Eden World Tour 1205 Operation Manual

THE LEADER IN BASS AMPLIFICATION.
World Tour 1205
Bass Guitar Amplifier
Operation Manual
Never Compromise
©09-20-2005 by U.S. Music Corp.
Bass Guitar Amplifier
WT1205
OPERATION MANUAL
Publishing Date 09-20-2005
FORWARD
Congratulations on the purchase of your new Eden World Tour Integrated Amplifier System. All of us at Eden are totally committed to providing you with the very best bass guitar systems in their class. Our goals are to offer you the outstanding performance quality of a top-notch, professional bass amplification system at a reasonable price point, and to make World Tour amplifiers the most musical and reliable Bass amplifiers available.
This manual will cover all domestic and international versions of the WT1205 integrated amplifier.
The WT1205 delivers 325 watts RMS output @ 8 Ohms, 500 watts @ 4 Ohms and 600 watts @ 2 Ohms with both channels driven. In Bridge Mode, it delivers 1000 Watts RMS @ 8 Ohms, and 1200 watts @ 4 Ohms. Both modes of operation have +3dB of headroom. This amplifier offers two independent channels and features a thermostatically-controlled, active cooling system with built-in thermal safeties.
You have purchased what we feel is one of the finest bass amplifiers in the world. The new pre-amplifier section, with its familiar Eden Enhance control and powerful new tone control system are coupled to a studio quality compressor. The new automatic Dynamic Booster for low and high frequencies, along with tone bypass, selectable DI and a gentle auto­compression circuit, allow you to achieve a wide array of sounds. This compact, rack mountable package houses modular circuits made with superior components and designed for years of trouble-free service.
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The Eden World Tour products group is the result of our quest for ultimate bass tone and maximum reliability. Your new World Tour Amplifier was designed, engineered and manufactured equivalent to aircraft vibration standards and housed in a one-piece aluminum case with steel top to ensure maximum reliability. The modular design allows quick repair in the field should such a need arise.
The Eden line of World Tour amplifiers is the result of our research and development in combining high performance and compact size. Just as a skilled craftsman needs good quality tools that won't let him down on the job, so does a good musician. We hope you enjoy the tool we’ve created for you. Have fun; play low!
Please read this manual in its entirety before operating your new amplifier. Failure to do so could result in misuse or damage. We’ve taken the time to write it, which was a lot longer than the time it will take for you to read it. Help us help you by taking a few moments to learn how to properly use your new amp. You’ll be glad you did!
CAUTION!
Your ears are your most important piece of equipment. Unfortunately, they cannot be replaced as easily as your other gear. Please take the following warning seriously.
This product, when used in combination with loudspeakers and/or additional amplification may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate at high volume levels or at a level that is uncomfortable. If you experience any discomfort or ringing in the ears or suspect hearing loss, you should consult an audiologist.
Thank you for your purchase of an Eden bass guitar product. This unit has been designed and constructed to give you years of trouble-free service.
Please take the time to review this manual
and to send in your warranty registration card.
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FRONT PANEL FEATURES
Input Jacks – Designed to accept a standard ¼ inch mono phone plug. For
best results use a high quality shielded cable to connect your instrument to the amplifier. Both inputs are buffered and will handle standard passive, high level active, and piezo input signals. Both jacks can be used simultaneously with a single stereo instrument, or to connect two separate instruments. If using two instruments, you can select which channel is active via the front panel switch or the included foot controller.
Mute switch – Mutes all the outputs except the Tuner Out, allowing for silent tuning. Lead singers and guitarists love this feature! The indicator between the two Inputs lights up when Mute is ON.
Turbo Boost Switch – By pushing the Turbo Boost Switch IN, you engage a +6dB gain boost. This is great for solos, or when the guitarist cranks up his amp.
Single Channel Select – Use this switch to select Channel 1 or Channel 2 from the front panel.
Dual Channel Select – Engage this switch when using a stereo instrument. When engaged, this disables the Single Channel Select switch.
Gain Controls – Regulate the first gain stage of the preamplifier and controls the amount of signal available to the system.
Turbo Boost Indicators – Lights to indicate that the unit is in Turbo Boost mode.
Clip Indicators – Flashes to indicate clipping anywhere in the system. Clipping is a Very Bad Thing and will degrade the quality of your sound. Therefore, this indicator should never be lit up.
Compressor Controls – These adjust the threshold level of the compressor. The ratio is fixed at an optimum point for Bass reproduction. Each channel has its own compressor so that you can set compression individually. To disable the compressors, turn the controls fully counter-clockwise.
