Elektron Analog Heat Mkii User Manual
Analog Heat MKII
Stereo Analog Sound Processor
User Manual
FCC compliance statement
This device complies with part 15 of the FCC rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and (2) this device must accept any interference
received, including interference that may cause undesired operation.
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device,
pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection
against harmful interference in a residential installation. This equipment generates, uses and can
radiate radio frequency energy and, if not installed and used in accordance with the instructions, may
cause harmful interference to radio communications. However, there is no guarantee that interference
will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit dierent from that to which the receiver is
connected.
• Consult the dealer or an experienced radio/TV technician for help.
Canada
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003
European Union regulation compliance statement
This product has been tested to comply with the Low Voltage Directive 2014/35/EU and the Electromagnetic Compatibility Directive 2014/30/EU. The product meets the requirements of RoHS 2 Directive
2011/65/EU.
Your product must be disposed of properly according to local laws and regulations.
Legal disclaimer
The information in this document is subject to change without notice and should not be construed as a
commitment by Elektron. Elektron assumes no responsibility for any errors that may appear in this document. Elektron may also make improvements and/or changes in the products and programs described
in this document at any time without notice. In no event shall Elektron be liable for any special, indirect,
or consequential damages or any damages whatsoever resulting from loss of use, data, or profits,
whether in an action of contract, negligence, or other action, arising out of or in connection with the use
or performance of this information.
IMPORTANT SAFETY AND MAINTENANCE INSTRUCTIONS
Please read these instructions carefully and follow the operating advice given here.
1. Do not use this unit near water.
2. Never use aggressive cleaners on the casing or the screen. Remove dust, dirt and fingerprints with a
soft, dry and non-abrasive cloth. More persistent dirt can be removed with a slightly damp cloth using
only water. Disconnect all cables before doing this. Only reconnect them when the product is safely dry.
3. Install by following the manufacturer’s instructions. Make sure you place the unit on a stable surface
before use.
4. Connect the unit to an easily accessible electrical outlet close to the unit.
5. When transporting the unit, use accessories recommended by the manufacturer or the original box and
padding.
6. Do not install near any heat sources such as radiators, heat registers, stoves, or any other equipment
(including amplifiers) producing heat.
7. Do not block the ventilation holes located on the bottom of the enclosure of the unit.
Make sure there is sucient air circulation in the room where the unit is kept.
8. This product, in combination with an amplifier and speakers or headphones, is capable of producing
sound levels that can cause permanent hearing loss. Do not operate for extended periods of time at a
high volume level or at a level that is uncomfortable.
9. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles,
and the point where they exit from the unit.
10. Use attachments/accessories specified by the manufacturer.
11. Unplug this unit during lightning storms or when it is not used for extended periods of time.
12. Refer all servicing to qualified service technicians. Servicing is required when the unit has been
damaged in any way, liquid has been spilled or objects have fallen into the unit, the unit has been
exposed to rain or moisture, does not operate normally, or has been dropped.
WARNING
To reduce the risk of fire, electrical shock or product damage:
• Do not expose the unit to rain, moisture, dripping or splashing and also avoid placing objects filled with
liquid, such as vases, on the unit.
• Do not expose the unit to direct sunlight, nor use it in ambient temperatures exceeding 35°C as this can
lead to malfunction.
• Do not open the casing. There are no user repairable or adjustable parts inside. Leave service and repairs to trained service technicians only.
• Do not exceed the limitations specified in the Electrical specifications.
SAFETY INSTRUCTIONS FOR THE POWER ADAPTER ELEKTRON PSU-3b
• The adapter is not safety grounded and may only be used indoors.
• To ensure sucient ventilation for the adapter, do not place it in tight spaces. To prevent the risk of electric shock and fire because of overheating, ensure that curtains and other objects do not prevent adapter
ventilation.
• Do not expose the power adapter to direct sunlight, nor use it in ambient temperatures exceeding 40°C.
• Connect the adapter to an easily accessible electrical outlet close to the unit.
• The adapter is in standby mode when the power cord is connected. The primary circuit is always active
as long as the cord is attached to the power outlet. Pull out the power cord to completely disconnect the
adapter.
• In the EU, only use CE approved power cords.
