Carvin C1600 User Manual

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CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

SAFETY INSTRUCTIONS (EUROPEAN)

The conductors in the AC power cord are colored in accordance with the following code.

GREEN & YELLOW—Earth BLUE—Neutral BROWN—Live

U.K. MAIN PLUG WARNING: Amolded main plug that has been cut off from the cord is unsafe. NEVER

UNDER ANYCIRCUMSTANCES SHOULD YOU INSERTA DAMAGED OR CUT MAIN PLUG INTO APOWER SOCKET.

IMPORTANT! FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING: WATER AND MOISTURE: Appliance should not be used near water (near a bathtub, washbowl, kitchen

sink, laundry tub, in a wet basement, or near a swimming pool, etc). Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.

POWER SOURCES: The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance.

GROUNDING OR POLARIZATION: Precautions should be taken so that the grounding or polarization means of an appliance is not defeated.

POWER CORD PROTECTION: Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance.

SERVICING: The user should not attempt to service the appliance beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel.

FUSING: If your unit is equipped with a fuse receptacle, replace only with the same type fuse. Refer to replacement text on the unit for correct fuse type.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL!

REF. Carvin P/N Description Channel PCB Rev (C) 30-08248 A1 60-20430 Op Amp NJM2043D Linear Dual A2 60-45580 Op Amp MC4558 CP1 Dual HFREQ A3 60-45580 Op Amp MC4558 CP1 Dual HFREQ A4 60-45580 Op Amp MC4558 CP1 Dual HFREQ A5 60-20430 Op Amp NJM2043D Linear Dual B1 50-00035 Jumper .35" 0.0Ω B2 50-00035 Jumper .35" 0.0Ω B3 50-00035 Jumper .35" 0.0Ω B4 50-00035 Jumper .35" 0.0Ω B5 50-00035 Jumper .35" 0.0Ω B10 50-47005 1/4W Resistor 4.7K 5% Carbon B12 50-00035 Jumper .35" 0.0Ω B13 50-00035 Jumper .35" 0.0Ω B14 50-00035 Jumper .35" 0.0Ω B15 50-00035 Jumper .35" 0.0Ω B16 50-00035 Jumper .35" 0.0Ω B17 50-00035 Jumper .35" 0.0Ω B18 50-00035 Jumper .35" 0.0Ω B21 50-00035 Jumper .35" 0.0Ω B22 50-00035 Jumper .35" 0.0Ω B23 50-00035 Jumper .35" 0.0Ω B24 50-00035 Jumper .35" 0.0Ω B31 50-00035 Jumper .35" 0.0Ω B32 50-00035 Jumper .35" 0.0Ω B33 50-00035 Jumper .35" 0.0Ω B34 50-00035 Jumper .35" 0.0Ω B41 50-00035 Jumper .35" 0.0Ω B42 50-00035 Jumper .35" 0.0Ω B43 50-00035 Jumper .35" 0.0Ω B44 50-00035 Jumper .35" 0.0Ω B51 50-00035 Jumper .35" 0.0Ω B52 50-00035 Jumper .35" 0.0Ω B53 50-00035 Jumper .35" 0.0Ω B54 50-00035 Jumper .35" 0.0Ω B55 50-00035 Jumper .35" 0.0Ω B61 50-00035 Jumper .35" 0.0Ω B62 50-00035 Jumper .35" 0.0Ω B63 50-00035 Jumper .35" 0.0Ω B64 50-00035 Jumper .35" 0.0Ω B71 50-00035 Jumper .35" 0.0Ω B72 50-00035 Jumper .35" 0.0Ω B73 50-00035 Jumper .35" 0.0Ω B74 50-00035 Jumper .35" 0.0Ω B81 50-00035 Jumper .35" 0.0Ω B82 50-00035 Jumper .35" 0.0Ω B83 50-00035 Jumper .35" 0.0Ω B84 50-00035 Jumper .35" 0.0Ω C1 45-39052 Capacitor 39PF 500 Volt Ceramic 5% C2 45-39052 Capacitor 39PF 500 Volt Ceramic 5% C3 47-22051 Capacitor 22µF 50V Electrolytic 20% C4 47-22051 Capacitor 22µF 50V Electrolytic 20% C5 46-47312 Capacitor 0.047µF 100V Poly 10% C6 47-22051 Capacitor 22µF 50V Electrolytic 20% C7 45-39052 Capacitor 39PF 500 Volt Ceramic 5% C8 46-47312 Capacitor 0.047µF 100V Poly 10% C9 46-33312 Capacitor 0.033µF 100V Poly 10% C10 47-22051 Capacitor 22µF 50V Electrolytic 20% C11 45-39052 Capacitor 39PF 500 Volt Ceramic 5% C12 45-39052 Capacitor 39PF 500 Volt Ceramic 5% C13 47-22051 Capacitor 22µF 50V Electrolytic 20% C14 47-22051 Capacitor 22µF 50V Electrolytic 20% C15 47-22051 Capacitor 22µF 50V Electrolytic 20% C16 46-10312 Capacitor 0.01µF 100V Poly 10% C17 47-22051 Capacitor 22µF 50V Electrolytic 20% C18 47-47116 Capacitor 470µF 16V Electrolytic 20% C19 47-47116 Capacitor 470µF 16V Electrolytic 20% C20 45-39052 Capacitor 39PF 500 Volt Ceramic 5% C21 45-56152 Capacitor 560PF 500V Ceramic 10% C22 45-56152 Capacitor 560PF 500V Ceramic 10% C23 46-33212 Capacitor 0.0033µF 100V Poly 10% C24 47-22051 Capacitor 22µF 50V Electrolytic 20% D1 60-75330 LED Green small #204GD 3mm T-1.0 D2 60-75320 LED Red small #204HD 3mm T-1.0 D10 60-75320 LED Red small #204HD 3mm T-1.0 H1 23-11008 Header 8 Pin Vert SHS 2.5mm H2 23-11008 Header 8 Pin Vert SHS 2.5mm H3 23-11008 Header 8 Pin Vert SHS 2.5mm H11 23-11008 Header 8 Pin Vert SHS 2.5mm H12 23-11008 Header 8 Pin Vert SHS 2.5mm H13 23-11008 Header 8 Pin Vert SHS 2.5mm J1 21-50545 Phone Jack 1/4" 5 pin H= 24mm J2 21-40000 XLR Jack Female Vert J3 21-50545 Phone Jack 1/4" 5 pin H= 24mm P1 71-09253 Potentiometer B50K Vert D Shaft 9 25F P2 71-09252 Potentiometer B50K C-C D Shaft 9 25F P3 71-09252 Potentiometer B50K C-C D Shaft 9 25F P4 71-09252 Potentiometer B50K C-C D Shaft 9 25F P5 71-09253 Potentiometer B50K D Shaft 9 25F P6 71-09253 Potentiometer B50K Vert D Shaft 9 25F P7 71-09253 Potentiometer B50K Vert D Shaft 9 25F P8 71-09253 Potentiometer B50K Vert D Shaft 9 25F P9 72-13169 Potentiometer B50Kx2 C-C D 14 25F P10 71-15065 Fader 25A50K 60mm HT= .215mm R1 50-56231 1/4W Resistor 5.62 1% Metal R2 59-10040 1/8W Resistor 10K x4 SIP 2% Carbon R3 50-10045 1/4W Resistor 10K 5% Carbon R4 50-15031 1/4W Resistor 1.51K 1% Metal R5 50-15031 1/4W Resistor 1.51K 1% Metal R6 50-22131 1/4W Resistor 2.21K 1% Metal R7 59-10040 1/8W Resistor 10K x4 SIP 2% Carbon R8 50-47025 1/4W Resistor 470Ω 5% Carbon R9 50-68045 1/4W Resistor 68K 5% Carbon R10 59-10040 1/8W Resistor 10K x4 SIP 2% Carbon R11 50-10045 1/4W Resistor 10K 5% Carbon R12 50-10045 1/4W Resistor 10K 5% Carbon R13 50-22035 1/4W Resistor 2.2K 5% Carbon R14 50-10025 1/4W Resistor 100Ω 5% Carbon R15 50-12045 1/4W Resistor 12K 5% Carbon R16 50-10035 1/4W Resistor 1K 5% Carbon R17 50-22131 1/4W Resistor 2.21K 1% Metal R18 50-10025 1/4W Resistor 100Ω 5% Carbon R19 50-47045 1/4W Resistor 47K 5% Carbon R20 50-10045 1/4W Resistor 10K 5% Carbon R21 50-47005 1/4W Resistor 4.7K 5% Carbon R22 50-10055 1/4W Resistor 100K 5% Carbon

