CENTURY SERIES
Technical Data
TECHNICAL SPECIFICATIONS
FREQUENCY RESPONSE
+0.0, -0.5dB, 20Hz to 20 kHz (referenced to 1kHz)
TOTAL HARMONIC DISTORTION
(Mic input to Group output)
20Hz to 20 kHz at +15dBu <0.01%
NOISE (22Hz to 22kHz)
Mic EIN -129 dBu
Mix Bus Output Noise (20 ch routed) - 80 dBu
Aux Bus Output Noise (20 ch routed) - 80 dBu
CROSSTALK (Measured at 1kHz)
Channel Mute >102 dB
Channel Fader Attenuation > 96 dB
Channel Routing > 85 dB
Channel Aux Send Attenuation > 93 dB
INPUT/OUTPUT IMPEDANCES
Mic Input 4kΩ balanced
Line Input >10kΩ balanced
Outputs 140Ω balanced
INPUT/OUTPUT LEVELS (0VU = +4 dBu, 1.23V RMS)
Mic Input Sensitivity + 4 to -62 dBu
Line Input Sensitivity + 12 to -38 dBu
Input Insertion Point Level + 4 dBu
Output Insertion Point Level - 2 dBu
Nominal Output Level + 4 dBu
Maximum Balanced Output Level +28 dBu
All specifications subject to change without notice. © 1997 Crest Audio Inc.
Load support recommendations have been
supplied to assist in road case construction.
Vx
Sheet
CONFIGURATIONS
All Century Vx Consoles are available with optional stereo input modules.
Century Vx Consoles are available in the following configurations:
EIGHT SUBGROUP - 20, 32, 40, OR 52 INPUTS
D IMENSIONS
The following table contains net dimensions
for all Century Vx consoles. (L x W x H)
Frame Size Imperial Metric Weight
32 44" x 30.21" x 12.75" 1100 x 767 x 324mm 146/66.3
44 58" x 30.21" x 12.75" 1460 x 767 x 324mm 230/104.4
52 67" x 30.21" x 12.75" 1700 x 767 x 324mm 275/24.9
64 82" x 30.21" x 12.75" 2070 x 767 x 324mm 295/133.9
30.21"/767mm
31.14" / 791mm
SUPPORT ACROSS THIS DIMENSION IS RECOMMENDED
24.75" / 629mm
28.0" / 711mm
29.5625" / 751mm
DO NOT APPLY ANY
LOADS TO METER
BRIDGE ASSEMBLY
1.30"/ 33mm
4.8125"
122mm
4.5625"
116mm
2.25"/57mm
All information per
Crest Consoles Engineering,
May 5, 1997
19" / 483mm
KNOB HEIGHT, .75"/19mm & 1.25"/32mm
2.375"/ 60mm
SUPPORT ACROSS
THIS AREA IS
RECOMMENDED
35°
Net lbs./kg
.65"/17mm
10°
12.5625"
319mm
5.125"
130mm
12.6875"
322mm
The Vx live sound console shall be constructed in a modular fashion and be housed in a steel frame of (32, 44, 52, or 64) module positions. Vx Consoles shall include an 8 channel VCA level control system as well as an 8 channel audio subgroup system. The console shall utilize XLR-type lighting device connectors with dimmer system. A meter bridge using mechanical meters with solid state illumination shall be included. Signals to be monitored include Left, Right, Mono (Center), Stereo Solo and 8 Group output signals. On 52 and 64 module position frames, 8 Auxiliary output meters are also
provided. The Vx live sound console shall feature a defeatable Left-Center-Right (LCR) panning system on input and group modules. • On each input channel: all microphone inputs shall be electronically balanced and accessed via XLR connectors and have an EIN of -129 dBm. All input channel line inputs shall be electronically balanced and accessed via 1/4" TRS jacks. Input module insert and
return points shall be via individual 1/4" jacks and controlled by a front panel switch with LED. Additional input controls include: a +48 volt Phantom Power switch, a -15 dB Pad switch (-20 dB for stereo
input channels), adjustable High Pass Filter control (20-400Hz) with on switch and LED, a Polarity Reverse switch with LED, and 4-band sweep EQ (LF- 40-800Hz, LMF- 100Hz-2kHz, HMF- 400Hz-8kHz,
HF- 1.5k-20kHz) with Peak/Shelve switches on the high and low EQ bands, switchable bandwidth on low-mid and high-mid bands, and an EQ In switch with LED. Each input channel shall also have a
FET-controlled Mute switch with LED, affecting all assigned outputs including Auxiliary sends. The mute system may be defeated to the auxiliary sends by use of an internal jumper system. Assignment
switching is provided to the following output sections: Left/Right, Mono, Subgroup 1, 2, 3, 4, 5, 6, 7 and Subgroup 8. An LCR switch shall reconfigure the Left/Right and Mono assignment system to a
true Left-Center-Right mix system. A Pan On switch will allow conventional panning between any odd and even subgroup assignment regardless of the position of the LCR configuration switch. A 5segment Signal level LED indicator will be provided on Mono input modules, including a multiple sample point peak LED to monitor signal levels. Input modules will also include a Solo switch with LED
indicator, 8 VCA group assignment switches, 4 Scene Mute preset switches, Scene Mute Safe switch with LED, and a 100mm fader. Each input channel shall have eight Auxiliary send level controls. Each
Aux Send shall have the ability to be turned on and off by pressing its associated send knob. A bi-color LED will indicate the status of the send: Green=Aux switched on, Red=Aux switched on but send
muted, LED Off=Aux switched off. Signal source of each Aux mix bus is normally post channel fader but may be globally changed to a pre fader source from eight individual switches within the master
section. Individual channels may be removed from the global pre/post fader signal source as well as Aux Mute control by a series of internal jumpers on each input module. • The 8 VCA group assignment switches will allow each channel to be controlled by any or all of the VCA group faders. A VCA bi-color LED will show VCA control voltage with increasing green intensity, and will turn red when
VCA control limiting is reached. The Aux sends shall be globally switchable pre or post fader with internal jumpers to select pre or post EQ and pre or post mute. There shall be an Aux 8 Direct switch
that allows the Aux 8 send knob directly to control the output of the 1/4" direct output connector. There will also be an Aux 8 Pre switch which allows Aux 8 to be switched pre fader independently of
the global switch. Optional Stereo input modules with similar features will be available. • Each Group module shall have VCA Group and Audio Group mixing sections, and a Matrix section. The VCA
Group section shall have a Mute switch and Unity LED indicator. • The Audio group mix section of the module shall have a Pan control, a Mute switch with LED, Matrix meter switch, assignment switches for Left/Right and Mono with an LCR configuration switch, a Fader Reverse switch with LED that allows the group fader to control the level of the matrix output, a Solo switch, dynamic signal present LED and peak LED, and a 100mm fader. Each Audio Group mix section will have group insert connections. • The Matrix section shall have controls for Group to Matrix Levels (G1-G8), L/R level to
Matrix, Mono and External level to Matrix, Talkback to Matrix (w/LED), Peak/Signal level LED. The Matrix section shall also have a Stereo Program switch (w/LED) to switch the L/R signal source to the
Stereo Program input, a Solo switch, and a master Matrix Out level control. • The master section shall have the following features: eight Aux master controls with associated Global Pre, Solo and Mute
switches, a 100mm fader for each of the Left, Right, and Mono (Center) master outputs with insert connections, an assignable Talkback system, Monitor control system (with balanced XLR output),
Stereo Program input section with EQ, and a Scene Mute Master switch section, each with LED. • The power supply shall be housed in a 14 gauge steel chassis and provide ±20V, +24V, and +48V to
the console. The power supply shall have the ability to be daisy-chained to additional power supplies to provide a redundant operating environment. Connection of two or more power supplies shall
not require additional hardware other than an interface cable. The live sound console shall be: the Crest Audio Century Vx.
Architect’s & Engineer’s Specifications - Century Vx
Crest Audio specifications are available in electronic form on our website: http://www.crestaudio.com
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x0.2-x2
FREQ
NOISE
For use on an 11 inch x 17 inch sheet, print this page out at 130%
Century Vx Console Block Diagram
Crest Audio reserves the right to make changes or improvements
in manufacturing or design which may affect specifications.
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AUX MASTER
MUTE
A
BCD
MUTE SCENE
INDICATORS
AUX SOURCE SELECT
FOR STEREO PGM IN
AUX 7-8
DIMMER
LAMP
+20V -20V +48V +24V
PINK
D
AUX 5-6
STATUS LEDS
*D3000002*
PFL
ON
TO SOLO
BUSES
SOLO
100 Eisenhower Dr., Paramus NJ 07652 USA
TEL
: 201.909.8700
http://www.crestaudio.com
FAX
: 201.909.8744
Printed in USA
TAPE IN
JACKS
TO
Crest Audio Inc.
(FRONT)
MIC
TB
OSC
LEVEL
OSC
OSC
ON
MASTERS
SCENE
MUTE
A - D
MONO
AUX 1-2
AUX 3-4
∑ ∑
LF HF
LF HF
(TOP)
100
1K 10K
ABC
MUTE
LEVEL
BAL
GAIN
IN
MIC
TB
ON
TB
MASTER/SLAVE
L-R
STEREO
PROGRAM
STEREO
IN
POWER ON/OFF
PHANTOM
+48v
LEVEL
TB
TB IN
∑
MONO L-R GROUPS AUXES
TB ASSIGN SWITCHES
1 2 3 4 5 6 7 8
MONO BAL
MIX AMP
PRESENT
SIGNAL
FADER AMP
MATRIX
POST
SIG / PEAK
EXT TB
EXT
∑
INSERT
MUTE
OPTION
BAL OUT
MONO
XFORMER
MONO
PEAK
(FRONT)
METER
PHONES
+ 48V DC
1A
XCPS-60
LINK
(TOP PANEL)
PHONES
SOLO
Vx MONO MODULE
GROUND
LEVEL
PHONES
DIM
+
24V DC
6A
MON RIGHT
LOCAL
D
INTERNAL OPTION
MUTE
BUSES
SOLO
PRE
SLAVE CONNECTOR
120V 60Hz
AC IN *
+
20V DC
6A
+20 -20 +24 +48
OUTPUT
MON LEFT
LOCAL
MUTE
MONO
D
GLOBAL
PRE
LOCAL
SOLO
SIG / PEAK
METER
OUTPUT
L / R + CENTER
MONITOR SOURCE SELECT
TAPE
MON LEVEL
LOCAL
AUX BAL
MIX AMP
∑
MASTER AUX OUT
AUX
MUTE
AUX OUTPUT 3-5-7 (4-6-8)
*OPTIONS: 220/240V 50Hz 100V 50Hz
XCPS-60
∑
∑
RIGHT
INTERNAL OPTION
LOCAL
MUTE
BUSES
SOLO
PRE
SIG / PEAK
METER
OFF
SLAVE
+ 48V DC
1A
GROUND
LINK
HEADPHONE SOURCE SELECT
DC
DEFEAT
SOLO
LEFT RIGHT
SOLO
LEFT
BUSY
MUX-DEMUX
TO METER
GLOBAL
PRE
SOLO
MASTER
+ 24V DC
6A
RIGHT
-
L / R + CENTER
∑
TAPE
MONITOR
SOLO TO
SOLO
DC
AUX BAL
MIX AMP
∑
AUX 1(2)
MASTER
MUTE
AUX OUTPUT 1 (2)
XFORMER
OPTION
AUX OUT
120V 60Hz
AC IN *
+20 -20 +24 +48
OUTPUT
LEFT
TAPE IN
+-+
∑
SOLO
RIGHT
LEFT
RIGHT
LEFT-
SOLO
EQ
AUX A (B)
STEREO
RIGHT
± 20V DC
6A
STEREO PROGRAM
MONO MODULE
IN FROM
MONOL / R
DEFEAT
RIGHT
SIG
MATRIX
POST
MONO
MUTEMONO
STEREO
POST
PEAK
LEFT
OUTPUT
SOLO
AFL
LEFT
AFL
AUX A (B)
METER
AUX A (B)
STEREO
MUTE
STEREO
STEREO
(SHOWING OPTIONAL TWIN UNIT AUTO BACK-UP)
VX POWER SUPPLY
Vx MASTER MODULE
VCA ASSIGN
1-8
8
LEFT
RIGHT
SOLO TYPE
LEFT
RIGHT
DC
PFL
∑
OUTPUT
MUTES
A - D
L (R) BAL
MIX AMP
INSERT
XFORMER
OPTION
LEFT(RIGHT)
Vx LEFT (RIGHT) MODULE
ENABLE
SLAVE
SCENE
SELECT
RIGHT
CHAN MUTE
MASTER/
MUTE
SAFE
ABC D
PGM
STEREO
LEFT
CH MUTE
DIRECT
SIG / PEAK
DC
MUTE
AUX 8
VCA
MUTE
LOGIC
PRE-POST
8
PUSH ON/OFF
–
MONO
EXT IN
SOLO
GROUP
FADER
BUFFER
MUTE
1
GLOBAL
PRE
AUX MUTE
+
8
EXT
MATRIX
POST
VCA
VOLTAGE
UNITY
DIRECT OUT
FADER
VCA
AUX 8 DIR ONLY
EQ FDR
SOURCE 2
SELECT
PRE
DIP SW
CH MUTE
(AUX 2-7 SAME AS AUX 1)
BUS
AUX 8
AUX 8 SEND
567
SUM AMP
MATRIX
∑
MUTE
VCA GROUP
BAL INSERT RTN
PRE
POST
∑
VCA
LED
PRE SOURCE AMP
PRE-POST
GLOBAL
1
PUSH ON/OFF
AUX MUTE
AUX 1 SEND
–
+
(INTERNAL SWITCH)
INSERT ON
GROUP OR
MATRIX
GROUP/MATRIX
REVERSE
METER
OPTION
XFRMR
MATRIX
OUT
PRE-AMP
SELECT
METER
M
MUTE
CH
DIP SW
BUS
OFF = AUX OFF
RED = ON+MUTED
GREEN = ON
1
234
CHANGE-OVER
INSERT
FADER
SELECT
MATRIX
INSERT SEND
+80-6SIG
PEAK
SOURCE 1
SELECT
PRE
NO YES
MUTE INDICATOR
–
ENABLE
TB
GROUP MIX
MATRIX
METER
METER
PREAMP
INPUT METER
EQ
FDR
MUTE ?
PRE
LCR PAN
ON - OFF
MONO
ASSIGN
+–+
SOLO
P
INPUT
ASSIGN
+
MONO
BAL LINE IN
S
HPF
SHELF
PEAK/
LF L MID H MID HF
FOUR BAND EQ
QQ
SHELF
PEAK/
PRE
VCA
M
POST
PAN
L-R
SOLO
–
BUS
IN
POST
PRE/
LCR
ON
L - R
LINE
EQ IN
2180 VCA
GROUP PAN
ON-OFF
∑
MATRIX
FEED
P
INSERT
Ø
FREQ
–
1-8
BAL MIC IN
OPTION
PAD
20 - 70dB
GAIN
20 - 400Hz
HPF
+
GROUP
ASSIGN
PAN
XFORMER
15dB
LEVEL
POST
MUTE
INSERT
RIGHT
FADER
{
POST
LEFT
SOLO
SIG / PEAK
GROUP
AUDIO GROUP
OPTION
XFRMR
GROUP OUT
ROTARY
POT
+48V
BI-COLOR
LED
SUMMING
AMP
BAL DRIVERDUAL POT
Vx INPUT MODULE
OPTION
USER
FADER
PADLED AMP SWITCH
FET MUTE
FET DIM
FEMALE
XLR
MALE
XLR
DIP SWITCH
OPTION
•USER OPTIONS IMPLEMENTED WITH
REMOVABLE SHUNTS
AUDIO
GROUPS 1-8
GROUPS 1-8
GROUPS 1-8
LEFT
MONO
RIGHT
LEFT
RIGHT
DC
LEFT
RIGHT
MATRIX
GROUPS 1-8
LEFT
MONO
STEREO
RIGHT
CONTROL
& POWER
Vx GROUP MODULE (1 OF 8)
∑
LEGENDS
P
M
D
USER
•PIN 2 HOT ON ALL XLRS
•TIP IS SEND, RING RETURN ON ALL
SINGLE-JACK INSERTS
VCA
AUX
MAIN
MAIN BUSES
{
PFL AFL
SOLO
{
OUTPUTS
PGM
DC
v. 2.1 11/19/97