Electro-Harmonix Oceans 11 User Manual

OCEANS 11

Multifunction Digital Reverb

Congratulations on your purchase of the Electro-Harmonix OCEANS 11
Reverb, the compact digital reverb pedal that does it all. Splash your tone
with subtle ambience using classic Hall and Plate, or drench your guitar in
surreal soundscapes with Shimmer and Modulation. A newly developed

Spring algorithm faithfully emulates the iconic drip of vintage Fender®

reverb units. Unique and powerful polyphonic, dynamic, and auto­triggering reverbs inspire radical experimentation. Instantaneous control
of infinite reverb unleashes a torrent of sonic possibilities for a truly
unparalleled reverb experience.

- TABLE OF CONTENTS -

Getting started with OCEANS 11 2
Connections 2
Controls 2

Descriptions of Reverb Types 4
Mode Button Functionality 5
Footswitch Functionality 7
Summary Chart 8
Secondary Knob Functionality 10
Infinite Reverb Functionality 14

Warranty Information and FCC Compliance 16

1

- GETTING STARTED WITH OCEANS 11 -

1. Plug the supplied EHX9.6DC AC Adapter into the jack at the top of the

OCEANS 11.

2. Plug your guitar into the INPUT jack and plug the OUTPUT jack into

your amplifier.

3. Turn the 11-position Reverb Type knob to the HALL setting for a

classic warm reverb.

4. Set the decay time using the TIME knob, the reverb tone with the

TONE knob, and the reverb volume with the FX LVL knob.

- CONNECTIONS -

INPUT Jack – This ¼” jack is the audio input of the OCEANS 11. The

input impedance is 1M.

OUTPUT Jack – This ¼” jack is the audio output of the OCEANS 11. The
output impedance is 680.

INFINITE Jack – Connect an external momentary footswitch to this ¼”
jack. Press and hold the external switch to activate infinite reverb. The
infinite reverb wash will continue as long as the external switch is pressed.

The external switch should be normally open. Upon engaging the switch,
it should create a short circuit between the Tip and Sleeve of the plug.
See “Infinite Reverb Functionality” on page 14 for details on using infinite
reverb.

9V Power Jack – Plug the output of the OCEANS 11’s supplied EHX9.6DC
200mA AC adapter in the 9V power jack located at the top of the pedal.
The OCEANS 11 requires 150mA at 9VDC with a center-negative plug.

- CONTROLS -

FX LVL Knob – Controls the output volume of the reverb effect. When

this knob is at the minimum position, the output is only your dry signal.
As the knob is turned up, the reverb output increases in volume. As the

knob is turned past 2 o’clock, the dry signal decreases in volume. When

the knob is at the maximum position, only the effect is output.

TIME Knob – Usually controls the decay time of the OCEANS 11 reverb.
As this knob is turned clockwise, the reverb time gets longer and longer,
reaching infinite when the knob is as far as it will go.

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TONE Knob – Usually controls the tone or EQ of the reverb signal. As this
knob is turned clockwise, the sound of the reverb gets brighter. As you
turn TONE counter-clockwise, the sound of the reverb gets darker.

Reverb Type Knob – This knob is an 11-position rotary switch that
selects which of the OCEANS 11's reverb types is active. See “Descriptions
of Reverb Types” on page 4 for details on the reverb types.

MODE Button – This button cycles through the available modes of the
active reverb type. Each reverb type has a certain number of modes which
modify the behavior of the active reverb type. See “Mode Button
Functionality on page 5 for more details.

LED – The LED lights when the OCEANS 11 effect is active and shuts off
when in bypass mode. Its color and blinking pattern also indicate
information about the reverb mode, tap tempo delay, and infinite status.

See “Mode Button Functionality” on page 6, “Footswitch Functionality” on
page 8, and “Infinite Reverb Functionality” on page 14 for more details.

Footswitch – Press the footswitch to toggle the pedal between buffered
bypass and effect modes. When the pedal is in effect mode, the LED will
be lit. In most reverbs, the footswitch can also engage Infinite by pressing
and holding it down. Moreover, the footswitch can be used for tap tempo
in ECHO reverb. For more details see “Footswitch Functionality” on page
7 and “Infinite Reverb Functionality” on page 14.