R23 50-56231 1/4W Resistor 5.62 1% Metal R24 50-47045 1/4W Resistor 47K 5% Carbon R25 50-47005 1/4W Resistor 4.7K 5% Carbon R26 50-10025 1/4W Resistor 100Ω 5% Carbon R27 50-33035 1/4W Resistor 3.3K 5% Carbon R28 50-47045 1/4W Resistor 47K 5% Carbon R29 50-33035 1/4W Resistor 3.3K 5% Carbon R30 50-10045 1/4W Resistor 10K 5% Carbon R31 50-22045 1/4W Resistor 22K 5% Carbon R32 50-18045 1/4W Resistor 18K 5% Carbon R33 50-68035 1/4W Resistor 68K 5% Carbon R34 50-56035 1/4W Resistor 5.6K 5% Carbon R35 50-10045 1/4W Resistor 10K 5% Carbon R36 50-10055 1/4W Resistor 100K 5% Carbon R37 50-56035 1/4W Resistor 5.6K 5% Carbon R38 50-47055 1/4W Resistor 470K 5% Carbon R43 50-56035 1/4W Resistor 5.6K 5% Carbon R47 50-00035 Jumper .35" 0.0Ω R100 50-22035 1/4W Resistor 2.2K 5% Carbon R247 50-00035 Jumper .35" 0.0Ω R347 50-00035 Jumper .35" 0.0Ω R447 50-00035 Jumper .35" 0.0Ω R547 50-00035 Jumper .35" 0.0Ω R647 50-00035 Jumper .35" 0.0Ω R747 50-00035 Jumper .35" 0.0Ω R847 50-00035 Jumper .35" 0.0Ω S1 25-02201 Switch DPDT Push Vert S2 25-02201 Switch DPDT Push Vert S5 25-02201 Switch DPDT Push Vert S6 25-02201 Switch DPDT Push Vert S10 25-02201 Switch DPDT Push Vert Z1 61-04734 Diode Zener 5.6V 1N4734A 1W

System Master PCB Rev (C) 30-16214

A1 60-20430 Op Amp NJM2043D Linear Dual A10 60-45580 Op Amp MC4560 CP1 Dual HFREQ A11 60-45580 Op Amp MC4560 CP1 Dual HFREQ A12 60-45580 Op Amp MC4560 CP1 Dual HFREQ A13 60-20430 Op Amp NJM2043D Linear Dual A14 60-20430 Op Amp NJM2043D Linear Dual A15 60-45580 Op Amp MC4560 CP1 Dual HFREQ A16 60-45580 Op Amp MC4560 CP1 Dual HFREQ A19 60-20430 Op Amp NJM2043D Linear Dual A2 60-20430 Op Amp NJM2043D Linear Dual A20 60-45580 Op Amp MC4560 CP1 Dual HFREQ A21 60-45580 Op Amp MC4560 CP1 Dual HFREQ A22 60-45580 Op Amp MC4560 CP1 Dual HFREQ A23 60-20430 Op Amp NJM2043D Linear Dual A24 60-20430 Op Amp NJM2043D Linear Dual A25 60-45580 Op Amp MC4560 CP1 Dual HFREQ A26 60-45580 Op Amp MC4560 CP1 Dual HFREQ A28 60-45580 Op Amp MC4560 CP1 Dual HFREQ A29 60-20430 Op Amp NJM2043D Linear Dual A3 60-20430 Op Amp NJM2043D Linear Dual A30 60-45580 Op Amp MC4560 CP1 Dual HFREQ A31 60-20430 Op Amp NJM2043D Linear Dual A32 60-20430 Op Amp NJM2043D Linear Dual A33 60-20430 Op Amp NJM2043D Linear Dual A35 60-45580 Op Amp MC4560 CP1 Dual HFREQ A36 60-20430 Op Amp NJM2043D Linear Dual A4 60-20430 Op Amp NJM2043D Linear Dual A41 60-29010 IC DIP 14 Comparitor x4 OC A42 60-29010 IC DIP 14 Comparitor x4 OC A43 60-29010 IC DIP 14 Comparitor x4 OC A44 60-29010 IC DIP 14 Comparitor x4 OC A45 60-29010 IC DIP 14 Comparitor x4 OC A5 60-20430 Op Amp NJM2043D Linear Dual A6 60-45580 Op Amp MC4560 CP1 Dual HFREQ A7 60-45580 Op Amp MC4560 CP1 Dual HFREQ A8 60-29010 IC DIP 14 Comparitor x4 OC C1 45-39052 Capacitor 39PF 500V Ceramic 5% C10 47-22051 Capacitor 22µF 50V Electrolytic 20% C100 45-39052 Capacitor 39PF 500V Ceramic 5% C101 45-39052 Capacitor 39PF 500V Ceramic 5% C103 47-10061 Capacitor 10µF 63V Electrolytic 20% C104 47-10061 Capacitor 10µF 63V Electrolytic 20% C105 48-01031 Capacitor 1µF 35V Tant 10% C11 45-39052 Capacitor 39PF 500V Ceramic 5% C116 47-10061 Capacitor 10µF 63V Electrolytic 20% C118 47-10061 Capacitor 10µF 63V Electrolytic 20% C119 45-39052 Capacitor 39PF 500V Ceramic 5% C12 47-10061 Capacitor 10µF 63V Electrolytic 20% C120 45-39052 Capacitor 39PF 500V Ceramic 5% C122 47-10061 Capacitor 10µF 63V Electrolytic 20% C124 47-10061 Capacitor 10µF 63V Electrolytic 20% C125 45-39052 Capacitor 39PF 500V Ceramic 5% C126 45-39052 Capacitor 39PF 500V Ceramic 5% C13 47-22051 Capacitor 22µF 50V Electrolytic 20% C14 47-22051 Capacitor 22µF 50V Electrolytic 20% C15 47-10061 Capacitor 10µF 63V Electrolytic 20% C158 47-10061 Capacitor 10µF 63V Electrolytic 20% C159 47-10061 Capacitor 10µF 63V Electrolytic 20% C16 45-39052 Capacitor 39PF 500V Ceramic 5% C168 45-39052 Capacitor 39PF 500V Ceramic 5% C169 47-10061 Capacitor 10µF 63V Electrolytic 20% C17 45-39052 Capacitor 39PF 500V Ceramic 5% C170 47-10061 Capacitor 10µF 63V Electrolytic 20% C18 45-39052 Capacitor 39PF 500V Ceramic 5% C19 46-47312 Capacitor 0.047µF 100V Poly 10% C2 45-39052 Capacitor 39PF 500V Ceramic 5% C20 45-82052 Capacitor 82PF 500V Ceramic 5% C203 47-10061 Capacitor 10µF 63V Electrolytic 20% C21 45-39052 Capacitor 39PF 500V Ceramic 5% C22 47-10061 Capacitor 10µF 63V Electrolytic 20% C23 45-39052 Capacitor 39PF 500V Ceramic 5% C24 46-10212 Capacitor 0.001µF 100V Poly 10% C25 45-39052 Capacitor 39PF 500V Ceramic 5% C26 47-10061 Capacitor 10µF 63V Electrolytic 20% C27 46-47412 Capacitor 0.47µF 100V Poly 10% C28 46-22312 Capacitor 0.022µF 100V Poly 10% C29 46-22461 Capacitor 0.22µF 63V Poly 10% C3 45-39052 Capacitor 39PF 500V Ceramic 5% C30 46-68312 Capacitor 0.068µF 100V Poly 10% C31 46-33212 Capacitor 0.0033µF 100V Poly 10% C32 46-33312 Capacitor 0.033µF 100V Poly 10% C33 46-10212 Capacitor 0.001µF 100V Poly 10% C34 46-22312 Capacitor 0.022µF 100V Poly 10% C35 45-33113 Capacitor 330PF 1000V 10%

