(with price)
GZ-50M
GENERAL
VOLUME |
GM SOUND MODULE |
POWER |
MIDI |
DEMO |
PHONES |
|
MONITOR |
||
|
|
|
|
|
MIN |
MAX |
|
GM SOUND MODULE
CONTENTS
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
MIDI Messages receivable with GZ-50M . . . . . . . . . . . . . . . . . . . . . 3
Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Circuit Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Major waveforms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
PCB View and Check Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Schematic Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Exploded View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Parts List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
SPECIFICATIONS
GENERAL
Sound source: |
The General MIDI system 1 |
|
|
Number of tones: |
128 |
|
Number of drum sets: 8 |
|
|
Number of layer voice: 32 |
|
Digital effects: |
10, including Reverb-1, Reverb-2, Reverb-3, Chorus, Tremolo, |
|
|
Phase Shifter, Organ SP, Enhancer, Flanger, EQ Loudness |
|
Demonstration tune: |
Suite for Rebecca (Arranged and programmed by Wojtek Gogoleski) |
|
Volume control: |
Analog volume |
|
MIDI monitor: |
LED |
|
Tuning: |
Center: 440 Hz |
|
Terminals: |
Headphone Jack [Output impedance: 68 Ω, Output voltage: 0.3 V(rms)MAX], |
|
|
Line Out Jack [Output impedance: 2 KΩ, Output voltage: 1.5 V8rms) MAX], |
|
|
MIDI IN Jack, AC Adapter Jack (9 V) |
|
Power source: |
AC source only: AC adapter |
|
Power consumption: |
2.8 W |
|
Dimensions (HWD): |
35 x 113 x 169 mm (1-3/8 x 4-7/16 x 6-5/8 inches) |
|
Weight: |
450 g (1 lbs) |
|
ELECTRICAL
Current drain with 9 V DC: |
210 mA ± 20% |
No sound output |
|
Maximum volume |
230 mA ± 20% |
with 32 polyphonic in tone No.078 |
|
Volume; maximum, Touch response: maximum |
|
Phone output Level (Vrms with 8 Ω load each channel): |
85 mV ± 20% |
with keys C6 and F6 in tone No.078 |
|
Line output level (Vrms with 47 KΩ load each channel): |
300 mV ± 20% |
with keys C6 and F6 in tone No.078 |
|
Minimum operating voltage: |
4.0 V |
— 2 —
MIDI messages receivable with GZ-50M
MIDI channel: |
1 - 16 channel |
|
|
|
|
|
Note On/Off: |
Note number |
0 - 127 |
|
|
|
|
|
Velocity |
1 - 127 |
|
|
|
|
Program change: |
0 - 127 on channel 1 -9 & 11 - 16 |
|
|
|
||
|
0 - 7 on channel 10 |
|
|
|
|
|
Pitch bend: |
00H/00H - 7FH/7FH |
|
|
|
|
|
Control change: |
Modulation |
|
Control No. 1 |
0 - 127 |
|
|
|
Volume |
|
Control No. 7 |
0 - 127 |
|
|
|
Pan |
|
Control No. 10 |
0 (left) - 64 (center) - 127 (right) |
||
|
Expression |
|
Control No. 11 |
0 - 127 |
|
|
|
Hold |
|
Control No. 64 |
