The information in this document covers all variants of theTitan 330 and 660 series,
including 2D, 3D, Portrait, Landscape and Ultra Contrast models.
Rev D November 2012
112-884D
Page 2
Digital Projection Titan Pro Series 3
About These Guides
Please keep these Guides handy for future reference.
A serial number is located on the back of the projector. Record it here:
Symbols used in these Guides
Many pages in this document have a dedicated area for notes. The information in that area is accompanied by the following symbols:
ELECTRICAL WARNING: this symbol indicates that there is a danger of electrical shock unless the instructions are closely
followed.
WARNING: this symbol indicates that there is a danger of physical injury to yourself and/or damage to the equipment unless
the instructions are closely followed.
NOTE: this symbol indicates that there is some important information that you should read.
Product revision
Because we at Digital Projection continually strive to improve our products, we may change specications and designs, and add new features
without prior notice.
Notes
Legal notice
Trademarks and trade names mentioned in this document remain the property of their respective owners.
Digital Projection disclaims any proprietary interest in trademarks and trade names other than its own.
Digital Projection Titan Pro Series 3 WHAT’S IN THE BOX? Installation and Quick-Start Guide
What’s In The Box?
Remote control
(105-023)
User Guides on CD
(112-889)
4x AAA batteries
Important Information (112-888)
Notes
Make sure your box contains
everything listed. If any pieces are
missing, contact your dealer.
You should save the original box
and packing materials, in case you
ever need to ship your projector.
The projector is shipped without a
lens.
Projector
Remote cable
(102-162)
Power cable, United Kingdom
(102-180)
Power cable, Europe
(102-163)
Only one power cable - dependent
on the destination territory - will be
supplied with the projector.
Power cable, North America
(102-165)
Inst 1Rev D November 2012
Page 6
Digital Projection Titan Pro Series 3 GETTING TO KNOW THE PROJECTOR Installation and Quick-Start Guide
Getting To Know The Projector
Front and rear views
Top
air inlets
Control
panel
Side
Connection
panel
Front
infra-red
window
Lens
Lens release
lever
Lens
motor
Mains
input
Notes
For full details of how to use the
controls and the menu system, see
the Operating Guide.
The Side Connection Panel is
available on 3D models only.
Bottom
air inlets
Adjustable
feet
Air outlet
duct
Rear
infra-red window
Rear
Connection panel
Inst 2Rev D November 2012
Page 7
Digital Projection Titan Pro Series 3 GETTING TO KNOW THE PROJECTOR Installation and Quick-Start Guide
Control panel
The indicators on the control panel are as follows:
Power off = NO POWER
green = normal RUNNING mode amber = STANDBY mode
Shutter amber = CLOSED green = OPEN
Power
Shutter
Menu
controls
Input selection
1–10 selects Inputs 1 to 10
Transmit
indicator
Remote control
(RPY) Lens
calibration
See Fitting the
Lens.
Lens controls
40°
Notes
The projector uses the standard
Digital Projection infra-red remote
control.
Only the controls shown highlighted
are used on this projector.
For full details of how to use the
controls and the menu system, see
the Operating Guide.
Eachtimealensisttedto
the projector, the calibration
procedure must be carried out.
(See Fitting the Lens)
# selects Dual Pipe (input 11)
Image adjustment
Brightness, Contrast and Saturation
use and to adjust sliders
Remote
control
backlight
On/Off
40°
Infra-red
reception
Inst 3Rev D November 2012
Page 8
Digital Projection Titan Pro Series 3 GETTING TO KNOW THE PROJECTOR Installation and Quick-Start Guide
Connection panel indicators
The indicators on the rear connection panel are as follows:
All on = Power-On Self Test
Lamps 1,2 off = OFF
green = ON
ashing green = WARM-UP ashing amber = COOL-DOWN
red (projector in standby) = Lamp Comms Error (call service)
red (projector on) = Ballast Comms Error (call service)
ashing red (projector in standby) = Lamp Error on previous operation
ashing red (projector on) = Lamp / Interlock Error
Error ashing = Fan / System Error steady = Voltage Error
IR blue ash = Remote control command received
Inputs The indicators next to the input connectors on both panels are as follows:
off = not selected
green = input selected, signal detected, and in range
ashing green = input selected, but signal not detected or out of range
Notes
For full details of how to use the
controls and the menu system, see
the Operating Guide.
For more information about
the connection panels, see the
Connection Guide.
The Side Connection Panel is
available on 3D models only.
Lamps
1 2
Error
IR
Rear Connection PanelSide Connection Panel
Inst 4Rev D November 2012
Page 9
Digital Projection Titan Pro Series 3 POSITIONING THE SCREEN AND PROJECTOR Installation and Quick-Start Guide
Positioning The Screen And Projector
• Install the screen, ensuring that it is in the best position for viewing by your audience.
• Position the projector, ensuring that it is at a suitable distance from the screen for the image to ll the screen.
Tilting the projector
Do not tilt the projector more than is shown in the tilt diagrams, when in use, as this may cause serious lamp failure, damage the
lamp module and cause extra cost on replacement.
±10°
Desktop
SX+ 660
1080p 660
WUXGA 660
±10°
±10°
TITAN 660
±10°
SX+ 330-L
1080p 330-L
WUXGA
330-L
±10°
180°
±10°
TITAN 330
180°
Notes
Always allow the lamp to cool for
5 minutes before:
- disconnecting the power
- moving the projector
Ensure that there is at least
30cm (12in) of space between the
ventilation outlets and any wall,
and 10cm (4in) on all other sides.
Do not place the projector with its
front panel down on a surface, as
this may damage the lens or the
lens release lever.
For further information on screen
requirements and positioning the
projector, see the Reference Guide.
Ceiling (inverted)
SX+ 660
1080p 660
WUXGA 660
SX+ 330-P
1080p 330-P
WUXGA
330-P
Chassis adjustment
If the projector is to be operated from a at surface such as a projector table, then adjustment of projector level should be made by turning
the four feet under the chassis. Set the adjustable feet so that the projector is level, and perpendicular to the screen.
Inst 5Rev D November 2012
Page 10
Digital Projection Titan Pro Series 3 POSITIONING THE SCREEN AND PROJECTOR Installation and Quick-Start Guide
Fitting and adjusting the optional rigging frame
Fitting
• Remove the four adjustable feet.
• Secure the rigging frame to the projector, as shown, making sure that the male frame
couplings are at the top. Secure each adaptor plate to the projector (three screws), and
secure each of the adjuster brackets to an adaptor plate (three screws).
Stacking
The projectors can be stacked on top of each other, or suspended below each other.
• Carefully lower each projector down onto the top of the others, making sure that all four
frame couplings engage fully.
Frame
couplings
Fixing
screws
(2 x 3)
Locking
pin
Notes
Always allow the lamp to cool for
5 minutes before:
- disconnecting the power
- moving the projector
Do not place the projector with its
front panel down on a surface, as
this may damage the lens or the
lens release lever.
Do not stack more than 3
projectors.
Do not place heavy objects on top
of the projector chassis. Only the
chassis corners and the rigging
frame are capable of withstanding
the weight of another projector.
Vertical
adjusters
Horizontal
adjuster
• Fit a locking pin into each coupling. A ball in the end of the pin prevents the pin from
falling out – to insert or remove a locking pin, press the button on the end of the pin to
release the ball.
Pitch, Roll and Yaw
• To adjust the pitch, turn either the front pair or the rear pair of vertical adjusters, taking
care to turn both adjusters by the same amount.
• To adjust the roll, turn either the left pair or the right pair of vertical adjusters, taking care
to turn both adjusters by the same amount.
• To adjust the yaw, turn the single horizontal adjuster at the front.
Backup safety chains or wires
should always be used with
ceiling mount installations.
PitchRollYaw
Inst 6Rev D November 2012
Page 11
Digital Projection Titan Pro Series 3 POSITIONING THE SCREEN AND PROJECTOR Installation and Quick-Start Guide
Redirecting the air outlet duct
The duct can be set to blow upwards whether the projector is in desktop or ceiling mode, as shown below:
• Unscrew the four screws securing the rear cover, then remove the cover.
• Working from the back of the cover panel, unscrew the two screws securing the duct
• Turn the duct through 180°, ret the two screws, then ret the cover.
Notes
Always allow the lamp to cool for
5 minutes before:
- disconnecting the power
- moving the projector
Rear cover
screws x4
Duct screws x2
Inst 7Rev D November 2012
Page 12
Digital Projection Titan Pro Series 3 FITTING THE LENS Installation and Quick-Start Guide
Fitting The Lens
• Turn the lens release lever clockwise so
that it is pointing upwards, to open the
lock fully.
• Remove the rear lens cap from the lens.
• Insert the lens into the lens aperture,
making sure that the plug on the zoom
drive mechanism lines up with the socket
on the front of the projector, then push
the lens in rmly as far as it will go.
Lens
release
lever
• Turn the lens release lever anti-clockwise
to the mid-position.
• The lens can now be pushed in further.
Push the lens in rmly as far as it will go.
