LYRA
LYRALYRA
LYRA
User Manual
Software version: Lyra V1.5 - 2012
Manual version: V1.4 - 2 September 2012
PRODUCT SAFETY
PRODUCT SAFETY
PRODUCT SAFETY
This product is manufactured with the highest standards and is double-checked in our quality control
department for reliability in the "HIGH VOLTAGE" section.
CAUTION
Never remove any panels, or open this equipment. No user service-able parts inside.
Equipment power supply must be grounded at all times.
Only use this product as described, in user manual or brochure.
Do not operate this equipment in high humidity or expose it to water or other liquids.
Check the AC power supply cable to assure secure contact.
Have your equipment checked yearly by a qualified dealer service center.
Hazardous electrical shock can be avoided by carefully following the above rules.
EXTRA CAUTION FOR LIVE MIC RECORDING
Ground all equipment using the ground pin in the AC power supply cable. Never remove this pin. Ground
loops should be eliminated only by use of isolation transformers for all inputs and outputs (optional).
Replace any blown fuse with the same type and rating only after equipment has been disconnected from
AC power. If problem persists, return equipment to a qualified service technician.
PLEASE READ THE FOLLOWING INFORMATION
Especially in sound equipment the following information is essential to know.
An electrical shock is caused by voltage and current, actually it is the current that causes the shock.
In practice the higher the voltage the higher the current will be and the higher the shock.
But there is another thing to consider and it is resistance. When the resistance in Ohms is high between
two poles, the current will be low and vice versa.
All three of these; voltage, current and resistance are important in determining the effect of an electrical
shock.
However, the severity of a shock is primarily determined by the amount of current flowing through a
person.
A person can feel a shock because the muscles in a body respond to electrical current and because the
heart is also a muscle it can be affected when the current is high enough. Current can also cause the chest
muscles to contract, which affects your breathing.
At what level is current dangerous? Well the first feeling of current is a tingle at 0.001 Amp of current. The
current between 0.1 Amp and 0.2 Amp is fatal.
Imagine that your home fuses of 20 Amp can handle 200 times more current than is necessary to kill. How
does resistance affect the shock a person feels. A typical resistance between one hand to the other in "dry"
condition could well over 100,000 Ohm.
Always earth all your equipment by the grounding pin in your main plug.
Proper wiring and isolation input/output transformers (optional) should only cure Hum loops.
PRODUCT SAFETY
Replace fuses always with the same type and rating after the equipment has been turned off and
unplugged.
If the fuse blows again you have an equipment failure, do not use it again and return it to your dealer for
repair.
And last but not least be careful not to touch a person being shocked as you, yourself could also be
shocked. Once removed from the shock, have someone send for medical help immediately
Always keep the above-mentioned information
in mind when using electrically powered
equipment.
Dear Customer,
Thank you for choosing the Lyra mixing console.
The Lyra is designed by specialists in the field of radio broadcast and designed to be used as a digital
desktop mixer.
The entire D&R team is responsible for the design of the Lyra. They always value suggestions from you
once you have become familiar with your console.
We will certainly learn from your comments, and we will very much appreciate the effort and time it will take
for you to communicate your idea’s and suggestions.
We are confident that you will be using the Lyra for many years to come, and wish you a lot of success.
With kind regards,
Duco de Rijk
PRESIDENT
D&R ELECTRONICA WEESP B.V.
Rijnkade 15B
1382 GS WEESP-HOLLAND
The Netherlands
Phone: 0294-418 014
Fax: 0294-416 987
Website: http://www.d-r.nl
E-mail: info@d-r.nl
Contents
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Page 5
1 INTRODUCTION ............................................................................................................................ 7
2 CONTENTS OF THE PACKAGE ................................................................................................... 8
3 START WORKING WITH THE LYRA ............................................................................................ 8
4 SYSTEM STRUCTURE .................................................................................................................. 9
4.1
19” R
ACK
................................................................................................................................. 9
4.2
C
ONTROL SURFACE
.................................................................................................................. 9
4.3
S
OFTWARE (EXTERNAL
) ............................................................................................................ 9
5 AUDIO SIGNAL PATH .................................................................................................................. 10
5.1
I
NPUT MATRIX
......................................................................................................................... 10
5.2
B
USS STRUCTURE
................................................................................................................... 10
5.3
O
UTPUTS
............................................................................................................................... 11
6 ANALOG/DIGITAL LEVELS WITH THE LYRA ............................................................................ 12
7 NETWORK BASICS ..................................................................................................................... 14
7.1
N
ETWORK LAYERS
.................................................................................................................. 14
7.2
T
HE LAYER IMPLEMENTATION
.................................................................................................. 14
7.3
TCP/IP N
ETWORK ADDRESSING
............................................................................................. 15
7.3.1 IP Address ....................................................................................................................... 15
7.3.2 Subnets and Subnet Masks ............................................................................................. 16
7.3.3 Configuring the switch ...................................................................................................... 16
7.3.4 Test Connectivity ............................................................................................................. 16
7.3.5 DHCP ............................................................................................................................... 17
8 COBRANET BASICS .................................................................................................................... 18
8.1
C
OBRANET DEVICE
................................................................................................................. 18
8.2
C
OBRANET BUNDLES
.............................................................................................................. 18
8.3
C
OBRANET AND ETHERNET
..................................................................................................... 18
9 HARDWARE CONNECTIONS ..................................................................................................... 19
9.1
A
NALOG IN
-/O
UTPUTS
............................................................................................................. 19
9.1.1 MIC inputs ........................................................................................................................ 19
9.1.2 LINE inputs ...................................................................................................................... 21
9.1.3 External inputs ................................................................................................................. 22
9.1.4 Program/Sub/Aux/CRM outputs ....................................................................................... 22
9.1.5 Phones outputs ................................................................................................................ 23
9.2
D
IGITAL INPUTS/OUTPUTS
....................................................................................................... 24
9.3
G
LOBAL INPUTS/OUTPUTS
....................................................................................................... 25
9.3.1 GPIOs .............................................................................................................................. 25
9.3.2 Word clock in and out. ..................................................................................................... 25
9.3.3 On-Air Output ................................................................................................................... 26
9.3.4 RS232 .............................................................................................................................. 26
9.3.5 Ethernet ........................................................................................................................... 26
9.3.6 Connection to Control Surfaces ....................................................................................... 27
9.3.7 Cobranet (optional) .......................................................................................................... 28
10 USING THE CONTROL SURFACE ............................................................................................. 29
10.1 I
NPUT ROUTING
....................................................................................................................... 31
10.2 EQ ........................................................................................................................................ 31
10.3 D
YNAMIC RANGE CONTROL
...................................................................................................... 31
10.4 B
USS ROUTING
....................................................................................................................... 32
10.4.1 Program/Sub buss ....................................................................................................... 32
10.4.2 Aux. buss ..................................................................................................................... 32
10.4.3 CUE buss .................................................................................................................... 32
10.4.4 Fader ........................................................................................................................... 32
Contents
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10.4.5 CRM ............................................................................................................................. 32
10.5 N
ETWORK SETTINGS THROUGH THE CONTROL SURFACE
........................................................... 33
10.5.1 Assigning an IP-address to the Lyra ............................................................................ 33
11 WEBPAGE .................................................................................................................................... 34
11.1 O
PENING SCREEN
................................................................................................................... 34
11.2 S
YSTEM INFORMATION
............................................................................................................ 35
11.3 N
ETWORK SETTINGS
............................................................................................................... 36
11.4 C
OBRANET SETTINGS
............................................................................................................. 38
11.5 G
LOBAL SETTINGS
.................................................................................................................. 40
11.5.1 GPI 1 to 6..................................................................................................................... 41
11.5.2 GPO 1 to 6 ................................................................................................................... 42
11.6 I
NPUT SETTINGS
..................................................................................................................... 43
11.6.1 Advanced input settings .............................................................................................. 43
11.7 C
OBRANET INPUT SETTINGS
.................................................................................................... 45
11.8 O
UTPUT SETTINGS
................................................................................................................. 46
11.8.1 Advanced Output Settings ........................................................................................... 46
11.9 C
OBRANET OUTPUT SETTINGS
................................................................................................ 47
11.10
S
ECURITY SETTINGS
........................................................................................................... 48
11.10.1 Users and Levels ......................................................................................................... 48
11.11
C
HIPCARD SETTINGS
.......................................................................................................... 50
11.12
C
ONTROL SURFACE LEVELS
............................................................................................... 51
11.13
I
NPUT POOL LEVELS
........................................................................................................... 52
11.14
N
ETWORK LEVELS
.............................................................................................................. 53
12 FTP ............................................................................................................................................... 54
12.1 P
RESETS
................................................................................................................................ 54
12.2 S
ECURITY
............................................................................................................................... 54
12.3 F
LASH
.................................................................................................................................... 54
13 LYRA EQ TOOL ............................................................................................................................ 55
14 ACTIVEX APPLICATION .............................................................................................................. 56
15 SPECIFICATIONS ........................................................................................................................ 57
15.1 G
ENERAL SYSTEM PARAMETERS
.............................................................................................. 57
15.2 A/D
AND
D/A C
ONVERTERS
..................................................................................................... 57
15.3 M
ICROPHONE INPUTS
.............................................................................................................. 57
15.4 L
INE INPUTS
........................................................................................................................... 57
15.5 E
QUALIZER
............................................................................................................................. 57
15.6 D
IGITAL INPUTS
...................................................................................................................... 57
15.7 D
IGITAL OUTPUTS
................................................................................................................... 58
15.8 S
YSTEM CLOCK
...................................................................................................................... 58
15.9 R
EMOTES
............................................................................................................................... 58
15.10
D
IMENSIONS AND WEIGHT
.................................................................................................. 58
16 LIST OF FIGURES ....................................................................................................................... 61
17 LIST OF TABLES .......................................................................................................................... 62
18 GLOSSARY .................................................................................................................................. 63
19 APPENDIX .................................................................................................................................... 64
19.1 A
PPENDIX A: BLOCKDIAGRAM OF THE LYRA
.............................................................................. 64
19.2 A
PPENDIX B: LYRA ACTIVEX SCRIPTS
...................................................................................... 65
20 DISCLAIMER ................................................................................................................................ 70
Introduction
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1 Introduction
This manual will give you a detailed explanation of the functionality of the Lyra and all its features.
It is advised to read this manual once before touching any control, or even thinking about hooking up the
system.
We know that that is actually the firsts thing you want to do but please do NOT and discipline yourself to
read the manual first.
The manual gives all sorts of valuable information before getting started and it saves you from getting in
touch with us for all sorts of questions. You can use this manual later on as a reference.
In the first chapters we shall give you an overview of the Lyra and its features. In this way you can have an
impression of how to implement the system in your application.
The next chapters will deal with interconnecting the various parts of the system and its external interfacing
with your equipment
When the Lyra is installed and wired, you can finalize its interfacing with the instruction in the following
chapters.
After having installed the Lyra you will have a very complete mixer with a human interface that is very
logical and understandable by intuition.
Unpacking
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2 Contents of the package
The following parts should be inside the package.
