Boss Audio Systems GT-10B User Manual

Page 1

201b

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2–3), and “IMPORTANT NOTES” (p. 4–5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Owner’s Manual

Thank you, and congratulations on your choice of the BOSS GT-10B.

BPM

202

PHRASE LOOP

ON / OFF

Page 2

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

002c

• Do not open (or modify in any way) the unit or its AC adaptor.

...........................................................................................................

003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

..........................................................................................................

009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

...........................................................................................................

004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

...........................................................................................................

007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

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008c

• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

...........................................................................................................

..........................................................................................................

010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

..........................................................................................................

011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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Page 3

012b

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor, the power-supply cord, or the plug

has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto

the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

..........................................................................................................

013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

..........................................................................................................

014

• Protect the unit from strong impact. (Do not drop it!)

101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

..........................................................................................................

102c

• Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

..........................................................................................................

103b

• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

..........................................................................................................

104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

..........................................................................................................

015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

..........................................................................................................

016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet.

..........................................................................................................

106

• Never climb on top of, nor place heavy objects on the unit.

..........................................................................................................

107c

• Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

..........................................................................................................

108b

• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

..........................................................................................................

109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 27).

..........................................................................................................

110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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118a

• Should you remove the screw and the USB connector cap, keep them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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Page 4

IMPORTANT NOTES

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

360

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in another MIDI device (e.g., a sequencer). once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

Page 5

IMPORTANT NOTES

561

• Use only the specified expression pedal (Roland EV-5, BOSS FV-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

562

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

852a

• This product can be used to record or duplicate audio without being limited by certain technological copyprotection measures. This is due to the fact that this product is intended to be used for the purpose of producing original music, and is therefore designed so that material that does not infringe copyrights belonging to others (for example, your own original works) can be recorded or duplicated freely.

853

• Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

Printing Conventions and icons in This Manual

Text or numerals enclosed

in square brackets [ ]

(p.**)

Indicate buttons.

[WRITE]

Indicates information that you

should be aware of when

using the GT-10B.

Indicates supplementary

information about an

operation.

Indicates information about a

convenient operation.

Indicates a reference page.

WRITE button

About the Explanations of Procedures in the Text

• For selecting items like those shown in the screen view below, the explanations describe how to make the selection using the knobs, but you can also select the items

using [ ] and [ ] (the cursor buttons).

Page 6

IMPORTANT NOTES ...............................................................................4

Main Features........................................................................................10

Names of Things and What They Do...................................................11

Front Panel................................................................................................................................................. 11

Rear Panel.................................................................................................................................................. 13

Checking the Package Contents.................................................................................................. 13

Quick Guide...........................................................................................14

Getting Ready ........................................................................................................................................... 14

Playing Sounds .........................................................................................................................................16

Editing........................................................................................................................................................ 18

Basic Operation.............................................................................................................................. 18

Creating Sounds Based on Existing Patches .............................................................................18

Creating Sounds with Ease (EZ TONE)..................................................................................... 20

Chapter 1 Outputting Sounds..............................................................22

Making the Connections.......................................................................................................................... 22

Turning on the Power.............................................................................................................................. 24

The Icons in the Play Screen ........................................................................................................ 24

Switching the Play Screen............................................................................................................ 25

Adjusting the Output Level .................................................................................................................... 25

Making Settings for a Connected Device (Output Select) .................................................................. 26

Turning Off the Power............................................................................................................................. 27

Tuning the Bass (TUNER)....................................................................................................................... 27

Turning the Tuner Function On and Off ................................................................................... 27

About the Display During Tuning ............................................................................................. 27

How to Tune .................................................................................................................................. 28

Changing the Tuner Settings (Tuner Pitch)............................................................................... 28

Changing the Tuner Settings (Tuner Out)................................................................................. 29

Selecting a Tone (Patch Change) ............................................................................................................ 30

What is a Patch?............................................................................................................................. 30

Using the Pedal to Select the Patch.............................................................................................31

Using the Dial to Select the Patch ............................................................................................... 32

Separating Patches into Groups (CATEGORY)........................................................................ 32

Adjusting a Tone ...................................................................................................................................... 32

Chapter 2 Creating Sounds (Patch Edit).............................................33

Creating Sounds with Ease (EZ TONE) ................................................................................................ 33

Creating a Tone for the Song You Envision (Create)............................................................... 33

Adjusting the Tone (Edit)............................................................................................................. 33

Setting the Effects .....................................................................................................................................34

Turning an Effect On and Off...................................................................................................... 34

Setting the Effects Simply (Quick Setting)................................................................................. 35

Switching Between Knob View and List View ......................................................................... 35

Adjusting the Parameters............................................................................................................. 36

Changing the Connection Order of Effects (Effect Chain)...................................................... 37

Using Two Different Type Effects (Channel Select)................................................................. 39

Grouping Patches by Category (CATEGORY) ......................................................................... 40

Naming User Categories (CATEGORY NAME) ...................................................................... 41

Naming a Patch (PATCH NAME) ......................................................................................................... 42

Chapter 3 Saving a Tone ......................................................................43

Saving a Patch (PATCH WRITE) ...........................................................................................................43

Copying Patches (PATCH COPY) .........................................................................................................43

Exchanging Patches (PATCH EXCHANGE)........................................................................................ 44

Page 7

Initializing Patches (PATCH INITIALIZE)........................................................................................... 44

Storing Settings by Effect (User Quick Settings).................................................................................. 45

Swapping Effect Settings Between Channels .......................................................................................46

Chapter 4 Playing Sounds ...................................................................47

Setting the Functions of the Knobs of the Play Screen........................................................................ 47

Using Pedals to Control the Parameters ...............................................................................................48

Using the CTL/EXP Pedal With the Same Functions Assigned at All Times (Pedal Function)

Setting CTL/EXP Functions Individually in Each Patch (PEDAL FX) ................................. 49

Setting Each Controller Functions to Individual Patches (Assign)........................................ 51

Activating the Virtual Expression Pedal at the Start of Operations (Internal Pedal System)

Turning the Effects On and Off with the BANK/Number Pedals (Manual Mode)....................... 56

Switching to Manual Mode ......................................................................................................... 56

Switching Effects On and Off with the Pedals.......................................................................... 56

Assigning an Effect On/Off Switch to a Pedal ......................................................................... 57

Switching Settings with the Number Pedals........................................................................................ 58

Phrase Loop Play...................................................................................................................................... 59

What’s Phrase Loop? ....................................................................................................................59

Using the Phrase Loop ................................................................................................................. 59

Setting Phrase Loop ...................................................................................................................... 60

Overview of Phrase Loop Operation .........................................................................................62

....... 48

............ 55

Chapter 5 Making Global Settings.......................................................63

Making Settings Matched to the Connected Bass (Input Select) ....................................................... 63

Adjusting the Overall Sound to Match the Usage Environment (Global) ....................................... 64

Adjusting the Overall Tone (Global EQ) ...................................................................................64

Controlling the Overall Effect of the Noise Suppressor (Total Noise Suppressor)............. 65

Controlling the Overall Reverb Level (Total REVERB)........................................................... 66

Setting the Output Reference Level to Match the Connected Equipment (Main Out Level)

Adjusting the Output Level of the DIGITAL OUT Jack.......................................................... 68

Switching the SUB OUTPUT Jacks Signals ...............................................................................69

Adjusting the SUB OUTPUT Jacks Level .................................................................................. 70

Adjusting the Display Contrast (LCD Contrast).................................................................................. 71

Keeping Effect Sounds Playing After Patches Are Switched (Patch Change Mode) .....................72

Using the Identical Preamp Settings in All Patches (Preamp Mode) ............................................... 73

Using the System Preamp............................................................................................................ 73

Setting the System Preamp .......................................................................................................... 73

Saving the Current Preamp Setting As the System’s Preamp Setting................................... 74

Limiting the Banks That Can Be Switched (Bank Extent) .................................................................. 75

Setting the Timing Used for Switching Patches (Bank Change Mode) ............................................ 76

Having Values from an EXP Pedal Carried Over When Patches are Called Up (EXP Pedal Hold)

Switching How the Pedal Indicators Light (Pedal Indicate).............................................................. 78

Setting the Dial Function (Dial Function) ............................................................................................. 79

Restoring the Factory Settings (Factory Reset)..................................................................................... 80

Adjusting the EXP Pedal (Pedal Calibration)....................................................................................... 81

............ 67

............. 77

Chapter 6

What Can You Do with MIDI? ............................................................................................................... 83

Making the Settings for MIDI Functions............................................................................................... 84

Using the GT-10B with External MIDI Devices Connected

Operating From the GT-10B ........................................................................................................ 83

Remotely Controlling the GT-10B Using an External MIDI Device ...................................... 83

Setting the MIDI Receive Channel.............................................................................................. 84

Setting the MIDI Omni Mode......................................................................................................85

Setting the MIDI Transmit Channel ........................................................................................... 85

Setting the MIDI Device ID.......................................................................................................... 85

Setting the MIDI Sync Clock........................................................................................................ 85

Sending Program Change Messages .......................................................................................... 86

Sending EXP Pedal Operations as Control Change Messages ............................................... 86

Sending EXP Pedal Sw Operations as Control Change Messages......................................... 86

Sending External EXP Pedal Operations as Control Change Messages ...............................86

Sending CTL Pedal Operations as Control Change Messages............................................... 87

Sending External Footswitch Operations as Control Change Messages ..............................87

........83

Page 8

Setting the Correspondences Between Program Change Messages and Patches (Program Change Map)

Enabling/Disabling the Program Change Map Settings (MIDI Map Select)....................... 88

Setting the Program Change Map .............................................................................................. 88

Changing Patches Using Bank Select Messages .................................................................................. 89

Changing Patch Numbers on an External MIDI Device from the GT-10B........................... 89

Changing Patch Numbers on the GT-10B from an External MIDI Device........................... 90

Transmitting Data to an External MIDI Device (Bulk Dump)........................................................... 91

Making the Connections ..............................................................................................................91

Transmitting................................................................................................................................... 92

Receiving Data from an External MIDI Device (Bulk Load).............................................................. 93

Making the Connections ..............................................................................................................93

Receiving ........................................................................................................................................ 93

...... 88

Chapter 7

Before Connecting with USB .................................................................................................................. 94

Setting the USB Functions....................................................................................................................... 96

Recording the GT-10B’s Output with a Computer.............................................................................. 98

Applying GT-10B Effects to a Computer’s Audio Playback .............................................................. 99

Using the GT-10B Connected to a Computer Via USB

Installing and Setting the USB Driver........................................................................................ 94

Exchanging MIDI Messages between the Computer and the GT-10B .................................. 94

Switching the Driver Mode ......................................................................................................... 95

Setting the Digital Audio Signal Input and Output................................................................. 96

Setting the Direct Monitor ...........................................................................................................97

Controlling the Direct Monitor Setting from a Computer ...................................................... 98

.........94

Chapter 8 Parameters Guide..............................................................100

COMPRESSOR/LIMITER..................................................................................................................... 100

OD/DS

(Overdrive/Distortion).......................................................................................................................... 101

PREAMP .................................................................................................................................................. 102

Preamp Settings........................................................................................................................... 102

Speaker Settings .......................................................................................................................... 104

EQ (Equalizer)......................................................................................................................................... 105

FX-1/FX-2 ................................................................................................................................................ 105

T.WAH (Touch Wah).................................................................................................................. 106

AUTO WAH (Auto Wah) ..........................................................................................................106

SUB WAH..................................................................................................................................... 107

SUB COMP (Sub Compressor).................................................................................................. 107

SUB LIMITER .............................................................................................................................. 108

GRAPHIC EQ (Graphic Equalizer) .......................................................................................... 108

PARA EQ (Parametric Equalizer)............................................................................................. 108

ENHANCER ................................................................................................................................ 109

TONE MODIFY........................................................................................................................... 109

BASS SIM. (Bass Simulator)....................................................................................................... 109

SLOW GEAR................................................................................................................................ 110

DEFRETTER................................................................................................................................. 110

BASS SYNTH............................................................................................................................... 110

OCTAVE....................................................................................................................................... 111

PITCH SHIFTER.......................................................................................................................... 111

HARMONIST ..............................................................................................................................112

SOUND HOLD............................................................................................................................ 113

PHASER........................................................................................................................................ 114

FLANGER ....................................................................................................................................114

TREMOLO.................................................................................................................................... 115

ROTARY....................................................................................................................................... 115

UNI-V............................................................................................................................................ 115

PAN............................................................................................................................................... 115

SLICER.......................................................................................................................................... 116

VIBRATO...................................................................................................................................... 116

RING MOD. (Ring Modulator) ................................................................................................. 117

HUMANIZER.............................................................................................................................. 117

2X2 CHORUS............................................................................................................................... 118

SUB DELAY ................................................................................................................................. 118

Page 9

DELAY ..................................................................................................................................................... 119

DELAY Common Parameters ...................................................................................................119

Pan................................................................................................................................................. 120

Dual-S, Dual-P, Dual-L/R.......................................................................................................... 120

Warp.............................................................................................................................................. 120

Modulate ...................................................................................................................................... 120

CHORUS.................................................................................................................................................. 121

REVERB ................................................................................................................................................... 121

MASTER .................................................................................................................................................. 122

MASTER ....................................................................................................................................... 122

MASTER BPM/KEY................................................................................................................... 122

PEDAL FX .................................................................................................................................... 122

ASSIGN 1–8.................................................................................................................................. 126

SEND/RETURN.......................................................................................................................... 131

AMP CONTROL .........................................................................................................................132

NS1/NS2 (Noise Suppressor) ................................................................................................... 132

CH.SELECT (Channel Select).................................................................................................... 133

EZ TONE ................................................................................................................................................. 134

STEP1: TONE............................................................................................................................... 134

STEP2: DRIVE.............................................................................................................................. 134

SYSTEM ................................................................................................................................................... 134

TUNER.......................................................................................................................................... 134

INPUT/OUTPUT........................................................................................................................ 134

PHRASE LOOP ........................................................................................................................... 135

MANUAL MODE SETTING ..................................................................................................... 136

PLAY OPTION ............................................................................................................................ 136

CONTROLLER ............................................................................................................................ 137

LCD ............................................................................................................................................... 139

MIDI .............................................................................................................................................. 139

USB................................................................................................................................................ 140

OUTPUT SELECT................................................................................................................................... 141

Appendices..........................................................................................142

Signal Flow .............................................................................................................................................. 142

MIDI Implementation Chart................................................................................................................. 143

Specifications........................................................................................................................................... 144

Error Messages........................................................................................................................................ 145

Troubleshooting...................................................................................................................................... 145

Problems with the sound ........................................................................................................... 145

Other Problems............................................................................................................................ 146

Index.....................................................................................................147

Page 10

Main Features

Multi-Effects Processor Designed for Bass, Packed with the Latest Technologies

The GT-10B’s original high-performance processors put BOSS’s wealth of bass expertise in a single package.

BOSS COSM effects have been precision-tuned to fully express all of the subtle fingering nuances that are characteristic of the bass. It can truly be said that this is the definitive bass multi-effects processor.

Create Tones Intuitively with EZ TONE

The EZ TONE provides an innovative user interface that enables you to create your own tones with absolutely no special knowledge of effect parameters needed.

Sound making on the EZ TONE is truly intuitive. EZ TONE shows you the way to create the sound with both graphical icons and intuitive terms such as “SOFT” or “HARD.” Choose the basic sound you want according to the music genre, song imagery, performance-style. Then you can shape the sound by just moving the cursor on the TONE GRID toward “SOFT” or “HARD.”

Now everyone can easily create his or her own tones the instant a sonic image comes to mind.

Phrase Loop Feature

The Phrase Loop feature lets you record and play loop performances, whereby you continue adding new sounds as the loop plays.

The unit provides up to 38 seconds of recording time, which lets you switch effects as you continue to layer additional bass lines.

You can also take phrases recorded beforehand without effects and then apply the perfect tone, adding the effects as you play back the phrase.

A Wide Variety of Tones with Parallel Chain

The GT-10B includes a “Parallel Chain” function that allows you to split the “chain”—the signal path—into two independent chains, with full freedom to arrange effects in each chain in any order you want.

This feature also enables you to change the relative balance of sounds from the two chains according to volume or pitch, and provides you with even greater precision in creating tones.

Works Like a Compact Effects Processor

Operating the GT-10B is like using compact effects processors. It’s easy to make super-fast tone adjustments, even in the middle of live performances. Just select an effects type, then directly adjust the four optimal parameters with the front-panel knobs. Of course, you can also switch the display to show all effect parameters to create tones with even more exacting detail.

Equipped with XLR Balanced Output Jacks

The GT-10B features two XLR type output jacks, enabling you to connect to PAs and recording decks.

High-Visibility Indicators

Foot pedal indicators and other lights all utilize brightly lit LEDs. Clearly visible in any situation, whether it be in a live outdoor concert or up on a pitch-black stage, these indicators help ensure accurate operation.

Page 11

Names of Things and What They Do

Front Panel

Display

Various information about the GT-10B is shown here. The display screen on the left side shows the bank number.

