Page 1
Digital Camera
QV-R3/QV-R4
User’s Guide
K862PCM1DMX
E
Thank you for purchasing this CASIO Product.
Before using it, be sure to read the precautions
contained in this User’s Guide, and keep the
User’s Guide in a safe place for future reference.
QV-R4
All the illustrations in this manual show the
QV-R4. See the text that accompanies the
illustrations for information about how the
QV-R3 and QV-R4 differ from each other.
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INTRODUCTION
2
INTRODUCTION
Unpacking
Check to make sure that all of the items shown below are included with your camera. If something is missing, contact your dealer
as soon as possible.
Camera Rechargeable lithium ion battery
(NP-30)
Strap CD-ROM Special USB Cable User’s Guide
Charger Unit (BC-20)
CHARGE
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INTRODUCTION
3
Contents
2 INTRODUCTION
Unpacking .................................................................... 2
Contents ....................................................................... 3
Features ....................................................................... 8
Precautions .................................................................. 9
General Precautions 9
Data Error Precautions 11
Operating conditions 11
Condensation 12
LED Backlight 12
Lens 12
Other 12
14 QUICK START GUIDE
Getting Ready ............................................................ 14
To record an image .................................................... 14
To view a recorded image .......................................... 15
To delete an image..................................................... 15
16 GETTING READY
General Guide ............................................................ 16
Front 16
Bottom 16
Back 17
Monitor Screen Contents ........................................... 18
Recording Mode 18
Play Mode 19
Changing the Contents of the Monitor Screen 20
Indicator Lamps.......................................................... 20
Attaching the Strap .................................................... 21
Using the Soft Case (Option)..................................... 21
Power Requirements ................................................. 23
Using the Charger Unit 23
To load the battery into the camera 25
Battery Life 26
Power Supply Precautions 28
Using AC Power 31
Turning the Camera On and Off 32
Configuring Power Saving Settings 33
Using the On-screen Menus ...................................... 34
Configuring Display Language and Clock Settings... 36
38 BASIC IMAGE RECORDING
Recording an Image................................................... 38
Recording Precautions 40
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INTRODUCTION
4
Recording Consecutive Images
(Continuous Shutter Mode)........................................ 59
Combining Shots of Two People into a Single Image
(Coupling Shot) .......................................................... 60
Recording a Subject onto an Existing Background
Image (Pre-shot) ........................................................ 62
Using the Best Shot Mode ......................................... 64
Creating Your Own Best Shot Setup 65
Using the Night Scene Mode ..................................... 67
Shooting with Manual Exposure ................................ 67
Using the Movie Mode ............................................... 69
Shooting at Fixed Intervals ........................................ 70
Adjusting the White Balance...................................... 72
Adjusting White Balance Manually 73
Selecting the Metering Mode ..................................... 74
Using the Histogram .................................................. 75
Recording Mode Settings .......................................... 76
Specifying Sensitivity 77
Enhancing Specific Colors 77
Using the Filter Function 78
Specifying Color Saturation 78
Specifying Contrast 79
Specifying Outline Sharpness 79
Turning the On-screen Grid On and Off 80
Specifying Power On Default Settings 80
Resetting the Camera 81
About Auto Focus 41
About the Recording Mode Monitor Screen 41
Previewing the Last Image Recorded ....................... 42
Deleting an Image in a Recording Mode 42
Using the Optical Viewfinder...................................... 43
Adjusting the View of the Optical Viewfinder 43
Using Zoom ................................................................ 44
Optical Zoom 44
Digital Zoom 45
Using the Flash .......................................................... 46
Flash Unit Status 47
Changing the Flash Intensity Setting 48
Flash Precautions 48
Using the Self-timer ................................................... 49
Specifying Image Size and Quality............................ 51
To specify the image size 51
To specify the image quality 52
53 OTHER RECORDING FUNCTIONS
Selecting the Focus Mode ......................................... 53
Using Auto Focus 53
Using the Macro Mode 54
Using the Infinity Mode 55
Using Manual Focus 55
Using Focus Lock 57
Exposure Compensation (EV Shift)........................... 58
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INTRODUCTION
5
PRINT Image Matching II ................................................95
Exif Print ..................................................................... 95
96 OTHER SETTINGS
Specifying the File Name Serial Number Generation
Method........................................................................ 96
Turning the Key Tone On and Off .............................. 96
Specifying an Image for the Startup Screen ............. 97
Using the Alarm.......................................................... 97
To set an alarm 97
Stopping the Alarm 98
Changing the Date and Time Setting ........................ 99
Changing the Date Format 99
Using World Time..................................................... 100
To switch between the home time and
World Time screens 100
To configure World Time settings 100
To configure summer time (DST) settings 101
Changing the Display Language ............................. 102
Formatting Built-in Memory...................................... 103
82 PLAYBACK
Basic Playback Operation.......................................... 82
Zooming the Displayed Image ................................... 83
Resizing an Image ..................................................... 84
Cropping an Image..................................................... 85
Playing a Movie.......................................................... 86
Displaying the 9-image View ..................................... 87
Selecting a Specific Image in the 9-image View 88
89 DELETING FILES
Deleting a Single File ................................................. 89
Deleting All Files ........................................................ 90
91 FILE MANAGEMENT
Folders ....................................................................... 91
Memory Folders and Files 91
Protecting Files .......................................................... 92
To protect and unprotect a single file 92
To protect all files in memory 92
DPOF.......................................................................... 93
To configure print settings for a single image 93
To configure print settings for all images 94
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INTRODUCTION
6
104 USING A MEMORY CARD
Using a Memory Card .............................................. 105
To insert a memory card into the camera 105
To remove a memory card from the camera 105
Formatting a Memory Card 106
Memory Card Precautions 107
Copying Files ........................................................... 107
To copy all the files in built-in memory to a
memory card 107
To copy a file from a memory card to built-in memory 108
110 USING THE CAMERA WITH A COMPUTER
Installing the Software from the CD-ROM ................110
About the bundled CD-ROM.....................................110
Computer System Requirements.............................. 111
Installing Software from the CD-ROM in Windows ....112
Getting Started 112
Selecting a Language 112
Viewing the Contents of the “Read me” File 113
Installing an Application 113
Viewing User Documentation (PDF Files) 114
Exiting the Menu Application 114
Installing Software from the CD-ROM
on a Macintosh..........................................................114
Installing Software 114
Viewing User Documentation (PDF Files) 117
Transferring Files to a Computer..............................118
Transferring Files Over a USB Connection 118
Transferring Files Using a Memory Card 120
Memory Data 121
Memory Directory Structure 122
Supported Image Files 123
Built-in Memory and Memory Card Precautions 123
Using the Album Feature ......................................... 124
Creating an album 124
Selecting an Album Layout 125
Configuring Detailed Album Settings 126
Viewing Album Files 128
Saving an Album 130
131 APPENDIX
Menu Reference....................................................... 131
Recording Mode Menu 131
PLAY Mode Menu 132
Indicator Lamp Reference ....................................... 133
Recording Mode 133
Play Mode 134
Charger Unit 135
Troubleshooting Guide............................................. 136
Display Messages 139
Specifications ........................................................... 140
Main Specifications 140
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INTRODUCTION
7
IMPORTANT!
• The contents of this manual are subject to change
without notice.
• CASIO COMPUTER CO., LTD. assumes no responsibility for any damage or loss resulting from the use of
this manual.
• CASIO COMPUTER CO., LTD. assumes no responsibility for any loss or claims by third parties which may
arise through the use of the QV-R3/QV-R4.
• CASIO COMPUTER CO., LTD. shall not be held liable
for any damages or losses suffered by you or any third
party due to the use of Photo Loader and/or
Photohands.
• CASIO COMPUTER CO., LTD. assumes no responsibility for any damage or loss caused by deletion of
data as a result of malfunction, repairs, or battery replacement. Be sure to back up all important data on
other media to protect against its loss.
• The SD logo is a registered trademark.
• Windows, Internet Explorer, and DirectX are regis-
tered trademarks of Microsoft Corporation.
• Macintosh is a registered trademark of Apple Computer, Inc.
• MultiMediaCardTM is a trademark of Infineon Tech-
nologies AG of Germany, and licensed to the
MultiMediaCard Association (MMCA).
• Acrobat and Acrobat Reader are trademarks of Adobe
Systems Incorporated.
• The USB driver (mass storage) uses Phoenix Technologies Ltd. software.
Compatibility Software Copyright C 1997
Phoenix Technologies Ltd., All Rights Reserved.
• Other company, product and service names used
herein may also be trademarks or service marks of
others.
• Photo Loader and Photohands are the property of
CASIO COMPUTER CO., LTD. Except as stipulated
above, all copyrights and other related rights to these
applications revert to CASIO COMPUTER CO., LTD.
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INTRODUCTION
8
Features
• High-resolution primary color CCD
Everything from rich skin tones in portraits to fine details in
scenery shots come out with amazingly realistic clarity.
• Effective Pixels
QV-R3: 3.20 million pixels (3.34 million total pixels)
QV-R4: 4.00 million pixels (4.13 million total pixels)
• 1.6-inch TFT color LCD monitor screen
• 9.6X seamless zoom
3X optical zoom, 3.2X digital zoom
• 11MB flash memory
Images can be recorded without using a memory card.
• Support for SD memory cards and MMC (MultiMedia
Cards) for memory expansion
• Coupling Shot and Pre-shot
Coupling Shot lets you combine two subjects into a single
image, while Pre-shot lets you add a subject to a previously
recorded background image. This means you can create
images include you and your friend, even if you are the only
two people around.
• Triple Self-timer Mode
The self-timer can be set up to repeat three times, automatically.
• Best Shot
Simply select the sample scene that matches the type of
image you are trying to record and the camera performs
troublesome setups automatically for beautiful pictures every time.
• Real-time histogram
An on-screen histogram lets you adjust exposure as you
view the effect on overall image brightness, which makes
shooting under difficult lighting conditions easier than ever
before.
• World Time
A simple operation sets the current time for your current
location. You can select from among 162 cities in 32 time
zones.
• Alarm
A built-in alarm helps to keep you on time for important
events, and even can be used in place of an alarm clock.
You can even have a specific image appear on the monitor
screen when the alarm time is reached.
• Album Function
HTML files are generated automatically to create an album
of recorded images. Album contents can be viewed and
printed using a standard Web browser. Images can also be
incorporated into Web pages quickly and easily.
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INTRODUCTION
9
Precautions
General Precautions
Be sure to observe the following important precautions
whenever using the QV-R3/QV-R4.
All references in this manual to “this camera” and “the camera” refer to the CASIO QV-R3/QV-R4 Digital Camera.
• Never try to take pictures or use the built-in display while
operating a motor vehicle or while walking. Doing so creates the danger of serious accident.
• Never try to open the case of the camera or attempt your
own repairs. High-voltage internal components create the
risk of electric shock when exposed. Always leave maintenance and repair work up to CASIO service center.
• Never look at the sun or any other bright light through the
camera’s viewfinder. Doing so can damage your eyesight.
• Keep the small parts and accessories of this camera out of
the reach of small children. If swallowed accidentally, contact your physician immediately.
• Never fire the flash in the direction of a person operating a
motor vehicle. Doing so can interfere with the driver’s vision and create the danger of accident.
• Never fire the flash while it is too close to the subject’s
eyes. Intense light from the flash can cause eye damage if
it is fired too close to the eyes, especially with young children. When using the flash, the camera should be at least
one meter from the eyes of the subject.
• Easy Image Transfer
Transfer images to a computer simply by connecting the
camera with a USB cable.
• Bundled with Photo Loader and Photohands
Your camera comes bundled with the latest version of
Photo Loader, the popular application that automatically
loads images from your camera to your PC. Also included
is Photohands, an application that makes image retouching quick and easy.
• DCF Data Storage
DCF (Design rule for Camera File system) data storage
protocol provides image inter-compatibility between the
digital camera and printers.
• Digital Print Order Format (DPOF)
Images can be printed easily in the sequence you want
using a DPOF compatible printer. DPOF can also be used
when specifying images and quantities for printing by professional print services.
• PRINT Image Matching II Compatible
Images include PRINT Image Matching II data (mode setting and other camera setup information). A printer that
supports PRINT Image Matching II reads this data and adjusts the printed image accordingly, so your images come
out just the way you intended when you recorded them.
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INTRODUCTION
10
• Keep the camera away from water and other liquids, and
never let it get wet. Moisture creates the danger of fire and
electric shock. Never use the camera outdoors in the rain
or snow, at the seashore or beach, in the bathroom, etc.
• Should foreign matter or water ever get into the camera,
immediately turn power off, unplug the AC adaptor from the
power outlet, and contact your dealer or nearest CASIO
service center. Using the camera under these conditions
creates the danger of fire and electric shock.
