................73
Realtime Modulation Control..................................................74
Footswitch Control................................................................................. 75
Pitch Bend Range....................................................................75
Pressure Amount .....................................................................................75
MIDI Controller Amount....................................................................... 75
Velocity Curve.......................................................................................... 76
Keyboard Center ..................................................................................... 77
Keyboard Tuning ....................................................................77
Mix Output Assign ................................................................................. 78
Preset Links............................................................................................... 78
Save Preset ............................................................................................... 79
STEP-BY-STEP 81
Linking Presets ........................................................................83
Editing Presets
......................................................................................... 84
Changing the Tuning of an Instrument ........................................... 84
Chorus....................................................................................85
Reversing the Instrument ........................................................85
Alternate Volume Envelope.................................................................. 86
Working with the Filter ......................................................................... 87
Using Orbit with a Sequencer ............................................................. 92
More Advanced Sequencing ................................................................92
CONTENTS
REFERENCE SECTION 95
Preset Listing ..........................................................................96
Instrument Listing.................................................................101
Beat Maps ............................................................................105
Technical Specifications ........................................................108
MIDI Specifications ...............................................................109
Warranty..............................................................................125
Index ....................................................................................126
INTRODUCTION
& BASIC SETUP
1Chapter 1: Basic Setup
Orbit V2 Operation Manual2
PHONES
VOLUME
C01 Vol127 Pan=P
1
068 vox:Jaxvox
BEATS
HOME/ENTER
CURSOR
MIDI
POWER
DATA
<>
EDITMASTER
ORBITING THE DANCE PLANET - V2
The Dance Planet is a cool place to be. With over 600 of the earth’s most cutting edge samples and the introduction of new rhythmic features, Orbit V2 blasts its way to the forefront as the dance music machine.
Orbit features 32 voices of polyphony, 640 presets (384 ROM, 256 RAM), and is 16 part multi-timbral. Edit and tweak Orbits sounds the way you like them by using its powerful filters, MIDI synced LFOs, and MIDIpatch modulation system. If thats not enough, Orbit is equipped with plenty of user-editable beats. These drum loops aren’t going to sound like everybody else, Orbit gives you the flexibility to alter them to fit your style.
INTRODUCTION
Orbit also gives you the ability to literally take these sounds apart and reassemble them into a limitless number of entirely new sounds, combining parts of one sound with another or with any of a selection of digital waveforms also stored in ROM. The dynamic multimode and morphing filters allow you to shape and mold your sound into new dimensions. And creating your own sounds is easy, thanks to Orbit's logical user interface.
Other features include 3 stereo outputs for individually processing sounds (also configurable as 6 polyphonic submixes with fully pro­grammable dynamic panning), integral sends and returns to allow the addition of external effects units without the need for a separate mixer, user definable alternate tuning, and of course, an extensive MIDI implementation.
In addition, when coupled with E-mu's Launchpad Performance Control- ler, Orbit becomes a self-contained interactive groove machine for the stage or studio. Check it out.
All of us at E-mu hope you have as much fun making music with Orbit as we had making it. And we can't wait to hear the music YOU make using it.
3Chapter 1: Basic Setup
ORBIT ARCHITECTURE
Bank Contents
128 RAM Presets
0
128 RAM Presets
1
128 ROM Presets
2
128 ROM Presets
3
128 ROM Presets
4
Orbit is organized as shown in the diagram below.
INSTRUMENT
PRIMARY
PRESET
SECONDARY
INSTRUMENT
The Preset is a complete set of all program parameters for a complete Orbit sound. The fully programmable user presets and the unalterable ROM presets are organized into five banks of 128 presets each.
BANKS 0 & 1 USER PRESETS BANKS 2 - 4 ROM PRESETS
• User Presets can be moved, erased or modified as desired.
• ROM Presets cannot be moved or altered unless they are first copied to a user location.
Each preset consists of one or more instruments. An instrument is a complete set of samples or a digital waveform which covers the entire keyboard range. An instrument can be assigned to each of the Primary and Secondary layers of the preset.
The primary and secondary layers are essentially two complete sounds stacked or placed adjacent to each other, which can be switched or crossfaded together in various ways.
Up to four presets can be Linked in order to have more than one preset on the keyboard at a time. The linked presets may overlap each other for layered sounds or be adjacent to each other to create keyboard splits.