• 1x 19” Racks depending on the ordered configuration
• One or two 4-fader Control Surfaces or one 8-fader Control Surface depending on the ordered
configuration
• 1 or 2 15Pins cable depending on the ordered configuration
• 1x Power cable
• 1x Crosslink network cable
• 1x CD-rom
• This manual
3 Start working with the Lyra
The internal power-supply is auto-sensing for the range of [85-264V/47-63Hz]. If the power coming from
your wall-outlet is not according these specs, do NOT connect the Lyra.
Take the fader module and the 19”Rack unit out of the box.
Hook up the 15p sub-D cable between the fader module to the 19” rack unit (“TO CNTRL UNIT 1”)
You can now also hook up the UTP cable to your ETHERNET 802.3 network if you would like to make
settings. In chapter 10.5 you can find how to setup the Lyra for networking.
Connect the power supply cable to the 19" rack and to the wall outlet.
Turn on the power.
After 3 seconds you must have control over the DSP engine. You can hit ON/CUE buttons to check
functionality. Further there are enhanced functions in the Master Section, one example:
Hit the button SRC (Source selection for this module). You can turn the encoder at the channel to make
your selection. Pushing the encoder means the default setting. The functions Prog and Sub don’t have a
rotating function… they only respond to the pushdown action!
System structure
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4 System structure
The Lyra system is a high-tech digital system, which is based on a 19” 2HE rack. In combination with the
control surface(s) you will get a very easy to use console with many features that can work as a standalone
unit and has a boot time of a couple of seconds (if network is disabled).
The control surface(s) give you direct access to all the parameters you need to control in real time. Like the
Fader level, routing and EQ/Dynamics. All other advanced settings can be done by using the web server or
remote software (ActiveX) by Ethernet.
4.1 19” Rack
The 19” rack is the engine of the Lyra. All audio processing and routing takes place in this unit.
This rack can work without Control Surface or Remote Software. On this 19” rack you can find 4 MIC's, 2
Mono analog and 5 Stereo analog Inputs, 7 Stereo Digital Inputs and Outputs all with sample rate
converters. You have dedicated analog outputs for PROG, SUB, AUX, CRM and PHONES. All interfacing
and connectors are explained in the section Hardware.
4.2 Control Surface
A separate unit with knobs and faders is used to control the Lyra. There are two connections at the 19”
rack to make it possible to have at maximum 8 (stereo) faders. Further this control surface holds a phones
jack which gives the CRM signal!
The Control Surface is a very simple and easy to understand interface to the Lyra engine. You can use the
surface for all basic functionalities such as; Source select, EQ settings, Dynamics Settings, Routing etc.
A separate master section gives the possibility to determine the function of the module encoders and the
CRM source. Of course you can adjust the CRM level and the DIM and Talkback.
4.3 Software (external)
By using the Ethernet connection you have the possibility to control the Lyra from every workplace in your
network. By using a crosslink cable you also can use the Lyra on a stand-alone PC.
The Lyra can receive an IP address via a DHCP server, or you can give a Fixed IP ! When this IP is
known, you are able to connect to the Lyra by software (HTTP web server or ActiveX object). Later we will
give an overview on the options you have with the remote software/web server.
Audio Signal Path
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5 Audio Signal Path
CUE
Aux Pre
Aux Post
Prog
Sub
CF2
CF1
Module 1
EQ Dyn
Extern 1
Extern 2
Module 8
EQ Dyn
Input Matrix
CRM
CF1
Aux
Pro
g
Sub
CF2
Dedicated Analog Outputs
Phones/Analog 7/Digital outputs 1-7
and Cobranet outputs 1/2-31/32 can
select one of the (buss)outputs (or
inputs = direct out)
Aux pre/post
Fader
Mono Line 5,6
Digital 1..7
MIC 1..4
St Line1..4, 7
Cobra 1/2..31/32
CUE
Figure 1: Audio Signal Flow
5.1 Input matrix
To give you the flexibility you need in your applications the Lyra has a full matrix before processing takes
place. You can assign one of your inputs to the eight modules in any way you want. Furthermore you can
bring one of the inputs to the external inputs to make them available at the CRM buss.
5.2 Buss structure
As mentioned before, every module features EQ- and dynamic processing. This is why these channels are
often referred to as ‘processing’ channels.
The output of the 8 stereo audio processing channels can be routed to different busses.
Busses that are available are:
• Stereo program buss.
• Stereo sub buss.
• Stereo aux. buss.
• Stereo CUE buss.
• Automatic Mono Cleanfeed 1
• Automatic Mono Cleanfeed 2
The 6 CRM sources (Prog, Sub, Aux, CUE, Extern 1, Extern 2) may be summed into the CRM buss.
Audio Signal Path
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5.3 Outputs
For the Prog, Sub, Aux, Cleanfeed 1, Cleanfeed 2 and CRM busses, there are dedicated analog outputs.
For all Digital outputs you have a separate router which makes it possible for you too choose which buss is
connected to the digital output. Due to the advanced routing matrix you also have the option to route any
input directly to an output.
Analog/Digital levels with the Lyra
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6 Analog/Digital levels with the Lyra
Before you can start working with a (digital) console you need to understand all level standardization for the
inputs and outputs. In the Analog domain it is sometimes confusing. But now we have to deal with even
more formats. Often we use the following parameters:
0 dBu Analog level of 0.775V at 600Ohm.
0 dBFS FS= Full Scale (means maximum digital value, higher=clip).
Table 1: Level Definitions
First we will give a simple example with a CD-player:
Your home CD player plays CDs, which are most of the time ‘normalized’. In the mastering process
the highest peak value is monitored and is set as the 0 dBFS reference. Like in most common
players they use a standard where the maximum output voltage is 2Vrms, which means around +8
dBu.
An example in an analog system.
The analog-mixing console must have enough headroom to handle your audio without clipping. An
often-used standard of 20dB headroom is enough for most circumstances.
Those two examples show exactly the problem of combining the digital and analog world. We would like to
have headroom in our mixer because we are adding signals, but we don’t want too much headroom
because we ‘eat bits’ (20 dB headroom is more than 3 bits).
The Lyra supports both AES (and Dolby) and EBU standards for the digital outputs. That means you can
choose how much headroom you want on the digital output. 0 dB on the meter is equivalent to:
- 20dBFS on the digital output (AES)
- 9dBFS on the digital output (EBU)
To achieve this you have two different headroom settings for the digital outputs. One headroom setting is
fixed 20dBFS. The other is adjustable from 0 to 20dBFS headroom adjustable in increments of 1dBFS.
The default setting is 9dBFS.
This means you have on your digital outputs enough headroom! The 0 dB level on the meter is +6 dBu on
the balanced analog outputs. Because you also need your bit-resolution we interface with 24 bits and
process the signal with 32 bits floating point! This provides you with sufficient headroom.
For ease of use the console is also equipped with cinch inputs and outputs. It’s difficult to specify a
standard for this type of connector. This is because many different manufacturers use different values.
When the console leaves the factory the cinch outputs are trimmed to 0 dBu if the level on the meter is 0
dB. That means if you connect a digital recorder with a maximum input of 2Vrms (for example a calibrated
input) you still have 8 dB of headroom. Of course you will also find a ‘Record level’ on the most recording
equipment.
Even if we understand the current situation with the levels we still have to overcome some problems. If we
connect signals and the level seems not to be correct we can easily adjust the gain on the control surface.
This can instantly correct the problem.
But for digital inputs the level problem is more related to the medium. CD-players and MD-players are most
of the time playing a medium, which is normalized. That means if we should connect it directly to the
console, we see an incoming signal of +20 dB !!!
Therefore you may set-up a ‘headroom trim’ for each digital input via the web server. If you connect a CD
player to digital input 1 you can already set the headroom trim to -20 dB in the Global Settings dialog on the
webpage. See also section 11.5. The Lyra will then make a level correction for this medium (if assigned to
a module/processing channel).
Now you know how you can interface between the analog and digital world with the understanding of what
is happening with your levels. We hope this chapter gave an insight on this matter.
Analog/Digital levels with the Lyra
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Page 13
To summarize things shortly:
0 dB on your meter is:
• +6 dBu on the balanced input/outputs
• 0 dBu on the unbalanced inputs/outputs
• –20 dBFS fixed or -20 dBFS to 0 dBFS variable at the digital inputs/outputs.
Network Basics
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7 Network Basics
This chapter gives you a short overview on the network basics. This chapter is meant to give you some
information about networking. When reading this chapter it's more easy to understand the technical
backgrounds of the network possibilities. In general we can divide the network possibilities of the Lyra in
two types.
WAN – Wide Area Network
LAN – Local Area Network
The first, WAN, is mostly based in TCP/IP (also known from the internet). The second, LAN, is in our
application 10/100 Mbit Ethernet based.
7.1 Network Layers
In the network theory they often make use of layers to create a visualisation of a network connection. This
is called the OSI model (Open System Interconnect). It will be too much information at this point to explain
the complete OSI model. Below you will get some basic information regarding layers.
Figure 2: OSI Model
Physical & Data Link Layer = Ethernet
Network Layer = Internet Protocol or Cobranet
Transport Layer = TCP or Cobranet
In higher layers we will find protocols like HTTP, FTP, SNMP etc….
Actually we are now looking at the protocol stack which contains the Ethernet protocol. TCP/IP
protocol, HTTP, FTP, Cobranet etc…
7.2 The Layer Implementation
For the Lyra, we always use the Ethernet protocol for the Data Link & Physical layer. You can imagine this
Ethernet protocol as an envelope. The information on the envelope is Source Address or Destination
Address. The information inside this envelope represents the next layer. In this layer you can find TCP/IP
data from the Lyra or Cobranet data from the Lyra.
Figure 3: Network Implementation
Network Basics
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TCP/IP is a protocol that is well known in WAN structures. This means there are many Data Link &
Physical Layers that can carry TCP/IP. In WAN structures the Cobranet protocol is not known, so that will
only function on the Ethernet based networks.
What happens if a destination of a TCP/IP envelope is outside the Ethernet network? The TCP/IP
envelope will be redirected to the ‘gateway’. This gateway takes the TCP/IP packet out of the Ethernet
envelope and repacks the TCP/IP envelope in a new envelope for the new protocol (for example DSL or
ISDN)
This explains how it's possible to have TCP/IP data over WANs and Cobranet only over LANs.
7.3 TCP/IP Network Addressing
The TCP/IP protocol is a higher-level networking protocol and has its own system of addresses called IP
addresses. TCP/IP, like other network protocols, has its own addressing scheme and data structure. Thus,
contained within the Ethernet payload is another series of fields containing IP source and destination
address information, as well as another payload containing TCP data. This “nesting” within the Ethernet
payload continues until the protocol(s) being transported is completely defined.
The most important thing to understand is that the networking protocol in use is completely independent of
Ethernet. Ethernet is simply the delivery system, and it doesn’t know or care about the networking data that
it’s carrying in its payload. This enables Ethernet to carry many different networking protocols on the same
network. It is left up to the networking software running on the receiving system to understand the
networking protocol information extracted from the Ethernet payload field.
