Casio YC-430 PJ User Manual

MULTI PJ CAMERA
Multifunctional Camera System
Camera User’s Guide
Thank you for purchasing this CASIO product.
• Before trying to use this camera, be sure to carefully read MULTI PJ CAMERA/Multifunctional Camera System YC-430 User’s Guide.
• Be sure to keep all user documentation handy for future reference.
Safety Precautions in the
E

CONTENTS

INTRODUCTION 9
About This Manual. . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Read this first! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Precautions during Use . . . . . . . . . . . . . . . . . . . . . 13
GETTING READY 23
Charging the Battery . . . . . . . . . . . . . . . . . . . . . . . . 23
To load the battery 23
To charge the battery 24
Replacing the Battery 28
Battery Precautions 28
Turning Power On and Off . . . . . . . . . . . . . . . . . . . 29
Using a Memory Card . . . . . . . . . . . . . . . . . . . . . . . 32
Loading a Memory Card into the Camera 34
Replacing the Memory Card 35
Formatting a Memory Card 36
Using On-screen Menus . . . . . . . . . . . . . . . . . . . . . 38
Configuring Monitor Screen Settings 39
Selecting a Screen Layout (Layout) 40
Turning Display Information On and Off (Info.) 43
Adjusting Monitor Screen Brightness (Brightness) 45
Adjusting Monitor Screen Image Quality (Type) 46
If you lose your way... . . . . . . . . . . . . . . . . . . . . . . . 47
Using the Camera on a Trip . . . . . . . . . . . . . . . . . .48
Extra Batteries 48
Using the Camera in another Country 48
CONTENTS
2
SHOOTING A SNAPSHOT 49
SHOOTING A MOVIE 76
Holding the Camera Correctly . . . . . . . . . . . . . . . . 49
Shooting a Snapshot . . . . . . . . . . . . . . . . . . . . . . . . 50
Changing the Image Size 54
Specifying Image Quality 55
Turning Off the AF Assist Lamp 56
Snapshot Shooting Precautions 57
Auto Focus Restrictions 58
Shooting with Zoom . . . . . . . . . . . . . . . . . . . . . . . . 59
Using Instant Zoom . . . . . . . . . . . . . . . . . . . . . . . . . 62
Using Flash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Using the Self-Timer . . . . . . . . . . . . . . . . . . . . . . . . 68
Using Continuous Shutter . . . . . . . . . . . . . . . . . . . 70
Selecting the Continuous Shutter Mode 71
Recording with Normal-speed Continuous
Shutter, High-speed Continuous Shutter, and Flash Continuous Shutter 71
Recording with Zoom Continuous Shutter 72
Continuous Shutter Precautions 73
Adding Audio to a Snapshot . . . . . . . . . . . . . . . . . 74
Movie Image Quality . . . . . . . . . . . . . . . . . . . . . . . .76
Shooting a Movie . . . . . . . . . . . . . . . . . . . . . . . . . . .77
Movie Recording Precautions 78
USING BEST SHOT 80
Reducing the Effects of Hand and Subject
Movement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85
Taking Bright Images without Flash . . . . . . . . . . .87
Shooting Images of Business Cards
and Documents (Business Shot) . . . . . . . . . . . . . . 88
Shooting ID Photographs . . . . . . . . . . . . . . . . . . . . 90
Restoring an Old Photograph. . . . . . . . . . . . . . . . . 93
CONTENTS
3
ADVANCED SETTINGS 96
Changing the Focus Mode . . . . . . . . . . . . . . . . . . . 96
Using Auto Focus 98
Using Macro Focus 99
Using Fixed Focus (Pan Focus) 102
Using Infinity Focus 103
Using Manual Focus 103
Correcting Image Brightness (EV Shift) . . . . . . . 105
Controlling White Balance . . . . . . . . . . . . . . . . . . 107
Specifying ISO Sensitivity . . . . . . . . . . . . . . . . . . 110
Specifying the Metering Mode . . . . . . . . . . . . . . . 111
Using the Camera’s Filter Effects . . . . . . . . . . . . 113
Controlling Image Sharpness . . . . . . . . . . . . . . . . 113
Controlling Color Saturation . . . . . . . . . . . . . . . . 114
Adjusting Image Contrast . . . . . . . . . . . . . . . . . . . 114
Date Stamping Snapshots . . . . . . . . . . . . . . . . . . 115
Using the On-screen Histogram to
Check Exposure. . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Other Useful Recording Functions . . . . . . . . . . . 119
Using Key Customize to Assign Functions
[W] and [X]119
Displaying an On-screen Grid 120
Displaying the Image You Just Recorded
(Image Review) 121
Using Icon Help 121
Using Mode Memory to Configure Power
On Default Settings 122
Resetting the Camera to Its
Initial Factory Defaults 124
VIEWING SNAPSHOTS AND MOVIES126
Viewing a Snapshot . . . . . . . . . . . . . . . . . . . . . . . . 126
Listening to the Audio of an Audio Snapshot 127
Viewing a Movie . . . . . . . . . . . . . . . . . . . . . . . . . . .128
Playing a Slideshow on the Camera . . . . . . . . . . 130
Viewing Camera Images on a TV . . . . . . . . . . . . . 134
Zooming the Displayed Image . . . . . . . . . . . . . . . 137
Using the 12-image Screen . . . . . . . . . . . . . . . . . . 138
Using the Calendar Screen . . . . . . . . . . . . . . . . . .138
4
CONTENTS
EDITING IMAGES 140
MANAGING YOUR FILES 161
Resizing a Snapshot . . . . . . . . . . . . . . . . . . . . . . . 140
Cropping a Snapshot . . . . . . . . . . . . . . . . . . . . . . 141
Keystone Correction . . . . . . . . . . . . . . . . . . . . . . . 142
Using Color Restoration to Correct the Color
of an Old Photograph . . . . . . . . . . . . . . . . . . . . . . 144
Editing the Date and Time of an Image . . . . . . . . 146
Rotating the Displayed Image of a Snapshot . . . 147
Editing a Movie on the Camera . . . . . . . . . . . . . . 148
Creating a Snapshot of a Movie Frame
(MOTION PRINT) . . . . . . . . . . . . . . . . . . . . . . . . . . 153
USING AUDIO 155
Adding Audio to a Snapshot . . . . . . . . . . . . . . . . 155
Recording Audio Only (Voice Recording) . . . . . .158
Files and Folders . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Protecting a File Against Deletion . . . . . . . . . . . . 162
Using the FAVORITE Folder . . . . . . . . . . . . . . . . . 163
Copying Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
DELETING FILES 168
Deleting a Specific File . . . . . . . . . . . . . . . . . . . . . 168
Deleting All Files . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Deleting FAVORITE Folder Snapshots . . . . . . . .169
CONTENTS
5
OTHER SETTINGS 171
Configuring Camera Sound Settings . . . . . . . . . . 171
Turning the Startup Screen On or Off . . . . . . . . . 173
Specifying the File Name Serial Number
Generation Rule . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Changing the Date and Time Setting . . . . . . . . . .174
Using World Time . . . . . . . . . . . . . . . . . . . . . . . . . 176
Configuring World Time Settings 176
Changing the Display Language . . . . . . . . . . . . . 178
Changing the USB Port Protocol . . . . . . . . . . . . . 178
[ ] (REC) and [ ] (PLAY) Button Settings . . 179
Formatting Built-in Memory . . . . . . . . . . . . . . . . . 181
PRINTING 182
Types of Printing . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Using Professional Print Service . . . . . . . . . . . . . 183
Using Your Printer to Print Images . . . . . . . . . . . 184
Using DPOF to Specify Images to be Printed
and the Number of Copies . . . . . . . . . . . . . . . . . . 187
Date Stamping 190
Supported Protocols . . . . . . . . . . . . . . . . . . . . . . . 191
USING THE CAMERA WITH A COMPUTER 193
What you can do . . . . . . . . . . . . . . . . . . . . . . . . . .193
Using the Camera with a Windows Computer . . 194
Viewing and Storing Images on a Computer 196
Managing Images on Your Computer 202
Retouching, Reorienting, or Printing Snapshots 204
Playing Movies 205
Viewing User Documentation (PDF) Files 206
Exiting the CD-ROM Menu 206
Using the Camera with a Macintosh . . . . . . . . . . 207
Viewing and Storing Images on a Macintosh 209
Managing Images on Your Macintosh 215
Playing Movies 216
Viewing User Documentation (PDF Files) 216
Registering as a User 217
Reading Files Directly from a Memory Card . . . . 217
Memory Card Data . . . . . . . . . . . . . . . . . . . . . . . . .218
6
CONTENTS
APPENDIX 221
General Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Monitor Screen Contents . . . . . . . . . . . . . . . . . . . 223
Menu Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Display Menu Reference . . . . . . . . . . . . . . . . . . . . 230
Indicator Lamps . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Troubleshooting Guide . . . . . . . . . . . . . . . . . . . . . 235
Find the Problem and Fixing It 235
Display Messages 239
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
7
CONTENTS

Getting the Most Out of Your Camera

Snapshots
Shooting with Optimum Setups
USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .80
Portrait, Scenery, Night Scene, Night Scene Portrait, Children, etc
Adding Special Effects
USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .80
Monochrome, retro, etc.
Compensating for Hand or Subject Movement
Reducing the Effects of Hand and Subject Movement . . 85
Increasing Sensitivity when Lighting is Dim
Taking Bright Images without Flash . . . . . . . . . . . . . . .87
Making Images of Business Cards, Documents, and Meeting Information (White Board) Easier to Read
Shooting Images of Business Cards and Documents
(Business Shot) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .88
Shooting ID Photos
Shooting ID Photographs . . . . . . . . . . . . . . . . . . . . . . .90
Selecting the Best Focus Mode for Shooting Conditions
Changing the Focus Mode . . . . . . . . . . . . . . . . . . . . . .96
Eliminating Light Source Color Cast
Controlling White Balance . . . . . . . . . . . . . . . . . . . . . .107
Snapshots
Sharpening or Softening Subject Outlines
Controlling Image Sharpness . . . . . . . . . . . . . . . . . . . 113
Enhancing or Reducting Color Saturation
Controlling Color Saturation . . . . . . . . . . . . . . . . . . . . 114
Increasing or Decreasing Contrast
Adjusting Image Contrast . . . . . . . . . . . . . . . . . . . . . . 114
Movies
Shooting a Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
8
CONTENTS

INTRODUCTION

About This Manual

This manual covers the stand-alone operation of the digital camera that is part of the CASIO MULTI PJ CAMERA/ Multifunctional Camera System.

Features

BEST SHOT for beautiful shots simply by
selecting a sample image built into the camera
Simply select the scene that is similar to what you want to shoot (Night Scene Portrait, Flower, etc.), for instant camera setups. A dedicated [BS] button gives you direct access to the BEST SHOT library of sample scenes.
Example: Select for skillful shots of a fast-moving pet.
Example: Select for beautiful portraits.
BEST SHOT Screen
Direct Mode Power On
To view images, press [ ] to power up in the PLAY mode.
To record, press [ ] to power up in the REC mode.
9
INTRODUCTION
A powerful collection of useful recording
features
Hand movement and subject movement reduction using high shutter speed (page 85)
High-sensitivity recording avoids dark images, even when the flash is not being used (page 87)
Quick Shutter for very high-speed focus (page 102)
High-quality (Motion JPEG) movie recording
(page 76)
MOTION PRINT for printing of a movie scene as a single image (page 153)
Powerful Print Features
DPOF feature for easy specification of date stamping and the number of copies (page 187)
Timestamp feature that stamps the date into the image data (page 115)
Support for PictBridge and USB DIRECT-PRINT for easy at­home printing on a printer that supports one of these standards, without a computer (page 184)
Multi-function USB Cradle
You can place the camera on the USB cradle to perform the following operations.
– Battery charging (page 23) – Photo Stand slideshow of images (page 132) – Connection to a TV for viewing on the TV screen (page
134) – Connection to a printer for image printing (page 184) – Connection to a computer for transfer of images to the
computer (pages 196, 209)
10
INTRODUCTION

Read this first!