• Should you ever notice smoke or a strange odor coming
out of the camera, immediately turn power off and unplug
the AC adaptor from the power outlet. Using the camera
under these conditions creates the danger of fire and electric shock. After making sure there is no more smoke coming from the camera, take it to your nearest CASIO service
center for repair. Never attempt your own maintenance.
• Never use the AC adaptor to power any other device besides this camera. Never use any other AC adaptor besides the one that comes with this camera.
• Never cover the AC adaptor with a quilt, blanket, or other
cover while it is in use, and do not use it near a heater.
• At least once a year, unplug the AC adaptor from the power
outlet and clean the area around the prongs of the plug.
Dust build up around the prongs can create the danger of
fire.
• If the camera’s case should ever become cracked due to
dropping it or otherwise subjecting it to rough treatment,
immediately turn power off, unplug the AC adaptor from the
power outlet, and contact your nearest CASIO service center.
• Never use the camera inside of an aircraft or in any other
areas where its use is prohibited. Doing so can result in an
accident.
• Physical damage and malfunction of this camera can
cause the data stored in its memory to be deleted. Be sure
to always keep backup copies of data by transferring them
to personal computer memory.
• Never open the battery cover, disconnect the AC adaptor
from the camera or unplug it from the wall socket while recording images. Doing so will not only make storage of the
current image impossible, it can also corrupt other image
data already stored in camera memory.
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INTRODUCTION
11
Operating conditions
• This camera is designed for use in temperatures ranging
from 0°C to 40°C (32°F to 104°F).
• Do not use or keep the camera in the following areas.
— In areas subject to direct sunlight
— In areas subject to high humidity or dust
— Near air conditioners, heaters, or other areas subject to
temperature extremes
— Inside of a closed vehicle, especially one parked in the
sun
— In areas subject to strong vibration
Data Error Precautions
• Your digital camera is manufactured using precision digital
components. Any of the following creates the risk of corruption of data in camera memory.
— Removing the battery while image recording or data
communication is in progress.
— Removing a memory card while image recording is in
progress.
— Removing the battery, removing the memory card, or
connecting the USB cable while the green operation
lamp is still flashing after you turn off the camera.
— Disconnecting the USB cable that connects the camera
to a computer, while a data communication operation is
being performed.
— Using a battery that is low.
— Other abnormal operations.
Any of the above conditions can cause an error message to
appear on the monitor screen (page 139). Follow the instructions provided by the message to correct the situation.
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INTRODUCTION
12
LED Backlight
• The monitor screen is illuminated by an LED backlight. A
dark monitor screen indicates that the LED backlight has
reached the end of its service life, and needs to be replaced by a CASIO service center. Note that you will be
charged for LED backlight replacement. The LED backlight
brightness is reduced by half after about 1,000 hours of
use.
Lens
• Never apply too much force when cleaning the surface of
the lens. Doing so can scratch the lens surface and cause
malfunction.
• Fingerprints, dust, or any other soiling of the lens can interfere with proper image recording. Never touch the lens with
your fingers. You can remove dust particles from the lens
surface by using a lens blower to blow them off. Next, wipe
the surface of the lens with a soft lens cloth.
Other
• The camera may become slightly warm during use. This
does not indicate malfunction.
Condensation
• When you bring the camera indoors on a cold day or otherwise expose it to a sudden change of temperature, there is
the possibility that condensation can form on the exterior or
on interior components. Condensation can cause malfunction of the camera, so you should avoid exposing it to conditions that might cause condensation.
• To keep condensation from forming, place the camera into
a plastic bag before moving it into a location that is much
warmer or colder than your current location. Leave it in the
plastic bag until the air inside the bag has a chance to
reach the same temperature as the new location. If condensation does form, remove the battery from the camera
and leave the battery cover open for a few hours.
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INTRODUCTION
13
GUIDELINES LAID DOWN BY FCC RULES FOR USE OF
THIS UNIT IN THE U.S.A. (not applicable to other areas).
This device complies with Part 15 of the FCC Rules. Operation is subject
to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
NOTICE
This equipment has been tested and found to comply with the limits for
a Class B peripheral, pursuant to Part 15 of the FCC Rules. These
limits are designed to provide reasonable protection against harmful
interference in a residential installation. This equipment generates,
uses and can radiate radio frequency energy and, if not installed and
used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment
does cause harmful interference to radio or television reception, which
can be determined by turning the equipment off and on, the user is
encouraged to try to correct the interference by one or more of the
following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that
to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
FCC WARNING
Changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate the
equipment.
QV-R3/QV-R4
Declaration of Conformity
Model Number: QV-R3/QV-R4
Trade Name: CASIO COMPUTER CO.,LTD.
Responsible party: CASIO INC.
Address: 570 MT. PLEASANT AVENUE,
DOVER,NEW JERSEY 07801
Telephone number: 973-361-5400
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
CASIO COMPUTER CO.,LTD.
Tested To Comply
With FCC Standards
FOR HOME OR OFFICE USE
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QUICK START GUIDE
14
QUICK START GUIDE
Getting Ready
C
H
A
R
G
E
To record an image
(See page 38 for details.)
1.
Attach the battery to the charger unit, and then
charge it (page 23).
• It takes about two hours to achieve a full charge.
2.
Load the battery into the camera (page 25).
3.
Configure screen message language, home
time zone, and current time settings (page 36).
MF
DPOF
PREVIEW
MENU
DISP
SET
ON/OF
F
1
4
2
3
1.
Press the power button to turn on the camera.
2.
Align the mode dial with (Snapshot Mode).
3.
Point the camera at the subject, use the monitor screen or viewfinder to compose the image, and then press the shutter release button
half way.
4.
Holding the camera still, gently press the shutter release button the rest of the way down.
Page 15
QUICK START GUIDE
15
To view a recorded image
(See page 82 for details.)
MF
D
P
O
F
PREVIEW
MENU
DISP
SET
ON/OF
F
1
2
3
To delete an image
(See page 89 for details.)
MF
D
P
O
F
PR
E
V
I
E
W
MEN
U
DISP
SET
ON/OF
F
1
3
2
4, 5
6
1.
Press the power button to turn on the camera.
2.
Align the mode dial with (Play Mode).
3.
Use [ ] and [ ] to scroll through the images.
1.
Press the power button to turn on the camera.
2.
Align the mode dial with (Play Mode).
3.
Press .
4.
Use [ ] and [ ] to display the image you want to
delete.
5.
Use [ ] and [ ] to select “Delete.”
• To exit the image delete operation without deleting anything, select “Cancel.”
6.
Press SET to delete the image.
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GETTING READY
16
GETTING READY
This section contains about things you need to know about and do before trying to use the camera.
General Guide
The following illustrations show the names of each component, button, and switch on the camera.
1 Zoom controller
2 Shutter release button
3 Power button
4 Self-timer lamp
5 Flash
6 AF assist lamp
7 Lens
8 Terminal panel cover
9 USB port
0 DC IN 4.5V terminal
O
N
/O
F
F
7 6
1
2
3
4
5
9
8
0
Front
A B
Bottom
Open Terminal Panel Cover
A Battery compart-
ment cover
B Tripod screw hole
* Use this hole
when attaching
to a tripod.
Page 17
GETTING READY
17
Back
MF
D
P
O
F
PR
E
V
I
E
W
MEN
U
D
I
SP
SET
ON/OF
F
K
F
C
D
E
L
O
M
Q
G
H
I
N
J
P
C Monitor Screen
D Viewfinder
E Diopter slider
F Operation lamp
G / DPOF (Self-timer/Continuous Shutter/DPOF) button
H (Flash/Delete) button
I MF (Macro/Infinity/Manual Focus/Protect) button
J PREVIEW (Preview/Album) button
K Mode dial
: Play Mode
: Snapshot Mode
: Best Shot Mode
: Coupling Shot Mode
: Night Scene Mode
M : Manual Exposure Mode
: Movie Mode
: Interval Mode
L
[ ]/[ ]/[ ]/[ ]
M SET button
N MENU button
O DISP button
P Strap ring
Q Memory card slot cover
Recording modes
Page 18
GETTING READY
18
Monitor Screen Contents
The monitor screen uses various indicators and icons to keep you informed of the camera’s status.
Recording Mode
Quality
FINE
NORMAL
ECONOMY
Battery capacity
Image size
2304 ҂ 1712 pixels (QV-R4)
2240 ҂ 1680 pixels (QV-R4)
2048 ҂ 1536 pixels (QV-R3)
1600 ҂ 1200 pixels
1280 ҂ 960 pixels
640 ҂ 480 pixels
Movie Recording: recording time (seconds)
Date and timeEV value
Memory capacity
(Remaining number
of storable images)
Built-in memory selected for
data storage.
Memory card selected for
data storage.
Focus Mode indicator
None Auto Focus
Macro
Infinity
Manual Focus
Self-timer/Continuous
None 1-Image
10
s
Self-timer 10 sec
2
s
Self-timer 2 sec
x3
Triple self-timer
Continuous Shutter indicator
Focus frame
• Focusing complete: Lights green
• Focusing failed: Lights red
Recording Mode
Play Mode
Snapshot
Best Shot
Coupling Shot
Night Scene
Manual Exposure
Movie
Interval
Recording modes
Manual focus position
Page 19
GETTING READY
19
Folder number/
File number
Quality
FINE
NORMAL
ECONOMY
Battery capacity
Image size
2304 ҂ 1712 pixels (QV-R4)
2240 ҂ 1680 pixels (QV-R4)
2048 ҂ 1536 pixels (QV-R3)
1600 ҂ 1200 pixels
1280 ҂ 960 pixels
640 ҂ 480 pixels
Date and time
Image protection
indicator
Built-in memory selected
for data storage.
Memory card selected
for data storage.
Play Mode
Flash Mode indicator
None Auto
Flash Off
Flash On
Red-eye reduction
• When auto flash is selected,
the flash indicator appears
when the shutter button is
pressed half way to indicate
that the flash will fire.
White balance
indicator
None Auto
Sunlight
Shade
Light Bulb
Fluorescent
Manual
Zoom indicator
Left side indicates optical zoom.
Right side indicates digital zoom.
Aperture value
Shutter speed
value
• An out of range
aperture or shutter
speed causes the
corresponding
monitor screen
value to turn amber.
Metering Mode indicator
Multi-pattern Metering
Center-weighted Metering
Spot Metering
Digital zoom indicator
Movie
record
indicator
Page 20
GETTING READY
20
Indicators
on
(page 18)
Histogram
on
(page 75)
Indicators
off
Monitor
screen off
*
Indicator Lamps
The color and condition (lit, unlit, flashing) of the indicator
lamps keep you informed about the current status of the
camera. For details, see “Indicator Lamp Reference” on
page 133.
Self-timer lamp
Changing the Contents of the Monitor
Screen
Each press of the DISP button changes the contents of the
monitor screen as shown below.
Green operation lamp
Red operation lamp
* You cannot turn off the monitor screen in the Play Mode.
Page 21
GETTING READY
21
Attaching the Strap
Attach the strap to the strap ring as shown in the illustration.
IMPORTANT!
• Be sure to keep the strap around your wrist when using the camera to protect against accidentally dropping it.
• The supplied strap is intended for use with this camera
only. Do not use it for any other application.
• Never swing the camera around by the strap.
MF
D
P
O
F
PREVIEW
MENU
DISP
SET
ON/OF
F
Using the Soft Case (Option)
We recommend that you keep the camera in the optional soft
case when it is not in use.
Attach the strap of the soft case to the ring as shown in the
illustration.
Soft case : QSC-4
Ring
Use the buckle on the soft case strap to adjust its length.
Buckle
Page 22
GETTING READY
22
IMPORTANT!
• Use the soft case for storage of this camera, and its
battery and memory card only.
• The strap that comes with the soft case is intended for
use with the soft case only. Never use it for any other
purpose.
• Never swing the camera around by the soft case
strap.
• Wearing the soft case strap around your neck and allowing the camera to swing freely creates the risk of
accident and personal injury caused by impact from
the camera, by the camera becoming caught in a
door, etc.
• Keep this camera out of the reach of small children.
Children handling the camera creates the risk of serious accident should the soft case strap accidentally
become wound around the neck.
Belt loop
• You can attach the
bag to your belt.
Snap
• Fastening the snap keeps
the memory card and
battery from falling out.
Includes space
for storage of an
extra battery.
Includes space
for storage of an
extra memory
card.
Insert the camera with
the monitor screen
facing downwards.
Page 23
GETTING READY
23
Power Requirements
Your camera can operate on either battery power or AC
power.
• Battery
One NP-30 rechargeable lithium ion battery
The battery is not charged when you purchase the
camera. You need to charge the battery before using
the camera for the first time.
• Household AC Power
AC Adaptor: AD-C40 (Option)
Using the Charger Unit
■ Charger Unit General Guide
C
H
AR
G
E
PUSH
Contacts
CHARGE
lamp
Power plug
*
■ Attaching the Battery to the Charger Unit
Making sure that the positive and negative contacts are
aligned correctly, affix the battery to the charger unit. Note
that the battery will not charge properly if it is not positioned
correctly on the charger unit.