TABLE OF CONTENTS
. INTRODUCTION ....................................................................................7
. CONVENTIONS IN THIS MANUAL ............................................................ 7
. PANEL LAYOUT AND CONNECTIONS .......................................................... 8
. FRONT PANEL CONTROLS ..................................................................8
. REAR PANEL CONNECTIONS ...............................................................9
. FIRST STEPS WITH THE ANALOG HEAT MKII ................................................ 10
. CONNECTING THE UNIT .................................................................... 10
. SETTING THE INPUT SENSITIVITY LEVEL ..................................................10
. SETUP EXAMPLES .........................................................................11
3.3.1 ANALOG HEAT MKII AS AN EXTERNAL EFFECT ............................................11
3.3.2 ANALOG HEAT MKII AS A VST/AU PLUGIN USING OVERBRIDGE ............................11
3.3.3 ANALOG HEAT MKII AS A SOUND CARD ...................................................11
. SIGNAL FLOW .................................................................................... 12
. AUDIO SIGNAL FLOW ...................................................................... 12
. MODULATION SIGNAL FLOW .............................................................. 12
. THE USER INTERFACE .......................................................................... 12
. PRESETS .................................................................................. 12
5.1.1 LOADING A PRESET ....................................................................... 12
5.1.2 SAVING A PRESET ........................................................................13
. ACTIVE MODE ............................................................................. 13
. EFFECT CIRCUITS ......................................................................... 13
. FILTER TYPES ............................................................................. 13
. EQUALIZER ............................................................................... 13
. DRIVE ..................................................................................... 14
. WET LEVEL ................................................................................ 14
. DRY/WET .................................................................................14
. SETTINGS MENU .......................................................................... 14
. PARAMETER PAGES ...................................................................... 14
. PARAMETER EDITING .....................................................................14
. SCREEN INFORMATION ................................................................... 14
. OVERBRIDGE ............................................................................. 15
. THE SETTINGS MENU ........................................................................... 16
. INPUT SENSITIVITY ........................................................................16
. MODULATION ............................................................................. 16
. OPTIONS .................................................................................. 16
6.3.1 INTERNAL TEMPO ........................................................................ 17
6.3.2 ACTIVE AT START ........................................................................ 17
6.3.3 ANALOG IN/OUT .........................................................................17
6.3.4 KNOB MODE .............................................................................17
. CONTROL IN .............................................................................. 18
6.4.1 CONTROL IN A. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
6.4.2 CONTROL IN B ...........................................................................18
. MIDI ....................................................................................... 18
6.5.1 SYNC .....................................................................................18
6.5.2 PORT CONFIG ...........................................................................19
6.5.3 CHANNELS ..............................................................................19
TABLE OF CONTENTS
. SYSTEM ...................................................................................20
6.6.1 USB CONFIG ..............................................................................20
6.6.2 USB AUDIO CONFIG ......................................................................20
6.6.3 OS UPGRADE ............................................................................20
6.6.4 CALIBRATION ............................................................................20
. PARAMETER PAGES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
. AMP PAGE ................................................................................. 21
7.1.1 DRIVE .....................................................................................21
7.1.2 WET ......................................................................................21
7.1.3 DRY/WET .................................................................................21
7.1.4 VOL .......................................................................................21
. FILTER & EQ PAGE 1 ....................................................................... 21
7.2.1 FREQ .....................................................................................21
7.2.2 RESO ....................................................................................21
7.2.3 ENV ......................................................................................21
7.2.4 LFO ......................................................................................21
. FILTER & EQ PAGE 2 .......................................................................22
7.3.1 FRQPAN ..................................................................................22
7.3.2 DIRT .....................................................................................22
7.3.3 EQ LO ....................................................................................22