LCD Panel
The liquid crystal panel of the monitor screen uses high­precision technology that provides a pixel yield in excess of
99.99%. This means that some pixels may not light or may remain lit at all times. This is due to the characteristics of the liquid crystal panel, and does not indicate malfunction.
Copyrights
Except for your own personal enjoyment, unauthorized use of image, movie, audio, or music files without permission of the copyright holder is strictly prohibited by copyright laws and international treaties. Also, regardless of whether such files are purchased or obtained for free, posting them on the Internet or distributing them to third parties without permission of the copyright holder is strictly prohibited by copyright laws and international treaties. Note that CASIO COMPUTER CO., LTD. shall not be held liable for any misuse of this product that infringes on the copyrights of others or that violates copyright laws. The following terms, which are used in this manual, are registered trademarks or trademarks of their respective owners.
The SD logo is a registered trademark.
Windows, Windows Vista, Windows NT, Internet Explorer,
Windows Media, and DirectX are trademarks of Microsoft Corporation of the United States.
Macintosh and QuickTime are trademarks of Apple Inc. of the United States.
MultiMediaCard™ is a trademark of Infineon Technologies AG of Germany, and licensed to the MultiMediaCard Association (MMCA).
Adobe and Reader are trademarks or registered trademarks in the United States and other countries of Adobe Systems Incorporated.
11
INTRODUCTION
All other company or product names mentioned herein are registered trademarks or trademarks of their respective companies.
Photo Loader, Photohands and PJ Camera Software rights are owned by CASIO COMPUTER CO., LTD. Except for the rights of other companies as defined above, all rights related to these programs and other rights shall revert to CASIO COMPUTER CO., LTD.
The contents of this manual are subject to change without notice.
The content of this manual has been checked at each step of the production process. Please contact us if you notice anything that is questionable, erroneous, etc.
Any copying of the contents of this manual, either in part or its entirety, is forbidden. Except for your own personal use, and other use of the contents of this manual without the permission of CASIO COMPUTER CO., LTD. is forbidden under copyright laws.
CASIO COMPUTER CO., LTD. shall not be held liable for any damages or loss suffered by you or any third party due to the use or malfunction of this product.
CASIO COMPUTER CO., LTD. shall not be held liable for any damages or loss suffered by you or any third party due to the use of Photo Loader, Photohands and/or PJ Camera Software.
CASIO COMPUTER CO., LTD. shall not be held liable for any damages or loss caused by deletion of memory contents due to malfunction, repair, or any other reason.
Note that the example screens and product illustrations shown in this manual may differ somewhat by the screens and configuration of the actual camera.
12
INTRODUCTION

Precautions during Use

Take test shots before shooting the final
shot.
Before shooting your final image, shoot a test shot to ensure that the camera is recording correctly.
Avoid Use While In Motion
Never use the camera to record or play back images while operating an automobile or other vehicle, or while walking. Looking at the monitor while in motion creates the risk of serious accident.
Directly Viewing the Sun or Bright Light
Never look at the sun or any other bright light through the cameras viewfinder. Doing so can damage your eyesight.
Flash
Never use the flash unit in areas where flammable or explosive gas may be present. Such conditions create the risk of fire and explosion.
Never fire the flash in the direction of a person operating a motor vehicle. Doing so can interfere with the driver’s vision and creates the risk of accident.
Never fire the flash too close to the eyes of the subject. Doing so creates the risk of loss of eyesight.
13
INTRODUCTION
Display Panel
Do not apply strong pressure to the LCD panel surface or subject it to strong impact. Doing so can cause the display panel glass to crack.
Should the display panel ever become cracked, never touch any of the liquid inside the panel. Doing so creates the risk of skin inflammation.
Should display panel liquid ever get into your mouth, immediately rinse your mouth out and contact your physician.
Should display panel liquid ever get into your eyes or onto your skin, immediately rinse with clean water for at least 15 minutes and contact your physician.
Connections
Never plug any devices that are not specified for use with this camera into connectors. Connecting a non-specified device creates the risk of fire and electric shock.
Transport
Never operate the camera inside of an aircraft or anywhere else where operation of such devices is restricted. Improper use creates the risk of serious accident.
Smoke, abnormal odor, overheating, and
other abnormalities
Continued use of the camera while it is emitting smoke or strange odor, or while it is overheating creates the risk of fire and electric shock. Immediately perform the following steps whenever any of the above symptoms are present.
1. Turn off the camera.
2. If you are using the AC adaptor to power the camera,
unplug it from the wall outlet. If you are using battery power, remove the battery from the camera, taking care to protect yourself against burn injury.
3. Contact your dealer or nearest CASIO authorized service
center.
14
INTRODUCTION
Water and Foreign Matter
Water, other liquids, or foreign matter (especially metal) getting inside the camera creates the risk of fire and electric shock. Immediately perform the following steps whenever any of the above symptoms are present. Particular care is required when using the camera where it is raining or snowing, near the ocean or other body of water, or in a bathroom.
1. Turn off the camera.
2. If you are using the AC adaptor to power the camera,
unplug it from the wall outlet. If you are using battery power, remove the battery from the camera.
3. Contact your dealer or nearest CASIO authorized service
center.
Dropping and Rough Treatment
Continued use of the camera after it is damaged by dropping or other rough treatment creates the risk of fire and electric shock. Immediately perform the following steps whenever any of the above symptoms are present.
1. Turn off the camera.
2. If you are using the AC adaptor to power the camera,
unplug it from the wall outlet. If you are using battery power, remove the battery from the camera.
3. Contact your dealer or nearest CASIO authorized service
center.
Keep Away From Fire
Never expose the camera to fire, which can cause it to explode and creates the risk of fire and electric shock.
15
INTRODUCTION
Disassembly and Modification
Never try to take the camera apart or modify it in any way. Doing so creates the risk of electric shock, burn injury, and other personal injury. Be sure to leave all internal inspection, maintenance, and repair up to your dealer or nearest CASIO authorized service center.
Locations To Be Avoided
Never leave the camera in any of the following types of locations. Doing so creates the risk of fire and electric shock. – Areas subject to large amounts of humidity or dust – Food preparation areas or other locations where oil smoke
is present
– Near heaters, on a heated carpet, in areas exposed to
direct sunlight, in a closed vehicle parked in the sun, or other areas subject to very high temperatures
Never place the camera on an unstable surface, on a high shelf, etc. Doing so can cause the camera to fall, creating the risk of personal injury.
Backing Up Important Data
Always keep backup copies of important data in camera memory by transferring it to a computer or other storage device. Note that data can be deleted in the case of camera malfunction, repair, etc.
Memory Protection
Whenever replacing the battery, be sure to follow the correct procedure as described in the documentation that comes with the camera. Incorrectly replacing the battery can result in corruption or loss of data in camera memory.
Rechargeable Battery
Use only the specified charger unit or the specified device to charge the battery. Attempting to charge the battery by an unauthorized means creates the risk of battery overheating, fire, and explosion.
16
INTRODUCTION
Do not expose or immerse the battery in fresh water or salt water. Doing so can damage the battery, and cause deterioration of its performance and loss of service life.
This battery is intended for use with a CASIO Digital Camera only. Use with any other device creates the risk of the battery damage, or deterioration of battery performance and service life.
Failure to observe any of the following precautions creates the risk of battery overheating, fire, and explosion. – Never use or leave the battery near open flame. – Do not expose batteries to heat or fire. – Make sure the battery is oriented correctly when it is
connected to the charger unit.
– Never carry or store the battery together with items that can
conduct electricity (necklaces, pencil lead, etc.)
– Never disassemble the battery, pierce it with a needle, or
expose it to strong impact (hit it with a hammer, step on it, etc.), and never apply solder to it. Never place the battery into a microwave oven, heater, high-pressure generating device, etc.
Should you ever notice leakage, strange odor, heat generation, discoloration, deformation, or any other abnormal condition while using, charging, or storing a battery, immediately remove it from the camera or charger unit and keep it away from open flame.
Do not use or leave the battery under direct sunlight, in an automobile parked in the sun, or in any other area subject to high temperatures. Doing so can damage the battery, and cause deterioration of its performance and loss of service life.
If the battery charging does not end normally within the specified charging time, stop charging anyway and contact your local CASIO authorized service center. Continued charging creates the risk of battery overheating, fire, and explosion.
Battery fluid can damage your eyes. Should battery fluid get into your eyes accidentally, immediately rinse them with clean tap water and then consult a physician.
17
INTRODUCTION
Be sure to read the user documentation that comes with the camera and special charger unit before using or charging the battery.
If a battery is to be used by young children, make sure that a responsible adult makes them aware of the precautions and proper handling instructions, and make sure that they handle battery correctly.
Should fluid from a battery accidentally get onto clothing or your skin, immediately rinse it off with clean tap water. Prolonged contact with battery fluid can cause skin irritation.
AC Adaptor
Misuse of the AC adaptor creates the risk of fire and electric shock. Make sure you observe the following precautions when using the AC adaptor. – Use only the AC adaptor specified for this camera. – Use the AC adaptor to supply power only to devices that
are specified for use with it.
– Use a 100 to 240V AC (50/60Hz) wall outlet as a power
source.
– Never plug the power cord into a wall outlet that is shared
by other devices, or into a shared extension cord.
Misuse of the AC adaptor can cause it to become damaged, creating the risk of fire and electric shock. Make sure you observe the following precautions when using the AC adaptor. – Never place heavy objects on the AC adaptor or subject it
to direct heat. – Never try to modify the AC adaptor or subject it to bending. – Do not twist or pull on the power cord. – Should the power cord or plug ever become damaged,
contact your dealer or nearest CASIO authorized service
center.
18
INTRODUCTION
Never touch the AC adaptor while your hands are wet. Doing so creates the risk of electric shock.
Misuse of the AC adaptor creates the risk of fire and electric shock. Make sure you observe the following precautions when using the AC adaptor. – Never locate the power cord near a stove or other heating
device.
– When unplugging from the wall outlet, grasp the plug on
the AC adaptor power cord. Never pull on the power cord. – Insert the plug into the wall outlet as far as it will go. – Unplug the AC adaptor from the wall outlet before leaving
the camera unattended for long periods, such as when
leaving on a trip, etc. – At least once a year, unplug the AC adaptor from the wall
outlet and clean off any dust built up around the prongs.
USB Cradle and AC Adaptor Precautions
Make sure you always remove the camera from the USB cradle before connecting or disconnecting the AC adaptor.
Charging, USB data communication, the Photo Stand operation can cause the AC adaptor to become warm. This is normal and does not indicate malfunction.
19
INTRODUCTION
Battery Life
Battery continuous operation times provided in this manual represent the approximate amount of time before the camera turns off due to low battery power when being powered by the special battery under normal temperature (23°C (73°F)). They do not guarantee that you will be able to achieve the indicated level of operation. Actual battery life is greatly affected by ambient temperature, battery storage conditions, the amount of time spent in storage, etc.
Leaving the camera on can run down battery and cause the low battery warning to appear. Turn off the camera whenever you are not using it.
The low battery warning indicates that the camera is about to turn off due to low battery power. Charge the battery as soon as possible. Leaving low or dead batteries in the camera can lead to battery leakage and data corruption.
Data Error Precautions
Your digital camera is manufactured using precision digital components. Any of the following creates the risk of corruption of data in camera memory. – Removing the battery or memory card from the camera, or
placing the camera on the USB cradle while the camera is performing an operation
– Removing the memory card from the camera or placing the
camera on the USB cradle while the operation lamp is flashing green after turning off the camera
– Disconnecting the USB cable, removing the camera from
the USB cradle, or disconnecting the AC adaptor from the USB cradle while a data communication operation is being
performed – Using a battery that is low – Other abnormal operations
Any of the above conditions can cause an error message to appear on the monitor screen (page 239). Perform the action indicated by the message that appears.
20
INTRODUCTION
Operating Environment
The operating temperature range of the camera is 0°C to 40°C (32°F to 104°F).
Do not place the camera in any of the following locations. – In an area exposed to direct sunlight, or large amounts of
moisture or dust
– Near an air conditioner or in other areas subjected to
extreme temperature or humidity
– Inside of a motor vehicle on a hot day, or in an area
subjected to strong vibration
Condensation
Sudden and extreme temperature changes, such as when the camera is moved from the outdoors on a cold winter day into a warm room, can cause water droplets called “condensation” to form on the interior and the exterior of the camera. Note that condensation can cause malfunction of the camera. To avoid condensation, place the camera into a plastic bag before subjecting it to sudden temperature change. Wait until the air in the bag has had enough time to become acclimated to the new temperature before removing the camera. After that, open the battery cover and leave it open for a few hours.
Power Supply
Use only the special rechargeable lithium ion battery (NP-40) to power this camera. Use of any other type of battery is not supported.
The camera does not have a separate battery for the clock. The date and time settings of the camera are cleared about one day after power is totally cut off (from both the battery and USB cradle). If this happens, be sure to reconfigure these settings after power is restored (page 174).
Lens
Never apply too much force when cleaning the surface of the lens. Doing so can scratch the lens surface and cause malfunction.
You may sometimes notice some distortion in certain types of images, such as a slight bend in lines that should be straight. This is due to the characteristics of lens, and does not indicate malfunction of the camera.
21
INTRODUCTION
Caring for your camera
Fingerprints, dirt, and other foreign matter on the lens surface can interfere with proper operation of the camera. Avoid touching the lens surface. To clean the lens surface, use a blower to blow off dust or foreign matter and then wipe with a soft, dry cloth.
Fingerprints, dirt, and other foreign matter on the flash can interfere with proper operation of the camera. Avoid touching the flash. If the flash becomes dirty, wipe it clean with a soft, dry cloth.
To clean the camera, wipe it with a soft, dry cloth.
Monitor Screen Images
The images that normally appear on the monitor screen during image playback are smaller than normal, and so you cannot see all of the detail of the actual image. Your camera has an image zoom feature (page 137) which you can use to enlarge the monitor screen image. You can use this feature for on-the-spot checks of important images.
Other Precautions
The camera becomes slightly warm during use. This is normal and does not indicate malfunction.
22
INTRODUCTION