TAILS Switch – The OCEANS 11 allows you to choose whether reverb
continues to play or stop immediately after the pedal is switched to
bypass. To control this, remove the OCEANS 11's bottom cover and locate

the small slide switch on the bottom of the board labeled “TAILS.” When

TAILS is set to ON, the reverb will continue to play after the pedal switched
to bypass, with the decay time set by the TIME knob. Anything you play
after entering bypass will not reverberate. If the pedal is set for infinite
decay time (i.e. TIME is set to maximum) the reverb will continue until
you turn TIME down or switch to a different mode.

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- DESCRIPTIONS OF REVERB TYPES -

HALL – a warm and versatile reverb algorithm modeled after a spacious

performance hall.

SPRING – a newly developed reverb capturing the iconic drip of a vintage

1962 Fender® 6G15 reverb unit. TIME behaves like DWELL on the
Fender® unit, so infinite reverberation is unavailable.

PLATE – an emulation of a smooth, bright metal plate reverb commonly
found in high-end recording studios during the 1960’s and 70’s.

REVRS – Reverse reverb – a rendition of the reverse reverb trick
commonly performed in studios. TIME controls the length of time between
playing a note and hearing its reverse reverb fade in.

ECHO – Reverb plus delay – a simple digital delay which feeds into a plate
reverb. Both TIME and the footswitch can control the time between
echoes, and TONE controls the feedback of the echoes.

TREM – Reverb plus tremolo – a classic, periodic volume envelope applied
to both the dry and wet mix of a hall reverb. TIME controls the LFO rate,
and TONE controls the LFO depth.

MOD – Modulated reverb – a lush combo of various modulations for
creamy rich reverb tails. TIME and TONE behave differently in each mode.
See “Mode Button Functionality” on page 5.

DYNA – Dynamic reverb – a dynamic trio of experimental reverb
algorithms: swell, gate, and duck. TIME behaves differently depending on
the mode. See “Mode Button Functionality” on page 5.

AUTO-INF – Auto infinite reverb – an inventive reverb that listens to your
playing and crossfades to a new reverb wash upon detection of newly­struck notes and chords. Works best with long decay times.

SHIM – Shimmer – a rich octave-shifted wash of harmony in a
reverberant cloud. TONE controls the frequency content of both the reverb
tail and octave-shifts.

POLY – Polyphonic reverb – two configurable bidirectional pitch-shifts
that add startling dimensionality to the reverb tail.

4

- MODE BUTTON FUNCTIONALITY -

Each reverb type on the OCEANS 11 has up to three unique modes of
operation. Pressing the MODE button cycles through these available
modes. The LED color – green, red, or orange – shows the current mode.
If the LED does not change color when pressing this button, the active
reverb type has only one mode. When you switch reverb types, the
OCEANS 11 will recall the last mode you were using in that reverb type.
Below is a description of the available modes in each reverb type. See the
chart on page 8 for a summary of these descriptions.

HALL – 1 mode available.

SPRING – 1 mode available.

PLATE – 1 mode available.

REVRS – 1 mode available.

ECHO – The mode button cycles through three subdivisions of your

tapped echo time. See “Footswitch Functionality” on page 7 for details on
using tap-tempo with ECHO reverb. In Green mode, the subdivision is ½
of your tapped echo time for an eighth-note rhythm. In Red mode, the
echo rhythm is your tapped quarter-note time. In Orange mode, the
subdivision is ¾ of your tapped echo time for a dotted-eighth note rhythm.
The LED blinks at the current tapped delay time. If the delay is set by the
TIME knob, the LED stops blinking and the mode button has no effect.

TREM – The mode button cycles through three LFO wave shapes. In
Green mode, the shape is a triangle. In Red mode, the shape is a square.
In Orange mode, the shape is a sine.

MOD – The mode button cycles through three different modulations. In
Green mode, a chorus and subtle vibrato are applied to the reverb. TIME
and TONE control chorus rate and depth, respectively. In Red mode,
flanging is applied to achieve a classic EHX flerb. TIME and TONE control
flerb rate and feedback, respectively. In Orange mode, the chorus and
flerb are combined. Orange mode remembers and applies the last-used
parameters of the individual chorus and flerb effects. TIME controls the
mix balance: fully counter-clockwise is only chorus, and fully clockwise is
only flerb. TONE is unused.

