Boss Audio Systems DR-670 User Manual

Owner’s Manual

Thank you, and congratulations on your choice of the BOSS DR-670 Dr. Rhythm. Before using this unit, carefully read the sections entitled:

• USING THE UNIT SAFELY (page 2–4)

• IMPORTANT NOTES (page 10–11)

These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by

your new unit, Owner's manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

■

Printing Conventions in This Manual

• Text or numerals enclosed in square brackets [ ] indicate bottons. [START] START button [REC] REC button

• Reference such as (p. **) indicate pages in this manual to which you can refer.

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

001

• Before using this unit, make sure to

read the instructions below, and the Owner’s Manual.

..................................................................................................

002c

• Do not open (or modify in any way)

the unit or its AC adaptor.

..................................................................................................

003

• Do not attempt to repair the unit, or

replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page.

..................................................................................................

004

• Never use or store the unit in places

that are:

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heatgenerating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

..................................................................................................

008b

• Use only the specified AC adaptor (PSA series), and make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

..................................................................................................

009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

..................................................................................................

010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

..................................................................................................

011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

..................................................................................................

\012c

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor or the power-

supply cord has been damaged; or

• Objects have fallen into, or liquid

has been spilled onto the unit; or

• The unit has been exposed to rain

(or otherwise has become wet); or

• The unit does not appear to operate

normally or exhibits a marked change in performance.

..................................................................................................

013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

..................................................................................................

014

• Protect the unit from strong impact.

(Do not drop it!)

..................................................................................................

015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/ amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

..................................................................................................

016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

..................................................................................................

019

• Batteries must never be recharged, heated, taken apart, or thrown into fire or water.

..................................................................................................

101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

..................................................................................................

102d

• Always grasp only the plug or the body of the AC adaptor when plugging into, or unplugging from, an outlet or this unit.

..................................................................................................

103b

• Whenever the unit is to remain unused for an extended period of time, disconnect the AC adaptor.

..................................................................................................

104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

..................................................................................................

106

• Never climb on top of, nor place heavy objects on the unit.

..................................................................................................

107d

• Never handle the AC adaptor body, or its plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit.

..................................................................................................

108b

• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

..................................................................................................

109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 14 ).

..................................................................................................

110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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111: Selection

• If used improperly, batteries may explode or leak and cause damage or injury. In the interest of safety, please read and observe the following precautions (p. 16 ).

• Carefully follow the installation

instructions for batteries, and make sure you observe the correct polarity.

• Avoid using new batteries together

with used ones. In addition, avoid mixing different types of batteries.

• Remove the batteries whenever the

unit is to remain unused for an extended period of time.

• If a battery has leaked, use a soft

piece of cloth or paper towel to wipe all remnants of the discharge from the battery compartment. Then install new batteries. To avoid inflammation of the skin, make sure that none of the battery discharge gets onto your hands or skin. Exercise the utmost caution so that none of the discharge gets near your eyes. Immediately rinse the affected area with running water if any of the discharge has entered the eyes.

• Never keep batteries together with

metallic objects such as ballpoint pens, necklaces, hairpins, etc.

..................................................................................................

112

• Used batteries must be disposed of in compliance with whatever regulations for their safe disposal that may be observed in the region in which you live.

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Main Features

Plays Bass Parts

The DR-670 plays bass parts that are synchronized with the drum parts. This lets you enjoy backing performances with rhythm patterns using various combinations of drum and bass sounds.

High-Quality Sound Generator

The DR-670 features high-quality internal instrument sounds, including 256 drum part sounds and sixteen bass part sounds. This lets you perform in various styles such as Rock, Jazz and Latin.

Large Screen–Current Pattern Indicated

The large-size custom liquid crystal display makes it extremely easy to read the performance and editing data that’s presented on screen. In addition, you can confirm which performance pattern is currently being played just by checking for the dot.

Dynamic-Response Key Pads

The DR-670 is equipped with dynamics-sensitive key pads, so you can readily obtain changes in volume in response to the force with which you tap them. Use this feature to achieve realistic volume changes when playing rolls.

Synchronized Performance with Digital Recorders and Sequencers

Using MIDI allows you to synchronize performances with the BR-8 and other digital recorders and with MIDI sequencers.

Fill-In Function

Each rhythm pattern features a corresponding fill pattern that is perfectly matched to it; these fills can be inserted in the pattern at the press of a single button.

Foot Switch Control

You can connect two foot switches and use them for foot control of various other operations, such as for starting and stopping performances, adding fills, and more.

Setting the Tempo with Tap Tempo Function

You can set tempos just by tapping the button at the desired timing.

DPP Function (Direct Pattern Play)

You can directly select a rhythm pattern number and initiate its playback simply by tapping a key pad.

TEMPO Dial Situated on Top Panel

The placement of the TEMPO dial right on the DR-670’s top panel allows you to make changes to the tempo directly, anytime you want.

Play Rhythm Patterns and Songs

In addition to 200 different preset rhythm patterns, you can also create another 200 original rhythm patterns of your own. You can also compose up to 100 songs by connecting these rhythm patterns together. Enjoy connecting and repeating your songs using the Song Chain and Song Repeat functions.

Compact Body

The DR-670 is lightweight, compact, and very portable. And since the unit can be powered with batteries, you can use it just about anywhere.

Easy Operation

You can hold down the [SHIFT] button in combination with other buttons to easily call up commonly used parameters and editing functions. Making changes in settings is also simple with the TEMPO/VALUE dial.

Contents

Main Features .........................................................................................5

IMPORTANT NOTES.............................................................................10

Panel Descriptions............................................................................... 12

Front Panel................................................................................................................. 12

Rear Panel .................................................................................................................. 14

Quick Start ............................................................................................16

Install batteries.......................................................................................................... 16

Making Connections................................................................................................. 17

Turning On the Power ............................................................................................. 18

Turning Off the Power...................................................................................... 18

Reset to Default Factory Settings (Factory Reset) ................................................ 19

Listen to the Demo Song.......................................................................................... 20

Using the Key Pads to Play Sounds....................................................................... 21

Specialized Performance Techniques (Roll)................................................... 22

Adding Character to Performances (Flam).................................................... 23

Playing Different Sounds (Switching Pad Drum Banks)............................. 24

Playing Bass Sounds.......................................................................................... 25

Performing Rhythm Patterns.................................................................................. 26

Selecting and Performing Patterns.................................................................. 26

Selecting and Performing Patterns (DPP Function) ..................................... 28

Adjusting the Tempo......................................................................................... 30

Changing the tempo using the Tap Tempo function ................................... 31

Inserting Fill-Ins................................................................................................. 32

Using the Foot Switches.................................................................................... 34

Playing a Pattern Using a Different Sound (Switching Drum Kits)........... 36

Chapter 1 Before Composing Rhythm Patterns and Songs............ 38

How the Work Progresses....................................................................................... 38

About Operational Modes....................................................................................... 40

Drum Kits and Pad Performances.......................................................................... 42

Drum Kits............................................................................................................ 42

Pad Performances.............................................................................................. 43

How to View the Scale/Pattern Display............................................................... 44

Pattern Display................................................................................................... 44

Switching the Instrument................................................................................. 44

Scale Display ...................................................................................................... 45

Changing the Scale ............................................................................................ 45

Using [SHIFT]............................................................................................................ 46

Chapter 2 Playing Patterns (Pattern Play Mode).............................. 47

Playing Sounds with the Key Pads ........................................................................ 47

Selecting a Drum Kit ......................................................................................... 47

Selecting the Drum Bank.................................................................................. 47

Playing the Bass Sounds................................................................................... 47

Changing the Bass Pitch (Fret Shift) ............................................................... 48

Playing with Special Performance Techniques .................................................... 48

Playing Rolls....................................................................................................... 48

Playing Flams..................................................................................................... 48

Playing Patterns........................................................................................................ 49

Playing Patterns with the DPP Function........................................................ 49

Adjusting the Tempo................................................................................................ 50

Adjusting the Tempo with the Tap Tempo Function................................... 50

Inserting Fill-Ins........................................................................................................ 50

Adding Fill-Ins While the Pattern is Playing................................................. 50

Playing a Fill Pattern at the Beginning of the Following Pattern ............... 51

Starting Performances from the Fill Pattern.................................................. 51

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)..... 52

Before You Start Recording..................................................................................... 52

<1> Select an Unrecorded Pattern.......................................................................... 53

<2> Select the Beat.................................................................................................... 53

<3> Select the Measures........................................................................................... 54

<4> Select the Drum Kit........................................................................................... 54

<5> Set the Quantization ......................................................................................... 55

<6> Record the Basic Pattern .................................................................................. 55

(6-1A) Do Realtime Recording......................................................................... 55

(6-1B) Do Step Recording ................................................................................. 57

(6-2) Confirm the Recorded Sounds................................................................ 59

<7> Record the Fill Pattern...................................................................................... 59

(7-1) Select the Fill Pattern................................................................................ 59

(7-2A) Do Realtime Recording......................................................................... 59

(7-2B) Do Step Recording ................................................................................. 59

(7-3) Confirm the Fill-In.................................................................................... 59

Erasing Patterns (Pattern Clear) ............................................................................. 60

Copying Patterns ...................................................................................................... 61

Replacing Drum Kits................................................................................................ 62

Changing the Key of the Bass Part (Key Transpose)........................................... 62

Contents

Chapter 4 Recording and Editing Songs (Song Edit Mode)............ 63

Before You Start Recording..................................................................................... 63

<1> Select an Unrecorded Song.............................................................................. 64