GETTING READY

Charging the Battery

Your camera is powered by a rechargeable lithium ion battery (NP-40).
IMPORTANT!
Use of any type of battery other than NP-40 is not
supported.

To load the battery

Open the battery cover.
1.
While pressing the battery cover, slide it in the direction indicated by the arrow.
2. Load the battery into the camera.
Slide the stopper on the side of the camera in the direction indicated by the arrow and load the battery. Press the battery in until the stopper secures it in place.
Stopper
NP-40
GETTING READY
23
3. Close the battery cover.
Swing the battery cover closed, and then slide it securely into place as you press it against the camera.

To charge the battery

Plug the USB cradle into a household power
1.
outlet.
Note the shape of the AC adaptor depends on the area where you purchased the camera.
The battery is not fully charged when you use the camera for the first time after purchasing it. Use the following procedure to charge it.
AC Adaptor
USB Cradle
[DC IN]
AC power cord
2. Make sure the camera is turned off.
If the camera is on, be sure to press [ON/OFF] to turn it off before placing it onto the USB cradle.
3. Remove the bracket from the bottom of the
camera.
GETTING READY
24
4. With the camera positioned so the monitor
screen is facing towards you as shown in the illustration, place it onto the USB cradle.
The [CHARGE] lamp lights red and charging starts.
It takes about three hours to achieve a full charge. Actual charging time depends on current battery capacity, remaining power, and charging conditions.
Cradle contact
Carefully insert the camera as far as it will go.
[CHARGE] lamp
Camera contact
When charging is complete
The [CHARGE] lamp, which was lit red during charging, changes to green. Remove the camera from the USB cradle and unplug the AC adaptor from the power outlet.
If the [CHARGE] lamp lights amber
This indicates that charging cannot be performed because you have just finished using the camera, or because the temperature in your location is too hot or too cold. If this happens, wait until the camera returns to normal temperature. When the camera returns to a temperature where charging can be performed, the [CHARGE] lamp will light red.
25
GETTING READY
If the [CHARGE] lamp flashes red
This indicates that the camera or battery is faulty, or that the battery is loaded in the camera incorrectly. Remove the battery from the camera and check if its contacts are dirty. If they are, wipe them off with a dry cloth and then reload the battery into the camera. After confirming that the AC adaptor is plugged into the power outlet and the USB cradle, set the camera on the cradle again.
If an error still continues to occur after you perform the above steps, it could mean that the battery is faulty. Contact your nearest CASIO authorized service center.
IMPORTANT!
Use only the bundled USB cradle to charge the special rechargeable lithium ion battery (NP-40). The battery cannot be charged using any other type of charger device. Attempting to use a different charger can result in unexpected accident.
Use only the AC adaptor that comes bundled with the camera. Never use any other type of AC adaptor.
Battery Power Conservation Tips
When you do not need to use the flash, select “ ” (flash off) for the flash setting (page 63).
Enable the Auto Power Off and the Sleep features to protect against wasting battery power when you forget to turn off the camera (page 31).
26
GETTING READY
Checking Remaining Battery Power
E
As battery power is consumed, a battery indicator on the monitor screen indicates remaining power as shown below.
Remaining Power
Battery Indicator
Indicator Color
” indicates that battery power is low. Charge the battery as soon as possible. Recording is not possible when “ ” is indicated. Charge the battery immediately.
High Low
Light
blue
Orange Red Red
IMPORTANT!
Due to differences in the power requirements of each
mode, the battery indicator may show a lower level in the PLAY mode than what it shows in a REC mode. This is normal, and does not indicate malfunction.
NOT
See page 245 for information about battery life.
27
GETTING READY

Replacing the Battery

Open the battery cover.
1.
2. With the camera oriented with its monitor
screen facing upwards as shown in the illustration, slide the stopper in the direction indicated by the arrow and hold it there.
This will cause the battery to come out part way.
Stopper
3. While still holding the stopper, pull the battery
out the rest of the way.
4. Load a new battery.

Battery Precautions

Precautions during Use
Operation provided by a battery under cold conditions is always less than operation under normal temperatures. This is due to the characteristics of the battery, not the camera.
Charge the battery in an area where the temperature is within the range of 10°C to 35°C (50°F to 95°F). Charging outside this temperature range can cause charging to take longer than normal or even cause charging to fail.
If a battery provides only very limited operation following a full charge, it probably means that the battery has reached the end of its service life. Replace the battery with a new one.
28
GETTING READY
Storage Precautions
Though a rechargeable lithium ion battery provides high capacity in a compact configuration, long-term storage while charged can cause it to deteriorate. – If you do not plan to use a battery for some time, fully use
up its charge before storing it.
– Always remove the battery from the camera when you are
not using it. Leaving a battery in the camera can cause it to discharge and go dead, which will require longer charging when you need to use the camera.
– Store batteries in a cool, dry place (20°C (68°F) or lower).

Turning Power On and Off

Turning Power On
To turn power on and enter the REC mode
Press [ON/OFF] (Power) or [ ] (REC).
To turn power on and enter the PLAY mode
Press [ ] (PLAY).
Pressing a button causes the operation lamp to light green momentarily and turns on power.
[ON/OFF] (Power)
Operation Lamp
[ ] (PLAY) [] (REC)
29
GETTING READY
IMPORTANT!
E
E
Pressing [ON/OFF] or [ ] (REC) to turn on power also
causes the lens to extend. Take care there is nothing pressing against or hitting the lens. Holding the lens with your hand so it cannot extend creates the risk of malfunction.
NOT
Pressing [ ] (PLAY) while in the REC mode switches to
the PLAY mode. The lens retracts about 10 seconds after switching modes.
Auto Power Off (page 31) will turn off power automatically if
you do not perform any operation for a preset amount of time. If this happens, turn power back on.
Turning Power Off
Press [ON/OFF] (Power).
NOT
You can configure the camera so power does not turn on when you press [ ] (REC) or [ ] (PLAY). You can also configure the camera to turn off when you press [ ] (REC) or [ ] (PLAY) (page 179).
30
GETTING READY
Turning On Power for the First Time
The first time you load a battery into the camera, a screen appears for configuring screen text language, date, and time settings. Use the procedure under “Configuring Display Language, Date, and Time Settings” in the “MULTI PJ CAMERA/Multifunctional Camera System YC-430 User’s Guide” to configure the settings correctly.
IMPORTANT!
Failure to set the date and time will cause the wrong date and time data to be recorded with images.
Leaving the camera for about one day with no power supplied will cause the date and time settings to be cleared. You will have to re-configure the settings after power is restored. The following conditions will result in no power being supplied to the camera. – Battery not loaded or dead battery – Battery not loaded or dead battery with the camera
on the cradle, but without the cradle plugged into a power outlet
If you make a mistake when configuring the language, date, and time settings, you can change the settings (pages 174, 178).
Battery Power Conservation Features
The camera is equipped with two features for conserving battery power, as described below.
Feature Name
Sleep
Auto Power Off
Description Settings
In the REC mode, the monitor screen turns off (goes into a sleep state) if no operation is preformed for a preset amount of time. Press any button to turn the monitor screen back on. Note that the Sleep feature does not operate in the PLAY mode.
Power it turned off if no operation is performed for a preset amount of time.
30 sec,
1 min, 2 min,
Off
2 min,
5 min
1. Press [MENU].
2. Use [W] and [X] to select the “Set Up” tab.
3. Use [S] and [T] to select the item you want to
configure (“Sleep” or “Auto Power Off”) and then press [X].
31
GETTING READY
4. Use [S] and [T] to select the sleep or Auto
E
E
Power Off trigger time and then press [SET].
Selecting “Off” for the sleep setting disables the sleep feature.
NOT
Auto Power Off and sleep are disabled under the following conditions. – When there is a connection between the camera and
computer or other device via the USB cradle – During a slide show – During Voice Recording file playback – During movie recording and playback

Using a Memory Card

You can store images you shoot with the camera on a memory card. It is up to you to purchase a commercially available memory card. In addition to memory card storage, the camera also has built-in memory, which is enough to hold a few snapshots or a short movie. Use built-in memory for test purposes, emergency use, etc.
NOT
Images can be copied between the camera’s built-in memory and a memory card (page 166).
The following data is stored in built-in memory. It cannot be copied to a memory card. – BEST SHOT mode user image information – FAVORITE folder – Mode memory settings – Start-up screen image
32
GETTING READY
Supported Memory Cards
Your camera supports use of SD memory cards or MMCs (MultiMediaCard).
Memory Used for Storage
Images recorded while a memory card is loaded are saved to the memory card. When no memory card is loaded, images are saved in built-in memory.
Note that you cannot save images in built-in memory while a memory card is loaded in the camera.
IMPORTANT!
See the instructions that come with the memory card for information about how to use it.
Certain types of cards can slow down processing speeds. If you are using a slow memory card, you may not be able to record a movie using the “HQ” image quality setting. Because of this, use of an SD memory card with a maximum transfer speed of at least 10MB per second is recommended.
Certain types of memory cards take longer to record data, which can cause movie frames to be dropped. “ ” and “ ” flash on the monitor screen during recording to let you know when a frame has been dropped. Use of an SD memory card with a maximum transfer speed of at least 10MB per second is recommended.
SD memory cards have a write protect switch. Use it when you need to guard against accidentally deleting data. Note, however, if you write protect an SD memory card you must then turn write protection off whenever you want to record to the card, format it, or delete any of its images.
33
GETTING READY
Electrostatic charge, electrical noise, and other phenomena can cause data to become corrupted or even lost. Make sure that you always back up important data on other media (CD-R, CD-RW, MO disk, hard disk, etc.).