5

DYNA – The mode button cycles through three dynamic algorithms with
non-linear outputs. In Green mode, a Swell algorithm is selected that
suppresses note attacks and fades-in their reverb tails. TIME behaves
normally and controls the reverb decay. In Red mode, a noise gate is
selected that opens the reverb sound for only louder notes. TIME controls
the length of time the gate stays open once it’s been triggered. In Orange
mode, a ducking algorithm is applied which reduces the volume of the
reverb while notes are being played. TIME behaves normally and controls
the reverb decay.

AUTO-INF – 1 mode available.

SHIM – 1 mode available.

POLY – The mode button cycles through two sets of control parameters,

allowing for deep customization of the polyphonic reverb sound. In Green

mode, the reverb is in “interval edit mode” in which the secondary knobs

control the intervals of the two pitch shifts. In Red mode, the reverb is in
“mix edit mode” in which the secondary knobs command the mix balances
of the various signals.

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- FOOTSWITCH FUNCTIONALITY -

INFINITE REVERB

In most reverb types (see the chart on page 8 for which ones), infinite
reverb is instantaneously accessible by holding down either the internal
footswitch or an external footswitch connected to the INFINITE jack. This
makes the active reverb play in the background indefinitely while granting
access to a fresh, independently controllable reverb of the same type. For
more details, see “Infinite Reverb Functionality” on page 14.

TAP TEMPO

In ECHO reverb, the quarter-note echo delay can be set with tap tempo.
You can use either the built-in footswitch or an external tap tempo switch
connected to the INFINITE jack. Plugging in an external footswitch,

however, always disables the internal footswitch’s tap tempo functionality.

With either footswitch, you can achieve different rhythms using the MODE
button, per the ECHO reverb’s MODE descriptions on page 5. Tap twice at
your desired quarter-note tempo to lock in your tap time.

You can disable the internal footswitch’s tap tempo function. To

disable/enable internal tap tempo, unplug power from the OCEANS 11,
press and hold the footswitch, then plug power back in while holding the

footswitch (this will also disable/enable the internal footswitch’s infinite
reverb control, see “Infinite Reverb Functionality” on page 15). The LED

will slowly blink five times if tap tempo is turned off or will blink twice if
tap tempo is turned on. The OCEANS 11 saves your tap tempo
enable/disable setting until it is changed again, even if the pedal is
removed from power.

You can also reset the internal footswitch’s tap tempo to the factory

default setting of enabled by holding the footswitch when resetting

secondary knob settings. See step 3 in “Erasing Secondary Knob Settings”

on page 11.

KICKING THE SPRING TANK

In SPRING reverb, if “TAILS” is on (see “Controls” on page 3), quickly
double tap the internal footswitch to "kick" the emulated spring tank. If
an external footswitch is connected to the INFINITE jack, then you must
use that one instead of the internal one. This will send a loud bouncy jolt
through the OCEANS 11, as it would a real spring reverb unit.

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Reverb Type

MODE

Descriptions

LED Color

MODE Effect

TIME

HALL

---

Green

---

Reverb time

SPRING

---

Green

---

Reverb time

PLATE

---

Green

---

Reverb time

REVRS

---

Green

---

Reverb time

ECHO

Echo rhythm

Green

1/8

Echo time

Red

1/4

Orange

Dotted 1/8

TREM

LFO shape

Green

Triangle

LFO speed

Red

Square

Orange

Sine

MOD

Modulation type

Green

Chorus

Chorus rate

Red

Flerb

Flerb rate

Orange

Chorus + Flerb

Chorus/Flerb

mix

DYNA

Algorithm select

Green

Swell

Reverb time

Red

Gate

Hold time

Orange

Duck

Reverb time

AUTO-INF

---

Green

---

Reverb time

SHIM

---

Green

---

Reverb time

POLY

Parameter Control

Green

Interval edit

Reverb time

Red

Mix edit

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TONE

Secondary TIME

Secondary TONE

Infinite Reverb?