Notes
Always allow the lamp to cool for
5 minutes before:
- disconnecting the power
- moving the projector
• Turn the lens release lever fully
anti-clockwise so that it is pointing
downwards, to close the lock fully.
The lens release lever should
always be set to the locked
position to prevent the lens from
falling out.
Do not place the projector with its
front panel down on a surface, as
this may damage the lens or the
lens release lever.
Eachtimealensisttedto
the projector, the calibration
procedure must be carried out.
Lens calibration
Each time a lens is tted, the lens mechanism needs to be calibrated, as follows:
• Press RPY on the remote control or the control panel, then , to calibrate the Zoom mechanism.
• Press RPY on the remote control or the control panel, then , to calibrate the Focus mechanism.
The drive mechanism will travel to both extremes, then stop.
After calibrating the lens, you will
need to re-adjust the Zoom and
Focus.
For information on choosing a lens,
see the Reference Guide.
Inst 8Rev D November 2012
Page 13
Digital Projection Titan Pro Series 3 OPERATING THE PROJECTOR Installation and Quick-Start Guide
Operating The Projector
Switching the projector on
• Connect the power cable between the mains supply and the projector. Switch on at the switch next to the power connector.
• Wait until the self-test has completed and the standby indicator on the projector control panel shows amber. The lamp will be off and the
projector will be in STANDBY mode.
• Press on the remote control or the control panel and hold for 3 seconds, to switch the projector ON. The power indicator on the
control panel will show green, the lamp will light and the shutter will open.
Selecting an input signal or test pattern
Input signal
• Connect an image source to the projector. The signal should be automatically detected by the projector,
and should be displayed within two or three seconds.
If more than one signal is connected, then select the image you want to display:
• Press one of the Input buttons, to or (dual pipe) on the remote control, or
• Open the On-screen display (OSD) by pressing .
• Select an input signal from the Input Selection menu, using the and buttons.
Test patter n
If you have no image source connected to the projector, then you can display a test pattern instead:
Notes
Inputs 9-11 are available on 3D
models only.
For full details of how to use the
controls and the menu system, see
the Operating Guide.
• Open the OSD by pressing .
• Select Test Patter n from the Input Selection menu, using the and buttons.
• Select a pattern from the Test Patter n menu, using the and buttons.
• Close the OSD by pressing again.
Inst 9Rev D November 2012
Page 14
Digital Projection Titan Pro Series 3 OPERATING THE PROJECTOR Installation and Quick-Start Guide
Adjusting the lens
The lens can be adjusted using the Lens menu, or:
Zoom
• Press followed by and to adjust the size of the image on the screen. When the adjustment is nished, press .
Focus
• Press followed by and to adjust the focus. When the adjustment is nished, press .
Shift
• Press followed by , , andto adjust the position of the image on the screen.
When the adjustment is nished, press.
Adjusting the image
Orientation and On-Screen Display settings
• These can be set from the Setup menu.
Keystone
• This can be set from the Geometry menu.
Picture
• Settings such as Brightness and Contrast can be set from the Image menu.
Notes
When any of the three lens
adjustment keys is pressed, the blue
Transmit indicator on the remote
control will light for 10 seconds:
- after 10 seconds, if no adjustment
has been made, the indicator will
go out and the Lens adjustment key
must be pressed again to resume
adjustment.
- to end the adjustment before 10
seconds has elapsed, press the
key.
- all other adjustments will be locked
out until the Lens adjustment is
ended.
Main Menu
Setup
Main Menu
Geometry
• You can also set Brightness, Contrast or Saturation by pressing , or on the remote control.
Main Menu
Image
For full details of how to use the
controls and the menu system, see
the Operating Guide.
Inst 10Rev D November 2012
Page 15
Digital Projection Titan Pro Series 3 OPERATING THE PROJECTOR Installation and Quick-Start Guide
Switching the projector off
1. Press on the remote control or the control panel, and hold for 3 seconds, to switch the projector OFF. The power indicator on the
control panel will show amber, the lamp will be off and the projector will be in STANDBY mode.
• Disconnect the power cable from the projector.
Notes
Always allow the lamp to cool for
5 minutes before:
- disconnecting the power
- moving the projector
Inst 11Rev D November 2012
Page 16
Titan Pro Series 3
High Brightness Digital Video Projector
CONNECTION GUIDE
Rev D November 2012
Page 17
Digital Projection Titan Pro Series 3 CONTENTS Connection Guide
CONTENTS
Signal Inputs And Outputs ........................................................... Conn 1
LAN connection ......................................................................... Conn 12
Rev D November 2012
Page 18
Digital Projection Titan Pro Series 3 SIGNAL INPUTS AND OUTPUTS Connection Guide
Signal Inputs And Outputs
Rear Connection Panel
VGA (input 1)
• Use Auto Setup in the Image/VGA Setup menu. For more settings, see the Operating
Guide.
HDMI (input 2)
• For settings, see the Operating Guide.
DVI (input 3)
Analog or Digital DVI-I
• Set DVI-I Port in the Setup/InputConguration menu to choose between Analog and
Digital. For more settings, see the Operating Guide.
SPDIF
• Compatible audio sample packets on the HDMI input stream are decoded by the projector
and output on the SPDIF connector. This is a digital output.
3G-SDI (input 4)
• If two video streams are being transmitted, set 3G Level B Stream in the Input
Conguration menu to choose between the two streams.
CVBS1 (Composite video BNC) (input 5)
S-Video (input 6)
Component (input 7)
RGsB or RGBS
• Set Component Colour Space in the Setup/InputConguration menu to RGB.
• Set Component Sync Type to Auto, except when the projector has problems selecting
between 3 Wire (RGsB) and 4 Wire (RGBS).
YPbPr
• Set Component Colour Space in the Setup/InputConguration menu to YPbPr.
CVBS2 (Composite video RCA phono) (input 8)
Notes
For a complete listing of pin
congurations for all signal and
control connectors, see Wiring
Details later in this Guide.
3D projectors have a side
connection panel as well. See the
next page for important information
about the differences between the
two connection panels.
Component (Input 7)
DVI (Input 3)
VGA (Input 1)
HDMI (Input 2)
SPDIF
CVBS1 (Input 5)
CVBS2 (Input 8)
S-Video (Input 6)
3G-SDI (Input 4)
Rear Connection Panel
Conn 1Rev D November 2012
Page 19
Digital Projection Titan Pro Series 3 SIGNAL INPUTS AND OUTPUTS Connection Guide
OSD
Overlay
Video
Processing
&
Resizing
3D MUX
Front End Processor
3D Back End
Frame Doubling Memory
DMD Formatting
Multi Standard Inputs:
Analog & Digital
24-60 Hz
Inputs 1-8
High Bandwidth
Digital Path
“Pixel Mapped”
Inputs 9, 10 and 11
Side Connection Panel on 3D projectors
MAIN/DVI (input 9)
• Single or Dual Link DVI-D input
SUB/HDMI (input 10)
• Single HDMI 1.4 input (using an adaptor), or
• Single Link DVI-D input
Differences between the two connection panels
Inputs 9 and 10 have been designed to give a very high bandwidth digital video path, free of
the limitations inherent to standard image processing techniques.
As such, the image is pixel-mapped directly to the DMDs, so not all of the Image Controls
available to Inputs 1-8 apply to Inputs 9 and 10.
Notes
The Side Connection Panel is
available on 3D models only.
For a complete listing of pin
congurations for all signal and
control connectors, see Wiring
Details later in this Guide.
For information about 3D video, see
the next page.
MAIN/DVI
(Input 9)
SUB/HDMI
(Input 10)
Side Connection Panel
Conn 2Rev D November 2012
Page 20
Digital Projection Titan Pro Series 3 SIGNAL INPUTS AND OUTPUTS Connection Guide
3D connections
3D sources up to 60Hz requiring frame doubling and left/right interleaving
• Connect to any of the Inputs on the Rear Connection Panel.
• Set 3D Type in the 3D menu to Auto, except when the projector has problems selecting
between Sequential, Frame Packing, Top-and-Bottom and Side-by-Side (Half).
3D sources above 60Hz not requiring frame doubling
• Connect to either of the Inputs on the Side Connection Panel.
• Set 3D Type in the 3D menu to Auto, except when the projector has problems selecting
between Sequential, Frame Packing, Top-and-Bottom and Side-by-Side (Half).
Dual Pipe 3D (Input 11)
• Connect to both of the Inputs on the Side Connection Panel.
• Input 9 (MAIN/DVI) is the left image, and Input 10 (SUB/HDMI) is the right image.
3D Sync in
• Sync input signal.
3D Sync out
• Sync output signal. This may be affected by the Sync Offset and Output Sync Polarity
settings in the 3D menu.
3D Sync in
3D Sync out
Notes
For a complete listing of pin
congurations for all signal and
control connectors, see Wiring
Details later in this Guide.
The Side Connection Panel is
available on 3D models only.
For examples of 3D connections,
see the Reference Guide.