<2> Select the Tempo (Initial Tempo).................................................................... 64

<3A> Do Realtime Recording................................................................................. 65

Using the DPP Function in Realtime Recording........................................... 66

Switching Recorded Patterns........................................................................... 66

Starting Realtime Recording Within a Song.................................................. 67

Adding Patterns at the End of a Song............................................................. 67

<3B> Do Step Recording.......................................................................................... 68

Switching Recorded Patterns........................................................................... 68

Adding Patterns at the End of a Song............................................................. 68

Adding Patterns In the Song (Insert)..................................................................... 69

Deleting Patterns (Delete)........................................................................................ 69

Removing Unneeded Song (Song Clear)............................................................... 70

Copying Song............................................................................................................ 70

Connecting Multiple Songs Into One Song (Song Chain)................................... 71

Chapter 5 Performing Songs (Song Play Mode)............................... 72

Performing Songs ..................................................................................................... 72

Starting a Song From a Point Other Than the Beginning ................................... 73

Repeating Performances of Songs (Song Repeat) ................................................ 73

Performing Multiple Songs In One Sequence (Song Chain) .............................. 74

Contents

Checking the Song Chain Settings .................................................................. 74

Creating Performances Combining the Repeat and Chain Functions.............. 74

Checking a Song’s Initial Tempo............................................................................ 74

Chapter 6

Assigning Patterns to the Key Pads (DPP Assign Mode)

..75

Chapter 7 Customizing Your Setup (Utility Mode) ........................... 76

Procedure................................................................................................................... 76

Switching the Sounding/Muting of Drum Parts and Bass Parts (Output Part)

Assigning Functions to the Foot Switches ............................................................ 77

Changing the Roll Settings (Roll Type) ................................................................. 77

Changing the Flam Settings .................................................................................... 78

Adjusting the Key Pad Sensitivity (Pad Sens)...................................................... 78

Changing the Metronome Settings......................................................................... 78

Tuning the Bass Part................................................................................................. 78

Chapter 8

Before Changing the Settings (Editing)................................................................. 79

Editing the Drum Parts............................................................................................ 80

Editing the Bass Part................................................................................................. 83

Copying Drum Kits.................................................................................................. 84

Creating Your Own Favorite Drum Kits (Drum Kit Edit Mode)

Select the Drum Kit to Edit............................................................................... 79

Editing Procedure.............................................................................................. 80

Selecting the Sounds Assigned to the Key Pads (Instrument).................... 80

Setting the Volume (Level)............................................................................... 80

Setting the Pitch (Pitch)..................................................................................... 80

Lengthening and Shortening the Reverberation (Decay) ............................ 81

Obtaining Tonal Changes Relative to Strike Position (Nuance)................. 81

Setting the Position of the Sound (Pan).......................................................... 81

Determining Whether Or Not Sounds Overlap (Assign Type) .................. 82

Selecting the Tone (Bass Tone)......................................................................... 83

Setting the Volume (Level)............................................................................... 83

Adjusting the Envelope (Attack, Decay, Release)......................................... 83

Positioning the Sound (Pan)............................................................................. 84

..... 76

...79

Chapter 9

Error Message List............................................................................... 92

Troubleshooting................................................................................... 94

Operation List....................................................................................... 95

Parameter List....................................................................................... 97

Instrument/Bass Tone List ..................................................................99

Preset Drum Kit List........................................................................... 102

Preset Pattern List.............................................................................. 110

MIDI Implementation Chart................................................................ 112

Specifications..................................................................................... 114

Index.................................................................................................... 115

Contents

IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT SAFELY” on page 2–4, please read and observe the following:

Power Supply: Use of Batteries

301

• Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

303a

• The use of an AC adaptor is recommended as the unit’s power consumption is relatively high. Should you prefer to use batteries, please use the alkaline type.

304a

• When installing or replacing batteries, always turn off the power on this unit and disconnect any other devices you may have connected. This way, you can prevent malfunction and/ or damage to speakers or other devices.

306b

• Batteries are supplied with the unit. The life of these batteries may be limited, however, since their primary purpose was to enable testing.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355

• To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

IMPORTANT NOTES

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Memory Backup

501b

• This unit contains a battery which powers the unit’s memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

“BAK BATTERY LOW”

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

Panel Descriptions

Front Panel

fig.00-001

7 6 5 4 3

9 12 14

19 18

151013 16

Display TEMPO/VALUE Dial

Selects patterns and songs. You can set tempos by rotating the dial while holding down the TAP TEMPO button. This is also used during editing to input settings values.

TAP TEMPO Button

This is tapped in time to input the tempo.

FILL Button

You can use this to add fill-ins.

DPP (Direct Pattern Play) Button

Press when using the DPP function (p. 28).

DRUM A/B Button

Pressing this button allows you to change the drum sound to be played with the key pad. By holding down SHIFT while pressing this button you can switch the drum kit currently being played.

Panel Descriptions

BASS Button

Pressing this button allows you to play bass sounds with the key pad. By holding down SHIFT while pressing this button you can change the pitch of the bass sound with the key pad.

Numeric Keys

Used for entering song numbers and pattern numbers. By holding down SHIFT while pressing the numeric keys, you can access a variety of editing functions and make changes in parameter settings.

SHIFT Button

Used in conjunction with other buttons.

VOICE Button

By holding down this button and pressing the key pads, you can confirm tone names and switch tones for performance patterns indicated with the “●”symbol.

/ Button

In Step Recording, this specifies the step number. During editing, this switches parameters.

REC (Recording) Indicator

Illuminated while Realtime Recording is in progress; blinks on and off during Step Recording.

REC (Recording) Button

Press this button when using Realtime Recording.

Tempo Indicator

Blinks in sync with the tempo of the song.

START Button

Starts playback.

STOP/CONT (Continue) Button

Stops playback. You can also press this to resume playback of the performance from the point where it was previously stopped.

Key Pad

Plays the drum and bass sounds. When the DPP function (p. 28) is in use, you can select patterns with the key pad.

ROLL Pad

When a drum sound is playing, you can perform rolls by holding down the ROLL pad and then pressing another of the pads. When a bass sound is playing, this is used as an ordinary pad.

FLAM Pad

When a drum sound is playing, you can perform flams by holding down the FLAM pad and then pressing another of the pads. When a bass sound is playing, this is used as an ordinary pad.

Panel Descriptions

Rear Panel

fig.00-002

20 2221

23 24 25 26

MIDI Connector IN/OUT

External MIDI devices can be connected to these connectors.

FOOT SW (Switch) Jack

By connecting a foot switch, you can obtain pedal control over the start and stop of performances, the addition of fills, or other actions.

OUTPUT Jack R/L (MONO)

Provides output of the audio signals. Connect to your amp, stereo system, or similar equipment. For monaural output use the L (MONO) jack.

PHONES (Headphones) Jack

A set of headphones can be connected to this jack.

VOLUME Knob

Adjusts the volume from the OUTPUT jack and PHONES jack.

POWER Switch

Switches the power on and off.

AC Adaptor Jack

You can use a separately sold AC adapter (BOSS PSA series).

Security Slot ( )

http://www.kensington.com/

Memo ...

Quick Start

Install batteries

Make sure that the power is turned off.

Remove the battery cover on the unit’s underside.

* When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under

the four corners or at both ends to prevent damage to the buttons and controls. Also, you should try to orient the unit so no buttons or controls get damaged.

* When turning the unit upside-down, handle with care to avoid dropping it, or allowing it to fall or tip

over.

Insert six AA batteries in the battery case, taking care to ensure that the positive (+) and negative (-) terminals are not reversed.

* We recommend the use of alkaline batteries for extended battery life. * Do not mix new batteries with partially used batteries, and do not mix batteries of differing types.

fig.00-01

Close the battery cover.

When the battery power begins to run low, “DRY BATTERY LOW” appears in the display when the power is turned on. When this occurs, replace with new (six AA) batteries.

Making Connections

The DR-670 is not equipped with an internal amp or speakers. To hear sound, either connect an amplifier and speakers or use stereo headphones.

Audio cables, MIDI cables, Stereo headphones, and foot switches are not included. You will need to purchase these items from your dealer.

Before you begin making connections, confirm the following.

• Is the volume level of the DR-670 or connected amp turned all the way down?

• Is the power to the DR-670 or connected amp turned off? To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections with the DR-

670.

fig.00-02

Quick Start

Connect the amp and audio gear as shown in the diagram.

If necessary, connect headphones and foot switches. In order to take full advantage of the DR-670’s sound we recommend that you play it in

stereo. When using the system in mono, connect to the OUTPUT L (MONO) jack.

* For instructions on connecting to the MIDI connectors, refer to p. 85. * For instructions on connecting to the FOOT SW jack, refer to p. 34.

Quick Start

Turning On the Power

Once the connections have been completed (p. 17), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

Before you turn the power on, make sure of the following points.

• Are external devices connected correctly?

• Is the volume level of the DR-670 or connected amp turned all the way down?

fig.00-03

Turn on the POWER switch located on the rear panel of the DR-670.

Turn on the power of the amp.

While tapping the key pad, rotate the VOLUME knob on the rear panel to adjust the DR-

fig.00-04

670’s volume level.

Also adjust the volume levels for amps and other connected gear.

* This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is

required before the unit will operate normally.

■ Turning Off the Power

Before turning off the DR-670’s power, make sure that:

• Is the volume level of the DR-670 or connected amp turned all the way down?

Switch off any amps and other external equipment.

Turn off the power of the DR-670.