7.3.1 IP Address
An IP address is a unique identifier for a device on a TCP/IP network. Within an isolated network, it is
possible to assign IP addresses at random as long as each address is unique. However, connecting a
private network directly to the Internet requires using registered IP addresses (called Internet addresses) to
avoid duplicates. An IP address is a 32-bit numeric address (four sections of 8 bits each) written in “dotted
decimal notation”. The number in each section can range from 0 to 255. The address consists of 2 parts,
the network number (or as it is more commonly referred to today, the network prefix) and the host address.
The host address is the unique address of the network node, while the network number identifies the
network on which the host resides. Each host on a network shares the same network number but must
have a unique host address. Likewise, any two hosts can share the same host address as long as they
have different network numbers. The InterNIC Registration Service originally assigned Internet addresses
from three classes, where each class fixes the boundary between the network number and the host
address at a different point within the 32-bit address. This is known as “classful” addressing.
Class A - 16 million hosts on each of 127 networks (1.xxx.xxx.xxx - 126.xxx.xxx.xxx)
Class B - 65,000 hosts on each of 16,000 networks (128.0.xxx.xxx - 191.255.xxx.xxx)
Class C - 254 hosts on each of 2 million networks (192.0.0.xxx - 223.255.255.xxx)
Unfortunately, no one expected the Internet to grow as quickly as it did, and the limitations and inflexibility
of this method of addressing were unforeseen. Adding another level to the address hierarchy, the subnet,
helped to temporarily overcome many of these shortcomings.
Network Basics
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7.3.2 Subnets and Subnet Masks
A subnet is a part of a network that shares the same prefix. It enables a network administrator to further
divide the host part of the address. Previously, another network number had to be requested from the
Internet before a new network could be installed at a site. W hen a network is divided into subnets, a part of
the host address is used to identify a particular subnet. Let’s look at an example:
The network number is:
192.168.0 –or- 11000000.10101000.00000000 in binary
and the host address is:
2 –or- 00000010 in binary
If the network needs to be divided into 13 subnets, the first 4 bits of the host address (0000) would be
reserved for identifying the subnet. This would allow for a total of 16 possible subnets, as subnets can only
be created in blocks of powers of two. The first 4 bits of our host address could then be changed to
indicate the subnet number:
nnnn0010
Once the network is divided into subnets, the IP nodes must be told where the division between the
extended network number and the host address occurs. This is done using a subnet mask. The subnet
mask is the network number plus the bits reserved for identifying the subnet. To come up with a subnet
mask, the bits for the network number, including the new subnet number, are all set to 1. In our example
the subnet mask would be:
11111111.11111111.11111111.11110000 –or- 255.255.255.240.
7.3.3 Configuring the switch
Switch configuration is usually only necessary if you are using managed switches in your design. In most
cases, using the factory defaults will be sufficient, and only an IP address and subnet mask needs to be
assigned.
7.3.4 Test Connectivity
Probably the quickest and easiest way to determine that all the devices are connected to the network is to
ping the devices. Ping is a utility that is used to determine whether or not a specific IP address is
accessible, which makes it very handy for troubleshooting network connections. When the ping command
is issued, an ICMP (Internet Control Message Protocol) packet is sent to the specified address and a reply
is expected. If a reply is received, this indicates that the remote device is reachable over the network. If no
reply is received, this indicates a problem with communication over the network. To issue a ping command,
open the Command Prompt, and type:
ping xxx.xxx.xxx.xxx
where: xxx.xxx.xxx.xxx is IP address of the device you wish to contact
Network Basics
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7.3.5 DHCP
DHCP stands for: “Dynamic Host Configuration Protocol”.
DHCP is a TCP/IP service that you can use to set network clients' TCP/IP configurations automatically as
they attach to the network. This configuration is done by providing the DHCP server with one or more
scopes. A scope is nothing more than a range of IP addresses that may be assigned to clients on a
temporary basis. The length of time that a client is allowed to use an IP address from a DHCP server is
called the client's lease period.
As you can see, DHCP eliminates the need to manually configure each client; it also helps to prevent
duplicate IP addresses and can help to conserve IP addresses when they're in short supply. However, for
DHCP to function correctly and efficiently on large networks, proper planning is essential. If it is set up
improperly, DHCP can cause headaches.
As I mentioned earlier, DHCP automatically configures clients for TCP/IP at the time the clients attach to
the network. Obviously, this process doesn't happen by magic. Getting DHCP to configure a client for use
on a network requires several messages to be passed back and forth across the network. Although these
messages tend to be small, if many clients are attempting to get an IP address at the same time, the
excessive traffic created can slow down the network.
One way of dealing with this problem is to limit each DHCP server to servicing only one specific subnet. By
doing so, you'll isolate each subnet's DHCP-related traffic and prevent it from flowing onto the rest of the
network.
If you want to use static IP addresses on your servers, but you like the idea of using DHCP for consistency,
you can use a reservation system to ensure that a client receives the same IP address each time it
connects.
Cobranet Basics
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8 Cobranet Basics
This chapter gives you information for working with Cobranet. It's just a basic explanation of audio
networking with Cobranet. For more information you can view the website http://www.peakaudio.com
.
8.1 Cobranet Device
A Cobranet Device has two RJ45 connectors which you can hook up to a switch or connect with a
crosswire to another Cobranet Device. The reason for two RJ45 connectors is redundancy. It will function
without problems if you connect just one RJ45 connector.
Internally a Cobranet Device has 4 receive sockets and 4 transmit sockets. Every socket is able to transfer
a maximum of 8 mono channels. That means If we have all sockets fully loaded we can send 32 mono
channels and receive 32 mono channels.
A receive socket can have only one transmit socket to which it is connected.
A transmit socket can have one receive socket and in special cases (multi cast) more receive sockets.
In short it means one Cobranet device can transmit data to 4 different devices, and receive data from 4
different devices.
8.2 Cobranet Bundles
To setup a connection you have to give a transmit and receive socket a bundle number.
If a receive socket and transmit socket have the same bundle number, audio is transmitted from the
transmit socket to the receive socket.
A bundle number is a kind of identification of the link. Normally the bundle numbers starts from 256 and
ends at 65535.
Bundle number 0 until 255 are reserved.
8.3 Cobranet and Ethernet
All Cobranet data is transferred within standard Ethernet packages. This makes it possible to interfere with
normal Ethernet data as well as to use standard Ethernet equipment.
(For full capacity its recommended to separate Cobranet and data networks)
The topology of the Cobranet network is like your standard computer network. A star network where all
devices hook up to a switch.
Figure 4: Star Network
If you interconnect multiple star networks you will get a tree-topology.
Peak Audio has tested a lot of Ethernet equipment, and is maintaining a list of recommended switches.
You can find the recommendations at their website: http://www.peakaudio.com
.
Hardware Connections
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9 Hardware Connections
This chapter will describe all connections to the 19” rack unit in detail. After this chapter you have all
information to implement the system within your hardware. Some connections are software dependent
and can be configured by software. Chapter 11 will explain everything on this settings.
The Lyra is equipped with Sub-D connectors. This way it is possible to have a lot of I/O in a small space.
The pinning is as follows for the female Sub-D connectors:
Figure 5: 9 pins female Sub-d
Each section of this chapter has a table which shows how the connectors are wired.
9.1 Analog In-/Outputs
On the Lyra 19” rack you can find several different types of analog inputs. Below we will describe every
input type to give you an overview on the dedicated purpose of this input.
9.1.1 MIC inputs
Figure 6: Microphone inputs at front
You can see on the right side of the front panel the XLR connection for the microphones. Here you also
have the dedicated phantom power switches providing the MIC inputs with +48V phantom power.
Note: For maximum safety it's best to connect/disconnect the microphone(s) when the
console is powered off. This is also required for all the other in/outputs; Make sure you
ALWAYS switch off the phantom power before patching the microphones.
Hardware Connections
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Figure 7: Microphone inputs at rear side
The MIC connections on the backside of the 19” rack are parallel with the XLR connections at the front
side of the 19” rack.
Warning: Phantom power is also applied to these connectors. (Don't short pins while phantom power is
on.)
At the back side you can find the four microphone inserts on a jack type connector.
Pin 1 Mic IN 1 +
Pin 6 Mic IN 1 Pin 2 GND
Pin 7 Mic IN 2 +
Pin 3 Mic IN 2 Pin 8 GND
Pin 4 Not Connected
Pin 9 Not Connected
Pin 5 Not Connected
Table 2: Pinning MIC Input 4-3 and MIC Input 2-1
Tip Return
Ring Send
Sleeve GND
Table 3: Pinning Inserts
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9.1.2 LINE inputs
The Lyra can connect 7 analog line inputs. The Input numbers 1-4 and 7 (front side) are stereo inputs.
Input 5 and 6 are MONO inputs, with on the same connector a cleanfeed output, so these inputs can be
used for a telephone-hybrid.
You can hook up a telephone-hybrid to both MONO inputs. When one of the MONO inputs is routed to a
module and the module is routed to the PROG, SUB or both, the cleanfeed function will be activated
automatically. When activated all of the signals on the PROG, SUB or both will be added to the cleanfeed 1
(mono input 5) or 2 (mono input 6) buss except for the input signal.
Below you see a picture of the rear view. Here you see all 9Pin SUBD connectors which you can use
for the analog inputs.
Figure 8: Analog Line Inputs at rear side
Stereo Input 1..4 Mono Input 5..6
Pin 1 Left + Mono IN +
Pin 6 Left - Mono IN Pin 2 GND GND
Pin 7 Right + Auto Cleanfeed OUT +
Pin 3 Right - Auto Cleanfeed OUT Pin 8 GND GND
Pin 4 GPO A GPO A
Pin 9 GPO B GPO B
Pin 5 Not Connected GPI
Table 4: Pinning for Stereo Input 1..4 and Mono Input 5..6
The GPI line on the MONO connectors can be used to connect the RING from your telephone-hybrid.
Usually the 'Ring' signal comes from a REMOTE on your Hybrid. Consult your telephone-hybrid manual for
information about how to connect the RING to the GPI of the MONO input.
GPO-A and GPO-B make connection if the GPO is activated!
Maximum current: 200 mA
Maximum resistance when connection made: 12 Ohm
Maximum Voltage: 24 V
At the front side of the 19” rack you can find one additional stereo analog input. Below you can see a
picture of this section. You have the ability to adjust the input level with the potentiometer located at the left
side.
Figure 9: Analog Line Front Input
Hardware Connections
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9.1.3 External inputs
The Lyra can sum two external inputs to the CRM buss. The sources for the external busses can be
selected by using the web server.
9.1.4 Program/Sub/Aux/CRM outputs
The Lyra is a very intuitive mixer which is very similar to analog mixing consoles. Therefore you also have
all common outputs in the analog domain. That means you can directly hook up your equipment. Below
you see a picture of the connections available.
Figure 10: Program/Sub/Aux/CRM outputs at rear side
PROGRAM SUB AUX CRM
Pin 1 Left OUT + Left OUT + Left OUT + Left OUT +
Pin 6 Left OUT - Left OUT - Left OUT - Left OUT Pin 2 GND GND GND GND
Pin 7 Right OUT + Right OUT + Right OUT + Right OUT +
Pin 3 Right OUT - Right OUT - Right OUT - Right OUT Pin 8 GND GND GND GND
Pin 4 Mono OUT + Not Connected Not Connected GPO A
Pin 9 Mono OUT - Not Connected Not Connected GPO B
Pin 5 GND Not Connected GND Not Connected
Table 5: Pinning for PROGRAM, SUB, AUX and CRM
GPO-A and GPO-B make connection if the GPO is activated!