MAIN/DVI
(Input 9)
together:
Dual Pipe 3D
(Input 11)
SUB/HDMI
(Input 10)
3D Server
Side Connection Panel
Projector
Video
SyncSync in
Sync out
3D glasses or
ZScreen
Conn 3Rev D November 2012
Page 21
Digital Projection Titan Pro Series 3 CONTROL CONNECTIONS Connection Guide
Control Connections
Update port
• The Update Port is used to download, via LAN, rmware updates issued from
time to time by Digital Projection.
Service port
• The Service Port port is used to download, via USB, rmware updates issued
from time to time by Digital Projection.
Wired remote control
• If infrared signals from the remote control cannot reach the projector due to
excessive distance or obstructions such as walls or cabinet doors, you can
connect an external IR repeater to the remote control input, and position its IR
sensor within range of the operator.
• To synchronise the control of multiple projectors, connect the Wired Remote
Output of one projector to the Wired Remote Input of another.
RS232
• All of the projector’s features can be controlled via a serial connection, using
the text strings described in the External Control Protocol.
• Use a null-modem cable to connect directly to a computer, or a straight cable
to connect to a modem.
Update
Port
Wired Remote
Input
Wired Remote
Output
Notes
For a complete listing of pin
congurations for all signal and
control connectors, see Wiring
Details later in this Guide.
Only one remote connection (RS232
or LAN) should be used at any one
time.
Note that plugging in the remote
control cable will disable the infrared.
Service
Port
LAN
• All of the projector’s features can be controlled via a LAN connection, using the
text strings described in the External Control Protocol.
• Alternatively, for details of how to use the Web Conguration Utility to control
the projector, see the Operating Guide.
• Use a crossed LAN cable to connect directly to a computer, or an uncrossed
cable to connect to a network hub.
RS232
LAN
Rear Connection Panel
Conn 4Rev D November 2012
Page 22
Digital Projection Titan Pro Series 3 WIRING DETAILS Connection Guide
Wiring Details
Signal inputs and outputs
Input 1: VGA
15 way D-type connector
1 R
2 G
3 B
4 unused
5 Digital Ground (H Sync)
6 R Ground
7 B Ground
8 G Ground
9 +5V
10 Digital Ground (V Sync/DDC)
1 unused
12 SDA
13 H Sync
14 V Sync
15 SCL
Notes
For full details of all input settings,
see the Operating Guide.
VGA: pin view of female connector
Conn 5Rev D November 2012
Page 23
Digital Projection Titan Pro Series 3 WIRING DETAILS Connection Guide
Input 2: HDMI
19 way type A connector
1 TMDS Data 2+
2 TMDS Data 2 Shield
3 TMDS Data 2-
4 TMDS Data 1+
5 TMDS Data 1 Shield
6 TMDS Data 1-
7 TMDS Data 0+
8 TMDS Data 0 Shield
9 TMDS Data 0-
10 TMDS Clock+
11 TMDS Clock Shield
12 TMDS Clock-
13 CEC
14 not connected
15 SCL (DDC Clock)
16 SCA (DDC Data)
17 DDC/CEC Ground
18 +5 V Power
19 Hot Plug Detect
Notes
For full details of all input settings,
see the Operating Guide.
HDMI: pin view of panel connector
Output: SPDIF
RCA Phono
Digital audio output from the HDMI input stream.
SPDIF connector
Conn 6Rev D November 2012
Page 24
Digital Projection Titan Pro Series 3 WIRING DETAILS Connection Guide
Input 3: DVI
24 way D-type connector
Pin 1 TMDS data 2− Digital red− (link 1)
Pin 2 TMDS data 2+ Digital red+ (link 1)
Pin 3 TMDS data 2/4 shield
Pin 4 TMDS data 4− Digital green− (link 2)
Pin 5 TMDS data 4+ Digital green+ (link 2)
Pin 6 DDC clock
Pin 7 DDC data
Pin 8 Analog vertical sync
Pin 9 TMDS data 1− Digital green− (link 1)
Pin 10 TMDS data 1+ Digital green+ (link 1)
Pin 11 TMDS data 1/3 shield
Pin 12 TMDS data 3- Digital blue− (link 2)
Pin 13 TMDS data 3+ Digital blue+ (link 2)
Pin 14 +5 V Power for monitor when in standby
Pin 15 Ground Return for pin 14 and analog sync
Pin 16 Hot plug detect
Pin 17 TMDS data 0− Digital blue− (link 1) and digital sync
Pin 18 TMDS data 0+ Digital blue+ (link 1) and digital sync
Pin 19 TMDS data 0/5 shield
Pin 20 TMDS data 5− Digital red− (link 2)
Pin 21 TMDS data 5+ Digital red+ (link 2)
Pin 22 TMDS clock shield
Pin 23 TMDS clock+ Digital clock+ (links 1 and 2)
Pin 24 TMDS clock− Digital clock− (links 1 and 2)
C1 Analog red
C2 Analog green
C3 Analog blue
C4 Analog horizontal sync
C5 Analog ground Return for R, G, and B signals
Notes
High-bandwidth Digital Content
Protection (HDCP) is supported on
this input.
DVI: pin view of female connector
For full details of all input settings,
see the Operating Guide.
Conn 7Rev D November 2012
Page 25
Digital Projection Titan Pro Series 3 WIRING DETAILS Connection Guide
Input 4: 3G-SDI
75 ohm BNC
Input 5: Composite 1
75 ohm BNC
Input 6: S-Video
4 pin mini-DIN
1 Y Ground
2 C Ground
3 Luminance (Y)
4 Chrominance (C)
Input 7: Component
4 x 75 ohm BNC
RGsB RGBS YPrPb
Pb/B B B Pb/Cb
Y/G G + Sync G Y
Pr/R R R Pr/Cr
SYNC Sync
3G-SDI connector
Composite 1 connector
S-Video: pin view of female connector
Component
Notes
3G-SDI signals are very high
speed digital signals which require
better quality coaxial cable than
conventional analogue video. The
data rate is 3 Gigabits per second.
In choosing cable length and
connectors for any installation the
frequency response loss in decibels
should be proportional to √f, from
1MHz, to 3GHz.
For full details of all input settings,
see the Operating Guide.
Input 8: CVBS
RCA Phono
CVBS connector
Conn 8Rev D November 2012
Page 26
Digital Projection Titan Pro Series 3 WIRING DETAILS Connection Guide
Input 9: MAIN/DVI
24 way D-type connector
Pin 1 TMDS data 2− Digital red− (link 1)
Pin 2 TMDS data 2+ Digital red+ (link 1)
Pin 3 TMDS data 2/4 shield
Pin 4 TMDS data 4− Digital green− (link 2)
Pin 5 TMDS data 4+ Digital green+ (link 2)
Pin 6 DDC clock
Pin 7 DDC data
Pin 8 Analog vertical sync
Pin 9 TMDS data 1− Digital green− (link 1)
Pin 10 TMDS data 1+ Digital green+ (link 1)
Pin 11 TMDS data 1/3 shield
Pin 12 TMDS data 3- Digital blue− (link 2)
Pin 13 TMDS data 3+ Digital blue+ (link 2)
Pin 14 +5 V Power for monitor when in standby
Pin 15 Ground Return for pin 14 and analog sync
Pin 16 Hot plug detect
Pin 17 TMDS data 0− Digital blue− (link 1) and digital sync
Pin 18 TMDS data 0+ Digital blue+ (link 1) and digital sync
Pin 19 TMDS data 0/5 shield
Pin 20 TMDS data 5− Digital red− (link 2)
Pin 21 TMDS data 5+ Digital red+ (link 2)
Pin 22 TMDS clock shield
Pin 23 TMDS clock+ Digital clock+ (links 1 and 2)
Pin 24 TMDS clock− Digital clock− (links 1 and 2)
C1 Analog red
C2 Analog green
C3 Analog blue
C4 Analog horizontal sync
C5 Analog ground Return for R, G, and B signals
MAIN/DVI: pin view of female connector
Notes
High-bandwidth Digital Content
Protection (HDCP) is supported on
this input.
For full details of all input settings,
see the Operating Guide.
Conn 9Rev D November 2012
Page 27
Digital Projection Titan Pro Series 3 WIRING DETAILS Connection Guide
Input 10: SUB/HDMI
19 way type A connector
1 TMDS Data 2+
2 TMDS Data 2 Shield
3 TMDS Data 2-
4 TMDS Data 1+
5 TMDS Data 1 Shield
6 TMDS Data 1-
7 TMDS Data 0+
8 TMDS Data 0 Shield
9 TMDS Data 0-
10 TMDS Clock+
11 TMDS Clock Shield
12 TMDS Clock-
13 CEC
14 not connected
15 SCL (DDC Clock)
16 SCA (DDC Data)
17 DDC/CEC Ground
18 +5 V Power
19 Hot Plug Detect
Notes
For full details of all input settings,
see the Operating Guide.
HDMI: pin view of panel connector
Conn 10Rev D November 2012
Page 28
Digital Projection Titan Pro Series 3 WIRING DETAILS Connection Guide
Control connections
Update port
RJ45 socket
Service port
USB type B socket
Pin 1 VCC (+5 V)
Pin 2 Data−
Pin 3 Data+
Pin 4 Ground
Wired remote control
3.5mm mini jack
Tip Power
Ring Signal
Sleeve Ground
Update port
12
43
pin view of female connector
pin view of female connector
Service port:
Tip
Ring
Sleeve
Notes
For full details of all network
settings, see the Operating Guide.