Quick Start

Reset to Default Factory Settings (Factory Reset)

If changes are made to the settings after purchase of the DR-670, you may be unable to operate the unit as described in the Quick Start manual. If this occurs, then follow the instructions below to restore the unit to the original factory settings (Factory Reset), then proceed to read Quick Start.

When Factory Reset is carried out, all data stored in the DR-670 is returned to the settings in effect when the unit was shipped from the factory. If you already have important data saved in the DR670, save the data to an external MIDI device (such as a sequencer) using the bulk dump

fig.00-05

procedure (p. 89), then carry out Factory Reset.

1,4

Quick Start

fig.00-06

fig.00-07

2,31

While holding down [REC] and [STOP/CONT], turn on the DR-670’s power.

Press [ ].

Along with an “OK,” a message confirming that you want to proceed with Factory Reset is displayed.

If you want to cancel Factory Reset at this point, just turn off the power.

Press [ ] once more.

“DONE” appears in the display once the Factory Reset has been completed.

Turn off the power.

When the power is turned on again, the settings revert to those in effect when the unit was shipped from the factory.

Quick Start

Listen to the Demo Song

The DR-670 features internal demo songs that exhibit the special capabilities of the

fig.00-09

instrument. Here’s how to listen to the demo song.

Hold down [SHIFT] and press Key Pad 4 (DEMO).

fig.00-10

Press [START] to begin playback.

Press [STOP/CONT] to stop playback.

When [STOP/CONT] is pressed once more, playback of the performance starts from the point where it was stopped (this is referred to as continued play).

Press [START] to have playback start from the beginning of the performance. After the demo song is played to the end, the performance then starts again from the

beginning.

enjoyment is a violation of applicable laws.

* No data for the music that is played will be output from MIDI OUT.

Using the Key Pads to Play Sounds

Quick Start

fig.00-11

fig.00-12

Let’s try playing the DR-670’s internal rhythm instrument sounds by tapping the key pads.

Hold down [SHIFT] and press Key Pad 5 (PATTERN PLAY).

Quick Start

Tapping the key pads now plays the instruments assigned to each of the pads.

The key pads feature dynamic response, so the volume and sound change according to the force used to tap them.

Quick Start

■ Specialized Performance Techniques (Roll)

fig.00-13

A roll is performed by playing the same sound consecutively at the same interval.

While pressing [ROLL], hold down a key pad.

■ Adding Character to Performances (Flam)

What is a Flam?

A flam is produced by striking the snare or other drum simultaneously with the two sticks held in the hands, but with a slight difference in force used in playing each stick.

fig.00-14

Quick Start

While pressing [FLAM], press a key pad.

◆ You can change the flam interval and force.

Refer to “Changing the Flam Settings” (p. 78).

Quick Start

■ Playing Different Sounds (Switching Pad Drum Banks)

You can have different instruments sound, even when the same key pad is tapped, by switching the pad’s drum bank.

Pad drum banks are collections of drum instrument sounds that are assigned as a single group to the sixteen key pads. There are two drum banks, Bank A and Bank B.

fig.00-15

For more detailed information, refer to “Drum Kits and Pad Performances” (p. 42).

fig.00-16

Press [DRUM A/B].

Each time the button is pressed, A and B alternately switch in the display, indicating the switch between Drum Banks A and B.

When the drum bank is switched, the sounds (the instruments) played by tapping the key pads are also switched.

■ Playing Bass Sounds

fig.00-17

You can play bass sounds with the key pads by pressing [BASS].

fig.00-18

Quick Start

When a key pad is pressed, a bass sound plays at the pitch predetermined for that key pad. The bass sound stops playing when the key pad is released. Pitches are assigned to the key pads in such a way as to simulate the frets of a bass guitar.

* You cannot play two or more bass sounds simultaneously. * Rolls and flams cannot be played when using the key pads to play bass sounds.

Quick Start

Performing Rhythm Patterns

The DR-670 comes with 200 different Preset Patterns and 200 User Patterns for you to use. Use the following procedure to perform these patterns and listen to the sounds.

Pattern refers to a one- to two-measure rhythm performance pattern.

■ Selecting and Performing Patterns

fig.00-18a

fig.00-18b

fig.00-18c

fig.00-18d

Quick Start

Hold down [SHIFT] and press Key Pad 5 (PATTERN PLAY).

Rotate the TEMPO/VALUE dial to select the pattern number.

Press [START] to begin playback.

The Tempo indicator flashes once each beat. Turning the TEMPO/VALUE dial while a performance is in progress sets up the pattern

number for the next pattern to be played. When the current pattern finishes playing, the next preselected pattern then begins to play.

Quick Start

Pattern being played

Next pattern to be performed

When [STOP/CONT] is pressed, playback of the performance stops.

Press [START] to begin the performance of the most recently selected pattern.

◆ You can select patterns with the numeric keys.

Refer to “Playing Patterns” (p. 49).

Quick Start

■ Selecting and Performing Patterns (DPP Function)

Ordinarily, tapping the key pads plays the instruments assigned to those pads, but with DPP (Direct Pattern Play), you can instead trigger the playback of the patterns that are assigned to the key pads.

With DPP, you can instantly perform desired patterns by tapping the pads. Here, we suggest that you try using the DPP function to play the patterns that were assigned

fig.00-19

at the factory to the key pads, and see for yourself how useful this feature is.

fig.00-20

fig.00-21

Hold down [SHIFT] and press Key Pad 5 (PATTERN PLAY).

Press [DPP] to turn the DPP function on.

fig.00-22a

fig.00-22b

Quick Start

When you tap the key pad, performance of the assigned pattern begins.

The Tempo indicator flashes once each beat. The pattern number for the pattern currently being played appears in the display.

When you tap a different key pad while the pattern is still being played, the performance of the current pattern stops, and the performance of the pattern assigned to the pad that was tapped then begins.

Pattern being played

Next pattern to be performed

When [STOP/CONT] is pressed, playback of the performance stops.

When the key pad is pressed once more, playback of the pattern starts again. Press [START] to begin the performance of the most recently selected pattern.

To turn off the DPP function, press [DRUM A/B] or [BASS].

◆ For instructions on assigning patterns to the key pads, refer to “Assigning Patterns to

the Key Pads” (p. 75).

Quick Start

■ Adjusting the Tempo

fig.00-23

Try changing the tempo used for performing the pattern.

Hold down [TAP TEMPO] and rotate the TEMPO/VALUE dial to change the tempo.

fig.00-24

The tempo can be changed with in the range from 20 to 260 beats per minute.

Quick Start

■ Changing the tempo using the Tap Tempo function

You can determine the tempo by the timing with which you press [TAP TEMPO].

fig.00-25

Press [TAP TEMPO] at least three or four times in a row at the desired timing; the tempo will be set to the same timing you’ve just used for your tapping.

The tempo can be changed with in the range from 20 to 260 beats per minute.

Quick Start

■ Inserting Fill-Ins

fig.00-26

With the DR-670, you can add fill-ins to a pattern being played at whatever timing you want.

fig.00-28

2 3

fig.00-29

Quick Start

Hold down [SHIFT] and press Key Pad 5 (PATTERN PLAY).

Press [START] to start the performance of the pattern.

Press [FILL] at the points where you want a fill-in added.

The fill-in pattern is played instantly after [FILL] is pressed.

fig.00-30

When the fill-in pattern is played to the end, the performance reverts to the original pattern.

Press [STOP/CONT] to stop the performance.

◆ By pressing [FILL] during the final beat of a pattern, you can have the fill-in pattern

play at the beginning of the next pattern. For more details, refer to “Inserting Fill-Ins” (p. 50).

Quick Start

■ Using the Foot Switches

You can use up to two foot switches (such as the optional FS-5U) to start and stop performance and insert fill-ins.

* When only one foot switch is connected, the foot switch only starts and stops performances. * A special PCS-31 cable (optional) is required when connecting two foot switches.

fig.00-31

PCS-31: option

White Red

(

Start/Stop performance

Foot switches connected with plugs that have a white stripe are used for starting and stopping performances; foot switches connected with plugs that have a red stripe are used for fill-ins.

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before connecting a foot switch.

When connecting the foot switch (the optional FS-5U) to the FOOT SW jack, set the polarity switch as shown in the following figure.

fig.00-32

) (Fill-Ins)

Polarity Switch

1 2

fig.00-34

fig.00-35

Quick Start

Hold down [SHIFT] and press Key Pad 5 (PATTERN PLAY).

When the foot switch connected with a plug that has a white stripe is pressed while the performance is stopped, the performance then starts.

Pressing the foot switch connected with a plug that has a red stripe while the performance is in progress inserts a fill-in.

When the fill-in pattern is played to the end, the performance reverts to the original pattern.

When the foot switch connected with a plug that has a white stripe is pressed while the performance is in progress, the performance then stops.

◆ You can assign functions other than starting/stopping the performance and inserting

fill-ins can be assigned to the foot switches. Refer to “Assigning Functions to the Foot Switches” (p. 77).

Quick Start

■ Playing a Pattern Using a Different Sound

(Switching Drum Kits)

Even when using the same pattern, you can change the mood (the performance and the way it is played) of the pattern by altering the instruments from which the pattern is made up.

Here, try playing the same pattern with various different instrument, changing drum kits while the performance is in progress.

A drum kit is a collection of 32 drum instruments and one bass tone that is selected as a single set.

The DR-670 features 64 Preset Drum Kits along with 64 additional User Drum Kits whose settings you can change.

fig.00-36

For more details, refer to “Drum Kits and Pad Performances” (p. 42).