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Compressor Active Indicators – Light to indicate that the signal has crossed the threshold of the compression circuit and that compression is taking place.
Enhance Controls – Called the “Magic Knob” by some, this complex control simultaneously boosts the very low bass, upper middle, and high frequencies while putting a dip in the lower middle frequencies. It is flat when set to its minimum level (fully counterclockwise).
Tone Control Sections - These controls allow you to boost or cut the tone at the desired frequency. All controls provide 15dB of boost or cut and are FLAT in the 12:00 position. The spacing allows the controls to interact smoothly and musically. From left to right, the controls are:
Channel One:
Bass – Centered at approx. 30Hz.
Low Midrange Control – Centered at 550Hz. portion of the sound
envelope and can be critical to getting your sound right. The body of the Bass Guitar sound is in the Midrange.
High Midrange Control – Centered at 2.2KHz. Another useful control for tailoring the Midrange, which is where the body of the Bass Guitar sound is found.
Treble – Centered at 11KHz.
Channel Two:
This channel is slightly different, in that it features sweepable Midrange. The Level knob sets the amount of boost or cut; the Frequency knob adjusts the center frequency from 250Hz to 2.5KHz. We’ll talk more about this later.
Dynamic Boost – Immediately to the right of the Treble controls for each channel you will find two switches labeled Bass and Treble. These engage the Dynamic Boost. This feature allows the extreme lows and highs to be adjusted to the ear’s relative loudness curve (Fletcher-Munson curve). This ensures the bass will sound full and solid even at very low playing levels.
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We recommend you engage these switches at low volumes so that your sound remains consistent at any volume. At higher volume levels they aren’t needed but you may want to use them as a matter of taste. Because we strongly support Freedom of Choice, we’ve incorporated these two switches into our design. (You’re welcome.) Indicator lights to the outsides of the switches let you know when the boost circuits are engaged.
AUX In – Blends the amount of Aux Input with the main inputs.
D.I. Level Control – Sets the level of the DI sends (located on the rear
panel).
Balance Control – Allows the user to adjust the balance between two speakers of differing sensitivities. Always set this control to the center position (12:00) when using the amplifier in Mono Bridge mode.
Master Level Control – Adjusts overall system output and stage loudness.
D.I. Select – Allows the user to send the D.I. before (PRE position) or after
(POST position) the Tone Control section. Some users like to send a signal unmodified by their tone settings to either a recording console or main PA system. We’re really into the whole Freedom of Choice thing, so we thought we’d let you decide which you prefer. The indicator is lit when in the POST position.
NOTE: Our proprietary AutoMix technology automatically selects the active channel and sends that to the board. If you are operating a stereo instrument, both channels will be summed and sent to the board.
Bridge Mono Select – The WT1205 has two separate amplifiers. They can be used in Dual Mono or Stereo Mode, or can be bridged together to create one, high-power amp. To engage Bridge Mono operation, depress this switch. The indicator light will come on when in this mode.
NOTE: Choose the mode of operation while the amplifier is OFF.
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Mains On/Off Switch – This switch turns the system power ON or OFF. The switch illuminates to indicate the presence of AC power present in the chassis. This switch is prior to the fuse. The switch light can be on even if the fuse is blown. The light in the switch may flicker depending on local voltage conditions. This is normal and nothing to be concerned about.
DC Power On Indicator – Lights to indicate that there is power throughout the entire amplifier.
Output Limit Indicators – Light to indicate activity of the power amplifier limiting circuits, which protect the speaker system(s) from severe distortion. These LEDs indicate that the amplifiers have reached their maximum output level.
REAR PANEL FEATURES
Amplifier Power Rating:
In Dual Mono or Stereo Mode, with both channels driven:
325 watts RMS @ 8 Ohms 500 watts RMS @ 4 Ohms 600 watts RMS @ 2 Ohms
In Mono Bridge Mode:
1000 Watts RMS @ 8 Ohms 1200 Watts RMS @ 4 Ohms
All modes of operation have +3dB of headroom. This means that the maximum output is twice the RMS rating.
Note: Our new D610XLT is rated at 6 Ohms and is rated at 1050 Watts RMS. When connecting this cabinet to the WT1205 in Bridge Mode, it will receive approximately 1100 Watts RMS, which is a near-perfect match.
Combination Power Cord Jack and Fuse Holder – The removable power cord is attached here. To access the fuse holder, pull the holder out of the top of the power receptacle. Your unit was shipped with a spare fuse inserted in the fuse carrier. USE ONLY THE SAME SIZE AND TYPE FOR
REPLACMENT. Using a fuse with a different rating than specified is a VERY BAD THING and can cause damage to your amplifier.
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