OUTPUT LEVEL Knob

This adjusts the volume level at the OUTPUT jack and the PHONES jack.

OUTPUT SELECT Button

This adjusts the characteristics of the output from the GT10B to match the type of equipment that is connected (p. 26).

SYSTEM Button

This makes global settings mainly, for the GT-10B (p. 63).

EZ TONE

CREATE Button

This makes it easy to create tones based on the musical genre and the feel of the song you have in mind (p. 33).

EDIT Button

This provides a simple way to modify tones (p. 33).

Parameter Knobs P1 Through P4

These change the values of the parameter shown on the display.

Dial

This switches patches and modifies values.

[ ], [ ], [ ], and [ ] (Cursor Buttons)

These move the onscreen cursor up, down, or to the left or right.

10 11

13 14

PHRASE LOOP

ON / OFF

BPM

EFFECTS SELECT

Use these buttons to switch effects on or off, or to change their settings (p. 34). When an effect is switched on, the button’s indicator lights up; the indicator goes out when the effect is off.

* [MASTER/PEDAL FX] does not light up.

COMP (Compressor) Button

OD/DS (Overdrive/Distortion) Button

PREAMP Button

EQ (Equalizer) Button

FX-1 Button

FX-2 Button

DELAY Button

CHORUS Button

REVERB Button

MASTER/PEDAL FX (Master/Pedal Effect) Button

SELECT Button

These switch between the A and B channels for the Effects.

10.

DISPLAY MODE Button

Allows you to change the way things are shown in the display (p. 25).

11.

EXIT Button

Use this to go back to the previous screen or to cancel an operation.

Page 12

Names of Things and What They Do

12.

CATEGORY/ENTER Button

Use this button for the following operations:

• When executing an operation

• When selecting patches arranged by category (p. 32)

• When doing tap input for MASTER BPM (p. 122) or Delay Time (p. 119)

13.

TUNER/BYPASS Button

Press to use the tuner features (p. 27).

14.

WRITE Button

Use this to store patch settings in memory, or to replace or copy settings (p. 43).

15.

BANK Pedals

Use these when switching patch banks (p. 31) or performing operations with phrase loops (p. 59).

You can switch a phrase loop on or off by depressing the two BANK pedals

at the same time (

16.

PHRASE LOOP (p. 59)

REC/DUB (Recording/Overdubbing) Indicator

This lights steadily when you’re recording or overdubbing a phrase, and flashes during recording standby.

PLAY Indicator

This lights up while phrase playback is in progress.

p. 59

17.

Number Pedals 1 through 4

These switch the patch number (p. 31).

18.

CTL (Control) Pedals 1 and 2

These can be used to control a variety of functions you assign, such as the A and B channels for the PREAMP (p.

102) or switching the Tuner on or off (p. 48).

19.

EXP (Expression) Pedal

Controls volume, wah, and other parameters (p. 48).

When operating the EXP Pedal, be careful not to get your fingers pinched between the movable part and the panel. In places with small children, an adult should provide supervision and guidance until the child is capable of following all the rules essential for the safe operation of the unit.

When “EXP1” is shown in the display for a parameter, indicates the GT10B’s EXP pedal.

20.

EXP PEDAL SW (EXP Pedal Switch)

The switch is turned on or off by firmly pressing on the toe of the EXP Pedal.

21.

EXP PEDAL SW ON/OFF

(EXP Pedal Switch On/Off) Indicator

This lights up when the feature controlled by the EXP PEDAL SW is on and goes out when the controlled feature is off.

Page 13

Rear Panel

Names of Things and What They Do

SUB OUTPUT Jacks L, R

These balanced output jacks use XLR type connectors.

GND LIFT Switch

You can disconnect the SUB OUTPUT jacks’ No. 1 pin from the GT-10B’s ground.

Switch this to LIFT if a ground loop or similar problem is causing output of hum or noise. Normally, this is set to GND.

INPUT Jack

The bass is connected here.

OUTPUT Jacks L/MONO, R

Connect to your amp, mixer, or such device.

PHONES Jack

Connect headphones here.

Tonal adjustments for monitoring are applied when headphones are connected to the PHONES jack.

EXT LOOP SEND RETURN Jacks

Connect to external effects processor or amp.

AMP CONTROL Jack

When using the AMP CONTROL function (p. 132), connect to the jack used for switching bass amp channels.

EXP PEDAL 2/CTL 3, 4 Jack

Connect an optional expression pedal (such as the Roland EV-5) or footswitch (such as the BOSS FS-6) here (p. 22).

USB Connector

Use a USB cable to connect a computer to this connector and enable exchange of data between the GT-10B and the computer (p. 94).

10.

DIGITAL OUT Jack

Outputs digital audio signals (p. 68).

11.

MIDI IN/OUT Connectors

Connect an external MIDI device to these connectors to transmit and receive MIDI messages (p. 83).

12.

POWER Switch

Turns the power on and off.

13.

DC IN (AC Adaptor) Jack

Connect the included AC adaptor here.

* To prevent damaging the GT-10B, please be sure not to use

any AC adaptor other than the one included with the GT-10B.

14.

Cord Hook

Hook the AC adaptor cord here to prevent the adaptor plug from being disconnected (p. 22).

* Disconnecting the AC adaptor while the GT-10B is in use may

result in corruption of important data.

15.

Security Slot ( )

Connect a commercially available anti-theft security cable here.

http://www.kensington.com/

16.

Grounding Terminal

Connect the ground cable here.

Before using the grounding terminal, carefully read the sections entitled: Notes in the “Making the Connections” (p. 23).

12 13

Checking the Package Contents

The GT-10B comes with the following items. After opening the package, please check all items. If any items are missing, please contact the retailer from whom this product was purchased.

• GT-10B

• AC Adaptor (Roland PSB-1U)

• Owner’s Manual (This document)

• Roland Service (Information Sheet)

Page 14

Quick Guide

The Quick Guide describes required settings and basic operations. For detailed descriptions of operations, refer to the explanations in chapter 1 and after.

Getting Ready

Connect the bass and the bass amp.

For detailed information on how to make the connections, refer to “Making the Connections” (p. 22).

Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

Connect the Bass and Amp

Before turning on the power, confirm the following.

Bass Amp

Bass

Turn On the Power

Plug the AC adaptor into a power outlet.

• Are all external devices properly connected?

• Is the volume on the GT-10B, your amp, and all other connected devices turned down to the minimum level?

Raise the amp volume only after turning on the power to all connected devices.

Insert the DC plug on the AC adaptor into the DC IN jack on the GT-10B.

Use the POWER switch to switch on the power.

Power up the bass amp.

For information on how to switch off the power, refer to “Turning Off the Power” (p. 27).

Page 15

OUTPUT

External Effector

Bass Amp

Bass

INPUT

Adjust the Volume

Quick Guide

Examples of Connections Using the SEND/RETURN Jacks

Quick Guide

Use the OUTPUT LEVEL knob to adjust the volume level.

PHRASE LOOP

ON / OFF

BPM

Example 1: Using an External Effects Unit

This enables use as one of the GT-10B’s effects.

Example 2: Using Send and Return on the

bass Amp

This allows you to switch between use of the GT-10B and the bass amp’s preamp.

Tune the Bass

Each press of the TUNER/BYPASS button switches the Tuner feature on or off.

Switching on the Tuner feature enables direct output of input sounds (bypass), and lets you tune the bass while in this state. For more information, refer to “Tuning the Bass (TUNER)” (p. 27).

Bass Amp Bass

SEND

INPUT

* When you’re making connections using the SEND/

RETURN jacks, you also need to make settings for the “SEND/RETURN” (p. 131).

RETURN

Page 16

Quick Guide

Playing Sounds

Once you’ve finished getting ready to play, try playing sounds as you operate the GT-10B.

About the Bank and Number Display

Choosing a Patch in the Current Bank

Choose the patch you want to use by depressing the corresponding number pedal.

The display on the left side shows the bank, and the display on the right side shows the bank and patch number.

Bank Number

User Bank

Preset Bank

The indicator for the number pedal you pressed lights up and the patch is switched.

Choosing a Patch in a Different Bank

Press the BANK pedals to select the desired bank.

The GT-10B stands by for specification of the patch number, and the number pedal indicators blink.

Choose the patch you want to use by depressing the corresponding number pedal.

The indicator for the number pedal you pressed lights up and the patch is switched.

If you’re not at the Play screen (p. 24), you won’t be able to switch patches. Press the [EXIT] button to go back to the Play screen, then choose the patch.

What is a Patch?

A combination (or set) of effects together with a group of parameter settings is called a “patch.”

The GT-10B can store 400 different patches in memory, organized by bank and number as shown below.

User Bank 01

BPM

Preset Bank 50

Preset Bank 01

User Bank 50

You can also use the BANK pedals to operate the Phrase Loop feature. Phrase Loop is a feature that lets you record a performance and play it back as a loop. For more information, refer to “Phrase Loop Play” (p. 59).

Patches include User patches, which you can use to save the settings for newly created effects, and Preset patches, for which modified settings cannot be saved.

For more information, refer to “Selecting a Tone (Patch Change)” (p. 30).

Page 17

Switch the Patch with the Dial

When you’re at the Play screen (p. 24), turning the dial switches the patch.

Quick Guide

Working with Effects Using the Pedals

The EXP Pedal and the CTL 1 and 2 pedals can be set to use in switching effects on or off for individual patches, use as a volume pedal, and other such operations.

PHRASE LOOP

ON / OFF

BPM

Executing these operations during a performance lets you modify the sound more effectively.

Press the CTL 1 pedal.

The CTL1 pedal function is switched on. (The indicator for the CTL 1 pedal lights up.) Press a second time to switch off. (The indicator for the CTL 1 pedal goes out.)

Press the CTL 2 pedal.

The CTL2 pedal function is switched on. (The indicator for the CTL 2 pedal lights up.) Press a second time to switch off. (The indicator for the CTL 2 pedal goes out.)

Press the toe of the EXP Pedal.

The EXP Pedal value rises.

Press the heel of the EXP Pedal.

The EXP Pedal value decreases.

Press the toe of the EXP Pedal firmly.

The EXP PEDAL SW function is switched on. (The EXP PEDAL SW ON/OFF indicator lights up.) Press firmly a second time to switch off. (The EXP PEDAL SW ON/OFF indicator goes out.)

You can assign the parameters you want to the EXP Pedal, EXP PEDAL SW and the CTL 1 and 2 pedals and operate them accordingly. For more information, refer to “Using Pedals to Control the Parameters” (p. 48).”

Page 18

Quick Guide

Editing

Basic Operation

This describes the basic operations you use when editing settings.

Access the System Menu screen.

Choose the menu item.

2 31

The setting screen for the selected item appears.

* In this example, "PATCH EDIT" icon is selected.

Buttons and Knobs You Use

These set the parameter value.

· Changes the page.

This displays the System Menu.

Sets the parameter value.

· Chooses an item.

This confirms the selected item.

BPM

This quits making settings.

Creating Sounds Based on Existing Patches

Let’s try creating a new sound based on a patch whose sound is close to what you want to make.

Switching Effects On and Off

Choose a patch whose sound is close to the sound you want to create (p. 16).

Buttons and Knobs You Use

These set the parameter value.

These choose the effect.

Choose the effect you want to switch on or off.

For more information about each parameter, refer to “Chapter 8 Parameters Guide” (p. 100).

Again press the button you pressed in step 2.

The effect is switched on or off.

Effect on: button illuminated

Effect off: button extinguished

BPM

Page 19

Quick Guide

Choose the menu item.

* Depending on the choosing item in Step 2, this screen may not appear.

The setting screen

for the selected item appears.

Example 2

Change the parameter

settings.

Example 1

Only the major parameters are shown in Knob View, you can adjust the parameters quickly. If you want to have all parameters appear, switch to List View.

Quit the settings.

(Go back to the previous screen.)

Each press this button switches between Knob View and List View.

Adjusting Effect Parameters

Switch on the effect you want to adjust.

If you switch patches, all settings that have been made will be lost. To save the sound you’ve created, carry out the Write procedure (p. 43).

Adjust the parameters for the effect.

For more information about each parameter, refer to “Chapter 8 Parameters Guide” (p. 100).

Repeat steps 1 and 2 until you obtain the sound you want.

Page 20

Quick Guide

Creating Sounds with Ease (EZ TONE)

Using the EZ Tone feature (p. 33) lets you quickly find settings close to the musical genre and feel of the song you want to create, and enables you to create the sound easily. Let’s try creating sounds using EZ Tone.

Use the basic tones and variations to choose the musical genre and the feel of the song.

Choose the Basic Tone

Variations

Basic Tones

For more information about each parameter, refer to “STEP1: TONE” (p. 134).

Buttons and Knobs You Use

These change the page.

This starts the EZ Tone feature.

BPM

These set the parameter values.

Page 21

Quick Guide

Using Tone Grid, adjust the distortion or compression until you get the sound you want.

Adjust the Distortion/Compression

Distortion/Compression:

Soft

Tone: Smooth

Tone: Edge

Cursor movement

Distortion/Compression:

Hard

Horizontal Vertical

Cursor movement

If you switch patches, you’ll lose all the settings you’ve made. To save the sound you’ve created, carry out the Write procedure (p. 43).

You can take parameters you’ve adjusted with EZ TONE CREATE and fine-tune them further using EZ TONE EDIT or parameter operations. For more information, refer to “Adjusting the Tone (Edit)” (p. 33).

Page 22

Chapter 1 Outputting Sounds

INPUT OUTPUT

OUT IN

Mixer

Bass Amp

Stereo

Headphone

External EffectorBass Computer

MIDI Sequencer

AC Adaptor

(PSB-1U)

Digital Recorder etc.

Expression Pedal (Roland EV-5, etc.)

Footswitch (BOSS FS-6, etc.)

Making the Connections

Connecting Directly to a Recording Mixer or PA Mixer (XLR Balanced Output)

The GT-10B features balanced outputs that utilize SUB OUTPUT jacks (XLR connectors). Although direct boxes are generally used to connect bass (effects processor) outputs to mixers in concert halls and recording studios, you can connect the GT-10B directly to the mixer, which lets you avoid degradations in the sound quality, as well as any additional problems that might occur as the result of connecting multiple devices.

• The SUB OUTPUT level cannot be adjusted with the OUTPUT LEVEL knob.

• The OUTPUT SELECT function (p. 26) affects sounds from the OUTPUT jacks. The output from the SUB OUTPUT jacks will always be equivalent to the sound that is output when the LINE/PHONES setting is used.

Page 23

•

BOSS FS-6

PCS-31 cable

To CTL3,4 jack To CTL3,4 jack To CTL3,4 jack

White Red White Red

BOSS FS-5U

(CTL3)

BOSS

FS-5U

(CTL4)

(CTL3) (CTL4)

(CTL4) (CTL3)

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

• Raise the amp volume only after turning on the power to all connected devices.

• When connection cables with resistors are used, the volume level of equipment connected to the INPUT jack may be low. If this happens, use connection cables that do not contain resistors.

• When outputting in mono, connect the cable to the OUTPUT L/MONO jack.

• Use only the specified expression pedal (Roland EV-5 or BOSS FV-500L; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

• Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as basses. This is due to an infinitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see figure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page. Unsuitable places for connection

· Water pipes (may result in shock or electrocution)

· Gas pipes (may result in fire or explosion)

· Telephone-line ground or lightning rod (may be dangerous in the event of lightning)

• Place the AC adaptor so the side with the indicator (see illustration) faces upwards and the side with textual information faces downwards. The indicator will light when you plug the AC adaptor into an AC outlet.

Chapter 1 Outputting Sounds

• When connecting an expression pedal to the EXP PEDAL2/CTL 3,4 jack, set the minimum volume for the connected expression pedal to the “MIN” position.

• When connecting a BOSS FS-6 footswitch (optional) to the EXP PEDAL 2/CTL 3,4 jack, set the MODE switch and POLARITY switch as shown below.

Chapter

• When connecting a BOSS FS-5U footswitch (optional) to the EXP PEDAL 2/CTL 3,4 jack, set the POLARITY switch as shown below.

Porarity Switch

• You can use the special (optional Roland) PCS-31 connector cord to connect two footswitches.

• When a BOSS FS-6 footswitch (optional) is connected to the CTL3,4 jack with an optional connection cable (stereo 1/4” phone – stereo 1/4” phone), pedal switch B operates according to the CONTROL 3 settings, and pedal switch A operates according to the CONTROL 4 settings.

AC Adaptor

Indicator

• To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

• This instrument is equipped with balanced (XLR) type connectors. Wiring diagrams for these connectors are shown below. Make connections after first checking the wiring diagrams of other equipment you intend to connect.

Power Cord

AC Outlet

•

When using the unit with an expression pedal or a footswitch (the optional FS-6 or FS-5U) connected to the EXP PEDAL 2/CTL 3,4 jack, make the settings given on “Using Pedals to Control the Parameters” (p. 48).

• For more on using the AMP CONTROL jack, refer to “AMP CONTROL” (p. 132).