Note that plugging in the remote
control cable will disable the infrared.
Conn 11Rev D November 2012
Page 29
Digital Projection Titan Pro Series 3 WIRING DETAILS Connection Guide
RS232
9 way D-type connector
1 unused
2 Received Data (RX)
3 Transmitted Data (TX)
4 unused
5 Signal Ground
6 unused
7 unused
8 unused
9 unused
LAN connection
RJ45 socket
pin view of female connector
RS232:
LAN connection
Notes
Only one remote connection (RS232
or LAN) should be used at any one
time.
For full details of all network
settings, see the Operating Guide.
Conn 12Rev D November 2012
Page 30
Titan Pro Series 3
High Brightness Digital Video Projector
OPERATING GUIDE
Rev D November 2012
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Digital Projection Titan Pro Series 3 CONTENTS Operating Guide
CONTENTS
Using The Menus .................................................................................... Op 1
Menus and sub-menus ........................................................................... Op 1
Drop-down lists ....................................................................................... Op 2
Sliders ...................................................................................................... Op 3
Commands ............................................................................................... Op 3
Editingelds ............................................................................................ Op 4
A Tour Of The Menus ........................................................................... Op 5
Main menu................................................................................................ Op 5
Lens menu ............................................................................................... Op 6
Zoom ............................................................................................... Op 6
Focus .............................................................................................. Op 6
Calibrate Zoom and Calibrate Focus .............................................. Op 6
Center Lens..................................................................................... Op 6
Nudge.............................................................................................. Op 6
Lens Presets ................................................................................... Op 7
Image menu ............................................................................................. Op 8
Video Filters .................................................................................... Op 8
Color menu .............................................................................................. Op 9
Gamut ............................................................................................. Op 9
Black Level and Gain slides ............................................................ Op 9
Geometry menu ..................................................................................... Op 10
Size & Position .............................................................................. Op 11
Cornerstone .................................................................................. Op 11
Edge Blend menu .................................................................................. Op 12
PIP menu ................................................................................................ Op 14
3D menu ................................................................................................. Op 15
Lamps menu .......................................................................................... Op 16
Setup menu ............................................................................................ Op 17
Reset Default Settings .................................................................. Op 17
Input Conguration ........................................................................ Op 18
Network ......................................................................................... Op 19
On Screen Display ........................................................................ Op 20
System .......................................................................................... Op 21
Information menu .................................................................................. Op 22
Menu Map .................................................................................................. Op 23
Input Selection ....................................................................................... Op 23
Test Pattern ............................................................................................ Op 23
Lens ........................................................................................................ Op 23
Image ...................................................................................................... Op 24
Color ....................................................................................................... Op 24
Geometry................................................................................................ Op 25
Edge Blend............................................................................................. Op 26
PIP ........................................................................................................... Op 27
3D ............................................................................................................ Op 27
Lamps ..................................................................................................... Op 27
Setup ...................................................................................................... Op 28
Information ............................................................................................. Op 29
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Digital Projection Titan Pro Series 3 CONTENTS Operating Guide
CONTENTS (continued)
WebCongurationUtility ................................................................ Op 30
Menu examples...................................................................................... Op 30
Using the Discovery Tool to view your network ................................. Op 32
Rev D November 2012
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Digital Projection Titan Pro Series 3 USING THE MENUS Operating Guide
Using The Menus
Use the buttons on the projector control panel or on the remote control, to access the menu system.
• To open or close the on-screen display (OSD), press .
Menus and sub-menus
• To open a sub-menu, select it using and, then press .
• To return to the previous menu, press .
Notes
Some menu items may not be
available due to settings in other
menus. These will be grayed out on
the actual menu.
When a globe icon appears next
to a setting, the setting affects all
sources and all inputs; otherwise,
only the current input source will be
affected if you change the setting.
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Digital Projection Titan Pro Series 3 USING THE MENUS Operating Guide
Drop-down lists
To use a drop-down list, press , select an item using and, then press again or press to exit without changing.
Notes
Some menu items may not be
available due to settings in other
menus. These will be grayed out on
the actual menu.
. When a globe icon appears next
to a setting, the setting affects all
sources and all inputs; otherwise,
only the current input source will be
affected if you change the setting.
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Digital Projection Titan Pro Series 3 USING THE MENUS Operating Guide
Sliders
To use a slider, press andto adjust it.
Commands
To use a command, press . In the example below, press to conrm, or press to cancel.
Notes
Some menu items may not be
available due to settings in other
menus. These will be grayed out on
the actual menu.
When a globe icon appears next
to a setting, the setting affects all
sources and all inputs; otherwise,
only the current input source will be
affected if you change the setting.
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Digital Projection Titan Pro Series 3 USING THE MENUS Operating Guide
Editingelds
Some features require a text or numeric eld to be edited.
• To edit a eld, rst select it using and, then press .
• Use andto move the green highlight to the digit or character which is to be changed, then use and to adjust it.
• Use andto select the next digit or character.
• Press to accept the new value, or press to exit without changing.
The highlighted digit is being edited
Notes
Some menu items may not be
available due to settings in other
menus. These will be grayed out on
the actual menu.
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Digital Projection Titan Pro Series 3 A TOUR OF THE MENUS Operating Guide
10+
#
A Tour Of The Menus
Main menu
• Input Selection
Select an input source from the drop-down list.
• Test Pattern
Set Input Selection to Test pattern and then select a test pattern from the drop-down list.
• Lens, Image, Color and Geometry
Open these sub-menus to access various picture and screen settings.
• Edge Blend / PIP
PIP and Edge Blend are mutually exclusive modes of operation. When the projector is in Edge Blend mode (as shown in the picture), PIP is
not available, and vice versa.
• 3D
Access 3D settings.
• Lamps
Select lamp conguration.
• Setup
Adjust Input Conguration, Network, On Screen Display and System settings.
• Information
View your current conguration
Notes
See also Using the Menus earlier
in this guide and Menu Map later in
this guide.
Main Menu
You can also select an input source
by pressing the following buttons on
the remote control: 1 to 9 for
inputs 1 to 9,
for input 11.
Test patterns are subject to image
controls, so brightness, contrast
etc. will affect their appearance on
screen.
Do not use the provided test
patterns for P7.
You can upload custom test patterns
using a network connection - see
Web Conguration Utility later in
this guide.
The 3D menu is not available with
2D projectors.
Single lamp models do not have a
Lamps menu.
for input 10 and
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Digital Projection Titan Pro Series 3 A TOUR OF THE MENUS Operating Guide
SHIFT
ZOOM
RPY
RPY
Lens menu
Zoom
To move the lens in or out:
1. Select Zoom In or Zoom Out, then pressOK.
2. When the image is the desired size, select Zoom Stop then pressOK.
Focus
To adjust the focus:
1. Select Focus Near or Focus Far, then pressOK.
2. When the image is correctly focussed, select Focus Stop then pressOK.
Calibrate Zoom and Calibrate Focus
Each time a new lens is tted into the projector, a calibration procedure must be carried out using these commands.
Before you use a newly tted lens, select Calibrate Zoom and Calibrate Focus in turn and wait until the projector establishes minimum
and maximum travel distances. Select one command and allow at least 60 seconds for the calibration to take place, then select the other
command.
Center Lens
To center the lens, select Center Lens and pressOK.
Notes
Main Menu
Lens
You can also move the lens, focus
and zoom using the keypad:
• Press
, andto shift the
lens up, down, left and right.
• Press
and
• Press
and
You can also calibrate zoom and
focus using the keypad:
• Press
to calibrate the lens zoom
mechanism.
followed by,
FOCUS
followed by
to adjust the focus.
followed by
to zoom in and out.
followed by
Nudge
To position the image correctly on the screen, use the Nudge controls.
• Press
Main Menu
Lens
Nudge
followed by
to calibrate the lens focus
mechanism.
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Lens Presets
This menu allows you to save up to ve custom lens presets, which you can recall later.
Notes
Main Menu
Lens
Lens Presets
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Image menu
• Brightness, Contrast, Gamma, Hue and Saturation
Set the slider or select from the drop-down list as required, to improve the quality of the image.
• Black Level Offset
Set this to 0 IRE or 7.5 IRE as required.
Video Filters
Set the sliders or select from the drop-down list as required, to improve the quality of the image.
Notes
Main Menu
Image
You can also press , or
on the remote control.
Hue applies only to NTSC signals.
When a new input mode is detected
(eg NTSC, HDTV 1080p, SVGA etc),
all the Input Settings are saved so
that they can be recalled next time
that input mode is displayed.
Main Menu
Image
Video Filters
VGA Setup
• Set the Phase slider to correct for shimmering or poor quality denition on, for example, ne text.
• Set the Total H Samples slider to match the resolution of the incoming video signal,
or Use Auto Setup to allow the projector to detect the appropriate settings automatically.
