Dynacord Compact Mixing System User Manual
English
In a world of over-abundance and mass production quality,
functionality and design are still decisive factors. We at
DYNACORD develop and produce best-in-class products
(‘Made in Germany’) that provide only positive experiences
for our users, bringing them many years of pleasure in dayto-day operation.
Continuous, authentic application testing of all products
ensure comprehensive configuration, and precise operation
of every feature.The highest possible performance and
reliability of our products, and the absolute satisfaction of
our customers are our highest precepts.
Until now, the only way to transmit signals in the highest audio
quality between signal sources and power amplifiers was through
the use of professional (and expensive) stand-alone systems. Mixing
consoles, effects devices and signal processors make up todays
typical, all-purpose, professional mixing systems. However, the
challenge of properly configuring and operating such systems is
unrealistic for many, and the complexity and time involved with set up
and cabling is unmanageable for most.
The new CMS 1000 / CMS 1600 / CMS 2200 Compact Mixing
Systems from DYNACORD are conceived as all-in-one solutions,
easily transported and swiftly made ready for use. For the first time,
customers are being offered a unit combining a substantial-infeatures, yet superb-in-sound quality mixer with professional quality,
digital studio effects devices, graphic equalizers and a multitude of
other problem-solvers- Ease of operation the basic user will
appreciate, and the responsiveness a discerning professional
demands.
The CMS 1000 / CMS 1600 / CMS 2200 represent the ideal
‘complete solution’ for driving active loudspeaker systems as
well as all possible combinations of power amplifiers and loudspeaker enclosures. Typical applications range from live music
situations to the rental business, high-quality fixed installations
in the catering sector, schools, and professional multi-media installs.
Yes, we made it !
The discrete microphone preamps in the input channels offering
audio quality of the very finest, a 60 dB gain range, and
extremely low levels of noise and THD, set new standards in
professional mixing equipment, whilst phantom power
(switchable in groups of six channels), 3-band semi-parametric
EQs with sweepable mids, 4 Aux Sends, PFL and Mute,
dust-protected ALPS faders, 2 x 7-band graphic EQs, two
feedback filters and four stereo line channels are only a few
of the professional features.
Two independently-controllable, 24/48 bit stereo digital effects
devices offer a total of 198 presets optimized for live use but
delivering studio quality. The room and plate reverb, echo
reverb, chorus reverb, mono / stereo delay and a host of other
special effects are easily selected using the Up/Down keys.
Preferred presets can be stored in programming mode and are
then instantly available the next time you switch the CMS on.
One global (or else two individual) foot switch(es) can be used
to turn the effects devices on and off singly (or collectively).
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