Page 24

Chapter 1 Outputting Sounds

Turning on the Power

Before turning on the power, confirm the following.

• Are all external devices properly connected?

• Is the volume on the GT-10B, your amp, and all other connected devices turned down to the minimum level?

• Upon power-up, the patch most recently

The display changes, showing the following.

pears at this point is called the “

Play screen

The screen that ap-

.”

Turn on the power to any external effects processors → the bass amp (power amp).

selected when the power was last turned off is selected.

• This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

The Icons in the Play Screen

Master BPM

Bank - Patch Number

Category Name

Patch Name

Displays the Master BPM (p. 122) value for each patch.

When the Effect Ch.Mode is set to Single, effect channel A is selected. Also, this is displayed when the Effect Ch.Mode is set to Dynamic B.

When the Effect Ch.Mode is set to Single, effect channel B is selected. Also, this is displayed when the Effect Ch.Mode is set to Dynamic A.

This is displayed when the Effect Ch.Mode is set to Dual Mix, Dual L/R, or Freq Divide. When the Effect Ch.Mode is set to Dynamic A or Dynamic B, it is displayed according to the input level.

OUTPUT SELECT setting

Effect Channel

PREAMP Solo Sw

For details on the OUTPUT SELECT icons, refer to “Making Settings for a Connected Device (Output Select)” (p. 26).

When the Effect Ch.Mode is set to Dynamic, the display switches between A and B according to the input level.

This is displayed when the PREAMP Solo Sw is Off.

This is displayed when the PREAMP Solo Sw is On.

The “S” icon is not shown if the selected amp type doesn’t have the Solo Sw parameter.

Page 25

Chapter 1 Outputting Sounds

* About the S icon and A icon displayed at the Screen 4 and 5.

The S icon displays when the Pedal Function is enabled (p. 48).

The A icon displays when the Patch Assign Function is enabled (p. 51).

Switching the Play Screen

The GT-10B has a variety of Play screen variations. You can switch the information shown in the Play screen by pressing .

• You can use the PARAMETER knobs 1 through 4 to work with the values of the parameters displayed at the bottom of the Play screen. Also, for each parameter, you can change the corresponding assignment at the SYS KNOB ASSIGN screen (p. 47).

• The parameter name displayed at the each Play screen is abbreviated. For details about parameter names, refer to “Parameters You Can Set with PDL:CTL/EXP” (p. 125) or “Display of Parameters You Can Set with SYS KNOB SETTING” (p. 138).

Chapter

Screen 1

This displays the name of the patch and the parameters you can work with using the PARAMETER 1 through 4 controls.

Screen 4

This screen displays the functions assigned to CTL 1 and 2, the EXP PEDAL SW, and the EXP Pedal.

Screen 2

This screen displays the effect channel level and the preamp that’s in use.

Screen 5

This screen displays the functions assigned to the Number Pedal Switch, CTL 3 and 4, the external expression pedal (EXP PEDAL2).

Screen 3

This screen displays the effect channel mode and the effect channel level.

Screen 6

This is the screen shown when you’re in Manual mode (p. 56). Manual mode is enabled only while this screen is displayed. Pressing [CATEGORY/ENTER] in this screen allows you to make settings for MANUAL MODE SETTING.

Screen 7

The effects used, as well as their connection sequence (CHAIN) in a channel is indicated.

Adjusting the Output Level

Adjust the GT-10B’s output level with the OUTPUT LEVEL knob.

Screen 8

The patch name and the output level meter are displayed.

Page 26

Chapter 1 Outputting Sounds

Making Settings for a Connected Device (Output Select)

Select the type of device connected to the OUTPUT jack.

• To derive the maximum performance from the GT-10B, be sure to make the correct setting for OUTPUT SELECT, the one that’s most suitable for your setup.

• The OUTPUT SELECT function affects sounds from the OUTPUT jacks. The output from the SUB OUTPUT jacks will always be equivalent to the sound that is output when the LINE/PHONES setting is used.

• If the headphones are connected to the PHONES jack, the output from OUTPUT jack and PHONES jack will be equivalent to the sound that is output when the LINE/PHONES setting is used.

The OUTPUT SELECT screen appears.

Value

Patch

System This uses the system’s Output Select setting. The same output setting is used for all patches.

Value

AMP WITH TWEETER

AMP NO TWEETER

Move the cursor to Mode.

Set the Mode.

Explanation

This uses the patch’s Output Select setting. You can use a different output setting for each individual patch.

Move the cursor to Select.

Choose the operation for the Select parameter.

Explanation Icon displayed on

Use this setting when connecting to a tweeter-equipped bass amp.

Use this setting when connecting to a bass amp that has no tweeter. The high-frequency range is adjusted.

the Play screen

LINE/PHONES

Use this setting when connecting to a multi-track recorder for recording or when using headphones.

Page 27

Chapter 1 Outputting Sounds

Turning Off the Power

Before turning off the power, confirm the following.

• Is the volume on the GT-10B, your amp, and all other connected devices turned down to the minimum level?

• Have you saved any patches containing settings that have been changed? (p. 43)

Turn off the power to the bass amp (power amp) → any external effects processors and other devices.

Chapter

Turn the GT-10B’s power off.

Changes in patch settings are lost when the power is turned off. If you want to save changes in the settings, carry out the Write procedure (p. 43) before turning off the power.

Tuning the Bass (TUNER)

When the Tuner is turned on, sounds input to the GT-10B are output directly as is (bypassed), and the tuner is activated.

Under these conditions you can then tune your bass.

Turning the Tuner Function On and Off

About the Display During Tuning

With the GT-10B’s internal tuner, the Note Name and the Tuning Guide are shown of the display, indicating the difference between the input sound and the sound in the display.

The tuner is switched on or off.

Note Name

Tuning Guide

When the difference from the correct pitch falls within 50 cents, the Tuning Guide then indicates the size of that difference. As you watch the Tuning Guide, tuning until the center indicator lights up.

fig.07-090

Too High

Tuned

Too Low

Page 28

Chapter 1 Outputting Sounds

• General Four-String Bass

• General Five-String Bass

• General Six-String Bass

4th 3rd 2nd 1st

Regular E A D G

1/2 Step Down

DGC



1 Step Down D G C F

5th 4th 3rd 2nd 1st

Regular B E A D G

1/2 Step Down

ADGCF



1 Step Down A D G C F

6th 5th 4th 3rd 2nd 1st

Regular B E A D G C

1/2 Step Down

ADGCF



1 Step Down A D G C F



How to Tune

Play a single open note on the string being tuned.

Tune the string until the string name appears in the display.

Keep checking the Tuning Guide, tuning until the center indicator lights up.

The Note Name closest to the pitch of the string that was played appears in the display.

Only play a single note on the one string being tuned.

Repeat Steps 1–3 until all of the strings are tuned.

Changing the Tuner Settings (Tuner Pitch)

Range

435Hz–445Hz

Turn on the Tuner.

Move the cursor to PITCH.

Change the reference pitch.

Explanation

This sets the reference pitch.

• The frequency of A4 (the middle A on a piano keyboard) played by an instrument (such as a piano) that provides the pitch to which the other instruments refer in tuning before a performance begins is called the reference pitch.

• This is set to 440 Hz when shipped from the factory.

Page 29

Changing the Tuner Settings (Tuner Out)

TUNER

Effector

Off

TUNER

Switch

TUNER

OUTPUT

EXP

Pedal

Mute

Bypass

Chapter 1 Outputting Sounds

Turn on the Tuner.

Move the cursor to OUTPUT.

Select the output while Tuner is on.

Value

Bypass

Mute Sounds are muted, and no sound is output.

Explanation

Sounds input to the GT-10B bypass the processing and are output directly as is.

Chapter

• When OUTPUT is set to “Bypass,” and Tuner is set to ON, you can adjust the volume of the direct sound by operating the EXP Pedal.

• OUTPUT is set to “Bypass” when shipped from the factory.

Switching the Tuner On and Off with the CTL Pedal

By setting the CTL Pedal function (p. 48) to “Tuner,” you can switch the tuner on and off with one of the CTL pedals.

Switching the Tuner On and Off by Lifting Up on the EXP Pedal

When the EXP Pedal is functioning as a Foot Volume control, set one of the ASSIGN 1–8 Assign Variable settings (p. 51) as follows.

With these setting, you can switch on the Tuner by drawing back the EXP Pedal.

Target: Tuner Sw Src Mode: Moment

Min: On ActRngLo: 0

Max: Off ActRngHi: 1

Source: EXP1 PEDAL

Switching the Tuner On and Off with the Number Pedal

Set the Num Pdl Sw function (p. 58) to Tuner to switch the tuner on and off with the number pedal of the current patch.

Page 30

Chapter 1 Outputting Sounds

Selecting a Tone (Patch Change)

What is a Patch?

A combination (or set) of effects together with a group of parameter settings is called a “patch.”

The GT-10B can store 400 different patches in memory, organized by bank and number as shown below.

fig.02-010

Preset Bank 50

Preset Bank 01

User Bank 50

User Bank 01

User Banks (U01–U50)

Newly created effects settings are saved in the User banks. Patches in these banks are called “User patches.”

A “U” appears in the display when a User patch is selected.

fig.02-020d

Preset Banks (P01–P50)

The Preset banks contain effect settings that make full use of the features the GT-10B has to offer. The patches in these banks are called “Preset patches.” When you change the settings of a Preset patch, save the result as a User patch. Preset patches cannot be overwritten.

A “P” appears in the display when a Preset patch is selected.

fig.02-030d

Page 31

Chapter 1 Outputting Sounds

Using the Pedal to Select the Patch

Patches are switched by selecting a “bank” (U01–U50, P01–P50) and “number” (1-4). The bank and number appear in the GT10B’s display as shown in the following figure.

fig.02-040d

Number

Bank

fig.02-050

Number

Chapter

• When selecting a patch, even if a new bank is selected, the patch is not switched until you also choose the number. If you want to be able to switch patches merely by selecting a different bank, adjust the Bank Change mode (p. 76) setting.

• You can also set the unit so certain effects continue to be used with a following patch after you switch patches. For details, refer to “Keeping Effect Sounds Playing After Patches Are Switched (Patch Change Mode)” (p. 72).

Choosing a Patch in the Same Bank

• The indicator for the selected number pedal

Choose the number of the patch you want to use.

lights up.

• On the GT-10B, you cannot switch patches in any screen other than the Play screen. Press [EXIT] to return to the Play screen (p. 25).

Choosing a Patch in a Different Bank

Select the bank.

Choose the number of the patch you want to use.

Press the BANK pedals to select the desired bank. After bank selection, the GT-10B stands by for specification of the patch number, and the number pedal indicators light up.

• The indicator for the selected number pedal lights up.

• On the GT-10B, you cannot switch patches in any screen other than the Play screen. Press [EXIT] to return to the Play screen (p. 25).

Page 32

Chapter 1 Outputting Sounds

Using the Dial to Select the Patch

Select the Patch.

On the GT-10B, you cannot switch patches in any screen other than the Play screen. Press [EXIT] to return to the Play screen (p. 25).

Separating Patches into Groups (CATEGORY)

The GT-10B includes a function that allows you to categorize patches into a number of different groups. This is called the CATEGORY function (p. 40). Specifying the category for each patch makes searching for patches more convenient.

The CATG screen appears.

The categories and the patches in these categories are shown in list format.

Select the category.

• On the GT-10B, you cannot enter the CATG screen in any screen other than the Play screen. Press [EXIT] to return to the Play screen (p. 25).

• You can also display the CATG screen from PATCH SEARCH in the SYSTEM screen.

The GT-10B switches to the selected patch.

Adjusting a Tone

On the GT-10B, the master equalizer parameters are assigned to the PARAMETER knobs of the Play screen by default.

You can use these PARAMETER knobs to adjust the sound quality globally, for all patches.

Select the Patch.

P1 knob: Adjust the low frequency range tone. P2 knob: Adjust the middle frequency range tone. P3 knob: Adjust the high frequency range tone.

Page 33

Chapter 2 Creating Sounds (Patch Edit)

Adjusts the volume level of the Ch.A compressor.

Adjusts the volume level of the Ch.A chorus.

Adjusts the volume level of the Ch.B reverb.

Adjusts the distortion (DRIVE) of the Ch.B.

Creating Sounds with Ease (EZ TONE)

Creating a Tone for the Song You Envision (Create)

If you already have a clear idea about the kind of sound you want to create, you can save yourself a lot of trouble by starting out with a patch that is relatively similar to what you have in mind, then tweak its settings until you arrive at what you want.

EZ TONE CREATE lets you create sounds easily by choosing settings close to the musical genre and the feel of the song you want to compose.

The current settings for the patch you are using at the moment are lost when you press EZ TONE [CREATE]. If you want to save the current settings, carry out the Write procedure (p. 43) before performing the procedure below.

The TONE screen for EZ TONE CREATE appears.

P1, P2 knob: This selects the basic tone. P3, P4 knob: This selects a variation.

The DRIVE Tone Grid for EZ TONE CREATE appears.

P1, P2 knob: This adjusts the distortion and the

compression effect.

P3, P4 knob: This adjusts the tone.

Switching patches causes all settings that have been made to be lost. To save the sound you’ve created, carry out a Write operation (p. 43).

Chapter

Adjusting the Tone (Edit)

By using EZ TONE EDIT you can adjust the sound of a patch with ease, without having to manipulate complicated parameters.

The EZ TONE EDIT screen appears.

P1 knob: Adjusts the volume level of the compressor.

P2 knob: Adjusts the distortion (DRIVE). P3 knob: Adjusts the volume level of the chorus. P4 knob: Adjusts the volume level of the reverb.

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Chapter 2 Creating Sounds (Patch Edit)

Setting the Effects

Turning an Effect On and Off

The GT-10B’s internal effects are switched on and off with button controls. When an effect is switched on, the button’s indicator lights up; the indicator goes out when the effect is off.

[MASTER/PEDAL FX] does not light up.

The setting screen for the effects appears.

• With [FX-1] and [FX-2], the settings for the currently selected effect are shown.

• Pressing [MASTER/PEDAL FX] displays the MST/PDL FX screen.

To select another effect to be switched on and off, repeat Steps 1 and 2.

(Press the button you pressed in step 1 a second time.) The effect is switched on or off.

• If you want to name the patch or edit the name, proceed to “Naming a Patch (PATCH NAME)” (p. 42) before you save.

• If you want to save a tone with the settings you’ve made, proceed as described in “Saving a Patch (PATCH WRITE)” (p. 43).

On/Off Operations Using the PARAMETER Knobs

You can use the P1 through P4 knobs to switch on or off the effects whose icons are displayed in the PATCH EDIT screen or MST/PDL FX screen.

PATCH EDIT screen

Select the

icon in the SYSTEM MENU screen.

MST/PDL FX screen

Press in the MST/PDL FX screen until the screen below appears.

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Chapter 2 Creating Sounds (Patch Edit)

Setting the Effects Simply (Quick Setting)

Each effect includes prepared sample settings called “Quick Settings.”

You can easily create new effect sounds just by selecting and combining these Quick Settings.

The setting screen for the effects appears.

Select the Quick Setting you want.

U**: User Quick Setting P**: Preset Quick Setting U01-1 – U50-4: User Patch Setting P01-1 – P50-4: Preset Patch Setting

For the various FX-1 or FX-2 effects, or the ASSIGN 1 through 8 Quick Settings, you can call up the respective settings described below.

• Each effect of the FX-1 or FX-2 (You can call up settings separately for FX1 and FX2.) U01-1.1 – U50-4.2: User Patch Setting P01-1.1 – P50-4.2: Preset Patch Setting

• ASSIGN (You can call up settings separately for ASSIGN 1 through 8) U01-1.1 – U50-4.8: User Patch Setting P01-1.1 – P50-4.8: Preset Patch Setting

• With FX-1 and FX-2, the settings for the currently selected effect are shown.

• Pressing [MASTER/PEDAL FX] displays the MST/PDL FX screen.

• “---: User Setting” indicates that the effect indicated in the display is set to be saved to the currently selected patch, or that the settings are currently being modified.

• When FX-1 or FX-2 has been selected in Step 1, the settings for the effect selected by means of the FX1/FX2 Select parameter (p. 105) are switched.

• If you want to name the patch or edit the name, proceed to “Naming a Patch (PATCH NAME)” (p. 42) before you save.

• If you want to save a tone with the settings you’ve made, proceed as described in “Saving a Patch (PATCH WRITE)” (p. 43).

Chapter

Switching Between Knob View and List View

You can switch the setting screen for effects between a knob-format view and a list-format view.

The setting screen for the effects appears.

Each press switches between Knob View and List View.

Only the major parameters are shown in Knob View, you can adjust the parameters quickly. If you want to have all parameters appear, switch to List View.

With [FX-1] and [FX-2], the settings for the currently selected effect are shown.

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Chapter 2 Creating Sounds (Patch Edit)

Operations Using the PARAMETER Knobs

In the effects screens, the knobs correspond to the displayed parameters.

Adjusting the Parameters

Each effect comprises several different kinds of parameters. You can more precisely create the sounds you want by editing each of these parameters individually.