0 - 63: Off, 64 - 127: On |
||
|
Sostenuto |
|
Control No. 66 |
0 - 63: Off, 64 - 127: On |
||
|
Soft |
|
Control No. 67 |
0 - 63: Off, 64 - 127: On |
||
|
Effect depth |
|
Control No. 91 |
0 -127 |
|
|
|
All sounds off |
|
Control No. 120 |
|
|
|
|
Reset all controllers |
Control No. 121 |
|
|
|
|
|
* See next page for information about the initial settings. |
|
||||
|
Local control On/Off |
Control No. 122 |
0: Off, 127: On |
|
||
|
All notes off |
|
Control No. 123 |
|
|
|
|
Registered Parameter Number (RPN) |
|
Control No. 36: LSB, No.37: MSB |
|||
|
Pitch bend sense |
Control No. 100 |
00H |
|
|
|
|
|
|
Control No. 101 |
00H |
|
|
|
Data entry |
Control No. 6 |
00H |
- 0CH |
|
|
|
|
|
Control No. 36 |
00H |
|
|
|
Fine tuning |
|
Control No. 100 |
01H |
|
|
|
|
|
Control No. 101 |
00H |
|
(20H: -50 cents) |
|
Data entry |
Control No. 6 |
20H |
- 40H - 60H |
(40H: center) |
|
|
|
|
Control No. 36 |
00H |
|
(60H: +50 cents) |
|
Coarse tuning |
Control No. 100 |
02H |
|
|
|
|
|
|
Control No. 101 |
00H |
|
(34H: -12 seminotes) |
|
Data entry |
Control No. 6 |
34H |
- 40H - 4CH |
(40H: center) |
|
|
|
|
Control No. 36 |
00H |
|
(4CH: +12 seminotes) |
|
RPN null |
|
Control No. 100 |
7FH |
|
|
|
|
|
Control No. 101 |
7FH |
|
|
Active sensing: |
|
|
|
|
|
|
Channel pressure: Reconized as modulation |
|
|
|
|
||
System exclusive: Effect change |
[F0][44][0B][09][xx][F7] |
|
|
|
||
|
|
|
[xx]: [00] - [09], [0F] |
|
||
|
|
|
[00]: |
Reverb1 (Stage) |
|
|
|
|
|
[01]: |
Reverb2 (Hall) |
|
|
|
|
|
[02]: |
Reverb3 (Room) |
|
|
|
|
|
[03]: |
Chorus |
|
|
|
|
|
[04]: |
Tremolo |
|
|
|
|
|
[05]: |
Phase shifter |
|
|
|
|
|
[06]: |
Organ speaker |
|
|
|
|
|
[07]: |
Enhance |
|
|
|
|
|
[08]: |
Flanger |
|
|
|
|
|
[09]: |
EQ Loundness |
|
|
|
|
|
[0F]: |
Effect OFF |
|
|
|
GM system on |
[F0][7E][7F][09][01][F7] |
|
|
|
*See next page for information about the initial settings in The General MIDI system.
—3 —
The initial setteings |
|
|
Pitch bend: |
0 |
|
Modulation: |
0 (Off) |
|
Expression: |
127 |
(Maximum) |
Sustain: |
0 (Off) |
|
Sostenuto: |
0 (Off) |
|
Soft: |
0 (Off) |
|
Channel pressure: |
0 (Off) |
|
RPN: |
Null |
|
The initial settings in The General MIDI system |
||
Channel 1 - 9 & 11 - 16 |
|
|
Program change: |
000 |
(Piano) |
Pitch bend: |
LSB: 40H, MSB: 00H |
|
Modulation: |
0 (Off) |
|
Volume: |
100 |
|
Pan: |
64 (Center) |
|
Expression: |
127 |
(Maximum) |
Sustain: |
0 (Off) |
|
Soft: |
0 (Off) |
|
Effect depth: |
127 |
(Maximum) |
Pitch bend sense: |
02 (2 seminotes) |
|
Coarse tune: |
LSB:40H, MSB:00H |
|
Fine tune: |
LSB:40H, MSB:00H |
|
RPN: |
Null |
|
Channel pressure: |
0 (Off) |