Maximum current: 200 mA
Maximum resistance when connection made: 12 Ohm
Maximum Voltage: 24 V
Hardware Connections
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9.1.5 Phones outputs
For easy and versatile monitoring there are two headphones outputs implemented on the Lyra. On the
control surface the phones is directly connected to the CRM buss. On the surface itself you have a level
control for the phones.
Below you see the phones connector, which is located at the front side of the 19” rack. This phones
connection can be used for example as a studio phones output. With the remote software you can select
the source for the studio phones.
Figure 11: Phones output at 19" rack
Hardware Connections
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9.2 Digital Inputs/Outputs
The Lyra holds 7 digital inputs and outputs. At the rear side of the 19” rack you will find digital I/O 1-6
and at the front side is Digital I/O 7 located. The digital inputs at the rear side can receive either Coax
(SPDIF) or XLR (AES3) digital audio.
Figure 12: Digital Input/Output at rear side
Pin 1 RX IN +
Pin 6 RX IN Pin 2 GND
Pin 7 TX OUT +
Pin 3 TX OUT Pin 8 GND
Pin 4 GPO A
Pin 9 GPO B
Pin 5 Not Connected
Table 6: Pinning Dig I/0 1..6
GPO-A and GPO-B make connection if the GPO is activated!
Maximum current: 200 mA
Maximum resistance when connection made: 12 Ohm
Maximum Voltage: 24 V
Below you see the layout of the front side digital input. You can choose which type of digital audio
connection you want to use as input: Coax or Optical. The switch in between controls this selection. The
LED's will show which type is used and if a valid digital audio signal is received (NO LOCK led is off when
signal is valid).
Figure 13: Digital Input/Output at Front side
Hardware Connections
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9.3 Global Inputs/Outputs
9.3.1 GPIOs
The in-/outputs can be used for global functionality for example synchronization, remote function, relay
logic etc…
Each Sub-D connector represents 2 GPIO's.
Figure 14: GPIO connections at rear side
Pin 1 GPO 1 A
Pin 6 GPO 1 B
Pin 2 Not Connected
Pin 7 GPO 2 A
Pin 3 GPO 2 B
Pin 8 Not Connected
Pin 4 GPI 1
Pin 9 GPI 2
Pin 5 Ground
Table 7: Pinning GPIO's
GPO-A and GPO-B make connection if the GPO is activated!
Maximum current: 200 mA
Maximum resistance when connection made: 12 Ohm
Maximum Voltage: 24 V
9.3.2 Word clock in and out.
On the rear side of the Lyra you can find two BNC connectors with the text FCLK OUT and FCLK IN.
These are the word clock in/out connection which can be used for synchronization purposes.
If the Lyra is the last in the synchronization chain, you can use the TERM. switch to terminate the line. (75
Ohm Termination)
Figure 15: Word Clock In and Out at rear side
Hardware Connections
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9.3.3 On-Air Output
The GPO on the CRM connector responds only to the Redlight1 buss. See ‘Table 5: Pinning for
PROGRAM, SUB, AUX and CRM’ for the pinning of the connector.
Figure 16: Redlight GPO
9.3.4 RS232
The RS232 port located on the backside of the Lyra is for future use.
Figure 17: RS232 at rear side
9.3.5 Ethernet
The Ethernet connection of the Lyra enables you to connect the device to your local network or directly to
your PC.
Note:
When connecting directly to the PC you will need a Crosslink cable. (One crosslink cable
comes with the Lyra).
By entering the IP address of the Lyra in the internet explorer you will receive the Lyra webpage onto your
screen. Through the webpage you can make all kind of settings and view all kinds of log-files.
Further you can use the ActiveX application to control the Lyra from remote locations!
Figure 18: Ethernet connection at rear side
Hardware Connections
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9.3.6 Connection to Control Surfaces
The control-unit(s) can be connected to the control-unit 1 and 2 connector. The surface connected to
connector ‘TO CNTRL UNIT 1’ will always contain module 1-4 and the surface connected to connector
‘TO CNTRL UNIT 2’ will always control module 5-8.
Figure 19: Control Surface connection at rear side
Pin 1 TX+
Pin 9 TXPin 2 RX+
Pin 10 RXPin 3 +5v
Pin 11 +5v
Pin 4 +5v
Pin 12 +5v
Pin 5 GND
Pin 13 GND
Pin 6 GND
Pin 14 GND
Pin 7 PHONE-GND
Pin 15 PHONE-LEFT
Pin 8 PHONE-RIGHT
Table 8: Pinning Control Surface connector
The power-supply for the control surface comes through the 15 pin cable. It's very important to never
extend the cable any further than the maximum specified length of 5m. This is also the length of the cable
delivered with the package. If the voltage drop on the +5 volt lines becomes to large the control-surface
won't function properly.
Hardware Connections
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9.3.7 Cobranet (optional)
CobraNet operates on a switched Ethernet network or on a dedicated Ethernet repeater network (the last is
not recommended). CobraNet provides the possibility to send and receive real-time digital audio data over
an Ethernet network.
The CobraNet interface has provisions for carrying and utilizing control and monitoring data such as Simple
Network Management Protocol (SNMP) through the same network connection as the audio. This makes it
compatible to different manufactures so they can also hook up and control information of the Lyra
Cobranet side.
CobraNet is Ethernet based, in most cases, data communications and CobraNet applications can coexist
on the same physical network (depends on the required audio bandwidth).
The Cobranet module is optional. W hen the module is present then the Lyra will auto-detect it.
Automatically the webpage will be updated with the proper menus for Cobranet.
Figure 20: Cobranet Option at rear side
Using the Control Surface
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10 Using the Control Surface
Figure 21: The 4-fader Control Surface of the Lyra
It is possible to process 8 stereo channels in parallel. Every processing channel handles source selection,
mono, EQ, dynamics, level and routing selection. Now we shall give you a global overview of the Lyra. All
hands on features described here can be found on the control surface of the system.
Next to the 4-fader version of the Control Surface there is also an 8-fader version available. This version is
a combination of 2 4-fader units.
Figure 22 displays the 8-fader Control Surface.
Using the Control Surface
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Figure 22: The 8-fader Control Surface of the Lyra
Using the Control Surface
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10.1 Input routing
The input signal can be processed as soon as it is converted into the digital domain by specifying an input
source for the module. Selecting the source button on the control surface can do this. Now you can use the
encoders to select/scroll through the inputs for a module.
After pressing the gain button you can use the encoders to adjust the input level from -20dB to +20dB. The
MIC inputs have a gain range of 0dB to +60dB. When pushing the encoder the level returns automatically
to the default 0dB (and 30 dB for MIC).
To make a channel mono you must select the mono button and with each press of an encoder you can
switch mono ON or OFF.
When pressing the panning button you can adjust the balance level of the signal by turning the encoders.
By pushing the encoder the balance returns to center level.
10.2 EQ
Each module of the Lyra has a three-band equalizer. You can select the buttons LF, MF and HF to adjust
the gain for each band.
With the EQ On button you can activate the EQ on a module. The default frequencies for the EQ bands
are:
LF = 120Hz
MF = 1200Hz
HF = 12kHz
The default bandwidth is 2 octaves.
To adjust the EQ for your own specific purposes you can use an EQ Tool located on the delivered
CDROM. For explanation see chapter 13.
The range for each band is adjustable from -18dB to +18dB maximum. (Depending on the ‘EQ Range’
settings on the webpage.) When pushing the encoder the level returns to a default 0dB.
To activate the EQ select the EQ button and press the encoder above the module. If the EQ on the module
is ON, one or more EQ-bands are active, the EQ led on the module will be lit.
10.3 Dynamic range control
Every module has a dynamics controller, which enables you to control the dynamic range of the present
audio signal. Actually it is a very intelligent, automatic compressor/limiter. The amount of dynamic
compression is set by just one control. This allows you to make “on the fly” adjustments without having to
worry about ratio’s, Attack and thresholds. A reduction in dynamic range is exactly what you get.
You can adjust the dynamic by pressing the Dyn button and turning the encoder on a module. In turning
the encoder clockwise more dynamic control takes place. The range for dynamics is 0% to 100%. Mind
that the amount of effective gain reduction is related to the level of the input signal. As soon as dynamics is
set a Dyn LED will be activated on the module.
When pushing the encoder the dynamic control returns to its non-effective position, as if it was fully anticlockwise.
Using the Control Surface
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10.4 Buss Routing
When the signal has been processed in EQ, dynamics range and level, it can be routed to one or more
busses such as the Aux. buss, Program buss, Sub buss and the stereo CUE buss. A description of the
individual busses is written below.
10.4.1 Program/Sub buss
The Lyra has a stereo Program and Sub buss implemented. To route a channel to the Prog or Sub buss,
you can select the Prog or the Sub button and push the encoder on a module. The Prog or Sub LED will be
activated on that module.
The signal fed to the Program and Sub buss is always post fader and post ON-switch.
10.4.2 Aux. buss
The Lyra has a stereo AUX buss. This buss accepts signals from the input module post ON-switch and
pre or post fader, depending upon your selection on the webpage.
The level of the AUX buss can be set by selecting the Aux button and rotate the encoder on a module. the
level can be set from -140dB to +10dB. When the Aux level control is above
-140dB the Aux LED on the module will be activated.
When pressing the encoder the Aux level will jump to 0dB. Pressing it another time will make the level
jump back to -140dB.
10.4.3 CUE buss
The stereo CUE buss can be fed from one or more modules by ways of the CUE switches on the console
or on the computer screen. The signal from the processing channel to the CUE buss is routed pre-fader
and pre ON-switch.
An alternative function of the CUE buss is to use it as a talkback communication switch. This will be
explained later on in the manual.
10.4.4 Fader
The Fader is used to set the level of the module before it is fed to the Prog, Sub and other busses.
10.4.5 CRM
You can route multiple busses to the CRM buss. Default the CRM selection is set to 'Interlock'. This means
that you can only route one buss at the time to the CRM buss. The 'Interlock' option can be disabled on the
webpage.
You can read this in chapter 11.5.
The CRM pot on the control-surface controls the volume of the dedicated CRM output on the 19" rack. The
DIM button dims the level of the dedicated CRM output from 0 to 144dB depending on what is set on the
webpage.
When pressing the talkback-switch the chosen input for talkback is routed to all the outputs who have
Conference Talkback enabled.
The phones of the control-surface is fixed routed from the CRM buss. The phones pot controls the volume
of the phones output of the control-surface.
Using the Control Surface
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10.5 Network settings through the Control Surface
The Lyra is a stand-alone mixer. That means that there is no need for a PC during operation. But before
you start using the Lyra you may want to make some settings regarding output routing or GPIO usage.
You can connect your Lyra directly to your PC by a cross-link cable or connect your Lyra to your local
network (Straight CAT5 UTP cable) and use a PC on the network to connect to the Lyra.