1 2

fig.00-38

6 12

Hold down [SHIFT] and press Key Pad 5 (PATTERN PLAY).

Press [START] to start the performance of the pattern.

fig.00-39

fig.00-40

fig.00-41

Quick Start

Hold down [SHIFT] and press [DRUM A/B] (DRUM KIT).

Keep [SHIFT] held down.

While continuing to hold down [SHIFT], rotate the TEMPO/VALUE dial to select the drum kit number.

Try switching among the drum kits and listening to the different sounds.

Current drum kit

Release [SHIFT].

This completes the selection of the drum kit.

Quick Start

Press [STOP/CONT] to stop the performance.

◆ For more on the Preset Drum Kits, refer to “Preset Drum Kit List” (p. 102).

◆ When you want to make changes to the drum kit settings, refer to “Chapter 8 Creating

Your Own Favorite Drum Kits” (p. 79).

You Can Create Songs

With the DR-670, you can compose and perform songs by arranging sequences of rhythm pattern performances.

For more detailed information, refer to “Chapter 1 Before Composing Rhythm Patterns and Songs” (p. 38) and “Chapter 4 Recording and Editing Songs” (p. 63).

Chapter 1 Before Composing Rhythm Patterns and Songs

This section provides a summary description of the DR-670.

How the Work Progresses

The process of creating one song’s worth of rhythm patterns can be divided broadly into two

fig.01-01

steps: creating the patterns, then composing the song.

Pattern Recording

Realtime

Recording

Realtime

Recording

User Pattern

Song Recording

Song

Step

Recording

Step

Recording

Preset Pattern

Composing the Rhythm Patterns

Compose (record) the performance patterns that constitute the sections or parts of the song. You can create up to 200 of your own User Patterns.

There two different recording methods are shown below.

Realtime Recording

With this method, the key pads are played in time with a metronome count, with the pattern being recorded just as it is performed. Even if there is a little unevenness in the timing used in tapping the key pads, the Quantize function allows you to record with the timing corrected. (Refer to “Set the Quantization” p. 55)

Step Recording

With this recording method, the timing for playing instrument sounds (steps), volume levels, and other aspects of the pattern are specified one by one. This allows patterns to be recorded accurately, even those that are hard to record using Realtime Recording.

You can also record patterns using both Realtime and Step Recording. After recording the basic pattern using Step Recording, finish creating the Pattern by using

Realtime Recording to add sounds in a freer ad-lib style.

Chapter 1 Before Composing Rhythm Patterns and Songs

Composing the Song

Compose (record) the song by stringing together a sequence of performances using your User Patterns and the 200 Preset Patterns. There are two methods used for recording songs as well.

Realtime Recording

Here, the song is recorded just by selecting and playing patterns. This allows quick and easy recording of songs.

Step Recording

With this method, the individual patterns to be played and the points where they are played in the sequence (the parts) are specified one by one. This allows accurate recording of songs, even those that are difficult to record using Realtime Recording and those involving complex combinations of patterns.

Chapter

Chapter 1 Before Composing Rhythm Patterns and Songs

About Operational Modes

The DR-670 features numerous functions for creating patterns and songs and for Editing sounds. These functions are categorized into the following nine different modes.

Pattern Play mode

(Refer to Chapter 2 Playing Patterns; p. 47)

Used for performing rhythm patterns. To go into Pattern Play mode, hold down [SHIFT] and press Key Pad 5 (PATTERN PLAY)

while the performance is stopped.

fig.01-03

fig.01-04

The DR-670 will initially be in the Pattern Play mode each time it is powered up.

Pattern Edit mode

(Refer to Chapter 3 Recording and Editing Patterns; p. 52)

Used for recording and editing rhythm patterns. To go into Pattern Edit mode, hold down [SHIFT] and press Key Pad 6 (PATTERN EDIT)

while the performance is stopped.

fig.01-05

fig.01-06

Song Edit mode

(Refer to Chapter 4 Recording and Editing Songs; p. 63)

Used for recording and editing songs. To go into Song Edit mode, hold down [SHIFT] and press Key Pad 2 (SONG EDIT) while the

performance is stopped.

Song Play mode

(Refer to Chapter 5 Performing Songs; p. 72)

Used for performing songs. To go into Song Play mode, hold down [SHIFT] and press Key Pad 1 (SONG PLAY) while

the performance is stopped.

Chapter 1 Before Composing Rhythm Patterns and Songs

fig.01-07

fig.01-08

fig.01-09

Drum Kit Edit mode

Used for making drum kit settings, assigning sounds to the key pads, and for setting the way sounds are played.

To go into Drum Kit Edit mode, hold down [SHIFT] and press Key Pad 9 (DRUM KIT EDIT) while the performance is stopped.

DPP Assign mode

Used for assigning rhythm patterns to the key pads when the DPP (Direct Pattern Play) function is used.

To go into DPP Assign mode, hold down [SHIFT] and press Key Pad 10 (DPP ASSIGN) while the performance is stopped.

Utility mode

Used for setting the output part, metronome, foot switches, rolls, flams, pad sensitivity, and master tuning.

To go into Utility mode, hold down [SHIFT] and press Key Pad 13 (UTILITY) while the performance is stopped.

Chapter

fig.01-10

fig.01-11

MIDI mode

Used for making settings to synchronize performances with the BR-8 or other external MIDI devices. Also used for transmission and reception of the DR-670’s internal data with respect to an external MIDI sequencer (Bulk function).

To go into MIDI mode, hold down [SHIFT] and press Key Pad 14 (MIDI) while the performance is stopped.

Demo mode

Used for playing the demo songs. To go into Demo mode, hold down [SHIFT] and press Key Pad 4 (DEMO) while the

performance is stopped.

Chapter 1 Before Composing Rhythm Patterns and Songs

Drum Kits and Pad Performances

■ Drum Kits

The DR-670 includes 256 internal drum sounds (instruments) and sixteen internal bass sounds (bass tones). A “drum kit” is a single set containing 32 of these drum sounds and one

fig.01-12

of the bass sounds.

Drum Kits

No.2

A1 A2 A3

No.128

Instruments

1 2 3 4

254 255 256

Bass Tones

1 2

A1 A2 A3

B1 B2

B16

Bass

No.1

● The DR-670 comes with 64 Preset Drum Kits (Numbers 1–64), and 64 User Drum Kits

(Numbers 65–128), whose settings you can change.

● You can modify the sound (change the volume, pitch, and other settings) of instruments

assigned to the User Drum Kits, thus enabling you to handle such sounds as new instruments distinct from the internal instruments.

● On the DR-670 you can use only one drum kit when creating any one pattern. You cannot

use multiple drum kits simultaneously to make one pattern.

● The number of the drum kit used when creating a pattern is stored within the pattern.

As a result, during playback of patterns, a switch is made to the relevant drum kit whenever you switch patterns.

Chapter 1 Before Composing Rhythm Patterns and Songs

■ Pad Performances

Drum sounds are divided into two banks, Drum Bank A and Drum Bank B, each of which

fig.01-13

fig.01-14

contains sixteen sounds, with one of the sixteen sounds each being assigned to a key pad.

Drum Kit

CY 1

CY 2

A2 A3

B16 Bass

CY 9

PC12

Drum Bank A

12 56 9

13 14

With the DR-670, you can elect to have either Drum Bank A or B, or bass sounds played when the key pads are tapped.

Drum Kit

A1 A2 A3

A16 B1

B16

Bass

Instrument of Pad number A1–A16

Instrument of Pad number B1–B16

Drum Bank B

12 56

13 14

11 12 15 16

78 11 12 15 16

Drum Bank A

1234 5678 9

10 11 12 14

15 16

Drum Bank B

1234 5678

10 11 12

15 16

Bass Tone

G#AA#B

D# E F F#

A# B C C#

Chapter

GG#

About Polyphony

The DR-670 features 20-voice polyphony; that is, a maximum of twenty sounds (voices) can be played simultaneously. However, some instruments use two voices each time they sound, so when playing such instruments, the actual number of simultaneous notes may be less than twenty.

To find the number of voices used by each instrument, refer to the “Instrument/Bass Tone List” (p. 99).

Chapter 1 Before Composing Rhythm Patterns and Songs

How to View the Scale/Pattern Display

■ Pattern Display

The content of any one of the instruments or the bass tone for the currently selected pattern is indicated in the pattern display.

fig.01-20

fig.01-21

The following shows the relationship between the pattern and what is indicated.

The DR-670 uses patterns that are composed of either one or two measures. When a twomeasure pattern is selected, it is indicated as shown below.

first measure second measure

■ Switching the Instrument

When you want to display the information for a different instrument, hold down [VOICE] and press the key pad for the instrument whose information you want to display.

* To switch drum banks, press [DRUM A/B].

fig.01-22

The name of the selected instrument appears in the display.

* To display bass tone information, hold down [VOICE] and press [BASS].

Chapter 1 Before Composing Rhythm Patterns and Songs

■ Scale Display

fig.01-23

fig.01-24

The “▼” mark in the scale display indicates the timing of the quarter notes.

When there are too many beats to allow all of the notes from the beginning to the end of the pattern to be displayed at one time, “ ” appears, indicating that there are steps that are not

being displayed.

■ Changing the Scale

By changing the scale (the length of individual steps = a single square), you can have patterns containing many notes be shown in their entirety, as well as display the content of more complex patterns.

fig.01-25

(Example)

SCALE: 32BEAT: 4/4

Chapter

SCALE: 16

SCALE: 8

Operation

1. Hold down [SHIFT] and press [8] (SCALE).

While continuing to hold down [SHIFT], turn the TEMPO/VALUE dial to change the scale setting.