PRIMARY
PRESET
SECONDARY
PRIMARY
PRESET
SECONDARY
PRIMARY
PRESET
SECONDARY
PRIMARY
SECONDARY
Orbit V2 Operation Manual4
PRESET
100-250VAC 50/60 Hz ~
Aux. or Tape In
MIDI Controller
(MIDI Keyboard, Sequencer, etc.)
Control
Pedal
E-MU SYSTEMS, INC.
Scotts Valley, California U.S.A.
WARNING: TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
Male RCA plug
to
Male Phono Plug
MIDI Out
MIDI
To
Main Outs
CONNECTION INSTRUCTIONS
SETUP #1 BASIC SETUP
The Headphone
Output is located
on the Front Panel
OUTPUTS
THRUOUTIN
R - SUB2 - L R - SUB1 - L R - MAIN - L
Mixer
Amp
MONO STEREO
Main Outs to Mixer In
The headphone output monitors the main outputs only.
The submix outputs do NOT feed into the headphone output.
• • • If Orbit does not seem to be responding correctly, make sure that both Orbit and your MIDI controller are set to the same MIDI chan­nel.
Speakers
Home Stereo
System
Home Studio
System
MIDI In
Orbit is controlled by MIDI messages received at the MIDI In connector. Connect the MIDI In of the Orbit to the MIDI Out connector of a MIDI controller such as a MIDI keyboard or MIDI percussion controller.
Outputs
Orbit is a high quality, stereo audio device. In order to reproduce its wide dynamic range and frequency response, use a high qual­ity amplification and speaker system such as a keyboard amplifier or home stereo system. A stereo setup is highly desirable because of the added realism of stereophonic sound. Headphones can be used if an amplifier and speaker system is not available. Plug stereo headphones into the headphone jack located on the left side of the front panel. The Right Main output jack serves as a mono output when the Left Main plug is not plugged in.
5Chapter 1: Basic Setup
CONNECTION INSTRUCTIONS
SETUP #2 STUDIO SETUP
MIDI Controller
(MIDI Keyboard, Sequencer, etc.)
MIDI Out
Computer
MIDI
Out
MIDI
OutInIn
Additional
MIDI
In
Devices
MIDI In
100-250VAC 50/60 Hz ~
E-MU SYSTEMS, INC.
Scotts Valley, California U.S.A.
WARNING: TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
MIDI Switcher
Out In
Out
MIDI
THRUOUTIN
R - SUB2 - L R - SUB1 - L R - MAIN - L
OUTPUTS
Sub 2 Outputs
Sub 1 Outputs
MONO STEREO
Main Outputs
MIDI In
In this setup, Orbit is controlled by MIDI messages received at the MIDI In connector which have been routed by a MIDI switcher. The MIDI switcher allows any MIDI controller such as a MIDI keyboard, MIDI wind controller or a computer to be easily connected.
MIDI Out
The MIDI Out jack is normally used to transmit program data to a computer or other device.
Outputs
Orbit has three sets of programmable stereo outputs; Main, Sub 1, and Sub 2. Specific Orbit presets (or MIDI channels) can be routed to one of these stereo pairs in order to be further processed or mixed separately.
Orbit V2 Operation Manual6
MIDI Controller
(Launchpad, MIDI Keyboard, Sequencer)
CONTROLLERS
EDIT PARAMETERS TRANSPOSE
C
OFF
C#
-OCT
+OCT
B
INC
SAVESELECT CONTROL
-2OCT
+2OCT
A#
D D#
A
-3OCT
+3OCT
E
G#
F
G
DEC
F#
PITCH
LAUNCH PAD
PERFORMANCE CONTROLLER
PERFORMANCE SELECT
SONG BANK PRESET
MIDI CLOCK
TRIGGERS
TRANSPORT
MODULATION
13 6810
TRIGGERS/TRANSPORT
RTZMODE
MIDI CHANNEL
1
16
2
15
3
14
4 5
13
6
12
11
7
8
10
9
PLAY
REC
STOPFFWDREW
11975421
MIDI Out
CONNECTION INSTRUCTIONS
SETUP #3 PERFORMANCE SETUP
Additional
MIDI
Devices
MIDI In
E-MU SYSTEMS, INC.
Scotts Valley, California U.S.A.
WARNING: TO REDUCE THE RISK OF FIRE
100-250VAC 50/60 Hz ~
OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
Sub Output Return
(To Main Output)
Tip Ring
To Effect From Effect
SEND/RETURN CABLE
Signal is sent out on tip of plug and
returned to main outputs via ring of plug.