C36 46-10212 Capacitor 0.001µF 100V Poly 10% C37 45-39052 Capacitor 39PF 500V Ceramic 5% C38 46-10212 Capacitor 0.001µF 100V Poly 10% C39 45-39052 Capacitor 39PF 500V Ceramic 5% C4 45-39052 Capacitor 39PF 500V Ceramic 5% C40 46-22212 Capacitor 0.0022µF 100V Poly 10% C41 47-10061 Capacitor 10µF 63V Electrolytic 20% C42 47-10061 Capacitor 10µF 63V Electrolytic 20% C43 47-10061 Capacitor 10µF 63V Electrolytic 20% C44 47-10061 Capacitor 10µF 63V Electrolytic 20% C45 47-10061 Capacitor 10µF 63V Electrolytic 20% C46 46-10312 Capacitor 0.01µF 100V Poly 10% C47 46-10412 Capacitor 0.1µF 100V Poly 10% C48 46-47212 Capacitor 0.0047µF 100V Poly 10% C49 45-33113 Capacitor 330PF 1000V 10% C5 47-10061 Capacitor 10µF 63V Electrolytic 20% C50 45-39052 Capacitor 39PF 500V Ceramic 5% C51 46-10212 Capacitor 0.001µF 100V Poly 10% C52 47-22051 Capacitor 22µF 50V Electrolytic 20% C53 46-10212 Capacitor 0.001µF 100V Poly 10% C54 46-10212 Capacitor 0.001µF 100V Poly 10% C55 46-68212 Capacitor 0.0068µF 100V Poly 10% C56 46-10212 Capacitor 0.001µF 100V Poly 10% C57 46-47212 Capacitor 0.0047µF 100V Poly 10% C58 45-39052 Capacitor 39PF 500V Ceramic 5% C59 45-39052 Capacitor 39PF 500V Ceramic 5% C6 45-39052 Capacitor 39PF 500V Ceramic 5% C60 45-39052 Capacitor 39PF 500V Ceramic 5% C61 47-10061 Capacitor 10µF 63V Electrolytic 20% C62 45-25152 Capacitor 250PF 500V Ceramic 5% C63 45-39052 Capacitor 39PF 500V Ceramic 5% C64 46-47212 Capacitor 0.0047µF 100V Poly 10% C65 46-22212 Capacitor 0.0022µF 100V Poly 10% C66 45-33113 Capacitor 330PF 1000V 10% C67 45-25152 Capacitor 250PF 500V Ceramic 5% C68 46-10212 Capacitor 0.001µF 100V Poly 10% C69 45-33113 Capacitor 330PF 1000V 10% C7 47-10061 Capacitor 10µF 63V Electrolytic 20% C70 47-47125 Capacitor 470µF 25V Electrolytic 20% C71 47-10061 Capacitor 10µF 63V Electrolytic 20% C72 45-39052 Capacitor 39PF 500V Ceramic 5% C73 46-47412 Capacitor 0.47µF 100V Poly 10% C74 46-22312 Capacitor 0.022µF 100V Poly 10% C75 46-22461 Capacitor 0.22µF 63V Poly 10% C76 46-10312 Capacitor 0.01µF 100V Poly 10% C77 46-10412 Capacitor 0.1µF 100V Poly 10% C78 46-47212 Capacitor 0.0047µF 100V Poly 10% C79 46-68312 Capacitor 0.068µF 100V Poly 10% C8 45-39052 Capacitor 39PF 500V Ceramic 5% C80 46-33212 Capacitor 0.0033µF 100V Poly 10% C81 46-33312 Capacitor 0.033µF 100V Poly 10% C82 46-10212 Capacitor 0.001µF 100V Poly 10% C83 46-22312 Capacitor 0.022µF 100V Poly 10% C84 46-10212 Capacitor 0.001µF 100V Poly 10% C85 46-68212 Capacitor 0.0068µF 100V Poly 10% C86 45-33113 Capacitor 330PF 1000V 10% C87 45-39052 Capacitor 39PF 500V Ceramic 5% C88 46-10212 Capacitor 0.001µF 100V Poly 10% C89 47-22051 Capacitor 22µF 50V Electrolytic 20% C9 47-10061 Capacitor 10µF 63V Electrolytic 20% C90 47-47125 Capacitor 470µF 25V Electrolytic 20% C91 46-47312 Capacitor 0.047µF 100V Poly 10% C92 46-47312 Capacitor 0.047µF 100V Poly 10% C93 45-82052 Capacitor 82PF 500V Ceramic 5% C94 45-82052 Capacitor 82PF 500V Ceramic 5% C95 45-82052 Capacitor 82PF 500V Ceramic 5% C96 45-82052 Capacitor 82PF 500V Ceramic 5% C97 45-39052 Capacitor 39PF 500V Ceramic 5% C98 45-39052 Capacitor 39PF 500V Ceramic 5% C99 45-39052 Capacitor 39PF 500V Ceramic 5% D1 60-75320 LED Red small #204HD 3mm T-1.0 D10 60-75340 LED Yellow small #204YD 3mm T-1.0 D11 60-75340 LED Yellow small #204YD 3mm T-1.0 D12 60-75330 LED Green small #204GD 3mm T-1.0 D13 60-75330 LED Green small #204GD 3mm T-1.0 D14 60-75330 LED Green small #204GD 3mm T-1.0 D15 60-75330 LED Green small #204GD 3mm T-1.0 D16 60-75330 LED Green small #204GD 3mm T-1.0 D17 60-75330 LED Green small #204GD 3mm T-1.0 D18 60-75320 LED Red small #204HD 3mm T-1.0 D19 60-75340 LED Yellow small #204YD 3mm T-1.0 D2 61-19140 Diode 1N914 HI SPD 20mA 250mW D20 60-75340 LED Yellow small #204YD 3mm T-1.0 D21 60-75340 LED Yellow small #204YD 3mm T-1.0 D22 60-75330 LED Green small #204GD 3mm T-1.0 D23 60-75330 LED Green small #204GD 3mm T-1.0 D24 60-75330 LED Green small #204GD 3mm T-1.0 D25 60-75330 LED Green small #204GD 3mm T-1.0 D26 60-75330 LED Green small #204GD 3mm T-1.0 D27 60-75330 LED Green small #204GD 3mm T-1.0 D28 60-75320 LED T-1.750" Lg Red #333HD 5mm D29 61-19140 Diode 1N914 HI SPD 20mA 250mW D3 61-19140 Diode 1N914 HI SPD 20mA 250mW D30 61-19140 Diode 1N914 HI SPD 20mA 250mW D31 61-19140 Diode 1N914 HI SPD 20mA 250mW D32 61-19140 Diode 1N914 HI SPD 20mA 250mW D4 61-19140 Diode 1N914 HI SPD 20mA 250mW D5 61-19140 Diode 1N914 HI SPD 20mA 250mW D6 61-19140 Diode 1N914 HI SPD 20mA 250mW D7 60-75320 LED Red small #204HD 3mm T-1.0 D8 60-75320 LED Red small #204HD 3mm T-1.0 D9 60-75340 LED Yellow small #204YD 3mm T-1.0 E1 25-22203 Rot Encoder Vert 5-bit Vert H1 23-11008 Header 8 Pin Vert 2.5mm H2 23-11008 Header 8 Pin Vert 2.5mm H3 23-11008 Header 8 Pin Vert 2.5mm H4 23-11008 Header 8 Pin Vert 2.5mm H5 23-11010 Header 10 Pin Vert 2.5mm H6 23-11008 Header 8 Pin Vert 2.5mm J1 21-50545 Phone Jack 1/4" Stereo H=24mm J10 21-40022 RCA Phono Jack x4 J11 21-50345 Phone Jack 1/4" Mono H=24mm J12 21-50345 Phone Jack 1/4" Mono H=24mm J13 21-50345 Phone Jack 1/4" Mono H=24mm J2 21-50545 Phone Jack 1/4" Stereo H=24mm J3 21-50345 Phone Jack 1/4" Mono H=24mm J31 21-40001 XLR Jack Male Vert J32 21-40001 XLR Jack Male Ver J33 21-40001 XLR Jack Male Ver J4 21-50345 Phone Jack 1/4" Mono H=24mm