For example, when set to “16,” the length of a step becomes a sixteenth note.

fig.01-26

Valid Settings: 32, 16 (triplets), 16, 8 (triplets), 8

* Changing the scale settings does not change the performance data.

Chapter 1 Before Composing Rhythm Patterns and Songs

Using [SHIFT]

With the DR-670, by holding down [SHIFT] while pressing another button or key pad, you can switch modes and use a variety of convenient functions for editing songs and rhythm patterns.

The text (or symbols) printed above the buttons and key pads on the DR-670’s panel indicate

fig.01-16

the functions selected when [SHIFT] is held down while they are pressed.

Chapter 2 Playing Patterns (Pattern Play Mode)

Patterns are played in Pattern Play mode. You can also tap the key pads to play drum

sounds and bass sounds.

◆

To switch to Pattern Play mode, hold down [SHIFT] while the performance is stopped and press Key Pad 5 (PATTERN PLAY).

fig.02-01

Holding down

fig.02-02

Playing Sounds with the Key Pads

You can tap the key pads to play the sounds of the instruments assigned to them.

The volume and tone of the sound will change depending on how hard you strike a key pad.

The sensitivity of the key pads is adjustable. Refer to “Adjusting the Key Pad Sensitivity” (p. 78).

■ Selecting a Drum Kit

1. Hold down [SHIFT] and press [DRUM A/

B] (DRUM KIT).

2. Hold down [SHIFT] and rotate the TEMPO/

VALUE dial to select a drum kit.

Preset: 1–64 User: 65–128

fig.02-03

■ Selecting the Drum Bank

You can switch between Drum Banks A and B.

1. Press [DRUM A/B].

This button is pressed to toggle between Banks A and B.

fig.02-04

Drum Bank A

Drum Bank B

* You cannot change instruments recorded to

patterns by pressing [DRUM A/B].

■ Playing the Bass Sounds

Follow the procedure below to play bass sounds.

1. Press [BASS].

fig.02-05

2. Press a key pad.

The bass sound plays at the predetermined pitches assigned to the key pads.

The bass sound stops when you release the key pad.

Pitches assigned to the key pads correspond to the fret arrangement of the bass guitar.

* You cannot have more than one bass sound play

at a time.

* You cannot play rolls and flams when playing

bass sounds with the key pads.

Chapter

3. Once the drum kit has been selected,

release your finger from [SHIFT].

You’re returned to the Pattern Play Mode screen.

“Preset Drum Kit List” (p. 102)

Chapter 2 Playing Patterns (Pattern Play Mode)

■ Changing the Bass Pitch

(Fret Shift)

You can shift the entire tuning of the bass sound.

1. Hold down [SHIFT] and press [BASS]

(FRET SHIFT).

2. Hold down [SHIFT] and rotate the TEMPO/

VALUE dial to select the number of frets you want to shift by.

fig.02-06

Setting a negative value (-) shifts the pitch down; setting a positive value (+) shifts the pitch up.

One fret is equivalent to a half-step change in pitch; any value from -5 to +16 can be set.

To play the pitches of the fifth string of a five-string bass (low B), set Fret Shift to -5. You can then use Key Pads E, 13– 16 to perform the fifth string’s low notes (from open string to the fourth fret).

fig.02-07

Playing with Special Performance Techniques

You can play rolls and flams when using the key pads to play drum sounds.

Roll:

This is a technique where the same sound is continuously repeated with the same timing or interval between the sounds.

Flam:

In this performance technique, a stick is held in each hand, and each stick strikes the snare (or other instrument) with a very slight difference in timing and force.

* You cannot use roll and flam performances with

bass sounds.

■ Playing Rolls

1. While holding down [ROLL], press a key

pad.

fig.02-08

3. Once Fret Shift has been set, release

[SHIFT].

You’re returned to the Pattern Play Mode screen.

* The Fret Shift function is not enabled during

pattern playback.

■ Playing Flams

1. While holding down [FLAM], press a key

pad.

fig.02-09

Chapter 2 Playing Patterns (Pattern Play Mode)

Playing Patterns

You can select from 200 Preset and 200 User patterns to play.

Patterns 001–200 are Preset patterns, and Patterns 201–400 are User patterns.

* When the unit left the factory, the User patterns

were empty of all data.

1. Select the pattern to be played.

Turn the TEMPO/VALUE dial to select the pattern number.

Use the following procedure when selecting the pattern number with the numeric keys.

Press the numeric keys to input the number.

fig.02-09a

Press [ ] to set the pattern number.

fig.02-09b

* If you make a mistake in pressing a numeric key,

press [ ] and then reinput with the correct numeric key.

2. Press [START] to start the performance.

The tempo indicator flashes on each beat.

◆ If a pattern number is entered while the

performance of a different pattern is in progress, the pattern with the newly-input number begins after the performance of the pattern currently being played is finished.

fig.02-10

■ Playing Patterns with the

DPP Function

With the DPP (Direct Pattern Play) function, you can play patterns assigned to the key pads (1–16).

1. Press [DPP]; “DPP” appears in the display.

fig.02-11

2. Press any of the key pads.

The pattern assigned to the key pad starts to play, with the tempo indicator flashing on each beat.

The pattern number for the pattern being played appears in the display.

fig.02-12

◆ If a key pad is pressed while the

performance of a different pattern is in progress, the pattern assigned to the pressed key pad will begin after the performance of the pattern currently being played has finished.

3. Pressing [STOP/CONT] stops the

performance.

When a key pad is pressed again, the performance starts from the beginning of the pattern.

When [START] is pressed, the most recently selected pattern starts playing from the beginning.

4. To switch the DPP function off, press

[DRUM A/B] or [BASS].

Chapter

Pattern being played

Next pattern to be performed

3. Pressing [STOP/CONT] stops the

performance.

When [START] is pressed again, the performance starts from the beginning of the pattern.

Chapter 2 Playing Patterns (Pattern Play Mode)

Adjusting the Tempo

1. Hold down [TAP/TEMPO] and rotate the

TEMPO/VALUE dial to adjust the tempo.

You can adjust the tempo within the range from 20 to 260.

fig.02-13

■

Adjusting the Tempo with the Tap Tempo Function

You can set the tempo to the interval at which [TAP TEMPO] is pressed.

1. Press [TAP TEMPO] at least three or four

times in a steady rhythm.

The tempo is set to the same timing you’ve just used when tapping [TAP TEMPO].

You can adjust the tempo this way within the range from 20 to 260.

fig.02-15

Inserting Fill-Ins

With the DR-670, you can add fill-in patterns at any point in a pattern while the performance is in progress.

Each pattern features a fill-in prepared for use with that pattern. These fill-in patterns are called “fill patterns,” whereas the original pattern on which these are based are called “basic patterns.”

You can also create one fill-in pattern for each of the User patterns.

For more details, refer to “Record the Fill Pattern” (p. 59).

fig.02-16

Patterns

Basic

Pattern

■ Adding Fill-Ins While the

Pattern is Playing

By pressing [FILL] while the basic pattern is in progress, you can go directly to the performance of the fill pattern and insert the fill-in.

fig.02-19

Fill

Pattern

Basic

Pattern

1. Press [START] to start the performance of

the pattern.

fig.02-20

Basic

Pattern

Fill

Pattern

Basic

Pattern

Basic

Pattern

Press [FILL] at the time you want to have the fill pattern inserted.

You are moved to the fill pattern the moment [FILL] is pressed.

fig.02-21

When the fill pattern plays to the end, you are returned to the basic pattern.

fig.02-22

Chapter 2 Playing Patterns (Pattern Play Mode)

■ Starting Performances

from the Fill Pattern

When you press [FILL] while performance of the pattern stopped, the fill pattern plays at the moment you press [START], and the performance then goes on to the basic pattern once the fill pattern is finished playing.

fig.02-24

Basic

Pattern

Basic

Pattern

Chapter

3. Press [STOP/CONT] to stop the

performance.

■ Playing a Fill Pattern at

the Beginning of the Following Pattern

By pressing [FILL] while the final beat of the basic pattern is playing, you can have the fill pattern play at the beginning of the next pattern.

fig.02-23

Basic

Pattern

Basic

Pattern

Basic

Pattern

Fill

Pattern

Basic

Pattern

Fill

Pattern

Using the Foot Switch for Performances

With a foot switch connected, you can then use the foot switch to carry out the [START], [STOP/CONT], and [FILL] operations.

This allows you to use pedal operations to start and stop performances and fill-ins.

◆ You can assign functions other than

starting and stopping performances and fill-ins.

Refer to “Assigning Functions to the Foot Switches” (p. 77).

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

This section describes the procedures used for

fig.03-01

recording (Realtime Recording and Step) and editing User patterns.

These operations are carried out in Pattern Edit mode.

◆ To switch to Pattern Edit mode, hold

fig.03-01a

down [SHIFT] while the performance is stopped and press Key Pad 6 (PATTERN EDIT).