MIDI
THRUOUTIN
R - SUB2 - L R - SUB1 - L R - MAIN - L
OUTPUTS
MONO STEREO
Send
Send/Return
Effect Device
Main Outs to Mixer In
MIDI In
Orbit is controlled by MIDI messages received at the MIDI In connector. Connect the MIDI In of Orbit to the MIDI Out con­nector of a MIDI controller such as E-mu's Launchpad, a MIDI keyboard, MIDI drum pads or a MIDI sequencer.
MIDI Thru
The MIDI Thru jack is used to connect additional MIDI devices onto the MIDI chain. MIDI Thru transmits an exact copy of the messages received at the MIDI In jack.
Outputs
The Sub 1 and Sub 2 output jacks on Orbit are stereo jacks. The tip of each jack (accessed when a standard phone plug is inserted) connects to the left or right output of that group.
7Chapter 1: Basic Setup
CONNECTIONS
If a stereo plug is inserted, the Ring of the stereo plug serves as a signal Return which sums into the Main outputs.
Therefore, the Sub 1 and Sub 2 jacks can serve as effect sends and returns in order to further process selected instruments and then return them to the main mix.
••• Inserting a standard mono phone plug halfway into the jack allows you to sum into the main outputs without a special cable.
The diagram shows the Sub 1 and Sub 2 jacks being used as send/ returns in order to further process selected Orbit presets without using the effects bus on the mixing board. In a pinch, the effect returns could also be used to sum additional instruments into the main outputs.
Output Section
L Bus
R Bus
Tip
Tip
Ring
Tip
Ring
RL
SUB 2
Tip
Ring
Ring
RL
SUB 1
RL
MAINS
The Sub 1 and Sub 2 jacks can be used as effect returns to the Main Outputs.
POWER UP!
The power switch is located on the right side of the front panel. Orbit and its MIDI controller may be turned on in any order. When power is applied, the liquid crystal display will light, indicating that Orbit is operating. You may have noticed that there is no 110/220 Volt power selector switch on Orbit.
ORBIT AUTOMATICALLY SWITCHES ITSELF TO THE PROPER LINE VOLTAGE.
Orbit V2 Operation Manual8
BASIC
OPERATION
Chapter 2: Basic Operation 9
BASIC OPERATION
Orbit V2 Operation Manual10
MAIN CONTROLS
BASIC OPERATION
VOLUME
CONTROL
VOLUME
PHONES
HEADPHONE
JACK
DISPLAY
C01 Vol127 Pan=P
1
068 vox:Jaxvox
MASTER MENU
SELECT
EDIT MENU
SELECT
EDITMASTER
HOME/ENTER
BEATS
HOME/ENTER
BUTTON
CURSOR
CONTROLS
<>
CURSOR
MIDI
MIDI
ACTIVITY
DATA
DATA ENTRY
CONTROL
Power Switch
Switches AC power to Orbit On and Off.
MIDI Activity LED
Indicates that MIDI data is being received.
Master Menu Select Button
The Master menu contains parameters that affect the entire machine, not just certain presets. An illuminated LED to the left of the button indicates that you are in the Master menu.
Edit Menu Select Button
The Edit menu is used when you want to change parameters of a preset. An illuminated LED to the left of the button indicates that you are in the Edit menu.
POWER
SWITCH
POWER
Home/Enter Button
The Home/Enter button is used to initiate a particular operation. The red LED to the left of the enter button flashes to let you know that Orbit is waiting for your response.
Cursor Controls
These buttons move the cursor to the next parameter on the display. (The cursor is a little flashing line underneath one of the parameters in the display.) Press either cursor control repeatedly until the cursor is underneath the desired parameter. The cursor can also be moved bi-directionally using the data entry control while the right cursor select button is being held down (i.e. Press and hold the right cursor button and turn the data entry knob).
Data Entry Control
The data entry control is a stepped, variable control which is used to change parameter values. The control increments or decre­ments the current value one unit with each click. This control incorporates acceleration (values advance faster if the control is turned quickly).
Volume Control
This is the master volume control for all audio outputs. Note: For maximum dynamic range, set this control to full level.