The setting screen for the effects appears.

• With [FX-1] and [FX-2], the settings for the currently selected effect are shown.

To adjust another effect parameter, repeat Steps 1 and 2.

Make the settings for the parameters.

• Pressing [MASTER/PEDAL FX] displays the MST/PDL FX screen.

Some effects include multiple pages for the

parameter settings. You can use [ ] and

[ ] to switch the pages.

• If you want to name the patch or edit the name, proceed to “Naming a Patch (PATCH NAME)” (p. 42) before you save.

• If you want to save a tone with the settings you’ve made, proceed as described in “Saving a Patch (PATCH WRITE)” (p. 43).

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Chapter 2 Creating Sounds (Patch Edit)

Adjusting EQ (Equalizer)

In the EQ screen, using [DISPLAY MODE] to switch the screen lets you check the current status of the settings by means of a graph.

[ ] and [ ] to switch pages, and use the P1

Use

through P4 knobs to adjust the respective parameters.

You can use the same technique to adjust the various parameters under PARA EQ for FX-1 and FX-2 as well.

For details, refer to “EQ (Equalizer)” (p. 105).

Adjusting GRAPHIC EQ for FX-1/2

In the GRAPHIC EQ screen for FX-1 or FX-2, using [DISPLAY MODE] to switch the screen lets you check the current status of the settings by means of a slider view.

[ ] and [ ] to select the range you want to adjust,

Use

and use the P1 through P4 knobs to adjust the respective parameters.

For details, refer to “GRAPHIC EQ (Graphic Equalizer)” (p. 108).

Chapter

Changing the Connection Order of Effects (Effect Chain)

Here’s how you can change the order in which the effects are connected.

The MST/PDL FX screen appears.

Select FX CHAIN.

The FX CHAIN screen appears.

The icon displayed on the FX CHAIN screen indicates the status as described below.

: Effect on

: Effect off

: Selected effect (movable)

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Chapter 2 Creating Sounds (Patch Edit)

Select an effect you want to move.

Pressing the effect button for the effect you want to move lets you choose the effect.

Compressor/ Limiter

OD/DS Chorus Send/Return

PREAMP Reverb

EQ Pedal FX INPUT jack

FX-1

FX-2

Delay Foot Volume

Noise Suppressor1

Noise Suppressor2

• Pressing [CATEGORY/ENTER] or the EFFECTS SELECT button for the currently selected effect switches the effect on or off.

• There are two effect routes—channel A (upper) and channel B (lower)—and [CHANNEL SELECT] is used to select which one to use.

Digital/USB Out

OUTPUT jack

If you want to change the sequence further, repeat Steps 4 and 5.

Move an effect to the point where you want to have an effect inserted.

Checking the Effect Level with the Level Meter

In the upper right of the FX CHAIN screen, you can meter the output level of each effect.

To check an effect’s output level, move the cursor to the desired effect.

You can check the level of signals being input to the INPUT jack by selecting .

Selecting allows you to check the level of signals output from the GT-10B.

and cannot be moved.

• If you want to name the patch or edit the name, proceed to “Naming a Patch (PATCH NAME)” (p. 42) before you save.

• If you want to save a name of the patch with the settings you’ve made, proceed to “Saving a Patch (PATCH WRITE)” (p. 43).

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Chapter 2 Creating Sounds (Patch Edit)

Using Two Different Type Effects (Channel Select)

GT-10B’s effector has two routes (EFFECT CHANNEL). You can use it by switching or mixing each route for application as needed.

The MST/PDL FX screen appears.

Select CH. SELECT.

Chapter

Value

Single

Dual Mix

Dual L/R

Freq Divide

The CH. SELECT screen appears.

Select the Ch.Mode.

Explanation Value Explanation

Only the channel se-

Low-frequency Range

High-frequency Range

lected with Ch.Select or [CHANNEL SELECT] is used.

The output of Channels A and B is mixed.

Channel A is output from the left and

Channel B is output

from the right.

The low-frequency range is assigned to Channel A, and the high-frequency range is assigned to Channel B.

Dynamic SW

Dynamic A

Dynamic B

Input Level

Channel A’s volume level is controlled. The volume in Channel B is fixed.

Channel B’s volume level is controlled. The volume in Channel A is fixed.

• Pressing [DISPLAY MODE] toggles the display between Knob View and List View. For information on the parameters, refer to “CH.SELECT (Channel Select)” (p. 133).

• When you want to change the effect channel, press [CHANNEL SELECT].

You can also select the Ch.Mode using P2 knob.

Detect

Channels A and B are switched according to the bass input volume level. This produces dynamic tonal changes in response to the picking dynamics.

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Chapter 2 Creating Sounds (Patch Edit)

Grouping Patches by Category (CATEGORY)

You can assign categories to patches and group them accordingly.

Select the patch you want to include in a category.

The MST/PDL FX screen appears.

Select NAME.

The PATCH NAME screen appears.

Select a category.

• If you want to name the patch or edit the name, proceed to “Naming a Patch (PATCH NAME)” (p. 42) before you save.

• If you want to save a name of the patch with the settings you’ve made, proceed to “Saving a Patch (PATCH WRITE)” (p. 43).

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Chapter 2 Creating Sounds (Patch Edit)

Naming User Categories (CATEGORY NAME)

The CATEGORY function also features ten user categories (USER1–10) you can name however you like.

The SYSTEM MENU screen appears.

SYSTEM

Select CATEGORY NAME.

Chapter

The CATEGORY NAME screen appears.

Use the same procedure as in “Naming a Patch (PATCH NAME)” (p. 42) to edit the name of the category.

twice.

Select the name of the category you want to edit.

The Play screen appears.

Category names are system parameters. They are saved at the time they are entered, and don’t require the Write procedure.

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Chapter 2 Creating Sounds (Patch Edit)

Naming a Patch (PATCH NAME)

Each patch can be given a name (PATCH NAME) consisting of up to sixteen characters. You’ll probably want to take advantage of this feature by assigning names that suggest the sound you’ll obtain, or the song in which it’ll be used.

Select the patch whose name you want to edit.

The MST/PDL FX screen appears.

Select NAME.

The PATCH NAME screen appears.

Move the cursor to the position at which you want to change a char-

acter.

Select the character.

You can use the following convenient operations.

Operation

If you want to edit names further, repeat Steps 5 and 6.

Description Operation Description

Inserts a blank space at the cursor position.

Inserts a keyword associated with the patch at the cursor position.

Switches between uppercase and lowercase letters.

Deletes the character and shifts the characters that follow to the left.

Switches between letters, numerals, and symbols.

Sets the category for the current patch. Refer to “Grouping Patches by Category (CATEGORY)” (p. 40)

If you want to save a name of the patch with the settings you’ve made, proceed to “Saving a Patch (PATCH WRITE)” (p. 43).

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Chapter 3 Saving a Tone

Saving a Patch (PATCH WRITE)

If you want to save the changes in the settings, carry out the Write procedure.

The patch previously stored at the write destination will be lost once the write is executed.

The PATCH WRITE screen appears.

Select the write-destination User patch.

The GT-10B saves the changes in the settings to the write-destination patch.

Copying Patches (PATCH COPY)

You can copy a Preset or User patch to another User patch.

The patch previously stored at the write destination will be lost once the write is executed.

Select the patch you wish to copy.

When no edits have been made to the currently selected patch, the PATCH COPY screen is displayed.

To cancel the Write procedure, press [EXIT]. The Play screen returns to the display.

You can also use the procedure described in “Using the Pedal to Select the Patch” (p. 31) to select the write-destination.

If you want to name the patch or edit the name, proceed to “Naming a Patch (PATCH NAME)” (p.

42) before you save.

“Selecting a Tone (Patch Change)” (p. 30)

Chapter

The PATCH COPY screen appears.

Select the copy-destination User patch.

The GT-10B copies the patch selected in Step 1 to the copy-destination patch.

When edits have been made to the currently selected patch, the PATCH WRITE screen is displayed.

To cancel the Copy procedure, press [EXIT]. The Play screen returns to the display.

You can also use the procedure described in “Using the Pedal to Select the Patch” (p. 31) to select the copy destination.

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Chapter 3 Saving a Tone

Exchanging Patches (PATCH EXCHANGE)

On the GT-10B, you can “swap” or exchange the positions of two User patches. The following explains how this is done.

Select the exchange source patch.

The PATCH COPY screen appears.

Select the PATCH EXCHANGE (page 2) screen.

Select the exchange destination User patch.

The GT-10B exchange the positions of the two User patches.

“Selecting a Tone (Patch Change)” (p. 30)

When edits have been made to the currently selected patch, the PATCH WRITE screen is displayed.

To cancel the Exchange procedure, press [EXIT]. The Play screen returns to the display.

You can also use the procedure described in “Using the Pedal to Select the Patch” (p. 31) to select the exchange destination.

Initializing Patches (PATCH INITIALIZE)

You can return (initialize) a User patch to its original factory settings. This is convenient when you want to create a new patch from scratch.

Any tone settings you’ve stored in a patch are lost once the initialization is executed.

The PATCH COPY screen appears.

Select the PATCH INITIALIZE (page 3) screen.

Select the User patch you want to initialize.

When edits have been made to the currently selected patch, the PATCH WRITE screen is displayed.

To cancel the Initialize procedure, press [EXIT]. The Play screen returns to the display.

You can also use the procedure described in “Using the Pedal to Select the Patch” (p. 31) to select the initialize destination.

The selected patch is initialized.

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Chapter 3 Saving a Tone

Storing Settings by Effect (User Quick Settings)

In addition to storing settings in the form of patches, you can also store settings for individual effects.

Since you can use such stored settings in other patches, just like with the Preset Quick Settings (p. 35), storing effects settings you like ahead of time User Quick Settings is a convenient way to create new patches.

Effects That Can Be Stored

• COMP

• OD/DS

• PREAMP

•EQ

• FX-1/FX-2 Effects

• DELAY

• CHORUS

• REVERB

• PEDAL FX WAH and Pedal Bend

• SEND/RETURN

• ASSIGN1–8

The PATCH COPY screen appears.

The QUICK FX WRITE screen appears. Select the effect settings you want to save.

3-020d

The screen for specifying the destination to which to save the settings appears.

Move the cursor to “Write to.”

Select the save-destination for the settings.

When edits have been made to the currently selected patch, the PATCH WRITE screen is displayed.

• To save ASSIGN 1-8 settings (p. 51), set the SOURCE parameter to ASSIGN 1-8.

• For FX-1/FX-2, the settings in the currently chosen effects set by FX select (p. 105) will be saved.

• The effects shown below change with each press of [MASTER/PEDAL FX].

- PEDAL WAH

- PEDAL BEND

- SEND/RETURN

- ASSIGN 1–8

When you want to change the User Quick Setting name (12 characters), press [DISPLAY MODE]. For information on how to enter characters, refer to steps 4 through 6 of “Naming a Patch (PATCH NAME)” (p. 42).

Chapter

The settings are saved.

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Chapter 3 Saving a Tone

Swapping Effect Settings Between Channels

You can swap the settings for the two effect channels.

The PATCH COPY screen appears.

The CH A/B UTILITY screen appears.

3-020d

This swaps the arrangement of channel A and channel B in the FX CHAIN.

When edits have been made to the currently selected patch, the PATCH WRITE screen is displayed.

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Chapter 4 Playing Sounds

Setting the Functions of the Knobs of the Play Screen

You can change the functions of the PARAMETER knobs.

SYSTEM

The SYSTEM MENU screen appears.

Select CONTROL.

The CONTROLLER screen appears.

Select the SYS KNOB SETTING screen (page 1).

Select the parameter knob (Knob P1–P4) whose assignment you want to change.

Chapter

To change another controller setting, repeat Steps 5–6.

twice.

Change the parameter settings.

The Play screen appears.

For information on what settings you can assign, refer to “SYS KNOB SETTING (System Knob Setting)” (p. 137).

CONTROLLER parameters are system parameters. They are saved at the time they are entered, and do not require a Write procedure.

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Chapter 4 Playing Sounds

Using Pedals to Control the Parameters

Using the CTL/EXP Pedal With the Same Functions Assigned at All Times (Pedal Function)

This applies the functions of the CTL pedal, EXP Pedal and EXP PEDAL SW globally to the GT-10B.

SYSTEM

The SYSTEM MENU screen appears.

Select CONTROL.

The CONTROLLER screen appears.

Select the controller whose assignment you want to change.

To change another controller setting, repeat Steps 4–6.

10.

twice.

Select Prefernc.

Set the Prefernc parameter to System.

Select the parameter of the chosen controller whose settings you want to change.

Change the parameter settings.

The Play screen appears.

For information on what settings you can assign, refer to “Function” (p. 138).

CONTROLLER parameters are system parameters. They are saved at the time they are entered, and do not require a Write procedure.

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Chapter 4 Playing Sounds

Parameter Functions Switched

Foot Volume

Normal Foot Volume (Does not include an ON/OFF switching function)

Pedal Bend Pedal Bend On/Off

WAH Wah On/Off

PB/FV Pedal Bend, Foot Volume

WAH/FV Wah, Foot Volume

Example of Setting the Pedal Function

Setting the parameters as shown below in the EXP1 PEDAL SETTING screen enables you to constantly use the GT-10B’s EXP Pedal as a wah pedal.

Prefernc: System

Function: WAH

Min: 0

Max: 100

Setting CTL/EXP Functions Individually in Each Patch (PEDAL FX)

This procedure sets the functions for the GT-10B’s controllers (CTL/EXP Pedal, EXP PEDAL SW) for individual patches.

* Set the Prefernc parameter of the CTL/EXP Pedal and EXP PEDAL SW (p. 137) settings to “Patch.”

The MST/PDL FX screen appears.

Select PEDAL/FX.

Chapter

The PDL:CTL/EXP screen appears.

Pressing [DISPLAY MODE] toggles the display between Knob View and List View.

• Some EXP Pedal parameters use multiple pages for the parameter

settings. You can use [ ] or [ ] to switch pages.

• Each time [MASTER/PEDAL FX] is pressed, the EXP Pedal functions alternate as shown below.

P1: CTL1 Pedal P2: CTL2 Pedal P3: EXP PEDAL SW P4: EXP Pedal

To save the settings, use the Write procedure (p. 43).

Make the parameter settings.

The currently selected setting is the one highlighted at the lower right of the display.

For information on what settings you can assign, refer to “SW&PDL FUNCTION” (p. 122).

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Chapter 4 Playing Sounds

EXP Pedal Function Quick Settings

Selecting these prepared sample settings (Quick Settings) lets you choose optimal values for the related parameters instantly. This allows you to complete the settings simply and easily without the need to set each parameter individually.

When SYSTEM or CONTROLLER Messages Are Displayed

These appear when the Prefernc parameter for the Controller whose settings you attempted to change (CONTROLLER screen (p. 137)) is set to System.

This means that the settings in the PDL:CTL/EXP screen, which are the patch parameters, have no effect.

To enable the settings in the PDL:CTL/EXP screen, set the Prefernc parameter to Patch beforehand.

To dismiss this message, press [EXIT].

1. Follow the procedure in “Setting CTL/EXP Functions Individually in Each Patch (PEDAL FX)” (p. 49) step 1–3

to display the PDL:CTL/EXP screen.

Select either WAH/FV, PB/FV, WAH, or PB.

The PDL:WAH screen or the PDL:PEDAL BEND screen appears.

Select the Quick Setting (P**, U**).

Display Explanation

Quick:U** User Quick Settings

Quick:P** Preset Quick Settings

U01-1–U50-4 User Patch

When you select a User patch or Preset patch, you can use the existing patch’s assign settings just as they are.

P01-1–P50-4 Preset Patch

5. To save the settings, use the Write procedure (p. 43).

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Chapter 4 Playing Sounds

Setting Each Controller Functions to Individual Patches (Assign)

You can set the CTL/EXP Pedal, EXP PEDAL SW, and external controllers (footswitch and expression pedal) connected to the rear panel’s EXP PEDAL 2/CTL 3,4 jacks for each individual patch.

You can save up to eight separate settings per patch (using Assign numbers 1 through 8) that determine what parameters are controlled by which controllers.

* Set the Prefernc parameter of the CTL/EXP Pedal and EXP PEDAL SW (p. 137) settings to “Patch.”

Quick Settings

When you select prepared settings (Quick Settings), the relevant parameters are instantly set to their optimal values. This lets you make the settings simply, instead of setting each individual parameter separately.

The MST/PDL FX screen appears.

Select ASSIGN.

The ASSIGN screen appears.

Select one of the ASSIGN number (No.1–8).

Set the selected Assign number to “On.”

Chapter

Each time [MASTER/PEDAL FX] is pressed it alternately switches the selected ASSIGN number on and off. When on, the Assign number at the bottom left of the display and the “ON” indication at the bottom right are highlighted. Be sure to set any Assign settings not being used to “Off.”

Display

Quick:U**

Quick:P** Preset Quick Settings

U01-1.1–U50-4.8 User Patch

P01-1.1–P50-4.8 Preset Patch

To use the Quick Settings with other Assigns, repeat Steps 4–8.

