Carvin DCM200L Owner's Manual

CARVIN ENGINEERING DATA OPERATING MANUAL
The DCM200L professional amp is designed utilizing Carvin’s years of expe­rience in power amp technology. The switchmode power supply not only takes the weight of this amp down to a mere 4 Lbs, but it also provides a full 100w per channel at 8 ohms! This amp is also compatible with 120/240v AC power so it can be used worldwide. It meets and exceeds every stan­dard for professional amplification.
Carvin considers the sound of an amp equally important as its reliability. To insure pure, uncolored sound, we designed one of the fastest respond­ing power amps on the market today. High slew rates deliver superb tran­sient response. High frequencies are transparent and open—even at high levels. Linear feedback circuits reduce distortion to near the theoretical zero limit preventing any type of harshness which would lead to ear fatigue. The DCM200L amp delivers flat, transparent, unaltered sound—especially impor­tant to the studio user. These amps are designed to deliver non-stop, con­tinuous power and are completely protected from heat and short circuits.
ULTRA RUGGED FOR TOURING
Every chassis is made from heavy-duty 16 gauge aluminum that is light­weight and prevents rust. All internal cabling is neatly tied and harnessed. Heavy-duty power switches, recessed knobs & machined aluminum front panels all give the DCM amps a “tank-like” ability to handle rough, tour­ing transport.
LOSE THE WEIGHT...NOT THE PERFORMANCE
Switchmode power supplies automatically adjust to the AC voltage in your country. External transformers are not required. This technology also elim­inates the weight associated with old fashioned transformers. The efficiency of switchmode technology is also another benefit. The DCM200L will use AC power efficiently with very little power wasted, this means it will func­tion to its full capacity without using more AC power than necessary. This “green” efficiency is also a benefit when using the amp with a gas powered generator. Generators can vary in their ability to sustain a constant AC volt­age, but a DCM200L will function without a problem on a small portable generator as it can function using 90-250VAC 50-60Hz. Switchmode power supplies are also known for reducing stray magnetic fields eliminating hum & noise. This is especially important for the recording industry.
For your records, you may wish to record the following information. Serial No._____________________ Invoice Date_______________
DCM200L POWER AMP SPECIFICATIONS:
Output Power
(Stereo, both channels driven with REAR IMPEDANCE SWITCH IN)
8Ω, 1kHz, < 0.5% THD 60/60 Watts 4Ω, 1kHz, < 0.5% THD 100/100 Watts Minimum Impedance 4 ohms per channel
(Stereo, both channels driven with REAR IMPEDANCE SWITCH OUT)
8Ω, 1kHz, < 0.5% THD 100/100 Watts 4Ω, 1kHz, < 0.5% THD ----------­Minimum Impedance 8 ohms per channel
(BRIDGE MONO with REAR IMPEDANCE SWITCH IN)
8Ω, 1kHz, < 1% THD 200 Watts 16Ω, 1kHz, < 1% THD 120 Watts
(BRIDGE MONO with REAR IMPEDANCE SWITCH OUT)
8Ω, 1kHz, < 1% THD -----------­16Ω, 1kHz, < 1% THD 200 Watts
THD
20-20kHz < 0.1% (8Ω typical) < 0.05%
Frequency Response ±0.5 dB, 20 Hz to 20 kHz Input Impedance > 20kΩ Balanced or Unbalanced Damping Factor >400 Sensitivity (@ 4ohms) 1.0 Vrms Output Noise -102 dBm Power Requirement 90-240 VAC Dimensions 1 3/4” High x 19” Wide x 9” Deep Weight (Net) 4lbs.
76-00150 1109
800 854-2235 www.carvin.com
DCM200L POWER AMP
FRONT PANELS & CONNECTING UP
The DCM Series feature front panel signal, clip and protect LEDs which let you mon­itor the status of the amp. Both channels use precision level controls allowing you to see your settings at a glance. Balanced 1/4 phone & XLR input jacks are used to elim­inate hum & noise. Speaker outputs feature 1/4” jacks and heavy-duty binding posts.
A GROUND switch removes the chassis ground from the XLR input, a PARALLEL input switch connects the inputs of both channels together eliminating Y connectors and allowing amp patching in multiple amp systems. An impedance switch and BRIDGE switch delivers optimal power to your speakers.
RECEIVING INSPECTION—read before getting started
INSPECT YOUR UNIT FOR ANY DAMAGE which may have occurred during shipping.
If any damage is found, please notify the shipping company and CARVIN immediately.
SAVE THE CARTON & ALL PACKING MATERIALS. In the event you have to re-ship your unit, always use the original carton and packing material. This will provide the best possible pro­tection during shipment. CARVIN and the shipping company are not liable for any damage caused by improper packing.
SAVE YOUR INVOICE. It will be required for warranty service if needed in the future. SHIPMENT SHORTAGE. If you find items missing, they may have been shipped sepa-
rately. Please allow several days for the rest of your order to arrive before inquiring.