10.5.1 Assigning an IP-address to the Lyra
To enter the special menu on the control-surface you should press all encoder of control-surface1
simultaneously. By constantly repeating this, you will see the following lines in the display of the control
surface.
- IP Address
- Subnet Mask
- Gateway Address
- Name Server Address
By default the network-settings are disabled. The IP-address is set to 255.255.255.255.
Note: Whenever you set these addresses you must reboot the console for changes to take effect.
When you have connected the Lyra directly to a PC you must manually assign all four addresses. for
example;
Lyra Settings
IP Address; 192.168.1.11
Subnet Mask; 255.255.255.0
Gateway Address; 0.0.0.0
Name Server Address; 0.0.0.0
PC Settings
IP-Address of the PC; 192.168.1.10
Subnet Mask; 255.255.255.0
Gateway Address; 0.0.0.0
Name Server Address; 0.0.0.0
Note: The IP-address of the PC and of the Lyra must not be the same.
When you have connected the Lyra to a network you have 2 options for setting the addresses. The Lyra
can auto-detect the DHCP server, which assigns the network-settings automatically, or you can manually
set the addresses.
To let the Lyra auto-detect the DHCP server, change the IP address to 0.0.0.0. Now reboot the console
and the Lyra will automatically search the network for the DHCP server. When found the Lyra displays
the assigned IP address, which you can use to connect to it by webpage.
Webpage
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11 Webpage
The control surface of the Lyra covers all the basic routing and signal processing per channel.
To control all the features of the Lyra we need software tools. The software part of the Lyra is a dynamic
webpage that is inside the 'brain' of the console. By using it inside a network or on a stand-alone PC you
can make all kinds of advanced settings to control and setup the Lyra.
In this chapter we will discuss all of the features found on the webpage.
Note: For best viewing results for the webpage use a screen resolution from 1024x768 up to 1280x1024.
11.1 Opening screen
To log on to the webpage you should enter the IP address in your internet explorer. You will get a logon
screen. The first time you logon you don't have to enter a username or password. When asked for just
press enter. It's best to make a System Administrator account as soon as possible to secure the Lyra.
Later on you can define your own users. How to do this will be discussed is chapter 11.10.1
After the logon procedure you will see the next screen.
Figure 23: Openingscreen of the webpage
The next items are displayed in the opening screen;
- System Information
- Network Settings
- Cobranet Settings
(Only available if Cobranet module is installed)
- Global Settings
- Input Settings
- Output Settings
- Security Settings
Webpage
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11.2 System information
The System information screen displays the general status of the Lyra.
Figure 24: System Information
Name/Description
Displays the networking name for the Lyra.
Location
Displays the name of the location where the Lyra is active.
Contact
Displays the name of the person here who has administrator
privileges on the Lyra.
Version String
Displays the version of the internal software and the release date
FPGA Version String
Displays the version of the FPGA software
MAC Address
Displays the MAC address of the Lyra (Unique Lyra/Ethernet identifier)
System Up Time
Displays the online time from the last time the Lyra was activated
Sample rate
Displays the sample rate currently used by the Lyra
Control Surface 1
Displays if a control surface is connected on channel 1. Module 1..4
User
Displays which user operates control surface 1. Logon occurs by
chipcard.
Control Surface 2
Displays if a control surface is connected on channel 2 Module 5..8
User
Displays which user operates control surface 2. Logon occurs by
chipcard.
Cobranet
Displays if Cobranet is installed
Internal Temperature
Displays the internal temperature of the 19" rack
Internal Voltage
Displays the voltage of the 5V rail inside the 19" rack
Webpage
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11.3 Network Settings
The Network Settings screen of the Lyra displays the settings that can be made regarding network usage.
Figure 25: Network Settings
Name/Description
You can enter a networking name for the Lyra. Max 64 characters.
Location
You can enter the name of the location where the Lyra is active. Max 64
characters.
Contact
You can enter the name of the person here who has administrator
privileges on the Lyra. Max 64 characters.
DHCP
The DHCP option enables the Lyra to search the network for the DHCP server.
When found the Lyra automatically requests an IP address. The 'Current DHCP'
section indicates whether the DHCP function is active or not. When displaying the
IP address the DHCP function is active. When displaying 'Static/Fixed IP' the
DHCP function is disabled and a static IP is used.
Note: The DHCP function only works at Boot-time. The Boot-time will be
longer if using DHCP (up to one minute if the DHCP server will not react!)
IP Address
This section lets you change the IP address. This only works if the DHCP
function is disabled. After changing the IP address the Lyra needs to be
restarted to make the changes permanent. 'Current IP' shows the IP address
that is currently used by the Lyra.
Subnet Mask
Lets you change the subnet mask if necessary. Default value is 255.255.255.0.
You can only change the Subnet mask if the DHCP option is disabled.
Gateway
Lets you change the gateway address. This address can only be changed if
the DHCP option is disabled.
Webpage
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Local Date - Time Displays the time retrieved from a NTP timeserver. NTP means Network Time
Protocol. This is a standard protocol which is used to transmit UTC-time to
clients. For more information you can visit http://www.ntp-time-server.com/
.
For the correct time to display you need to set the corresponding time zone.
Last Time Synced
Displays the last time the Lyra clock was synchronized by the NTP
server. The IP address represents the chosen NTP server to synchronize
by. Last section displays the time before next synchronization. Setting this IP
address to 0.0.0.0 disables the NTP function.
HTTP Connection
Displays the time that the HTTP port 80 socket was open during data
transport. Because the time for retrieving a webpage is less than a second the
section. (normally displays 00:00:00). Also the user that opened the port is
displayed.
FTP Control Connection
Displays the time the FTP control port 21 was opened and by which
user. The disconnect button disconnects any user which is connected
to the port.
FTP Data Connection
Displays the time the FTP data port 20 was opened and by which user.
The disconnect button disconnects any user which is connected to the
port.
TCP Connection
The TCP connection is used for a special ActiveX application which
can run inside a browser window. The ActiveX application displays a
virtual 8 fader control-unit of the Lyra. With this you are able to control
the Lyra from a remote area.
You can see how long the connection is opened what the delay is and
the maximum refresh-rate of the VU-bars. The disconnect button
disconnects any user which is connected to the port.
Maximum Update Speed
The refresh option lets you choose the refresh rate for the ActiveX
application. For optimum results please select a same value or lower
for the refresh than the indicated value. Choosing the refresh-rate
higher than the indicated value will result in an increased delay-time.
This affects real-time remote operation. You can also use this option to
reduce network traffic and thus save bandwidth.
Connection Information
The Lyra Connection log displays a log file with maximum of 64 entry's
of the last users that logged on to the Lyra Webpage, FTP or ActiveX.
Webpage
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11.4 Cobranet Settings
The Cobranet settings page displays the global settings for the Cobranet module.
Figure 26: Cobranet Settings
Firmware version
Displays the current firmware version inside the Cobranet module.
MAC
Displays the MAC address of the Cobranet module.
Current IP
Displays the current IP address in use by the Cobranet Module.
Static IP to use
Lets you adjust the current IP address of the Cobranet module. You must reset
the console for changes to take effect.
Name/Description
You can enter a networking name for the Cobranet module. Max 21
characters.
Location
You can enter the name of the location where the Cobranet module is
active. Max 21 characters.
Contact
You can enter the name of the person here, which has administrator
privileges on the Lyra/Cobranet module. Max 21 characters.
Cobranet devices can be setup remotely through SNMP commands. The D&R CobraNet Manager for
example uses this protocol to setup multiple cobranet devices in a network. If you don't want anyone to
read from or write in device configurations than you protect these with the following community strings.
Read Community
The read community is a password protection against read requests through the
SNMP protocol.
Read/Write Community
The read/write community is a password protection against read or writes
requests through the SNMP protocol.
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The table displays the status and settings for the CobraNet module. There are 4 transmitting channels (TX)
and 4 receiving channels (RX). Each channel consists of 8 sub-channels. Inside each sub-channel we can
store 1 mono audio-source at 48kHz. The bundle-number represents an addressing-number. This number
can vary between 256 and 65535 (unicast bundles).
Rx section
Status
The status of a channel tells you whether the channel is active or
inactive.
Dropouts
Displays the number of frames that didn't reach destination properly.
Bundle
Let's you choose the bundle number that you want to receive. (256-65535).
Tx section
Dropouts
Displays the number of frames that didn't reach destination properly.
Bundle
Let's you choose the bundle number that you want to transmit. (256-65535).
Sub channels
Displays the number of sub channels per channel that are routed (in use).
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11.5 Global Settings
In the global setting screen you can make all kinds of basic settings.
Figure 27: Global Settings
Clock Source
Clock source lets you choose the clock to which you want to synchronize the
Lyra. You can choose the following sources.
- 32 kHz internal
- 44.1 kHz internal
- 48 kHz internal
- Extern
- 48 kHz Cobranet
The clock frequency chosen is also the clock which is on the Word-clock OUT.
Note:
If you are using Cobranet you have to select 48 kHz Cobranet
clock. If not the Cobranet input selections menu options will be
disabled.
Digital Nominal Level
Lets you adjust the headroom for the digital outputs. See also chapter 6.
Auto CUE Reset
This option resets the CUE when a channel goes on air. When this option is
enabled you need to set per channel if you want a local or a total CUE reset.
CUE to CRM
When this option is set the CUE buss will automatically be routed to the CRM
buss when the CUE is activated on a channel.
CRM interlock
If this option is enabled you can only route one buss at a time to the CRM
buss.
CRM Dim
You can set the amount of dimming you want on the CRM buss when pressing
the DIM button one the Control-surface. (0 to -144dB)
CUE to CRM Dim
When activating a CUE when CUE to CRM is active, the signal level on the
CRM buss will be dimmed by the specified value (0 to -144dB).
EQ Range
The EQ range indicates the range that the three EQ levels can be adjusted. (0
to 18dB)
Aux Pre
Determines if Aux signal is retrieved pre-fader or post-fader.
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Extern1/2 The Lyra has 2 extra CRM inputs onboard. Extern 1 and 2. Here you can
select which input source you want to assign to these inputs.
Talkback MIC
When selecting the Talkback button, the chosen input will be directly put
through on all the outputs who have Conference Talkback active.
11.5.1 GPI 1 to 6
The GPI can receive a signal from the outside and generate an event of choice.
Figure 28: General Purpose Input (GPI)
Type
Latching
When a GPI is triggered the state changes and stays that way until the GPI is
triggered again.
Momentary
W hen a GPI is triggered the state changes but changes back to is resting state
as soon as the triggering is over.
Action
MIC1..4 Cough
When triggered MIC 1..4 will be dimmed.
Redlight 1..2
When triggered redlight 1..2 will be activated.
Talkback
When triggered the talkback function will be activated.
CRM Dim
W hen triggered CRM will de dimmed.
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11.5.2 GPO 1 to 6
The GPO sends trigger-signals to other devices.