Main Menu
Image
VGA Setup
VGA Setup is not available unless
a VGA signal is present.
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Digital Projection Titan Pro Series 3 A TOUR OF THE MENUS Operating Guide
Color menu
Gamut
Peak gives you the brightest possible image.
Choose HDTV for high denition standards and SDTV for standard denition standards.
A value between 3200K and 9000K selects the relevant color temperature.
You can upload your own gamut using the Projector Manager software, and then select it from
the User 1 and User 2 settings.
Black Level and Gain slides
Set the slides as required.
Notes
Main Menu
Color
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Digital Projection Titan Pro Series 3 A TOUR OF THE MENUS Operating Guide
Geometry menu
• Aspect Ratio
Choose between Source, Fill Display, Fill & Crop, Anamorphic and TheaterScope.
Some devices (eg certain DVD players) pack a 16:9 image into a 4:3 aspect ratio. In such cases
to display the image correctly, choose the Anamorphic aspect ratio.
• Overscan
Set this slider to compensate for noisy or badly dened image edges.
• Mode
Choose from Keystone, Cornerstone, Rotation, Warp Map or Off.
• Set the H Keystone and V Keystone sliders to correct for any distortion caused by the projector
being in a different horizontal or vertical plane to the screen.
• Set the Pincushion / Barrel slider to correct for any distortion caused by the screen being
concave or convex.
• Set the Rotation slider to rotate the image on the screen.
• Warp Map
Using an external Digital Projection computer application, up to eight customised warp maps can
be created and uploaded to the projector. If Warp is selected, and any warp maps have been
uploaded, you can select from the drop-down list.
Notes
Main Menu
Geometry
An anamorphic lens (optional
accessory) is used with the
TheaterScope setting, to ensure
that for a 2.35:1 image, the
maximum area of the DMD is used,
giving maximum image brightness.
For examples of how the different
aspect ratios affect screen
dimensions, see Aspect Ratios Explained in the Reference Guide.
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Digital Projection Titan Pro Series 3 A TOUR OF THE MENUS Operating Guide
Size & Position
• Set Enable to On or Off.
• Use Setting to choose:
Global, in which case these settings will be applied to all signals on all inputs.
or Per Mode, in which case these settings will be applied only to the current input signal.
• Set the H Position and V Position sliders as required.
• Set H Size and V Size. When Aspect Lock is set to On, the V Size slider is disabled.
• Select Reset and press
Cornerstone
If Cornerstone is selected from the main Geometr y page, you can use the sliders to stretch the
image from each of the four corners.
OK
to reset all the sliders.
Notes
Main Menu
Geometry
Size & Position
Main Menu
Geometry
Cornerstone
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Digital Projection Titan Pro Series 3 A TOUR OF THE MENUS Operating Guide
Edge Blend menu
When several projectors are used to create a large tiled image, the edges need to be blended to avoid
the overlaps appearing brighter than the rest of the image. The Edge Blend menu is available only
when Setup > System > Conguration is set to Edge Blend.
Array Width and Height
• Set this to the total number of projectors in the array. None of the other options are available until
one of these two settings is greater than 1. The maximum number of projectors is 4 x 4.
Array H Position and V Position
• These two parameters need to be set correctly for each projector in the array, so that it can
determine which edges are to be blended. Sometimes only one edge overlaps, sometimes two,
three or four.
Blending
• Set this to Off for a lone projector, On to enable Edge Blending, or Align Pattern to help adjust
the physical position of the projectors.
Segmentation
• Set this to On, if you want the projector to divide up the image into tiles, or Off if you have external
equipment to do this.
Notes
Main Menu
Edge Blend
This menu is available only when
Setup > System > Conguration is
set to
Edge Blend.
None of the other blend options
are available until either the Array Width or the Array Height setting is
greater than 1.
Note that the position numbering
starts from zero, so the top left
projector is at position H 0, V 0.
Which settings are available in these
menus depends on:
● the number of projectors in the
array
● the position of the projector in
the array
For additional information, see the
Reference Guide.
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Blend Width
• Use this to set the width of the blended regions.
Black Level Uplift
• Use this to correct for non-zero black levels in the blended regions.
Notes
To apply the settings in these
menus, use the command at the
bottom of each page.
Main Menu
Edge Blend
Blend Width
Main Menu
Edge Blend
Black Level Uplift
For additional information, see the
Reference Guide.
Reduce Black Level Uplift Width
• Use this to correct for stray light from the DMD’s non-addressable border.
Main Menu
Edge Blend
Reduce Black Level Uplift Width
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PIP menu
Two images can be combined, in three different ways using this feature. The PIP menu is available
only when Setup > System > Conguration is set to PIP.
Option
• Select PIP, PAP, or POP mode from the drop-down list.
Input
• Select an Input from the drop-down list. The inputs are divided into two groups – the main image
must be from one group, and the sub-image must be from the other group.
• Group A: CVBS 1, CVBS 2, S-VIDEO and 3G-SDI
• Group B: COMPONENT, VGA, DVI, HDMI and DVI-A
Size
• Select a size for the sub-image from the drop-down list.
Position
• Select one of the preset positions for the sub-image from the drop-down list.
Custom Position
• If you have chosen Custom from the Position drop-down list, then you can use the sliders to
position the image manually.
Notes
Main Menu
PIP
This menu is available only when
Setup > System > Conguration is
set to PIP.
PIP, PAP and POP are NOT
possible when Input is set to Test
Pattern.
In these examples, the ower is the
main image, and the window is the
sub-image, shown at the Medium
size setting.
The two images MUST be from
different Input groups.
PIP: Picture In PicturePAP: Picture And PicturePOP: Picture Opposite Picture
The Position settings apply ONLY
to PIP mode. PAP and POP are
always as shown in these examples.
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3D menu
• Set 3D Enable to On or Off as required.
• Use the Frame Rate Multiplier to reduce icker when the incoming 3D video signal has a low
frame rate.
For example, a 48Hz frame rate could be tripled to 144Hz.
• 3D Type should be set to Auto, except when the projector has problems selecting between
Sequential, Frame Packing, Top and Bottom and Side by Side (Half).
• Set the Dark Time to reduce the ghosting that can be caused by the images overlapping whilst
the glasses are switching.
• Set the Sync Offset to compensate for signal processing delays in the projector.
• Set the Output Sync Polarity to suit the glasses, or if the left and right images appear to be
swapped.
• Set Source Dominance to Left or Right to suit the incoming 3D video signal.
LRLR
Sequential
Notes
Main Menu
3D
Set the Dark Time to the value
appropriate to the glasses or
ZScreen.
Adjust the Sync Offset to eliminate
ghosting and achieve a smooth
grayscale.
For additional information on 3D
settings, see the Reference Guide.
The information on this page does
not apply to 2D projectors.
L
R
Frame Packing
L
R
Top-and-Bottom
LR
Side-by-Side (Half)
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Lamps menu
Set Operation to choose between Lamp 1 + Lamp 2, Lamp 1, Lamp 2 and Auto 1. In the Auto 1
mode, the lamp usage will be spread evenly over the two lamps, over time.
Notes
Main Menu
Lamp
Single lamp models do not have a
Lamps menu.
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Setup menu
• Orientation
Depending on how the projector is mounted, select the appropriate setting from the drop-down
list.
• Latency
Affects interlaced sources only. For fastest response, the Lowest setting gives minimum frame
delay. For improved performance with lms involving motion sequences, the Best Video setting
uses adaptive de-interlacing and interpolation, but takes longer to process.
Reset Default Settings
Notes
Main Menu
Setup
Do NOT do this unless you are
sure that you want to restore ALL
the current settings to their factory
defaults.
When you pressOK to restore the factory default settings, a warning message appears, asking you to conrm or cancel.
Once the process has begun, wait one minute and then power cycle the projector so the restored settings can take effect.
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InputConguration
This menu allows adjustment of various technical parameters specic to each of the signal inputs,
regardless of which input is being used.
• DVI Boost EQ should normally be set to Off, except when you are having problems with a long DVI
cable.
• DVI/HDMI Color Space should normally be set to Auto, except when the projector has problems
identifying the correct colour space.
• DVI/HDMI Range should normally be set to Auto, except when you are having contrast problems
with some DVI sources.
• Set DVI-I Port to choose between the Analog and Digital signals from a DVI-I source.
• DVI Main Operation
Select between single and dual link DVI reception.
• DVI Main Range
Select between Full and Limited range.
• Set Component Colour Space to choose between RGB and YPbPr.
• Component Sync Type should be set to Auto, except when the projector has problems selecting between 3 Wire (RGsB) and 4 Wire
(RGBS).
• If two video streams are being transmitted, use 3G-SDI Level B Stream to choose between the two streams.
Notes
Main Menu
Setup
InputConguration
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Network
The elds at the bottom of the menu show the current settings.
• Set DHCP to On if the IP Address is to be assigned by a DHCP server, or Off if it is to be set here.
• If DHCP is set to On:
It will not be possible to edit either IP Address or Subnet.
• If DHCP is set to Off:
Edit IP Address to the correct value.