Loading a Memory Card into the Camera

IMPORTANT!
Make sure you always turn off the camera before loading or removing a memory card.
Be sure to orient the card correctly when loading it. Never try to force a memory card into the slot when you feel resistance.
1. Open the battery cover.
While pressing the battery cover, slide it in the direction indicated by the arrow.
34
GETTING READY
2. Load a memory card into the camera.
Positioning the memory card so its front is facing upwards (towards the monitor screen side of the camera), slide it into the card slot all the way in until you hear it click securely into place.
Front Back

Replacing the Memory Card

Remove the memory card from the camera.
1.
Press the memory card and then release it, so it comes part way out. Pull the card out the rest of the way by hand.
3. Close the battery cover.
Swing the battery cover closed, and then slide it securely into place as you press it against the camera.
2. Load the other memory card.
GETTING READY
35
IMPORTANT!
Never insert anything besides an SD memory card or MMC (MultiMediaCard) into the memory card slot. Doing so can lead to malfunction.
Should water or any foreign object ever get into the card slot, immediately turn off the camera, remove the battery, and contact your retailer or nearest CASIO authorized service center.
Never remove a card from the camera while the operation lamp is flashing green. Doing so can cause the image save operation to fail and even damage the memory card.

Formatting a Memory Card

Before using a new memory card for the first time, you need to format it. Once you format a memory card, you will not need to format it each time you use it. Formatting a memory card that already has files on it will delete its contents.
IMPORTANT!
Note that data deleted by a memory card format operation cannot be recovered. Double-check to make sure that you really want to delete all the contents of the memory card before proceeding with the format operation.
Even if the file data on a memory card is protected (page
162), formatting the card will delete all its data.
Be sure to use the camera to format a memory card. Formatting a memory card on a computer and then using it in the camera can slow down data processing by the camera. In the case of an SD memory card, formatting on a computer can result in non-conformity with the SD format, causing problems with compatibility, operation, etc.
36
GETTING READY
1. Load the memory card you want to format into
the camera.
2. Turn on the camera and press [MENU].
3. On the “Set Up” tab, select “Format” and then
press [X].
4. Use [S] and [T] to select “Format” and then
press [SET] to start formatting.
After formatting is complete, enter the PLAY mode and check to make sure the “There are no files.” message appears on the monitor screen.
To exit the format operation without formatting, select “Cancel”.
Memory Card Precautions
If a memory card starts to behave abnormally, you can restore normal operation by reformatting it. However, it is recommended that you always take along more than one memory card whenever using the camera far away from the home or office.
If you feel that images are not being recorded normally, try re­formatting the memory card.
As you record data to and delete data from an SD memory card a number of times, it loses its ability to retain data. Because of this, periodic re-formatting of an SD memory card is recommended.
Make sure that the battery is charged fully before starting a formatting operation. Formatting may not be performed correctly and the memory card may be damaged if the camera powers down while formatting is in progress.
Never open the battery cover while formatting is in progress. Doing so can damage the memory card.
37
GETTING READY

Using On-screen Menus

The following are menu operations you will need to use to configure camera settings. Take a few moments to become familiar with them.
See “Menu Reference” on page 226 for information about menu contents.
Example Menu Screen
Menu contents are different in the REC mode and PLAY mode. This screen shows a REC mode menu.
Tabs
Settings
Menu Screen Operation Buttons
[W] [X] Select tabs. [X] is also used to apply a setting.
[S] [T] Select a setting option.
[SET] Applies the selected settings.
[MENU] Exits the menu screen.
The following is the procedure for menu operations in the REC mode.
1. In the REC mode, press [MENU].
This displays the menu screen.
2. Use [W] and [X] to select the tab where the
item you want to configure is located.
Here, we will select the “REC” tab.
38
GETTING READY
3. Use [S] and [T] to
select the item you want to configure and then press [X].
Example: Select “Focus” and then press [X].
4. Use [S] and [T] to select the setting you want.
5. Apply the setting.
Pressing [SET] applies the selected setting and exits the menu screen.
Pressing [W] instead of [SET] applies the selected setting and returns to the menu screen. You can then continue configuring other settings, if you want.
To select another tab, press [W], use [S] to return to the tab and then use [W] and [X] to switch to another tab.

Configuring Monitor Screen Settings

You can use the display menu to configure various monitor screen settings.
See “Display Menu Reference” on page 230 for information about display menu contents.
Example Display Menu Screen
Menu contents are different in the REC mode and PLAY mode. This screen shows the REC mode menu.
Menu Screen Operation Buttons
[W] [X]
[S] [T] Selects a setting option.
[SET] Applies the selected settings.
[DISP] Exits the menu screen.
Selects a setting option. [X] is also used to apply a setting.
39
GETTING READY
The following is the procedure for menu operations in the REC mode.
1. In the REC mode, press [DISP].
This will display the display menu screen.
2. Use [W] and [X] to select the setting you want.
3. Use [S] and [T] to select the setting you want.
If you want to configure other settings, repeat steps 2 and
3.
4. After all the settings are the way you want,
press [SET].
This will apply the settings and exit the menu screen.

Selecting a Screen Layout (Layout)

The contents of the layout setting menu depend on whether the camera is in the REC mode or the PLAY mode.
REC Mode Screen Layout
For the REC mode, the screen layout settings let you select the layout of icons.
Layout Type Description
Pressing [SET] in the REC mode while “Panel” (Operation Panel) is selected as the layout
Panel (Operation Panel)
Normal
type will cause the top icon of the Operation Panel to become highlighted (selected). You can then use the Operation panel to change settings. Since there are few icons superimposed on the displayed image, they do not interfere with recording.
With this option, the image being composed completely fills the monitor screen. This setting is best when you want to display the subject on a large 16:9 aspect ratio monitor screen (page
54). Icons are superimposed on the displayed image.
40
GETTING READY
Panel (Operation Panel)
1
2 3 4 5 6 7 8
9
Image Size/Quality*1 (page 54)
1
Flash Mode (page 63)
2
Focus Mode (page 96)
3
Self-timer (page 68)
4
Anti Shake (page 85)
5
ISO sensitivity (page 110)
6
White balance (page 107)
7
EV shift (page 105)
8
Date/Time*2 (page 174)
9
*1 Image quality cannot be changed using Panel (Operation
Panel).
*2 You can select date or time display.
The following procedure shows how to use Panel (Operation Panel).
1. In the REC mode, press [SET].
This highlights (selects) the top icon of the Operation Panel.
2. Use [S] and [T] to select the icon of the
setting you want to change.
3. Use [W] and [X] to change the setting.
If you want to configure other settings, repeat steps 2 and
3.
4. After all the settings are the way you want,
press [SET].
This will apply the settings and return to normal operation (no Operation Panel icon selected).
41
GETTING READY
IMPORTANT!
Panel (Operation Panel) is not displayed while Voice Recording or Zoom Continuous Shutter is being used.
Normal
PLAY Mode Screen Layout
The PLAY mode screen layout settings let you select how display images are shown on the monitor screen.
Layout Type Description
With this setting, 100% of the display image is always visible. With some aspect ratios, black bands may appear above and below, or to the left and right of the image.
Normal
42
GETTING READY
Layout Type Description
With this setting, the display image is the maximum possible size that allows the entire image to be displayed horizontally. With some aspect ratios, the top and bottom of the image will be cut off.
Wide

Turning Display Information On and Off (Info.)

With “Info.” you can turn display information on and off. You can configure separate settings for the REC mode and PLAY mode.
Display Information Setting
Show
+Histogram
Hide Turns off display of all information.
Description
Turns on display of camera setting and other information.
Turns on display of camera setting and other indicators, along with a histogram (page 116).
43
GETTING READY
REC Mode (Layout: Panel (Operation Panel)) REC Mode (Layout: Normal)
Show +Histogram
Show
+Histogram
Hide
Hide
GETTING READY
44
PLAY mode
Show +Histogram

Adjusting Monitor Screen Brightness (Brightness)

You can use the “Brightness” setting to adjust the brightness of the monitor screen. This setting is the same in the REC mode and PLAY mode.
Hide
45
Brightness Setting
Auto
+2
+1
Description
With this setting, the camera detects available light levels and automatically adjusts the brightness of the monitor screen accordingly. This is the setting you should normally use. In the PLAY Mode, the brightness of the monitor screen remains constant even if the available light level changes.
Brightness that is greater than +1, which makes the screen easier to view. This setting consumes more power.
Bright setting for outdoor use, etc. This setting results in brightness that is greater than the 0 setting.
GETTING READY
Brightness Setting
0
–1
Description
Normal monitor screen brightness for indoor use, etc.
Low monitor screen brightness for nighttime use, indoor use under dark conditions, etc.

Adjusting Monitor Screen Image Quality (Type)

You can use the “Type” setting to adjust the quality of the monitor screen image. This setting is the same in the REC mode and PLAY mode.
Quality Setting Description
Increases contrast of the monitor screen
Dynamic
Vivid
Real
image so the subject stands out for easier viewing and framing.
Makes the monitor screen image a bit brighter than the actual image for more clarity.
Displays the monitor screen image so it is as near as possible to the one recorded by the camera.
46
GETTING READY
Quality Setting Description
This setting provides a brighter screen image when shooting under dark conditions,
Night
Power Saving
and comes in handy when recording at night with a tripod. Note, however, that this setting can cause movement of objects on the monitor screen image to become rough.
Consumes slightly less power than the other settings, and extends battery life.

If you lose your way...

Perform one of the following operations if you find that you have gotten lost while performing button operations during recording or playback.
REC mode
Current Screen
Menu screen [MENU] or [ ]
Display Menu screen [DISP] or [ ]
BEST SHOT screen [BS] or [ ]
“There are no files.” screen
PLAY mode screen Press [ ].
To return to the normal snapshot or movie recording screen, press:
Press [ ].
47
GETTING READY
PLAY mode
Current Screen
Menu screen [MENU] or [ ]
Display Menu screen [DISP] or [ ]
REC mode screen Press [ ]
Delete screen
To return to the normal playback screen
Press [ ]. You could also select “Cancel” and then press [SET].

Using the Camera on a Trip

Extra Batteries

Taking along extra fully charged batteries (NP-40) is recommended while on a trip in order to avoid not being able to shoot images due to the battery going dead.

Using the Camera in another Country

Note the following precautions.
The AC adaptor that comes with the camera supports 100V to 240V AC power (50/60Hz). Note, however, that the shape of the power plug differs from country to country. Check with your travel agent for details before leaving on your trip.
Do not use a voltage adaptor with this camera.
48
GETTING READY

SHOOTING A SNAPSHOT

Holding the Camera Correctly

Holding the camera with one hand can result in accidental hand movement. Hold the camera securely with both hands when shooting snapshots.
To protect against accidentally dropping the camera, attach the wrist strap and make sure it is around your fingers or wrist while you are operating the camera.
The supplied strap is intended for use with this camera only. Never use it for any other purpose.
Never swing the camera around by its strap.
Horizontal Vertical
Hold the camera as shown in the illustration, with your arms firmly against your sides.
Hold the camera so the flash is above the lens.
IMPORTANT!
Take care that your fingers and the strap do not cover any of the areas indicated in the illustration.
Flash
Microphone Lens
AF Assist/Self-timer Lamp
SHOOTING A SNAPSHOT
49
NOT
E
62
Good-looking images are impossible if you move the camera when you press the shutter button or while the Auto Focus operation is being performed. Holding the camera correctly, carefully press the shutter button and take care that you do not move the camera as the shutter releases. This is especially important when available lighting is low, which slows down the shutter speed.