Figure 29: General Purpose Output (GPO)
Type
Continuous
GPO is the action state. (If action redlight is active, GPO is active)
On Pulse
GPO pulses when action becomes active
Off Pulse
GPO pulses when action becomes inactive
Action
MIC1..4
The activation of MIC1..4 triggers the GPO
Redlight1..2
The activation of Redlight1..2 triggers the GPO
RemoteBuss 1..4
The activation of Remote Buss 1..4 triggers the GPO
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11.6 Input Settings
The input settings menu is displayed in the next figure:
Figure 30: Input Settings
In this menu you can see all the inputs of the Lyra. You can adjust the corresponding label per input. Each
of the inputs has its advanced settings. If Cobranet is not installed the “Cobranet input settings” menu is
not available.
11.6.1 Advanced input settings
Figure 31: Advanced input settings
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The 'Advanced Input Setting' screens for the analog inputs, the digital inputs and the Cobranet inputs are
the same except for a few option, which are grayed out if the function is not present. The settings for the
MIC inputs are also the same except for one section.
Input Correction
Phase
Inverts the phase of the signal.
Swap L/R
Exchanges the left and the right audio channel.
L to LR
The signal from the left channel is copied to the right channel.
R to LR
The signal from the right channel is copied to the left channel.
Module Function
Level/Headroom Trim (DSP)
The possibility to trim the level of the source from -20dB to +20dB.
MIC Gain (MIC Only!!)
The possibility to trim the level of the MIC inputs from 0dB to +60dB.
EQ Active
Enables the EQ functionality.
Dynamics Active
Enables the dynamics functionality.
Remote
Type
You can select continuous and pulse for the remote signal. Continuous changes state only
at action and pulse changes state shortly after action.
Action
Select the action that triggers the remote. Fader and ON switch means that the remote will
only be triggered when both the fader is open and the channel is ON. With this option
disabled you get a fader or ON switch situation. This means trigger occurs at fader ON
and ON switch independently.
On switch
Local Function
Audio On/Off enables you to disable the audio function of the On switch. This way you can
use the On switch only to trigger the remote.
Trigger On Remote causes a trigger when the channel is enabled by On switch. Trigger
Off remote causes a trigger when the channel is disabled by the On switch.
Note:
When the audio function is disabled you will get a retrigger signal when
pressing the ON switch regardless the settings for trigger On/Off remote.
Action
Latching means that the On switch holds its state until pressed again. Momentary means
that the On switch changes state again at the moment of release.
Remote Buss
Here you can select if the ON switch must activate a remote Buss (1..4)
CUE Switch
Local Function
Same for On switch => Function
Action
Same for CUE switch => Action
Remote Buss
Here you can select if the CUE switch must activate a remote Buss (1..4)
Fader
Local Function
W ith the Trigger On/Off remote option you can select if you want a trigger when the
fader opens, fader closes, fader opens and closes and fader closes.
Remote Buss
Here you can select if the fader must activate a remote Buss (1..4)
Cobranet
Local Function
Determines how the incoming cobranet remote must be treaded. NOTE: Because the
cobranet remote always is continuous at least one option must be marked for the
cobranet remote to be passed on. W hen no options are marked the remote will not be
passed through.
Remote Buss
Here you can select if the incoming cobranet remote must activate a remote Buss
(1..4)
Input Active Generates
Redlight1..2
Option to activate Redlight 1..2 when input goes on air.
CRM Mute
Option to mute CRM when input goes on air.
Studio Mute
Option to mute Studio output when input goes on air.
Total CUE Reset
Option to do a total CUE reset when input goes on air.
Local CUE Reset
Option to do a local CUE reset when input goes on air.
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11.7 Cobranet input Settings
If Cobranet is not installed the “Cobranet input settings” menu is not visible.
Figure 32: Cobranet Input Settings
The idea behind the Cobranet Input Settings is basically the same as the normal Input Settings. Each
bundle pair represents one 48kHz stereo channel. You can rename each label for your own purposes.
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11.8 Output Settings
Figure 33: Output Settings
The Output Settings enables you to route inputs or busses to the outputs. The labels of the outputs can be
renamed for specific purposes. If Cobranet is not installed “Cobranet output settings” menu is not visible.
Each output has three settings.
Conference Talkback
The “Talkback MIC” selected in the Global Settings menu will be put
through directly to the output with the [Conf. TB] setting activated.
Studio Mute
All of the outputs, with Studio Mute enabled, will be muted when Studio
mute is activated.
CRM Mute
All of the outputs, with CRM Mute enabled, will be muted when CRM
mute is activated.
11.8.1 Advanced Output Settings
The setting for the analog and digital outputs are nearly identical. The only difference can be found in the
bit settings of the digital outputs and the Cobranet outputs.
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Source Selection You can select what kind of routing you want to the output. You
can select any of the inputs to be directly routed to an output. You
can also select a buss to be routed to an output. You can select
PROG,SUB, AUX, CUE and CRM at -20dBFS. For the digital outputs
you can choose the buss at –20dBFS or at the user-setup digital headroom level at the Global Settings of the Lyra.
Professional/Consumer
You can set this bit to determine if the digital signal is professional or
consumer.
Copybit
With this bit set you give the signal the 'Copy' marking.
Original
With this bit set you give the signal the 'Original' marking.
Note:
Copybit and Original bit setting are only effective when signal is set to consumer-mode.
11.9 Cobranet Output Settings
If Cobranet is not installed “Cobranet output settings” menu is not visible.
Figure 34: Cobranet Output Settings
Each bundle pair represents a stereo audio-signal and can be renamed for specific purposes. Just like the
normal Output Settings there are also three options per bundle pair available.
Conference Talkback, Studio Mute and CRM Mute. These three options are already discussed in chapter
11.8.
The Advanced Cobranet Settings menu is already discussed in chapter 11.8.1.
Note:
The bit setting for Cobranet are grayed out for now.
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11.10 Security Settings
The security setting of the Lyra gives users the option to secure the Lyra against misuse of any kind. It's
possible to create a database of multiple users who have all kind of different access-levels to the Lyra.
Users names can be stored on personal chip-cards. The chip-cards can be used to allow access to the
control-surfaces. The chip-cards are fully compatible with the other D&R products like the Sirius and the
Scorpius.
All these settings can be made in the Security Settings menu.
Figure 35: Security Settings
11.10.1 Users and Levels
Figure 36: User and Level Settings
The User and Level menu gives the user the option create or alter user accounts for the Lyra. In the
'change settings' menu you can adjust the name and the security level of the user. You can also assign a
password to the user.
Note:
The password is case sensitive.
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Each user has the ability to store his personal settings made on the control-surface and in the Global
Settings menu. The 'Store' button stores your personal settings inside the Lyra. 'Recall' loads your
personal setting for you.
Each user has an extra checkbox called 'Preset by Chip-card'. When this option is set you preset will
automatically be loaded as soon as you insert your chip-card in the control-surface.
Note:
When removing a chip-card, the user will change but the loaded settings will stay!
The following setting are stored in a user-preset;
Module 1..8: - Source
- Gain
- Mono
- EQ High
- EQ Mid
- EQ Low
- EQ On
- Dynamics
- Aux Level
- Panning
- Prog ON
- Sub ON
Global Settings - EQ Range
- Aux PRE/POST
- Extern 1/2
Figure 37: User Settings
To delete a user simply empty the username and the password field and change the level back to operator.
There are 6 different user-levels in the Lyra.
System Administrator
This level is the absolute highest you can assign to a user. This level
has fixed privileges and can't be limited.
Supervisor
This is a user definable level.
Operator 1
This is a user definable level.
Operator 2
This is a user definable level.
Unknown
Unknown user is basically the same as Idle user but is used when a
user logs on to the webpage with a username/password that doesn't
exist in the database.
Idle
Idle level can't be selected but is automatically used when logged on to
the webpage without username an password.
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11.11 Chipcard Settings
Figure 38: Chipcard Settings
You can use this menu to program or reprogram chip-cards. When creating a user on the chip-card you
must make sure that the user is also in the database. If not the user will be identified as 'Unknown'. In this
case you will have no privileges on the control-surface.
If you have a second control surface you can choose which modules chip card overrules the other.
If you have a combined 8-fader console you have to mark the setting "Control surface 2 chip card
determines user level for control surface 1" for correct chip card functionality.
To program a chip-card simply type the username (max 32 characters) in the 'Chip card name' field. Type
a password in the 'Chip card password' field (max 16 characters) and re-type the password in the 'Retype
password' field (max 16 characters). Now press 'Write to Chip-card' and the data will be written to the chipcard.
To erase the chip-card simply blank out the username field and the password fields and rewrite the chipcard again.
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11.12 Control Surface Levels
Figure 39: Control Surface Levels
The control-surface settings enable you to assign privileges to 5 different user-levels. You can set the
following functions for each user-level.
Control Surface 1
With this option you can enable/disable users to access the control surface 1.
Control Surface 2
With this option you can enable/disable users to access the control surface 2.
Encoder Function
When activated user acquires privilege to operate the encoders.
Network Setup
When activated user acquires privilege to setup the network through the
control surface.
Input Routing
When activated user acquires privilege to operate input routing.
Gain
When activated user acquires privilege to operate the gain function.
Mono
When activated user acquires privilege to operate the mono function.
EQ
When activated user acquires privilege to setup the EQ.
Dynamics
When activated user acquires privilege to setup Dynamics.
Aux
When activated user acquires privilege to setup Aux.
Pan
W hen activated user acquires privilege to use panning.
Buss Routing
W hen activated user acquires privilege to route busses (Prog/Sub).
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11.13 Input Pool Levels
Figure 40: Input Pool Levels
The Input Pool Level Setting menu enables you to prevent users will access the inputs from the controlsurface.
This option is also available for the Cobranet input channels if Cobranet is available in your Lyra.
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11.14 Network Levels
With the network levels setup you can deny users certain menus and options on the webpage. You can
also deny specific privileges on the FTP server and refuse connection to the ActiveX application.
Figure 41: Network Levels
HTTP
System Information
Grants user-level permissions to access the System Information menu.
Network Settings
Grants user-level permissions to access the Network Settings menu.
Cobranet Settings
Grants user-level permissions to access the Cobranet Settings menu.
Global Settings
Grants user-level permissions to access the Global Settings menu.
Input Settings
Grants user-level permissions to access the Input Settings menu.
Output Settings
Grants user-level permissions to access the Output Settings menu.
Security Settings
Grants user-level permissions to access the Security Settings menu.
FTP
Preset Directory
Grants user-levels access to the Preset directory on the FTP server.
Flash Directory
Grants user-levels access to the Flash directory on the FTP server.
Security Directory
Grants user-levels access to the Security directory on the FTP server.
TCP/IP (20000)
Connection
Enables users to access the Lyra by the ActiveX application.
FTP
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12 FTP
The Lyra also contains a FTP server (File Transfer Protocol) which may be used to transfer files from
and to your PC. The information you can exchange is stored in three directories:
Presets, Security, Flash. Depending on your rights given in the security section of the web-pages, you
are able to browse and download/upload files.
To do so, you can use a standard FTP-Client or even an Internet-explorer, be aware you can only open
ONE connection to the FTP server at the same time (this causes an Internet-explorer sometime times
to generate 'not found' messages because an Internet-explorer tries to use more connections at the
same time).