Edit the Subnet to the correct value.
Notes
Main Menu
Setup
Network
Any new settings will not be effective
until the projector has been power
cycled.
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On Screen Display
• Select a display Language from the drop-down list.
• The menus will disappear if no buttons are pressed within the Timeout selected from the drop-
down list. If you want the menus to stay on screen permanently, then select Innite.
• Select a Position from the drop-down list.
• If you do not want projector status messages to be displayed, for instance , then set
Messaging to Off.
Notes
Main Menu
Setup
On Screen Display
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System
• Conguration: switch between PIP and Edge Blend.
The other settings in this menu are provided mainly to allow control from the Web Conguration Utility.
• Use the Shutter Open and Shutter Close commands as required.
• Use the Power Off command to set the projector into Standby mode.
Notes
Main Menu
Setup
System
When you switch between PIP
and Edge Blend, the projector will
reboot instantly to enable the new
setting.
The Power On command has no
function when seen on the projector
OSD.
However, it can be used from
the Web Conguration Utility
described at the end of this guide.
Both the keypad and remote control
have dedicated buttons allowing
access to the
Shutter Close, Power On and
Power Off commands.
Shutter Open,
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Digital Projection Titan Pro Series 3 A TOUR OF THE MENUS Operating Guide
Information menu
This menu gives information about lamp operating times, software and hardware conguration, input
source and network settings.
Notes
Please note that the values
shown in the menus on this page
are examples and may differ
signicantly on your OSD.
Main Menu
Information
Main Menu
Information
Lamps
Lamp information appears different
on Titan 330 projectors as they have
a single lamp.
Main Menu
Information
Conguration
The conguration shown here is for
a 3D model.
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Digital Projection Titan Pro Series 3 MENU MAP Operating Guide
Gray V Bars, Gray H Bars, Aspect Test, Alignment Grid, Warp Adjust, SMPTE, Chequerboard, White Field, Black
Field, Convergence, Custom 1, Custom 2, Custom 3, Custom 4.
Lens
Zoom In (command)
Zoom Stop (command)
Zoom Out (command)
Focus Near (command)
Focus Stop (command)
Focus Far (command)
Calibrate Zoom (command)
Calibrate Focus (command)
Center Lens (command)
Nudge
Up (command)
Down (command)
Left (command)
Right (command)
Lens Presets
Save 1 (command)
Save 2 (command)
Save 3 (command)
Save 4 (command)
Save 5 (command)
Recall 1 (command)
Recall 2 (command)
Recall 3 (command)
Recall 4 (command)
Recall 5 (command)
Notes
Some of the information in this menu
map is summarised. See the actual
menu on the projector for full detail.
The underlined text represents
the factory default value for each
setting.
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Notes
Main Menu Sub Menus
Image
Brightness (slider, value range -50 ~ 50 [0])
Contrast (slider, value range -50 ~ 50 [0])
Gamma 1.0 , 1.8, 2.0, 2.2, 2.4, 2.6, 2.8
Hue (slider, value range -50 ~ 50 [0])
Saturation (slider, value range -50 ~ 50 [0])
Black Level Offset 0 IRE, 7.5 IRE
Video Filters
Sharpness (slider, value range -50 ~ 50 [0])
Detail (slider, value range 0 ~ 3)
Luma Sharpness (slider, value range 0 ~ 2)
Chroma Sharpness (slider, value range 0 ~ 2)
Recursive NR (slider, value range 0 ~ 3)
Mosquito NR (slider, value range 0 ~ 3)
Cross Color Supression Off, On
VGA Setup
Phase (slider, value range -50 ~ 50 [0])Total H Samples (slider, value range -50 ~ 50 [0])Auto Setup (command)
Some of the information in this menu
map is summarised. See the actual
menu on the projector for full detail.
The underlined text represents
the factory default value for each
setting.
Color
Gamut Peak, HDTV, SDTV, 3200k, 5400k, 6500k, 8000k, 9000k, User 1, User 2
Red Black Level (slider, value range -50 ~ 50 [0])
Green Black Level (slider, value range -50 ~ 50 [0])
Blue Black Level (slider, value range -50 ~ 50 [0])
Red Gain (slider, value range -50 ~ 50 [0])
Green Gain (slider, value range -50 ~ 50 [0])
Blue Gain (slider, value range -50 ~ 50 [0])
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Notes
Main Menu Sub Menus
Geometry
Aspect Ratio Source, Fill Display, Fill & Crop, Anamorphic, TheaterScope
H Position (slider, value range -50 ~ 50 [0])
V Position (slider, value range -50 ~ 50 [0])
Overscan (slider, value range 0 ~ 3)
Size & Position
Enable Off, On
Setting Global, Per ModeH Position (slider, value range -100 ~ 100 [0])V Position (slider, value range -100 ~ 100 [0])H Size (slider, value range 25 ~ 400 [100])Aspect Lock On, OffV Size (slider, value range 25 ~ 400 [100])
Reset (command)
Mode Off, Keystone, Cornerstone, Rotation, Warp
Keystone
H Keystone (slider, value range -50 ~ 50 [0])
V Keystone (slider, value range -50 ~ 50 [0])
Pincushion / Barrel (slider, value range 30 ~ 30 [0])
Cornerstone
Upper Left X (slider, value range -500 ~ 500 [0])
Upper Left Y (slider, value range -500 ~ 500 [0])
Upper Right X (slider, value range -500 ~ 500 [0])
Upper Right Y (slider, value range -500 ~ 500 [0])
Lower Left X (slider, value range -500 ~ 500 [0])
Lower Left Y (slider, value range -500 ~ 500 [0])
Lower Right X (slider, value range -500 ~ 500 [0])
Lower Right Y (slider, value range -500 ~ 500 [0])
Rotation
Rotation (slider, value range --90 ~ 90 [0])
Pincushion / Barrel (slider, value range -30 ~ 30 [0])
Warp Map Off, 1, 2, 3, 4, 5, 6, 7, 8
Some of the information in this menu
map is summarised. See the actual
menu on the projector for full detail.
The underlined text represents
the factory default value for each
setting.
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Notes
Main Menu Sub Menus
Edge Blend
Array Width (slider, value range 1 ~ 4)
Array Height (slider, value range 1 ~ 4)
Array H Position (slider, value range 0 ~ 3)
Array V Position (slider, value range 0 ~ 3)
Blending Off, On, Align Pattern
Segmentation Off, On
Blend Width
Top Blend Region (slider, value range 0 ~ 999)
Bottom Blend Region (slider, value range 0 ~ 999)
Left Blend Region (slider, value range 0 ~ 999)
Right Blend Region (slider, value range 0 ~ 999)
Apply Blend Regions (command)
Black Level Uplift
Unblended Region (slider, value range 0 ~ 63)
Upper Left (slider, value range 0 ~ 63)
Upper Middle (slider, value range 0 ~ 63)
Upper Right (slider, value range 0 ~ 63)
Middle Left (slider, value range 0 ~ 63)
Middle Right (slider, value range 0 ~ 63)
Lower Left (slider, value range 0 ~ 63)
Lower Middle (slider, value range 0 ~ 63)
Lower Right (slider, value range 0 ~ 63)
Apply Uplift (command)
Reduce Black Level Uplift Width
Upper Left X (slider, value range 0 ~ 200)
Upper Left Y (slider, value range 0 ~ 200)
Upper Right X (slider, value range -200 ~ 0)
Upper Right Y (slider, value range 0 ~ 200)
Lower Left X (slider, value range -200 ~ 0)
Lower Left Y (slider, value range -200 ~ 0)
Lower Right X (slider, value range 0 ~ 200)
Lower Right Y (slider, value range -200 ~ 0)
Apply Uplift (command)
Some of the information in this menu
map is summarised. See the actual
menu on the projector for full detail.
The underlined text represents
the factory default value for each
setting.
PIP and Edge Blend are mutually
exclusive modes of operation. When
in PIP mode, Edge Blend is not
available, and vice versa.
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DVI Boost EQ Off, On
DVI / HDMI Color Space RGB, YPbPr, Auto
DVI / HDMI Range Full, Limited, Auto
DVI-I Port Digital, Analog
DVI Main / Sub Operation Single Link A, Single Link B, Dual Link
DVI Main / Sub Range Full, Limited
Component Color Space RGB, YPbPr
Component Sync Type 3 Wire, 4 Wire, Auto
3G-SDI Level B Stream Stream 1, Stream 2
Network
DHCP Off, On
IP Address (numeric input)
Subnet (numeric input)
Information: DHCP Status, IP Address, Subnet, MAC Address
On Screen Display
Language US English, UK English
Timeout 5 sec, 10 Sec, 15 sec, 20 sec, 25 sec, 30 sec, innite
Position Center, Top Left, Top Right, Bottom Left, Bottom Right
Messaging Off, On
System
Conguration PIP, Edge Blend
Shutter Open (command)
Shutter Close (command)
Power On (command)
Power Off (command)
Reset Default Settings (command)
Some of the information in this menu
map is summarised. See the actual
menu on the projector for full detail.
The underlined text represents
the factory default value for each
setting.
