Cambridge Soundworks Surround II 5.1 User Manual

Instructions for:
The Surround 5.1 &
The Surround II 5.1
Speakers
by Henry Kloss
Contents
Introduction ............................................................................................. 1
Unpacking And Checking For Shipping Damage ...................................... 2
Multipole Technology ............................................................................... 3
Speaker Connections ................................................................................ 5
Finalizing Your Installation ..................................................................... 6
Surround Configuration Options .............................................................. 7
About Amplifier Power ............................................................................. 7
Cleaning The Cabinets .............................................................................. 8
Difficulty? ................................................................................................. 8
10-Year Limited Warranty ........................................................................ 9
The Surround 5.1
The Surround II 5.1
Introduction
hank you for choosing a Cambridge SoundWorks speaker system. Our innova-
T
tive surround products were
designed specifically for use in a variety of surround sound systems. These systems include Dolby Digi-
®
tal
(AC-3), Dolby Surround® with Pro Logic variety of digital sound processors (DSP) available. Please read the simple instructions that follow. Optimum surround performance depends on factors discussed in these instructions, such as insuring all the speakers are “in-phase” and correctly positioned.
problems, consult the retail loca­tion from which you bought the speakers or call Cambridge SoundWorks at the appropriate number listed to the right.
®
, DTS® and the wide
If you have any questions or
Cambridge SoundWorks
1-877-YES-HIFI
(1-877-937-4434)
24 hours a day,
every day
In Canada: 1-800-987-9104
Outside US or Canada:
Tel: 617-332-5936
Fax: 617-527-3194
www.cambridgesoundworks.com
E-mail:
info@cambridgesoundworks.com
1
Unpacking And Checking For Shipping Damage
1. As you unpack your new speakers, please examine each speaker unit carefully for signs of shipping damage. If there is any damage, do not install or
use the speakers. Keep the shipping carton and packing material, since you may need to ship the speakers. Consult the
store where you purchased the speakers for assistance. If you purchased the speakers through our mail order catalog service, call Cambridge Sound­Works at 1-877-937-4434.
2. All the items shown to the right should be included; inform the retail location that sold the speakers, or Cambridge SoundWorks if anything is missing.
The accessory pack for either
The Surround 5.1 or The Surround II 5.1 should contain
the following: 2 screws, 2 anchors, 8 rubber feet.
The Surround 5.1 speaker system The Surround II 5.1 speaker system
AMBRIDGE
C
W
D
N
U
O
S
D I P O L A R
Stick-on feet (2 strips of 4)
Wall mounting hardware
S
K
R
O
B I P O L A R
(2) Screws
(2) Anchors
AMBRIDGE
C
S
K
R
O
W
D
N
U
O
S
B I P
D
O
I
L
P
A
O
R L A R
Surround speakers (2)
Stick-on feet (2 strips of 4)
Wall mounting hardware
AMBRIDGE
C
RKS
O
W
OUND
S
B I P O L
D
A
I
R P O L A R
(2) Screws
(2) Anchors
AMBRIDGE
C
OUND
S
D I P O L A R
Surround II speakers (2)
ORKS
W
B I P O L A R
2
Multipole Technology
We are pleased to introduce the first surround systems using MultiPole technology, which allows you to switch our surround speakers between dipole (diffuse radiation) and bipole (direct radiation) operation.
As Dolby Digital 5.1’s recording
capabilities become more familiar
to movie and music sound studios, it is difficult to predict how many recordings will feature multiple discrete sound sources spread between the surround speakers. But with MultiPole technology in Surround 5.1, you’re literally ready for anything…at the flip of a switch.
Setting the MultiPole Switch
The MultiPole switch alters the directionality of the speaker. “Dipole” mode sends the mid and high-frequency output along the side walls, so all listeners hear a diffuse, enveloping sound. “Bipole” mode concentrates this output toward the listening area, providing central listeners more precise imaging.
For all Dolby Surround with Pro Logic recordings and most current Dolby Digital recordings, we recommend the dipole mode. It insures that each listener experi-
ences the sound coming from all directions, regardless of seating position, with little degradation of the sound positioning found in most Dolby Digital recordings.
For some Dolby Digital record­ings, however–those with lots of lateral sound positioning crafted into the rear channels–the bipolar mode of our MultiPole systems allows them to act as wide disper­sion direct radiators, for more focused sound. In particular, some current Dolby Digital music record­ings feature vocalists spread between rear speakers. Bipole mode offers the most precise positioning of these sounds.
Dipole
Bipole
3
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