|
Channel 10 |
|
|
Drum set No.: |
0 |
|
Volume: |
100 |
|
Pan: |
64 (Center) |
|
Expression: |
127 |
(Maximum) |
Effect depth: |
127 |
(Maximum) |
Soft: |
0 (Off) |
— 4 —
Model GZ-50M |
MIDI Implementation Chart |
|
|||||
|
|
|
|
|
|
|
Version: 1.0 |
|
|
|
|
|
|
||
Function ... |
Transmitted |
|
|
Recognized |
Remarks |
||
|
|
|
|
|
|
|
|
Basic |
Default |
X |
|
1-16 channel |
|
|
|
Channel |
Changed |
X |
|
1-16 channel |
|
|
|
|
|
|
|
|
|
|
|
|
Default |
X |
|
Mode 3 |
|
|
|
Mode |
Messages |
X |
|
X |
|
|
|
|
Altered |
|
|
|
|
||
|
|
|
|
|
|
|
|
Note |
|
X |
|
0 ~ 127 |
|
|
|
Number: |
True voice |
|
|
12 ~ 108 |
*1 |
*1:Different per tones. |
|
|
|
|
|
|
|
|
|
Velocity |
Note ON |
X |
|
O |
9nH v = 1~127 |
|
|
|
Note OFF |
X |
|
X 9nH v = 0, 8nH V= |
= No relation |
||
|
|
|
|
|
|
|
|
After |
Key's |
X |
|
X |
|
|
|
Touch |
Ch's |
X |
|
O *2 |
|
|
|
|
|
|
|
|
|
|
|
Pitch Bender |
|
X |
|
O |
|
|
|
|
|
|
|
|
|
|
|
|
01 |
X |
|
O |
*2 |
|
Modulation |
|
06, 38 |
X |
|
O |
*3 |
|
Data entry |
Control |
07 |
X |
|
O |
|
|
Volume |
Change |
10 |
X |
|
O |
|
|
Pan |
|
11 |
X |
|
O |
|
|
Expression |
|
64 |
X |
|
O |
|
|
Hold 1 |
|
66 |
X |
|
O |
|
|
Sostenuto |
|
67 |
X |
|
O |
|
|
Soft |
|
91 |
X |
|
O |
|
|
External effect depth |
|
100, 101 |
X |
|
O *3 |
|
RPN LSB • MSB |
|
|
120 |
X |
|
O |
|
|
All sounds off |
|
121 |
X |
|
O |
|
|
Reset all controllers |
|
|
|
|
|
|
|
|
Program |
|
X |
|
O 0 ~ 127 |
|
|
|
Change : |
True # |
|
|
|
|
||
|
|
|
|
|
|
|
|
System Exclusive |
X |
|
O |
*4 |
|
|
|
|
|
|
|
|
|
|
|
System |
: Song Pos |
X |
|
X |
|
|
|
Common |
: Song Sel |
X |
|
X |
|
|
|
|
: Tune |
X |
|
X |
|
|
|
|
|
|
|
|
|
|
|
System |
: Clock |
X |
|
X |
|
|
|
Real Time |
: Commands |
X |
|
X |
|
|
|
|
|
|
|
|
|
|
|
Aux |
: Local ON/OFF |
X |
|
X |
|
|
|
Messages |
: All notes OFF |
X |
|
O |
|
|
|
|
: Active Sense |
X |
|
O |
|
|
|
|
: Reset |
X |
|
X |
|
|
|
|
|
|
|
|
|||
Remarks |
|
*2: Vibrato effect is obtained when received either message of modulation or channel |
|||||
|
after touch. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
*3: Reception of pitch bend sense, fine tune, coarse tune, and RPN Null. |
|||||
|
|
*4: GM system on |
[F0][7E][7F][09][01][F7] |
|
|||
|
|
Effect Change |
[F0][44][0B][09][xx][F7] |
|
|||
|
|
|
|
|
[xx]: E_0[00] - E_9[09], Off[0F] |
||
|
|
|
|
|
|||
Mode 1 : OMNI ON, POLY |
Mode 2 : OMNI ON, MONO |
|
O : Yes |
||||
Mode 3 : OMNI OFF, POLY |
Mode 4 : OMNI OFF, MONO |
|
X : No |
— 5 —
LIST OF TONES AND OCTAVE RANGES
TONE NO./TONE NAME GM OCTAVE RANGE |
TONE NO./TONE NAME GM OCTAVE RANGE |
|
|
PIANO |
|
|
BASS |
|
|
|||
000 |