To save the settings, use the Write procedure (p. 43).

Select the Quick Setting (P**, U**).

Explanation

User Quick Settings

When you select a User patch or Preset patch, you can use the existing patch’s assign settings just as they are.

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Chapter 4 Playing Sounds

Manual Settings

Here, you can individually determine which controller is to control which parameter.

The MST/PDL FX screen appears.

Select ASSIGN.

The ASSIGN screen appears.

Select one of the ASSIGN number (No.1–8).

Set the selected Assign number to “On.”

Only the TARGET and the SOURCE are shown in Icon View. If you want to have all parameters appear, switch to List View. For information on the parameters, refer to “ASSIGN 1–8” (p. 126).

Each time [MASTER/PEDAL FX] is pressed it alternately switches the selected ASSIGN number on and off. When on, the Assign number at the bottom left of the display and the “On” indication at the bottom right are highlighted. Be sure to set any Assign settings not being used to “Off.”

To set the other Assigns, repeat Steps 4–7.

To save the settings, use the Write procedure (p. 43).

Select the controller that you want to edit the parameter.

Select the parameter you wish to control.

You can rapidly select the parameter you want by using the P1 knob to navigate down from the broad category.

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Chapter 4 Playing Sounds

Parameters That Can Be Set in List View

The following describes the parameters that can be set when you switch to List View in the ASSIGN screen.

Pressing [DISPLAY MODE] toggles the display between Knob View and List View.

* The screen that’s shown uses ASSIGN No. 1 as an example.

Parameter

Target

Min This sets the minimum value for the target’s controllable range.

Max This sets the maximum value for the target’s controllable range.

Parameter

Source

Src Mode

ActRngLo This sets the minimum for the range in which the value of the setting can be changed.

ActRngHi This sets the maximum for the range in which the value of the setting can be changed.

For more information about each parameter, refer to “ASSIGN 1–8” (p. 126).

Explanation

Use to select the parameter you want to control.

Explanation

This selects the controller assigned to the function.

Moment

Toggle

The normal state is Off (minimum value), with the switch On (maximum value) only while the footswitch is depressed.

The setting is toggled On (maximum value) or Off (minimum value) with each press of the footswitch.

Chapter

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Chapter 4 Playing Sounds

About the Range of a Target’s Change

The value of the parameter selected as the target changes within the range defined by “Min” and “Max,” as set on the GT-10B.

When using an external footswitch, or other controller that acts as an on/off switch, “Min” is selected with Off (CLOSED), and “Max” is selected with On (OPEN). When using an external expression pedal or other controller that generates a consecutive change in the value, the value of the setting changes accordingly, within the range set by the minimum and maximum values. Also, when the target is of an on/off type, the median value of the received data is used as the dividing line in determining whether to switch it on or off.

When using the footswitch:

When using the EXP Pedal:

When controlling the On/Off target with the EXP Pedal:

* The range that can be selected changes according to the target

setting.

* When the “minimum” is set to a higher value than the

“maximum,” the change in the parameter is reversed.

* The values of settings can change if the target is changed

after the “minimum” and “maximum” settings have been made. If you’ve changed the target, be sure to recheck the “minimum” and “maximum” settings.

127

Degree to

Which Expression

Pedal Is Depressed

EXP Pedal

When the pedal

is fully raised

When the pedal is fully advanced

Min

Max

Allowable Parameter

Settings Range

Value

Max

Settings Range

Min

Allowable Parameter

Off On

Footswitch

Value

Off

When the pedal

is fully raised

When the pedal

is advanced halfway

EXP Pedal

Degree to Which Expression Pedal Is Depressed

127

When the pedal

is fully advanced

About the Range of a Controller’s Change

This sets the operational range within which the value of the setting changes when an EXP Pedal or other controller that changes the value consecutively is used as the source. If the controller is moved outside the operational range, the value does not change, it stops at “minimum” or “maximum.”

(Example) With ActRngLo: 40, ActRngHi: 80

Value

Off

When the pedal

is fully raised

ActRng

40 8060

Center

value

EXP Pedal

ActRng Hi

127

When the pedal

is fully advanced

MAX

Settings Range

MIN

Allowable Parameter

When the pedal

is fully raised

40 80

ActRngLo

EXP Pedal

ActRngHi

When the pedal

is fully advanced

* When using a footswitch or other on/off switching controller as the source, leave these at “ActRngLo: 0” and “ActRngHi: 127.”

With certain settings, the value may not change.

Which Expression

Pedal Is Depressed

127

Degree to

Which Expression

Pedal Is Depressed

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Chapter 4 Playing Sounds

Example of Assign Settings

Setting the parameters as shown below enables you to use the GT-10B’s EXP Pedal as a UNI-V Rate parameter.

Target: FX1:UV:Rate Src Mode: Moment

Min: 0 ActRngLo: 0

Max: 100 ActRngHi: 127

Source: EXP1 PEDAL

Activating the Virtual Expression Pedal at the Start of Operations (Internal Pedal System)

The GT-10B features a function called Internal Pedal system. This function assigns specified parameters to a virtual expression pedal (the internal pedal), providing an effect that automatically changes volume and tone in real time just the way an expression pedal functions.

The Internal Pedal system features the following three functions, allowing you to set Source for each ASSIGN No.1-8 of the “Manual Settings” (p. 52).

* When the Internal Pedal or the Wave Pedal is used, set the ASSIGN Src Mode to Moment.

Chapter

Internal Pedal

With the trigger you have set, the assumed expression pedal starts working. If you have set INTERNAL PDL to Source, set the Int Trig parameter.

For more detailed information on the parameters that can be set using Internal Pedal, refer to “Int Trig (Internal Pedal Trigger)” (p. 126), “Int Time (Internal Pedal Time)” (p. 126), and “IntCurve (Internal Pedal Curve)” (p. 126).

Wave Pedal

This changes the parameter selected as a target in a certain cycle with the assumed expression pedal. When you have set Wave Pedal for Source, the WaveRate and Waveform should be set.

For more detailed information on the parameters that can be set using Wave Pedal, refer to “WaveRate (Wave Pedal Rate)” (p. 126) and “Waveform (Wave Pedal Form)” (p. 126).

Input Level

The parameter set as the target changes in response to the input level.

If you want to adjust the input sensitivity, set the “INPUT SENS” (p. 127).

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Chapter 4 Playing Sounds

Turning the Effects On and Off with the BANK/Number Pedals (Manual Mode)

The GT-10B features a Manual mode, in which the pedals are used for switching specified effects on and off.

In Manual mode, you can switch effects on and off without changing the patch number.

Switching to Manual Mode

Press this button several times until the following screen appears.

Manual mode is enabled when this screen is displayed.

• You can press [CATEGORY/ENTER] in this screen to switch to the MANUAL SETTING screen (p. 57).

• Setting the TARGET to Manual Mode Sw in “Manual Settings” (p. 52) enables you to switch Manual mode on and off.

• In Manual mode, simultaneously pressing

[BANK ] and [BANK ] does not switch

Phrase Loop on and off.

Switching away from the MANUAL MODE screen turns off Manual mode.

Switching Effects On and Off with the Pedals

Perform “Switching to Manual Mode” (p. 56), to turn Manual mode on.

etc.

The pedal switches the assigned effect on or off.

The assigned effect is switched on or off with each press of the pedal. When the assigned effect is on, the indicator at the top of the pedal lights up.

Page 57

Assigning an Effect On/Off Switch to a Pedal

Chapter 4 Playing Sounds

SYSTEM

The SYSTEM MENU screen appears.

Select MANUAL SETTING.

The MANUAL SETTING screen appears.

Select the pedal whose assignment you want to change.

Select the effect switch you want to assign to the pedal.

You can also enter the MANUAL SETTING screen from the Play screen (p. 56).

Chapter

To change another pedal setting, repeat Steps 4–5.

Assignable Effect Switches

Display Explanation

Off The function is not assign to the pedals.

Ch.A/B Switches between effect channel A and B.

Comp Switches the COMP on and off.

OD/DS Switches the OD/DS on and off.

Preamp Switches the PREAMP/SPEAKER on and off.

EQ Switches the EQ on and off.

FX1 Switches FX-1 on and off.

FX2 Switches FX-2 on and off.

Delay Switches the DELAY on and off.

Chorus Switches the CHORUS on and off.

Reverb Switches the REVERB on and off.

PdlFX Switches the PEDAL FX on and off.

S/R Switches the SEND/RETURN on and off.

AmpCtl Switches the Amp Control on and off.

Tuner

Switches the TUNER on and off.

Display Explanation

PL Switches the PHRASE LOOP on and off.

PL R/P Records/plays back the phrase.

PL Clr Clears the phrase.

PL M/P Mutes playback of the phrase.

BPMTap Used for tap input of the Master BPM.

DlyTap Used for tap input of the delay time.

MIDI

MMCPly

Lev+10 Increases the patch volume level by 10 units.

Lev+20 Increases the patch volume level by 20 units.

Lev -10 Decreases the patch volume level by 10 units.

Lev -20 Decreases the patch volume level by 20 units.

NumInc

NumDec

BnkInc Switches to the next higher bank number.

BnkDec Switches to the next lower bank number.

Controls the Start/Stop of external MIDI devices (such as sequencers).

Controls the Play/Stop of external MIDI devices (such as hard disk recorders).

Switches to the next higher patch number in the same bank as the currently selected patch.

Switches to the next lower patch number in the same bank as the currently selected patch.

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Chapter 4 Playing Sounds

Switching Settings with the Number Pedals

The GT-10B includes a function that allows you to turn the tuner on and off, switch effect channels, and perform other tasks by pressing the pedal with the same number as the currently selected patch.

You can switch the following functions in any condition other than the Manual Mode (p. 56).

SYSTEM

The SYSTEM MENU screen appears.

Select PLAY OPTION.

The PLAY OPTION screen appears.

Select Num Pdl Sw.

Set the Num Pdl Sw Parameter.

Display

Off

Tuner Switches the tuner on and off.

Ch. A/B Switches between effect channels A and B.

Explanation

Not used.

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Chapter 4 Playing Sounds

Phrase Loop Play

What’s Phrase Loop?

In this mode, you can record up to 38 seconds of material (recorded in mono) and repeatedly play material as a “phrase loop.” As the loop plays, you can overdub new material if desired.

You can record a phrase loop with effects, or you can add effects after a loop has been recorded. Adding effects after-the-fact lets you create special effects with recorded performances. It’s also a great way to audition tones, as you can adjust effect parameters in real time while a phrase plays back.

Recorded phrases are deleted when Phrase Loop is switched off or when the power is turned off.

Using the Phrase Loop

Recording a Phrase (REC)

PHRASE LOOP

• Simultaneously pressing these a second time

The unit goes into recording standby (The REC/DUB indicator flashes).

Press [BANK▼] and [BANK▲] at the same time.

stops loop playback and switches Phrase Loop off.

• You cannot carry out this procedure in Manual mode.

Chapter

Recording starts. (The REC/DUB indicator lights up.) Play the phrase you want to record.

Recording stops. (The REC/DUB indicator goes out.) The recorded phrase is looped (played repeatedly). (The PLAY indicator lights up.)

Overdubbing Sound onto a Phrase (DUB)

Follow the procedure in “Recording a Phrase (REC)” (p. 59) to record a phrase, then perform loop play. (The PLAY indicator lights up.)

Overdubbing starts. (The REC/DUB indicator lights up.)

Play the phrase you want to overdub along with the playback of the loop.

Overdubbing stops. (The REC/DUB indicator goes out.) The phrase you just recorded is combined with the phrase you recorded first and that sound is automatically played in a loop. (The PLAY indicator lights up.)

The maximum recording time for monaural recording is approximately 38 seconds. When the recording time reaches 38 seconds, playback of the recorded performance starts automatically.

Recording on top of an existing performance is called “overdubbing.”

If you want to overdub additional material, repeat steps 2 and 3.

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Chapter 4 Playing Sounds

Deleting a Phrase (CLEAR)

The procedure for deleting a phrase differs according to the setting of the Clear Pdl parameter.

For information on the Clear Pdl parameter, refer to “Clear Pdl (Clear Pedal Function)” (p. 61).

When the Clear Pdl parameter is “Clear Only”

The phrase is deleted and the

unit goes into recording standby.

Setting Phrase Loop

You can also enable different uses by changing the parameters.

SYSTEM

The SYSTEM MENU screen appears.

Select PHRASE LOOP.

When the Clear Pdl parameter is “Mute/Clear”

Pressing this during recording stops recording and puts the unit in muted playback. (The PLAY indicator flashes.) No sound is produced, but loop play continues inside the GT-10B.

Pressing [BANK ▼] while the unit is muted enables normal loop playback. (The PLAY indicator lights up.)

Pressing this while the sound is muted deletes the phrase and puts the unit in recording standby.

The PHRASE LOOP screen appears.

Move the cursor to select the parameter you wish to change.

Change the parameter settings.

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Chapter 4 Playing Sounds

Parameter/

Explanation

Range

Mode

This records the sound after it passes through the

Performance

effects. This lets you achieve a rich variety of performances by combining different tones.

This records the sound before it passes through the

Patch Edit

effects, and applies the effects during loop play. This enables you to adjust effects or compare patch tones.

Pdl Mode (Pedal Mode)

The BANK pedals are not used for operation of the Phrase Loop feature. These are used as bank switch pedals.

Off

On The BANK pedals are used for operation of the Phrase Loop feature.

Phrase Loop can be controlled by assigning the Phrase Loop feature to any of the CTL pedals 1 through 4 etc. and maintaining the BANK pedals’ bank switching function.

Rec Mode (Recording Mode)

Mono Phrases are recorded in mono (max. 38 seconds).

Stereo

Phrases are recorded in stereo (max. 19 seconds).

Play Lev (Play Level)

0–120

Sets the phrase playback volume.

Clear Pdl (Clear Pedal Function)

Clear Only

Mute/Clear

When you press [BANK ▲] while the Phrase Loop feature is on, the recorded data is cleared and then GT-10B switches to STANDBY mode.

When you press [BANK ▲] while the Phrase Loop feature is on, the performance of the recorded phrase is muted (the recorded data is not erased). If you then press [BANK ▲] again while the phrase is muted, the recorded data is cleared and then GT-10B switches to STANDBY mode.

Phrase

Loop

When the Mode is

set to the Patch Edit.

Effector

Phrase

Loop

When the Mode is

set to the Performance.

Chapter

Page 62

Chapter 4 Playing Sounds

CLEAR

OVERDUBPLAY

REC

STANDBY

MUTE

Overview of Phrase Loop Operation

When the PHRASE LOOP function and the Pdl Mode parameter are both set to “on,” phrase loop operation is switched as shown below.

When the Clear Pdl parameter is “Clear Only”

CLEAR

STANDBY

REC

When the Clear Pdl parameter is “Mute/Clear”

OVERDUBPLAY

Page 63

Chapter 5 Making Global Settings

Making Settings Matched to the Connected Bass (Input Select)

The GT-10B includes a feature for adjusting the tone to suit whatever Bass you have connected, allowing you to make settings for three bass types (Bass 1–3). This is effective when you are connecting a different bass from the one used when the patch was created.

When adjusting the input level and input presence, the input signals for all patches are affected. Note that the nuances of the effect sounds that occur in response to bass volume may change, particularly with patches in which effects are controlled by the bass volume.

SYSTEM

The SYSTEM MENU screen appears.

Select INPUT/OUTPUT.

The INPUT/OUTPUT screen appears.

Select the INPUT SELECT (Bass 1–3) you want to set.

P2 knob: Adjusts the bass input level. P3 knob: Adjusts the tonal quality of the bass’s high end.

Select USB In when you’re inputting audio from a computer via USB (p. 134).

For information on the parameters, refer to “INPUT” (p. 134).

Chapter

Page 64

Chapter 5 Making Global Settings

Adjusting the Overall Sound to Match the Usage Environment (Global)

The GT-10B includes a feature that allows you to change the overall tone of all patches. This is called the “Global function.”

With the Global function, you can change your settings to match those of your equipment and the operating environment, while leaving the settings in the patches untouched.

Adjusting the Overall Tone (

This adjusts the tone of the OUTPUT regardless of the equalizer on/off settings of individual patches.

SYSTEM

The SYSTEM MENU screen appears.

Select INPUT/OUTPUT.

The INPUT/OUTPUT screen appears.

Select the GLOBAL EQ (page 2) screen.

Global EQ)

Parameter

Low Gain

Mid Gain (Middle Gain) Adjusts the middle frequency range tone.

Mid Freq (Middle Frequency) Specifies the center of the frequency range that will be adjusted by the Mid Gain.

Mid Q (Middle Q)

High Gain Adjusts the high frequency range tone.

Move the cursor to the parameter you want to set.

Adjust the parameter.

Explanation

Adjusts the low frequency range tone.

Adjusts the width of the area affected by the EQ centered at the Mid Freq. Higher values will narrow the area.

For information on the parameters, refer to “GLOBAL EQ” (p. 134).