CHARGE
* The shape of the power plug on the charger unit that comes with the
camera depends on the geographic area where you purchase it.
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GETTING READY
24
■ To charge the battery
1.
Positioning the positive and negative terminals of the battery as shown in the illustration,
attach the battery to the charger unit.
• Plug the charger unit into a household power outlet.
2.
The CHARGE lamp on
the charger unit
should turn red,
indicating that
charging has started.
3.
Charging is complete when CHARGE lamp
turns green. Unplug the charger unit from the
power outlet, and then remove the battery from
the charger unit.
IMPORTANT!
• It takes about two hours to achieve a full charge. Actual charging time depends on current battery capacity and charging conditions.
• Use only the charger unit (BC-20) that comes with the
camera to charge the special rechargeable lithium ion
battery (NP-30). Never use any other charger device.
• Charging may not start immediately if you have just
finished using the camera or if you are trying to charge
the battery where it is very hot or very cold. This condition is indicated when the CHARGE lamp is flashing at
slow speed. If this happens, simply move the battery
to an area where temperature is more moderate
(around 25°C (77°F)). The CHARGE lamp will turn red
and charging will start when the battery temperature
returns to the allowable charging temperature range.
• The CHARGE lamp flashes red at high speed during
charging if the battery is not attached to the charger
unit properly. Try removing it and then re-attaching the
battery. If this does not correct the problem, it can
mean there is something wrong with the charger unit
or battery.
• If the charger unit contacts or battery terminals become dirty, wipe them clean with a cloth or cotton
swab.
• Even though it looks removable, never try to remove
the power plug from the charger unit.
C
H
A
R
G
E
CHARGE
lamp
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25
To load the battery into the camera
1.
Slide the battery
cover on the side of
the camera in the
direction indicated by
the arrow and then
swing it open.
2.
Slide the stopper in
the direction indicated by the arrow in
the illustration and
hold it.
3.
Orienting the battery
so the contacts
markings on the side
of the battery are in
the same order, from
left to right, as the
markings on the
inside of the battery
cover, slide the
battery into the
battery slot.
■ Optionally Available Battery
You can purchase additional NP-30 rechargeable lithium ion
battery for use this with camera as required.
Rechargeable Lithium Ion Battery: NP-30
• When an extra battery is not in use, keep it in the storage
case that comes with each battery.
• Storing a battery with its terminals exposed creates the risk
of shorting.
• If you are using only one battery, you should normally keep
it loaded in the camera during transport. The battery that is
bundled with the camera does not come with a storage
case.
■ Inserting a Battery into Its Storage Case
Contacts
Stopper
Contacts
markings
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GETTING READY
26
4.
Swing the battery
cover up and then
slide it closed as you
press down at the
point indicated by the
arrow in the illustration.
IMPORTANT!
• Use only the special NP-30 rechargeable lithium ion
battery to power this camera. Use of any other type of
battery is not supported.
NOTE
• To remove the battery from the camera, open the battery cover and hold the stopper so it does not stop the
battery. Taking care to keep the battery from suddenly
falling, angle the bottom of the camera downwards
until the battery starts to come out. Next, pull the battery out the rest of the way.
Battery Life
■ Battery Life Guidelines
The battery life guideline values given below indicate the
amount of time at standard temperature (25°C (77°F)) until
power automatically turns off due to battery failure. They do
not guarantee that the battery will provide the amount of service indicated. Low temperatures and continued use reduce
battery life.
*1 Continuous Recording Conditions
• Normal temperature: 25°C (77°F)
• Flash: Off
• Monitor screen: On
• Image recorded about every 10 seconds using the following operations: Zoom to full wide angle Auto Focus Zoom to full close-up Auto Focus Image
recording
*2 Continuous Playback Conditions
• Normal temperature: 25°C (77°F)
• Scroll one image about every 10 seconds
Operation
Continuous Recording*
1
Continuous Playback*
2
(Continuous Snapshot Recording)
Approximate Battery Life
QV-R3 120 minutes (720 shots)
QV-R4 110 minutes (660 shots)
QV-R3 220 minutes
QV-R4 220 minutes
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GETTING READY
27
■ Tips to Make the Battery Last Longer
• If you do not need the flash while recording, select
(flash off) for the flash mode. See page 46 for more information.
• Enable the Auto Power Off and the Sleep features (page
33) to protect against wasting battery power when you forget to turn off the camera.
• Use the DISP button to turn off the monitor screen.
■ Low Battery Indicator
The following shows how the battery capacity indicator on
the monitor screen changes as battery power is used. If you
continue to use the camera while the battery level is ,
camera power will automatically turn off. When this happens,
charge the battery as soon as possible.
Battery Level High Low
Indicator
• Pressing the shutter release button while is displayed
immediately shuts off the camera.
• The above values are based a new battery starting from a
full charge. Repeated charging shortens battery life.
• Battery life is greatly affected by how much you use flash,
zoom and other functions, and how long you leave power
turned on.
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28
• Failure to observe any of the following precautions
while using the battery creates the risk of over-heating, fire, and explosion.
— Never use any other type of charger except the one
specially specified for the battery.
— Use this battery only with a product for which it is
expressly specified.
— Never use or leave the battery near open flame.
— Never place the battery in a microwave oven, throw
it into fire, or otherwise expose it to high heat.
— Make sure the battery is oriented correctly when it
is connected to the charger unit.
— Never carry or store the battery together with items
that can conduct electricity (necklaces, pencil lead,
etc.).
— Never try to take the battery apart, modify it in any
way, or expose it to strong impact.
— Do not immerse the battery in fresh water or salt
water.
— Do not use or leave the battery under direct sun-
light, in an automobile parked in the sun, or in any
other area subject to high temperatures.
• Should you ever notice leakage, strange odor, heat
generation, discoloration, deformation, or any other
abnormal condition while using, charging, or storing a
battery, immediately remove it from the camera or
charger unit and keep it away from open flame.
Power Supply Precautions
■ Battery Handling Precautions
● SAFETY PRECAUTIONS
Congratulations upon your selection on this CASIO Product.
Be sure to read the following Safety Precautions before trying to use it for the first time. Keep these safety precautions
and operating instructions on hand for future reference.
NOTE
• All mentions of “the battery” in the following precautions refer to the CASIO NP-30 Rechargeable Lithium
Ion Battery.
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29
● PRECAUTIONS DURING USE
• This battery is designed for use with a CASIO digital
camera only. See your camera’s Users Guide to find
out if it supports use of this battery.
• Use only the special charger unit to charge the battery. Never use any other type of charger unit for
charging.
• This battery initially not charged. Be sure to charge
the battery before using it for the first time.
• Use of a battery in cold environments shortens the
operating time you can expect on a full charge.
• Charge the battery in a location where the temperature is in the range of 10°C to 35°C (50°F to 95°F).
Charging outside this temperature range can cause
charging to take longer than normal or even cause
charging to fail.
• Very limited operation following a fully charge indicates that the battery has reached the end of its service life. Replace the battery with a new one.
• If the battery does not achieve full charge after the
normal charging time has passed, stop charging. Continued charging creates the risk of overheating, fire,
and explosion.
• Battery fluid accidentally getting into your eyes can
damage your eyes. Immediately rinse your eyes with
clean tap water and then consult a physician.
• Be sure to read the User’s Guide that comes with the
camera and special charger unit before using or
charging the battery.
• If the battery is to be used by young children, make
sure that a responsible adult makes them aware of the
precautions and proper handling instructions as contained in the User’s Guide, and make sure that they
handle the battery correctly.
• Should fluid from the battery accidentally get onto
clothing or your skin, immediately rinse it off with clean
tap water. Prolonged contact with battery fluid can
cause skin irritation.
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30
■ Charger Unit Precautions
• Never plug the charger unit into an outlet whose voltage rating is different from that marked on the charger
unit. Doing so creates the risk of fire, malfunction, and
electric shock.
• Never plug in or unplug the charger unit while your
hands are wet. Doing so creates the risk of electric
shock.
• Do not plug the charger unit into an outlet or extension
cord that is shared by other devices. Doing so creates
the risk of fire, malfunction, and electric shock.
• The charger unit becomes slightly warm during charging. This is normal and does not indicate malfunction.
• Unplug the charger unit from the power outlet whenever you are not using it.
● BATTERY STORAGE PRECAUTIONS
• Make sure you remove the battery from your camera
when you do not plan to use the camera for a long
time. A battery left in the camera discharges very
small amounts of power even when camera power is
turned off, which can lead to a dead battery or a longer
charging time.
• Store the battery in a cool, dry place (20°C (68 °F) or
lower).
● USING THE BATTERY
• See the User’s Guide that comes with the special
charger unit and the digital camera for information
about charging procedures and charging time.
• When transporting a battery, keep it either loaded in
the digital camera or stored in its case.
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31
■ Adaptor Precautions
• Never use an electrical outlet whose voltage is outside the
rating marked on the AC adaptor. Doing so can create the
danger of fire or electric shock. Use only the optional AC
adaptor specified for this camera.
• Do not allow the AC adaptor power cord to become cut or
damaged, do not place heavy objects on it, and keep it
away from heat. A damaged power cord creates the risk of
fire and electric shock.
• Never try to modify the AC adaptor power cord, or subject it
to severe bending, twisting, or pulling. Doing so creates the
risk of fire and electric shock.
• Never touch the AC adaptor while your hands are wet. Doing so creates the risk of electric shock.
• Do not overload extension cords or wall outlets. Doing so
creates the danger of fire and electric shock.
• Should the cord of the AC adaptor become damaged (exposed internal wiring), request a replacement from a
CASIO service center. A damaged AC adaptor cord creates the danger of fire or electric shock.
• Be sure to turn off power before connecting or disconnecting the adaptor.
• Always turn camera power off before disconnecting the AC
adaptor, even if the camera has a battery installed. If you
don’t, the camera will turn off automatically when you disconnect the AC adaptor. You also run the risk of damaging
the camera whenever you disconnect the AC adaptor without first turning power off.
Using AC Power
Use the adaptor as shown below to power the camera from a
household power outlet.
1.
Open the camera’s terminal panel cover.
2.
Plug the AC adaptor to the DC IN 4.5V terminal.
Power cord
Terminal panel cover
AC AdaptorDC IN 4.5V
• AC adaptor: AD-C40
The AC adaptor can be used with any power source rated
from 100V to 240V AC. If you plan to use the AC adaptor in
another country, it is up to you to purchase the applicable
power cord that matches the configuration of power receptacles in that country.
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32
Turning the Camera On and Off
Press the power button to turn the camera on and off.
Pressing the power button to turn on the camera causes the
green operation lamp to flash . Press the power button again
to turn off the camera.
Green operation lamp
ON/OFF
Power button
IMPORTANT!
• If camera power is turned off by the Auto Power Off
feature, press the power button to turn it back on
again.
• Turning on camera power while the mode dial is set to
recording mode causes the lens to extend from the
camera. Make sure there is nothing in front of the
camera that can be hit by the lens when you turn on
the camera.
• The AC adaptor may become warm to touch after extended
periods of use. This is normal and is not cause for alarm.
• After using the camera, turn it off and unplug the adaptor
from the AC outlet.
• The camera automatically switches over to AC adaptor
powered operation whenever the AC adaptor is plugged
into the camera.
• Always use the AC adaptor to power the camera whenever
it is connected to a computer.
• Never place a blanket or any other cover on the AC adaptor. Doing so creates the risk of fire.
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33
5.
Use [ ] and [ ] to change the currently selected setting, and then press SET.
• Available Auto Power Off settings are: 3 min, 5 min,
and off.
• Available Sleep settings are: 30 sec, 1 min, 2 min, and
off.
• Note that the Sleep feature does not operate in the
Play Mode.
• Pressing any button while the camera is in the Sleep
state immediately turns the monitor screen back on.
• The Auto Power Off and Sleep features are disabled
while the camera is connected to a computer via the
USB port.
Configuring Power Saving Settings
You can configure the settings described below to conserve
battery power.
Auto Power Off : Turns off power if you do not perform any
operation for a specified amount of time.
Sleep :Automatically turns off the monitor screen if
no operation is performed for a specified
amount of time in a recording mode. Performing any button operation causes the
monitor screen to turn back on.
1.
Align the mode dial with (Snapshot Mode).
2.
Press MENU.
3.
Use [ ] and [ ] to select the “Set Up” tab.
4.
Use [ ] and [ ] to select the feature whose
setting you want to configure, and then press
SET.
To configure this feature: Select this setting:
Auto Power Off Auto Power Off
Sleep Sleep
● See page 34 for information about how to use menus.