Reverb tone

Predelay time

Predelay feedback

Yes

Reverb tone

Spring length

Preamp drive

NO

Reverb tone

Predelay time

Predelay feedback

Yes

Reverb tone

Predelay time

Predelay feedback

Yes

Echo

feedback

Reverb time

Echo tone

Yes

LFO depth

Reverb time

Reverb tone

Yes

Chorus depth

Reverb time

Reverb tone

Yes

Flerb feeback

---

Reverb tone

Swell time

---

Yes

Release time

Threshold

NO

Release time

Threshold

Yes

Reverb tone

Crossfade time

between washes

Trigger sensitivity

NO

Reverb tone

Mod rate

Mod depth

Yes

Reverb tone

Shift interval #1

Shift interval #2

Yes

Dry/shifted mix

Shift #1/#2 mix

9

- SECONDARY KNOB FUNCTIONALITY -

The OCEANS 11 allows you to take even more control over the tone of

each reverb by accessing “hidden” parameters through Secondary Knob

Mode. Use the secondary knob parameters to fine tune the exact tone you
want, or push the OCEANS 11 into wild, unexpected sonic territory.

USING SECONDARY KNOB MODE

1. Turn the REVERB TYPE knob to the reverb you would like to edit.

Secondary knob functions are available for every reverb.

2. Press and hold the MODE button for 1 second. The LED will blink in

an on-on-off pattern to indicate that the OCEANS 11 is now in
Secondary Knob Mode.

3. Turn the TIME or TONE knobs to edit the secondary knob function for

that reverb type and its selected mode.

4. To exit Secondary Knob Mode, press and release the MODE button.

The LED will stop blinking. The reverb time and tone set by the TIME
and TONE knobs before entering Secondary Knob Mode are preserved
until those knobs are moved.

USING OTHER CONTROLS IN SECONDARY KNOB MODE

1. The FX LVL and REVERB TYPE knobs always function normally in

Secondary Knob Mode.

2. When using the TIME or TONE knob to set a secondary knob function,

the reverb time and tone that was set by those knobs before entering
Secondary Knob Mode are preserved.

3. The footswitch functions normally in Secondary Knob Mode. If the

footswitch is used to put the OCEANS 11 in bypass mode, Secondary
Knob Mode will remain active, and moving the knobs will change their
secondary knob functions. The LED will blink in a shorter version of
the Secondary Knob Mode pattern. If Infinite Reverb is engaged while
in Secondary Knob Mode, the positions of the secondary knobs will be
preserved for when Infinite Reverb is disengaged and the pedal
returns to Secondary Knob Mode. If tap tempo mode is enabled, you
can use the footswitch to tap in a new delay time as usual.

4. Secondary knob settings are preserved when switching away from a

particular reverb type and are preserved when power cycling the
OCEANS 11. When secondary knob functions are set in one reverb
type, they do not affect the secondary knob functions of another
reverb type (example: changing the modulation depth of MOD reverb
does not change the modulation depth of SHIM reverb).

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ERASING SECONDARY KNOB SETTINGS

1. To erase the secondary knob settings of a particular reverb, press and

hold the MODE button. Then, while holding MODE, press and hold the
footswitch for 2 seconds. The LED will blink quickly indicating that the
secondary knob settings of the current reverb have been reset to the
default factory settings.

2. To erase the secondary knob settings of every reverb and restore

them all to factory defaults, first unplug the OCEANS 11 from power.
Press and hold the MODE button. Then, while holding MODE, plug
power back in to the OCEANS 11. The LED will blink quickly, indicating
that all secondary knob functions have been restored to the factory
default.

3. To erase the secondary knob settings of every reverb and reset both

the tap tempo and infinite reverb functionalities of the internal
footswitch to the factory default, first unplug the OCEANS 11 from
power. Press and hold both the MODE button and the footswitch.
Then, while holding both, plug power back in to the OCEANS 11. The
LED will cycle through red, orange and green to indicate that the
OCEANS 11 has been restored to factory default secondary knob
settings, infinite reverb settings, and tap tempo settings.

SECONDARY KNOB FUNCTIONS BY REVERB TYPE

See the chart on page 8 for a summary of these secondary knob functions.

HALL – The TIME knob controls Predelay time from a minimum of 0 sec
to a maximum of 1 sec. Factory default position is off, at the fully counter­clockwise position. The TONE knob controls Predelay feedback. Factory
default position is zero, at the fully counter-clockwise position.

SPRING – The TIME knob selects spring length. The lowest third of the
knob’s travel selects 9.25-in. springs, the middle third selects 16.75-in.

springs, and the top third selects 24-in. springs. Factory default position
is 12 o’clock. The TONE knob controls a subtle amount of preamp drive
before the reverb circuit. Factory default position is 11 o’clock.