Chapter 2: Basic Operation 11
BASIC OPERATION
MIDI CHANNEL SELECTION
Press the cursor key repeatedly untiil the cursor is underneath the channel number. (The cursor is a little flashing line underneath one of the parameters in the display.) Rotate the data entry control to select MIDI channel 01-16. As the channel is changed, the display will change to show the preset, volume and pan associated with the displayed channel.
Volume
• If Orbit is not respond- ing properly or plays the wrong preset, make sure that both Orbit and your MIDI controller are set to the same MIDI channel and that the MIDI Volume is turned up.
For more information about MIDI, see MIDI Realtime Controls on page 52.
Bank Contents
128 RAM Presets
0
128 RAM Presets
1
128 ROM Presets
2
128 ROM Presets
3
128 ROM Presets
4
MIDI Channel
Program No.
C01 Vol127 Pan=P
0
000 Preset Name
Bank No.
Stereo Position Program Name
PRESET SELECTION
Press the cursor key repeatedly until the cursor is underneath the program number. (The cursor is a little flashing line underneath one of the parameters in the display.) As the data entry control is rotated, the preset number and name will change. The displayed preset will be assigned to the displayed MIDI channel. Programs are arranged into 5 banks of 128, as shown in the diagram at left. Banks can be selected independently of the of the program number by pressing the the Home/Enter button while turning the data entry knob.
C01 Vol127 Pan=P
0 Preset Name
00
MIDI Channel Parameters Preset Information
••• Channel Pan should normally be set to “P” unless realtime control of panning is desired. This will allow the programmed pan setting for each preset to be used.
CHANNEL VOLUME
Press the cursor key repeatedly until the cursor is underneath the volume value. Rotate the data entry control to select volume 000-127. (This is the same parameter as MIDI volume control #7, and changes made over MIDI will be shown in the display.)
CHANNEL PAN
Press the cursor key repeatedly until the cursor is underneath the pan value. Rotate the data entry control to select pan values -7 to +7 or P. When P is selected, the pan value specified in the preset is selected. Any other value will override the pan parameter in the pre­set. (This is the same parameter as MIDI pan control #10, and changes made over MIDI will be shown in the display.)
Orbit V2 Operation Manual12
BASIC OPERATION
BEATS MODE
Orbit contains a Beat Sequencer which can play any of 100 pre­programmed drum sequences called Beats. Any of Orbit's 640 presets can be used with any beat. The X-Factor control further multiplies the number of possible beat combinations by changing which instrument is assigned to each individual drum hit.
Beats can be also linked together to form Songs. Each song can have up to 10 steps and each step can be programmed to loop up to 64 times or loop indefinitely. Each step of a song can select a certain beat pattern, jump to another step in the song, or jump to the beginning of another song. Because of this jumping capability, songs can be made as complex as you like. Orbit holds a maximum of 28 songs which can be quickly and easily transferred to a MIDI sequencer for backup.
To Enter Beats or Song Mode
1. Press and hold both the Master button and the Edit button. The Beats menu shown below will appear and the Enter LED will be flashing.
2. Press the Enter button to Start the beat or song. The Enter LED will be solidly on and the Master and Edit LEDs will flash once each time the Beat pattern loops.
3. Press either cursor button and use the data entry control to select a new beat or song, change the tempo, transpose the sequence (X-Factor) or change the preset. Song numbers are located immediately after beat 99.
The Beat number can be selected remotely by using a MIDI Song Select com­mand. Beats mode can also be started and stopped via a MIDI Song Start and Stop command when the Beats screen is displayed.
There are four different Beats modes: Factory, 1:Constant Tempo, 2:Constant T, X, P 3:User Settings
See page 33 for details.
4. Press the Enter button again to Stop the beat or song.
5. Press and hold both the Master button and the Edit button again to return to the main screen. The song or beat will continue playing unless you stopped it using the Enter button. The Master and Edit LEDs will continue to flash, indicating Beats mode is On.
To Turn Beats Off - Return to the Beats menu and press Enter.
Beats mode plays the preset assigned to MIDI channel 16. If you are in Multi-mode, you can play along with beats mode on any of the MIDI channels.
B:03 T:120 X:+00 492 bts:Danzin
Chapter 2: Basic Operation 13
BASIC OPERATION
• MIDI Song numbers (0-127) can select either Beats (0-99) or Songs (100-127).
• Beats Mode Parameters
B: Selects the beat number. There are 100 different beats to choose
from.Unless the Master menu Beats mode is set to option 2:Con­stant T, X, P, the preset will change when you change the beat.