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34
Using the On-screen Menus
Pressing the MENU button displays a menu of operations on
the camera’s monitor screen. The contents of the menu depend on whether the camera is in a recording mode or the
Play Mode. The following explanation of basic menu operations uses the recording mode menu.
1.
Turn on the camera,
and then align the
mode dial with .
• If you want to enter the
Play mode instead, you
would align the mode
dial with .
2.
Press MENU.
• This displays the menu
screen.
MF
PREVIEW
DPOF
Mode dial
● Menu Screen Operations
When you want to do this:
Move between tabs
Move from the tab to the
settings
Move from the settings to
the tab
Move between the settings
Display the options
available for a setting
Select an option
Register an option
selection and exit the menu
screen
Register an option
selection and return to the
menu screen
Exit the menu screen
Do this:
Press [ ] and [ ].
Press [
].
Press [ ].
Press [ ] and [ ].
Press [
] or press SET.
Press [ ] and [ ].
Press SET.
Press [ ].
Press the MENU button.
Settings
Selection cursor (indicates
the currently selected item)
Tab
MENU
SET
DISP
[ ][ ][ ][ ]
SET
MENU
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35
Example: To select the
“Size” item.
3.
Press [ ] or [ ] to select the tab you want, and
then press SET to move the selection cursor
from the tab to the settings.
4.
Use [ ] and [ ] to
select the feature
whose setting you
want to configure,
and then press [ ].
• Instead of pressing [ ],
you could also press
SET.
5.
Use [ ] and [ ] to change the currently selected setting, and then press SET.
• This applies the setting.
NOTE
• The recording mode menu appears if you press the
MENU button before starting a record operation. It will
not appear if you press the MENU button during a
setup procedure, while the camera is standing by for
recording of the second image of a Coupling Shot operation, etc.
• See “Menu Reference” on page 131 for more information
about menus.
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36
Configuring Display Language and Clock
Settings
Be sure to configure the following settings before using the
camera to record images.
• Display language
• Home city
• Date and time
Note that the current date and time settings are used by the
camera to generate the date and time that is stored along
with image data, etc.
IMPORTANT!
• The camera’s clock settings are cleared if power to the
camera is totally cut off for about 12 hours. This can
happen if the battery goes dead while the camera is
not being supplied power by the AC adaptor. The
clock setting screen will appear automatically the next
time you turn on power after the settings are cleared.
Set the date and time before using the camera.
• You also need to configure clock settings whenever
you replace the battery.
• Recording images without configuring the clock settings causes incorrect time information to be registered. Be sure to configure the clock settings before
using the camera.
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37
4.
Use [ ] and [ ] to
select the name of the
city where you live,
and then press SET.
5.
Use [ ] and [ ] to select the summer time
(DST) setting you want, and then press SET.
1.
Press the power button to turn on the camera.
2.
Use [ ] and [ ] to select the language you
want, and then press SET.
: Japanese
English : English
Français : French
Deutsch : German
Español : Spanish
Italiano : Italian
3.
Use [ ], [ ], [ ], and
[ ] to select the
geographical area
where you live, and
then press SET.
6.
Set the current date and the time.
When you want to do this:
Keep time using standard time
Keep time using summer time
(Daylight Saving Time)
Select this setting:
Off
On
To do this:
Move the cursor between settings
Change the setting at the current
cursor location
Toggle between 12-hour and 24-
hour timekeeping
Do this:
Press [ ] and [ ].
Press [
] and [ ].
Press DISP.
7.
Press SET to register the settings and exit the
setting screen.
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BASIC IMAGE RECORDING
2.
Align the mode dial
with (Snapshot
Mode).
3.
Compose the image
on the monitor screen
so the main subject is
within the focus
frame.
• The focusing range of
the camera is approximately 40cm (1.3´) to
infinity (∞).
• You can compose images using either the monitor
screen or the optical viewfinder (page 43).
• When using the optical viewfinder to compose images, you can use the DISP button to turn off the
monitor screen and conserve battery power.
BASIC IMAGE RECORDING
This section describes the basic procedure for recording an
image.
Recording an Image
Your camera is equipped with a variety of different recording
modes. The explanation in this section is presented using
the Snapshot Mode. The camera automatically adjusts shutter speed and aperture settings in accordance with the
brightness of the subject. Images you record are stored in
the camera’s built-in flash memory.
• You can also use optionally available SD memory cards
and MultiMedia Cards (MMC) to store images (page 104).
1.
Press the power
button to turn on the
camera.
• This causes an image
or a message to appear
on the monitor screen.
Power button
ON/OFF
MF
PREVIEW
DPOF
Mode dial
1200
1200
1600
1600
NORMAL
NORMAL
99
99
0202/1212/24
24
12
12
:
58
58
IN
Focus frame
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BASIC IMAGE RECORDING
4.
Press the shutter release
button half way to focus the
image.
• When you press the shutter
release button half way, the
camera’s Auto Focus feature
automatically focuses the image,
and displays the shutter speed
and aperture values.
• You can tell whether the
image is focused by observing the focus frame and the
green operation lamp.
Shutter release
button
It means this:
The image is focused.
The image is not in focus.
When you see this:
Green focus frame
Green operation lamp
Red focus frame
Flashing green operation lamp
• Make sure you are not
blocking the lens, the
AF assist lamp, or the
flash with your fingers
while recording an
image.
Green operation lamp
● Operation Lamp and Focus Frame Operation
AF assist lamp
Lens
Flash
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BASIC IMAGE RECORDING
Recording Precautions
• Never open the battery cover while the green operation
lamp is flashing. Doing so not only causes the current image to be lost, it can also corrupt images already stored in
camera memory and even lead to malfunction of the camera.
• Never remove the memory card while an image is being
recorded to the memory card.
• Fluorescent lighting actually flickers at a frequency that
cannot be detected by the human eye. When using the
camera indoors under such lighting, you may experience
some brightness or color problems with recorded images.
• The camera automatically adjusts its sensitivity in accordance with the brightness of the subject. This can cause
some static noise to appear in images of relatively dark
subjects.
• For a dimly lit subject, the camera raises the sensitivity and
uses a faster shutter speed. Because of this, you need to
guard against camera movement if you have flash turned
off ( ) when recording a dimly lit subject (page 46).
5.
After making sure that the
image is focused properly,
press the shutter release
button the rest of the way
down to record.
• The recorded image is stored
temporarily into buffer memory.
After that, it is saved in the
camera’s built-in flash memory or
onto a memory card, if one is
loaded in the camera. You can
record consecutive Continuous
Shutter images as long as there
is still buffer memory available to
store them.
• The number of images that can be stored in memory
depends on the resolution setting you are using (page
140).
• Press the shutter release button gently to avoid camera movement.
Shutter release
button
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BASIC IMAGE RECORDING
About Auto Focus
• Auto Focus tends not to work well if the camera is moved
during recording, or when recording the types of subjects
listed below.
— Solid color walls or objects with little contrast
— Strongly backlit objects
— Polished metal or other brightly reflective objects
— Venetian blinds or other horizontally repeating patterns
— Multiple images that are varying distances from the
camera
— Subjects in poorly lit areas
— Moving subjects
• Note that a green operation lamp and focus frame do not
necessarily guarantee that an image is in focus.
• If Auto Focus does not produce the results you want for
some reason, try using focus lock (page 57) or manual focus (page 55).
About the Recording Mode Monitor
Screen
• The image shown on the monitor screen in a recording
mode is a simplified image for composing purposes. The
actual image is recorded in accordance with the image
quality setting currently selected on your camera. The image saved on memory has much better resolution and detail than a recording mode monitor screen image.
• Certain levels of subject brightness can cause the response of the monitor screen in a recording mode to slow
down, which causes some static noise in the monitor
screen image.
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BASIC IMAGE RECORDING
Previewing the Last Image Recorded
Use the following procedure to preview the last image recorded, without leaving the current recording mode.
1.
Press the PREVIEW button to display the last
image recorded.
• Pressing the PREVIEW button again returns to the recording mode.
• The PREVIEW button does not perform any operation
if you press it immediately after turning on camera
power or immediately after entering to the recording
mode from the Play mode.
• Image preview cannot be used in the Movie Mode.
The preview image is cleared automatically whenever
the recording mode is changed.
Deleting an Image in a Recording Mode
You can use following procedure to delete the last image you
recorded without leaving the current recording mode.
IMPORTANT!
• Note that the image delete operation cannot be undone. Make sure you really do not need an image before you delete it.
1.
In a recording mode, press the PREVIEW button to display the last image you recorded.
2.
Press .
3.
In response to the confirmation message that
appears, select “Delete.”
• Select “Cancel” to cancel the delete operation without
deleting anything.
4.
Press SET.
• This deletes the image and returns to the recording
mode.
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BASIC IMAGE RECORDING
Using the Optical Viewfinder
Turning off the camera’s monitor screen and using its optical
viewfinder to compose images helps to conserve battery
power.
Viewfinder frameShort distance to subject
Focus Frame
IMPORTANT!
• The frame that is visible inside of the viewfinder indicates the image recorded at a distance of about three
meters (9.8´). When the subject is closer or further
away than three meters, the recorded image will be
different from what you see inside the viewfinder
frame.
• The monitor screen turns on automatically whenever
you select the Macro Mode or Manual Focus Mode.
Always use the monitor screen to compose images in
these modes.
Adjusting the View of the Optical
Viewfinder
You can use the diopter slider to adjust the view of the
viewfinder to match your eyesight. Adjust the diopter slider
so the image in the viewfinder is clear.
Diopter slider
IMPORTANT!
• The diopter slider does not work when the camera is
turned off or in the Play Mode. Be sure to enter a recording mode before adjusting the diopter setting.
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BASIC IMAGE RECORDING
3.
Compose the image and then press the shutter
release button.
NOTES
• The optical zoom factor also affects the lens aperture.
• Use of a tripod is recommended to protect against
hand movement when using the telephoto setting
(zoom in).
Using Zoom
Your camera is equipped with two types of zoom: optical
zoom and digital zoom.
Optical Zoom
Optical zoom alters the focal distance of the lens. The range
of the zoom factor is shown below.
Zoom Factor Range: 1X to 3X
1.
Enter a recording mode.
2.
Shift the zoom
controller to change
the zoom factor.
(Wide Angle): Zooms out.
(Telephoto) : Zooms in.
Zoom outZoom in
ON/OFF
Zoom controller
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BASIC IMAGE RECORDING
5.
Slide the zoom controller towards
(Telephoto)/ to
change the zoom
factor.
• When zoom reaches
maximum optical zoom,
it stops momentarily.
Keep the zoom controller pressed to the
(Telephoto)/ side and
zoom will switch over to
digital zoom.
• This causes the zoom indicator to appear on the monitor screen. The zoom indicator shows the current approximate zoom factor.
6.
Compose the image and then press the shutter
release button.
IMPORTANT!
• Digital zoom is disabled whenever the monitor screen
is turned off (page 20).
Digital Zoom
Digital zoom is activated after you reach the maximum optical zoom factor (3X). It enlarges the part of the image at the
center of the image screen. The range of the digital zoom
factor is shown below.
Zoom Factor Range: 3X to 9.6X
(in combination with optical zoom)
1.
In a recording mode, press MENU.
2.
Use [ ] and [ ] to select the “REC” tab.
3.
Use [ ] and [ ] to select “Digital Zoom,” and
then press [ ].
4.
Select “On,” and then press SET.
• Selecting “Off” disables digital zoom.
1x 3x 9.6x
Current zoom factor
Optical Zoom
Digital
Zoom
Zoom indicator
Digital zoom indicator
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BASIC IMAGE RECORDING
Using the Flash
Perform the following steps to select the flash mode you
want to use.
1.
In a recording mode, press MENU.
2.
Press to select the
flash mode.
• Each press of cycles
through the flash mode
settings shown below on the
monitor screen.
MF
PREVIEW
DPOF
Flash mode indicator
3.
Record the image.
IMPORTANT!
• The flash unit of this camera fires a number of times
when you record an image. The initial flashes are preflashes, which the camera uses to obtain information
that it uses for exposure settings. The final flash is for
recording. Make sure that you keep the camera still
until the shutter releases.
• Image recording may not be performed if you press
the shutter release button while the red operation
lamp is flashing.
To do this:
Have the flash fire automatically
when required (Auto Flash)
Turn off the flash (Flash Off)
Always fire the flash (Flash On)
Fire a pre-flash followed by image
recording with flash, reducing the
chance of red-eye in the image (Redeye reduction)
Have the flash fire automatically
when required
Select this setting:
None
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BASIC IMAGE RECORDING
■ About Red-eye Reduction
Using the flash to record at night or in a dimly lit room can
cause red spots inside the eyes of people who are in the
image. This is caused when the light from the flash reflects
off of the retina of the eye. When red-eye reduction is selected as the flash mode, the camera performs two pre-flash
operations, one designed to cause the irises in the eyes of
any people in the image to close, and one for the Auto Focus
operation. This is followed by another flash operation for actual recording of the image.