Do NOT reset the settings unless
you are sure that you want to restore
ALL the current settings to their
factory defaults.
Lamp information differs between
projectors with one and two lamps.
Op 28Rev D November 2012
Page 61
Digital Projection Titan Pro Series 3 MENU MAP Operating Guide
3D input modes .................................................................................... Ref 57
Appendix C: Glossary Of Terms ................................................ Ref 59
Rev A November 2012
Page 68
Digital Projection Titan Pro Series 3 THE DMD™ Reference Guide
The DMD™
A DMD™ (Digital Micromirror Device™) is a true digital light modulator which utilises an array of up to 2.3 million moving aluminium mirrors,
with each one representing a pixel in the nal projected image. The outermost micromirrors in the array remain inactive and are not used in
constructing the image.
1
Casing
2
Light shield
3
Inactive mirrors
4
Array
Each mirror element is suspended over address electrodes by a torsion hinge between two posts.
1
Support posts
2
Mirror element
3
Torsion hinges
1
2
3
4
DMD
1
2
Notes
4
Offset address electrode
3
4
Mirror element with tilt mechanism
Ref 1Rev A November 2012
Page 69
Digital Projection Titan Pro Series 3 THE DMD™ Reference Guide
The DMD™ (continued)
Depending on the voltage polarity applied, each mirror will either tilt to the left to produce a bright pixel or to the right for a dark pixel. When
light is applied to the complete DMD™, only the light redirected from a mirror tilting to the left is projected.
1
Projection lens
2
Incoming light from the lamp
3
Mirror element tilted to the right
4
Mirror element tilted to the left
5
Reectedlight,lefttilt
6
Light dump
7
Reectedlight,righttilt
1
2
3
4
Light ow
The projector optically lters white light from the lamp into its constituent red, green and blue. Each color illuminates a separate DMD™
whose modulated output is then recombined with the other two to form the projected full color image.
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Aspect Ratios Explained
The appearance of a projected image on the screen depends on a combination of the following:
• The DMD™ resolution:
• SX+ (SXGA+) with a 1400 x 1050 resolution, corresponding to an aspect ratio of 4:3
• 1080p with a 1920 x 1080 resolution, corresponding to an aspect ratio of 16:9
• WUXGA with a 1920 x 1200 resolution, corresponding to an aspect ratio of 16:10
• The aspect ratio of the input signal: 4:3, 16:9 or 16:10
• The value of the Aspect Ratio setting of the projector:
• Source - show the image with its original aspect ratio, not using the whole screen if the DMD™ aspect ratio does not match.
• Fill Display - ll the screen but force the DMD™ aspect ratio on the image.
• Fill & Crop - ll the screen without changing the original aspect ratio but cropping the image to t the DMD™ aspect ratio.
• Anamorphic - force a 16:9 ratio on the source. You need this setting to resolve 16:9 images packed into a 4:3 frame, otherwise it
distorts the image.
• TheaterScope is a special setting used in combination with an anamorphic lens, an optional accessory. It removes letterboxing
from a 2.35:1 source packed into a 16:9 frame.
Notes
Ref 3Rev A November 2012
Page 71
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Aspect ratio examples for DMD™ resolution SX+ (SXGA+)
Source: 4:3 (native resolution)
1
Unused screen areas
Notes
Aspect Ratio:
Source / Fill Display / Fill & Crop
1
1
Aspect Ratio: Anamorphic
Ref 4Rev A November 2012
Page 72
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Aspect ratio examples for DMD™ resolution SX+ (SXGA+) (continued)
Source: 16:9
1
1
Unused screen areas
2
Cropped parts of the image
1
Aspect Ratio: Source
Notes
Aspect Ratio: Fill Display
22
Aspect Ratio: Fill & Crop
Ref 5Rev A November 2012
Page 73
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Aspect ratio examples for DMD™ resolution SX+ (SXGA+) (continued)
Source: 16:10
1
1
Unused screen areas
2
Cropped parts of the image
1
Aspect Ratio: Source
Notes
Aspect Ratio: Fill Display
22
Aspect Ratio: Fill & Crop
Ref 6Rev A November 2012
Page 74
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Aspect ratio examples for DMD™ resolution 1080p
Source: 4:3
1
Unused screen areas
2
Cropped parts of the image
1
Aspect Ratio: Source
Aspect Ratio: Fill Display, Anamorphic
Notes
1
2
2
Aspect Ratio: Fill & Crop
Ref 7Rev A November 2012
Page 75
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Aspect ratio examples for DMD™ resolution 1080p (continued)
Source: 16:9 (native resolution)
Aspect Ratio: Source / Fill Display / Fill & Crop
Notes
Ref 8Rev A November 2012
Page 76
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Aspect ratio examples for DMD™ resolution 1080p (continued)
Source: 16:10
1
Unused screen areas
2
Cropped parts of the image
1
Aspect Ratio: Source
Aspect Ratio: Fill Display
Notes
1
2
2
Aspect Ratio: Fill & Crop
Ref 9Rev A November 2012
Page 77
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Aspect ratio examples for DMD™ resolution WUXGA
Source: 4:3
1
Unused screen areas
2
Cropped parts of the image
1
Aspect Ratio: SourceAspect Ratio: Fill Display
2
2
Aspect Ratio: Fill & Crop
Notes
1
1
1
Aspect Ratio: Anamorphic
Ref 10Rev A November 2012
Page 78
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Aspect ratio examples for DMD™ resolution WUXGA (continued)
Source: 16:9
1
1
Unused screen areas
2
Cropped parts of the image
1
Aspect Ratio: Source
Notes
Aspect Ratio: Fill Display
2
Aspect Ratio: Fill & Crop
2
Ref 11Rev A November 2012
Page 79
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Aspect ratio examples for DMD™ resolution WUXGA (continued)
Source: 16:10 (native resolution)
Aspect Ratio: Source / Fill Display / Fill & Crop
Notes
Ref 12Rev A November 2012
Page 80
Digital Projection Titan Pro Series 3 ASPECT RATIOS EXPLAINED Reference Guide
Black margin – part of the source
Black margin – part of the source
Aspect ratio example: TheaterScope
The TheaterScope setting is used in combination with an anamorphic lens to restore 2.35:1 images packed into a 16:9 frame. Such images
are projected with black lines at the top and bottom of the 16:9 screen to make up for the difference in aspect ratios.
Without an anamorphic lens and without the TheaterScope setting applied, a 16:9 source containing a 2.35:1 image looks like this:
If we change the setting to TheaterScope, the black lines will disappear but the image will stretch vertically to reach the top and bottom of
the DMD™:
Notes
An anamorphic lens will stretch the image horizontally, restoring the original 2.35 ratio:
Ref 13Rev A November 2012
Page 81
Digital Projection Titan Pro Series 3 SCREEN REQUIREMENTS Reference Guide
Screen Requirements
Fitting the image to the DMD™
If the source image supplied to the projector is smaller than the DMD™ resolution, the image will not ll the DMD™. The following examples
show how a number of common formats may be displayed, depending on your DMD™ resolution.
SX+ images displayed full width
= 843 pixels
1.66:1 (Vista)
1.6:1
= 875 pixels
full width = 1400 pixels
SX+ images displayed full height
1.85:1
= 596 pixels
2.35:1(Scope)
= 757 pixels
= 787 pixels
16:9 = 1.78:1
Notes
The images are shown here scaled
automatically by the projector.
The image may be scaled differently
if the aspect ratio is set differently in
Geometry menu.
the
4:3 = 1.33:1 (native) = 1400 pixels
full height = 1050 pixels
Ref 14Rev A November 2012
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Digital Projection Titan Pro Series 3 SCREEN REQUIREMENTS Reference Guide
1080p images displayed full width
full width = 1920 pixels
1080p images displayed full height
= 817 pixels
2.35:1(Scope)
1.85:1
16:9 = 1.78:1
= 1037 pixels
= 1080 pixels
(native resolution)
Notes
The images are shown here scaled
automatically by the projector.
The image may be scaled differently
if the aspect ratio is set differently in
Geometry menu.
the
4:3 = 1.33:1 = 1440 pixels
16:10 = 1.6:1 = 1728 pixels
1.66:1 (Vista) = 1792 pixels
16:9 = 1.78:1 = 1920 pixels
(native resolution)
full height = 1080 pixels
Ref 15Rev A November 2012
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Digital Projection Titan Pro Series 3 SCREEN REQUIREMENTS Reference Guide
WUXGA images displayed full width
2.35:1(Scope)
full width = 1920 pixels
WUXGA images displayed with a height of 1080 pixels
1.85:1
= 817 pixels
= 1037 pixels
16:9 = 1.78:1
full height
= 1080 pixels
= 1200 pixels
Notes
The images are shown here scaled
automatically by the projector.
The image may be scaled differently
if the aspect ratio is set differently in
Geometry menu.
the
The images shown here cannot ll
the full height of the DMD™, and will
be scaled to a height of 1080 pixels.