Shooting a Snapshot

1. Press [ ] (REC) to
enter the REC mode.
Confirm that the subject (people, scenery, etc.) and the Auto icon “ ” are displayed on the monitor screen. If any icon other than the Auto icon “ ” is displayed, switch to “Auto” (page 80).
Auto Icon
Focus Frame
10
N
62
AF
ISO
AWB
-0.3EV 15:37
50
SHOOTING A SNAPSHOT
2. Focus the image.
While the focus frame is aligned with the subject, half-press the shutter button. Auto Focus will focus the image automatically, and the focus frame and operation lamp will turn green. The shutter speed, aperture, and ISO sensitivity also will be set automatically. See “Monitor Screen Indicators” on page 53 for more information.
Operation Lamp
Shutter Button
3. Shoot the image.
When the image is focused, press the shutter button the rest of the way.
Shutter Button
This will shoot the snapshot and save it to the memory card or the camera’s built-in memory.
51
SHOOTING A SNAPSHOT
If the image does not focus...
If the focus frame stays red and the operation lamp is flashing, it means that the image is not in focus (because the subject is too close, etc.). Point the camera at the subject and try to focus again.
.
Checking a Snapshot
A snapshot will remain on the monitor screen for a short while after you shoot it and then disappear when the camera gets ready for the next image. Perform the following operation to view a snapshot after you shoot it.
Press [ ].
This will display the snapshot you just shot. Use [W] and [X] to scroll through other images in memory.
To return to the REC mode, press [ ].
Using Quick Shutter
Pressing the shutter button all the way down without waiting at the halfway point shoots the image using Quick Shutter (page
102). Quick Shutter lets you record right away, so you don’t miss those special moments waiting for Auto Focus.
Quick Shutter focuses much quicker than normal Auto Focus. It comes in handy when shooting a fast-moving subject. It also eliminates worries of spoiled shots when you ask someone else to record and image for you, and they press the shutter button all the way without waiting for Auto Focus.
Quick Shutter is turned on as the initial factory default setting. In cases when you want to take a little time for accurate focus, turn off Quick Shutter.
52
SHOOTING A SNAPSHOT
Monitor Screen Indicators
E
The monitor screen uses various indicators and icons to keep you informed of the camera’s status.
Remaining Shots
Metering
Digital zoom indicator
Continuous Shutter Mode
Image Size and Quality
Flash Mode
Focus Mode
Self-timer Mode
Anti Shake Indicator
ISO Sensitivity
NOT
The aperture is a mechanism that adjusts the amount of
light entering through the lens. The aperture value indicates the size of the aperture opening. The greater the aperture value, the narrower the opening. The camera adjusts this setting automatically.
The slower the shutter speed, the greater the amount of
light entering through the lens. Shutter speed is indicated on the monitor screen as seconds (1/1000 second, etc.) The camera adjusts this setting automatically.
Histogram
ISO Sensitivity
Aperture Value
Shutter Speed
White Balance Setting
Exposure Compensation
Date/Time
SHOOTING A SNAPSHOT
53

Changing the Image Size

E
A digital camera image is a collection of small dots (pixels). The size of an image indicates how many pixels it contains, and is expressed as horizontal pixels × vertical pixels. The initial factory default image size setting is 10M (3648 × 2736 pixels). Note that a larger image takes up more memory.
For information about image size, image quality, and number of images that can be stored, see page 241. This setting applies to snapshots only.
For information about movie image size, see page 76.
1. In the REC mode, press [MENU].
2. On the “Quality” tab, select “Size” and then
press [X].
3. Use [S] and [T] to select an image size and
then press [SET].
NOT
You can also use the Panel (Operation Panel) (page 40) to change the image size setting.
The following information changes on the display during the image size selection operation. – Image size in megabytes (M) (5M, etc.) – Image size in pixels (2560 × 1920, etc.) – Optimum print paper size
Image Size (Pixels) Print Paper Size
Larger
Smaller
10M 3648 × 2736 Poster Print
3:2 3648 × 2432 Poster Print
16:9 3648 × 2048 HDTV
5M 2560 × 1920 A3 Print
3M 2048 × 1536 A4 Print
2M 1600 × 1200 3.5" × 5" Print
VGA 640 × 480 E-Mail
54
SHOOTING A SNAPSHOT
Selecting 3:2 (3648 × 2432 pixels) records images with an aspect ratio of 3:2, which matches the standard aspect ratio (3:2) of print paper.
VGA (640 × 480 pixels) is the optimum size when attaching images to e-mail.
Print paper sizes should be thought of as rough estimates only (200 dpi print resolution).
The letters “HDTV” stand for “High Definition Television”. An HDTV screen has an aspect ratio of 16:9, which makes them wider than the usual 4:3 aspect ratio of television screens of the past. Your camera can record images that are compatible with the aspect ratio of an HDTV screen.

Specifying Image Quality

Your camera lets you select “Fine” (maximum image quality), “Normal”, or “Economy” (maximum memory economy) for the image quality setting. The initial setting is “Normal”. Select “Fine” if you want to give priority to image quality, or “Economy” to give priority to the number of images you can store in memory.
For information about image size, image quality, and number of images that can be stored, see page 241. This setting applies to snapshots only.
For information about movie image quality, see page 76.
1. In the REC mode, press [MENU].
2. On the “Quality” tab, select “ Quality” and
then press [X].
3. Use [S] and [T] to select the image quality
setting you want and then press [SET].
55
SHOOTING A SNAPSHOT
NOT
E
The “Fine” setting helps to bring out details when shooting a finely detailed image of nature that includes dense tree branches or leaves, or an image of a complex pattern.

Turning Off the AF Assist Lamp

The AF assist lamp emits light that helps the camera focus when you half-press the shutter button under dark lighting conditions. The AF assist lamp does not light when lighting is bright. The initial factory default setting is AF assist lamp on. Turning off the AF assist lamp using the following procedure is recommended when shooting the image of a nearby person.
AF Assist/Self-timer Lamp
56
SHOOTING A SNAPSHOT
1. In the REC mode, press [MENU].

Snapshot Shooting Precautions

2. On the “REC” tab, select “AF Assist Light”
and then press [X].
3. Use [S] and [T] to select “Off” and then press
[SET].
When you want to turn on the AF assist lamp, select “On” here.
IMPORTANT!
Do not look directly into the AF assist/self-timer lamp or point it directly at a person’s eyes.
Operation
Never open the battery cover or place the camera on the USB cradle while the operation lamp is flashing green. Doing so can result in incorrect storage of the image you just shot, damage to other images stored in memory, malfunction of the camera, etc.
Shooting a dark subject while “Auto” is selected for the ISO sensitivity (page 110) setting will cause the camera to increase sensitivity and increase shutter speed automatically. Such conditions can cause digital noise in the image.
If unneeded light is shining directly onto the lens, shade the lens with your hand when shooting an image.
SHOOTING A SNAPSHOT
57
Monitor Screen when Shooting Snapshots
The image that appears on the monitor screen is for image composition. The actual image will be recorded at the quality set for the image quality setting.
Subject brightness conditions can cause monitor screen response to slow and can cause digital noise in the monitor screen image.
Shooting a very bright subject can cause a vertical band to appear in the monitor screen image. This does not indicate malfunction. The band will not be recorded in a snapshot, but will be recorded in the case of a movie.
Shooting Indoors under Fluorescent
Lighting
Minute flickering of fluorescent lighting can affect the brightness or color of an image.

Auto Focus Restrictions

Proper focus may not be possible when shooting the following types of subjects. – Solid color wall or other very low contrast subject – Strongly back lit subject – Very shiny subject – Blinds or other subject with a repeating horizontal pattern – Multiple subjects at varying distances from the camera – Subject in a dark location – Subject that is too far away for light from the AF assist lamp
to reach – Fast-moving subject – Subjects outside the focus range of the camera
Proper focus may not be possible if the camera is moved while shooting.
An image may be out of focus even though the operation lamp is lit green and the focus frame is green. – If you cannot focus properly, try using focus lock (page
101) or manual focus (page 103).
58
SHOOTING A SNAPSHOT

Shooting with Zoom

Your camera provides you with 3X optical zoom (which changes the lens focal distance), which can be used in combination with digital zoom (which digitally process the center portion of the image to enlarge it) for total zoom capabilities of 12 - 45X.
IMPORTANT!
Generally speaking, the higher the digital zoom factor, the coarser the image that is recorded. However, digital zoom can be used up to a certain point without causing deterioration of the image.
1. Enter the REC mode.
[][] Zoom
controller
2. Slide the zoom controller to change the zoom
factor.
To do this:
Enlarge the subject and narrow the range
Reduce the size of the subject and broaden the range
– For more information, see “Optical Zoom and Digital
Zoom Switch Point” on page 60.
Wide Angle Telephoto
Slide the zoom controller in this direction:
[ ] (telephoto)
[ ] (wide angle)
3. Press the shutter button to shoot.
59
SHOOTING A SNAPSHOT
NOT
E
Performing a zoom operation changes the lens aperture.
Use of a tripod is recommended to protect against hand
movement when using the telephoto setting (zoom in).
Optical zoom is disabled while shooting a movie. Digital zoom only is available while shooting a movie. Make sure you select the optical zoom setting you want to use before you press the shutter button to start shooting your movie.
Optical Zoom and Digital Zoom Switch Point
If you hold the zoom controller towards [ ] in step 2 of the above procedure, the zoom operation will stop when the optical zoom factor reaches its maximum. Momentarily releasing the zoom controller and then holding it again towards [ ] will switch to digital zoom, which you can use to set an even higher zoom factor.
When the zoom pointer moves past the maximum limit of optical zoom. Also, the zoom bar indicates the approximate zoom factor.
Digital Zoom Indicator
Focus Range (Displayed when shooting with Auto Focus, macro, or manual focus.)
Zoom Bar
60
SHOOTING A SNAPSHOT
Undeteriorated Image Quality
Range
Deteriorated Image Quality
Range
IMPORTANT!
Digital zoom is not supported while “Timestamp” (page
115) is turned on.
1X 12X to 45X
Optical/Digital Switch Point
Image Deterioration Point Image starts to deteriorate from here. (Point factor depends on image size.)
The image deterioration point depends on the image size (page 54). The smaller the image size, the higher the zoom factor you can use before reaching the image deterioration point. Though digital zoom generally causes a deterioration of image quality, some digital zoom without image deterioration is possible with image sizes of “5M (2560 × 1920 pixels)” and smaller. The range in which you can use digital zoom without image deterioration is indicated on the display. The deterioration point depends on the image size.
The digital zoom range of the zoom indicator is shown on the monitor screen only while “Digital Zoom” is turned on.
3X to 17.1X
Zoom Pointer (Indicates current zoom.)
Turning Off Digital Zoom
You can turn off digital zoom if you want to use optical zoom only. This will help to avoid deteriorated images due to accidentally switching over from optical zoom to digital zoom when shooting snapshots.
1. In the REC mode, press [MENU].
2. On the “REC” tab, select “Digital Zoom” and
then press [X].
3. Use [S] and [T] to select “Off” and then press
[SET].
If you want to show the entire digital zoom range, select “On” here.
SHOOTING A SNAPSHOT
61

Using Instant Zoom

Instant Zoom lets you jump to digital zoom telephoto with the press of a button.
Specifying the Instant Zoom Setting
1. In the REC mode, press [MENU].
2. On the “REC” tab, select “Instant Zoom” and
then press [X].
3. Use [S] and [T] to select the setting you want
and then press [SET].
Select “Off” if you do not want to use Instant Zoom.
Using Instant Zoom
1. Enter the REC mode.
2. Press [S].
This immediately changes the digital zoom to the preset Instant Zoom setting. Performing the above operation after zooming with optical zoom will cause the subject to be zoomed to a level that is equivalent to the current optical zoom factor plus the preset Instant Zoom digital zoom factor.
Instant Zoom factor
3. Press [S].
This returns to the original (pre-Instant Zoom) factor.
62
SHOOTING A SNAPSHOT
IMPORTANT!
Performing an Instant Zoom operation after zooming an image with digital zoom will cancel the previous digital zoom operation.
Instant Zoom is not supported while “Timestamp” (page
115) is turned on.