IMPORTANT!
Note the following important points when using red-eye
reduction.
• Red-eye reduction does not work unless the people in
the image are looking directly at the camera during the
pre-flash or AF assist lamp flash operation. Before
pressing the shutter release button, call out to the subjects so they all look at the camera while one of the
pre-flash operations is performed.
• Red-eye reduction may not work very well if the subjects are located far away from the camera.
Flash Unit Status
You can find out the current flash unit status by pressing the
shutter release button half way and checking the monitor
screen and red operation lamp.
Red operation lamp
*
The indicator is also
shown on the monitor
screen when the flash unit
is ready to fire.
* Red operation lamp
It means this:
Flash unit is charging
Flash unit is ready to fire
When the red operation
lamp is this:
Flashing
Lit
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BASIC IMAGE RECORDING
Changing the Flash Intensity Setting
Perform the following steps to change the flash intensity setting.
1.
In a recording mode, press MENU.
2.
Use [ ] and [ ] to select the “REC” tab.
3.
Use [ ] and [ ] to select “Flash Intensity,” and
then press [ ].
4.
Select the setting you want and then press
SET.
To do this:
Fire the flash with strong intensity
Fire the flash with normal intensity
Fire the flash with weak intensity
Select this setting:
Strong
Normal
Weak
Flash Precautions
Take care that your fingers do
not block the flash when you
hold the camera. Covering the
flash with your finger can
greatly reduce its effectiveness.
• The approximate effective range of the flash is shown below. The flash is unable to adequately illuminate a subject
that is outside this range.
QV-R3: 0.4 meter to 3.2 meters (1.3´ to 10.5´)
QV-R4: 0.4 meter to 2.8 meters (1.3´ to 9.2´)
• The flash takes anywhere from a few seconds to as long as
10 seconds to attain full charge after being fired. The actual
time required depends on the battery level, temperature,
and other conditions.
• The flash does not fire in the Movie Mode and in the Continuous Shutter Mode. This is indicated by (Flash Off)
on the monitor screen.
• The flash unit may not be able to charge when battery
power is low. Low battery power is indicated by (Flash
Off) on the monitor screen, and when the flash fails to fire
properly resulting in poor image exposure. When these
symptoms occur, charge the camera’s battery as soon as
possible.
Flash
• Flash intensity may not change if the subject is too far
or too close to the camera.
Page 49
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BASIC IMAGE RECORDING
Using the Self-timer
The self-timer lets you select either a 2-second or 10-second
delay of the shutter release after you press the shutter release button. A Triple Self-timer feature lets you perform
three consecutive self-timer operations to record three images.
1.
In a recording mode,
press / DPOF to
select the self-timer
setting you want.
• Each press of /
DPOF cycles the selftimer between the
settings described
below.
• When the red-eye reduction mode ( ) is being used,
flash intensity is adjusted automatically in accordance with
the exposure. The flash may not fire at all when the subject
is brightly lit.
• White balance is fixed while the flash is being used, so sunlight, fluorescent lighting, or other sources of illumination in
the immediate area may affect the coloring of the recorded
image.
Self-timer setting
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BASIC IMAGE RECORDING
• See page 59 for information about Continuous Shutter
recording.
• With the Triple Self-timer, the first image is recorded
after a 10-second countdown. After that the second
image is recorded after a 3-second countdown, and
the third image is recorded after another 3-second
countdown.
2.
Record the image.
• When you press the
shutter release button,
the self-timer lamp
flashes and the shutter
releases after the selftimer reaches the end
of its countdown.
• You can interrupt an
ongoing self-timer
countdown by pressing
the shutter release
button while the selftimer lamp is flashing.
NOTES
• The hand-shake limiter is enabled when you use a
slow shutter speed and the two-second self-timer at
the same time.
• You cannot use the self-timer in combination with the
Continuous Shutter Mode (page 59).
Self-timer lamp
To do this:
Disable the self-timer
Specify a 10-second self-timer
Specify a 2-second self-timer
Specify Triple Self-timer
Specify Continuous Shutter recording
(no self-timer)
Select this setting:
No icon displayed
10
s
2
s
x3
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BASIC IMAGE RECORDING
Specifying Image Size and Quality
You can specify the image size and image quality to suit the
type of image you are recording.
To specify the image size
1.
In a recording mode, press MENU.
2.
Use [ ] and [ ] to select the “REC” tab.
3.
Use [ ] and [ ] to select “Size,” and then
press [ ].
4.
Use [ ] and [ ] to change the current setting,
and then press SET.
NOTE
• Use the larger pixel settings when you plan to produce
a large print of the image. Use 640 X 480 when you
need to economize on space because you plan to
send images in e-mail, etc.
To record an image of this size:
2304 X1712 pixels (QV-R4)
2240 X1680 pixels (QV-R4)
2048 X1536 pixels (QV-R3)
1600 X1200 pixels
1280 X 960 pixels
640 X 480 pixels
Select this setting:
2304 X 1712
2240 X 1680
2048 X 1536
1600 X 1200
1280 X 960
640 X 480
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BASIC IMAGE RECORDING
To specify the image quality
1.
In a recording mode, press MENU.
2.
Use [ ] and [ ] to select the “REC” tab.
3.
Use [ ] and [ ] to select “Quality,” and then
press [ ].
4.
Use [ ] and [ ] to change the current setting,
and then press SET.
NOTE
• Use the “Fine” setting when image quality is your top
priority, and file size is secondary. Conversely, use
the “Economy” setting when file size is your top priority and image quality is secondary.
IMPORTANT!
• Actual file size depends on the type of image you
record. This means that the remaining image capacity
noted on the monitor screen may not be exactly accurate (pages 18 and 140).
To get this:
Very high quality, but large file size
Normal quality
Small file size, but low quality
Select this setting:
Fine
Normal
Economy
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OTHER RECORDING FUNCTIONS
OTHER RECORDING FUNCTIONS
This chapter describes the other powerful features and functions that are available for recording.
Selecting the Focus Mode
You can select one of four different focus modes: Auto Focus, Macro, Infinity, and Manual.
1.
Enter a recording mode.
2.
Press MF .
• Each press of MF
cycles thorough the focus
mode settings in the sequence shown below.
MF
PREVIEW
DPOF
MF
Focus mode indicator
No indicator
(Auto Focus)
(Macro)
(Infinity)
MF (Manual Focus)
Using Auto Focus
As its name suggests, Auto Focus focuses the image automatically. The automatic focus operation starts when you
press the shutter release button down half way. The following is the Auto Focus range.
Range: Approximately 40cm to ∞ (1.3´ to ∞)
1.
Keep pressing MF until there is no focus mode indicator on the display.
2.
Compose the image
so the main subject is
within the focus
frame, and then press
the shutter release
button half way.
• You can tell whether the
image is focused by
observing the focus
frame and the green
operation lamp.
1200
1200
1600
1600
NORMAL
NORMAL
99
99
0202/1212/24
24
12
12
:
58
58
IN
Focus frame
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OTHER RECORDING FUNCTIONS
When you see this:
Green focus frame
Green operation lamp
Green flashing focus frame
Flashing green operation lamp
It means this:
The image is focused.
The image is not in
focus.
3.
Press the shutter release button the rest of the
way to record the image.
Using the Macro Mode
The Macro Mode lets you focus automatically on close up
subjects. The automatic focus operation starts when you
press the shutter release button down half way. The following is the focus range in the Macro Mode.
Approximately 14cm to 50cm (5.5˝ to 19.7˝)
1.
Keep pressing MF until the is on the
display.
2.
Record the image.
• The focus and image recording operations are identical to those in the Auto Focus Mode.
• You can tell whether the image is focused by observing the focus frame and the green operation lamp. The
indications of the focus frame and green operation
lamp are the same as those in the Auto Focus Mode.
IMPORTANT!
• Optical zoom is disabled in the Macro Mode. Zoom is
fixed at maximum wide angle.
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OTHER RECORDING FUNCTIONS
Using the Infinity Mode
The Infinity Mode fixes focus at infinity (∞). Use this mode
when recording scenery and other faraway images.
1.
Keep pressing MF until the is on the
display.
2.
Record the image.
Using Manual Focus
With the Manual Focus Mode, you can adjust the focus of an
image manually. The following shows focus ranges in the
Macro Mode for two optical zoom factors.
Optical Zoom Factor
1X
3X
Approximate Focus Range
14cm (0.5´) to infinity (∞)
40cm (1.3´) to infinity (∞)
1.
Keep pressing
MF until MF
is on the display.
• At this point, a boundary also appears on the
display, indicating the
part of the image that
will be used for manual
focus.
Boundary
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OTHER RECORDING FUNCTIONS
• Pressing [ ] or [ ] causes the area inside of the
boundary displayed in step 1 to fill the monitor screen
momentarily to aid in focus. The normal image reappears a short while later.
3.
Press the shutter release button to record the
image.
To do this:
Focus out on the subject
Focus in on the subject
Do this:
Press [ ].
Press [
].
2.
While watching the
image on the monitor
screen, use [ ] and
[ ] to focus.
Manual focus position
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OTHER RECORDING FUNCTIONS
Using Focus Lock
Focus lock is a technique you can use to focus on a subject
that is not located within the focus frame when you record an
image. You can use focus lock in the Auto Focus Mode and
the Macro Mode ( ).
1.
Using the monitor
screen, compose the
image so the main
subject is within the
focus frame, and then
press the shutter
release button half
way.
• The focus and image
recording operations
are identical to those in
the Auto Focus Mode.
• You can tell whether the image is focused by observing the focus frame and the green operation lamp. The
indications of the focus frame and green operation
lamp are the same as those in the Auto Focus Mode.
1200
1200
1600
1600
NORMAL
NORMAL
99
99
0202/1212/24
24
12
12
:
58
58
IN
1200
1200
1600
1600
NORMAL
NORMAL
99
99
0202/1212/24
24
12
12
:
58
58
IN
Focus frame
2.
Keeping the shutter
release button half
way down, re-compose the image as
you like.
3.
When the image is composed the way you
want, press the shutter release button the rest
of the way to record it.
NOTE
• Locking the focus also locks the exposure.
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OTHER RECORDING FUNCTIONS
Exposure Compensation (EV Shift)
Exposure compensation lets you change the exposure setting (EV value) manually to adjust for the lighting of your subject. This feature helps to achieve better results when recording a backlit subject, a strongly lit subject indoors, and a
subject that is against a dark background.
Exposure Compensation Range: –2.0EV to +2.0EV
Steps: 1/3EV
1.
In a recording mode,
press [ ] and [ ].
• This causes the
exposure compensation
value to appear on the
monitor screen.
EV value
Press [ ] to increase the EV value. A higher EV value is
best used for light-colored subjects and backlight subjects.
Press [ ] to decrease the EV value. A lower EV value is
best for dark-color subjects and for shooting outdoors on
a clear day.
• To cancel exposure compensation, adjust the value
until it becomes zero.
2.
Compose the image and then press the shutter
relese button.
IMPORTANT!
• When shooting under very dark or very bright conditions, you may not be able to obtain satisfactory results even after performing exposure compensation.
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OTHER RECORDING FUNCTIONS
Recording Consecutive Images
(Continuous Shutter Mode)
The Continuous Shutter Mode records images as long as
you keep the shutter release button depressed. Note that the
length of the interval between images depends on the image
quality setting.
1.
Press / DPOF to
select the Continuous
Shutter Mode (page
49).
• The Continuous Shutter
Mode is selected when
the indicator is on
the monitor screen.
2.
Hold down the shutter release button to record
the images you want.
IMPORTANT!
• The flash does not fire during continuous shutter recording.
• You cannot use the self-timer in combination with the
continuous shutter mode.
• Never remove the battery or memory card from the
camera or unplug the AC adaptor while images are
being saved to memory.
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OTHER RECORDING FUNCTIONS
Combining Shots of Two People into a
Single Image (Coupling Shot)
The Coupling Shot Mode lets you record images of two
people and combine them into a single image. This makes it
possible for you to include yourself in group images, even
when there is no one else around to record the image for
you.
• First Image This is the part
of the image that
does not include
the person who
is recording the
first image.
• Second
Image
• Combined
Images
Making sure that
the background
of the image is
aligned correctly,
record the image
of the person
who recorded
the first image.
1.
Align the mode dial with (Coupling Shot
Mode).
2.
First, align the focus
frame on the monitor
screen with the
subject you want on
the left side of the
image, and then
press the shutter
release button to
record the image.
• The following settings
are fixed for this image:
focus, exposure, white
balance, zoom, flash.
Focus frame
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OTHER RECORDING FUNCTIONS
3.
Next, align the focus
frame with the subject you want in the
right side of the
image, taking care to
align the actual
background with the
semi-transparent
image of the background of the first
image, which is
shown on the monitor
screen. When everything is aligned
correctly, record the
image.