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Chapter 5 Making Global Settings

Controlling the Overall Effect of the Noise Suppressor (Total Noise Suppressor)

This controls the overall threshold value for the noise suppressor settings in the individual patches. This is an effective tool when basses are changed during performances and for making adjustments in response to noise levels at the performance venue.

This is an overall setting and does not alter the individual patch settings.

This has no effect on patches in which the noise suppressor is turned off.

SYSTEM

The SYSTEM MENU screen appears.

Select INPUT/OUTPUT.

The INPUT/OUTPUT screen appears.

Select the TOTAL (page 3) screen.

Move the cursor to NS Threshold.

Chapter

Adjust the threshold level of the Noise Suppressor.

Set to “0 dB” when using this in individual patch settings.

For information on the parameters, refer to “NS Threshold (Noise Suppressor Threshold)” (p. 135).

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Chapter 5 Making Global Settings

Controlling the Overall Reverb Level (Total REVERB)

This controls the overall reverb level settings in the individual patches. This is effective for adjusting to the acoustics of the performance venue. This setting does not affect the individual patch settings.

This has no effect on patches in which the reverb is turned off.

SYSTEM

The SYSTEM MENU screen appears.

Select INPUT/OUTPUT.

The INPUT/OUTPUT screen appears.

Select the TOTAL (page 3) screen.

Move the cursor to Rev Level.

Adjust the reverb level.

Set to “100%” when using this in individual patch settings.

For information on the parameters, refer to “Rev Level (Reverb Level)” (p. 135).

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Chapter 5 Making Global Settings

Setting the Output Reference Level to Match the Connected Equipment (Main Out Level)

This sets the output reference level to match the equipment connected to the OUTPUT jack.

SYSTEM

The SYSTEM MENU screen appears.

Select INPUT/OUTPUT.

The INPUT/OUTPUT screen appears.

Select the TOTAL (page 3) screen.

Move the cursor to Main Out Level.

Chapter

Value

-10dB

+4dB Choose this when connected to a recorder, mixer, or other line device.

Adjust the reference level.

Explanation

Choose this when connected to a bass amp.

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Chapter 5 Making Global Settings

Adjusting the Output Level of the DIGITAL OUT Jack

You can adjust the level of the audio signals output from the DIGITAL OUT jack. Digital signals are output from the DIGITAL OUT jack on the rear panel. You can connect this directly to the digital in connector of a digital recorder or other device and record with no degradation in sound quality.

The same digital audio signals are output from DIGITAL OUT and USB.

SYSTEM

The SYSTEM MENU screen appears.

Select INPUT/OUTPUT.

The INPUT/OUTPUT screen appears.

Select the TOTAL (page 3) screen.

Move the cursor to USB/DGT Out Lev.

Adjust the level.

Page 69

Switching the SUB OUTPUT Jacks Signals

You can select the signals to be output from the SUB OUTPUT (XLR) jacks.

Chapter 5 Making Global Settings

SYSTEM

The SYSTEM MENU screen appears.

Select INPUT/OUTPUT.

The INPUT/OUTPUT screen appears.

Select the SUB OUTPUT (page 4) screen.

Move the cursor to Mode.

Chapter

Value

L/R

Effect/Direct

Select the Mode you want to set.

Explanation

The GT-10B’s stereo output is output as is, without change. Set to L/R when recording in stereo or sending stereo signals to a PA.

Output from SUB OUTPUT L jack is the GT-10B’s stereo output mixed to mono, output from SUB OUTPUT R jack is the sound before effect (mono) directly.

The INPUT SELECT, INPUT LEVEL and PRES. parameters are enabled in the input sound.

For recording, you can record the direct bass sound on a separate channel, then later on you can remix the direct sound with the effect sound during mixdown.

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Chapter 5 Making Global Settings

Adjusting the SUB OUTPUT Jacks Level

You can adjust the level of the audio signals output from the SUB OUTPUT (XLR) jacks.

The SUB OUTPUT level cannot be adjusted with the OUTPUT LEVEL knob.

SYSTEM

The SYSTEM MENU screen appears.

Select INPUT/OUTPUT.

The INPUT/OUTPUT screen appears.

Select the SUB OUTPUT (page 4) screen.

Move the cursor to Level.

Adjust the level.

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Chapter 5 Making Global Settings

Adjusting the Display Contrast (LCD Contrast)

Depending on where the GT-10B is placed, the display (on the right) may become difficult to read. If this occurs, adjust the display contrast.

SYSTEM

The SYSTEM MENU screen appears.

Select LCD.

The LCD screen appears.

Adjust so that you can view the screen easily.

Chapter

Page 72

Chapter 5 Making Global Settings

Keeping Effect Sounds Playing After Patches Are Switched (Patch Change Mode)

The GT-10B features a mode that is enabled when spatial effects (such as reverb and delay) are used, whereby the effects sound of one patch continues playing even after you switch to the next patch. If the necessary following conditions regarding the effects chain and effect parameter settings are met, you can then have the decay of reverb, delay, and similar effects continue on into the next patch after you switch patches.

• Effects are in the same effects chain

• When the Delay Type parameter and Dly Time parameter are identical

• When switching other effects off or on, or when the parameter settings are identical

There still may be no reverberation in some cases, even after the above settings are made.

SYSTEM

The SYSTEM MENU screen appears.

Select PLAY OPTION.

The PLAY OPTION screen appears.

Move the cursor to Patch ChgMode.

Select the value of the Patch ChgMode parameter.

Value

Fast

Smooth

Explanation

Patches are changed normally. The unit switches to the subsequent patch without any carry-over of the decay from the previous patch’s reverb or delay.

The unit switches to the subsequent patch with the decay from the previous patch’s reverb or delay continued after the switch is made.

To ensure smooth switching, the patches may be switched with a delay of one tempo beat.

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Chapter 5 Making Global Settings

Using the Identical Preamp Settings in All Patches (Preamp Mode)

With the GT-10B, you can have a preamp be set globally for use in all patches, allowing you to make settings for three preamp types.

This provides an effect that always gives you the sound of the same bass amp regardless of the patches you set.

Using the System Preamp

SYSTEM

The SYSTEM MENU screen appears.

Select PLAY OPTION.

The PLAY OPTION screen appears.

Move the cursor to Preamp Mode.

Chapter

Select the value of the Preamp Mode parameter you want to set.

Value

Patch

System1–3

Explanation

The patch preamp setting is used. This allows you to use different preamp settings in each individual patch.

The system’s preamp setting is used. This applies the same preamp settings to all patches.

Pressing EZ TONE [CREATE] automatically switches Preamp Mode to Patch.

Setting the System Preamp

When Preamp Mode is System1 through System3, the changed preamp setting is saved as the system’s preamp setting.

The stored content is updated each time the settings are changed.

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Chapter 5 Making Global Settings

Saving the Current Preamp Setting As the System’s Preamp Setting

You can save the current preamp setting as a preamp setting for the system (System1 through System3).

The PATCH COPY screen appears.

Select the SYS PREAMP WRITE screen.

Select the save-destination system preamp (System1–3).

The settings are saved.

When edits have been made to the currently selected patch, the PATCH WRITE screen is displayed.

To cancel the Write procedure, press [EXIT]. The Play screen returns to the display.

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Chapter 5 Making Global Settings

Limiting the Banks That Can Be Switched (Bank Extent)

By setting an limit to the range of banks that can be switched, you can set the GT-10B so that only the patches you need can be selected.

SYSTEM

The SYSTEM MENU screen appears.

Select PLAY OPTION.

The PLAY OPTION screen appears.

Move the cursor to BankExtentMin.

Set the lower limit for the banks.

Chapter

Move the cursor to BankExtentMax.

Set the upper limit for the banks.

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Chapter 5 Making Global Settings

Setting the Timing Used for Switching Patches (Bank Change Mode)

This sets the timing with which the GT-10B switches to the next patch when switching banks with the pedals.

SYSTEM

The SYSTEM MENU screen appears.

Select PLAY OPTION.

The PLAY OPTION screen appears.

Move the cursor to Bank Chg Mode.

Set the timing for switching patches.

Value

Wait

Immed The patch switches instantly when a BANK pedal or any of the number pedals is pressed.

Explanation

Although the indication in the display is updated to reflect the change in the bank when a BANK pedal is pressed, the patch will not change. The patch changes when a number pedal is pressed.

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Chapter 5 Making Global Settings

Having Values from an EXP Pedal Carried Over When Patches are Called Up (EXP Pedal Hold)

This setting determines whether or not the EXP Pedal operational status is carried over to the next patch when patches are switched.

EXP Pedal Hold does not function if the Assign Source mode is set to Toggle (whereby the value is toggled between Min and Max each time the pedal is pressed).

SYSTEM

The SYSTEM MENU screen appears.

Select PLAY OPTION.

The PLAY OPTION screen appears.

Move the cursor to EXP Pdl Hold.

Set whether EXP Pedal Hold is used or not.

Chapter

Value

Off

Explanation

The EXP Pedal status is not carried over. (Example) If a patch is switched while the volume is being controlled with an EXP Pedal, the volume of the subsequent patch is adjust to the value set in that patch. If the EXP Pedal is operated, and that information is transmitted to the GT-10B, the volume will change in accord with the pedal’s movement.

The EXP Pedal status is carried over. (Example) If a patch is switched while the volume is being controlled with the EXP Pedal, the volume of the subsequent patch will take on the value determined by the current pedal position (angle). If the patch switched to has the EXP Pedal controlling the wah effect, then the volume assumes the value set in the patch, and the patch’s wah effect is given the value derived from the current pedal position (angle).

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Chapter 5 Making Global Settings

Switching How the Pedal Indicators Light (Pedal Indicate)

You can have all unlit pedal indicators flash faintly instead.

This makes it easier to locate pedal positions on stage and in other darkened environments.

SYSTEM

The SYSTEM MENU screen appears.

Select PLAY OPTION.

The PLAY OPTION screen appears.

Move the cursor to Pdl Indicate.

Set whether Pedal Indicate function is used or not.

Value

Off

On All unlit pedal indicators flash.

Explanation

The Pedal Indicator function is not use.

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Chapter 5 Making Global Settings

Setting the Dial Function (Dial Function)

This setting determines whether or not rotating the dial switches the patches.

SYSTEM

The SYSTEM MENU screen appears.

Select PLAY OPTION.

The PLAY OPTION screen appears.

Move the cursor to Dial Func.

Select the dial function.

Chapter

Value

Pat&Val

Value The dial is used only for changing the values of settings.

Explanation

The dial is used both for switching patches and changing the value of settings. In addition to switching patches with the pedals, you can also switch them by rotating the dial.

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Chapter 5 Making Global Settings

The range of data you wish to factory reset

Restoring the Factory Settings (Factory Reset)

Restoring the GT-10B to the settings made at the factory is referred to as a “Factory Reset.”

Not only can you return all of the settings to the values in effect when the GT-10B was shipped from the factory, you can also specify the range of settings to be reset.

SYSTEM

The SYSTEM MENU screen appears.

Select FACTORY RESET.

The FACTORY RESET screen appears.

Set the range for the Factory Reset (Refer to the following table).

Value

System

Quick Settings for User Quick Setting 1–10

U01-1–U50-4 Settings for Patch Number U01-1 through U50-4

Explanation

System parameter settings

The specified range of parameters are returned to their original factory settings.

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Chapter 5 Making Global Settings

Adjusting the EXP Pedal (Pedal Calibration)

Although the GT-10B’s EXP Pedal has been set for optimum operation at the factory, extended use and the operating environment can result in the pedal going out of adjustment.

If you encounter problems such as being unable to fully cut off the sound with the volume pedal or being unable to switch the EXP PEDAL SW, you can use the following procedure to readjust the pedal.

SYSTEM

The SYSTEM MENU screen appears.

Select PDL CALIBRATION.

The PEDAL CALIBRATION screen appears.

Depress the heel of the EXP Pedal.

The message “OK” appears, and then the following screen is displayed.

Chapter

If you press [CATEGORY/ENTER] without pressing down on the heel of the EXP Pedal or with an inappropriate EXP Pedal value (angle), “Out of Range! Set again” appears in the display, and you are prevented from proceeding to the next step. Readjust the pedal position.

Depress the toe of the EXP Pedal.

The message “OK” appears, and then the following screen is displayed.

If you press [CATEGORY/ENTER] without pressing down on the toe of the EXP Pedal or with an inappropriate EXP Pedal value (angle), “Out of Range! Set again” appears in the display, and you are prevented from proceeding to the next step. Readjust the pedal position.

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Chapter 5 Making Global Settings

10.

Firmly depress the toe of the EXP Pedal.

Repeat steps 8 and 9 to adjust the Thres parameter so that the EXP PEDAL SW indicator lights up and goes out with appropriate depression force.

The sensitivity of the PEDAL SW is calibrated. The message “COMPLETE!” appears, and Pedal Calibration procedure finishes.

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Chapter 6 Using the GT-10B with

BPM

PHRASE LOOP

ON / OFF

MIDI OUT

MIDI IN

BPM

PHRASE LOOP

ON / OFF

MIDI IN

MIDI OUT

External MIDI Devices Connected

What Can You Do with MIDI?

You can perform the following operations using MIDI with the GT-10B.

The use of MIDI requires that the MIDI channels of the connected devices match. If the MIDI channel settings are not correct, the GT-10B will be unable to exchange data with other MIDI devices.

Operating From the GT-10B

Remotely Controlling the GT-10B Using an External MIDI Device

Switching Patch Numbers

When the GT-10B receives Program Change messages from the external MIDI device, its patches are simultaneously switched.

Outputting Program Change Messages

When a patch is selected on the GT-10B, a Program Change message corresponding to the patch number is transmitted simultaneously. The external MIDI device then switches its settings according to the Program Change message it receives.

fig.08-010

Outputting Control Change Messages

Data describing the actions of the CTL pedal, EXP Pedal, EXP PEDAL SW, and external devices connected to the EXP PEDAL 2/CTL 3, 4 jack are output as Control Change messages. Such messages can be used to (among other things) manipulate the parameters of an external MIDI device.

Transmitting Data

You can use Exclusive messages to transmit the settings for effect sounds and other content stored in the GT-10B to other MIDI devices. For example, you can provide another GT-10B with the same settings, and save effect sound settings to a sequencer or other device.

You can set up the correspondence between MIDI Program Change messages and the GT-10B’s patches using the Program Change Map (p. 88). You may need to work on these correspondences when you want to line up some effects in combination with other MIDI devices.

The connections shown in the figure below are for a sequencer automatically performing the backing as a bass is being played. The patches are switched automatically when the program numbers corresponding to the patches are input along with the performance data at the points where you have determined the GT-10B patches are to be switched.

Chapter

Receiving Control Change Messages

You can control specified parameters during a performance by having the GT10B receive Control Change messages. Parameters to be controlled are set with “Manual Settings” (p. 52).

Receiving Data

The GT-10B can receive data transmitted from another GT-10B, as well as data that’s been stored on a sequencer.

Exchanging MIDI Messages between the Computer and the GT-10B

If the Driver Mode parameter set to the Advanced (p. 95), and you connect the GT-10B to your PC/Mac by a USB cable, you can transfer MIDI message bidirectionally via USB.

Set your computer MIDI input and output ports to “GT-10B.”

However, MIDI message transfer via GT-10B’s MIDI connectors become inactivated in this situation.

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Chapter 6 Using the GT-10B with External MIDI Devices Connected

Making the Settings for MIDI Functions

Here is a description of the GT-10B’s MIDI functions. Set them as needed, depending on the intended use.

SYSTEM

The SYSTEM MENU screen appears.

Select MIDI.

The MIDI MENU screen appears.

Select SETTING.

The SETTING screen appears.

Select the parameter.

Change the setting’s value.

Setting the MIDI Receive Channel

This sets the MIDI channel used for receiving MIDI messages.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “Rx Channel.”

Set the desired value.

1–16

Set each parameter as necessary. For details on these settings, refer to the following sections.

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Chapter 6 Using the GT-10B with External MIDI Devices Connected

Setting the MIDI Omni Mode

This makes the settings for the channels used for MIDI information.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “Omni Mode.”

Set the desired value.

Omni On

Omni Off

Messages are received on all channels, regardless of the MIDI channel settings.

Information is received on the channel specified by the Rx Channel setting.

Setting the MIDI Transmit Channel

This sets the MIDI channel used for transmitting MIDI messages.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “Tx Channel.”

Set the desired value.

1–16, Rx

Even when Omni Mode is set to “Omni On”, the only Exclusive messages received are for Device ID data set with “Device ID.”

When set to “Rx,” this MIDI channel is same as the MIDI Receive channel.

Setting the MIDI Device ID

This sets the MIDI Device ID used for transmitting and receiving Exclusive messages.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “Device ID.”

Set the desired value.

1–32

Setting the MIDI Sync Clock

This setting determines the basis used for synchronizing the timing for effect modulation rates and other time-based parameters.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “Sync Clock.”

Operations are synchronized to the MIDI Clock received via MIDI. However, operations are automatically synchronized to the GT-10B’s internal Clock if the GT-10B is unable to receive the external Clock.

Operations are synchronized to the GT-10B’s internal Clock.

•

When you have an external MIDI device connected, the Master BPM is then synchronized to the external MIDI device’s tempo, thus disabling the Master BPM setting. To enable setting of the Master BPM, set to “Internal.”

• When synchronizing performances to the MIDI Clock signal from an external MIDI device, timing problems in the performance may occur due to errors in the MIDI Clock.

Set the desired value.

Auto

Internal

Chapter

Page 86

Chapter 6 Using the GT-10B with External MIDI Devices Connected

Sending Program Change Messages

This setting determines whether or not Program Change messages are output when patches are switched on the GT-10B.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “PC Out.”

Set the desired value.

Off

Program Change messages are not output, even when patches are switched.

Program Change messages are simultaneously output when patches are switched.

On the GT-10B, Bank Select messages are output simultaneously with Program Change messages. For more details, refer to p. 89.

Sending EXP Pedal Operations as Control Change Messages

This sets the controller number when EXP Pedal operation data is output as Control Change messages.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “EXP1 Out.”

Set the desired value.

Off Control Change messages are not output.

CC#1–CC#31, CC#64–CC#95

This sets the controller number when EXP Pedal operation data is output as Control Change messages.

Sending EXP Pedal Sw Operations as Control Change Messages

This sets the controller number when EXP PEDAL SW operation data is output as Control Change messages.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “EXP Sw Out.”

Set the desired value.

Off Control Change messages are not output.

CC#1–CC#31, CC#64–CC#95

This sets the controller number when EXP PEDAL SW operation data is output as Control Change messages.

Sending External EXP Pedal Operations as Control Change Messages

This sets the controller number when operation data from the EXP PEDAL connected to the EXP PEDAL 2 jack is output as Control Change messages.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “EXP2 Out.”

Set the desired value.

Off Control Change messages are not output.

CC#1–CC#31, CC#64–CC#95

This sets the controller number when external EXP Pedal operation data is output as Control Change messages.

Page 87

Chapter 6 Using the GT-10B with External MIDI Devices Connected

Sending CTL Pedal Operations as Control Change Messages

This sets the controller number when CTL 1 and CTL 2 pedal switch operation data is output as Control Change messages.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “CTL1 Out” or “CTL2 Out.”

Set the desired value.

Off Control Change messages are not output.

CC#1–CC#31, CC#64–CC#95

This sets the controller number when CTL 1 and CTL 2 pedal operation data is output as Control Change messages.

Sending External Footswitch Operations as Control Change Messages

This sets the controller number when operation data from the footswitch connected to the CTL 3,4 jack is output as Control Change messages.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “CTL3 Out” or “CTL4 Out.”

Set the desired value.

Off Control Change messages are not output.

CC#1–CC#31, CC#64–CC#95

This sets the controller number when external footswitch operation data is output as Control Change messages.

Chapter

Page 88

Chapter 6 Using the GT-10B with External MIDI Devices Connected

Setting the Correspondences Between Program Change Messages and Patches (Program Change Map)

When switching patches using Program Change messages transmitted by an external MIDI device, you can freely set the correspondence between Program Change messages received by the GT-10B and the patches to be switched to in the “Program Change Map.”

When setting MIDI Omni Mode (p. 85) to “Omni Off,” be sure to have the MIDI Rx Channel (p. 84) set beforehand to the match the transmit channel of the external MIDI device.

Enabling/Disabling the Program Change Map Settings (MIDI Map Select)

This setting determines whether patches are switched according to the Program Change Map settings, or to the default settings.

Follow the procedure in “Making the Settings for MIDI Functions” (p. 84) to move the cursor to “Map Select.”

Set the desired value.

Fix

Prog

This deactivates the Program Change Map. Switches to the patches according to the default settings.

This activates the Program Change Map. Switches to the patches according to the Program Change Map.

Setting the Program Change Map

Set the correspondence between Program Change messages received and the patches to be switched.

SYSTEM

The SYSTEM MENU screen appears.

Select MIDI.

The MIDI MENU screen appears.

Select PROGRAM MAP.

The Program Change Map settings are disabled when Map Select is set to “Fix.”

The PROGRAM MAP screen appears.

Page 89

1234

U01

U02

U03

U04

U05

U06

U07

U08

U09

U10

U11

U12

U13

U14

U15

U16

U17

U18

U19

U20

U21

U22

U23

U24

U25

U26

U27

U28

U29

U30

U31

U32

U33

U34

U35

0,0: 1

0,0: 5

0,0: 9

0,0: 13

0,0: 17

0,0: 21

0,0: 25

0,0: 29

0,0: 33

0,0: 37

0,0: 41

0,0: 45

0,0: 49

0,0: 53

0,0: 57

0,0: 61

0,0: 65

0,0: 69

0,0: 73

0,0: 77

0,0: 81

0,0: 85

0,0: 89

0,0: 93

0,0: 97

1,0: 1

1,0: 5

1,0: 9

1,0: 13

1,0: 17

0,0: 2

0,0: 6

0,0: 10

0,0: 14

0,0: 18

0,0: 22

0,0: 26

0,0: 30

0,0: 34

0,0: 38

0,0: 42

0,0: 46

0,0: 50

0,0: 54

0,0: 58

0,0: 62

0,0: 66

0,0: 70

0,0: 74

0,0: 78

0,0: 82

0,0: 86

0,0: 90

0,0: 94

0,0: 98

1,0: 2

1,0: 6

1,0: 10

1,0: 14

1,0: 18

0,0: 3

0,0: 7

0,0: 11

0,0: 15

0,0: 19

0,0: 23

0,0: 27

0,0: 31

0,0: 35

0,0: 39

0,0: 43

0,0: 47

0,0: 51

0,0: 55

0,0: 59

0,0: 63

0,0: 67

0,0: 71

0,0: 75

0,0: 79

0,0: 83

0,0: 87

0,0: 91

0,0: 95

0,0: 99

1,0: 3

1,0: 7

1,0: 11

1,0: 15

1,0: 19

0,0: 4

0,0: 8

0,0: 12

0,0: 16

0,0: 20

0,0: 24

0,0: 28

0,0: 32

0,0: 36

0,0: 40

0,0: 44

0,0: 48

0,0: 52

0,0: 56

0,0: 60

0,0: 64

0,0: 68

0,0: 72

0,0: 76

0,0: 80

0,0: 84

0,0: 88

0,0: 92

0,0: 96

0,0:100

1,0: 4

1,0: 8

1,0: 12

1,0: 16

1,0: 20

1,0: 21

1,0: 25

1,0: 29

1,0: 33

1,0: 37

1,0: 22

1,0: 26

1,0: 30

1,0: 34

1,0: 38

1,0: 23

1,0: 27

1,0: 31

1,0: 35

1,0: 39

1,0: 24

1,0: 28

1,0: 32

1,0: 36

1,0: 40

1234

1,0: 41

1,0: 45

1,0: 49

1,0: 53

1,0: 57

1,0: 61

1,0: 65

1,0: 69

1,0: 73

1,0: 77

1,0: 81

1,0: 85

1,0: 89

1,0: 93

1,0: 97

2,0: 1

2,0: 5

2,0: 9

2,0: 13

2,0: 17

2,0: 21

2,0: 25

2,0: 29

2,0: 33

2,0: 37

2,0: 41

2,0: 45

2,0: 49

2,0: 53

2,0: 57

2,0: 61

2,0: 65

2,0: 69

2,0: 73

2,0: 77

1,0: 42

1,0: 46

1,0: 50

1,0: 54

1,0: 58

1,0: 62

1,0: 66

1,0: 70

1,0: 74

1,0: 78

1,0: 82

1,0: 86

1,0: 90

1,0: 94

1,0: 98

2,0: 2

2,0: 6

2,0: 10

2,0: 14

2,0: 18

2,0: 22

2,0: 26

2,0: 30

2,0: 34

2,0: 38

2,0: 42

2,0: 46

2,0: 50

2,0: 54

2,0: 58

2,0: 62

2,0: 66

2,0: 70

2,0: 74

2,0: 78

1,0: 43

1,0: 47

1,0: 51

1,0: 55

1,0: 59

1,0: 63

1,0: 67

1,0: 71

1,0: 75

1,0: 79

1,0: 83

1,0: 87

1,0: 91

1,0: 95

1,0: 99

2,0: 3

2,0: 7

2,0: 11

2,0: 15

2,0: 19

2,0: 23

2,0: 27

2,0: 31

2,0: 35

2,0: 39

2,0: 43

2,0: 47

2,0: 51

2,0: 55

2,0: 59

2,0: 63

2,0: 67

2,0: 71

2,0: 75

2,0: 79

1,0: 44

1,0: 48

1,0: 52

1,0: 56

1,0: 60

1,0: 64

1,0: 68

1,0: 72

1,0: 76

1,0: 80

1,0: 84

1,0: 88

1,0: 92

1,0: 96

1,0:100

2,0: 4

2,0: 8

2,0: 12

2,0: 16

2,0: 20

2,0: 24

2,0: 28

2,0: 32

2,0: 36

2,0: 40

2,0: 44

2,0: 48

2,0: 52

2,0: 56

2,0: 60

2,0: 64

2,0: 68

2,0: 72

2,0: 76

2,0: 80

1234

1,0: 41

1,0: 45

1,0: 49

1,0: 53

1,0: 57

1,0: 61

1,0: 65

1,0: 69

1,0: 73

1,0: 77

1,0: 81

1,0: 85

1,0: 89

1,0: 93

1,0: 97

2,0: 1

2,0: 5

2,0: 9

2,0: 13

2,0: 17

2,0: 21

2,0: 25

2,0: 29

2,0: 33

2,0: 37

2,0: 41

2,0: 45

2,0: 49

2,0: 53

2,0: 57

2,0: 61

2,0: 65

2,0: 69

2,0: 73

2,0: 77

1,0: 42

1,0: 46

1,0: 50

1,0: 54

1,0: 58

1,0: 62

1,0: 66

1,0: 70

1,0: 74

1,0: 78

1,0: 82

1,0: 86

1,0: 90

1,0: 94

1,0: 98

2,0: 2

2,0: 6

2,0: 10

2,0: 14

2,0: 18

2,0: 22

2,0: 26

2,0: 30

2,0: 34

2,0: 38

2,0: 42

2,0: 46

2,0: 50

2,0: 54

2,0: 58

2,0: 62

2,0: 66

2,0: 70

2,0: 74

2,0: 78

1,0: 43

1,0: 47

1,0: 51

1,0: 55

1,0: 59

1,0: 63

1,0: 67

1,0: 71

1,0: 75

1,0: 79

1,0: 83

1,0: 87

1,0: 91

1,0: 95

1,0: 99

2,0: 3

2,0: 7

2,0: 11

2,0: 15

2,0: 19

2,0: 23

2,0: 27

2,0: 31

2,0: 35

2,0: 39

2,0: 43

2,0: 47

2,0: 51

2,0: 55

2,0: 59

2,0: 63

2,0: 67

2,0: 71

2,0: 75

2,0: 79

1,0: 44

1,0: 48

1,0: 52

1,0: 56

1,0: 60

1,0: 64

1,0: 68

1,0: 72

1,0: 76

1,0: 80

1,0: 84

1,0: 88

1,0: 92

1,0: 96

1,0:100

2,0: 4

2,0: 8

2,0: 12

2,0: 16

2,0: 20

2,0: 24

2,0: 28

2,0: 32

2,0: 36

2,0: 40

2,0: 44

2,0: 48

2,0: 52

2,0: 56

2,0: 60

2,0: 64

2,0: 68

2,0: 72

2,0: 76

2,0: 80

U36

U37

U38

U39

U40

U41

U42

U43

U44

U45

U46

U47

U48

U49

U50

P01

P02

P03

P04

P05

P06

P07

P08

P09

P10

P11

P12

P13

P14

P15

P16

P17

P18

P19

P20

12341234

3,0: 41

3,0: 45

3,0: 49

3,0: 53

3,0: 57

3,0: 61

3,0: 65

3,0: 69

3,0: 73

3,0: 77

3,0: 81

3,0: 85

3,0: 89

3,0: 93

3,0: 97

3,0: 42

3,0: 46

3,0: 50

3,0: 54

3,0: 58

3,0: 62

3,0: 66

3,0: 70

3,0: 74

3,0: 78

3,0: 82

3,0: 86

3,0: 90

3,0: 94

3,0: 98

3,0: 43

3,0: 47

3,0: 51

3,0: 55

3,0: 59

3,0: 63

3,0: 67

3,0: 71

3,0: 75

3,0: 79

3,0: 83

3,0: 87

3,0: 91

3,0: 95

3,0: 99

3,0: 44

3,0: 48

3,0: 52

3,0: 56

3,0: 60

3,0: 64

3,0: 68

3,0: 72

3,0: 76

3,0: 80

3,0: 84

3,0: 88

3,0: 92

3,0: 96

3,0:100

2,0: 81

2,0: 85

2,0: 89

2,0: 93

2,0: 97

3,0: 1

3,0: 5

3,0: 9

3,0: 13

3,0: 17

3,0: 21

3,0: 25

3,0: 29

3,0: 33

3,0: 37

2,0: 82

2,0: 86

2,0: 90

2,0: 94

2,0: 98

3,0: 2

3,0: 6

3,0: 10

3,0: 14

3,0: 18

3,0: 22

3,0: 26

3,0: 30

3,0: 34

3,0: 38

2,0: 83

2,0: 87

2,0: 91

2,0: 95

2,0: 99

3,0: 3

3,0: 7

3,0: 11

3,0: 15

3,0: 19

3,0: 23

3,0: 27

3,0: 31

3,0: 35

3,0: 39

2,0: 84

2,0: 88

2,0: 92

2,0: 96

2,0:100

3,0: 4

3,0: 8

3,0: 12

3,0: 16

3,0: 20

3,0: 24

3,0: 28

3,0: 32

3,0: 36

3,0: 40

P21

P22

P23

P24

P25

P26

P27

P28

P29

P30

P31

P32

P33

P34

P35

P36

P37

P38

P39

P40

P41

P42

P43

P44

P45

P46

P47

P48

P49

P50

Bank Number Bank NumberBank Number

Bank Select MSB (CC#0)

Bank Select LSB (CC#32)

Program Number

Chapter 6 Using the GT-10B with External MIDI Devices Connected

• Use the cursor buttons (left and right) to select

Select the received Program number.

the Bank Select number.

• When using only Program Change messages to make program changes, without using Bank Select messages, set the Program number (1–

128) when the Bank Select number is “0.”

Repeat Step 6–7 as needed, setting patch numbers to their corresponding Program

Set the corresponding patch number of the received Program number.

numbers, until the Program Change Map is completed.

Changing Patches Using Bank Select Messages

A bank select message consists of a set of two control change messages, the controllers numbered 0 (CC#0) and 32 (CC#32). Normally, you select a sound by using the bank select message followed by a program change message. On the GT-10B, these messages are used for changing patch numbers.

Changing Patch Numbers on an External MIDI Device from the GT-10B

When a patch is selected on the GT-10B, the bank select and program change messages sent from the GT-10B correspond with each other as shown below.

• If you wish to know whether the receiving device can recognize bank select messages or not, refer to the description for control changes in the MIDI implementation chart provided in the owner’s manual of the receiving device.

• If the receiving device does not recognize bank select messages, it will ignore the bank select messages and recognize only the program change messages.