12.1 Presets
The Preset directory contains the file 'Current Preset.Lyra' this file contains all information of the Lyra
(except security and level settings). If you would get a snapshot of the Lyra's current situation (EQ,
routing, remotes etc...) you can store this file on your FTP-client.
If that file is restored, the Lyra will immediately jump to the settings in the file which is uploaded.
12.2 Security
The Security directory contains two files: 'Users.Lyra' and 'Levels.Lyra'.
The file 'Users.Lyra' stores all information like: Username, Password and security level.
So if you want to transfer the list of Users to different Lyra systems you can use the file 'Users.Lyra'
The file 'Levels.Lyra' contains the information regarding the user levels. This file can be uploaded to
different Lyra systems to get the same security level settings.
12.3 Flash
The Flash Directory holds several Firmware files. Those files are used for the internal software to run.
If you need to update those files you must carefully follow the instructions supplied by the support
engineer.
DON'T ACCESS THIS DIRECTORY WITHOUT INSTRUCTIONS OF A SUPPORT ENGINEER.
Lyra EQ Tool
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13 Lyra EQ Tool
The Lyra has a 3 band fully parametric equalizer. The gain can be adjusted on the control-surface. The
gain for each band can be set independently on each channel. The other two parameters, Frequency
and Bandwidth, are adjustable but are the same for all the channels.
To adjust the frequency and bandwidth parameters you can use the Lyra EQ Tool located on the CDROM.
Figure 42: Lyra EQ Tool
You can use your mouse to rotate the potmeter which changes the EQ parameters. It's also possible to
use your mouse to pick up a white spot and move it around until you reach the EQ settings you want.
If you reach the preferred EQ setting you can save it to a file by using the File => Save menu. To
implement the settings in the Lyra you have to use FTP to place the file inside the Flash directory. The EQ
settings for each channel have to be altered at least once to take over the new EQ settings.
ActiveX Application
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14 ActiveX Application
The ActiveX application is a utility which allows you to control the Lyra from a remote area. The application
is a graphical user interface which displays a combination of the 2 control-surfaces. You have exactly the
same options as 2 control surfaces together.
Figure 43:The ActiveX application
In the picture above you can see an overview of all the module-settings from both of the controlsurfaces together. The application works parallel with the control-surfaces. All the settings made
through software or control-surface affect the other real-time.
To set the potmeter just left-click your mouse on it and hold your left button. Now move the mouse in
the direction in which you want to move the potmeter. To reset the potmeters or fader to 0 dB position
just double-click on it.
All the functionalities of the application are also programmable into scripts. This is very helpful for
example to program multiple presets side by side. You need to have some knowledge about using the
mixing console and about programming and/or scripting (e.g. Visual Basic).
You can find all the script-functions with explanation in the appendix and on the CDROM.
Specifications
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15 Specifications
15.1 General system parameters
Level specs in dB Full Scale for digital and dBu for analog data.
0dBu=0.775Vrms
Sampling rate: 32kHz, 44.1kHz, 48kHz, 50ppm (when internally synchronized).
Headroom: 20 dB
15.2 A/D and D/A Converters
A/D Burr Brown/Texas Instruments 24 bit Delta Sigma
Dynamic range: typically 112 dB
THD+Noise: <-102 dB
D/A Burr Brown/Texas Instruments 24 bit Advanced Segment
Dynamic range: typically 113 dB
THD+Noise: <-100 dB (0.001%)
15.3 Microphone Inputs
Mic INP. Bal. 2kOhm
Signal to noise: - 128dBr (60dB gain)
CMRR: Mic input max. Gain: 50Hz 75dB
Phantom is switchable +48volt
15.4 Line Inputs
Input sensitivity: -20dB to.+20dB
Line inp. bal 10kOhm
Signal to noise: -100dBr (20 dB gain)
CMRR: Line input max.. gain: 50Hz 50dB
LINE OUTPUTS
+4dBu / -10dBV electronically balanced or optional transformers.
15.5 Equalizer
LF: +/- 18 dB @ 120Hz Peaking
MF: +/- 18 dB @ 1200Hz Peaking
HF: +/- 18 dB @12000Hz Peaking
15.6 Digital Inputs
AES/EBU (AES3), S/P-DIF, Optical (Toslink)
16/20/24 bit 32kHz to 96kHz (built in sample rate converter).
THD+N: -105dBfs @1kHz, 0dBfs
Frequency response: 20-20kHz, 0.1 dB
Input impedance: 110 Ohm (XLR) 75Ohm (cinch)
Specifications
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15.7 Digital Outputs
AES/EBU/AES3, S/P-DIF, Optical (Toslink) active at the same time.
16/20/24 bit, 32kHz to 48kHz (System clock).
Output level: 2 to 5 volts
Output impedance: 110 Ohm
Clock output: 75 Ohm TTL.
15.8 System Clock
System clock internally 32kHz, 44.1kHz, 48kHz, 50ppm.
Frame clock out: BNC 75 Ohm TTL
Frame clock in: BNC 75 Ohm terminator switch, TTL 32kHz to 48kHz
15.9 Remotes
All channel remotes are isolated on relays and interfaced on 9 pin Sub-D connectors. More info: isolated
PhotoMOS Relays, Ron-max 12ohm, Imax=200mA, 24Vmax
15.10 Dimensions and Weight
Desktop layout: W idth=260mm Height=85mm Depth=370mm
19”rack in/output unit: Width= 485mm Height=88.5mm Depth=300mm
Notes: 0dBu=775 mV.
All measurements were made on an
Audio Precision system Two.
For more info on this and many other broadcast consoles contact your nearest dealer or D&R HQ.
D&R Electronica Weesp b.v.
Rijnkade 15B,
1382GS Weesp-The Netherlands
Phone: +31 - 294-418 014
Fax: +31 - 294-416 987
Website: http://www.d-r.nl.
Mail to: info@d-r.nl
D&R reserves the right to change these specs at any time, due to new product improvements and new
components.
Declaration of Conformity
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DECLARATION OF CONFORMITY
Manufacturers Name: D&R Electronica Weesp b.v.
Manufacturers Address: Rijnkade 15B,
1382 GS Weesp,
The Netherlands
Declares that the product
Lyra series
conforms to the following product specifications:
EMC: NEN-EN 55103-1 1995
NEN-EN 55103-2 1995
NEN-EN 55013-1 1994
Supplementary Information:
The products herewith complies with the requirements of the EMC Directive 89/336/EEC (1989) as
amended by the CE Marking Directive 93/68/EEC (1993).
D&R Electronica Weesp b.v.
Rijnkade 15 B
1382 GS WEESP
The Netherlands
President of Engineering
(*) The product is tested in a normal users environment.
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Page 60
Dear Lyra owner,
In this manual we have tried to give you an overview of all that the Lyra has to offer. As it is our policy to
continuously improve on our products, this manual will be updated regularly. Please visit our web site
http://www.d-r.nl/
to download the latest version of this manual. If you have any questions, do not hesitate
to contact us.
We wish you many years of enjoyable mixing.
Best regards,
Duco de Rijk
President
D&R Electronica Weesp b.v.
Rijnkade 15B
1382 GS, WEESP
The Netherlands
Phone: ++31(0)294-418 014
FAX: ++31(0)294-416-987
Website: http://www.d-r.nl/
E-mail: mailto:info@d-r.nl
We hope you find this manual useful and easy to understand. As always, we are open to any suggestions
about this manual or any D&R products.
Due to a policy of continuous product improvement, D&R reserves the right to change specifications
and appearance without prior notice
List of Figures
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16 List of Figures
Figure 1: Audio Signal Flow ................................................................................................................... 10
Figure 2: OSI Model ............................................................................................................................... 14
Figure 3: Network Implementation ......................................................................................................... 14
Figure 4: Star Network ........................................................................................................................... 18
Figure 5: 9 pins female Sub-d ............................................................................................................... 19
Figure 6: Microphone inputs at front ...................................................................................................... 19
Figure 7: Microphone inputs at rear side ............................................................................................... 20
Figure 8: Analog Line Inputs at rear side ............................................................................................... 21
Figure 9: Analog Line Front Input .......................................................................................................... 21
Figure 10: Program/Sub/Aux/CRM outputs at rear side ........................................................................ 22
Figure 11: Phones output at 19" rack .................................................................................................... 23
Figure 12: Digital Input/Output at rear side ............................................................................................ 24
Figure 13: Digital Input/Output at Front side .......................................................................................... 24
Figure 14: GPIO connections at rear side ............................................................................................. 25
Figure 15: Word Clock In and Out at rear side ...................................................................................... 25
Figure 16: Redlight GPO ....................................................................................................................... 26
Figure 17: RS232 at rear side ................................................................................................................ 26
Figure 18: Ethernet connection at rear side........................................................................................... 26
Figure 19: Control Surface connection at rear side ............................................................................... 27
Figure 20: Cobranet Option at rear side ................................................................................................ 28
Figure 21: The 4-fader Control Surface of the Lyra ............................................................................... 29
Figure 22: The 8-fader Control Surface of the Lyra ............................................................................... 30
Figure 23: Openingscreen of the webpage............................................................................................ 34
Figure 24: System Information .............................................................................................................. 35
Figure 25: Network Settings .................................................................................................................. 36
Figure 26: Cobranet Settings ................................................................................................................. 38
Figure 27: Global Settings ..................................................................................................................... 40
Figure 28: General Purpose Input (GPI) ................................................................................................ 41
Figure 29: General Purpose Output (GPO) ........................................................................................... 42
Figure 30: Input Settings ........................................................................................................................ 43
Figure 31: Advanced input settings ....................................................................................................... 43
Figure 32: Cobranet Input Settings ........................................................................................................ 45
Figure 33: Output Settings ..................................................................................................................... 46
Figure 34: Cobranet Output Settings ..................................................................................................... 47
Figure 35: Security Settings ................................................................................................................... 48
Figure 36: User and Level Settings ....................................................................................................... 48
Figure 37: User Settings ........................................................................................................................ 49
Figure 38: Chipcard Settings ................................................................................................................. 50
Figure 39: Control Surface Levels ......................................................................................................... 51
Figure 40: Input Pool Levels .................................................................................................................. 52
Figure 41: Network Levels ..................................................................................................................... 53
Figure 42: Lyra EQ Tool ........................................................................................................................ 55
Figure 43:The ActiveX application ......................................................................................................... 56
List of Tables
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17 List of Tables
Table 1: Level Definitions ...................................................................................................................... 12
Table 2: Pinning MIC Input 4-3 and MIC Input 2-1 ................................................................................ 20
Table 3: Pinning Inserts ......................................................................................................................... 20
Table 4: Pinning for Stereo Input 1..4 and Mono Input 5..6 ................................................................... 21
Table 5: Pinning for PROGRAM, SUB, AUX and CRM ......................................................................... 22
Table 6: Pinning Dig I/0 1..6 .................................................................................................................. 24
Table 7: Pinning GPIO's ........................................................................................................................ 25
Table 8: Pinning Control Surface connector .......................................................................................... 27
Index
Lyra Digital Mixer from D&R Phone +31 294 418014, email: info@d-r.nl Page 63
18 Glossary
dBFS .............................................................. 13
dBu ................................................................ 13
DHCP ............................................................. 18
hybrid ............................................................. 22
IP ............................................................. 10; 16
IP Address ..................................................... 16
levels ............................................................. 13
microphones .................................................. 20
Network Addressing ...................................... 16
phantom ........................................................ 20
ping ............................................................... 17
Subnet ........................................................... 17
Subnet Mask ................................................. 17
TCP/IP ........................................................... 16
telephone hybrid ............................................ 22
Appendix
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19 Appendix
19.1 Appendix A: Blockdiagram of the Lyra
The picture below represents the Lyra. Basically there are two main blocks. The Mixing Console and the
I/O Matrix.