• Pressing MENU any time after step 2 of the above
procedure cancels the first image and returns to step
2.
Semi-transparent
image
NOTE
• The Best Shot Mode (page 64) includes three sample
scenes that use Coupling Shot. One of the scenes
uses two shots on the left half and the right half of the
image, as described in the procedure above. The first
shot of the other two Coupling Shot sample scenes
uses the left 1/3 of the image, while that of the remaining sample scene uses the right 1/3 of the image.
Note, however, that the Coupling Shot sample scenes
in the Best Shot Mode cannot be used in the Coupling
Shot Mode.
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OTHER RECORDING FUNCTIONS
Recording a Subject onto an Existing
Background Image (Pre-shot)
Pre-shot helps you get the background you want, even if you
need to ask someone else to record the image for you. Basically, Pre-shot is a two-step process.
1. You compose the background you want and press the
shutter release button, which causes a semi-transparent
image of the background to remain on the monitor screen.
2.Ask someone else to record a shot of you against your
original background, telling them to compose the image by
using the semi-transparent monitor screen image as a
guide.
• The camera stores the image produced by step 2 only.
• Depending on how the image is actually composed in
step 2, its background may not be exactly the same as
the one you composed in step 1.
Note that Pre-shot is available in the Best Shot Mode only
(page 64).
• Freeze the background on
the monitor screen.
• Record the image, using
the background on the
monitor screen as a guide.
• This records the image.
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OTHER RECORDING FUNCTIONS
1.
Align the mode dial with .
2.
Use [ ] and [ ] to
select “Pre-shot,” and
then press SET.
3.
Freeze the background on the monitor screen.
• Though a semi-transparent image of the background
appears on the monitor screen in step 4, the background image is not saved in memory at this time.
• The following settings are fixed for this image: focus,
exposure, white balance, zoom, flash.
4.
Next, align the focus
frame with the subject, composing the
subject with the semitransparent background shown on the
monitor screen. When
everything is aligned
correctly, record the
image.
• This records the image composed on the monitor
screen in step 4. The reference background image is
not recorded.
• Pressing MENU any time after step 3 of the above
procedure cancels the background image and returns
to step 3.
Semi-transparent image
Page 64
64
OTHER RECORDING FUNCTIONS
Using the Best Shot Mode
Selecting one of the 33 Best Shot scenes automatically sets
up the camera for recording a similar type of image.
■ Example Sample Scene
■ Composition Outline
Selecting certain Best Shot scenes
causes a composition outline to
appear on the monitor screen. Use
the composition outline to compose
your image and achieve proper
balance. The location of the
composition outline depends on the
sample scene you select.
Focus frame
Example: Recording a
portrait.
Composition
outline
1.
Align the mode dial
with .
• This enters the Best
Shot Mode and displays
a sample scene.
2.
Use [ ] and [ ] to select the sample scene you
want, and then press SET.
3.
Record the image.
IMPORTANT!
• Sample scenes numbered 5 through 7 are Coupling
Shot scenes (page 60). Sample scene number 8 is a
Pre-shot scene (page 62).
• Best Shot scenes were not recorded using this camera. They are provided as samples only.
• Images recorded using a Best Shot scene may not
produce the results you expected due to shooting conditions and other factors.
• You can change to a different sample scene by using
[ ] and [ ] to select the scene you want and pressing
SET.
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65
OTHER RECORDING FUNCTIONS
Creating Your Own Best Shot Setup
You can use the procedure below to save the setup of an
image you recorded for later recall when you need it again.
Recalling a setup you save automatically sets up the camera
accordingly.
1.
Align the mode dial with .
• This enters the Best Shot Mode and displays a sample
scene.
2.
Use [ ] and [ ] to
display “Register
Favorites.”
3.
Press SET.
4.
Use [ ] and [ ] to
display the image
whose setup you
want to register as a
Best Shot scene.
5.
Use [ ] and [ ] to
select “Save,” and
then press SET.
• This registers the setup.
• Now you can use the
procedure on page 64
to select your user
setup for recording.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
• Setups that you register as Best Shot Mode sample
scenes are located after the built-in sample scenes.
• Note that formatting the built-in memory (page 103)
deletes all Best Shot Mode user setups.
NOTES
• Best Shot Mode user setups are located in memory
after the built-in sample scenes.
• The following are the settings that are included in a
Best Shot Mode user setup: focus mode, EV shift
value, filter, metering mode, white balance mode,
color enhancement, flash intensity, sharpness, saturation, contrast, flash mode, ISO sensitivity, and aperture and shutter speed.
• Note that images recorded with this camera only can
be used for registration of Best Shot Mode user setups.
• You can register up to 999 Best Shot Mode user setups.
• You can check the current setup of a scene by displaying the various setting menus.
• User setups are assigned file names using the format
“UQVR3nnn.jpe” (where n = 0 to 9) or “UQVR4nnn.jpe”
(where n = 0 to 9).
■ To delete a Best Shot Mode user setup
1.
Align the mode dial with .
• This enters the Best Shot Mode and displays a sample
scene.
2.
Use [ ] and [ ] to display the user setup you
want to delete.
3.
Press to delete the user setup.
• You can also delete a user setup by using your computer to delete its file in the “SCENE” folder in camera
memory (page 122).
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OTHER RECORDING FUNCTIONS
Using the Night Scene Mode
The night scene mode extends the exposure time to produce
beautiful night images.
1.
Align the mode dial with .
2.
Record the image.
NOTE
• When recording a portrait of a subject against a twilight
or nighttime background, you can use the Night Scene
Mode in combination with the flash to achieve a slow
sync effect that causes the subject to stand out better.
IMPORTANT!
• Always mount the camera on a tripod when using the
Night Scene Mode. This protects against blurred images caused by slow shutter speeds.
• Auto Focus may not be able to work properly when
lighting is low. If this happens, focus the image manually (page 55). Trying to record a fast moving object
can cause blurring of the image.
• The slower the shutter speed, the more likely it is that
the recorded image will not match the image that is on
the monitor screen when you press the shutter release
button.
Shooting with Manual Exposure
In the Manual Exposure Mode, you can manually adjust
shutter speed and aperture.
• Shutter Speed Setting Range
• Aperture Setting Range
Shutter Speed
Brightness
Movement
Slower Faster
2 seconds 1/1000 second (F2.6)
2 seconds 1/2000 second (F5.0)
Brighter Darker
Flowing
Stopped
Aperture
Brightness
Focus
Wider Smaller
F2.6, F5.0 (Wide angle zoom)*
Brighter Darker
Shallow
Deep
* The following shows how the optical zoom setting affects
aperture.
Zoom
Wide Aperture
Small Aperture
(Wide Angle) (Telephoto)
F2.6/3.0/3.4/3.8/4.2/4.6/4.8
F5.0/5.8/6.5/7.3/8.0/8.7/9.2
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OTHER RECORDING FUNCTIONS
1.
Align the mode dial with M (Manual Exposure).
2.
Use [ ] and [ ] to
specify the shutter
speed, and then use
[ ] and [ ] to specify
the aperture value.
3.
Compose the image and then press the shutter
release button.
Shutter speed value
Aperture value
IMPORTANT!
• The shutter speed and aperture value on the monitor
screen will turn orange when you press the shutter release button half way if the image is over-exposed or
under-exposed.
• You may not be able to achieve the brightness you
want when recording an image that is very dark or
very bright. If this happens, adjust the shutter speed.
• Using slow shutter speeds can cause static noise to
appear in the image.
• At shutter speeds slower than 1/8 second, the brightness of recorded image may not be the same as the
brightness of the image that appears on the monitor
screen.
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69
OTHER RECORDING FUNCTIONS
Using the Movie Mode
You can record movies up to 30 seconds long.
• File Format: AVI
AVI format conforms to the Motion JPEG format promoted
by the Open DML Group.
• Image Size: 320 x 240 pixels
• Movie File Size: Approximately 200KB/second.
• Maximum Movie Length
— One Movie: 30 seconds
— Total Movie Time:
60 seconds with built-in memory; 330 seconds with
64MB SD memory card
1.
Align the mode dial
with .
• “Remaining capacity”
shows how many 30second movies can still
be recorded to memory.
Remaining capacity
Remaining recording time
2.
Point the camera at the subject and then press
the shutter release button.
• Movie recording continues for 30 seconds, or until you
stop it by pressing the shutter release button again.
• The remaining recording time value counts down on
the monitor screen as you record.
• If you want to stop recording sooner than 30 seconds,
press the shutter release button again.
3.
After recording stops, the camera starts the
movie file store operation.
• To cancel storage of the movie file while it is being
performed, press , use [ ] and [ ] to select “De-
lete,” and then press SET.
IMPORTANT!
• The flash does not fire in the Movie Mode.
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OTHER RECORDING FUNCTIONS
Shooting at Fixed Intervals
You can set up the camera to record at fixed intervals, specifying the number of images to be recorded, the interval between recordings, and a start time. The following describes
the types of recording variations you can configure.
• Interval Recording
Records images at a fixed interval, starting immediately.
• Timer Recording
Records a single image at a specified time.
• Interval Timer Recording
Records images at a fixed interval, starting from a specified
time.
1.
Align the mode dial with .
2.
Use [ ] and [ ] to change the “Shots” setting,
and then press [ ].
• Specify the number of shots you want to record. Skip
this step by pressing SET without changing the default
setting (1) if you want to record a single image.
• Select the “MAX” option if you want recording to continue until memory becomes full.
3.
Use [ ] and [ ] to change the “Interval” setting, and then press [ ].
• Specify the interval between shots. You can specify a
value from one minute to 60 minutes, in one-minute
increments.
4.
Use [ ] and [ ] to set the start time, and then
press SET.
• The initial default setting for the start time is “Start.”
• You can set the start time to a value in the range of 1
minute to 240 minutes. When you press the shutter
release button in step 6, recording starts after the
number of minutes you specify here passes.
• If you want recording to start immediately when you
press the shutter release button, select “Start” for this
setting, and then press SET to advance to the next
step.
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OTHER RECORDING FUNCTIONS
5.
Configure image recording settings.
• At this point, you should make white balance and any
other settings you want.
6.
Align the focus frame with the subject, and
then press the shutter release button all the
way down.
• This causes camera power to turn off. Camera power
will turn back on and image recording will be performed in accordance with the interval timer recording
settings you configured with the above steps.
■ Canceling an Interval Mode Timer Operation
Turning on the camera while it is standing by for an Interval
Mode record operation causes the message “Interval recording was canceled.” to appear, and cancels the interval recording operation. An Interval Mode record operation is also
cancelled by changing the mode dial setting to something
other than .
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OTHER RECORDING FUNCTIONS
When shooting under these conditions:
Normal conditions
Outdoor daylight
Shade
Incandescent light bulb (reddish tinge)
Fluorescent light (greenish tinge)
Difficult lighting that requires manual
control (See below.)
Select this setting:
Auto
Manual
3.
Use [ ] and [ ] to change the current setting,
and then press SET.
NOTE
• Selecting “Manual” changes white balance to the settings achieved the last time a manual white balance
operation was performed.
Adjusting the White Balance
The wavelengths of the light produced by various light
sources (sunlight, light bulb, etc.) can affect the color of a
subject when it is recorded. White balance lets you make
adjustments to compensate for different lighting types, to
make the colors of an image appear more natural.
1.
In a recording mode, press MENU.
2.
Select the “REC” tab,
select “White Balance,” and then press
[ ].
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OTHER RECORDING FUNCTIONS
2.
Point the camera at a white piece of paper or
similar object under the lighting conditions for
which you want to set the white balance, and
then press the shutter release button.
• This adjusts the white balance.
3.
Press SET.
• This registers the white balance settings and exits the
setting screen.
• Dim lighting or pointing the camera at a dark colored
object can cause white balance to take a long time to
complete.
Adjusting White Balance Manually
Under some light sources, automatic white balance under
the “Auto” setting can take a long time to complete. Also, the
auto white balance range (color temperature range) is limited. Manual white balance helps to ensure that colors are
recorded correctly for a particular light source.
Note that you must perform manual white balance under the
same conditions you will be shooting under. You must also
have a white piece of paper or other similar object on hand in
order to perform manual white balance.
1.
In step 3 of the
procedure under
“Adjusting the White
Balance,” select
“Manual” (page 72).
• This causes the object
you last used to adjust
manual white balance
to appear on the
monitor screen.
Page 74
74
OTHER RECORDING FUNCTIONS
Selecting the Metering Mode
Use the following procedure to specify multi-pattern metering, spot metering, or center-weighted metering as the metering mode.
1.
In a recording mode, press MENU.
2.
Select the “REC” tab, select “Metering,” and
then press [ ].
3.
Select the setting you want and then press
SET.