RECORD THE SERIAL NUMBER on the enclosed warranty card or below on this manual for your records. Keep your portion of the card and return the portion with your name and comments to us.
USA customers register online at: www.carvin.com/registration All other countries register online at: www.carvinworld.com/registration
FRONT PANEL
1. MOUNTING
The rack mounting holes are designed on ISO standard spacing. Four 10-32 x .5” phillip machine screws are normally used to secure the amp. Rear support brackets are not required.
2. POWER SWITCH
Check the power amp connections and verify the AC line power source before engaging the POWER switch. The yellow LED unmistakably indi­cates that all circuits are properly powered up. This color was chosen so the operator could see the red protect indicator from a distance.
3. CHANNEL LEVEL CONTROL
A precision input LEVEL attenuator is used to adjust the volume levels. To deliver the amps full power without reducing headroom of the signal source, the level controls should be turned up full.
4. CHANNEL SIGNAL INDICATOR
The green SIGNAL LED indicators will illuminate when there is a signal pass-
ing to your speakers (-30dBM).
5. CHANNEL CLIP INDICATOR
The red CLIP LED indicators will start to flash when each channel has reached its maximum output. Occasional flashing caused by lower bass frequencies is OK. However, consistent flashing caused from higher frequencies may damage high frequency drivers (excessive distortion). This does not cause damage to the amp.
6. EQ EXPAND SWITCH
When set to the ‘in’ position this circuit will cut the mids by -4dB at 1KHz. This works well as a loudness contour when operating at low volume levels or adds tone when using it in a bass or guitar rack. When set to the ‘out’ position it provides a flat, normal response. Try it both ways and set as desired.
REAR PANEL
7. XLR CHANNEL INPUTS
For most professional applications, use the XLR balanced input. This will help to reduce hum and allow for longer cable runs from your signal source (mixer, etc). Because this is a balanced input, the gain will be 6 dB higher than using a non balanced 1/4” input. XLR pin configuration: Pin 1: Grounded through the GROUND LIFT switch, Pin 2: positive Bal. signal and Pin 3: negative Bal. signal.
8. CHANNEL 1/4” PHONE JACK INPUT
These 1/4” TRS phone jacks are designed to receive either balanced or unbalanced input signals. Balanced signals coming into this jacks should be wired with the connector’s tip going to signal + and the connector’s ring to signal –. The connector’s sleeve is then tied to ground through the GROUND LIFT switch–.
9. SPEAKER OUTPUTS
The standard 1/4” SPEAKER jacks are used for most applications. Turn
the amp off before connecting your speakers.
10. SPEAKER BINDING POSTS
For heavy-duty speaker connections, use the rear BINDING POSTS to con­nect your speakers. Wire sizes up to 7 gauge (50 amps) can be inserted into the binding posts “side holes”. Larger cable can be used with “banana” plugs which plug into the ends of the binding post (remove colored caps). Binding posts are spaced on ISO standards. Use the two center RED bind­ing posts for BRIDGE speaker connections (see 11 BRIDGE MODE).
11. BRIDGE MODE
The DCM200L can be operated in bridge mode if you require a high pow­ered mono (single channel) amp. With your amp off, push in the rear BRIDGE switch after you have made your speaker connections to the rear center RED binding posts (ch 1 is + and ch 2 is -). No other speaker jack or binding post can be used at the same time!”. The INPUT and LEVEL is handled by channel 1. Channel 2 is non-operational. The minimum speaker impedance is 8 ohms. CAUTION: The power developed by bridg­ing your amp can destroy speakers!
12. PARALLEL OR “Y” INPUTS
The rear PARALLEL switch allows you to drive both channels from either input. All signals entering any input will be available on both channels. This eliminates Y adapter cables. This feature is used to “daisy chain” one piece of equipment to another. Just plug into the unused INPUT (1/4” or XLR) and it will become an output for other equipment.
13. INPUT GROUND LIFT
Many times sound systems are connected in such a manner to cause a grounded loop with the inputs that result in audible hum. The input GND LIFT (1/4” & XLR) switch on the rear panel will help eliminate this prob­lem. If not, another way to eliminate ground loops is to install a “line match­ing” transformer between the amplifier input and the signal source and cut the ground wire to PIN 1.
14. AC POWER
The internal Switchmode power supply is designed to run on 120V 60 Hz or 240V 50 Hz. The voltage range is 90V to 250V. Never defeat the grounded connection or electrocution may result!
15. IMPEDANCE SWITCH
Set this switch to correspond to the min impedance of your speakers.
Note: That this amp is capable of 100w per channel at 8 ohms. Be certain that the speakers can handle this amount of power.
2
6
1
3
4
5
FRONT & REAR PANEL CONTROLS
7
8
9
10
10
11
12
13
14
4Ω/CH
8Ω/CH
16Ω BR
8Ω BR
100W
75W
100W
X
200W
150W
X
200W
15
Loading...
+ 2 hidden pages