PLATE – The TIME knob controls Predelay time from a minimum of 0 sec
to a maximum of 1 sec. Factory default position is off, at the fully counter­clockwise position. The TONE knob controls Predelay feedback. Factory
default position is zero, at the fully counter-clockwise position.

REVRS – The TIME knob controls Predelay time from a minimum of 0 sec
to a maximum of 1 sec. Factory default position is off, at the fully counter-

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clockwise position. The TONE knob controls Predelay feedback. Factory
default position is zero, at the fully counter-clockwise position.

ECHO – The TIME knob controls the reverb decay time of each echo in
every mode. Factory default position is fully counter-clockwise for no
reverb. The TONE knob controls the tone damping of the echo in every
mode. Factory default position is 12 o’clock.

TREM – The TIME knob controls the reverb decay in every mode. Factory
default position is 12 o’clock. The TONE knob controls the reverb tone in
every mode. Factory default position is also 12 o’clock.

MOD – The TIME knob controls the reverb decay in every mode. Factory
default position is 2 o’clock. The TONE knob controls the reverb tone in
every mode.

DYNA – In green mode (Swell), the TIME knob controls the time it takes
for the reverb swell to fully bloom, and the TONE knob has no secondary
functionality.

In red mode (Gate), the TIME knob controls the length of time it takes for
the noise gate to close, and the TONE knob controls the input volume
threshold at which the noise gate triggers and opens.

In orange mode (Duck), the TIME knob controls the length of time it takes
for the volume reduction to fade back to normal volume, and the TONE
knob controls the input volume threshold at which the ducking is triggered.

AUTO-INF – The TIME knob controls the time it takes to crossfade
between subsequent reverb washes. Longer times are achieved by turning
the knob clockwise. Factory default position is 10 o’clock. The TONE knob
controls the sensitivity of the detection trigger. Turning the knob clockwise
makes AUTO-INF more sensitive and more likely to trigger a new reverb
wash with quieter notes. Factory default position is 1 o’clock.

SHIM – The TIME knob controls the modulation rate, from 0 Hz to 8 Hz.

Factory default position is 10 o’clock. The TONE knob controls the
modulation depth. Factory default position is 10 o’clock.

POLY – In green mode (interval edit), the TIME knob controls the
semitone shift interval of the first pitch shifter, ranging from down one
octave at the fully counter-clockwise position to up one octave at the fully
clockwise position. No shift occurs at 12 o’clock. The factory default

12

position is 2 o’clock for a shift upwards of a perfect fifth. The TONE knob

controls the semitone shift interval of the second pitch shifter, over the
same range. The factory default position is fully counter-clockwise for a
downwards shift of an octave.

In red mode (mix edit), the TIME knob controls the volume balance of the
unshifted and shifted signals before they enter the reverb. A fully counter­clockwise knob corresponds to a fully unshifted mix, while a fully clockwise
knob corresponds to a mix of only the shifted signals. Factory default is
fully clockwise. The TONE knob controls the volume balance of the two
shifted signals. Using the factory default shift intervals as an example, the
counter-clockwise extreme of the TONE knob mixes 100% of the upward
perfect fifth and 0% of the downward octave, while the clockwise extreme
mixes the opposite: 0% of the upward perfect fifth and 100% of the
downward octave. Factory default is 12 o’clock for a 50% mix of each
interval shift.

13

- INFINITE REVERB FUNCTIONALITY –

In most OCEANS 11 reverb types, infinite reverb is accessible. Infinite
reverb increases the decay time of the currently-selected reverb to infinite

and redirects the musician’s playing to a fresh reverb of the same type.

Infinite reverb also disables the MODE button and overrides the TIME and
TONE knobs such that they respectively control the TIME and TONE knobs
of the fresh reverb. This allows you to sculpt the fresh reverb sound to
your liking without altering the infinite reverb in the background.

USING INFINITE REVERB

1. Decide which footswitch to use for controlling this feature. You can

use either the internal footswitch or an external footswitch connected
to the INFINITE jack. Plugging in an external footswitch, however,
always disables the internal footswitch’s infinite reverb functionality.

2. If using the internal footswitch, ensure that the internal “TAILS” switch

is ON; infinite reverb is inaccessible when this switch is OFF. If using
the external footswitch, however, infinite reverb can be engaged
regardless of whether TAILS is on or off.