7.3.4 EQ HI .....................................................................................22
. ENVELOPE PAGE 1 .........................................................................22
7.4.1 MODE .....................................................................................22
7.4.2 ATK ......................................................................................23
7.4.3 REL ......................................................................................23
7.4.4 TRIG .....................................................................................24
. ENVELOPE PAGE 2 .........................................................................24
7.5.1 BASE .....................................................................................24
7.5.2 WIDTH ...................................................................................24
7.5.3 DEST1 ....................................................................................24
7.5.4 DEPTH1 ..................................................................................25
. LFO PAGE 1 ................................................................................25
7.6.1 SPEED ....................................................................................25
7.6.2 MULT .....................................................................................25
7.6.3 WAVE ....................................................................................25
7.6.4 START ....................................................................................25
. LFO PAGE 2 ................................................................................25
7.7.1 FADE ......................................................................................26
7.7.2 MODE ....................................................................................26
7.7.3 DEST1 ....................................................................................26
7.7.4 DEPTH1 ...................................................................................26
. TIPS & TRICKS ................................................................................... 27
. ADDING SATURATION TO THE HIGH REGISTER .............................................27
. PSEUDO-COMPRESSION ..................................................................27
8.3 STEREO PHASER EFFECT .................................................................28
9. STARTUP MENU .................................................................................29
9.1 TEST MODE ................................................................................29
9.2 EMPTY RESET .............................................................................29
9.3 FACTORY RESET ..........................................................................29
9.4 OS UPGRADE ..............................................................................29
5
TABLE OF CONTENTS
. TECHNICAL INFORMATION ...................................................................30
. CREDITS AND CONTACT INFORMATION .....................................................30
APPENDIX A: MIDI .................................................................................. 31
APPENDIX B: MODULATION SOURCES AND DESTINATIONS ................................32
INDEX ................................................................................................33
6
1. INTRODUCTION
. INTRODUCTION
Thank you for purchasing Analog Heat MKII. The Analog Heat MKII is a stereo analog sound processor with
many great features such as; 8 dierent analog eect circuits, an analog multimode filter, analog EQ, and
support for Elektron’s groundbreaking software suite Overbridge.
Its innovative combination of modern technology and tried and trusted ways of analog sound processing
lets you add sparkly brilliance, or grimy roughness, to any sound source. This updated version of the Analog
Heat features a new and bigger OLED screen, ultra-durable backlit buttons, and improved hi-resolution
encoders.
We wish you a happy analog experience. Have fun!
- The Elektron Team
. CONVENTIONS IN THIS MANUAL
We have used the following conventions throughout the manual:
• KEY NAMES
Written in uppercase, bold style and within brackets. For example, the key labeled “YES” is called [YES].
• KNOBS
Written in uppercase, bold, italic letters. For example, the knob “Preset/Data” is called PRESET/DATA.
• LED INDICATORS
Written in uppercase letters with angle brackets. For example, the pattern page LEDs are called:
<FILTER TYPE>.
• MENU NAMES
Written in uppercase letters. For example, the SETTINGS menu.
• PARAMETER NAMES, MENU OPTIONS
Written in uppercase bold letters for parameter names and certain menu options where you can make
settings or perform actions. For example, ATTACK.
• PARAMETER SETTING ALTERNATIVES
Written in uppercase letters. For example, OFF.
• SCREEN MESSAGES
Written in uppercase letters with quotation marks. For example, “INPUT LEVEL TOO HIGH!”
The manual uses the following symbols:
Important information that you should pay attention to.
A tip that makes it easier for you to interact with Analog Heat MKII.
Analog Heat MKII User Manual. This manual is copyright © 2018 Elektron Music Machines MAV AB. All reproduction
without written authorization is strictly prohibited. The information in this manual may change without notice. Elektron’s
product names, logotypes, titles, words or phrases may be registered and protected by Swedish and international law.
All other brand or product names are trademarks or registered trademarks of their respective holders. This manual for
Analog Heat MKII OS version 1.10 was last updated July 5, 2018.
7
2. PANEL LAYOUT AND CONNECTIONS
EQUALIZER
CHARACTER
FILTER
On/Off
Mid Drive
Rough Crunch
Classic Dist
Round Fuzz
High Gain
Enhancement
Saturation
Clean Boost
High
Low
Resonance
Dry/We t
Filter Type
Frequency
Wet Level
Drive
AMPAMP
ENVENV
LFOLFO
FLTR
& EQ
FLTR
& EQ
. PANEL LAYOUT AND CONNECTIONS
. FRONT PANEL CONTROLS
21
Out L/ R In L/ R Control In MIDI In MIDI Out
21
20
19
18
4
3
MIDI Thru
Sync A
Sync B
Stereo Analog Sound Processor
Analog Heat MKII
5
USB DC In Power
6
7
8
9
10
11
14151617
13 12
1. [FLTR & EQ] key accesses the FILTER and EQ parameter pages where you, among other things, can
select filter types and adjust the equalizer. Press twice to access the secondary page.
