This declaration is based on our understanding of the current RoHS Directive and
from information provided by the supplier material declarations with regard to
materials contained in the component that make up our products.
Douglas W. Fearn
President
4
VT-15 Vacuum Tube Recording Channel
Final Test Report
Serial Number_______________ Mains Voltage 120/240 set to __________________
Date ________________ Tested by ________ VU Calibrated to _______________ dBm
Test Equipment ____________________________ Microphone ________________________
5
Frequency Response:
20 cps to 20 kc/s +/- ___________ dB
THD+Noise:
20 cps ______________ %
200 cps _____________ %
2 kc/s _______________ %
20 kc/s ______________ %
Noise:
______________ dB below +4 dBm out
Equivalent Input Noise _______ dB
Operational Tests
Line Input __________________
Instrument Input ____________
C->E Switching ______________
Compressor:
Threshold ___________________
Attack ______________________
Release _____________________
Harder/Softer ________________
VU GR Calibration ____________
VU Output Calibration ________
Sidechain HPF ________________
Equalizer:
Microphone Preamplifier:
-20 pad ________________
Lo-Z input ______________
Phase Reverse __________
+48V ___________________
VT-15 Recording Channel
LFB __________
LFC __________
HFB __________
HF Q _________
HF C _________
Listening Test ____________
D.W. FEARN
Table of Contents
RoHS Compliance Data ..................................................................3
Final Test Report ............................................................................5
7. Warranty and Repair ................................................................33
List of Illustrations
1. Front Panel Controls and Indicators ........................................19
VT-15 Recording Channel
D.W. FEARN
8
D.W. Fearn shall not be liable for technical or editorial errors or omissions in this
manual, nor for incidental or consequential damages resulting from the use of this
material.
This instruction manual contains information protected by copyright. No part of this
manual may be photocopied or reproduced in any form without prior written consent
from D.W. Fearn.
During the warranty period, D.W. Fearn will, at no additional charge, repair or replace
defective parts with new parts.
This warranty does not extend to any VT-15 that has been damaged or rendered
defective as a result of accident, misuse, or abuse; by the use of parts not manufactured or supplied by D.W. Fearn; or by unauthorized modification of the VT-15.
Vacuum tubes are excepted from the 5-year warranty, but are warranted for 90 days
from date of purchase.
Except as expressly set forth in this Warranty, D.W. Fearn makes no other warranties, express or implied, including any implied warranty of merchantability and fitness for a particular purpose.
VT-15 Recording Channel
D.W. FEARN
History of the VT-15 Vacuum Tube Recording Channel
With the success of the VT-1/VT-2 Vacuum Tube Microphone Preamplifiers, the VT-
4 LC Equalizer, the VT-7 Stereo Compressor, and the VT-I/F and VT-3 Vacuum Tube DIs,
there was a great temptation to combine the features of all of these products into one recording channel.
But I had a problem with the concept. I did not want to be tied into having the com-
pression come before the equalization, or vice-versa, so a prime design goal was to make the
order of the processing switchable. That way the user has a choice of compression before
equalization or equalization before compression. Different circumstances require different
approaches to processing.
Achieving this switching with a minimum of noise and level change was solved quick-
ly, but all the switching in the audio path could result in a degradation of the noise performance of the VT-15.
By definition, an “all-in-one” box has many compromises over using separate units. I
was not satisfied with the VT-15 until the overall performance was as close as possible to using
a VT-1/VT-7/VT-4. The final result is a box that has about 4dB more noise than the separate
units under most circumstances -- a negligible difference for most applications.
11
Because the VT-15 is capable of a tremendous amount of gain (about 90dB in the first
prototype), it became a bit tricky to use properly. As long as you were familiar with optimizing gain structure in a studio environment, it worked great. But not everyone has that background, and in the heat of a session, it may get neglected. The result could be distortion -and not the kind you would normally find pleasing. Optimizing the gain structure and headroom was an ongoing project, complicated by a period of 18 months when we could not keep
up with the orders for our VT-7 Stereo Compressor. In fact, I put the VT-15 project on hold
entirely for six months. When I returned to it over the summer of 2007, the pieces fell into
place and the VT-15 was ready to meet the world.
The mic preamp is identical to the VT-1/VT-2 circuit with one exception: an instru-
ment input has been added. The compressor is identical to one channel of the VT-7 Stereo
Compressor. The equalization is a highly-simplified version of the VT-4 LC Equalizer, with
just one frequency for the low-frequency boost, low-frequency cut, high-frequency boost, and
the high-frequency cut. The chosen frequencies were based on my experience using the VT4 and feedback from many users.
Can the VT-15 replace the VT-1/VT-2, VT-7, and VT-4? Not really. The separate units
have features that are just not practical to duplicate in the VT-15. But for many applications,
the VT-15 provides the next best thing.
November 2007.
VT-15 Recording Channel
D.W. FEARN
12
D.W. FEARN
VT-15 Recording Channel
Loading...
+ 21 hidden pages
You need points to download manuals.
1 point = 1 manual.
You can buy points or you can get point for every manual you upload.