3. Press and hold down the footswitch for more than 350 milliseconds.

The LED will quickly cycle green, red, then orange to indicate that
infinite reverb is engaged.

4. To exit infinite reverb, release the footswitch. The pedal will return to

the state it was in before engaging infinite reverb.

USING OTHER CONTROLS WITH INFINITE REVERB

1. The FX LVL and Reverb Type knobs always function normally when

Infinite Reverb is engaged.

2. When using the TIME or TONE knob to sculpt the fresh reverb sound,

the infinite reverb’s time and tone that was set by those knobs before
engaging infinite reverb are preserved.

3. As long as infinite reverb is accessible, it can be engaged regardless

of whether the OCEANS 11 is in Secondary Knob Mode.

4. When entering infinite reverb, the OCEANS 11 preserves its TIME and

TONE knob values. If the overriding TIME and TONE knobs are moved
while infinite reverb is engaged, and infinite reverb is then
disengaged, the original TIME and TONE knob values will be recalled
unless they are moved again.

5. After disengaging infinite reverb, the fresh reverb will continue to play

according to the decay rate and tone specified by the overriding TIME
and TONE knob values. Additionally, these values are preserved for
the next time infinite reverb is engaged. Changing reverb types or

14

bypassing the pedal won’t reset the preserved TIME and TONE values.
Power-cycling the OCEANS 11, however, will.

You can disable/enable the internal footswitch’s infinite reverb
functionality. To do so, unplug power from the OCEANS 11, press and hold
the footswitch, then plug power back in while holding the footswitch (this
will also disable/enable the internal footswitch’s tap tempo control, see
“Footswitch Functionality” on page 7). The LED will slowly blink five times
if infinite reverb is turned off or will blink twice if infinite reverb is turned
on. The OCEANS 11 saves your infinite reverb enable/disable setting until
it is changed again, even if the pedal is removed from power.

You can also reset the internal footswitch’s infinite reverb functionality to
the factory default setting of enabled by holding the footswitch when
resetting secondary knob settings. See step 3 in “Erasing Secondary Knob
Settings” on page 11.

– FCC COMPLIANCE –

Note:

This equipment has been tested and found to comply with the limits for a Class B digital device,
pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against
harmful interference in a residential installation. This equipment generates, uses and can radiate radio
frequency energy and, if not installed and used in accordance with the instructions, may cause harmful
interference to radio communications. However, there is no guarantee that interference will not occur in
a particular installation. If this equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment off and on, the user is encouraged to try to correct
the interference by one or more of the following measures:



Reorient or relocate the receiving antenna.



Increase the separation between the equipment and receiver.



Connect the equipment into an outlet on a circuit different from that to which the receiver is
connected.



Modifications not expressly approved by the manufacturer could void the user's authority to operate the
equipment under FCC rules.

Consult the dealer or an experienced radio/TV technician for help.

15

- WARRANTY INFORMATION -

Please register online at http://www.ehx.com/product-registration or
complete and return the enclosed warranty card within 10 days of
purchase. Electro-Harmonix will repair or replace, at its discretion, a
product that fails to operate due to defects in materials or workmanship
for a period of one year from date of purchase. This applies only to original
purchasers who have bought their product from an authorized Electro­Harmonix retailer. Repaired or replaced units will then be warranted for
the unexpired portion of the original warranty term.

If you should need to return your unit for service within the warranty
period, please contact the appropriate office listed below. Customers
outside the regions listed below, please contact EHX Customer Service for
information on warranty repairs at [e-mail] or [phone].
USA and Canadian customers: please obtain a Return Authorization
Number (RA#) from EHX Customer Service before returning your
product. Include  with your returned unit  a written description of the
problem as well as your name, address, telephone number, e-mail
address, RA# and a copy of your receipt clearly showing the purchase
date.

United States and Canada

EHX CUSTOMER SERVICE
ELECTRO-HARMONIX
c/o NEW SENSOR CORP.
55-01 2ND STREET
LONG ISLAND CITY, NY
11101

Tel: [phone]
Email: [e-mail]

Europe

JOHN WILLIAMS
ELECTRO-HARMONIX UK
13 CWMDONKIN TERRACE
SWANSEA SA2 0RQ
UNITED KINGDOM

Tel: [phone]
Email:

[e-mail]

To hear demos on all EHX pedals visit us on the web at www.ehx.com

Email us at [e-mail]

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