J5 21-50345 Phone Jack 1/4" Mono H=24mm J6 21-50345 Phone Jack 1/4" Mono H=24mm J7 21-50345 Phone Jack 1/4" Mono H=24mm J8 21-50345 Phone Jack 1/4" Mono H=24mm J9 21-50545 Phone Jack 1/4" Stereo H=24mm P1 71-15065 Fader 25A50K 60mm HT=.215 P107 72-13168 Potentiometer B50Kx2 D Shaft 14 25F P109 72-13168 Potentiometer B50Kx2 D Shaft 14 25F P11 71-10333 Fader B50K C-C 30mm HT=6.5 P110 72-13168 Potentiometer B50Kx2 D Shaft 14 25F P12 71-10333 Fader B50K C-C 30mm HT=6.5 P120 72-13168 Potentiometer B50Kx2 D Shaft 14 25F P13 71-10333 Fader B50K C-C 30mm HT=6.5 P130 72-13168 Potentiometer B50Kx2 D Shaft 14 25F P14 71-10333 Fader B50K C-C 30mm HT=6.5 P15 71-10333 Fader B50K C-C 30mm HT=6.5 P16 71-10333 Fader B50K C-C 30mm HT=6.5 P17 71-10333 Fader B50K C-C 30mm HT=6.5 P18 71-10333 Fader B50K C-C 30mm HT=6.5 P19 71-10333 Fader B50K C-C 30mm HT=6.5 P2 71-15065 Fader 25A50K 60mm HT=.215 P21 71-10333 Fader B50K C-C 30mm HT=6.5 P22 71-10333 Fader B50K C-C 30mm HT=6.5 P23 71-10333 Fader B50K C-C 30mm HT=6.5 P24 71-10333 Fader B50K C-C 30mm HT=6.5 P25 71-10333 Fader B50K C-C 30mm HT=6.5 P26 71-10333 Fader B50K C-C 30mm HT=6.5 P27 71-10333 Fader B50K C-C 30mm HT=6.5 P28 71-10333 Fader B50K C-C 30mm HT=6.5 P29 71-10333 Fader B50K C-C 30mm HT=6.5 P3 71-15065 Fader 25A50K 60mm HT=.215 P31 71-15065 Fader 25A50K 60mm HT=.215 P32 71-15065 Fader 25A50K 60mm HT=.215 P33 71-09253 Potentiometer B50K D Shaft 9 25F P4 71-09253 Potentiometer B50K D Shaft 9 25F P42 71-09253 Potentiometer B50K D Shaft 9 25F P5 71-09253 Potentiometer B50K D Shaft 9 25F P6 71-09253 Potentiometer B50K D Shaft 9 25F P8 71-09253 Potentiometer B50K D Shaft 9 25F Q1 60-17500 JFET J175 TO-92 P Chnl Q17 60-45000 Transistor 2N54000 TO-92 Q18 60-45000 Transistor 2N54000 TO-92 Q2 60-17500 JFET J175 TO-92 P Chnl R1 50-22055 1/4W Resistor 220K 5% Carbon R10 50-10045 1/4W Resistor 10K 5% Carbon R100 50-47015 1/4W Resistor 47Ω 5% Carbon R101 50-22045 1/4W Resistor 22K 5% Carbon R102 50-10045 1/4W Resistor 10K 5% Carbon R103 50-22035 1/4W Resistor 2.2K 5% Carbon R104 50-22035 1/4W Resistor 2.2K 5% Carbon R105 50-10045 1/4W Resistor 10K 5% Carbon R106 50-10045 1/4W Resistor 10K 5% Carbon R107 50-24035 1/4W Resistor 2.4K 5% Carbon R108 50-15055 1/4W Resistor 150K 5% Carbon R109 50-22035 1/4W Resistor 2.2K 5% Carbon R11 50-10045 1/4W Resistor 10K 5% Carbon R110 50-15035 1/4W Resistor 1.5K 5% Carbon R111 50-22055 1/4W Resistor 220K 5% Carbon R112 50-10015 1/4W Resistor 10Ω 5% Carbon R113 50-22035 1/4W Resistor 2.2K 5% Carbon R114 50-30055 1/4W Resistor 300K 5% Carbon R115 50-24035 1/4W Resistor 2.4K 5% Carbon R116 50-18055 1/4W Resistor 180K 5% Carbon R117 50-22035 1/4W Resistor 2.2K 5% Carbon R118 50-36055 1/4W Resistor 360K 5% Carbon R119 50-12045 1/4W Resistor 12K 5% Carbon R12 50-10055 1/4W Resistor 100K 5% Carbon R120 50-20035 1/4W Resistor 2K 5% Carbon R121 50-13055 1/4W Resistor 130K 5% Carbon R122 50-22035 1/4W Resistor 2.2K 5% Carbon R123 50-11055 1/4W Resistor 110K 5% Carbon R124 50-47035 1/4W Resistor 4.7K 5% Carbon R125 50-22035 1/4W Resistor 2.2K 5% Carbon R126 50-11055 1/4W Resistor 110K 5% Carbon R127 50-18035 1/4W Resistor 1.8K 5% Carbon R128 50-91045 1/4W Resistor 91K 5% Carbon R129 50-24035 1/4W Resistor 2.4K 5% Carbon R13 50-47025 1/4W Resistor 470Ω 5% Carbon R130 50-22035 1/4W Resistor 2.2K 5% Carbon R131 50-22035 1/4W Resistor 2.2K 5% Carbon R132 50-24035 1/4W Resistor 2.4K 5% Carbon R133 50-22055 1/4W Resistor 220K 5% Carbon R134 50-30055 1/4W Resistor 300K 5% Carbon R135 50-91045 1/4W Resistor 91K 5% Carbon R136 50-10045 1/4W Resistor 10K 5% Carbon R137 50-10045 1/4W Resistor 10K 5% Carbon R138 50-10015 1/4W Resistor 10Ω 5% Carbon R139 50-33035 1/4W Resistor 3.3K 5% Carbon R14 50-10045 1/4W Resistor 10K 5% Carbon R140 50-10045 1/4W Resistor 10K 5% Carbon R141 50-10045 1/4W Resistor 10K 5% Carbon R142 50-22045 1/4W Resistor 22K 5% Carbon R143 50-22045 1/4W Resistor 22K 5% Carbon R144 50-10055 1/4W Resistor 100K 5% Carbon R145 50-10045 1/4W Resistor 10K 5% Carbon R146 50-10055 1/4W Resistor 100K 5% Carbon R147 50-10045 1/4W Resistor 10K 5% Carbon R148 50-10065 1/4W Resistor 1M 5% Carbon R149 50-10065 1/4W Resistor 1M 5% Carbon R15 50-10045 1/4W Resistor 10K 5% Carbon R150 50-10055 1/4W Resistor 100K 5% Carbon R16 50-10045 1/4W Resistor 10K 5% Carbon R160 50-47025 1/4W Resistor 470Ω 5% Carbon R163 50-47025 1/4W Resistor 470Ω 5% Carbon R167 50-12045 1/4W Resistor 12K 5% Carbon R168 50-10045 1/4W Resistor 10K 5% Carbon R17 59-10040 1/8W Resistor 10Kx4 SIP 2% R18 50-47045 1/4W Resistor 47K 5% Carbon R19 50-10045 1/4W Resistor 10K 5% Carbon R2 50-10045 1/4W Resistor 10K 5% Carbon R20 50-10045 1/4W Resistor 10K 5% Carbon R200 50-47005 1/4W Resistor 4.7Ω 5% Carbon R201 50-47005 1/4W Resistor 4.7Ω 5% Carbon R21 50-10055 1/4W Resistor 100K 5% Carbon R210 50-22055 1/4W Resistor 220K 5% Carbon R22 50-10045 1/4W Resistor 10K 5% Carbon R227 50-12045 1/4W Resistor 12K 5% Carbon R228 50-47025 1/4W Resistor 470Ω 5% Carbon R229 50-47025 1/4W Resistor 470Ω 5% Carbon R23 50-10045 1/4W Resistor 10K 5% Carbon

R230 50-12045 1/4W Resistor 12K 5% Carbon R235 50-12045 1/4W Resistor 12K 5% Carbon R236 50-47035 1/4W Resistor 4.7K 5% Carbon R237 50-47025 1/4W Resistor 470Ω 5% Carbon R238 50-10045 1/4W Resistor 10K 5% Carbon R239 50-43045 1/4W Resistor 43K 5% Carbon R24 50-10045 1/4W Resistor 10K 5% Carbon R240 50-47025 1/4W Resistor 470Ω 5% Carbon R241 50-47025 1/4W Resistor 470Ω 5% Carbon R242 50-27045 1/4W Resistor 27K 5% Carbon R243 50-15045 1/4W Resistor 15K 5% Carbon R245 50-68035 1/4W Resistor 6.8K 5% Carbon R246 50-39035 1/4W Resistor 39K 5% Carbon R247 50-18035 1/4W Resistor 1.8K 5% Carbon R248 50-91025 1/4W Resistor 910Ω 5% Carbon R249 50-47025 1/4W Resistor 470Ω 5% Carbon R25 50-47025 1/4W Resistor 470Ω 5% Carbon R250 50-27025 1/4W Resistor 270Ω 5% Carbon R251 50-33025 1/4W Resistor 330Ω 5% Carbon R254 50-22045 1/4W Resistor 22K 5% Carbon R255 50-22045 1/4W Resistor 22K 5% Carbon R26 50-22045 1/4W Resistor 22K 5% Carbon R260 50-12045 1/4W Resistor 12K 5% Carbon R261 50-12045 1/4W Resistor 12K 5% Carbon R266 50-22045 1/4W Resistor 22K 5% Carbon R267 50-22045 1/4W Resistor 22K 5% Carbon R27 50-47025 1/4W Resistor 470Ω 5% Carbon R28 50-22045 1/4W Resistor 22K 5% Carbon R29 50-12045 1/4W Resistor 12K 5% Carbon R3 50-47035 1/4W Resistor 4.7K 5% Carbon R30 50-47045 1/4W Resistor 470Ω 5% Carbon R303 50-00035 Jumper 0.35" 0.0Ω R31 50-10045 1/4W Resistor 10K 5% Carbon R32 50-33035 1/4W Resistor 3.3K 5% Carbon R33 50-10045 1/4W Resistor 10K 5% Carbon R34 50-10045 1/4W Resistor 10K 5% Carbon R35 50-10045 1/4W Resistor 10K 5% Carbon R36 50-10045 1/4W Resistor 10K 5% Carbon R37 50-36055 1/4W Resistor 360K 5% Carbon R38 50-10055 1/4W Resistor 100K 5% Carbon R39 50-22045 1/4W Resistor 22K 5% Carbon R4 50-47025 1/4W Resistor 470Ω 5% Carbon R40 50-10045 1/4W Resistor 10K 5% Carbon R404 50-00035 Jumper 0.35" 0.0Ω R41 50-10045 1/4W Resistor 10K 5% Carbon R42 50-22045 1/4W Resistor 22K 5% Carbon R43 50-10045 1/4W Resistor 10K 5% Carbon R44 50-22045 1/4W Resistor 22K 5% Carbon R45 50-47025 1/4W Resistor 470Ω 5% Carbon R46 50-47025 1/4W Resistor 470Ω 5% Carbon R47 50-10045 1/4W Resistor 10K 5% Carbon R48 50-10045 1/4W Resistor 10K 5% Carbon R49 50-10045 1/4W Resistor 10K 5% Carbon R5 50-47025 1/4W Resistor 470Ω 5% Carbon R50 50-10045 1/4W Resistor 10K 5% Carbon R505 50-00035 Jumper 0.35" 0.0Ω R51 50-10045 1/4W Resistor 10K 5% Carbon R52 50-10045 1/4W Resistor 10K 5% Carbon R53 50-10045 1/4W Resistor 10K 5% Carbon R54 50-10045 1/4W Resistor 10K 5% Carbon R55 50-10045 1/4W Resistor 10K 5% Carbon R56 50-22045 1/4W Resistor 22K 5% Carbon R57 50-22045 1/4W Resistor 22K 5% Carbon R58 50-15035 1/4W Resistor 1.5K 5% Carbon R59 50-47025 1/4W Resistor 470Ω 5% Carbon R6 50-22055 1/4W Resistor 220K 5% Carbon R60 50-10045 1/4W Resistor 10K 5% Carbon R606 50-47025 1/4W Resistor 470Ω 5% Carbon R61 50-10045 1/4W Resistor 10K 5% Carbon R62 50-10045 1/4W Resistor 10K 5% Carbon R63 50-47025 1/4W Resistor 470Ω 5% Carbon R64 50-22035 1/4W Resistor 2.2K 5% Carbon R65 50-33035 1/4W Resistor 3.3K 5% Carbon R66 50-33035 1/4W Resistor 3.3K 5% Carbon R67 50-10045 1/4W Resistor 10K 5% Carbon R68 50-12045 1/4W Resistor 12K 5% Carbon R69 50-47025 1/4W Resistor 470Ω 5% Carbon R7 50-22055 1/4W Resistor 220K 5% Carbon R70 50-12045 1/4W Resistor 12K 5% Carbon R71 50-10045 1/4W Resistor 10K 5% Carbon R72 50-22045 1/4W Resistor 22K 5% Carbon R73 50-15055 1/4W Resistor 150K 5% Carbon R74 50-10045 1/4W Resistor 10K 5% Carbon R75 50-10045 1/4W Resistor 10K 5% Carbon R76 50-12045 1/4W Resistor 12K 5% Carbon R77 50-10045 1/4W Resistor 10K 5% Carbon R78 50-10045 1/4W Resistor 10K 5% Carbon R79 50-18055 1/4W Resistor 180K 5% Carbon R8 50-10045 1/4W Resistor 10K 5% Carbon R80 50-22035 1/4W Resistor 2.2K 5% Carbon R808 50-00035 Jumper 0.35" 0.0Ω R81 50-36055 1/4W Resistor 360K 5% Carbon R82 50-20035 1/4W Resistor 2K 5% Carbon R83 50-13055 1/4W Resistor 130K 5% Carbon R84 50-22035 1/4W Resistor 2.2K 5% Carbon R85 50-11055 1/4W Resistor 110K 5% Carbon R86 50-22035 1/4W Resistor 2.2K 5% Carbon R87 50-11055 1/4W Resistor 110K 5% Carbon R88 50-18035 1/4W Resistor 1.8K 5% Carbon R89 50-10045 1/4W Resistor 10K 5% Carbon R9 50-10055 1/4W Resistor 100K 5% Carbon R90 50-10045 1/4W Resistor 10K 5% Carbon R909 50-10015 1/4W Resistor 10Ω 5% Carbon R91 50-10045 1/4W Resistor 10K 5% Carbon R92 50-22045 1/4W Resistor 22K 5% Carbon R93 50-10045 1/4W Resistor 10K 5% Carbon R94 50-22045 1/4W Resistor 22K 5% Carbon R95 50-22045 1/4W Resistor 22K 5% Carbon R96 50-22045 1/4W Resistor 22K 5% Carbon R97 50-22045 1/4W Resistor 22K 5% Carbon R98 50-10045 1/4W Resistor 10K 5% Carbon R99 50-47015 1/4W Resistor 47Ω 5% Carbon R999 50-00035 Jumper 0.35" 0.0Ω S1 25-04201 Switch 4PDT Push Vert S2 25-04201 Switch 4PDT Push Vert S5 25-02201 Switch DPDT Push Vert S6 25-02201 Switch DPDT Push Vert S7 25-02201 Switch DPDT Push Vert S8 25-02201 Switch DPDT Push Vert