T: Sets the Tempo of the sequence. The tempo is variable from 1 beat-
per-minute to 255 bpm. Turning the tempo all the way down selects External Clock mode (Ext). In external clock mode, the tempo is derived from incoming MIDI clock pulses.
X: Selects the “X Factor or transposition interval. Rather than change
the pitch of the instruments, transposition shifts the keyboard position up and down. On Beats presets this has the effect of changing the instruments on each beat. By combining the various beats, presets and transpositions, you can create literally hundreds of thousands of different grooves. On presets where there is one sound stretched across the entire keyboard, transpose will transpose the pitch.
808 Kick
Snare
Chord
Scratch
1 324 1 324
Beat Same Beat
Lawn Mower
Synth Pad
Noise Burst
Deep Kick
Transpose +24
Transposing a beats preset shifts the keyboard and changes the sounds assigned to each beat.
SONG MODE
Song mode allows you to link beats together to form more complex and repeatable song structures. Orbit can record up to 28 songs of up to 10 events each, numbered E0 through E9.
Tempo
Beat/Song Select
Event No.
S:03 T:120 X:+00 E1 do B23 [01]
X-Factor No. of Times Played
Event Type
Orbit V2 Operation Manual14
• Song Mode Parameters
S: Selects the Song number from S00 to S27. Moving the data entry
control one increment past B99 selects the first Song (S00).
BASIC OPERATION
T & X: The Tempo and X-Factor can be edited for each event, but will
only be saved and recalled if the Beats Mode in the Master menu is set to 3:User Settings.
E: Selects the Event number. An Event can do one of the following
things:
• Play a particular Beat, a specified number of times.
S:00 T:120 X:+00 E1: do B:05 [10]
• GoTo a Previous Event, a specified number of times.
plays Beat 05, 10 times
S:00 T:120 X:+00 E2: to E1 [04]
• GoTo a particular new Song.
go back to event E1, play 4 times
S:00 T:120 X:+00 E2: to S05 [--]
• Stop the Song.
go to Song S05 NO REPEATS!
• See Beats Mode in the Master Menu for additional information.
Note: The first Event in a Song is always a
Play Beat Event.
Song Beats do not have to
begin at event 00. If you select Event 05 and press Enter, the Song will begin playing from event 5.
If the cursor is underneath the Song number, the Song will always begin at Event 0.
S:00 T:120 X:+00 E2: Stop [--]
[ ]: Number of times played from 1 to 64. Repeats are not allowed on
GoTo Song or Stop events. Moving the data entry control one increment past 64 selects Infinite Repeat [<>].
end of Song NO REPEATS!
Chapter 2: Basic Operation 15
BASIC OPERATION
Beat 21
Play [01]
E0
Beat 30
Play [01]
E1
Beat 62
Play [01]
E2
GoTo E0
Play [<>]
E3
Infinite Repeat
S22
• Song Examples
Because of the Repeat and Jump functions, Songs can be made as complex as you like. Remember to set Beats mode (in the Master menu) to 3:User Settings if you want the Song to play back your own Tempo, X-Factor and Preset settings.
The diagrams below show a few examples of how songs can be constructed.
S21
E0
Beat 07
Play [01]
E1
Beat 18
Play [01]
16 times
E2
GoTo E1
Play [16]
E3
Beat 48
Play [01]
E4
Beat 23
Play [01]
E5
Stop
Play [--]
In the above example, beat 7 plays once, and then beat 18 plays once. At event E2, the song jumps back and repeats E0 and E1. When events E0 and E1 have looped 16 times, the song moves on to step E3, E4, and E5, which stops the song.
In the above example, beats 21, 30 and 62 are simply repeated indefinitely until you turn off Beat/Song mode.
S23
E0
Beat 02
Play [01]
E1
Beat 51
Play [01]
E2
Beat 40
Play [01]
E3
GoTo S20
Play [--]
E0
S20
Beat 7
Play [01]
etc.
Jump to Song 20
Instead of jumping to a previous step, song 23 jumps to song 20 in the example above. This technique might be used to add a lead in to a previously stored song.
Orbit V2 Operation Manual16
MULTI-TIMBRAL OPERATION
Multi-timbral operation means that Orbit can play more than one sound at the same time. To access multiple presets on different MIDI channels simultaneously, follow these instructions:
1. Set the MIDI mode to MULTI-Mode, using the MIDI mode function in the Master menu (page 24).
2. Decide which MIDI channels you wish the Orbit to receive, and turn all other channels OFF using the MIDI Enable function in the Master menu (page 25). Up to 16 channels can be selected
simultaneously!
3. Select the desired preset for each of the MIDI channels you wish the Orbit to receive using the MIDI Channel/Preset selection screen (see previous instructions).
4. Orbit will now respond multi-timbrally on the MIDI channels you have specified. The volume and pan position parameters can be adjusted over MIDI (for each MIDI channel) or using the Cursor and Data Entry control in the MIDI Channel/Preset selection screen.
BASIC OPERATION
Channel 01
Channel 02
Channel 03
Channel 16
Each of the 16 MIDI channels can be assigned to play a specific Orbit preset.
Volume
Pan
Volume
Pan
Volume
Pan
Volume
Pan
PRESET
PRESET
PRESET
PRESET
Chapter 2: Basic Operation 17
BASIC OPERATION
ABOUT ORBIT
Orbit utilizes digital recordings of real instruments for the basis of its sound. This is similar to a tape recorder except that inside the Orbit, the sounds are permanently recorded on digital memory chips.
To perform this modern miracle, sounds and instrument waveforms are first digitally recordered or sampled. After the sounds and waveforms have been truncated, looped and processed, they are masked into the Orbit ROM (Read Only Memory) chips.
Conceptually, the sampling process is very simple, as shown in the Basic Sampling System diagram. As a sound wave strikes the diaphragm of a microphone, a corresponding voltage is generated. To sample the sound, the voltage level is repeatedly measured at a very high rate and the voltage measurements are stored in memory. To play the sound back, the numbers are read back out of memory, converted back into voltages, then amplified and fed to a speaker which converts the voltage back into sound waves. Of course, playing back 32 channels at different pitches tends to complicate matters, but this is basically how it works. In Orbit, we have left out the Analog/Digital converter stage since the sounds are already sampled for you.
Analog/Digital Converter
1011001
1011001
Basic Sampling System
Orbit
Memory
10100101001 01010010100 10101010100 10101001010
Z-Plane Filter Amplifier
3V
0V
-3V
Digital/Analog Converter
1011001
-1V -2V3V-1V-2V3V1V
Orbit V2 Operation Manual18
MASTER
MENU
Chapter 3: Master Menu 19
MASTER MENU
Orbit V2 Operation Manual20
The Master menu contains functions that affect the overall operation of Orbit. For example, changing the Master Tune will change the tuning of all the presets, not just the one currently displayed.
To enable the Master menu
Press the Master key, lighting the LED. The current screen will be the one most recently selected since powering up Orbit. The cursor will appear underneath the first character of the screen heading on line one.
To select a new screen
Press the cursor key repeatedly (or hold the right cursor key while turning the data entry control) until the cursor is underneath the screen title heading. Rotate the data entry control to select an-
other screen.
To modify a parameter
Press the cursor key repeatedly (or hold the right cursor key while turning the data entry control) until the cursor is underneath the parameter value. Rotate the data entry control to change the value.
MASTER MENU
To return to Preset Select mode
Press the Master key, turning off the LED.
MASTER MENU FUNCTIONS
Master Tune
Master Tune adjusts the overall tuning of all presets so that Orbit can be tuned to other instruments. The master tuning range is ± 1 semitone in 1/64th semitone increments. A master tune setting of 00 would indicate that the Orbit is perfectly tuned to concert pitch
(A=440 Hz).
MASTER TUNE +63
Chapter 3: Master Menu 21
MASTER MENU
Transpose
This function transposes the key of Orbit in half-step intervals by shifting the keyboard position relative to middle C.. The transpose range is ± 12 semitones or one octave.
TRANSPOSE +12 semitones
Global Bend
This function sets the range of the pitch wheel only when it is routed to control pitch. The maximum pitch bend range is ± 12 semitones. This function only affects presets which have their individual pitch bend range set to global.
GLOBAL BEND +/- 12 semitones
Global Velocity Curve
Incoming velocity data can be modified by a velocity curve in order to provide different types of dynamics in response to your playing or to better adapt to a MIDI controller. This function allows you to select one of eight global velocity curves or leave the velocity data unaltered (off). Global velocity curve only affects presets which have their individual velocity curve set to global.
GLOBAL VEL CURVE 8
Orbit V2 Operation Manual22
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