4:3 = 1.33:1 = 1440 pixels
16:10 = 1.6:1 = 1728 pixels
1.66:1 (Vista) = 1792 pixels
full width = 1920 pixels
full height
= 1080 pixels
max possible image height
= 1200 pixels
Ref 16Rev A November 2012
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Digital Projection Titan Pro Series 3 SCREEN REQUIREMENTS Reference Guide
WUXGA images displayed full height
UXGA = 4:3 = 1.33:1 = 1600 pixels
WUXGA = 16:10 = 1.6:1 = 1920 pixels
Notes
Only WUXGA or UXGA images
can ll the full height of the DMD™,
using all 1200 pixels.
full height = 1200 pixels
Ref 17Rev A November 2012
Page 85
Digital Projection Titan Pro Series 3 SCREEN REQUIREMENTS Reference Guide
Diagonal screen sizes
Screen sizes are sometimes specied by their diagonal size (D). When dealing
with large screens and projection distances at different aspect ratios, it is more
convenient to measure screen width (W) and height (H).
The example calculations below show how to convert diagonal sizes into width and
height, at various aspect ratios.
2.35:1 (Scope)
W = D x 0.92 H = D x 0.39
1.85:1
W = D x 0.88 H = D x 0.47
16:9 = 1.78:1 (native aspect ratio for 1080p projectors)
W = D x 0.87 H = D x 0.49
1.66:1 (Vista)
W = D x 0.86 H = D x 0.52
16:10 = 1.6:1 (native aspect ratio for WUXGA projectors)
W = D x 0.85 H = D x 0.53
4:3 = 1.33:1 (native aspect ratio for SX+ projectors)
W = D x 0.8 H = D x 0.6
H = height
Notes
W = width
D = diagonal
Ref 18Rev A November 2012
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Digital Projection Titan Pro Series 3 SCREEN REQUIREMENTS Reference Guide
Fitting the image to the screen
It is important that your screen is of sufcient height and
width to display images at all the aspect ratios you are
planning to use.
Use the conversion chart, or the sample calculations
below to check that you are able to display the full image
on your screen. If you have insufcient height or width,
you will have to reduce the overall image size in order to
display the full image on your screen.
1
4:3 = 1.33:1
(native aspect ratio for SX+ projectors)
W = H x 1.33, H = W x 0.75
2
16:10 = 1.6:1
(native aspect ratio for WUXGA projectors)
W = H x 1.6, H = W x 0.625
3
1.66:1 (Vista)
W = H x 1.66, H = W x 0.6
4
16:9 = 1.78:1
(native aspect ratio for 1080p projectors)
W = H x 1.78, H = W x 0.56
5
1.85:1 (Flat)
W = H x 1.85, H = W x 0.54
6
2.35:1 (Scope)
W = H x 2.35, H = W x 0.426
10
9
8
7
6
5
4
Screen height
3
2
1
12345678910
123456
Screen width
Notes
Ref 19Rev A November 2012
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Digital Projection Titan Pro Series 3 SCREEN REQUIREMENTS Reference Guide
Positioning the screen and projector
For optimum viewing, the screen should be a at surface
perpendicular to the oor. The bottom of the screen should
be 1.2m (4 feet) above the oor and the front row of the
audience should not have to look up more than 30° to see
the top of the screen.
The distance between the front row of the audience and
the screen should be at least twice the screen height and
the distance between the back row and the screen should
be a maximum of 8 times the screen height. The screen
viewing area should be within a 60° range from the face of
the screen.
Notes
The projector should be installed
as close to the power outlet as
possible.
The power connection should be
easily accessible, so that it can
be disconnected in an emergency.
Ensure that there is at least
30cm (12in) of space between the
ventilation outlets and any wall,
and 10cm (4in) on all other sides.
Do not install the projector close
to anything that might be affected
by its operational heat, for
instance, polystyrene ceiling tiles,
curtains etc.
The image can be ipped for rear
projection (see the Operating
Guide) and displayed without the
need for extra mirrors or equipment.
However, you must ensure that
there is sufcient distance behind
the screen for the projector to be
correctly located.
Rear installation is generally more
complicated and advice should be
sought from your local dealer before
attempting it.
Ref 20Rev A November 2012
Page 88
Digital Projection Titan Pro Series 3 CHOOSING A LENS Reference Guide
Choosing A Lens
A number of lenses are available. Which lens you choose will depend on the screen size, image aspect ratio, projection distance and light
output. In addition, each lens is available in two versions: High Brightness and High Contrast.
is xed, but assumes that the image
lls the width of the DMD.
For images that do not ll the width
of the DMD, the throw ratio is
effectively increased. To correct for
this in these calculations, a throw
ratio factor (TRF) is used.
The DMD width is 1920 for WUXGA
and 1080p projectors, and 1400 for
SX+ projectors.
Throw distance calculations are
based on the distance from the outer
end of the lens, which will vary from
lens to lens. Once a lens has been
chosen, the gures can be checked
using the lens extension values
given in the table on this page.
For information about individual lens
part numbers, see Appendix A at
the end of this document.
Ref 22Rev A November 2012
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Digital Projection Titan Pro Series 3 CHOOSING A LENS Reference Guide
Throw distance and lens extension
The throw distance is calculated to the outer end of the lens. The nominal
distance between the front of the projector and the outer end of the lens is
called lens extension.
Lens extension values will vary from lens to lens. Once a lens has been
chosen, the gures can be checked using the values given on the previous
page.
Lens extension measured from front of corner post
Notes
The throw ratio for a particular lens
is xed, but assumes that the image
lls the width of the DMD.
For images that do not ll the width
of the DMD, the throw ratio is
effectively increased. To correct for
this in these calculations, a throw
ratio factor (TRF) is used.
For information about lens
extensions and individual lens part
numbers, see Appendix A at the
end of this document.
Lens extension is measured when
the lens is focused at innity, and
fully extended. At other focus
settings, the extension could be up
to 10mm less.
Ref 23Rev A November 2012
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Digital Projection Titan Pro Series 3 CHOOSING A LENS Reference Guide
Useful lens calculations
Throw ratio =
Throw distance
Screen width x TRF
Throw distance
Screen width =
Throw ratio x TRF
Examples of lens calculations
Use the information in Appendix A at the end of this Reference Guide to identify the exact lens needed.
for WUXGA and 1080p
Image size 1024 x 768 pixels, screen width 6.5m, throw distance 18m from the outer end of the lens.
TRF =
DMD width
Image width in pixels
Screen width x Throw ratio x TRFThrow distance =
• Throw ratio factor (TRF) = 1920 / 1024 = 1.875
• Throw ratio required = 18 / (6.5 x 1.875) = 1.48
Choose the 1.39 - 1.87 : 1 zoom lens.
Notes
The throw ratio for a particular lens
is xed, but assumes that the image
lls the width of the DMD.
For images that do not ll the width
of the DMD, the throw ratio is
effectively increased. To correct for
this in these calculations, a throw
ratio factor (TRF) is used.
The DMD width is 1920 for WUXGA
and 1080p projectors, and 1400 for
SX+ projectors.
Throw distance calculations are
based on the distance from the outer
end of the lens, which will vary from
lens to lens. Once a lens has been
chosen, the gures can be checked
using the lens extension values
given in Appendix A at the end of
this document.
for SX+
Image size 1024 x 768 pixels, screen width 6.5m, throw distance 18m from the outer end of the lens.
• Throw ratio factor (TRF) = 1400 / 1024 = 1.37
• Throw ratio required = 18 / (6.5 x 1.37) = 2.02
Choose the 2.0 - 2.77 zoom lens.
Ref 24Rev A November 2012
Page 92
Digital Projection Titan Pro Series 3 CHOOSING A LENS Reference Guide
Lens charts
How to use the lens charts
The lens charts on the following pages provide a quick guide
to the type of lens needed for a particular projector.
To use the lens charts, you need the following information:
• The DMD resolution of your projector
• The distance between the projector and the screen
(throw distance)
• The maximum width of your screen
In the chart for the required DMD resolution, nd the point
where the throw distance corresponds to the screen width,
as shown in the example below.
Example
For a 1080p projector with
• throw distance 28 m, and
• screen width 7 m,
the correct lens would be number 7 in the chart.
20.0 m (65.6 ft)
17.5 m (57.4 ft)
15.0 m (49.2 ft)
12.5 m (41.0 ft)
4 5 6
1
2
Notes
For information about individual lens
part numbers, see Appendix A at
the end of this document.
1
Throw distance
2
Screen width
7
89321
10.0 m (32.8 ft)
Screen width
7.5 m (24.6 ft)
5.0 m (16.4 ft)
2.5 m (8.2 ft)
10 m
(33 ft)
20 m
(66 ft)
30 m
(98 ft)
40 m
(131 ft)
50 m
(164 ft)
60 m
(197 ft)
70 m
(230 ft)
80 m
(262 ft)
90 m
(295 ft)
Throw distance
Ref 25Rev A November 2012
Page 93
Digital Projection Titan Pro Series 3 CHOOSING A LENS Reference Guide
1080p (1920 x 1080 pixels)
Full width images
Formats that t the width of the DMD™ without applying a throw ratio factor (TRF) include: