Crest audio X-EIGHT HS User Manual

wide range of configurations
X-Eight consoles are supplied with either 24, 32, 40, or 48 mono input channels, plus four full-featured stereo line-input channels— which can also serve as effect-returns. These standard configurations include Master and Group modules—all other inputs may be ordered as mono-mic/line or stereo-line, in four-channel blocks.
built to defy murphy’s law
• four-band eq with sweepable mid-bands and high-pass filters on all inputs
• fader-reverse function optimizes operation as a front-of-house or as a monitor-mix console
• direct output on all mono input channels
• five-segment LED level indication on all mono input-modules with variable intensity
SIGNAL PRESENT indicator and multiple sample-point PEAK INDICATOR
• eight aux mixes, with aux
5/6 and aux 7/8 switchable to stereo operation
• stereo solo system features switchable AFL/PFL mode and last-pressed functions, with master SOLO CLEAR switch
• discrete bus assignment to groups, left/right and mono outputs
• true
LCR panning available on mono input-channels
• separate ground-compensated insert sends and balanced returns on group, auxiliary and primary outputs as well as on mono input-channels
• fully-balanced primary outputs and balanced mic- and line-inputs
• meter bridge as standard: thirteen mechanical meters with solid-state illumination: eight groups, left,right, mono (center) and solo-left/solo-right
description
features
The X-Eight HS is a dual-function console, equipped for both front-of-house and stage-monitor duties. Designed specifically for live-performance, professional sound contracting, industrial, rental, and installation applications, the X-Eight HS provides those features most needed by front-of-house and monitor engineers. The X-Eight HS includes identical four-band eq on all mono and stereo input chan­nels, and auxiliary sends 5/6 and 7/8 may be switched between mono or stereo operation. Signal monitoring is provided on all input and output fader channels, assisting the operator in setting correct gain structure throughout the console. Stereo full-facility input chan­nels are used for effect-returns on all faders.Twelve-channels of five­band eq are provided on the Aux and Matrix outputs, switchable to the group, left, right, and mono outputs. A microprocessor-based muting system is provided on both inputs and outputs, and may be operated manually or in sequential-mode.
sound fundamentals
Even in the most demanding environments, the sonic performance of the X-Eight HS is sure to please discriminating sound engineers and audiences alike. The X-Eight’s circuitry delivers both extended headroom and low-noise: exclusively employing the latest-generation of integrated circuits and studio-grade proprietar y-design micro­phone pre-amplifiers.The X-Eight HS console has exceptional phase-shift performance, exhibiting less than +/-30 degrees-of-shift from input to output—significantly better results than most consoles, regardless of price.
microprocessor-based muting system
The X-Eight HS’s straightforward microprocessor-based muting system was co-developed with JL Cooper, and combines muting flexibility with ease of operation. Eight manual-mute groups are provided, each with a dedicated activation-switch, any number of which may be activated at one-time.The system includes 128 MIDI­based sequential scene mutes that can work alone, or in conjunction with the manual mute groups. Scene mutes can be controlled via external MIDI signals, and each of the 128 mute scenes may be pre­set to issue a MIDI program-change command to an external device.
X-Eight HS console
specifications
Crest Audio specification literature is available in downloadable PDF format at our website www.crestaudio.com
©
2000 Crest Audio Inc.
Crest Audio reserves the right to make
improvements in manufacturing or design
which may affect specification.
X-Eight HS
v.1.0 1/24/00
+0/-1dB 20Hz–20kHz ref 1kHz—any input to any output
any output <.01%
THD 20Hz–20kHz @ +15dBu out
mic ein better-than -128dBu 20Hz–20kHz—150ohm source, 60dB gain
bus output noise less-than -80dBu—output fader
@ 0dB, 24 channels routed
residual output noise less-than -90dBu—output fader at minimum
channel mute >80dB channel routing >80dB
channel fader attenuation >90dB aux send attenuation >75dB
< +/- 30 degrees,
20Hz–20kHz—mic-in to main-out
mic-in
XLR 4k ohm balanced—max voltage gain to left/right balanced out
=
98dB
line-in
TRS >10k ohms balanced
left/right/mono—group, aux, matrix—monitor-out
all 100 ohms balanced
headphones to drive > eight-ohms
send 50 ohms ground-compensated on TRS jack
return >10k ohms balanced on
TRS jack
+4dBu max level
+26dBu balanced into >1k ohms
high freq +/- 15dB shelf at
12kHz
high-mid freq +/- 15dB bell freq range 400Hz–8kHz Q=1.5
low-mid freq +/- 15dB bell freq range 80Hz–2kHz Q=1.5
low freq +/- 15dB bell-boost /shelf-cut freq center
80Hz Q=.7 on boost
high-pass filter -12dB/octave freq range
20Hz–400Hz
separate on-switches for eq and high-pass filter
aux and matrix eq high freq +/- 15dB shelf at
12kHz high-mid freq +/- 15dB bell, freq range 400Hz–8kHz, Q=1.5
low-mid freq +/- 15dB bell, freq range 100Hz–2kHz, Q=1.5 low freq: +/- 15dB bell,freq range 20Hz–400Hz, Q=1.5
eq switchable between aux and group or matrix and main outs
five-segment
LED ladder with VU-type response—displays pre-fader signal level
top red-
LED warns of impending overload anywhere within the channel lowest green-LED shows signal-present
thirteen mechanical
VU-type meters with LED-illumination
eight-meters showing group-outs
three-meters showing main-outs (left/right/mono), and two dedicated solo-meters
pink-noise generator can feed the talk-back section
chassis is powder-coated
14-gauge galvanized steel with internal-bracing
modules are powder-coated
18-gauge galvanized steel with baked-epoxy screening
see dimension-drawing
five-years
frequency response
THD
noise
crosstalk
phase shift
inputs
outputs
insert
nominal output level
input channel eq
output features
channel metering
master metering
signal generator
construction
dimensions and weights
warranty
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