2. [ENV] key accesses the ENV parameter pages where you adjust the settings for the envelope generator/envelope follower. Press twice to access the secondary page.
3. [LFO] key accesses the LFO parameter pages where you set all things related to the Low-Frequency
Oscillator. Press twice to access the secondary page.
4. [SETTINGS] key accesses the SETTINGS menu. Contains both global settings and preset settings.
5. Screen.
6. PRESET/DATA Used for preset management and data entry.
7. [NO] key is used for exiting the current menu, backing to a higher level menu and negating.
8. [YES] key is used for entering sub-menus, selecting and confirming.
9. DATA ENTRY knobs. Used to set parameter values.
10. LOW and HIGH adjust the amount of low-end and high-end frequency content.
11. <FILTER TYPE> LEDs that indicate the current type of filter and also if the filter is on or not.
12. RESONANCE sets the resonance of the filter.
13. [FILTER TYPE] selects between the dierent filter types. Also, pressing both keys at the same time
toggles the filter on and o.
14. FREQUENCY sets the filter’s cuto frequency.
15. DRY/WET sets the balance between the unprocessed (dry) signal and the processed (wet) signal.
16. WET LEVEL sets the level of the processed (wet) signal.
17. DRIVE controls the amount of drive. This parameter increases the eect of the selected circuit type.
18. CIRCUIT SELECTOR chooses between the eight dierent types of eect circuits.
19. [ON] toggles the eect between active and bypassed.
20. [AMP] key accesses the AMP parameter page where you can set things such as drive amount and the
volume of the preset.
21. MASTER VOLUME sets the master volume for the L/R and Headphones outputs.
8
. REAR PANEL CONNECTIONS
2. PANEL LAYOUT AND CONNECTIONS
3
4
5 6 7
8 9
101 2
1. POWER, Switch for turning the unit on and o.
2. DC IN, Input for power supply. Use the included PSU-3b power adapter connected to
a power outlet.
3. USB, For connecting the unit to a computer. Used for MIDI control or Overbridge.
Connect to a computer host using the included A to B USB 2.0 connector cable.
4. MIDI THRU/SYNC B, Forwards data from MIDI IN. Can also be configured to send DIN sync to legacy
instruments. Use a standard MIDI cable to connect another MIDI unit in the chain.
5. MIDI OUT/SYNC A, MIDI data output. Can also be configured to send DIN sync to legacy instruments.
Use a standard MIDI cable to connect to MIDI In of an external MIDI unit.
6. MIDI IN, MIDI data input. Use a standard MIDI cable to connect to MIDI Out of an
external MIDI unit.
7. CONTROL IN A/B Inputs for an expression pedal, footswitch, or CV. Use 1/4” mono phone plug for
CV signals.
8. INPUT L (mono)/R, Audio inputs. Use either 1/4” mono phone plug (unbalanced
connection) or 1/4” (Tip/Ring/Sleeve) phone plug (balanced connection).
9. OUTPUT L/R, Main audio outputs. Use either 1/4” mono phone plug (unbalanced
connection) or 1/4” (Tip/Ring/Sleeve) phone plug (balanced connection).
10. HEADPHONES, Audio output for stereo headphones. Use 1/4” (Tip/Ring/Sleeve)
phone plug.
9
3. FIRST STEPS WITH THE ANALOG HEAT MKII
. FIRST STEPS WITH THE ANALOG HEAT MKII
. CONNECTING THE UNIT
Make sure you place the Analog Heat MKII on a stable support, such as a sturdy table with sucient cable
space. Before you start connecting the Analog Heat MKII to other units, make sure all units are switched o.
1. Plug the supplied DC adapter to a power outlet and connect the small plug to the 12 V DC connector
of the Analog Heat MKII unit.
2. Connect the audio source to INPUT L/R.
3. Connect the OUTPUT L/R from the Analog Heat MKII to your mixer or amplifier.
4. To process sound or control the Analog Heat MKII from a computer, connect a USB cable between
the computer and the USB connector of the Analog Heat MKII. You must also download and install the
Overbridge Suite to perform these actions.
5. If you want to use MIDI to control the Analog Heat MKII, connect the MIDI OUT port of the device you
wish to send data from to the MIDI IN port of the Analog Heat MKII. The MIDI THRU port duplicates
the data arriving at the MIDI IN port, so you can use it for chaining MIDI units together.
6. Switch on all units. Press the power switch located at the back of the Analog Heat MKII to switch it on.
. SETTING THE INPUT SENSITIVITY LEVEL
To make sure the Heat distorts as intended it is important to adjust the audio input sensitivity
level so that it matches the level of the sound source.
To make sure the Heat distorts as intended it is essential to set the audio input sensitivity so that it matches
the level of the sound source. (Note that the settings made here only aects the analog input and not the
digital input from Overbridge.) Use the audio input meter on the screen to monitor your audio input level and
follow these steps to set the input sensitivity level:
1. Connect your sound source to the IN L/R inputs of the Analog Heat MKII and make sure that the volume of the sound source is as loud as possible.
2. Press [SETTINGS] and the select INPUT SENSITIVITY. Keep an eye on the audio input meter and
change the input sensitivity until you find a setting where the bar reaches the vertical line but without
clipping. The message “INPUT LEVEL TOO HIGH” is displayed on the screen when the input level is
too high, and clipping occurs.
Optimal input level.
10
Too high input level.
3. Adjust the level at the sound source if needed.
3. FIRST STEPS WITH THE ANALOG HEAT MKII
Press + Hold to Save
EQUALIZERCHARACTER
FILTER
On/Off
Out L/R In L/R Control In MIDI In MIDI Out
Sync A
MIDI Thru
Sync B
USB DC In Power
Master Volume
Mid Drive Rough Crunch
Classic Dist
Round Fuzz
High Gain
Enhancement
Saturation
Clean Boost
HighLow
Preset/Data
Dry/Wet ResonanceFilter TypeFrequencyWet LevelDrive
Stereo Analog Sound Processor
Analog Heat MKII
AMP
FLTR
& EQ
ENV LFO
FLTR
& EQ
Press + Hold to Save
EQUALIZERCHARACTER
FILTER
On/Off
Out L/R In L /R Control In MIDI In MIDI Out
Sync A
MIDI Thru
Sync B
USB DC In Power
Master Volume
Mid Drive Rough Crunch
Classic Dist
Round Fuzz
High Gain
Enhancement
Saturation
Clean Boost
HighLow
Preset/Data
Dry/Wet ResonanceFilter TypeFrequencyWet LevelDrive
Stereo Analog Sound Processor
Analog Heat MKII
AMP
FLTR
& EQ
ENV LFO
FLTR
& EQ
Press + Hold to Save
EQUALIZERCHARACTER
FILTER
On/Off
Out L/R In L /R Control In MIDI In MIDI Out
Sync A
MIDI Thru
Sync B
USB DC In Power
Master Volume
Mid Drive Rough Crunch
Classic Dist
Round Fuzz
High Gain
Enhancement
Saturation
Clean Boost
HighLow
Preset/Data
Dry/Wet ResonanceFilter TypeFrequencyWet LevelDrive
Stereo Analog Sound Processor
Analog Heat MKII
AMP
FLTR
& EQ
ENV LFO
FLTR
& EQ
. SETUP EXAMPLES
The Analog Heat MKII is very well suited for use in both an analog setup and in a more digital environment.
Here are a couple of examples of how you can use the Analog Heat MKII. For more information about how
to set up Analog Heat MKII in dierent configurations, please see "6.3.3 ANALOG IN/OUT" on page 17.
3.3.1 ANALOG HEAT MKII AS AN EXTERNAL EFFECT
In this example, the Analog Heat MKII is used as an external eect to add color to the Elektron Octatrack
before the signal reaches the mixer.
3.3.2 ANALOG HEAT MKII AS A VST/AU PLUGIN USING OVERBRIDGE
Analog Heat MKII can also be used together with Overbridge to allow you to use the Analog Heat MKII
as a plug-in for analog distortion processing in your DAW.
USB
3.3.3 ANALOG HEAT MKII AS A SOUND CARD
Analog Heat MKII also functions as a 2 in/2 out sound card for your computer and can be used for both
recording and monitoring audio. At the same time you can, via Overbridge, use the eect to process
another set of audio signals.
USB
11
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