The Mixing console is the section where all the audio-processing takes place.
The I/O Matrix is a very advanced matrix which gives you not only the possibility to route the busses to the
outputs, but also the possibility to route any input directly to an output without interference from the Mixing
Console.
The modules + external 1..2 come from the I/O Matrix and enter the Mixing Console where the audio is
processed and routed to the busses. The busses exit the Mixing console to there dedicated outputs and
back to the I/O Matrix where they can be routed to any output.
Prog
Sub
Aux
CRM
N-1A
N-1B
B
U
S
S
E
S
Mixing Console
Fixed Analog Outp uts
MODULES
+
EXT1..2
I/O Matrix
Appendix
Lyra Digital Mixer from D&R Phone +31 294 418014, email: info@d-r.nl Page 65
19.2 Appendix B: Lyra ActiveX Scripts
Properties:
Unsigned char *IP
//eg. Format: “XXX.XXX.XXX.XXX”
Bool Visible
//Makes the object 1=Visible/0=Invisible
Bool Active
//Specifies whether the object is active and has focus
Bool Enabled
//Controls whether the object responds to mouse events.
Int Left
//Specifies the horizontal coordinate of the left edge of a component //relative to its parent.
Int Top
//Specifies the Y coordinate of the top left corner of a control, //relative to its parent or
containing control in pixels.
Int Width
//Specifies the horizontal size of the control or form in pixels
Int Height
//Specifies the vertical size of the control in spixels
Events:
OnFaderOn(ModuleNr)
//When a fader opens this event is generated
OnFaderOff(ModuleNr)
//When a fader closes this event is generated
OnChannelOn(ModuleNr)
//When a On switch is turned ON this event is generated
OnChannelOff(ModuleNr)
//When a On switch is turned OFF this event is generated
OnCUEOn(ModuleNr)
//When a CUE switch is turned ON this event is generated
OnCUEOff(ModuleNr)
//When a CUE switch is turned OFF this event is generated
OnConnect()
//When Connection is made to a Lyra this event is generated
OnDisconnect()
//When The object is Disconnected from the Lyra this event is generated
OnLoggedOn(long SecurityLevel)
//When a new user logs on an event is generated and returns the userlevel
//0 = Idle
Appendix
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//1 = Unknown user
//2 = Operator 1
//3 = Operator 2
//4 = Supervisor
//5 = System Administrator
OnRemoteBuss1(long State)
//If the Remote Buss 1 changes, its gives the new state with this event
OnRemoteBuss2(long State)
//If the Remote Buss 2 changes, its gives the new state with this event
OnRemoteBuss3(long State)
//If the Remote Buss 3 changes, its gives the new state with this event
OnRemoteBuss4(long State)
//If the Remote Buss 4 changes, its gives the new state with this event
OnRedlight1(long State)
//If the Redlight 1 changes, its gives the new state with this event
OnRedlight2(long State)
//If the Redlight 2 changes, its gives the new state with this event
Methods:
Void ConnectToIP()
//Connects to IP
Void Disconnect()
//Disconnect from IP
Void Logon(unsigned char *Username, unsigned char *Password)
//Log on if a user and password
Void SetSource(long ModuleNr, long Source)
//Set ModuleNr Source, Source may be 0 till 34
//0 = N.C.
//1-4 = MIC1-MIC4
//5-11 = Analog1-Analog7
//12-18 = Digital1-Digital7
//19-34 = Cobra1/2 – Cobra31/32
Void SetOn(long ModuleNr, long State)
//Set ON switch at ModuleNr, 1=Switch Down/0=Switch Up
Void SetCUE(long ModuleNr, long State)
//Set CUE switch at ModuleNr, , 1=Switch Down/0=Switch Up
Void SetSub(long ModuleNr, long State)
//Set SUB Routing at ModuleNr, 1=Switch Down/0=Switch Up
Void SetProg(long ModuleNr, long State)
//Set PROG Routing at ModuleNr, 1=Switch Down/0=Switch Up
Void SetEQOn(long ModuleNr, long State)
//Set EQ On at ModuleNr, 1=Switch Down/0=Switch Up
Void SetMono(long ModuleNr, long State)
//Set Mono at ModuleNr, 1=Switch Down/0=Switch Up
Appendix
Lyra Digital Mixer from D&R Phone +31 294 418014, email: info@d-r.nl Page 67
Void SetGain(long ModuleNr, long Value)
//Set Gain at ModuleNr, Value may be -20 dB till 20 dB
//For Source 0-3 = MIC1-MIC4: Value may be 0 dB till 60 dB
Void SetEQHigh(long ModuleNr, long Value)
//Set EQ High at ModuleNr, Value may be -18 dB till 18 dB
Void SetEQMid(long ModuleNr, long Value)
//Set EQ Mid at ModuleNr, Value may be -18 dB till 18 dB
Void SetEQLow(long ModuleNr, long Value)
//Set EQ Low at ModuleNr, Value may be -18 dB till 18 dB
Void SetDynamics(long ModuleNr, long Value)
//Set Dyn at ModuleNr, Value may be 0% till 100%
Void SetAux(long ModuleNr, long Value)
//Set Aux at ModuleNr, Value may be -140 dB till 10 dB
Void SetPan(long ModuleNr, long Value)
//Set Pan at ModuleNr, Value may be -511 till 512
Void SetFader(long ModuleNr, long Value)
//Set Fader at ModuleNr, Value may be –140dB till 10dB
Void SetCRMLevel(long Level)
//Set Fader at ModuleNr, Value may be –140dB till 10dB
Void SetProgToCRM(long State)
//Set Prog to CRM at ModuleNr, 1=Switch Down/0=Switch Up
Void SetSubToCRM(long State)
//Set Sub to CRM at ModuleNr, 1=Switch Down/0=Switch Up
Void SetAuxToCRM(long State)
//Set Aux to CRM at ModuleNr, 1=Switch Down/0=Switch Up
Void SetCUEToCRM(long State)
//Set CUE to CRM at ModuleNr, 1=Switch Down/0=Switch Up
Void SetExt1ToCRM(long State)
//Set Ext1 to CRM at ModuleNr, 1=Switch Down/0=Switch Up
Void SetExt2ToCRM(long State)
//Set Ext2 to CRM at ModuleNr, 1=Switch Down/0=Switch Up
Void SetCRMDim(long State)
//Set CRM Dim at ModuleNr, 1=Switch Down/0=Switch Up
Void SetTB(long State)
//Set Talkback at ModuleNr, 1=Switch Down/0=Switch Up
Void SetRedlight(long RedlightNr, long State)
//Set Redlight buss on or off
// RedlightNr = 0 -> buss 1
// RedlightNr = 1 -> buss 2
Void SetRemoteBuss(long RemoteBussNr, long State)
//Set Remote buss on or off
// RemoteBussNr = 0 -> buss 1
Appendix
Lyra Digital Mixer from D&R Phone +31 294 418014, email: info@d-r.nl Page 68
//...
// RemoteBussNr = 3 -> buss 4
Long GetSource(long ModuleNr)
//Get ModuleNr Source, Source may be 0 till 34
//0 = N.C.
//1-4 = MIC1-MIC4
//5-11 = Analog1-Analog7
//12-18 = Digital1-Digital7
//19-34 = Cobra1/2 – Cobra31/32
Long GetCUE(long ModuleNr)s
//returns 1=ON/0=OFF
Long GetEQHigh(long ModuleNr)
//returns –18 dB till 18 dB
Long GetEQLow(long ModuleNr)
//returns –18 dB till 18 dB
Long GetEQMid(long ModuleNr)
//returns –18 dB till 18 dB
Long GetEQOn(long ModuleNr)
//returns 1=ON/0=OFF
Long GetGain(long ModuleNr)
//returns –20 dB till 20 dB
Long GetMono(long ModuleNr)
//returns 1=ON/0=OFF
Long GetProg(long ModuleNr)
//returns 1=ON/0=OFF
Long GetSub(long ModuleNr)
//returns 1=ON/0=OFF
Long GetAux(long ModuleNr)
//returns 1=ON/0=OFF
Long GetDynamics(long ModuleNr)
//returns 0% till 100%
Long GetFader(long ModuleNr)
//returns –140dB till 10dB
Long GetPan(long ModuleNr)
//returns –511 till 512
Long GetOn(long ModuleNr)
//returns 1=ON/0=OFF
Long GetMasterLevel(long LeftRight)
//LeftRight = 0 -> Left, LeftRight = 1 -> Right
//returns –140dB till 10dB,
Long GetModuleLevel(long ModuleNr)
//returns –140dB till 10dB
Long GetCRMLevel()
Appendix
Lyra Digital Mixer from D&R Phone +31 294 418014, email: info@d-r.nl Page 69
//returns –140dB till 10dB
Long GetProgToCRM()
//returns 1=ON/0=OFF
Long GetSubToCRM()
//returns 1=ON/0=OFF
Long GetAuxToCRM()
//returns 1=ON/0=OFF
Long GetCUEToCRM()
//returns 1=ON/0=OFF
Long GetExt1ToCRM()
//returns 1=ON/0=OFF
Long GetExt2ToCRM()
//returns 1=ON/0=OFF
Long GetCRMDim()
//returns 1=ON/0=OFF
Long GetTB()
//returns 1=ON/0=OFF
Disclaimer
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20 Disclaimer
Due to a policy of continuous product improvement, D&R Electronica Weesp B.V. reserves the right to
change specifications, appearance and performance without prior notice.
Since the use of this information, and the conditions by which the products are used are beyond the control
of D&R Electronica Weesp B.V., it is the obligation of the owner and/or the equipment operator to
determine the correct and safe selection, settings and conditions of use of the equipment and products.
To the extent that the law permits, any liability which may be incurred as a result of the use or future use of
a product manufactured or sold by D&R Electronica Weesp B.V. is limited to the cost of repairing or
replacing the failed product or component at the discretion of D&R Electronica W eesp B.V., either within,
or outside of warranty periods, and does not extend to any loss or damage which may be caused as a
consequence of misuse or failure of the equipment or products. D&R Electronica Weesp B.V. shall not in
any event be liable for economic lost of profits including without limitation any incidental or consequential
damage, expenses or other damages arising out of the use or inability to use the product and/or software
even if D&R Electronica Weesp B.V. has been advised of the possibility of such a damage or for any claim
by another party.
You agree to indemnify, hold harmless, and defend D&R Electronica Weesp B.V., its parent, and their
licensors, suppliers, officers, directors, employees, agents, affiliates, subsidiaries (collectively "Indemnified
Parties") from and against any and all liability incurred by or made against the Indemnified Parties in
connection with any claim arising from or related to your use.
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