Multi-pattern:
Multi-pattern metering divides the image
into sections and measures the light in
each section for a balanced exposure
reading. The camera automatically determines shooting conditions according to
the measured lighting pattern, and
makes exposure settings accordingly.
This type of metering provides error-free
exposure settings for a wide range of
shooting conditions.
Center-weighted:
Center-weighted metering measures
light concentrating on the center of the
focus area. Use this metering method
when you want to exert some control over
exposure, without leaving settings totally
up to the camera.
Spot:
Spot metering takes readings at a very
small area. Use this metering method
when you want exposure to be set according to the brightness of a particular
subject, without it being affected by surrounding conditions.
IMPORTANT!
• When “Multi” is selected as the metering mode, certain procedures cause the metering mode setting to
change automatically as described below.
• Changing the exposure compensation setting (page
58) to a value other than 0.0 changes the metering
mode setting to “Center Weighted.” The metering
mode changes back to “Multi” when you return the exposure compensation setting to 0.0.
• Selecting manual exposure (page 67) changes the
metering mode setting to “Center Weighted.” The metering mode changes back to “Multi” when you select
an exposure mode other than manual.
Page 75
75
OTHER RECORDING FUNCTIONS
Using the Histogram
Using the DISP button to display the histogram on the monitor screen makes it possible for you to check exposure conditions as you record images (page 20). You can also display
the histogram of a recorded image in the Play Mode.
Histogram
A histogram is a graph that represents the lightness of an
image in terms of the number of pixels. The vertical axis indicates the number of pixels, while the horizontal axis indicates lightness. You can use the histogram to determine
whether an image includes the shadowing (left side), mid
tones (center), and highlighting (right) required to bring out
sufficient image detail. If the histogram appears too lopsided
for some reason, you can use exposure compensation (EV
shift) to move it left or right in order to achieve better balance. Optimum exposure can be achieved by correcting exposure so the graph is as close to the center as possible.
• When the histogram is too far
to the left, it means that there
are too many dark pixels.
This type of histogram results
when the overall image is
dark. A histogram that is too
far to the left may result in
“black out” of the dark areas
of an image.
• When the histogram is too far
to the right, it means that
there are too many light
pixels.
This type of histogram results
when the overall image is
light. A histogram that is too
far to the right may result in
“white out” of the light areas of
an image.
• A centered histogram
indicates that there is good
distribution of light pixels and
dark pixels. This type of
histogram results when the
overall image is at optimal
lightness.
Page 76
76
OTHER RECORDING FUNCTIONS
IMPORTANT!
• Note that the above histograms are shown for illustrative purposes only. You may not be able to achieve
exactly the same shapes for particular subjects.
• A centered histogram does not necessarily guarantee
optimum exposure. The recorded image may be overexposed or under-exposed, even though its histogram
is centered.
• You may not be able to achieve an optimum histogram
configuration due to the limitations of exposure compensation.
• Use of the flash or multi-metering, as well as certain
shooting conditions can cause the histogram to indicate exposure that is different from the actual exposure of the image when it was recorded.
• When using the Continuous Shutter Mode, the histogram appears for the first image only (page 59).
• This histogram does not appear when you are using
Coupling Shot (page 60).
Recording Mode Settings
The following are the settings you can make before recording an image using a recording mode.
• ISO sensitivity
• Enhancement
• Color filtering
• Saturation
• Contrast
• Sharpness
• Grid on/off
• Power on default settings
NOTE
• You can also configure the settings listed below. See
the referenced pages for more information.
— Size and Quality (page 51)
— White Balance (page 72)
— Metering (page 74)
— Flash Intensity (page 48)
— Digital Zoom (page 45)
Page 77
77
OTHER RECORDING FUNCTIONS
Specifying Sensitivity
Use the following procedure to select the sensitivity setting
that suits the type of image you are recording.
1.
In a recording mode, press MENU.
2.
Select the “REC” tab, select “ISO,” and then
press [ ].
3.
Select the setting you want and then press
SET.
Enhancing Specific Colors
Use the following procedure when you want to enhance a
particular color in your recorded image.
1.
In a recording mode, press MENU.
2.
Select the “REC” tab, select “Enhance,” and
then press [ ].
3.
Select the setting you want and then press
SET.
NOTES
• Enhancing a color produces the same effect as attaching a color enhancer lens filter to the lens.
• If color enhancement and the filter function (page 78)
are both turned on at the same time, the filter function
is given priority (color enhancement is not performed).
To do this:
Turn off color enhancement
Enhance reds
Enhance greens
Enhance blues
Enhance flesh tones
Select this setting:
Off
Red
Green
Blue
Flesh Tones
IMPORTANT!
• Increasing sensitivity can cause static to appear inside an image. Select the sensitivity setting that suits
your shooting needs.
QV-R3
Auto : Automatic sensitivity selection
ISO125: Conforms with ISO125
ISO250: Conforms with ISO250
QV-R4
Auto : Automatic sensitivity selection
ISO100: Conforms with ISO100
ISO200: Conforms with ISO200
Page 78
78
OTHER RECORDING FUNCTIONS
Using the Filter Function
The camera’s filter function lets you alter the tint of an image
when you record it.
1.
In a recording mode, press MENU.
2.
Select the “REC” tab, select “Filter,” and then
press [ ].
3.
Select the setting you want and then press
SET.
• Available filter settings are: Off, B/W, Sepia, Red,
Green, Blue, Yellow, Pink, Purple
IMPORTANT!
• Using the camera’s filter feature produces the same
effect as attaching a color filter to the lens.
• If color enhancement (page 77) and the filter function
are both turned on at the same time, the filter function
is given priority (color enhancement is not performed).
Specifying Color Saturation
Use the following procedure to control the intensity of the
image you are recording.
1.
In a recording mode, press MENU.
2.
Select the “REC” tab, select “Saturation,” and
then press [ ].
3.
Select the setting you want and then press
SET.
To get this:
High color saturation (intensity)
Normal color saturation (intensity)
Low color saturation (intensity)
Select this setting:
High
Normal
Low
Page 79
79
OTHER RECORDING FUNCTIONS
Specifying Contrast
Use this procedure to adjust the relative difference between
the light areas and dark areas of the image you are recording.
1.
In a recording mode, press MENU.
2.
Select the “REC” tab, select “Contrast,” and
then press [ ].
3.
Select the setting you want and then press
SET.
To get this:
High contrast
Normal contrast
Low contrast
Select this setting:
High
Normal
Low
Specifying Outline Sharpness
Use the following procedure to control the sharpness of image outlines.
1.
In a recording mode, press MENU.
2.
Select the “REC” tab, select “Sharpness,” and
then press [ ].
3.
Select the setting you want and then press
SET.
To get this:
High sharpness
Normal sharpness
Low sharpness
Select this setting:
Hard
Normal
Soft
Page 80
80
OTHER RECORDING FUNCTIONS
Turning the On-screen Grid On and Off
You can display gridlines on the monitor screen to help you
compose images and ensure that the camera is straight
when recording.
To do this:
Display the grid
Hide the grid
Select this setting:
On
Off
1.
In a recording mode, press MENU.
2.
Select the “REC” tab, select “Grid,” and then
press [ ].
3.
Select the setting you want and then press
SET.
Specifying Power On Default Settings
You can configure the camera to save certain settings in
“mode memory” when it is turned off, and restore them the
next time you turn the camera back on. This keeps you from
having to configure the camera each time you turn it on.
● Mode Memory Settings
The following are the settings that can be saved in mode
memory and restored the next time you turn on the camera.
Flash mode, focus mode, white balance, ISO sensitivity, metering mode, flash intensity, digital zoom, manual focus position
1.
In a recording mode, press MENU.
2.
Select the “Memory” tab, and then press [ ].
3.
Select the item whose setting you want to
change, and then press SET.
4.
Select the setting you want and then press
Page 81
81
OTHER RECORDING FUNCTIONS
To do this:
Save the current status of the setting
and restore it the next time the
camera is turned on.
Restore the factory default setting
whenever the camera is turned on.
Select this setting:
On
Off
5.
After you are finished configuring settings,
press the MENU button to exit the setting
screen.
Function
Flash
Focus
White Balance
ISO
Metering
Flash Intensity
Digital Zoom
MF Position
On
Setting when
camera is
turned off
Off
Auto
Auto
Auto
Auto
Multi
Normal
On
Last Auto Focus
position that was in
effect before you
switched to manual
focus
Resetting the Camera
Use the following procedure to reset all of the camera’s settings to their initial defaults as shown under “Menu Reference” on page 131.
1.
In a recording mode or the Play Mode, press
MENU.
2.
Select the “Set Up” tab, select “Reset,” and
then press [ ].
3.
Select “Reset,” and then press SET.
• To cancel the procedure without resetting, select
“Cancel” and press SET.
4.
Select the setting you want and then press
SET.
Page 82
82
PLAYBACK
3.
Use [ ], [ ], [ ], and [ ] to scroll through images on the monitor screen.
PLAYBACK
You can use the camera’s built in monitor screen to play
back files
Basic Playback Operation
Use the following procedure to scroll through files stored in
the camera’s memory.
1.
Press the power
button to turn on the
camera.
• This causes an image
or a message to appear
on the monitor screen.
2.
Align the mode dial
with (Play Mode).
• This enters the Play
Mode.
ON/OFF
MF
PREVIEW
DPOF
Power button
Mode dial
NOTES
• Holding down [ ] or [ ] scrolls images at high speed.
• Note that the images produced on the monitor screen
of this camera are simplified versions of the actual image stored in memory.
To do this:
Scroll forward
Scroll back
Display the first image
Display the last image
Do this:
Press [ ].
Press [ ].
Press [ ].
Press [
].
[ ]
[ ]
[ ]
[ ]
[ ]
[ ]
Page 83
83
PLAYBACK
Zooming the Displayed Image
Perform the following procedure to zoom the image currently
on the monitor screen up to four times its normal size.
1.
In the Play Mode, use [ ] and [ ] to display the
image you want.
2.
Shift the zoom
controller towards
to enlarge the image.
• This displays an
indicator that shows the
current zoom factor.
3.
Use [ ], [ ], [ ], and
[ ] to shift the image
up, down, left, or
right.
4.
Press any button besides DISP to return the
image to its original size.
IMPORTANT!
• You cannot enlarge a movie image.
Current zoom factor
Page 84
84
PLAYBACK
IMPORTANT!
• Resizing an image causes a new (resized) version to
be stored as a separate file.
• Images smaller than 640 X 480 pixels cannot be
resized.
• Resizing is supported for images recorded by this
model camera only.
• If the message “The function is not supported for this
file.” appears, it means that the current image cannot
be resized.
• The resize operation cannot be performed if there is
not enough memory to store the resized image.
To do this:
Resize to 1280 x 960 pixels (SXGA)
Resize to 640 x 480 pixels (VGA)
Cancel the resizing operation
Select this setting:
1280X960
640X480
Cancel
Resizing an Image
You can use the following procedure to change an image to
one of the two sizes: SXGA size (1280 x 960 pixels) or VGA
size (640 x 480 pixels).
1.
In the Play Mode, press MENU.
2.
Select the “PLAY”
tab, select “Resize,”
and then press [ ].
3.
Use [ ] and [ ] to scroll through images and
display the one you want to resize.
4.
Use [ ] and [ ] to select the size you want,
and then press SET.
Page 85
85
PLAYBACK
5.
Use [ ], [ ], [ ], and [ ] to move the cropping
boundary up, down, left, or right until the area
of the image you want to extract is within the
boundary.
6.
Press SET to extract the part of the image enclosed in the cropping boundary.
• If you want to cancel the procedure at any point, press
MENU.
IMPORTANT!
• The cropped version of the image is saved as a new
file.
• The original, pre-cropped image is also retained in
memory.
• A Movie Mode image cannot be cropped.
• If the message “The function is not supported for this
file.” appears, it means that the current image cannot
be cropped.
• The cropping operation cannot be performed if there is
not enough memory to store the cropped image.
Cropping an Image
Use the following procedure when you want to crop a portion
of an enlarged image and use the remaining part of the image as an e-mail attachment, Web page image, etc.
1.
In the Play Mode, use [ ] and [ ] to scroll
through images and display the one you want
to crop.
2.
Press MENU.
3.
Select the “PLAY”
tab, select “Trimming,” and then
press [ ].
4.
Shift the zoom controller towards to expand
the size of the boundary on the monitor
screen.
• The size of the cropping boundary depends on the
size of the image on the display.
Page 86
86
PLAYBACK
IMPORTANT!
• A movie plays until the end and then stops. You cannot repeat-play a movie.
Playing a Movie
Use the following procedure to play back a movie recorded
in the Movie Mode.
1.
In the Play Mode, use
[ ] and [ ] to display
the movie you want
play.
2.
Press SET to start playback of the movie.
• You can perform the following operations while a
movie is playing.