REPLACEMENT PARTS LIST

This symbol is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to consti-

tute a risk of electric shock to persons.

This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

LIMITED WARRANTY

Your Carvin product is guaranteed against failure for 1 YEAR unless otherwise stated. Carvin will service and supply all parts at no charge to the customer providing the unit is under warranty. Shipping costs are the responsibility of the customer. CARVIN DOES NOT PAY FOR PARTS OR SERVICING OTHER THAN OUR OWN. A COPY OF THE ORIGINAL INVOICE IS REQUIRED TO VERIFY YOUR WARRANTY. Carvin assumes no responsibility for horn drivers or speakers damaged by this unit. This warranty does not cover, and no liability is assumed, for damage due to: natural disasters, accidents, abuse, loss of parts, lack of reasonable care, incorrect use, or failure to follow instructions. This warranty is in lieu of all other warranties, expressed or implied. No representative or person is authorized to represent or assume for Carvin any liability in connection with the sale or servicing of Carvin products.

CARVIN SHALL NOT BE LIABLE FOR INCIDEN-

TAL OR CONSEQUENTIAL DAMAGES.

When RETURNING merchandise to the factory, you may call for a return authorization number . Describe in writing each problem. If your unit is out of warranty, you will be charged the current FLAT RATE for parts and labor to bring your unit up to factory specifications.

MAINTAINING YOUR EQUIPMENT

Avoid spilling liquids or allowing any other foreign matter inside the unit. The panel of your unit can be wiped from time to time with a dry or slightly damp cloth in order to remove dust and bring back the new look.

As with all pro gear, avoid prolonged use in caustic environments (salt air). When used in such an environment, be sure the mixer is adequately protected by a cover.

Page 2

CARVIN ENGINEERING DATA C1600 16CH & C2400 24CH STEREO MIXER OPERATING MANUAL

12340 World Trade Drive, San Diego, CA 92128

(619) 487-1600 (800) 854-2235

www.carvin.com

Congratulations on the purchase of your mixer . Y our new Concert Series mixer demonstrates CARVIN’s commitment to producing the highest quality and most sophisticated engineering in the audio industry today. The “C” series mixers are designed to be professional mixers for use in live performance sound reinforcement systems. Features include a full function stereo mixer with two nine band graphic equalizers. Exclusive features include grouped phantom power and internal 24 BIT stereo digital effects. The high quality construction will provide years of performance in and out of the studio. Enjoy your new mixer.

OVERVIEW

The MIC/LINE input channels feature Balanced XLR and TRS 1/4” inputs with grouped phantom power for condenser mics. There are 3 bands of EQ with a MID SHIFT and LOW CUT, 2 post fader effect sends, and 2 monitor pre-fader sends on each channel. The master section features two 9 band graphic EQs, master stereo main and monitor mix controls, a mono main control, a complete 16 program effects processor with send and return controls that allow the effects to be heard through the main mix and monitor mix, and stereo external effects returns.

CHANNEL EQ WITH ACTIVE TONE CIRCUITS

The Concert Series incorporates 3 bands of EQ per channel. They offer smooth non interactive tone curves so your adjustments will sound natural and yet be effective. The high (treble) and low (bass) “shelving” type controls cover the complete upper and bottom portions of the audio range. The LOW CUT switch provides instant elimination of unwanted low frequencies below 75 Hz. The MID EQ controls are a “band pass” type which peak at

2.5k Hz or 700 Hz (depending on the MID SHIFT switch) for added presence to your mid range tones . Because CARVIN uses “active” tone circuits, you are able to boost or cut your tones without any signal loss to your sound.

RECEIVING INSPECTION—read before getting started

INSPECT YOUR MIXER FOR ANY DAMAGE which may have occurred during shipping.

If any damage is found, please notify the shipping company and CARVIN immediately.

SAVE THE CARTON & ALL P ACKING MA TERIALS. In the event you have to re-ship your unit, always use the original carton and packing material. This will provide the best possible protection during shipment. CARVIN and the shipping company are not liable for any damage caused by improper packing.

SAVE YOUR INVOICE. It will be required for warranty service if needed in the future.

SHIPMENT SHORTAGE. If you find items missing, they may have been shipped separately. Please allow several days for the rest of your order to arrive before inquiring.

RECORD THE SERIAL NUMBER on the enclosed warranty card or below on this manual for your records. Keep your portion of the card and return the portion with your name and comments to us.

INTERNAL SIGNAL ROUTING

A balanced mic or instrument plugs directly into the high quality XLR Neutrik™ connectors and is then routed into the differential circuits for excellent hum and noise cancellation. As your signal continues within the console, a double-sided printed circuit board (FR-4 fire rated) carefully guards the circuit traces with a copper shield running over the traces. This reduces RF interference and crosstalk substantially. The printed circuit board has plated-through holes which means that every component is soldered securely in three places (on the bottom, in the hole and on top). This offers unsurpassed component security while reducing circuit resistance for pure dynamic sound.

HEADROOM

Headroom is very important when designing a mixer—especially for recording. Lack of headroom will cause your sound to become distorted and muddy. This can happen when you turn the volume too high, the input signal is too hot or excess EQ is added. With most mixers, you have to reduce the input gain to fight headroom problems, but this just increases noise. That’s why we have taken great care in the “C” series to make sure that each gain stage is properly designed and balanced for more headroom along the entire audio path.

SWITCHING POWER SUPPLY

The Concert Series power supply offers unsurpassed rejection of noise and hum while providing precision voltage for all preamp stages. The internal switching power supply takes the 60 Hz AC line input and immediately converts it to 100kHz well outside of the audio range. The 100kHz AC is sent through a transformer and converted to precision DC voltages. Now you can go anywhere and never worry about inconsistent sound due to fluctuating voltages because your mixer automatically switches internally to use 120 or 240VAC. (120VAC & 240V AC compatible with the proper AC cable) CARVIN has spared no expense to achieve the best possible quality & performance.

For your records, you may wish to record the following information. Serial No.________________________________ Invoice Date_______________

76-02400 498

C1600 & C2400 SPECIFICATIONS:

Frequency Response: Mic or Line Inputs: 20Hz-20KHz ±1dB Total Harmonic Distortion: Less than .01% Equivalent Input Noise: 150 ohm source: -112dBu Output Noise: less than -90dBu Master Line Out

(all levels minimum)

Output Headroom: +28dB XLR bal, +20dB 1/4” unbal Maximum Gain: Mic in to Master Line Out: 74dB Crosstalk: Adjacent ch’s: -60db at 1KHz Common Mode Rejection: -80db at 1KHz Phantom Power: All XLR Mic in (channel groups of 8) Channel EQ.: 3 band active,LOW: 80Hz ±15dB

MID: 2.5K or 700 Hz±15dB HI: 11.5KHz ±15dB

Graphic EQ.: 9 Band Oct. Intervals ±12dB Mic Input: Balanced XLR input Line Input: Balanced 1/4” Phone Jack Power Consumption: C1600: 30VA, C2400: 40VA Size: C1600: 14”D x 23”W x 3.1”H

C2400: 14”D x 30”W x 3.1”H

C1600& C2400 BLOCK DIAGRAM

THREE BAND

CHANNEL TONE

CONTROLS

PAD

GAIN

MID LOW

MIC PRE

LEVEL

EFF 1&2

EFF 3

EFFECTS 1&2

EFFECTS 2

OUTPUT EFFECTS 2 LEVEL

LEFT

TAPE IN

PAN

RIGHT

CHANNELS

line pad (-11dB)

EFF 3

HEADPHONE

LEVEL

HEADPHONE

OUTPUT

EFFECTS 3

OUTPUT

EFFECTS 3 LEVEL

RIGHT

LEFT

EFFECTS RETURNS

ONE AND TWO

EFF 1&2

RETURN

LEVEL

L - R

METERS

INSERT

MIC

LINE

LO CUT

MON 1

MON 2

PFL

MUTE

PFL

MON 2

MON 1

Unbal OUT

MONO

BAL OUT

MONO FADER

Unbal OUT

TAPE OUT

LEFT

BAL OUT

HEADPHONE

AND METER

SWITCHES

RIGHT BUSS FADER

LEFT BUSS FADER

EFFECTS 1 LEVEL

RETURN

LEVEL

MON 1

INTERNAL DIGITAL EFFECTS

EFF 1&2

EFF 3

MON 1

MON 2

PFL

MONITOR 2

MON 2 LEVEL

MONITOR 1

MON 1 LEVEL

BAL TRS

MONITOR 2

MONITOR 1

DUAL

9 BAND

GRAPHIC EQ

AND

ASSIGNMENT

SWITCHES

Unbal OUT

TAPE OUT

RIGHT

BAL OUT

Page 3

C1600 & C2400 CONTROLS

CHANNEL FEATURES

1. 1/4” LINE IN

The line connectors are for connecting balanced and unbalanced instruments, mics, and line level sources such as drum machines or keyboards.

2. XLR MIC IN The balanced Mic inputs are for connecting microphones that use XLR connections.

3. CHANNEL INSERT/CHANNEL DIRECT

For inserting channel effects, compressor, ETC. Or, as a direct output for multi-track recording. For a direct out use a 1/4” TRS (Tip Ring Sleeve) phone jack. To achieve a direct out from the channel insert to the first “click” (1/2 insert).

4. GAIN CONTROL

Adjusts the GAIN when connecting various instruments & mics. The type of mic (uni-directional, omnidirectional, etc) and model will require GAINsettings for each individual mic. Monitor the GAINlevel with the PEAK LEDs. If an LED is constantly illuminated decrease the amount of GAIN. Too much GAINmay cause distortion. If distortion is present, decrease the amount of GAIN until the distortion is eliminated.

5. LOW CUT SWITCH

75 Hz low cut filter helps eliminate unwanted low frequencies from any particular channel. Great for reducing “boom” noise from mic stands or from acoustic/electric guitars. This filter can also help punch up the bass by turning up the LOW tone control while using the LOW CUT switch.

6. MID SHIFT SWITCH

An exclusive feature giving you two different midrange center frequencies. This is ideal for vocals and/or instruments. The MIDtone switch on each channel is easier to use than conventional sweep controls because they allow you to compare for the best vocal or instrument sound by switching between the two MID frequencies.

7. ACTIVE 3 BAND TONE CONTROLS

The C series mixers provide studio quality tone controls with distortion less than .009%–exceptionally clean for recording & live sound. The ±15 dB boost or cut give an overall 30 dB range for powerful EQ control. The active circuits deliver deep bass from the 20-80 Hz LOW control. The MIDcontrol works in the 2.5k Hz range or the 700 Hz range depending on the MID SHIFT switch. The HI control functions at 1120k for crisper highs. Start out with all tone controls at their

center zero position. Determine which position your MID SHIFT sounds best at,then cut or boost your HI, MID and LOW frequencies for each as needed. If you are trying to mic instruments such as acoustic guitar or drums, try various mics and mic placement before adjusting your tone controls (condenser mics work well for these applications). Cutting and boosting frequencies improperly can cause an “un-natural” sound to your vocals or instruments. Your goal is to achieve a natural sound for your entire performance or recording.

8. & 9. MONITOR 1 AND 2 CONTROLS

Separate MONITOR level controls for each channel allows you to create two independent monitor mixes. The MONITOR signals are routed to the master MON 1 & 2 faders respectively before going to the MONITOR output connectors. The mix you create with the MON 1 & 2 controls can also be heard

C1600 & C2400

QUICK START UP

If you’re like most new owners, you’re probably in a hurry to plug your mixer in and use it. Here are some brief instructions to get you going quickly. With the mixer unplugged and the unit turned off, complete the following procedures:

1. CONNECTING AC POWER TO YOUR MIXER

• The mixer can be used with 120 or 230VAC (it automatically switches internally)

• Use only a grounded (3 prong) power outlet to prevent a shock hazard. This gives the quietest grounding for your mixer.

2. CONNECTING INPUTS TO YOUR MIXER

• For low level balanced devices such as microphones, plug into the balanced MIC inputs using a shielded microphone cable with XLR ends.

• For high level unbalanced devices such as instruments & Keyboards, plug into the LINE input jacks using a shielded cable with 1/4” phone plugs. Adjust the GAIN knob for the mic or line input being used.

3. TURNING YOUR MIXER ON

• Adjust all channel FADERS and master LEVELcontrols to their OFF positions

• Adjust all channel’s HI, MID, and BASS controls and the two master 9 Band Graphic EQ’s to their center position.

• Adjust all the Channel “PAN”controls to their center position.

• Turn the mixer on by the rear panel POWER SWITCHand watch for the POWER LED to come on. Your mixer is now ready to operate.

Page 4

through your headphones. (see 24.)

10. EFFECTS 1 & 2

This control adjusts the level a signal being sent from each channel, one to the internal digital effects processor (EFFECTS

1), and one to the EFFECTS 2 output jack via the EFFECTS 2 master send control to drive an outboard processor. The

internal EFFECTS 1 are ready to use and do not require addi- tional cable connections to achieve their full stereo imaging.

11. EFFECTS 3 A third send routes a signal from each channel’s EFFECTS 3 control to the EFFECTS 3 master send control.

12. STEREO PANNING

Each channel’sPAN control allows sweeping stereo effects when panning from L to R for recordings or live sound. Superior channel separation is available over other mixers

because of the “dual element” pan controls providing 15dB greater separation.

13. CHANNEL SIGNAL GREEN LED

The signal indicator is pre-fader and post EQ. This LED verifies that the channel is receiving a signal from the mic or instrument inputs.

14. CHANNEL PEAK RED LED

This peak indicator is pre-fader and post EQ. A constantly lit LED indicates the signal is probably needs a reduction in GAIN to prevent input overloading.

15. CHANNEL MUTE SWITCH

Mutes a channel instantly without touching your faders. This is extremely useful when you need to mute channels. You

won’t lose the settings on your faders.

16. CHANNEL PFL SWITCH

This switch allows the operator to monitor a channel in the headphone mix to set tone and gain levels.

17. AUDIO TAPER FADERS

Slide all faders down when connecting your inputs. Increase each channels fader to achieve the overall mix. Calibrated 60mm faders with audio taper are featured for smooth fade-outs.

MASTER SECTION

18. INTERNAL STEREO DIGITAL EFFECTS

The MASTER EFFECTS SEND 1 control takes the effects send from the channels and sends it to the internal digital effects system. The EFFECTS PEAK LED helps to set the proper level and prevents overloading the internal digital effects

system. RETURN 1 sets the effects level going to the LEFT/RIGHT mix MONITOR 1 is an exclusive feature allowing you to send the internal digital effects to your MONITOR 1 speakers. Select from sixteen premium effects: four REVERBS—two rooms, plate & stadium, six ECHOES/REVERBS—50ms to 500ms, four sweeping CHORUS/REVERBS and two FLANGING/REVERBS—all in true STEREO!

19. MASTER MONITOR 1 & 2 FADERS

Large 60mm faders control the master output level of the monitors. Since the MONITORS are not affected by the channel’s tone controls (pre-channel EQ and pre-channel insert) you are free to EQ your monitor signals externally to control stage feedback. You may use an external equalizer (Carvin’s EQ2015 or EQ2030), a monitor amp with an

onboard EQ (HT760M) or use the EQ 1 & 2 switch (see 29.)

20. EFFECTS SEND 2 & 3

Two more sends for outboard effects processors. Each send feeds their respective effects output jack (EFF 2 AND EFF 3).

21. MASTER RETURN EFFECTS 2 & 3

Return up to 4 mono or 2 stereo effects from 2 stereo controls. You can also send effects to your MON 1 speakers.

22. MASTER LEFT & RIGHT FADERS

These faders send the main stereo mix created by all channel faders to the main balanced and unbalanced output connectors. The left and right signals will be identical if you do not pan your individual channels left or right to create a stereo image.

23. MASTER MONO FADER

The C series creates an extra mono signal from the R & L master faders to be used for a mono house PA or subwoofer .

24. HEADPHONE AND METER SOURCE

The PHONES control sets the desired level of the PHONES jack. The PFL, L/R, MONO and MONITOR 1 & 2 switches allow for isolation of these events through the headphones.

25. PFL RED LED

Indicates that the headphone & meters are monitoring the channels where the PFL is switched on.

26. TAPE IN RETURN LEVEL

Controls the return levels of the L & R tape (CD) into the mixer

27. R/L LED VU METERS

This group of LEDs are ten segment 6 dB resolution meters that give the operator a visual of the mixer output.

28. DUAL PRECISION 9 BAND GRAPHIC EQs

are octave filters at 60,125, 250, 500, 1k, 2k, 4k, 8k & 16k Hz centers that offer precise adjustment to help eliminate feedback & enhance tone of the main or monitor mix.

29. EQ SWITCH 1 & 2

These switches swap the EQ’s from the standard LEFT, RIGHT main outputs (OUT) to the MON 1 & MON 2 outputs (IN) respectively. This allows the equalizers to be used with monitor amps and eliminates the need for outboard monitor equalizers.

30. POWER LED Verifies the mixer is on.

31. RETURN 2 L/R CONNECTORS

Returns a stereo signal from an external effects processor. Connect the output of an external effect to these points.

32. RETURN 3 L/R CONNECTORS

Returns a stereo signal from an external effect. Connect your effects processors’ stereo outputs to these stereo returns.

33. EFFECTS 2 & 3 CONNECTORS

1/4” output connectors drive external effects. Connect your effects processor’s inputs to these outputs.

34. MONITOR 1 & 2 CONNECTORS

The Concert Series provides balanced 1/4” outputs for long cable runs. Connect your monitor power amp(s) to these outputs.

35. HEADPHONE JACK

1/4” stereo jack for headphone or control room output.

36. RCA R & L TAPE OUT

Stereo RCA jacks for connecting a tape recorder.

37. RCA R & L TAPE IN

For stereo playback of a tape/CD or use as a 4th stereo return.

38.–39. LEFT / RIGHT XLR & 1/4” CONNECTORS

This set of balanced and unbalanced connectors are for connect main mix to external power amp(s).

40.–41. MONO XLR & 1/4” CONNECTORS

A set of balanced and unbalanced mono outputs for PA or Subwoofer (requires subwoofer crossover & power amp).

42. MIC PHANTOM POWER SWITCH / RED LED

This switch provides phantom power for condenser mics in groups of 8 channels. This allows other channel groups to remain non-powered to use the LINE inputs for instruments and MIC inputs for mics that don’t require phantom power.

Page 5

In a live sound reinforcement or a public address system (P.A. System), the input signals to the mixer will come from the microphones and instruments on the stage. Each microphone or instrument to be amplified by the P.A. system must be connected to one of the mixing console inputs. It is preferred to have as many of the stage instruments as possible plugged into the mixer. This allows for the best overall sound control of the instruments as they are mixed together and then amplified by the P.A. system. The mixer can be operated on the stage or from a remote location in front of the stage using a snake cable to bring the signals from the stage to the mixer. The advantage of the remote operation allows the performance to be monitored and mixed from the audience’s perspective.

THE SOUND CHECK

The sound check takes some skill, but mostly patience from the performers and especially you the system operator. If you get frustrated during the sound check, the performers can lose confidence and the sound may suffer due to things missed in the sound check. The basic sound check follows this format: First

2423

17-24

PHANTOM

POWER

DIR - INSERT

LINE

MIC

DIR - INSERT

MIC

DIR - INSERT

LINE

MIC

TAPE OUT

TAPE IN

RTN 2 LEFF 2 RTN 2 R RIGHT

RTN 3 LEFF 3 RTN 3 R MON 2

LEFT

MON 1

PHONES

+18 +12

- 6

-12

-18

-24

-30

PEAK

POWER

63 125 250 500 1K 2K 4K 8K 16K

8 4

4 8

–12

+12

EQ 2

EQ 1

LEFT / MON 1

EQ 2

RIGHT / MON 2

MONO

LEFT RIGHT MONO

8 4

4 8

–12

+12

EQ 1

CUT

MID

SHIFT

MON

010

050

GAIN

-15

+15

-15

+15

-15

+15

MID

LOW

010

LO CUT

MID

SHIFT

MON

010

050

GAIN

-15

+15

-15

+15

-15

+15

MID

LOW

010

LO CUT

MID

SHIFT

MON

010

050

GAIN

-15

+15

-15

+15

-15

+15

MID

LOW

010

TWO-TRACK

TAPE RECORDER

AUX EFFECTS PROCESSOR

R & L OUT

OUT

MONO IN

TAPE DECKS AND EXTERNAL EFFECTS

DSP EFFECTS

Select from Reverb, Flange, Chorus, and Echo. Écho includes delay times of 50,100, 150, 250, 350, and 500 milliseconds with background reverb.

Put the effects on your on stage monitor mix. Ideal for vocalists to hear the vocal effects on stage.

The basic hook up is simple, using four (or two stereo) RCA cables. Plug the TAPE OUTon the mixer into the tape deck’s inputs and the mixer’s TAPE IN’s to the tape deck’s outputs. With an external effects processor, plug a 1/4” cable from one of the EFF SEND outputs on the mixer into the input jack on the effects processor. Then from the outputs of the effects processor, plug one or two (for stereo) cables into one of the L/R EFFECTS RETURN.

test all microphones and other input devices(direct boxes, etc.) before the performers are included in the sound check. A good thing to also check here is feedback in the monitors from the microphones. Good positioning of the monitors and the use of a graphic equalizer solves most major monitor feedback problems. Now for a sound check with the performers. First set the level of each performer individually and in cases where a performer has multiple microphones, such as with drummers, set each drum mic individually then the drum set as a whole. This is also a good time to make some channel tone control adjustments to tailor the sound of the individual performers and instruments. After setting each individual, have the performers run through a song. Don’t hesitate to stop the performers if something needs to be adjusted or a performer or microphone needs to be heard solo again. Remember the sound check is not a rehearsal, but a system check. It is always a good idea for the mixer operator to have a microphone to inform the performers of what is needed during the sound check. If a monitor system is being used, the mixer operator’s microphone should only be heard through the monitors when addressing the on stage performers, especially if something needs to be checked during the show. If

EXTERNAL

POWER AMP

RIGHT

PA CABINET

LEFT

PA CABINET

CHANNEL

91011

13 15 17

22 30

0 dB

1 2

CHANNEL

91011

13 15 17

19 22

0 dB

Grouped Phantom Power for Condenser Mics

CHANNEL

91011

0 dB

1 2

CHANNEL

91011

15 17 19 22

0 dB

CHANNEL

91011

0 dB

1 2

CHANNEL

91011

13 15 17 19 22 30

0 dB

SUBWOOFER CABINET

STEREO LIVE SOUND SYSTEM

Phantom Power Switch

This diagram depicts a stereo live sound system using a stereo power amp for the main speakers, a stereo power amp for two monitor mixes, and another power amp for a mono subwoofer.

MID

LOW

-24

-30

-50

DIR - INSERT

050 GAIN

-15

010

PHANTOM

LINE

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

141413131212111110109

LINE

POWER

9-16

MIC

DIR - INSERT

050 GAIN

CUT

+15

-15

MID

MID SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF 1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

LINE

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

LINE

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

GAIN

-15

MID

-15

LOW

-15

010

PEAK

-24

-30

-50

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

MID

LOW

-24

-30

-50

DIR - INSERT

050 GAIN

-15

010

PHANTOM

LINE

POWER

1-8

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

LINE

MIC

DIR - INSERT

050

GAIN

CUT

+15

MID

MID SHIFT

+15

LOW

+15

MON

EFF 1-2

EFF

PAN

SIG

MUTE

PFL

-24

-30

-50

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

87654321

LINE

MIC

LO CUT

MID

SHIFT

MON

EFF

1-2

EFF

PAN

MUTE

PFL

LEFT RIGHT MONO

PHANTOM

LINE

POWER

17-24

MIC

DIR - INSERT

+12

050 GAIN

CUT

+15

-15

MID

–12

MID

SHIFT

+15

-15 63 125 250 500 1K 2K 4K 8K 16K

LOW

+12

+15

-15

MON

4 0

010

MON

–12

010

EFF

1-2

010

EFF

010

PAN

SEND 1

SENDS

SIG

010501050105010501050105010

EFF 2 EFF 3

PEAK

MUTE

PFL

-24

-30

-50

MON 1 MON 2 MONOLEFT RIGHT

RTN 2 LEFF 2 RTN 2 R RIGHT

LEFT

RTN 3 LEFF 3 RTN 3 R MON 2

MON 1

EQ 1

EQ 2

INTERNAL DIGITAL EFFECTS

REVERB

PEAK

0105010

FLANGE

REV

RTN 1 MON 1

STEREO RETURNS

TO TO

RTN 2 MON 1 RTN 3 MON 1

-24

-30

-50

MONO

CONCERT SERIES

ECHO

REV

CHORUS

REV

-24

-30

-50

TAPE

OUT

TAPE IN

PHONES

POWER

EQ 1

EQ 2

LEFT /

RIGHT /

MON 1

MON 2

PEAK

+18 +12

+6 0

- 6

-12

-18

-24

-30

C2400

TAPE IN

PFL

PHONES

010

L-R

MONO

MON 1

MON 2

MID

LOW

-24

-30

-50

DIR - INSERT

050 GAIN

-15

010

LINE

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

2222212120201919181817

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LINE

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

CONCERT SERIES

C2400

INTERNAL DIGITAL EFFECTS

PEAK

01050105010

SEND 1

RTN 1 MON 1

SENDS STEREO RETURNS

REVERB

FLANGE

REV

ECHO

REV

CHORUS

REV

Page 6

HALF INSERT DIRECT OUT

The half insert connection creates a send signal without breaking the channels signal path. The insert in this mode is no longer used as an insert but it becomes what is called an “insert direct out”. An insert direct out functions as a normal direct out but the plug has to be half inserted. If an insert is needed on the same channel, special cabling is required to perform both functions. The half insertion connects the tip of the plug being inserted to the ring of the jack. See the fig. If the jack is fully inserted to where the tip of the plug connects to the tip of the jack, the internal jack switch will open and the channel’s signal path will be broken. The connection will still function as a direct out but the channel’s signal will stop at the insert and not continue on to the rest of the channel and the masters. The result of the half insert is multiple outputs for use in multi-track recording.

FULL INSERT

The insert jack is a Tip Ring Sleeve (TRS) 1/4” phone jack, where the tip is the send, the ring is the return and the sleeve is ground. When used as an insert point or in full insert mode, the channel is opened up to allow an external piece of equipment to be inserted into the channels signal path. The channel signal coming from the microphone preamplifier will be forced to go through the external equipment before it can continue back through the channel re-entering before the channel tone controls. Most external equipment is not set up for the TRS plug directly so an adapter cable is required. The adapter cable will have on one end the TRS plug and two mono plugs either male or female, on the other end. The two plugs each have the ground connected to the sleeve, one has the return on its tip and the other has the send on its tip. This allows the send to be connected to the input of the external equipment and the return to its output completing the insert loop back to the channel.

INSERTS AND DIRECT OUTS

Although the Concert Series 16 & 24 channel mixers may be primarily used for live applications, the quality of these boards are also designed for use in multi-track recording. All channels are designed to meet the needs of cutting edge digital technologies. The C1600 & C2400 can handle 16 or 24 track recordings respectively. By combining this set up with a live system, you can record a performance and mix down to a two track recorder later.

Recording a live performance direct to two track (typically done by connecting a DAT or cassette recorder to the RCA TAPE OUT connectors) can also be done instead of a recording with a multi-track.

MULTI-TRACK RECORDING

Follow this set up for mixing down to a two track recorder. Connect the Multi-track recorders’ outputs to the line inputs of the channels. Use the headphones or connect a professional power amplifier (Carvin’s DCM and HT power amps) and high quality studio monitors to your main LEFT & RIGHT outputs to monitor your mixdown sessions. Mixing is a practiced skill. A trained ear will know when to EQ, add effects, compress, gate, and when not to. Listen to your favorite CD through the same headphones or monitoring system you plan to mix through. Note each instrument’s level and position in the stereo mix. Use this as a guide to help mix your project. Mixing down to a digital format such as DAT or to an analog reel to reel will yield different results. Digital recorders are meant to accurately represent the original sound source, therefore you should get exactly what you heard while mixing.

MULTI-TRACK MIXDOWN

87654321

LINE

MIC

DIR - INSERT

050

GAIN

-15

MID

-15

LOW

-15

010

-24

-30

-50

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

POWER

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

1/2 INSERT DIRECT OUT

SIG

PEAK

MUTE

PFL

-24

-30

-50

PHANTOM

LINE

1-8

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

87654321

TIP: SIGNAL SLEEVE: GROUND

INSERT JACK

MONO PLUG

LINE

MIC

GAIN

MID

LOW

INSERT

010

- 0 +

6 9129

- 0 +

6 9

- 0 +

6 9

FULL INSERT

MIC Pre-Amp

PIN 2 (+) PIN 3 (–)

GAIN

7 8 9

6 9

INSERT JACK

STEREO PLUG

SEND RETURN

TO EFFECTS

TIP: SEND RING: RETURN

SLEEVE: GROUND

GAIN

MID

LOW

LINE

MIC

3 2 1

6 9129

6 9

INSERT 4

010

1/2 INSERT

PIN 2 (+) PIN 3 (–)

- 0 + 3

6 9

- 0 + 3

6 9

MIC Pre-Amp

GAIN

TO RECORDER

TWO-TRACK

TAPE RECORDER

TAPE OUT

LEFT RIGHT MONO

LINE

MIC

DIR - INSERT

050

GAIN

-15

MID

-15

LOW

-15

010

-24

-30

-50

+15

SIG

PEAK

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

141413131212111110109

LINE

POWER

9-16

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

LINE

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

PHANTOM

LINE

PHANTOM

LINE

POWER

17-24

MIC

RTN 2 LEFF 2 RTN 2 R RIGHT

DIR - INSERT

+12

050 GAIN

CUT

+15

-15

MID

–12

MID

SHIFT

+15

-15

LOW

+12

+15

-15

MON

010

MON

–12

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

RTN 3 LEFF 3 RTN 3 R MON 2

8 4 0 4 8

63 125 250 500 1K 2K 4K 8K 16K

8 4 0 4 8

INTERNAL DIGITAL EFFECTS

PEAK

010

0105010

RTN 1 MON 1

SEND 1

SENDS

010501050105010501050105010

EFF 2 EFF 3

-24

-30

-50

MON 1 MON 2 MONOLEFT RIGHT

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

2222212120201919181817

2316

MONO

LEFT

MON 1

EQ 1

EQ 2

CONCERT SERIES

REVERB

FLANGE

REV

STEREO RETURNS

TO TO

RTN 2 MON 1 RTN 3 MON 1

-24

-30

-50

TAPE

OUT

TAPE IN

PHONES

POWER

EQ 1

LEFT / MON 1

PEAK

ECHO REV

CHORUS

REV

MONO

-24

MON 1

-30

-50

MON 2

MULTI-TRACK RECORDER

EQ 2

RIGHT /

MON 2

+18 +12 +6

- 6

-12

-18

-24

-30

C2400

Multitrack IN

TAPE IN

PFL

PHONES

010

L-R

MULTI-TRACK RECORDER

Multitrack Out

AUX EFFECTS PROCESSOR

L &R

MONO

LEFT

MON 1

EQ 1

EQ 2

CONCERT SERIES

REVERB

FLANGE

REV

STEREO RETURNS

TO TO

RTN 2 MON 1 RTN 3 MON 1

-24

-30

-50

OUT

TAPE

OUT

TAPE IN

PHONES

POWER

EQ 1

EQ 2

LEFT /

RIGHT /

MON 1

MON 2

PEAK +18 +12 +6

- 6

-12

-18

-24

-30

C2400

ECHO

REV

CHORUS

REV

TAPE IN

PFL

PHONES

010

L-R

MONO

-24

MON 1

-30

-50

MON 2

TAPE RECORDER

TWO-TRACK

LEFT RIGHT MONO

87654321

LINE

MIC

DIR - INSERT

050

GAIN

-15

MID

-15

LOW

-15

010

-24

-30

-50

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

POWER

1-8

MIC

LO CUT

MID

MID SHIFT

LOW

MON 1

MON 2

EFF 1-2

EFF 3

PAN

MUTE

PFL

-24

-30

-50

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

PHANTOM

LINE

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

87654321

PHANTOM

LINE

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

141413131212111110109

LINE

POWER

9-16

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

LINE

MIC

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

PHANTOM

LINE

POWER

MIC

050 GAIN

LO CUT

+15

MID SHIFT

+15

MON

010

MON

010

EFF 1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

17-24

MIC

RTN 2 LEFF 2 RTN 2 R RIGHT

DIR - INSERT

+12

050 GAIN

CUT

+15

-15

MID

–12

MID

SHIFT

+15

-15 63 125 250 500 1K 2K 4K 8K 16K

LOW

+12

+15

-15

MON

4 0

010

MON

–12

010

EFF

1-2

010

EFF

010

PAN

SEND 1

SIG

010501050105010501050105010

EFF 2 EFF 3

PEAK

MUTE

PFL

-24

-30

-50

MON 1 MON 2 MONOLEFT RIGHT

RTN 3 LEFF 3 RTN 3 R MON 2

INTERNAL DIGITAL EFFECTS

PEAK

0105010

RTN 1 MON 1

SENDS

-24

-30

-50

DIR - INSERT

050

GAIN

CUT

+15

-15

MID

SHIFT

+15

-15

LOW

+15

-15

MON

010

MON

010

EFF

1-2

010

EFF

010

PAN

SIG

PEAK

MUTE

PFL

-24

-30

-50

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Carvin C1600 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual