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AG100D SERIES III ACOUSTIC AMP SPECIFICATIONS:
Frequency Response: Mic or Line Inputs: 20Hz-20KHz ±2dB
Total Harmonic Distortion: Less than 1%
Output Power: 100 Watts RMS @ 8ohms
Phantom Power: Channel 3 only for use with condenser mics
Channel 1: 3 band active
LOW: 80Hz ±12dB
Acoustic Sweep: 300-3KHz ±12dB
HI: 10KHz ±12dB
Channel 2&3: 2 band active,
LOW: 80Hz ±12dB
HI: 10kHz ±12dB
Graphic EQ.: 5 Band: 100Hz, 250Hz, 800Hz,
6kHz,and 12kHz ±10dB
Input ch. 1&2: 1/4” Phone Jack
Mic/Line Input ch. 3: Balanced XLR input with phantom power,
1/4” Phone Jack
Power Consumption: 150VA @ 120/240VAC
Power Requirement: 100 to 240 VAC, 50-60Hz
Size: 17.5Wx12Dx22H, 33Lbs.
SPEAKER SPECS: 12” PS12 or 15” PS15 woofer (depending on model purchased)
High frequency tweeter with adjustable L-Pad on crossover.
12” Cabinet Response: 63Hz to 16.5kHz
76-01019 0801
12340 World Trade Drive, San Diego, CA 92128
(800) 854-2235
www.carvin.com
For your records, you may wish to record the following information.
Serial No._____________________ Invoice Date_______________
CONNECTING AC POWER TO YOUR AG100D
•Use only a grounded (3 prong) power outlet to prevent a shock hazard. This also gives
the quietest grounding for the amplifier
CONNECTING INPUTS TO YOUR AG100D
• Channel one is specially designed for acoustic and electric guitars using a 1/4” phone
shielded cable.
•Channel two is an instrument/line input. Any unbalanced device such as another guitar,
tape recorders, drum machine, or keyboard can be plugged in using a 1/4” phone
plug shielded cable.
• Channel three is a microphone & line input. Plug a microphone or line level device
into the balanced XLR MIC input using an XLR shielded microphone cable and a 1/4”
shielded cable from your tape machine. Both can be used at the same time.
TURNING ON YOUR AG100D
• Adjust all three channel volume controls to their off position (full counter clockwise).
•Turn the Gain control to “0” on Channel 1
• Adjust all “EQ” tone controls to their center detent position.
• Adjust all channel effects sends return to their off “center” position.
•Turn the AG100D on by the power switch on the front panel and watch for the power
LED to come on.
• Plug in your instruments and microphone into the appropriate channels, and adjust
the volume controls to the desired playing level. (For detail on the individual channel tone controls and the graphic equalizer, see the appropriate sections in this manual.)
CARVIN ENGINEERING DATA OPERATING MANUAL
AG100D ACOUSTIC/PA AMP Series III
RECEIVING INSPECTION—read before getting started
INSPECT YOUR AMP FOR ANY DAMAGE which may have occurred during shipping. If any
damage is found, please notify the shipping company and CARVIN immediately.
SAVE THE CARTON & ALL P ACKING MATERIALS. In the event you have to re-ship your unit,
always use the original carton and packing material. This will provide the best possible protection during shipment. CARVIN and the shipping company are not liable for any damage caused
by improper packing.
SAVE YOUR INVOICE. It will be required for warranty service if needed in the future.
SHIPMENT SHORTAGE. If you find items missing, they may have been shipped separately.
Please allow several days for the rest of your order to arrive before inquiring.
RECORD THE SERIAL NUMBER on the enclosed warranty card or below on this manual
for your records. Keep your portion of the card and return the portion with your name and
comments to us. Or you may register online at www
.carvin.com/registration
Congratulations on your purchase of the AG100D Series III amplifier . W e’ve
included all of the great features a solo performer needs, such as three independent channels with separate volume and EQ, MID sweep control, phantom
mic power and 5 band Graphic EQ. Then we added our dual 24 Bit Digital Effects
Processor. Additional features include, mid & HI Contour switches on channel 1, Bass and Mid Contour switches on channel 2.
Channels 1’s voicing is designed for standard electric or acoustic guitars while
channels 2 and 3 will also accommodate line level signals from keyboards, tape
decks, drum machines and a balanced microphone, making the AG100D well
suited for a “One-Man-Band” stage set-up.
We haven’t neglected the bass player with the bass tuned enclosure and high
frequency tweeter, combined with 100 watts RMS of power—ideal for acoustic
or electric basses. You can play bass and guitar simultaneously without degrading the guitar signal. Just plug the bass into channel 2 and start thump’n!
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151413107
2
3
AG100D FRONT & REAR PANEL CONTROLS
4 4 3 11 3 125 8
9
1
6
CHANNEL 1 FEATURES
1. INPUT 1 JACK & CONTOUR SWITCHES
The INPUT jack is designed for instruments such as acoustic or electric guitars. The MIDswitch cuts the mid range frequency 10dB at 400Hz which results
in an enhancement of the bass and treble response. This can be an ideal setting with acoustic guitars. Use the HI switch to enhance the high frequencies
(10dB boost at 10kHz) perfect for brightening up an acoustic guitar.
2. VOLUME CONTROL
The VOLUMEcontrol adjusts the volume of the channel heard in the speaker,
the line out jack and the headphone jack.
3. EFFECTS CONTROL FOR CH 1,2 & 3
Each channel features an EFF control. The EFFECTS control adjusts the volume
of the channel going to the one of the internal DSP processors. T urning counterclockwise to the left will send the channel’s signal to EFF 1 and turning clockwise to the right will send the channel’s signal to EFF2. The effects control is
post (or after) the volume control. Watch the PK (peak) LED on EFF 1 and 2 in
the master section. T urn down the channel EFF level if it the LED starts to flash.
4. LO AND HIGH TONE CONTROLS
The LO and HI tone controls are used to shape the bass and treble sound of
the input signal. Start out with the tone controls in their center positions where
they do not effect the signal. Then, as needed, turn the tone controls (turn to
the right to boost, or to the left to cut) to change the sound.
5. ACOUSTIC SWEEP TONE CONTROLS (FREQ. AND GAIN)
The FREQ and GAIN controls make up the MID sweep control. The way to
get familiar with these controls is to set the GAIN control to near full clockwise, and turn the FREQ control through its full rotation while playing chords
or notes on an instrument. Then try it again with the gain control to near full
counter clockwise to hear the difference. A suggested setting for electric guitars is to place the GAIN control at +6 and set the FREQ control at 800Hz. This
setting will remove the mid frequencies for a crisper sound.
CHANNEL 2 FEATURES
6. INPUT 2 JACK & LO/MID CONTOUR SWITCHES
The INPUT phone jack is designed for instrument or line level inputs such as
a drum machine, tape deck, another guitar or bass guitar , a keyboard, an unbalanced mic, etc.. The LO switch is a 10dB low freq. boost at 60Hz & the MID
switch is a 10dB mid cut at 400Hz. These “pre-shape” filters can help eliminate
the guess work when dailing in the tone of your instrument. You can then fine
tune your sound with the EQ knobs.
7. VOLUME CONTROL
The VOLUME control adjusts the level of the channel heard in the speaker,
the line out jack, and the headphone jack. The gain structure of this channel
is designed to handle both instrument and line level inputs. The result is some
instruments, such as a single coil electric guitar , may need the VOLUMEcontrol turned up to 7 or higher to match the other channels. Also, for the same
reason some line level inputs, such as a CD player may need the VOLUME control less than 1 to match the other channels.
8. LO AND HI TONE CONTROLS
The LO and HI tone controls are used to shape the bass and treble sound of
the input signal. It is suggested that the tone control settings start in their
center positions where they do not effect the signal. Then, as needed, turn
the turn to the right to boost, or to the left to cut to change the sound.
CHANNEL 3 FEATURES
9. XLR MICROPHONE & 1/4” INPUT JACKS
The MIC input is designed for balanced low impedance ( microphone ) input
signals. The Balanced input will reduce the common noise picked up on the
microphone cables. The XLR connector is wired as per the industry standard;
pin 1 is ground, pin 2 is positive and pin 3 is negative. Phantom power is available on the XLR input jack. This allows condenser microphones to be run directly
without the need for batteries or other external phantom power supplies. The
1/4” jack is designed for unbalanced high impedance signals (guitar , tape deck,
drum machine, etc.). Both of these inputs can be used at the same time.
10. VOLUME CONTROL
The VOLUMEcontrol adjusts the volume of the channel heard in the speaker,
the line out jack, and the headphone jack.
11. LO AND HI TONE CONTROLS
The LO and HI tone controls are used to shape the bass and treble sound of
the input signal. It is suggested that the tone control settings start in their
center positions where they do not effect the signal. Then, as needed, turn
the turn to the right to boost, or turn to the left to cut to change the sound.
12. DIGITAL SIGNAL PROCESSING
The 24 bit processor will provide a host of awesome sounding effects that include:
Flange, Reverb, Echo, & Chorus. The master EFFECT 1 & 2 control will adjust
the volume level of the selected effect. Remember each channel has its own EFFECT
send level that will adjust the amount of signal sent to the effects processor . The
red PK LED will indicate when the effects signal is clipping. Lower the channel
EFFECTcontrol until the PK LEDstops flashing. (Note: When adjusting the effects
on either channel, an audible noise may be heard).
EFFECT PARAMETERS
Each of the four effects has a variable parameter that can be easily adjusted.
ECHO: When the top SELECT control is at the “7 O-clock” position, it is selected
to the first ECHO setting where you get a single repeat echo (minimal regeneration). T urning the PARAMETERcontrol to 1 will provide the shortest delay time
between the original signal and the echo. Increasing the PARAMETERcontrol to
the right will increase the time delay between the original signal and the echo.
You can get a maximum of .5 second delay. To increase the number of echoes,
turn the SELECT control clockwise to “9 O-clock” (maximum regeneration).
REVERB: When the SELECT control is at the “10 O-clock” position, it is selected
LO
3
6
9
12 12
INPUT 1
0
3
6
9
FREQ
MID
1K
800
2K
300 3K
MID HI
VOLUME
4
3
2
19
010
5
GAIN
3
6
9
12 12
6
7
8
303
6
9
EFF
OFF
HIGH
6
9
12 12
33
66
99
EFF2EFF1
LO HI LO HI
303
303
6
6
6
9
12 12
INPUT 2
6
9
9
LO MID
9
CH 1 CH 2 CH 3
0
3
6
9
12 12
VOLUME
5
4
3
2
19
EFF2
6
33
66
99
7
8
EFF1 EFF2
C
B
R
E
V
E
R
O
H
C
E
5
4
3
2
19
010
PK PK
5
4
3
2
19
010
H
O
R
U
S
R
F
O
L
A
H
N
C
G
E
PARAMETER
6
7
8
2
LEVEL
6
7
2
8
B
R
E
V
E
E
4
3
19
010
4
3
19
010
C
H
O
R
U
S
F
L
A
N
G
E
5
6
7
8
5
6
7
8
+
12
8
4
0
4
8
12
-
DUAL 24-BIT EFFECTS
GRAPHIC EQ
250 800100
6K 12K
AG100D
ACOUSTIC GUITAR AMP
POWER
5
4
6
3
7
2
8
19
010
MASTER
EFF
OFF
33
3
303
6
6
9
12 12
MIC
9
6
9
12 12
TAPE/CD
66
99
EFF2
EFF1
6
7
8
0
3
6
9
EFF1
VOLUME
3
2
19
EFF
OFF
5
4
010010
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to the first REVERB setting. Turning the SELECT control clockwise will increase the amount of high frequencies in the reverb. T urning the PARAMETERcontrol
to 1 will provide minimal decay time of the reverb.
Increasing the PARAMETERto the right will increase the
reverb decay time.
CHORUS:When the SELECT control is at the “1 O-clock”
position it is selected to the first CHORUS setting.
Turning the SELECTcontrol clockwise will increase the
amount reverb in the chorus. T urning the PARAMETER
control to 1 will provide a minimal chorus depth set-
ting. Increasing the PARAMETERto the right will increase the chorus depth.
FLANGE: When the SELECT control is at the “3 O-clock” position it is selected to
the first FLANGE setting. Turning the SELECTcontrol clockwise will increase the
flanger’s speed. T urning the PARAMETERcontrol to 1 will provide minimal flang-
ing depth. Increasing the PARAMETERto the right will increase the flanger’s depth.
13. THE 5 BAND GRAPHIC EQUALIZER
The 5 band graphic EQ is an excellent tool to fine tune the overall mix from your
AG100D. T o use the 5 band Graphic EQ, set
all sliders to their center detent position.
When the sliders are in this position, they do
not effect the audio signal. When a slider is
raised or lowered it boosts and cuts the listed
frequency, respectively. One setting that can
be used to enhance your sound is to cut the
mid range (800 Hz slider set to -8) and raise
the high and low frequencies as shown. This
is a common “smile” curve that gives a tight punchy sound with plenty of highs
to cut through a crowd.
14. MASTER VOLUME
The overall volume is controlled by the master volume. The position of this
control should always be higher than the individual channel volume. Never
turn a channel volume louder than the master volume or distortion could result.
15. POWER SWITCH
The power switch is to be utilized as the master ON/OFF switch. If the LED
does not turn on check the power cable and make sure it is properly connected
at the back of the amp. Also verify there is power at the wall receptical. If the
amp does not power up after this is verified, contact customer service.
REAR PANEL CONTROLS
16. STEREO LINE OUT JACK (HEADPHONES)
The LINE OUT jack is a post EQ output jack for pre amp signal access. Use
only a stereo 1/4” plug in this jack. This output is the same signal that is being
fed to the internal power amplifier that drives the speaker . Use this jack for a
direct to mixer feed or as a recording output to a tape deck. The DSP effects
will be heard in stereo through this output. This jack will also function as a
stereo headphone output.
17. EFF 1 & 2 FOOTSWITCH JACK
You can remotely turn the two effects on and off by plugging in the optional
FS22 footswitch. Each effect red clip LED will light up continuously when the
effect is shut off by the footswitch.
18. EFFECTS SEND & RETURN JACKS
The EFFECTS SEND jack is the output send jack to your external effects unit.
The EFFECTS RETURN jack is the input return jack that completes the effects
loop. Plug the output of your external effects unit into this jack.
19. EXTERNAL SPEAKER JACK (CHASSIS)
The EXTERNAL SPEAKER jack is for connecting additional speaker cabinets.
The jack is configured so an external speaker cabinet can be connected in series
with the AG100D’s internal speaker . Recommended external speaker impedances
are 4 to 8 ohms. Carvin recommends the matching 112AG extension speaker.
20. AC POWER
The detachable AC POWER CORD supplied is designed to operate with one
type of voltage (the European 230V export model uses a CEE-7 plug cord set).
Make sure the cord is securely inserted into the back of the unit. Plug the cord
into a grounded “3” prong” power source. No attempt should ever be made to
defeat or use the amp without the ground connected. The internal switching
power supply will “auto-switch” from 100 VAC to 250 VAC, 50 to 60 Hz. This
allows the AG100D to be used in various countries without the need for modifications or external transformers.
21. 1/4” SPEAKER INPUT (ENCLOSURE)
A 1/4” jack is used for connecting the amp to the speaker cabinet.
22. TWEETER L-PAD (ENCLOSURE)
The rear TWEETER L-PAD adjusts the level of the tweeter to give crisp clear
highs. If distortion is heard when playing excessively loud, turn the tweeter
down as it can amplify distortion created by a guitar or mic.
20
16
19
18
17
Press firmly until cord clicks in.
21
22
Rear Enclosure
Tweeter L-Pad
EFF1 EFF2
1
1
C
B
R
E
V
E
R
O
H
C
E
PARAMETER
5
4
3
2
19
010
PK PK
5
4
3
2
19
010
H
O
R
6
7
LEVEL
6
7
U
S
F
L
A
N
G
E
8
8
B
R
E
V
E
R
O
H
C
E
4
3
2
19
010
4
3
2
19
010
C
H
O
R
U
S
F
L
A
N
G
E
5
6
7
8
5
6
7
8
+
12
GRAPHIC EQ
8
4
0
4
8
12
-
250 800100
6K 12K
Page 4
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
SAFETY INSTRUCTIONS (EUROPEAN)
The conductors in the AC power cord are colored in accordance with the following code.
GREEN & YELLOW—Earth BLUE—Neutral BROWN—Live
U.K. MAIN PLUG WARNING: Amolded main plug that has been cut off from the cord is unsafe.
NEVER UNDER ANY CIRCUMSTANCES SHOULD YOU INSERT A DAMAGED OR CUT
MAIN PLUG INTO APOWER SOCKET.
IMPORTANT! FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING:
WATER AND MOISTURE: Appliance should not be used near water (near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming pool, etc). Care should be taken so that objects
do not fall and liquids are not spilled into the enclosure through openings.
POWER SOURCES: The appliance should be connected to a power supply only of the type
described in the operating instructions or as marked on the appliance.
GROUNDING OR POLARIZATION: Precautions should be taken so that the grounding or polarization means of an appliance is not defeated.
POWER CORD PROTECTION: Power supply cords should be routed so that they are not likely to
be walked on or pinched by items placed upon or against them, paying particular attention to cords
at plugs, convenience receptacles, and the point where they exit from the appliance.
SERVICING: The user should not attempt to service the appliance beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel.
FUSING: If your unit is equipped with a fuse receptacle, replace only with the same type fuse. Refer
to replacement text on the unit for correct fuse type.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL! THIS UNIT CONTAINS HIGH VOLTAGE INSIDE!
CAUTION
RISK OF ELECTRIC SHOCK
80-01019 H (CURRENT) EACH PCB ASSY SYS MSTR AG100D SMT
COMPONENT QTY/BILL U/M DESCRIPTION
03-00475 1 EACH SPACER PAD .1X .4X .75 W/ADHSV
SPACER UNDER PL1
03-50135 3 EACH STANDOFF LED .500 X .135 T1
STANDOFF FOR D1, D7, D8
06-40050 3 EACH TERMINAL VERT MALE PC MTG .250
QC1, QC2, QC3
06-40060 3 EACH TERMINAL 90dg MALE PC MTG .250
QC4, QC5, QC6
15-00300 2 EACH INDUCTOR .3 mH DRUM CORE
L7, L8
15-27430 5 EACH BEAD W/LEAD .138Dx .35Lx 22AWG
L1, L2, L4, L5, L6
15-05001 1 EACH LINE FILTER/INDUCTOR 5mH 3A
L3
15-90032G 1 EACH TRANSFORMER SWITCHING 100W
T1
21-31100 1 EACH RECEPTACLE AC W/FAST-ON CHASS
PL1
21-40000 1 EACH XLR FEML CON #NC3FAV-0
J5
21-50345 6 EACH JACK .250" PHONE MONO PCB MTG
J1, J100, J11, J2, J200, J6
21-50545 3 EACH JACK .250" PHONE STEREO PCB MT
J300, J3, J7
23-03529 2 EACH FUSEHOLDER CLIPS 3AG VERT MTG
F1
23-11004 4 EACH CONNECT HEADER 4 PIN STRAIGHT
H4A, H4B, H8A, H8B
23-11010 4 EACH CONNECT HEADER 10 PIN STRAIGHT
H1A, H1B, H3A, H3B
23-40008 1 EACH CONNECT HEADER .400 IN 8 PIN
H2
23-92995 2 EACH SHUNT JUMPER UNPLATED
PLACE ON 2 CENTER PIN PAIRS OF H2
25-02201-1 4 EACH ASSEMBLED SWITCH AND CAP
S100, S101, S200, S201
30-01019 1 EACH PCB CARD SYS MSTR AG100D DGTL
41-27322 3 EACH CAP POLY FILM .027uF 250V
C113, C114, C115
41-47322 1 EACH CAP MYLR .0470UF 250VAC
C41
41-47422 1 EACH CAP MYLR .47uF 250VAC
C122
42-12142 1 EACH CAP ELEC 120MFD 400VOLT 20%
C27
45-18152 1 EACH CAP CERM 180PF 500VOLT 5%
C90
45-25152 1 EACH CAP CERM 250PF 500VOLT 5%
ACROSS R109
45-33113 1 EACH CAP CERM 330PF 1000VOLT 10%
C40
46-22412 1 EACH CAP POLY .2200UF 100VOLT 10%
ACROSS PINS 6 AND 8 OF H2
47-10225-1 3 EACH CAP ELEC 1,000 MFD 25V 20%
C38, C39, C46
47-22151 1 EACH CAP ELEC 220 MFD 50VOLT 10%
C31
47-47151 4 EACH CAP ELEC 470 MFD 50 VOLT 20%
C42, C43, C44, C45
49-10212 4 EACH 0.001UF SMT 10% FILM 0805 50V
C3, C59, C117, C308
49-10312 7 EACH 0.01UF SMT 10% FILM 080550V
C7, C16, C19, C33, C93, C95, C104
49-10412 17 EACH 0.1UF SMT 5% CERAMIC 0805
C60, C61, C63, C65, C80, C81, C82,
C85, C88, C89, C94, C121, C123, C15,
C134, C135, C136
49-10451 17 EACH 0.1 uF SMT 10% FILM 1206 50V
C8, C11, C17, C21, C23, C26, C29,
C32, C56, C70, C72, C116, C201, C210,
C313, C110, C125
49-18152 3 EACH 180PF SMT 5% CERAMIC 0805
C51, C87, C126
49-22035 33 EACH SMT CAP 22uF 35v ELECTROLITIC
C1, C2, C4, C20, C22, C25, C34,
C35, C47, C48, C53, C54, C62, C64,
C66, C67, C68, C91, C96, C100, C102,
C107, C108, C111, C120, C202, C203,
C205, C302, C303, C304, C307, C310
49-22212 5 EACH 0.0022UF SMT 10% FILM 0805 50V
C75, C78, C105, C204, C106
49-22312 1 EACH 0.022UF SMT 10% FILM 0805 50V
C6
49-25152 3 EACH 220PF SMT 5% CERAMIC 0805
C79, C92, C137
49-27052 5 EACH 27 PF SMT 5% CERAMIC 0805
C83, C84, C128, C130, C132
49-33212 1 EACH 0.0033UF SMT 10% FILM 0805 50
C5
49-33312 3 EACH 0.033UF SMT 10% FILM 0805 50V
C9, C71, C109
49-39052 15 EACH 39PF SMT 5% CERAMIC 0805
C10, C24, C49, C50, C55, C58, C69,
C97, C98, C99, C101, C119, C309,
C403, C52
49-47212 5 EACH 0.0047uF SMT FILM 0805 50V
C18, C30, C73, C76, C14
49-47312 7 EACH 0.047UF SMT 10% FILM 0805 50V
C12, C13, C74, C118, C112,
C124, C311
49-56152 3 EACH 560PF SMT 5% CERAMIC 0805
C77, C305, C306
49-82052 7 EACH 82PF SMT 5% CERAMIC 0805
C103, C127, C129, C131,
C133, C300, C301
51-00050 2 EACH RES 0.00 OHM .50X.20" JUMPER
B1, B4
53-47045 1 EACH RES 47.00KOHM 1.00W 5% CARBON
R42
55-03300 2 EACH RES .33 OHM 5W 5% SB VERT
R113, R114
58-00035 5 EACH 0.0 SMT JUMPER 1206
B3, R51, R8, R54, R131
58-10015 3 EACH 10.5 SMT .25W 1206 1%
R127, R128, R41
58-10025 6 EACH 100.5 SMT .25W 1206 1%
R31, R47, R67, R92, R112, R164
58-10035 11 EACH 1K SMT .25W 1206 1%
R16, R52, R69, R84, R98, R101,
R102, R111, R133, R150, R3
58-10045 37 EACH 10K SMT .25W 1206 1%
R2, R11, R12, R13, R23, R24,
R26, R32, R37, R55, R60, R82, R83,
R86, R87, R88, R89, R90, R94, R95,
R96, R120, R121, R135, R136, R138,
R155, R141, R144, R148, R149, R152,
R153, R159, R160, R165, R312
58-10055 15 EACH 100K SMT .25W 1206 1%
R4, R7, R14, R17, R19, R36, R38,
R61, R77, R79, R119, R134,
R203, R206, R319
58-10065 4 EACH 1M SMT .25W 1206 1%
R44, R56, R57, R93
58-15035 4 EACH 1.5K SMT .25W 1206 1%
R58, R59, R304, R305
58-15045 2 EACH 15K SMT .25W 1206 1%
R125, R34
58-15055 3 EACH 150K SMT .25W 1206 1%
R71, R75, R147
58-22035 14 EACH 2.2K SMT .25W 1206 1%
R70, R72, R74, R76, R78, R106,
R109, R110, R306, R307, R315, R316,
R116, R123
58-22045 13 EACH 22K SMT .25W 1206 1%
R5, R39, R18, R100, R105, R126,
R201, R202, R35, R140, R146, R163, R115
58-22055 2 EACH 220K SMT .25W 1206 1%
R9, R63
58-27025 1 EACH 270.5 SMT .25W 1206 1%
R50
58-33025 6 EACH 330.5 SMT .25W 1206 1%
R142, R143, R161, R162, R97, R157
58-33045 3 EACH 33K SMT .25W 1206 1%
R66, R48, R132
58-36055 1 EACH 365K SMT .25W 1206 1%
R73
58-39035 2 EACH 3.9K SMT .25W 1206 1%
R40, R43
58-47015 2 EACH 47.5 SMT .25W 1206 1%
R85, R151
58-47025 6 EACH 470.5 SMT .25W 1206 1%
R27, R28, R302, R104, R158, R53
58-47035 14 EACH 4.7K SMT .25W 1206 1%
R29, R30, R33, R62,
R91, R108, R137, R145, R215, R216,
R217, R218, R317, R318
58-47045 17 EACH 47K SMT .25W 1206 1%
R15, R20, R21, R22, R64, R65, R68,
R103, R107, R139, R80, R81, R10,
R117, R118, R124, R129
58-47055 1 EACH 470K SMT .25W 1206 1%
R6
58-56035 3 EACH 5.6K SMT .25W 1206 1%
R1, R300, R301
58-68025 3 EACH 680 SMT .25W 1206 1%
R49, R99, R130
58-68035 2 EACH 6.8K SMT .25W 1206 1%
R25, R122
58-91025 2 EACH 910.5 SMT .25W 1206 1%
R45, R46
60-00142 1 EACH TRANS NPN TIP142 TO-218
Q1
60-00147 1 EACH TRANS PNP TIP147 TO-218
Q12
60-20060 1 EACH TRANSIENT VOLT SUPP 200V 600W
Z1
60-22100 1 EACH IC PRIMARY VIPER 100
VP1
60-25011 1 EACH IC OPTO COUPLER ISOLATOR
OP2
60-40002-1 1 EACH THERMISTOR 40ohm 2amp 20%
TR1
61-47430 1 EACH DIODE ZNR REG 1N4743A 13V 1W
Z2
60-50200 4 EACH DIODE GEN REC 1N5402 3A 200V
D14, D15, D16, D17
60-55500 2 EACH TRANS 2N5550 HV NPN 250V T0-92
Q2, Q11
60-71024 1 EACH CMOS STATIC RAM 1MEG 20NS
U3
60-75320 2 EACH LED RED DIFFUSED 3MM T-1.00
D7, D8
60-75330 1 EACH LED GREEN DIFFUSED 3MM T-1.00
D1
60-78050 1 EACH REGULATOR VOLTAGE 5 +V 1 AMP
Q15
60-78150 1 EACH REGULATOR VOLTAGE 15 +V 1 AMP
Q16
60-79150 1 EACH REGULATOR VOLTAGE 15 -V 1 AMP
Q17
60-80200 2 EACH DIODE 8A 200V TO-220
D22, D23
61-04737 1 EACH DIODE REG GEN 1N4737A 7.5V 1W
Z4
62-04739 5 EACH SMT DIODE ZENER 4739
Z6, Z7, Z8, Z9, Z10
62-06001 4 EACH DIODE ULTRA FAST 600V 1A SMA
D4, D18, D19, D21
62-07712 1 EACH IC DSP W/CODEC AKM7712
U1
62-16400 1 EACH CRYSTAL CERAMIC SMT 16.4mHz
Y1
62-19140 6 EACH 1N914 HI SPD SMT 250mW DIODE
D5, D6, D10, D11, D13, D20
62-20430 1 EACH NJM2043SMT DUAL HFREQ
A11
62-45650 14 EACH NJM4565 SMT DUAL HI FREQ
A1, A2, A3, A4, A5, A6, A7, A8,
A10, A12, A13, A14, A16, A17
62-54001 8 EACH MMBT5401LTI PNP SOT-23 SMT
Q3, Q4, Q5, Q6, Q9, Q10, Q12, Q14
62-55500 4 EACH MMBT5550 NPN SOT-23
Q1, Q7, Q8, Q13
62-87764 1 EACH MICRO CONTROLLER SOIC PACKAGE
U2
70-05713 1 EACH RELAY SPDT 12A@120VAC/24V COIL
K1
70-21050 1 EACH FUSE ABC 5.00A FAST 6.35X32MM
F1
71-09252 7 EACH POT 9 "D-P" 25F B50K-CC
P100, P102, P103, P200, P201, P300,
P301
71-09253 8 EACH POT 9 "D-P" 25F B50K-
P2, P3, P5, P6, P101, P105, P203,
P303
71-10320 5 EACH FADER 20MM SL20V3-B10K-L15D(G)
P1, P7, P9, P10, P11
72-12553 3 EACH POT 12 "D-P" 25F 1B50Kx2 NOB
P8, P15, P16
72-12554 3 EACH POT 12 "D-P" 25FS 1BM50K-C TAP
P106, P202, P302
BILL REVISION OPTN TYPE U/M DESCRIPTION
-------------------------------------------------------------------------------80-41010 A (CURRENT) BASE STANDARD
EACH PCB ASSY HIGH PWRD
COMPONENT QTY/BILL U/M DESCRIPTION
06-40050 4 EACH TERMINAL VERT MALE PC MTG .250
QC1,2,3,4
07-17012 1 EACH KNOB W/RED CAP PB200 PAD CNTRL
10-41010 1 EACH PANEL JACKPLATE AG100D/PB200
21-01806 1 EACH JACK .250 90d STEREO W/BLK NUT
J2
30-41010 1 EACH PCB CARD L-PAD PB100/PB200
52-22025 1 EACH RES 220.00 OHM .50W 5% CARBON
R1
71-00031 1 EACH POT PWR 24mm WIRE WOUND B1K 3W
P1
77-41010 1 EACH LABEL JACK PLATE PB200
REPLACEMENT PARTS LIST (for circuit cards)
This symbol is intended to alert
the user to the presence of
uninsulated “dangerous volt-
age” within the product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
This symbol is intended
to alert the user to the
presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the appliance.
LIMITED WARRANTY
Your Carvin product is guaranteed against failure for ONE YEAR unless otherwise stated. Carvin will service and supply all parts at no charge to the customer providing the unit is under warranty. Shipping costs
are the responsibility of the customer. CARVIN DOES NOT P A Y FOR PAR TS OR SERVICING OTHER THAN
OUR OWN. A COPY OF THE ORIGINAL INVOICE IS REQUIRED TO VERIFY YOUR WARRANTY. Carvin
assumes no responsibility for horn drivers or speakers damaged by this unit. This warranty does not cover,
and no liability is assumed, for damage due to: natural disasters, accidents, abuse, loss of parts, lack of
reasonable care, incorrect use, or failure to follow instructions. This warranty is in lieu of all other warranties, expressed or implied. No representative or person is authorized to represent or assume for Carvin
any liability in connection with the sale or servicing of Carvin products. CARVIN SHALL NOT BE LIABLE
FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.
When RETURNING merchandise to the factory, you may call for a return authorization number . Describe
in writing each problem. If your unit is out of warranty, you will be charged the current FLAT RATE for
parts and labor to bring your unit up to factory specifications.
HELP SECTION
1) AMP WILL NOT TURN ON
Check the power to the amp. Check for tripped circuit breakers, unplugged extension
cords or power-strip switches that may be turned off. After you have verified there
is AC power and the amp still doesn’t work, your unit will require servicing.
2) MAINTENANCE
To bring back the new look, your AG100D cabinet can be wiped with mild detergent
and/or a warm damp soft cloth. This will remove normal dust and oil from the cabinet. Never spray cleaners or detergents directly at the electronic controls. The AG100D
is virtually sealed from outside dust and dirt, but it is recommended to keep the unit
free from excessive dust, dirt, and moisture as much as possible.
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