Movie icon
To do this:
Play at fast forward
Play at fast reverse
Pause or unpause playback
Skip forward or back while
playback is paused
Stop playback
Do this:
Press [ ].
Press [ ].
Press SET.
Press [
] or [ ].
Press MENU.
Page 87
87
PLAYBACK
Displaying the 9-image View
The following procedure displays nine images on the monitor
screen at the same time.
1.
Enter the Play Mode.
2.
Shift the zoom controller towards .
• This displays the 9-image screen with the image that
was on the monitor screen in step 2 in the center, with
a selection boundary around it.
3.
Use [ ], [ ], [ ], and [ ] to move the selection
boundary to the image you want. Pressing [ ]
while the selection boundary is in the right column or [ ] while it is in the left column scrolls
to the next full screen of nine images.
Example: When there are 20 images in memory, and
Image 1 is displayed first
• When there are nine or fewer images, they are displayed in order with Image 1 in the upper left corner,
with the selection boundary around it.
2 3
17 18 19
20 1 2
345
678
91011
12 13 14
15 16 17
18 19 20
1
4.
Pressing any button except [ ], [ ], [ ], and
[ ] displays the full-size version of the image
where the selection boundary is located.
Page 88
88
PLAYBACK
Selecting a Specific Image in the 9-image
View
1.
Display the 9-image view.
2.
Use [ ], [ ], [ ], and
[ ] to move the
selection boundary
up, down, left, or right
until it is located at
the image you want to
view.
3.
Pressing any button
except [ ], [ ], [ ],
or [ ] displays the
selected image.
• This displays the fullsize version of the
image you selected.
Selection boundary
Page 89
DELETING FILES
89
DELETING FILES
You can delete a single file, or you can delete all files currently in memory.
IMPORTANT!
• Note that file deletion cannot be undone. Once you
delete a file, it is gone. Make sure you really do not
need a file anymore before you delete it. Especially
when deleting all files, make sure you check all the
files you have stored before proceeding.
• Delete cannot be performed when all the files in
memory are protected (page 92).
• A protected file cannot be deleted. To delete a protected file, unprotect it first (page 92).
Deleting a Single File
Perform the following steps when you want to delete a single
file.
1.
In the Play Mode,
press .
2.
Use [ ] and [ ] to display the image you want
to delete.
3.
Use [ ] and [ ] to select “Delete.”
• To exit the file delete operation without deleting anything, select “Cancel.”
4.
Press SET to delete the image.
• Repeat steps 2 through 4 to delete other files, if you
want.
5.
Press MENU to exit the delete operation.
Page 90
DELETING FILES
90
Deleting All Files
The following procedure deletes all unprotected files currently in memory.
1.
In the Play Mode, press .
2.
Use [ ] and [ ] to select “All File Delete,” and
then press SET.
3.
Use [ ] and [ ] to select “Yes.”
• To exit the file delete operation without deleting anything, select “No.”
4.
Press SET to delete all the images.
IMPORTANT!
• If a file cannot be deleted for some reason, the message “The function is not supported for this file.” appears when you try to delete it.
Page 91
FILE MANAGEMENT
91
FILE MANAGEMENT
The file management capabilities of the camera make it easy
to keep track of images. You can protect files against deletion, and even use its DPOF feature to specify images for
printing.
Folders
Your camera automatically creates a directory of folders in
its built-in flash memory or on the memory card to store images.
Memory Folders and Files
An image you record is automatically stored in a folder,
whose name is a serial number. You can have up to 900
folders in memory at the same time. Folder names are generated as shown below.
Example: Name of the 100th folder.
Each folder can hold files numbered up to 9,999.
Trying to store the 10,000th file in a folder causes the next
serially numbered folder to be created. Folder names are
generated as shown below.
Example: Name of the 26th file
Extension
CIMG0026.JPG
Serial number (4 digits)
• The actual number of files you will be able to store on a
memory card depends on the image quality settings, capacity of the card, etc.
• For details about the directory structure, see “Memory Directory Structure” on page 122.
100CASIO
Serial number (3 digits)
Page 92
FILE MANAGEMENT
92
Protecting Files
Once you protect a file it cannot be deleted. You can protect
files individually or you can protect all files in memory with a
single operation.
To protect and unprotect a single file
1.
In the Play Mode, press MF .
2.
Use [ ] and [ ] to display the image you want
to protect.
3.
Use [ ] and [ ] to select either “On” (protected) or “Off” (unprotected).
4.
Press SET to apply
the setting.
• Protecting an image
causes to appear on
it.
5.
Press MENU to exit the image protect screen.
To protect all files in memory
1.
In the Play Mode, press MF .
2.
Use [ ] and [ ] to select “All Files: On,” and
then press SET.
• To unprotect all images, select “All Files: Off,” and
then press SET.
• Selecting “All Files: On” protects all images and
causes to appear on them.
3.
Press MENU to exit the image protect screen.
Page 93
FILE MANAGEMENT
93
DPOF
The letters “DPOF” stand for “Digital Print Order Format,” which is a format for recording on
a memory card or other medium which digital
camera images should be printed and how
many copies of the image should be printed.
Then when you print on a DPOF-compatible
printer or at a professional print service that
supports DPOF, only the files you selected on
the card are printed, in the quantities you
specified.
With this camera, you should always select images by viewing them on the monitor screen. Do not specify images by file
name without viewing the file contents.
■ DPOF Settings
File Name,
number of copies,
date
To configure print settings for a single
image
1.
In the Play Mode,
press / DPOF.
2.
Use [ ] and [ ] to select “Select images,” and
then press SET.
3.
Use [ ] and [ ] to display the image you
want.
4.
Use [ ] and [ ] to specify the number of copies.
• You can specify up to 99 for the number of copies.
Specify 00 if you do not want to have the image
printed.
Page 94
FILE MANAGEMENT
94
5.
To turn on date stamping for the prints, press
DISP so
12
12
1
is displayed.
• To turn off date stamping for the prints, press DISP so
12
12
1
is not displayed.
• Repeat steps 3 through 5 if you want to configure
other images for printing.
6.
After all the settings are the way you want,
press SET to apply them.
To configure print settings for all images
1.
In the Play Mode, press / DPOF.
2.
Use [ ] and [ ] to
select “All images,”
and then press SET.
3.
Use [ ] and [ ] to specify the number of copies.
• You can specify up to 99 for the number of copies.
Specify 00 if you do not want to have the image
printed.
4.
To turn on date stamping for the prints, press
DISP so
12
12
1
is displayed.
• To turn off date stamping for the prints, press DISP so
12
12
1
is not displayed.
5.
After all the settings are the way you want,
press SET to apply them.
Page 95
FILE MANAGEMENT
95
PRINT Image Matching II
Images include PRINT Image Matching
II data (mode setting and other camera
setup information). A printer that supports PRINT Image Matching II reads
this data and adjusts the printed image
accordingly, so your images come out
just the way you intended when you recorded them.
* PRINT Image Matching and PRINT Im-
age Matching II are registered trademarks of SEIKO EPSON Corporation.
Exif Print
Exif Print is an internationally supported, open standard file format that makes it
possible to capture and display vibrant digital images
with accurate colors. With
Exif 2.2, files include a wide
range of shooting condition
information that can be interpreted by an Exif Print
printer to produce betterlooking prints.
IMPORTANT!
• Information about the availability of Exif Print compatible printer models can be obtained from each printer
manufacturer.
Page 96
OTHER SETTINGS
96
OTHER SETTINGS
Specifying the File Name Serial Number
Generation Method
Use the following procedure to specify the method for generating the serial number used for file names (page 91).
1.
In a recording mode or the Play Mode, press
MENU.
2.
Select the “Set Up” tab, select “File No.,” and
then press [ ].
3.
Use [ ] and [ ] to change the setting, and then
press SET.
Select this setting:
Continue
Reset
To do this for a newly saved file:
Store the last file number used and
increment it, regardless of whether
files are deleted or whether the
memory card is replaced with a new
one
Find the highest file number in the
current folder and increment it
Turning the Key Tone On and Off
Use the following procedure to turn the tone that sounds
when you press a key on and off.
1.
In a recording mode or the Play Mode, press
MENU.
2.
Select the “Set Up” tab, select “Beep,” and
then press [ ].
3.
Use [ ] and [ ] to change the setting, and then
press SET.
Select this setting:
On
Off
To do this:
Turn on the key tone
Turn off the key tone
Page 97
OTHER SETTINGS
97
Specifying an Image for the Startup Screen
You can specify an image you recorded as the startup
screen image, which causes it to appear on the monitor
screen for about two seconds whenever you turn on the
camera.
1.
In a recording mode or the Play Mode, press
MENU.
2.
Select the “Set Up” tab, select “Startup,” and
then press [ ].
3.
Use [ ] and [ ] to display the image you want
to use as the startup image.
• You can specify a snapshot image or a movie image
that is two seconds (200KB) or less in length.
4.
Use [ ] and [ ] to change the setting, and then
press SET.
Select this setting:
On
Off
To do this:
Use the currently displayed image as
the startup screen image
Disable the startup screen
Using the Alarm
You can configure up to three alarms that cause the camera
to beep and display a specified image at the time you
specify.
To set an alarm
1.
In the Play Mode, press MENU.
2.
Select the “PLAY” tab, select “Alarm,” and
then press [ ].
IMPORTANT!
• The snapshot image or movie that you select as the
startup image is stored in a special memory location
called “startup image memory.” Only one image can
be stored in startup image memory at one time. Selecting a new startup image overwrites anything that is
already stored in startup image memory. Because of
this, if you want to return to a previous startup image,
you need to have a separate copy of that image in the
camera’s standard image storage memory. Note that
you cannot delete an image from startup image
memory. You can only replace it with another image.
Page 98
OTHER SETTINGS
98
3.
Use [ ] and [ ] to select the alarm whose setting you want to configure, and then press
SET.
4.
Use [ ] and [ ] to select the setting you want
to change, and then use [ ] and [ ] to change
the selected setting.
• You set an alarm time, and setup an alarm to sound
either once or daily. You can also turn the alarm on
and off.
5.
Press DISP.
• You could press SET in place of DISP if you want to
configure the alarm without an image.
6.
Use [ ] and [ ] to select the scene you want to
appear at the alarm time, and then press SET.
7.
After all the settings are the way you want,
press SET.
• You can configure up to three alarms, named 1, 2, and
3.
Stopping the Alarm
When an alarm time is reached while the camera is turned
off, the alarm sounds for about one minute (or until you stop
it), even if the camera is turned off. The camera turns on
automatically after the alarm sounds. To stop the alarm after
it starts to sound, press any button.
IMPORTANT!
• The alarm does not sound when either of the following
conditions exists.
— When the camera is turned on
— While your are using the Interval Mode
Page 99
OTHER SETTINGS
99
Changing the Date Format
You can select from among three different formats for display of the date.
1.
In a recording mode or the Play Mode, press
MENU.
2.
Select the “Set Up” tab, select “Date Style,”
and then press [ ].
3.
Use [ ] and [ ] to change the setting, and then
press SET.
Example: October 23, 2002
Select this format:
YY/MM/DD
DD/MM/YY
MM/DD/YY
To display the date like this:
02/10/23
23/10/02
10/23/02
Changing the Date and Time Setting
Use the following procedure to change the date and time setting. The settings you make here affect your home time
zone.
1.
In a recording mode or the Play Mode, press
MENU.
2.
Select the “Set Up” tab, select “Adjust,” and
then press [ ].
3.
Set the current date and the time.
Do this:
Press [ ] or [ ].
Press [
] or [ ].
Press DISP.
To do this:
Move the cursor between settings
Change the setting at the current
cursor location
Toggle between 12-hour and 24-
hour timekeeping
4.
When all the settings are the way you want,
press SET to register them and exit the setting
screen.
Page 100
OTHER SETTINGS
100
Using World Time
You can use the World Time screen to view a time zone that
is different from the home time zone when you go on a trip,
etc. World Time can display the time in one of 162 cities in 32
time zones.
To switch between the home time and
World Time screens
1.
In a recording mode or the Play Mode, press
MENU.
2.
Select the “Set Up” tab, select “World Time,”
and then press [ ].
• This displays the current World Time zone.
3.
Use [ ] and [ ] to select either home time or
World Time.
4.
Press SET again to exit the setting screen.
Select this:
Home
World
To do this:
Display the time in your home time zone
Display the time in a different time zone
To configure World Time settings
1.
In a recording mode or the Play Mode, press
MENU.
2.
Select the “Set Up” tab, select “World Time,”
and then press [ ].
• This displays the current World Time zone.
3.
Use [ ] and [ ] to select “World,” and then
press [ ].
• If you want to configure Home Time settings, select
“Home” instead.
4.
Use [ ] and [ ] to select “City,” and then
press [ ].
5.
Use [ ], [ ], [ ], and
[ ] to select the
geographical area
you want, and then
press SET.
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