Using Flash

Perform the following steps to select the flash mode you want to use.
Flash Setting Description
Auto Flash Flash fires automatically in accordance with
exposure (amount of light and brightness) conditions.
Initial factory default setting.
Flash Off Flash does not fire.
Flash On Flash always fires.
This setting can be used to brighten a subject that normally comes out dark due to daylight or backlight (daylight synchro flash).
Soft Flash Always use soft flash, regardless of
exposure conditions.
Use this setting when you want to suppress the flash to avoid reflection, etc.
Red Eye Flash fires automatically in accordance
same conditions as Auto Flash. This setting can be used to reduce the red eye effect that occurs in images of people shot with flash.
63
SHOOTING A SNAPSHOT
Approximate Flash Range (ISO Sensitivity: Auto)
E
Wide Angle : 0.1 m to 3.6 m (0.3' to 11.8') Telephoto : 0.4 m to 1.9 m (1.3' to 6.2')
The flash range changes in accordance with optical zoom.
1. In the REC mode, press [T] ( ) once.
Flash Mode
[T] ( )
2. Use [W] and [X] to select the flash setting you
want and then press [SET].
3. Press the shutter button to shoot.
NOT
If you are using the “Normal” Screen Layout setting (page
40), each press of [T] ( ) will cycle through the available flash settings.
64
SHOOTING A SNAPSHOT
IMPORTANT!
When using flash, take care that the flash window is not blocked by your fingers or the camera strap.
When the ISO sensitivity setting is “Auto” (page
110), sensitivity is high and there is increased digital noise when flash is used. Decreasing ISO sensitivity shortens the range of the flash, but is also reduces digital noise.
Flash
Red-eye reduction
Using the flash to shoot at night or in a dimly lit room can cause red spots inside the eyes of people who are in the image. This is caused when the light from the flash reflects off of the retina of the eye. When red-eye reduction is selected as the flash mode, the camera fires a pre-flash to cause the irises in the eyes of any people in the image to close, which reduces the chance of red eye.
IMPORTANT!
Note the following important points when using red-eye reduction. – Red-eye reduction does not work unless the people in
the image are looking directly at the camera (flash). Before pressing the shutter button, call out to the subjects so they all look at the camera.
– Red-eye reduction may not work very well if the subjects
are located far away from the camera.
65
SHOOTING A SNAPSHOT
Checking the Flash Mode
The current flash mode is indicated on the monitor screen and by the operation lamp when you half-press the shutter button.
Operation Lamp
Flashing Orange :Flash is charging. Lit or Flashing Green*:Flash charging is complete.
Monitor Screen
” indicates flash will fire.
* Flashes green when focusing is not possible with Auto Focus
or Macro Focus.
Changing the Flash Intensity
1. In the REC mode, press [MENU].
2. On the “Quality” tab, select “Flash Intensity”
and then press [X].
3. Use [S] and [T] to select the flash intensity
setting you want and then press [SET].
You can set one of five levels, from –2 (weakest) to +2 (strongest).
IMPORTANT!
Flash intensity may not change when the subject is too far away or too close.
66
SHOOTING A SNAPSHOT
Using Flash Assist
The subject in an image will look too dark if flash intensity is not enough to reach a subject that is too far away. When this happens, you can use flash assist to supplement the brightness of the subject so it appears as if flash illumination was sufficient.
Flash assist not used Flash assist used
Flash assist is turned on as the initial factory default setting. Use the following procedure to turn off flash assist when you do not want to use it.
1. In the REC mode, press [MENU].
2. On the “Quality” tab, select “Flash Assist” and
then press [X].
3. Use [S] and [T] to select “Off” and then press
[SET].
When you want to use flash assist, select “Auto” here.
IMPORTANT!
Flash assist may not produce the desired result for some types of subjects.
Any of the following can result in the flash assist effect being canceled out. – Changing the flash intensity (page 66) – Correcting brightness (EV shift) (page 105) – Changing ISO sensitivity (page 110) – Changing the contrast setting (page 114)
Using flash assist can cause an increase in digital noise.
67
SHOOTING A SNAPSHOT
Flash Precautions
The desired effect may not be obtained when the subject is too far away or too close.
Flash charging time depends on operating conditions (battery condition, ambient temperature, etc.) With a fully charged battery, it takes anywhere from a few seconds to 8 seconds.
Shooting with flash turned off when lighting is dim results in a slow shutter speed, which can cause image blur due to hand movement. Secure the camera with a tripod, etc. Noise is generated in images shot under these conditions, which can make the image appear rough.
With red eye reduction, the flash is fired automatically in accordance with exposure. It does not fire in areas where lighting is bright.
The presence of outdoor sunlight, fluorescent lighting, or some other light source can cause abnormal image colors.

Using the Self-Timer

With the self-timer, pressing the shutter button starts a timer, and the shutter is released and the image is shot after a fixed amount of time.
Self-Timer Type Description
10 sec 10-second self-timer
10
s
2-second self-timer
When shooting under conditions that
2 sec
2
s
X3
x3
(Triple Self-timer)
Off Self-timer is disabled.
slow down the shutter speed, you can use this setting to prevent blur due to hand movement.
This option shoots three images: one image 10 seconds after the shutter button is pressed, the next image one second after the camera gets ready to shoot after the first image, and the final image one second after the camera gets ready to shoot after the second image.
68
SHOOTING A SNAPSHOT
1. In the REC mode, press [MENU].
E
2. On the “REC” tab, select “Self-timer” and then
press [X].
3. Use [S] and [T] to
select the self-timer type and then press [SET].
This causes an indicator identifying the selected self­timer type to appear on the monitor screen.
4. Press the shutter button to shoot.
NOT
You can also use the Panel (Operation Panel) (page 40) to
change the self-timer setting.
Using the Self-timer to Shoot an Image
The image is not shot right away after you press the shutter button. Instead, shooting starts after the preset time elapses. The AF assist/ self-timer lamp flashes while the countdown is being performed.
You can interrupt an ongoing self-timer countdown by fully pressing the shutter button while the self-timer lamp is flashing.
AF Assist/Self-timer Lamp
69
SHOOTING A SNAPSHOT
NOT
E
The indicator “1sec” appears on the monitor screen between Triple Self-timer shots. How long it takes for the camera to get ready to shoot again after it shoots an image depends on the image size and quality settings, whether or not a memory card is loaded in the camera, and the flash charge condition.
You cannot use the any self-timer to shoot with any continuous shutter mode.
Triple Self-timer cannot be used with the following BEST SHOT sample scenes: Business Cards and Documents, Whiteboard, etc., Old Photo, ID Photo, and Movie.

Using Continuous Shutter

Your camera has four continuous shutter modes.
Continuous Shutter Mode
Normal Speed (Normal-speed Continuous Shutter)
High Speed (High-speed Continuous Shutter)
Flash Cont. (Flash Continuous Shutter)
Z
Zoom Cont. (Zoom Continuous Shutter)
Description
Continually records images until memory becomes full.
Record up to three consecutive images at high speed.
Use this mode to record up to three consecutive images, firing the flash for each one.
In this mode, you select an area on the monitor screen with a selection boundary. Then when you press the shutter button, the camera records the monitor screen image and the area enclosed in the selection boundary, digitally zoomed to twice its normal size.
70
SHOOTING A SNAPSHOT

Selecting the Continuous Shutter Mode

In the REC mode, press [MENU].
1.
2. On the “REC” tab, select “Continuous” and
then press [X].
3. Use [S] and [T] to select the mode you want
and then press [SET].
This enables the continuous shutter mode you selected and displays its icon on the monitor screen. To turn off continuous shutter, select “Off”.

Recording with Normal-speed Continuous Shutter, High-speed Continuous Shutter, and Flash Continuous Shutter

Press the shutter button to shoot.
1.
With Normal-speed Continuous Shutter, images continue to be shot as long as you keep the shutter button depressed. Releasing the shutter button stops shooting.
High-speed continuous shutter and flash continuous shutter can shoot up to three images. Shooting stops if you release the shutter button before three images are recorded.
IMPORTANT!
The speed of normal-speed continuous shutter recording depends on the type of memory card loaded in the camera. When shooting to built-in memory, continuous shutter shooting is relatively slow.
71
SHOOTING A SNAPSHOT

Recording with Zoom Continuous Shutter

1.
Use [S], [T], [W], and [X] to move the selection boundary around the image of the subject on the left side of the monitor screen until it is located at the part you want to enlarge, and then press [SET].
This will enlarge the area within the boundary and display it in the right side of the monitor screen.
2. Press the shutter button to shoot.
Both the left image and the right image will be recorded.
IMPORTANT!
Note that with zoom continuous shutter, you do not need to keep the shutter button depressed.
Digital zoom and instant zoom are disabled while shooting with zoom continuous shutter.
Zoom continuous shutter is not available when the image size setting is 3:2 (3648 × 2432 pixels) or 16:9 (3648 × 2048 pixels).
When the image size setting is 10M (3648 × 2736 pixels) or 5M (2560 × 1920 pixels), the size of the zoomed image produced by zoom continuous shutter is 3M (2048 × 1536 pixels).
When Auto Focus is selected as the focus mode, the metering mode automatically switches to “Spot” (pages 100, 111) and locates the Auto Focus area in the center of the Zoom Continuous Shutter selection boundary.
72
SHOOTING A SNAPSHOT

Continuous Shutter Precautions

Starting a continuous shutter operation causes the exposure and focus settings to be fixed at the levels for the first image. The same settings are applied to all subsequent images.
Continuous shutter cannot be used in combination with the following BEST SHOT scenes: Business Cards and Documents, Whiteboard, etc., Old Photo, ID Photo, Pastel, Illustration, Cross, Movie.
When using a continuous shutter mode, keep the camera still until all recording is finished.
A continuous shutter operation may stop part way through if memory capacity runs low.
The continuous shutter rate depends on the current image size and image quality settings.
You can select the flash mode you want with normal-speed continuous shutter mode.
With high-speed continuous shutter, the flash mode automatically becomes “ ” (flash off).
With the flash continuous shutter mode, the flash mode automatically becomes “ ” (flash on).
You cannot use the self-timer in combination with the normal­speed continuous shutter mode.
Triple Self-timer can be used in combination with the zoom continuous shutter mode only.
Note that the resolution of images recorded with the high­speed continuous shutter mode or flash continuous shutter mode is somewhat lower resolution and more prone to digital noise than images recorded with the normal-speed continuous shutter mode.
“Auto” ISO sensitivity always is used for the high-speed continuous shutter mode or flash continuous shutter mode, regardless of the current ISO sensitivity setting.
With the flash continuous shutter mode, the flash range is narrower than normal.
73
SHOOTING A SNAPSHOT

Adding Audio to a Snapshot

You can add an audio recording to snapshots, if you want. Use this feature to add a verbal explanation or a description of the mood to a snapshot, or to capture the sounds of the people in the snapshot.
You can record up to about 30 seconds of audio for a single snapshot.
Turning on Audio Snapshot
1. In the REC mode, press [MENU].
2. On the “REC” tab, select “Audio Snap” and
then press [X].
3. Use [S] and [T] to select “On” and then press
[SET].
Recording Audio for a Snapshot
1. Press the shutter
button to shoot.
This monitor screen will show the image you just shot, along with the “ ” icon.
If you do not want to record audio at this time, press [MENU]. This will display the monitor screen for shooting the next image.
Remaining Recording Time
2. Press the shutter button to start audio
recording.
74
SHOOTING A SNAPSHOT
3. Press the shutter button again to stop audio
E
recording.
Recording will stop automatically after about 30 seconds if you do not press the shutter button.
To turn off the audio snapshot feature, select “Off” in step 3 of the procedure under “Turning on Audio Snapshot”.
Playing Back Snapshot Audio
Audio snapshots in the PLAY mode are indicated by the “ ” icon. Press [SET] while an audio snapshot is displayed to play back its audio.
For information about the playback operation, see page 127.
IMPORTANT!
Audio snapshot capabilities are disabled while shooting with the Triple Self-timer or with a continuous shutter mode. You can, however, add audio to such a snapshot after you record it (page 155).
NOT
After transferring an audio snapshot to your computer’s hard disk, you can play back the audio using Windows Media Player.
The following shows the formats used for storing audio snapshot data. – Image Data: JPEG (.JPG extension) – Audio Data: WAVE/ADPCM (.WAV extension) – Approximate Audio File Size: 165 KB (30-second
recording at 5.5KB per second)
You cannot turn off the monitor screen by pressing [DISP] while audio recording is in progress.
75
SHOOTING A SNAPSHOT

SHOOTING A MOVIE

Movie Image Quality

Before shooting a movie, you should specify a movie image quality setting. Movie image quality is a standard that determines the detail, smoothness, and clarity of a movie during playback. Shooting with the high-quality (HQ) setting will result in better image quality, but it also shortens the amount of time you can shoot.
Each movie can be up to 10 minutes long. Movie recording stops automatically after 10 minutes of recording.
Image Quality
HQ
Normal
LP
Pixels
640 × 480 pixels
640 × 480 pixels
320 × 240 pixels
Approximate Data Rate
10.2 Megabits/ second
6.1 Megabits/ second
2.45 Megabits/ second
Frame Rate
25 frames/ second
25 frames/ second
12.5 frames/ second
Movie Size
The following shows the approximate movie file size for a one­minute movie.
Image Quality Approximate Size
HQ 76.5 MB
Normal 45.75 MB
LP 18.38 MB
SHOOTING A MOVIE
76
Movie File Formats
Movies are recorded in Motion JPEG standard AVI format. Movies you shoot with your camera can be played back on a computer using the following software.
– Windows Media Player – Macintosh QuickTime
1. In the REC mode, press [MENU].
2. On the “Quality” tab, select “ Quality” and
then press [X].
3. Use [S] and [T] to select the quality setting
you want and then press [SET].

Shooting a Movie

Audio is also recorded while you shoot a movie. Audio is monaural.
1. In the REC mode, press [BS].
2. Use [S], [T], [W], and [X] to select the “
(Movie) scene and then press [SET].
This causes “ ” to appear on the monitor screen.
3. Press the shutter
button to start shooting the movie.
” is displayed while movie recording is in progress.
Remaining Recording Time
Recording Time
77
SHOOTING A MOVIE
4. Press the shutter button again to stop
shooting.
Each movie can be up to 10 minutes long. Movie recording stops automatically after 10 minutes of recording. Movie recording also will stop automatically if memory becomes full before you stop movie recording by pressing the shutter button.

Movie Recording Precautions

You cannot use flash while shooting a movie.
The camera also records audio. Note the following points
when shooting a movie. – Take care that the microphone is not blocked by your
fingers, etc.
– Good results are not possible when the camera is too far
away from what you are trying to record.
– Operating camera buttons while shooting can cause button
noise to be picked up in the audio.
Microphone
78
SHOOTING A MOVIE
Shooting a very bright subject can cause a vertical band to appear in the monitor screen image. This does not indicate malfunction. The band will not be recorded in a snapshot, but will be recorded in the case of a movie.
Certain types of memory cards take longer to record data, which can cause movie frames to be dropped. “ ” and “ ” flash on the monitor screen during recording to let you know when a frame has been dropped. Use of an SD memory card with a maximum transfer speed of at least 10MB per second is recommended.
Optical zoom is disabled while shooting a movie. Digital zoom only is available while shooting a movie. If you want to use a particular optical zoom setting, make sure you select it before you press the shutter button to start movie recording (page
59).
The effects of camera movement in an image become more pronounced when you shoot close up or a large zoom factor. Because of this, use of a tripod is recommended under these conditions.
When the subject is outside the camera’s focus range, focusing is not possible and the image will be out of focus.
79
SHOOTING A MOVIE

USING BEST SHOT

With BEST SHOT, you simply select the sample scene that is like the one you are trying to shoot, and the camera sets up automatically. Even difficult backlit scenes (which result in the main subject being too dark if set up improperly) come out looking great!
Some Sample Scenes
Portrait Scenery
Night Scene Night Scene Portrait
Selecting a Sample Scene
1. In the REC mode,
press [BS].
This displays a screen showing thumbnails of 15 sample scenes.
The currently selected sample scene is the one with the red boundary around it.
The initial default selection is “ ” (Auto).
80
Red Boundary
Scene Name
Scene Number
USING BEST SHOT
2. Use [S], [T], [W], and [X] to move the
boundary to select the scene you want to select.
Pressing [S] or [T] while the red boundary is at the edge
of the screen will scroll to the next screen of BEST SHOT scenes.
Sliding the zoom controller towards [ ] or [ ] will display text that explains the settings configured by the selected scene. Slide the zoom controller towards [ ] or [ ] again to return to the scene selection screen.
To return to “Auto”, select Scene 1, which is “ ” (Auto). Pressing [MENU] while the scene selection screen or scene description text is on the monitor screen will cause the red boundary to jump directly to “ ” (Auto).
3. Press [SET] to apply the settings of the
selected scene and return to the recording screen.
The settings of the scene you selected remain in effect until you select a different scene.
To select a different BEST SHOT scene, repeat the above procedure from step 1.
4. Press the shutter button.
While the “ ” (Movie) scene is selected, pressing the shutter button starts and stops movie recording.
81
USING BEST SHOT
IMPORTANT!
Night Scene, Fireworks These scenes use slow shutter speeds. Since a slow shutter speed increases the chance of digital noise in the image, the camera automatically performs a digital noise reduction process on slow shutter images. Because of this, such images take longer to store after you press the shutter button. Do not perform any key operation while an image is being stored. Also, it is a good idea to use a tripod to avoid image blur due to camera movement when shooting at slow shutter speeds.
BEST SHOT scenes were not shot using this camera.
Images shot using a BEST SHOT scene may not produce
the results you expected due to shooting conditions and other factors.
You can change the camera settings that are made when you select a BEST SHOT scene. Note, however, that the BEST SHOT settings revert to their defaults when you select another BEST SHOT scene or turn off the camera. If you think you will later need to use a particular camera setup you configured, save it as a BEST SHOT user setup (page 84).
82
USING BEST SHOT
Displaying Detailed Information about a BEST
E
SHOT Scene
Though the name of each BEST SHOT scene is displayed as you move the selection boundary around the 15-scene selection screen, there may be times when you need more information about a scene’s setup. To find out more about a scene, select it with the red boundary on the scene selection screen and then slide the zoom controller towards [ ] or [ ].
The following are the different operations you can perform while the scene description screen is on the display.
To return to the scene selection screen, slide the zoom controller towards [ ] or [ ] again.
To scroll through available BEST SHOT scenes, use [W] and [X].
To select the currently displayed scene and configure the camera with its settings, press [SET].
NOT
If you select a scene by pressing [SET] while the description screen is displayed, the same description scene will appear the next time you press the [BS] button to view BEST SHOT sample scenes.
83
USING BEST SHOT
Creating Your Own BEST SHOT Scenes
E
You can use the procedure below to save the setups of snapshots that you shot as BEST SHOT scenes. After that, you can recall a setup whenever you want to use it.
1. In the REC mode, press [BS].
2. Use [S], [T], [W], and [X] to select “BEST
SHOT” (Register User Scene) and then press [SET].
3. Use [W] and [X] to select the snapshot whose
setup you want to register.
4. Use [S] and [T] to select “Save” and then
press [SET].
Your BEST SHOT scene will be assigned the name “Recall User Scene”, along with a scene number.
IMPORTANT!
Formatting the camera’s built-in memory (page 181) deletes all the user BEST SHOT scene files.
NOT
You can check the settings of the currently selected BEST SHOT scene by displaying the camera’s setting menus and looking at its settings.
Only the setup of a snapshot with this camera can be saved as a user BEST SHOT setup.
User snapshot scenes are assigned numbers in the sequence: U1, U2, and so on.
The following are the settings that are included in a user snapshot scenes: Focus, EV Shift, White Balance, Flash, ISO, Metering, Flash Intensity, Flash Assist, Filter, Sharpness, Saturation, Contrast
You can store up to 999 BEST SHOT user scenes.
User snapshot scenes are stored in camera built-in
memory in the folder named “SCENE” (page 219).
84
USING BEST SHOT
Deleting a BEST SHOT User Scene
Perform the following steps when you want to delete a BEST SHOT user scene.
1. In the REC mode, press [BS].
2. Slide the zoom controller towards [ ] or
[ ] to display its explanation screen.
3. Use [W] and [X] to select the BEST SHOT user
scene you want to delete.
4. Press [T] ( ).
5. Use [S] and [T] to select “Delete” and then
press [SET].
This will delete the BEST SHOT user scene you selected and display the next screen (either the next user scene or the Register User Scene).
6. Use [W] and [X] to select another scene and
then press [SET].
This returns to the recording state.

Reducing the Effects of Hand and Subject Movement

You can turn on the camera’s Anti Shake feature to reduce image blur due to subject movement or hand movement when shooting a moving subject using telephoto, when shooting a fast-moving subject, or when shooting under dim lighting conditions. You can turn on Anti Shake using BEST SHOT or by performing a menu operation.
Turning on Anti Shake Using BEST SHOT
1. In the REC mode, press [BS].
2. Use [S], [T], [W], and [X] to select the “Anti
Shake” scene and then press [SET].
Anti Shake will remain selected until you select a different BEST SHOT scene.
85
USING BEST SHOT
Turning on Anti Shake Using the Menu
E
1. In the REC mode, press [MENU].
2. On the “REC” tab, select “Anti Shake” and
then press [X].
3. Use [S] and [T] to select “Auto” and then
press [SET].
This turns on Anti Shake and displays “ ” on the monitor screen.
In this case, Anti Shake will remain on until you turn it off on the menu.
NOT
You can also use the Panel (Operation Panel) (page 40) to change the Anti Shake setting.
IMPORTANT!
Anti Shake will not work unless the ISO setting (page 110) is set to “Auto”.
Shooting with Anti Shake can cause an image to appear somewhat coarser than normal and can cause slight deterioration of image resolution.
Anti Shake may not be able to eliminate the effects of hand or subject movement when movement is severe.
Anti Shake is disabled while shooting a movie.
Anti Shake may not work with a very low shutter speed. If
this happens, use a tripod to stabilize the camera.
Though “ ” (Anti Shake) is displayed on the monitor screen following an automatic flash operation using the “Auto Flash” or “Red Eye” setting, or while the flash setting is “Flash On” or “Soft Flash”, Anti Shake is disabled.
86
USING BEST SHOT