PIANO |
|
A0 – C8 |
032 |
WOOD BASS |
E1 – G3 |
||
|
|
|
|
|
|
|
||
001 |
HARD PIANO |
|
A0 – C8 |
033 |
ELEC BASS 1 |
E1 – G3 |
||
|
|
|
|
|
|
|
||
002 |
STUDIO PIANO |
|
A0 – C8 |
034 |
ELEC BASS 2 |
E1 – G3 |
||
|
|
|
|
|
|
|
||
003 |
HONKY-TONK |
|
A0 – C8 |
035 |
FRETLESS BASS |
E1 – G3 |
||
|
|
|
|
|
|
|
||
004 |
ELEC PIANO 1 |
|
E1 – G7 |
036 |
SLAP BASS 1 |
E1 – G3 |
||
|
|
|
|
|
|
|
||
005 |
ELEC PIANO 2 |
|
E1 – G7 |
037 |
SLAP BASS 2 |
E1 – G3 |
||
|
|
|
|
|
|
|
|
|
006 |
HARPSICHORD |
|
F2 |
– F6 |
038 |
SYNTH-BASS 1 |
E1 – G3 |
|
|
|
|
|
|
|
|
|
|
007 |
CLAVELECTRO |
|
C2 |
– C7 |
039 |
SYNTH-BASS 2 |
E1 – G3 |
|
|
|
|
|
|
|
|
||
CHROMATIC PERCUSSION |
|
|
STRING/ORCHESTRA |
|
|
|||
|
|
|
|
|
|
|
|
|
008 |
CELESTA |
|
C4 |
– C8 |
040 |
VIOLIN |
G3 – C7 |
|
|
|
|
|
|
|
|
|
|
009 |
GLOCKENSPIEL |
|
C5 |
– C8 |
041 |
VIOLA |
C3 |
– C6 |
|
|
|
|
|
|
|
|
|
010 |
MUSIC BOX |
|
C4 |
– C6 |
042 |
CELLO |
C2 |
– C5 |
|
|
|
|
|
|
|
|
|
011 |
VIBRAPHONE |
|
F3 |
– F6 |
043 |
CONTRABASS |
E1 – G3 |
|
|
|
|
|
|
|
|
|
|
012 |
MARIMBA |
|
C3 |
– C6 |
044 |
TREMOLO STR |
E1 – C7 |
|
|
|
|
|
|
|
|
||
013 |
XYLOPHONE |
|
F4 – C7 |
045 |
PIZZICATO STR |
E1 – C7 |
||
|
|
|
|
|
|
|
|
|
014 |
TUBULAR BELLS |
|
C4 |
– F5 |
046 |
HARP |
B0 – G7 |
|
|
|
|
|
|
|
|
|
|
015 |
DULCIMER |
|
C4 |
– C6 |
047 |
TIMPANI |
C2 |
– A3 |
|
|
|
|
|
|
|
||
ORGAN |
|
|
ENSEMBLE |
|
|
|||
|
|
|
|
|
|
|
|
|
016 |
ELEC ORGAN |
|
C2 |
– C7 |
048 |
STRINGS 1 |
E1 – C7 |
|
|
|
|
|
|
|
|
|
|
017 |
JAZZ ORGAN |
|
C2 |
– C7 |
049 |
STRINGS 2 |
E1 – C7 |
|
|
|
|
|
|
|
|
|
|
018 |
ROCK ORGAN |
|
C2 |
– C7 |
050 |
SYNTH-STR 1 |
C2 |
– C7 |
|
|
|
|
|
|
|
|
|
019 |
CHURCH ORGAN |
|
A0 – C8 |
051 |
SYNTH-STR 2 |
C2 |
– C7 |
|
|
|
|
|
|
|
|
|
|
020 |
REED ORGAN |
|
C2 |
– C7 |
052 |
CHOIR |
C3 |
– G5 |
|
|
|
|
|
|
|
|
|
021 |
ACCORDION |
|
F3 |
– F6 |
053 |
MOON VOICE |
C3 |
– G5 |
|
|
|
|
|
|
|
|
|
022 |
HARMONICA |
|
C4 |
– C6 |
054 |
SYNTH-VOICE |
C3 |
– C6 |
|
|
|
|
|
|
|
|
|
023 |
BANDNEON |
|
F3 |
– F6 |
055 |
ORCHESTRA HIT |
C3 |
– C5 |
|
|
|
|
|
|
|
||
GUITAR |
|
|
BRASS |
|
|
|||
|
|
|
|
|
|
|
||
024 |
GUT GUITAR |
|
E2 – C6 |
056 |
TRUMPET |
A#3 – A#6 |
||
|
|
|
|
|
|
|
||
025 |
ACOUS GUITAR |
|
E2 – C6 |
057 |
TROMBONE |
A#1 – D#5 |
||
|
|
|
|
|
|
|
||
026 |
JAZZ GUITAR |
|
E2 – D6 |
058 |
TUBA |
F1 – G3 |
||
|
|
|
|
|
|
|
||
027 |
ELEC GUITAR |
|
E2 – D6 |
059 |
MUTE TRUMPET |
A#3 – A#5 |
||
|
|
|
|
|
|
|
|
|
028 |
MUTE GUITAR |
|
E2 – D6 |
060 |
FRENCH HORN |
F2 |
– F5 |
|
|
|
|
|
|
|
|
|
|
029 |
DIST GUITAR 1 |
|
E2 – D6 |
061 |
BRASS |
C2 |
– C7 |
|
|
|
|
|
|
|
|
|
|
030 |
DIST GUITAR 2 |
|
E2 – D6 |
062 |
SYNTH-BRASS 1 |
C2 |
– C7 |
|
|
|
|
|
|
|
|
|
|
031 |
GT HARMONICS |
|
E2 – D6 |
063 |
SYNTH-BRASS 2 |
C2 |
– C7 |
|
|
|
|
|
|
|
|
|
|
— 6 —
TONE NO./TONE NAME GM OCTAVE RANGE |
TONE NO./TONE NAME |
GM OCTAVE RANGE |
|
|
|
|
REED |
|
SYNTH-SFX |
|
||
|
|
|
|
|
|
064 |
SOPRANO SAX |
F#3 – D#6 |
096 |
PEARL DROP |
C2 – C7 |
|
|
|
|
|
|
065 |
ALTO SAX |
C#3 – G#5 |
097 |
SOUNDTRACK |
C2 – C7 |
|
|
|
|
|
|
066 |
TENOR SAX |
F#2 – D#5 |
098 |
CRYSTAL |
C2 – C7 |
|
|
|
|
|
|
067 |
BARITONE SAX |
C#2 – G#4 |
099 |
ATMOSPHERE |
C2 – C7 |
|
|
|
|
|
|
068 |
OBOE |
A#3 – G6 |
100 |
BRIGHTNESS |
C2 – C7 |
|
|
|
|
|
|
069 |
ENGLISH HORN |
E3 – A5 |
101 |
LABYRINTH |
C2 – C7 |
|
|
|
|
|
|
070 |
BASSOON |
A#1 – C5 |
102 |
ECHOES |
C2 – C7 |
|
|
|
|
|
|
071 |
CLARINET |
D3 – G6 |
103 |
COSMIC SOUND |
C2 – C7 |
|
|
|
|
|
|
PIPE |
|
ETHNIC |
|
|
|
||
|
|
|
|
|
|
|
|
072 |
PICCOLO |
D5 – C8 |
104 |
SITAR |
C3 |
– F5 |
|
|
|
|
|
|
|
|
|
073 |
FLUTE |
C4 – C7 |
105 |
BANJO |
C3 |
– C6 |
|
|
|
|
|
|
|
|
|
074 |
RECORDER |
C4 – C7 |
106 |
SHAMISEN |
D3 |
– G5 |
|
|
|
|
|
|
|
|
|
075 |
PAN FLUTE |
C4 – C7 |
107 |
KOTO |
G3 – C6 |
|
|
|
|
|
|
|
|
|
|
076 |
BOTTLE BLOW |
C4 – C7 |
108 |
THUMB PIANO |
C3 |
– G5 |
|
|
|
|
|
|
|
|
|
077 |
SHAKUHACHI |
G3 – C6 |
109 |
BAG PIPE |
C2 |
– F5 |
|
|
|
|
|
|
|
|
|
078 |
WHISTLE |
C4 – C7 |
110 |
FIDDLE |
G3 – C7 |
|
|
|
|
|
|
|
|
|
|
079 |
OCARINA |
C4 – C6 |
111 |
SHANAI |
C3 |
– C5 |
|
|
|
|
|
|
|
|
|
SYNTH-LEAD |
|
PERCUSSION |
|
||
|
|
|
|
|
|
080 |
SYNTH - LEAD 1 |
A0 – C8 |
112 |
BELLS |
C5 – C6 |
|
|
|
|
|
|
081 |
SYNTH - LEAD 2 |
A0 – C8 |
113 |
AGOGO |
C4 – C5 |
|
|
|
|
|
|
082 |
CALLIOPE |
C2 – C7 |
114 |
STEEL DRUM |
E3 – E5 |
|
|
|
|
|
|
083 |
POWER LEAD |
C2 – C7 |
115 |
WOOD BLOCK *1 |
C4 – C5 |
084 |
METAL LEAD |
C2 – C7 |
116 |
TAIKO *1 |
C4 – C5 |
085 |
ANGEL CHOIR |
C2 – C7 |
117 |
TOM *1 |
C4 – C5 |
|
|
|
|
|
|
086 |
FIFTH LEAD |
C2 – C7 |
118 |
ELEC TOM *1 |
C4 – C5 |
087 |
BASS+LEAD |
A0 – C8 |
119 |
REVERSE CYMBAL *1 |
C4 – C5 |
SYNTH-PAD |
|
SFX |
|
|
|
|
|
|
|
|
|
|
|
088 |
FANTASY |
C2 – C7 |
120 |
GT FRET NOISE *1 |
C4 – C5 |
|
|
|
|
|
|
|
|
089 |
WARM STRINGS |
C2 – C7 |
121 |
BREATH NOISE *1 |
C4 – C5 |
|
090 |
SYNTH-ENS |
C2 – C7 |
122 |
SEASHORE *1 |
C4 – C5 |
|
091 |
SPACE CHORUS |
C2 – C7 |
123 |
BIRD *1 |
C4 – C5 |
|
|
|
|
|
|
|
|
092 |
GLASS HARMONICA |
C2 – C7 |
124 |
TELEPHONE *1 |
C4 – C5 |
|
093 |
ILLUSION |
C2 – C7 |
125 |
HELICOPTER *1 |
C4 – C5 |
|
094 |
COUNTRY FARM |
C2 – C7 |
126 |
APPLAUSE *1 |
C4 – C5 |
|
|
|
|
|
|
|
|
095 |
SYNTH-PAD |
C2 – C7 |
127 |
GUNSHOT *1 |
C4 – C5 |
|
*1 Tone without scale.
— 7 —