Chapter

Page 90

Chapter 6 Using the GT-10B with External MIDI Devices Connected

PC# CC#0

0123

U01-1

U01-2

U01-3

U01-4

U02-1

U02-2

U02-3

U02-4

U03-1

U03-2

U03-3

U03-4

U04-1

U04-2

U04-3

U04-4

U05-1

U05-2

U05-3

U05-4

U06-1

U06-2

U06-3

U06-4

U07-1

U07-2

U07-3

U07-4

U08-1

U08-2

U08-3

U08-4

U09-1

U09-2

U09-3

U26-1

U26-2

U26-3

U26-4

U27-1

U27-2

U27-3

U27-4

U28-1

U28-2

U28-3

U28-4

U29-1

U29-2

U29-3

U29-4

U30-1

U30-2

U30-3

U30-4

U31-1

U31-2

U31-3

U31-4

U32-1

U32-2

U32-3

U32-4

U33-1

U33-2

U33-3

U33-4

U34-1

U34-2

U34-3

P01-1

P01-2

P01-3

P01-4

P02-1

P02-2

P02-3

P02-4

P03-1

P03-2

P03-3

P03-4

P04-1

P04-2

P04-3

P04-4

P05-1

P05-2

P05-3

P05-4

P06-1

P06-2

P06-3

P06-4

P07-1

P07-2

P07-3

P07-4

P08-1

P08-2

P08-3

P08-4

P09-1

P09-2

P09-3

P26-1

P26-2

P26-3

P26-4

P27-1

P27-2

P27-3

P27-4

P28-1

P28-2

P28-3

P28-4

P29-1

P29-2

P29-3

P29-4

P30-1

P30-2

P30-3

P30-4

P31-1

P31-2

P31-3

P31-4

P32-1

P32-2

P32-3

P32-4

P33-1

P33-2

P33-3

P33-4

P34-1

P34-2

P34-3

U09-4

U10-1

U10-2

U10-3

U10-4

U11-1

U11-2

U11-3

U11-4

U12-1

U12-2

U12-3

U12-4

U13-1

U13-2

U13-3

U13-4

U14-1

U14-2

U14-3

U14-4

U15-1

U15-2

U15-3

U15-4

U16-1

U16-2

U16-3

U16-4

U17-1

U17-2

U17-3

U17-4

U18-1

U18-2

U34-4

U35-1

U35-2

U35-3

U35-4

U36-1

U36-2

U36-3

U36-4

U37-1

U37-2

U37-3

U37-4

U38-1

U38-2

U38-3

U38-4

U39-1

U39-2

U39-3

U39-4

U40-1

U40-2

U40-3

U40-4

U41-1

U41-2

U41-3

U41-4

U42-1

U42-2

U42-3

U42-4

U43-1

U43-2

P09-4

P10-1

P10-2

P10-3

P10-4

P11-1

P11-2

P11-3

P11-4

P12-1

P12-2

P12-3

P12-4

P13-1

P13-2

P13-3

P13-4

P14-1

P14-2

P14-3

P14-4

P15-1

P15-2

P15-3

P15-4

P16-1

P16-2

P16-3

P16-4

P17-1

P17-2

P17-3

P17-4

P18-1

P18-2

P34-4

P35-1

P35-2

P35-3

P35-4

P36-1

P36-2

P36-3

P36-4

P37-1

P37-2

P37-3

P37-4

P38-1

P38-2

P38-3

P38-4

P39-1

P39-2

P39-3

P39-4

P40-1

P40-2

P40-3

P40-4

P41-1

P41-2

P41-3

P41-4

P42-1

P42-2

P42-3

P42-4

P43-1

P43-2

100

128

U18-3

U18-4

U19-1

U19-2

U19-3

U19-4

U20-1

U20-2

U20-3

U20-4

U21-1

U21-2

U21-3

U21-4

U21-1

U22-2

U22-3

U22-4

U23-1

U23-2

U23-3

U23-4

U24-1

U24-2

U24-3

U24-4

U25-1

U25-2

U25-3

U25-4

U43-3

U43-4

U44-1

U44-2

U44-3

U44-4

U45-1

U45-2

U45-3

U45-4

U46-1

U46-2

U46-3

U46-4

U47-1

U47-2

U47-3

U47-4

U48-1

U48-2

U48-3

U48-4

U49-1

U49-2

U49-3

U49-4

U50-1

U50-2

U50-3

U50-4

P18-3

P18-4

P19-1

P19-2

P19-3

P19-4

P20-1

P20-2

P20-3

P20-4

P21-1

P21-2

P21-3

P21-4

P21-1

P22-2

P22-3

P22-4

P23-1

P23-2

P23-3

P23-4

P24-1

P24-2

P24-3

P24-4

P25-1

P25-2

P25-3

P25-4

P43-3

P43-4

P44-1

P44-2

P44-3

P44-4

P45-1

P45-2

P45-3

P45-4

P46-1

P46-2

P46-3

P46-4

P47-1

P47-2

P47-3

P47-4

P48-1

P48-2

P48-3

P48-4

P49-1

P49-2

P49-3

P49-4

P50-1

P50-2

P50-3

P50-4

Bank

Number

PC# CC#0

0123

PC# CC#0

0123

PC# CC#0

0123

PC# CC#0

0123

PC# CC#0

0123

When using only Program Change messages to make program changes, without using Bank Select messages, set the Program number (1-128) when the Bank Select number is "0."

Changing Patch Numbers on the GT-10B from an External MIDI Device

When the MIDI Map Select parameter set to Fix, to change patch numbers on the GT-10B using bank select messages sent from an external MIDI device, check how the external bank select and program change messages correspond with the patch numbers on the GT-10B.

Corresponding Table with the Patch Numbers when the MIDI Map Select is Fix

PC#: Program Number

CC#0: Controller Number 0 (Bank Select MSB)

(Example) When changing to Patch #30-3 (Bank U30, Number 3)

* CC#0 data of a value of 04H or higher, and the CC#32 are ignored.

Transmit MIDI messages from an external MIDI sequencer in following order.

CC#0: 1

PC#: 19

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Chapter 6 Using the GT-10B with External MIDI Devices Connected

BPM

PHRASE LOOP

ON / OFF

MIDI OUT

MIDI IN

BPM

PHRASE LOOP

ON / OFF

BPM

PHRASE LOOP

ON / OFF

MIDI OUT

MIDI IN

Transmitting Data to an External MIDI Device (Bulk Dump)

With the GT-10B, you can use Exclusive messages to set another GT-10B to the same settings or to save effect sound settings to MIDI sequencers and other such devices. This transmission of data is referred to as bulk dump.

Making the Connections

When Saving to a MIDI Sequencer

Connect as shown in the figure below, and put the sequencer in the state where it is ready to receive Exclusive messages.

fig.08-140

For instructions on operating the sequencer, refer to the owner’s manual for the sequencer you are using.

When Transmitting Data to Another GT-10B

Connect as shown in the figure below, and match the Device ID for the transmitting and receiving devices (p. 85).

fig.08-150

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Chapter 6 Using the GT-10B with External MIDI Devices Connected

Transmitting

SYSTEM

The SYSTEM MENU screen appears.

Select MIDI.

The MIDI MENU screen appears.

Select B.DUMP.

The BULK DUMP screen appears.

Select the start and end of the data to be transmitted.

The following types of data can be transmitted. You can transmit data by specifying the range from the start to the end of transmission.

Displayed

System

Quick Settings for User Quick Setting

U01-1–U50-4 Settings for Patch Number U01-1 through U50-4

Temp Settings for the patch that is currently selected

Data Transmitted

System parameter settings

The data is transmitted.

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Chapter 6 Using the GT-10B with External MIDI Devices Connected

BPM

PHRASE LOOP

ON / OFF

MIDI IN

MIDI OUT

Receiving Data from an External MIDI Device (Bulk Load)

You can restore settings by importing data that has been saved on a MIDI sequencer or the like by a bulk dump. This datareceiving operation is called a “bulk load.”

Making the Connections

When Receiving Data Saved on a MIDI Sequencer

Connect as shown below. Set the GT-10B’s Device ID to the same number that was used when the data was transmitted to the MIDI sequencer (p. 85).

For instructions on operating the sequencer, refer to the owner’s manual for the sequencer you are using.

Receiving

Transmit the data from the external MIDI device.

• When data is being received, the message “BULK DATA RECEIVING...” appears on the display.

• Keep the power on while the bulk data is being received.

• If the message “MIDI BUFFER FULL” appears, check the connections and reduce the tempo of the transmitting MIDI device.

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Chapter 7 Using the GT-10B Connected

What is a USB Driver?

A USB driver is software that acts as a go-between in transferring data between computer applications (such as recording software and sequencer software) and the USB device when the computer and USB device are connected using a USB cable.

The USB driver transmits data from the applications to the USB device, and conversely, passes messages from the USB device to the applications.

to a Computer Via USB

With the GT-10B, you can use USB to transmit both digital audio signals between the GT-10B and your computer.

Before Connecting with USB

Installing and Setting the USB Driver

Just by connecting the GT-10B to your PC/Mac with a USB cable, audio signal can be transferred bidirectionally via USB.

When the Driver Mode parameter (p. 95) set to the Standard, your PC/Mac uses a standard driver that is found on OS. The driver will be installed automatically once connected with your computer via USB.

The GT-10B supports the following compatible OS:

• Windows XP/Vista

• Mac OS X 10.4.3 or later

When the Driver Mode parameter (p. 95) set to the Advanced and use specialized driver, you can record, play back, and edit audio with high-quality sound and stable timing.

It also allows you to control the GT-10B using MIDI messages via USB.

You can download the special GT-10B driver from the Roland local website.

Install the special GT-10B driver before you connect the GT-10B to your PC/Mac.

The program and procedures for installing the driver vary according to the operating environment; carefully read the Readme included in the downloaded file.

Application

Software

USB

Driver

Computer

USB Connector

USB Cable

BPM

GT-10B

PHRASE LOOP

ON / OFF

Exchanging MIDI Messages between the Computer and the GT-10B

If the Driver Mode parameter set to the Advanced (p. 95), and you connect the GT-10B to your PC/Mac by a USB cable, you can transfer MIDI message bidirectionally via USB.

Set your computer MIDI input and output ports to “GT-10B.”

However, MIDI message transfer via GT-10B’s MIDI connectors become inactivated in this situation.

For more on MIDI-related settings, refer to “Making the Settings for MIDI Functions” (p. 84).

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Chapter 7 Using the GT-10B Connected to a Computer Via USB

Switching the Driver Mode

Switches two operational modes, one which uses the special driver contained on the downloaded file, and one in which the OS’s (Windows/Mac OS) standard driver is used.

Quit all sequencer software and other applications on the computer that are using the GT-10B.

SYSTEM

The SYSTEM MENU screen appears.

Select USB.

The USB screen appears.

Move the cursor to Driver Mode.

Select the Driver Mode. “PLEASE RESTART” message appears.

Setting

Standard

Advanced

Explanation

This mode uses the OS’s standard USB driver.

• The supported OS in the GT-10B are the Windows XP/Vista and the Mac OS X 10.4.3 or later.

• You cannot use MIDI when Standard is selected as the driver mode. If you want to use MIDI with the USB connection, set the GT-10B to the advanced driver mode.

This mode uses the special driver contained on the downloaded file.

• About the supported OS in the GT-10B, read the Readme included in the downloaded file.

• If you have not yet installed the special driver in your PC/Mac, you should install the special driver before you connect the GT-10B to your PC/Mac.

• The functions of a mode won’t become

Turn the GT-10B’s power off and then back on again.

available until after the power has been turned off, then on again.

• Wait until setting of your computer finishes to use a USB.

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Chapter 7 Using the GT-10B Connected to a Computer Via USB

Setting the USB Functions

The following section describes the GT-10B’s USB-related functions.

Make these settings in accordance with how you plan to use the GT-10B.

Setting the Digital Audio Signal Input and Output

This lets you adjust the volume level of the digital audio signals output from the GT-10B and adjust the amount of digital audio from USB (computer) to be mixed in.

SYSTEM

The SYSTEM MENU screen appears.

Select INPUT/OUTPUT.

The INPUT/OUTPUT screen appears.

Select the TOTAL (page 3) screen.

Move the cursor to USB/DGT Out Lev or USB Mix Level.

Parameter

USB/DGT Out Lev

USB Mix Level

Adjust the parameters.

Explanation

Adjusts the volume level of the digital audio signals output to the USB (Computer) and DIGITAL OUT connectors.

Sets the volume level of the mixed digital audio signals from USB (Computer) when INPUT SELECT (p. 63) is set to “Bass 1–3.”

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Chapter 7 Using the GT-10B Connected to a Computer Via USB

Setting the Direct Monitor

Switches the output of the GT-10B sound to the OUTPUT and PHONES jacks.

SYSTEM

The SYSTEM MENU screen appears.

Select USB.

The USB screen appears.

Move the cursor to Dir.Monitor.

Select the Monitor mode.

For more information on signal paths set by the Direct Monitor parameter settings, refer to “Signal Flow” (p. 142).

Parameter/

Explanation

Range

Set this to Off if transmitting audio data internally

Off

• This setting cannot be saved. It is set to On when the power is turned on.

• If you are using the special driver, you can control Dir.Monitor On/Off from ASIO 2.0-compatible application.

through a computer (Thru). No sound is heard at this time unless the setting for the computer is Thru.

The GT-10B sound is output. Set this to On when using the GT-10B as a standalone device, without connecting to a computer. (When the Dir.Monitor parameter is set to Off, only sounds from USB In are audible.)

Audio signal

GT-10B sound

USB OUT USB IN

Dir.Monitor

Audio IN

Audio OUT

OUTPUT L/R

PHONES

Computer

Bass Amp

Headphones

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Chapter 7 Using the GT-10B Connected to a Computer Via USB

Controlling the Direct Monitor Setting from a Computer

This setting determines whether or not the command (the Direct Monitor command) controlling the Direct Monitor setting (p. 97) is enabled.

SYSTEM

The SYSTEM MENU screen appears.

Select USB.

The USB screen appears.

Move the cursor to Monitor Cmd.

Set the desired value.

Parameter/ Range

Disable

Enable The Direct Monitor command is enabled, allowing the Direct Monitor mode to be switched from a computer.

Explanation

The Direct Monitor command is disabled, maintaining the Direct Monitor mode set by the GT-10B.

Recording the GT-10B’s Output with a Computer

In the computer application, set the audio input port to the GT-10B.

If passing audio data through the software you’re using, switch the direct monitor off.

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Chapter 7 Using the GT-10B Connected to a Computer Via USB

Applying GT-10B Effects to a Computer’s Audio Playback

In the computer application, set the audio output port to the GT-10B.

You can use the GT-10B to apply effects to the audio data played by the computer, then record the data again with the computer.

Use this process when, for example, you want to add effects to existing audio data.

SYSTEM

The SYSTEM MENU screen appears.

Select INPUT/OUTPUT.

The INPUT/OUTPUT screen appears.

Select the INPUT SELECT (page 1) screen.

Set the INPUT SELECT parameter to USB In.

• Set the software so audio is not passed through it.

• Set the Dir.Monitor parameter to On.

Parameter/ Range

Bass 1–3

USB In Effects are applied to the signals input via USB.

Explanation

Effects are applied to the signals input via the INPUT jacks.

Chapter

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Chapter 8 Parameters Guide

In this chapter you will find detailed descriptions for each of the GT-10B’s effects and the parameters used to control them.

• The format used for parameter names is based on how the names are displayed when the screen is in list view.

• The sound that is input to each effect is called the “direct sound,” and the sound modified by the effect is called the “effect sound.”

• This effect sound is mono.

MONO

• This effect sound is output with two channels.

STEREO

The trademarks listed in this document are trademarks of their respective owners, which are separate companies from Roland/BOSS. Those companies are not affiliated with Roland/BOSS and have not licensed or authorized BOSS’s GT-10B. Their marks are used solely to identify the equipment whose sound is simulated.

COMPRESSOR/LIMITER

STEREO

This is an effect that produces a long sustain by evening out the volume level of the input signal. You can switch it to a limiter to suppress only the sound peaks and prevent distortion.

Parameter/

Explanation

Range

COMP ON/OFF (Compressor ON/OFF)

Off, On

Turns the COMP effect on/off. Pressing [COMP] switches On and Off.

TYPE

Select the compressor type.

BOSS Comp Models the BOSS CS-3

D-Comp Models the MXR DynaComp.

BOSS Limitr This selects a stereo limiter.

Rack 160D Models the dbx 160x.

Vtg Rack U Models the UREI 1178.

This limiter lets you divide the input signal into four separate bands—ultra low, low, high, and ultra high frequency ranges—and apply different settings to the low and high frequency ranges. You can set the frequencies separating each band using the Xover f L, M, and H parameters.

Xover f L Xover f M Xover f H

Multi Band

Frequency

High Frequency

Low Frequency

Range

Ultra High

Freqency Range

Natural

Ultra Low

Frequency Range

The limiter is applied neither to the ultra low range, which is critical to the bass’s sound, nor to the ultra high range, which affects the nuance of the attack.

This compressor is configured using the same frequency divisions as Multi Band, but with simplified parameter settings.

Parameter/

Explanation

Range

Sustain *1

0–100

Adjusts the range (time) over which low-level signals are boosted. Larger values will result in longer sustain.

Attack

Adjusts the strength of the picking attack when

0–100

the strings are played. Higher values result in s sharper attack, creating a more clearly defined sound.

Threshold *2

0–100

When the input signal level exceeds this threshold level, limiting will be applied.

Ratio *2

1:1–∞:1

This selects the compression ratio used with signals in excess of the threshold level. Higher values create a stronger compression effect.

Release *2

0–100

Adjusts the time from when the signal level drops below the threshold until when limiting is removed.

Lo Thres *3

In the Low Frequency Range, when the input

0–100

signal level exceeds this threshold level, limiting will be applied.

Lo Ratio *3

In the Low Frequency Range, this selects the

1:1–∞:1

compression ratio used with signals in excess of the threshold level. Higher values create a stronger compression effect.

Hi Thres *3

0–100

In the High Frequency Range, when the input signal level exceeds this threshold level, limiting will be applied.

Hi Ratio *3

In the High Frequency Range, this selects the

1:1–∞:1

compression ratio used with signals in excess of the threshold level. Higher values create a stronger compression effect.

Xover f L (Crossover Frequency Low) *3

32Hz–315Hz

This sets the frequency dividing the ultra lowand low-frequency ranges.

Xover f M (Crossover Frequency Middle) *3

100Hz–4.00kHz

This sets the frequency dividing the low- and high-frequency ranges.

100