Taking Bright Images without Flash

The BEST SHOT “High Sensitivity” scene makes it possible for you to take natural looking images without using the flash, even when lighting is low
Normal Snapshot (With flash) Snapshot with High Sensitivity
1. In the REC mode, press [BS].
2. Use [S], [T], [W], and [X] to select the “High
Sensitivity” scene and then press [SET].
3. Press the shutter button to shoot the image.
High Sensitivity will remain selected until you select a different BEST SHOT scene.
IMPORTANT!
Shooting with High Sensitivity can cause an image to appear somewhat coarser than normal and can cause slight deterioration of image resolution.
The desirable level of image brightness may not be possible under very dark conditions.
When shooting with slow shutter speeds, use a tripod to protect against the effects of hand movement.
High Sensitivity is disabled following an automatic flash operation using the “Auto Flash” or “Red Eye” setting, or while the flash setting is “Flash On” or “Soft Flash”.
87
USING BEST SHOT

Shooting Images of Business Cards and Documents (Business Shot)

Shooting a business card, document, whiteboard, or similarly shaped object from an angle can cause the subject to appear misshaped in the resulting image. The BEST SHOT Business Shot scenes correct the shape of rectangular objects so they appear natural.
Before Keystone Correction After Keystone Correction
BEST SHOT has two Business Shot scenes from which to choose.
Business cards and documents
White board, etc.
Selecting a Business Shot Scene
1. In the REC mode, press [BS].
2. Use [S], [T], [W], and [X] to select the
“Business cards and documents” or the “White board, etc.” scene and then press [SET].
Whichever you select will remain in effect until you select a different BEST SHOT scene.
88
USING BEST SHOT
Shooting an Image Using a Business Shot
Scene
2. Use [W] and [X] to select the candidate you
want to use for correction.
1. After selecting either
of the BEST SHOT Business Shot scenes, compose the image and press the shutter button to shoot.
This displays a screen that shows all of the rectangular shapes in the image that qualify as candidates for keystone correction. A red boundary will surround the currently selected correction candidate. If there is a black boundary, it means that the black boundary is indicating a second possible candidate. If there is no second candidate (black boundary), jump directly to step 3.
If the camera is unable to detect any keystone correction candidate at all, the message “Cannot correct image!” will appear on the monitor screen momentarily and then the camera will save the image as-is (uncorrected).
3. Use [S] and [T] to select “Correct” and then
press [SET].
This will correct the image and store the resulting (corrected) image.
To cancel the correction operation, select “Cancel”.
USING BEST SHOT
89
IMPORTANT!
Make sure the entire object you are trying to shoot (correct) is enclosed within the monitor screen. The camera will not be able to detect the shape of the object correctly unless it is enclosed entirely within the monitor screen.
Correction will not be possible if the subject is the same color as its background. Make sure the object is against a background that allows its outline to stand out.
Digital zoom is disabled while shooting with a Business Shot scene. However, you can use optical zoom.
The maximum Business Shot image size is 2M (1600 × 1200 pixels), even if the camera is configured for a larger image size. When the camera is configured to record images smaller than 2M (1600 × 1200 pixels), Business Shot scenes will produce images in accordance with the currently specified image size.

Shooting ID Photographs

You can use this procedure to shoot a portrait and then print it out in a variety of different standard ID photo sizes. The following are the ID photo sizes that are included on the printout. 30 × 24mm, 40 × 30mm, 45 × 35mm, 50 × 40mm, 55 × 45mm
Selecting the ID Photo Scene
1. In the REC mode, press [BS].
2. Use [S], [T], [W], and [X] to select the “ID
Photo” scene and then press [SET].
ID Photo will remain selected until you select a different BEST SHOT scene.
90
USING BEST SHOT
Shooting an Image Using the ID Photo Scene
1. On the monitor
screen, compose the image by positioning the subject within the on-screen frame and then press the shutter button to shoot an initial temporary image.
The initial temporary image is not saved in memory. The final image is saved in memory when you perform step 3, below.
2. Align the guidelines that appear on the
monitor screen with the subject in the recorded image.
Head Line
Oval Boundary
Chin Line
Align the subject so the head fills the oval boundary. Also make sure that the subject’s head is within the head line and the chin line.
91
To do this:
Move the subject up, down, left, and right
Enlarge the subject
Reduce the size of the subject
Perform this operation:
Use [S], [T], [W], [X].
Slide zoom controller towards [ ].
Slide zoom controller towards [ ].
USING BEST SHOT
3. When everything is the way you want, press
[SET].
This saves the image in memory.
IMPORTANT!
An ID photo is always saved as 5M (2560 × 1920 pixels), regardless of the camera’s current image size setting.
Printing an ID Photo
Printing an ID photo image will print the same image in various sizes on a single sheet of paper. Then you can cut out the image(s) you want to use.
IMPORTANT!
The ID photo sizes provided here are not exact. Actual sizes may be slightly larger.
When printing an ID photo, be sure to print on 4" × 6" size paper. Images may not print at the proper sizes if another size of paper is used.
92
USING BEST SHOT
E

Restoring an Old Photograph

With Old Photo, you can record the image of an old, faded photograph and then use the camera’s built-in advanced digital camera technology to restore it.
Before Recording with Old Photo
Make sure the entire photograph you are trying to record is enclosed within the monitor screen.
Make sure the photograph is against a background that allows its outline to stand out, and that it fills the monitor screen to the maximum extent possible.
Make sure that light is not reflecting off the surface of the original photograph when recording it.
If the old photograph is portrait orientation, be sure to compose the image with the camera in landscape (horizontal) orientation.
NOT
When the camera is at an angle to the photograph you are recording, the shape of the photograph may appear distorted in the recorded image. Auto keystone correction corrects for this distortion, which means that a photograph appears normal even if you record it at an angle.
Selecting the Old Photo Scene
1. In the REC mode, press [BS].
2. Use [S], [T], [W], and [X] to select the “Old
Photo” scene and then press [SET].
“Old Photo” will remain selected until you select a different BEST SHOT scene.
93
USING BEST SHOT
Recording an Image with Old Photo
1. Press the shutter
button to shoot the image.
This displays a photograph contour confirmation screen and then saves the original recorded image. An error message will appear (page
239), without displaying the photograph contour confirmation screen, if the camera is unable to find the contour of the photograph.
2. Use [W] and [X] to select the candidate you
want to correct.
3. Use [S] and [T] to
select “Trim” and then press [SET].
This displays a cropping boundary on the monitor screen.
To cancel the correction operation, select “Cancel”.
4. Move the zoom controller left and right to
zoom the cropping boundary.
94
USING BEST SHOT
5. Use [S], [T], [W], and [X] to move the
cropping boundary to the location you want and then press [SET].
The camera will correct color automatically and save the corrected image.
If you do not want a border around the image, configure the cropping boundary so it is slightly inside of the boundary of the displayed image.
To cancel the cropping operation at any point and save the image as-is, press [MENU].
IMPORTANT!
Digital zoom is disabled while recording with Old Photo. However, you can use optical zoom.
When recording the image of a photograph, the camera will not be able to recognize the shape of the photograph in the following cases. – When part of the photograph extends outside of the
monitor screen
– When the subject is the same color as the background it
is placed upon
The maximum Old Photo image size is 2M (1600 × 1200 pixels). When the camera is configured to record images smaller than 2M (1600 × 1200 pixels), Old Photo will produce images in accordance with the currently specified image size.
Under certain conditions, restored colors may not produce the desired results.
95
USING BEST SHOT

ADVANCED SETTINGS

Changing the Focus Mode

Your camera provides you with the five focus modes described below. The initial factory default focus mode is Auto Focus.
Focus Mode Description Focus Range
Auto
Focus
Macro
(Close-up)
Pan
Focus
Infinity
Focus
Manual
Focus
Automatic focus when the shutter button is half-pressed. During movie recording, the Auto Focus Mode is disabled and the camera switches to the Pan Focus Mode automatically.
Automatic focus for distances that are closer than those for Auto Focus. Used for close-up shooting.
Pan Focus (PF) is available during movie recording only. Fixed focus for relatively wide-range focusing. Use Pan Focus under conditions where Auto Focus is difficult.
Focus is fixed at infinity. Use this mode when shooting scenery and other faraway images.
Focus is performed manually. Focus range varies with optical zoom factor.
Auto adjustment (Approximately 40 cm to (1.3' to ))
Auto adjustment (6 cm to 50 cm (2.4" to 19.7"))
Minimum distance position varies with optical zoom.
Fixed distance
Focus range varies with optical zoom position.
Infinity
Optical Zoom Factor Range
1X 6cm to (00' to )
3X 40cm to (00' to )
96
ADVANCED SETTINGS
Perform the following steps to change the focus mode.
E
1. In the REC mode, press [MENU].
2. On the “REC” tab, select “Focus” and then
press [X].
NOT
You can also use the Panel (Operation Panel) (page 40) to change the focus mode setting.
3. Use [S] and [T] to
select the focus mode setting you want and then press [SET].
An icon appears on the monitor screen to indicate the current focus mode.
See the following pages of this section for details about shooting with each focus mode.
Focus Mode Icon
ADVANCED SETTINGS
97

Using Auto Focus

E
62
Align the monitor screen’s focus frame with
1.
the subject you want to focus and then half­press the shutter button.
This camera will perform the focus operation. You can tell if the image is in focus by checking the operation lamp and the focus frame color.
10
N
62
AF
ISO
AWB
-0.3EV 15:37
Focus Frame
Status Operation Lamp Focus Frame
Focusing Complete
Lit Green Green
Not Focused Flashing Green Red
Operation Lamp
2. When the image is focused, press the shutter
button the rest of the way to shoot.
IMPORTANT!
During movie recording, the Auto Focus Mode is disabled and the camera switches to the Pan Focus Mode automatically.
NOT
When proper focusing is not possible because the subject is closer than the Auto Focus range, the camera will switch to the Macro Focus range automatically (Auto Macro).
Whenever you perform an optical zoom operation while shooting with Auto Focus, a value will appear on the monitor screen as shown below to tell you the focus range. Example: cm – * will be replaced by the actual focus range value.
Auto Focus cannot be selected while shooting a movie.
98
ADVANCED SETTINGS

Using Macro Focus

E
Half-press the shutter button to focus the
1.
image.
The focus operation is the same as that for Auto Focus.
2. When the image is focused, press the shutter
button the rest of the way to shoot.
IMPORTANT!
Use of the flash along with Macro Focus can cause the light of the flash to become blocked, which can produce unwanted lens shadows in your image.
Macro Focus becomes fixed focus while shooting a movie.
NOT
When Macro Focus cannot focus properly because the subject is too far away, the camera will switch to the Auto Focus range automatically (Auto Macro).
Whenever you perform an optical zoom operation while shooting with Macro Focus, values will appear on the monitor screen as shown below to tell you the focus range. Example: cm – cm * will be replaced by the actual focus range values.
99
ADVANCED SETTINGS
Auto Focus and Macro Focus Shooting Tips
E
Changing the Auto Focus Area
Use the following procedure to change the metering area used for Auto Focus (AF).
1. In the REC mode, press [MENU].
2. On the “REC” tab, select “AF Area” and then press
[X].
3. Use [S] and [T] to select the setting you want and
then press [SET].
NOT
When you select “ Multi” as the focus area, nine focus frames appear on the monitor screen. The camera will automatically determine the optimum focus frame(s), which will change to green on the monitor screen.
Spot Multi
To do this:
Use a small area in the center of the screen for metering
This setting is best when you want to use focus lock (page 101).
When the shutter button is half-pressed, have the camera automatically select one or more of nine possible focus frames
If the camera is able to focus on multiple points, all applicable focus frames turn green.
Select this setting:
Focus Frame Focus Frame
Spot
Multi
ADVANCED SETTINGS
100
Loading...