Before You Start Recording

When creating a new pattern, proceed through the following steps for the recording.

fig.03-02a

<1> Select an Unrecorded Pattern

<2> Select the Beat <3> Select the Measures <4> Select the Drum Kit

<5> Set the Quantization

<6> Record the Basic Pattern

<7> Record the Fill Pattern

Pattern is Finished

Use the procedures below to record the basic pattern and fill pattern.

fig.03-02b

<6> Record the Basic Pattern

(6-1A) Do Realtime Recording

(6-1B) Do Step Recording

(6-2) Confirm the Recorded Sounds

Basic Pattern is Finished

fig.03-02c

fig.03-02d

Holding Down

<7> Record the Fill Pattern

(7-1) Copy the Basic Pattern

(7-2A) Do Realtime Recording

(7-2B) Do Step Recording

(7-3) Confirm the Fill-In

Fill Pattern is Finished

* The Beat, Measure, and Drum Kit settings are

common to both the basic pattern and the fill pattern.

* When you use Realtime Recording or Step

Recording to a pattern which has already been recorded, the sounds are layered without the previously recorded sounds being erased.

* With the drum part, you cannot record multiple

notes from the same pad number at the same step (timing).

* Bass parts are monophonic. Even if multiple

notes are layered in a recording, only one sound is played.

Time

Record

Play

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

<1>

Select an Unrecorded

Pattern

1. With the performance stopped, select a

User pattern (201–400).

Turn the TEMPO/VALUE dial to select the pattern number.

* You can also select the pattern by inputting the

pattern number with the numeric keys and pressing [ ].

The following appears in the display when an unrecorded pattern (a pattern which contains no data) is selected.

fig.03-03

You can also use patterns after erasing them.

Refer to “Erasing Patterns (Pattern Clear)” (p. 60).

* You cannot record or edit the Preset patterns (1–

200). “PRESET” appears in the display if you try to record or edit a Preset pattern. If you want to record or edit a Preset pattern, first copy the pattern to a User pattern, then proceed with recording or editing.

<2> Select the Beat

1. Hold down [SHIFT] and press [9] (BEAT).

* Continue to hold down [SHIFT].

fig.03-04

“●” is displayed when the length is one measure.

* “ ” is indicated to the right of the pattern

when the measure is too long to be displayed at once. To show the entire measure, change the scale setting. For more details, refer to “How to View the Scale/Pattern Display” (p. 44).

2. While still holding down [SHIFT], rotate

the TEMPO/VALUE dial to select the beat.

2/4, 3/4, .... 8/4,

4/8, 5/8, .... 16/8

3. Release [SHIFT].

Chapter

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

<3>

This setting determines whether a one-measure or two-measure pattern is recorded.

1. Hold down [SHIFT] and press [0]

fig.03-06

2. While still holding down [SHIFT], rotate

3. Release [SHIFT].

Select the Measures

(MEASURE).

* Continue to hold down [SHIFT].

the TEMPO/VALUE dial to select a onemeasure or two-measure pattern.

* When a two-measure pattern is selected, you

cannot set different beats for the first and second measures.

In some recorded data, reducing the number of beats or measures after recording instruments may end up changing the beat length.

Furthermore, once beats or measures have been reduced, you may not be able to restore the original data correctly, even by adding beats or measures again.

Always be sure to confirm settings after making changes.

<4> Select the Drum Kit

1. Hold down [SHIFT] and press [DRUM A/

B] (DRUM KIT).

* Continue to hold down [SHIFT].

fig.03-08

2. While still holding down [SHIFT], rotate

the TEMPO/VALUE dial to select a drum kit.

1–64: Preset Drum Kits 65–128: User Drum Kits

For more on the Preset drum kits, refer to “Preset Drum Kit List” (p. 102).

3. Release [SHIFT].

You can check the beat, measure, and drum kit settings in modes such as the Pattern Play mode and Song Play mode.

Hold down [SHIFT] and press [9] (BEAT), [0] (MEASURE), or [DRUM A/B] (DRUM KIT).

The values of settings are displayed while [SHIFT] is held down.

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

<5>

Using Quantize in Realtime Recording corrects any timing discrepancies made while tapping the key pads during recording. Normally, this is set to the smallest note unit to be recorded.

To record without the quantization, set this to “OFF.” When this is turned off, the key pads are recorded at the exact timing at which they are played.

When using Quantize in Step Recording, you can set how precisely the beat is to be divided.

1. Hold down [SHIFT] and press [8] (SCALE).

fig.03-09

2. While still holding down [SHIFT], rotate

fig.03-10

Set the Quantization

* When Quantize is set to “OFF” during Step

Recording, one step is set to a 32nd note.

* Continue to hold down [SHIFT].

the TEMPO/VALUE dial to set the quantization.

(no quantize) (32nd note) (16th note triplets) (16th note) (8th note triplets) (8th note)

<6> Record the Basic

Pattern

■ (6-1A)

Rehearsing

It can be helpful to rehearse your performance before carrying out Realtime Recording.

1. Press [START].

The metronome sound begins, and the tempo indicator flashes in time with the count.

2. Press [DRUM A/B] or [BASS] to select the

drum bank or bass part for the instrument to be recorded.

3. Rehearse the performance, tapping the key

pads in time with the metronome.

* Even though you are tapping the key pads, they

are not being recorded.

◆ If you want to speed up (or slow down) the

metronome tempo, adjust the tempo by holding down [TAP TEMPO] and rotating the TEMPO/VALUE dial.

* The tempo set here is temporary, and is not

recorded to the pattern.

4. When you have finished rehearsing, press

[STOP] to stop the metronome.

Do Realtime Recording

You can change the metronome volume and beat (count interval). Refer to “Changing the Metronome Settings” (p. 78).

Chapter

3. Release [SHIFT].

Recording Using a Foot Switch

With a foot switch connected, you can then use the foot switch to start and stop playback and to start recording.

For more information on setting the functions used with the foot switch, refer to “Assigning Functions to the Foot Switches” (p. 77).

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

Realtime Recording of the Drum Part

1. Hold down [REC] and press [START].

The REC indicator lights, and the metronome begins playing. The metronome sound begins, and the tempo indicator flashes in time with the count. The BEAT display follows the count.

fig.03-11

To Erase Previously Recorded Sounds As You Record

Hold down [SHIFT] and press [2] (DELETE), then while still holding down [SHIFT], press the key pad to which the instrument you want to erase is assigned.

The sounds are erased as long as you hold down [SHIFT] and the key pad.

2. Press [DRUM A/B] to select the drum bank

for the instrument to be recorded.

3. Tap the key pad for the instrument being

recorded in time with the metronome.

At this time, the force used to tap the key pads is recorded as velocity data.

The recorded performance is repeated.

◆ You can check a sound, playing but not

recording it, by holding down [VOICE] and pressing the corresponding key pad. The instrument indicated in the pattern display is specified simultaneously.

◆

You can record rolls and flams by holding down [ROLL] or [FLAM] while tapping the key pads.

* When playing rolls, even if the roll sound is

extremely rapid, it is recorded at the same note division as the Quantize setting for the recording. If you want to record rolls with the precision (Roll Type; p. 77) exactly as set, turn Quantize to “OFF.”

* Sounds may be delayed or omitted in the

recording when rapid rolls are played at fast tempos. If this occurs, record at a slower tempo.

* When playing flams, the flam settings (Flam

Interval/Ratio; p. 78) are not recorded. Changing these settings after recording also changes the way the flam sounds.

4. Repeat Steps 2 and 3 as needed.

5. Press [STOP] to stop recording.

The REC indicator goes out.

Realtime Recording of the Bass Part

1. Hold down [REC] and press [START].

The REC indicator lights, and the metronome begins playing. The metronome sound begins, and the tempo indicator flashes in time with the count.

2. Press [BASS] to select the bass part.

3. Tap the key pad with the name of the

instrument to be recorded in time with the metronome.

At this time, the force used to tap the key pads is recorded as velocity, and the length of time starting when you press the key pad until you release it (when the sound stops) is recorded as the note length.

The recorded sounds are repeated.

◆ You can check a sound, playing but not

recording it, by holding down [VOICE] and pressing the corresponding key pad.

* You cannot play rolls and flams in bass parts. * Bass parts are monophonic. Even if multiple

notes are layered in a recording, only one sound is played (most recently specified one given priority).

4. Repeat Steps 2 and 3 as needed.

5. Press [STOP] to stop recording.

The REC indicator goes out.

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

To Erase Previously Recorded Sounds As You Record

Hold down [SHIFT] and press [2] (DELETE), then while still holding down [SHIFT], press one key pad.

All of the sounds, regardless of the pitch, are erased as long as you hold down [SHIFT] and the key pad.

* When erasing long note sounds, press the

key pad at the point the sound begins to play. Regardless of the length of the note, the entire sound recorded at that time is erased.

■ (6-1B) Do Step Recording

Step Recording of the Drum Part

1. Press [REC].

The REC indicator flashes, and the dot “●” in the Pattern display flashes as well. The flashing dot is for the step being recorded.

Either “A” or “B” flashes according to whether the step being recorded is in the first or second measure.

fig.03-13

2. Press [DRUM A/B] to select the drum bank

for the instrument to be recorded.

3. Press [ ] [ ] to specify the

step to be recorded.

Holding down [SHIFT] and pressing [ ] lets you jump to the first step.

Jump to the final step by holding down [SHIFT] and pressing [ ].

4. Tap the key pad for the instrument to be

recorded.

At this time, the force used to tap the key pads is recorded as velocity.

The recording automatically advances by one step.

◆ You can check a sound, playing but not

recording it, by holding down [VOICE] and pressing the corresponding key pad. The

instrument indicated in the pattern display is specified simultaneously.

◆ You can record rolls and flams by holding

down [ROLL] or [FLAM] while tapping the key pads.

* When recording rolls in Step Recording, the roll

settings (Roll Type; p. 77) are disabled, and the steps in the interval from the time you press a key pad to the moment you release it are recorded one sound at a time.

* When playing flams, the flam settings (Flam

Interval/Ratio; p. 78) are not recorded. Changing these settings after recording also changes the way the flam sounds.

* You cannot record multiple notes to the same pad

number at the same step.

5. Repeat Steps 2 through 4 as needed.

* If necessary, change the Quantize settings for

recording (p. 55).

6. Press [STOP] to stop recording.

The REC indicator goes out.

* Note that pressing [START] during Step

Recording (while the REC indicator is lit) switches the DR-670 to Realtime Recording.

To Erase Previously Recorded Sounds As You Record

a. Press [ ] [ ] to move to

the step to be deleted.

b. Hold down [SHIFT] and press [2]

(DELETE), then while still holding down [SHIFT], press the key pad to which the instrument you want to erase is assigned.

Step Recording of the Bass Part

1. Press [REC].

The REC indicator flashes, and the dot “●” in the Pattern display flashes as well. The flashing dot is for the step being recorded.

Either “A” or “B” flashes according to whether the step being recorded is in the first or second measure.

2. Press [BASS] to select the bass part.

Chapter

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

3. Press [ ] [ ] to specify the

step to be recorded.

Holding down [SHIFT] and pressing [ ] lets you jump to the first step.

4. Tap the key pad with the note to be

recorded.

At this time, the velocity (the force used to tap the key pad) is also recorded.

The recording automatically advances by one step.

“To Record Long Notes in the Bass Part” (p. 58)

◆ You can record over a wide range of pitches

by using the Fret Shift function (p. 48).

◆ You can check a sound, playing but not

recording it, by holding down [VOICE] and pressing the corresponding key pad.

* You cannot play rolls and flams in bass parts. * You cannot record multiple notes to the same pad

number at the same step.

* Bass parts are monophonic. Even if multiple

notes are layered in a recording, only one sound is played (with the last selected note played).

5. Repeat Steps 3 and 4 as needed.

* If necessary, change the Quantize settings for

recording (p. 55).

6. Press [STOP] to stop Step Recording.

The REC indicator goes out.

To Record Long Notes in the Bass Part

a. Press [ ] [ ] to specify the

steps to be recorded.

fig.03-14

Step at which recording begins

b. Hold down the key pad with the note to be

recorded.

c. Press [ ], and continue pressing

until the step where you want the sound to stop playing.

fig.03-15

Note length

Step at which recording ends

d. Release the key pad.

This sets the length of the note.

fig.03-16

Next step to be recorded

To Erase Previously Recorded Sounds As You Record

a. Press [ ] [ ] to move to

the step to be deleted.

b. Hold down [SHIFT] and press [2]

(DELETE), then while still holding down [SHIFT], press one key pad.

* When erasing a long bass sound, erase the

sound in the step that contains the sound (the step in which the sound begins to play). Regardless of the length of the note, the entire sound is erased.

(Example) When using Step Recording to record a quarter note starting at the second beat in the pattern, with Quantize set to sixteenth notes

fig.03-17

Press [ ] [ ] to specify Step 2-1.

fig.03-18

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

b. Tap a key pad, and continue holding it

down instead of releasing it.

c. While continuing to hold down the key pad,

press [ ] to specify Step 2-4.

fig.03-19

d. Release the key pad.

fig.03-20

■ (6-2)

Confirm the Recorded

Sounds

1. If recording is in progress, press [STOP] to

stop the recording.

The REC indicator goes out.

2. When you press [START], the recorded

pattern is played.

3. Press [STOP] to stop the performance.

<7>

■ (7-1)

1. With the performance stopped, press

fig.03-21

2. When copying, press [ ].

■ (7-2A)

Record the Fill Pattern

* The Beat, Measure, and Drum Kit settings are

common to both the basic pattern and the fill pattern.

Select the Fill Pattern

[FILL].

If there is no data recorded to that fill pattern, check whether or not the basic pattern has been copied.

When recording a new pattern instead of copying, press [ ].

Do Realtime Recording

■ (7-2B) Do Step Recording

These operations are identical to the recording operations for the basic pattern.

Refer to p. 55–59.

Chapter

■ (7-3) Confirm the Fill-In

When you have finished recording the fill pattern, try using the Fill-In function (p. 50) to check that the performances of the basic pattern and the fill pattern join together smoothly.

* To return to recording of basic patterns, either

press [FILL] once more, or directly select the pattern by entering the pattern number.

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

Erasing Patterns (Pattern Clear)

You can clear unneeded User patterns.

* The Preset patterns (1–200) cannot be cleared.

1. With the performance stopped, select the

User pattern to be cleared.

Turn the TEMPO/VALUE dial to select the pattern number.

* You can also select the pattern by inputting the

pattern number with the numeric keys and pressing [ ].

* When selecting a fill pattern, press [FILL].

2. Hold down [SHIFT] and press [3] (CLEAR).

* Continue to hold down [SHIFT].

fig.03-22

Data to be cleared

4. If you are sure you want to clear the data,

while still holding down [SHIFT], press [].

Deletion of the User pattern is executed, and when it is finished the display will indicate “DONE.”

5. When the data is all cleared, release

[SHIFT].

* To cancel the operation, release [SHIFT]. * If the selected pattern has not been recorded yet

(has no data recorded to it), “DATA EMPT” is displayed without the deletion being executed.

3. While continuing to hold down [SHIFT],

rotate the TEMPO/VALUE dial to select the data to be cleared.

When Selecting Basic Patterns ([FILL] Not Pressed)

ALL: All pattern data (the beat,

measures, drum kit, recorded basic pattern data, recorded fill pattern data)

BSC: Basic pattern

BSC DRUM: BSC BASS:

When Selecting Fill Patterns ([FILL] Is Pressed)

FIL: Fill pattern FIL DRUM: FIL BASS:

Basic pattern drum part only

Basic pattern bass part only

Fill pattern drum part only

Fill pattern bass part only

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

Copying Patterns

This copies User and Preset patterns to other User patterns.

* Note that when a pattern is recorded to a copy

destination, the data previously occupying the copy destination is discarded.

1. With the performance stopped, select the

User pattern you want to copy.

Turn the TEMPO/VALUE dial to select the pattern number.

* You can also select the pattern by inputting the

pattern number with the numeric keys and pressing [ ].

* When selecting a fill pattern, press [FILL].

2. With the performance still stopped, hold

down [SHIFT] and press [4] (COPY).

* Continue to hold down [SHIFT].

fig.03-24

4. When you have finished determining

which data is to be copied, then while still holding down [SHIFT], press [ ].

The display switches to the copy-destination User pattern selection screen.

fig.03-25

Copy destination

5. Hold down [SHIFT] and rotate the TEMPO/

VALUE dial to select the copy-destination User pattern.

You can also enter the pattern number with the numeric keys. When the number is

entered, press [ ] to set it.

◆ When selecting anything other than “ALL”

as the data to be copied, you then need to select whether to have the data copied to the basic pattern or the fill pattern.

You can switch between basic and fill patterns by pressing [FILL].

fig.03-25a

Basic Pattern Fill Pattern

Chapter

Data to be copied

3. While continuing to hold down [SHIFT],

rotate the TEMPO/VALUE dial to select the data to be copied.

When Selecting Basic Patterns ([FILL] Not Pressed)

ALL: All pattern data (the beat,

measures, drum kit, recorded basic pattern data, recorded fill pattern data)

BSC: Basic pattern

BSC DRUM: BSC BASS:

Basic pattern drum part only

Basic pattern bass part only

When Selecting Fill Patterns ([FILL] Is Pressed)

FIL: Fill pattern FIL DRUM: FIL BASS:

Fill pattern drum part only

Fill pattern bass part only

6. If you are sure you want to copy the data,

hold down [SHIFT] and press [].

The copy of the User pattern is executed, and when it is finished the display will indicate “DONE.”

* To cancel the operation, release [SHIFT].

7. When the copy is completed, release

[SHIFT].

* When anything other than ALL is selected for

copying, the performance data may not play back correctly if the number of beats and measures in the copy source and copy destination differ. Be sure to check it after copying the data.

* If the selected pattern has not been recorded yet

(has no data recorded to it), “DATA EMPT” is displayed without the copying being executed.

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

Replacing Drum Kits

You can substitute a drum kit selected in recording with a different drum kit.

* You cannot select different drum kits for the

basic pattern and the fill pattern.

Select the User pattern with the replacement drum kit.

Turn the TEMPO/VALUE dial to select the pattern number.

* You can also select the pattern by inputting the

pattern number with the numeric keys and pressing [ ].

2. Hold down [SHIFT] and press [DRUM A/

B] (DRUM KIT).

* Continue to hold down [SHIFT].

fig.03-26

3. Still holding down [SHIFT], rotate the

TEMPO/VALUE dial to select the drum kit.

You can select from the Preset drum kits (1–

64) and the User drum kits (65–128). “Preset Drum Kit List” (p. 102)

Changing the Key of the Bass Part (Key Transpose)

With the “Key Transpose” function, you can change (transpose) the key of the bass part during playback.

* Key Transpose settings are disregarded when

recording and playing back patterns in Pattern Edit mode. Confirm that Key Transpose is enabled in Pattern Play mode.

* You cannot select different Key Transpose

settings for the basic pattern and the fill pattern.

1. With the performance stopped, select the

User pattern with the bass part whose key you want to change.

Turn the TEMPO/VALUE dial to select the pattern number.

* You can also select the pattern by inputting the

pattern number with the numeric keys and pressing [ ].

2. Hold down [SHIFT] and press [5] (KEY

TRANS).

* Continue to hold down [SHIFT].

fig.03-27

4. Release [SHIFT].

3. Still holding down [SHIFT], rotate the

TEMPO/VALUE dial to select the new key.

Settings range: -12– +12 You can set the transposition in semitone

steps up to a ±1 octaves up or down.

4. Release [SHIFT].

Chapter 4 Recording and Editing Songs (Song Edit Mode)

This section describes the procedures used for recording (Realtime/Step) and editing User patterns.

These operations are carried out in Song Edit mode.

● You can record up to a maximum of 100

songs.

● You can record up to a maximum of 250

patterns in one song, with a maximum total number of 3,000 patterns for all the songs together.

◆ To switch to Song Edit mode, hold down

[SHIFT] while the performance is stopped and press Key Pad 2 (SONG EDIT).

fig.04-00

Holding down

fig.04-01

◆ Select a song to create or edit when in

Song Edit mode.

1. With the performance stopped, hold down

[SHIFT] and then press Key Pad 2 (SONG EDIT) to switch to Song Edit mode.

* Continue to hold down [SHIFT].

2. Hold down [SHIFT] and rotate the TEMPO/

VALUE dial to select the song.

* You can also select the song by inputting the

number with the numerical keys and pressing [].

fig.04-01A

Before You Start Recording

When creating a new song, proceed through the following steps for the recording.

fig.04-02

<1> Select an Unrecorded Song

<2> Select the Tempo (Initial Tempo)

<3A> Do Realtime Recording <3B> Do Step Recording

<4>

<5> Confirm the Recorded Song

Edit the Song (Insert/Delete/Copy)

Song is Finished

Chapter

3. Release [SHIFT].

fig.04-01b

Chapter 4 Recording and Editing Songs (Song Edit Mode)

<1>

Select an Unrecorded

Song

1. Switch to Song Edit mode.

With the performance stopped, press Key Pad 2 (SONG EDIT).

* Continue to hold down [SHIFT].

fig.04-02a

Holding down

2. Select the song.

Hold down [SHIFT] and rotate the TEMPO/ VALUE dial to select the song.

* You can also select the song by inputting the

number with the numerical keys and pressing [].

The following appears in the display when an unrecorded song (a song which contains no data) is selected.

fig.04-03

<2> Select the Tempo

(Initial Tempo)

This sets the initial tempo, the basic tempo used to play the song.

1. Hold down [SHIFT] and press [VOICE]

(INIT TEMPO).

* Continue to hold down [SHIFT].

fig.04-04

2. While still holding down [SHIFT], rotate

the TEMPO/VALUE dial to select the initial tempo.

When set to “OFF,” the song is played at the tempo selected at the time.

3. Release [SHIFT].

* You can check the initial tempo settings in Song

Play mode. Hold down [SHIFT] and press [VOICE] (INIT TEMPO). The initial tempo settings are displayed while [SHIFT] is held down.

3. Release [SHIFT].

You can also remove previously recorded songs and use them for recording new songs.

Refer to “Removing Unneeded Songs (Song Clear)” (p. 70).

Chapter 4 Recording and Editing Songs (Song Edit Mode)

<3A> Do Realtime

Recording

Here, select the pattern and then record it as it is being performed.

* When recording over a song that has already

been recorded, the newly recorded data overwrites the previously recorded data, which is discarded.

1. With the performance stopped, select the

first pattern to be recorded.

Turn the TEMPO/VALUE dial to select the pattern number.

* You can also select the pattern by inputting the

pattern number with the numeric keys and pressing [ ].

fig.04-05

◆ When you want to begin the recording

with the performance of a fill pattern,

press [FILL] after selecting the pattern.

fig.04-06

3. Select the next pattern to be recorded.

Turn the TEMPO/VALUE dial to select the pattern number.

* You can also select the pattern by inputting the

pattern number with the numeric keys and pressing [ ].

◆ You can record fill patterns by pressing

[FILL] during recording. The fill pattern is played until the end, and

then the performance returns to the basic pattern.

In addition, by pressing [FILL] while the final beat of a pattern is being played, you can have the fill pattern recorded from the beginning of the next pattern.

* Although the fill pattern is played when [FILL] is

pressed at the time of recording, the fill pattern is played at the beginning of the pattern during playback.

4. Repeat Step 3 as needed to record one

song’s worth of patterns.

* When Pattern 250 is reached, the message “PTN

FULL” appears, and recording is ended automatically.

5. Press [STOP/CONT] to stop the recording.

* If recording is stopped in a pattern's second

measure, the measure number is reduced by one after such stoppage, and that number then becomes the number of the starting measure for the pattern.

Chapter

2. Hold down [REC] and press [START] to

start recording.

The first selected pattern simultaneously starts to play.

The tempo indicator flashes on each beat.

* When a fill pattern is selected, the fill pattern is

played until the end, and then the performance returns to the basic pattern.

* The same pattern continues to be recorded until

the next pattern is selected.

Recording Using a Foot Switch

With a foot switch connected, you can then use the foot switch to carry out the [START], [STOP/CONT], and [FILL] operations.

For more information on setting the functions used with the foot switch, refer to “Assigning Functions to the Foot Switches” (p. 77).

Chapter 4 Recording and Editing Songs (Song Edit Mode)

■ Using the DPP Function in

Realtime Recording

1. Press [DPP]; “DPP” appears in the display.

fig.04-08a

2. With the song stopped, press the key pad to

which the first pattern to be recorded is assigned.

3. Hold down [REC] and press [START] to

start recording.

The first selected pattern simultaneously starts to play.

The tempo indicator flashes on each beat.

4. Press a key pad to select the next pattern to

be recorded.

* You can also select patterns by rotating the

TEMPO/VALUE dial or pressing the numeric keys and [ ].

5. Repeat Step 4 as needed.

6. Press [STOP/CONT] to stop the recording.

■

Switching Recorded Patterns

* To switch the pattern in the first measure, select

the substitute pattern before carrying out Step 1.

1. Hold down [REC] and press [START] to

start Realtime Recording.

The prerecorded pattern starts to play. The tempo indicator flashes on each beat.

2. When you reach the measure before the one

you want to substitute, select the next pattern to be recorded.

Turn the TEMPO/VALUE dial to select the pattern number.

* You can also select the pattern by inputting the

pattern number with the numeric keys and pressing [ ].

◆ You cannot select with the key pads when

[DPP] is pressed and the DPP function is turned on.

3. When you have finished recording the

replacement pattern, press [STOP/CONT] to finish the recording.

* If no pattern number is entered as the replacement

pattern, then the pattern already recorded is played.

fig.04-08c

Input the Pattern Number

Pattern

Pattern 5

Pattern 4

measure

Pattern 1

Pattern 2

BABAAB

1234567

Pattern 1

Pattern 2 Pattern 5 Pattern 4

ABABABAB 12345678

◆ You can replace the pattern being recorded

by pressing [FILL] during recording. After the fill pattern is played to the end, the

recording returns to the basic pattern.

* Although the fill pattern is played when [FILL] is

pressed at the time of recording, the fill pattern is played at the beginning of the pattern during playback.

Chapter 4 Recording and Editing Songs (Song Edit Mode)

■ Starting Realtime

Recording Within a Song

You can start Realtime Recording from a point other than the beginning of the song.

This is convenient when you want to insert patterns in lengthy songs.

1. With the performance stopped, press [ ]

[ ] to specify the measure where recording is to begin.

* When recording two-measure patterns, you

cannot specify the second measure of each pattern.

fig.04-08b

Pattern

Pattern 1 Pattern 2

BABAAB

measure

2. Hold down [REC] and press [START].

Recording begins from the currently selected measure.

The tempo indicator flashes on each beat.

3. When you reach the measure before the one

you want to substitute, select the next pattern to be recorded.

Turn the TEMPO/VALUE dial to select the pattern number.

* You can also select the pattern by inputting the

pattern number with the numeric keys and pressing [ ].

4. When the replacement pattern is recorded,

press [STOP/CONT] to end recording.

* If no pattern number is entered as the

replacement pattern, then the pattern already recorded is played.

234567

Measures You Can Specify

Pattern 4

■ Adding Patterns at the

End of a Song

You can start Realtime Recording at the end of a recorded song to add more patterns to the song.

1. With the performance stopped, hold down

[SHIFT] and press [ ].

This lets you jump to the measure following the last measure of the song.

2. Select a pattern to add.

Turn the TEMPO/VALUE dial to select the pattern number.

* You can also select the pattern by inputting the

pattern number with the numeric keys and pressing [ ].

3. Hold down [REC] and press [START].

Recording begins from the measure number following the last measure of the song, while the additional pattern you selected starts to play.

The tempo indicator flashes on each beat.

* The same pattern continues to be recorded until

the next pattern is selected.

4. Select the next pattern to be recorded.

5. Repeat Step 4 as needed to record

additional patterns.

* When Pattern 250 is reached, the message “PTN

FULL” appears, and recording is ended automatically.

6. Press [STOP/CONT] to stop the recording.

Chapter

Chapter 4 Recording and Editing Songs (Song Edit Mode)

<3B>

This lets you record the song by specifying patterns one at a time in the order they are to be played.

2. Select a pattern to record.

* When using the numeric keys for input, the

◆ You cannot select with the key pads when

◆ After selecting the pattern, you can then

* During Step Recording, you cannot switch to a

3. Repeat Step 2 as needed to record one

4. Press [STOP/CONT] to stop the recording.

When you hold down [SHIFT] and press [START] during Step Recording, the selected pattern is played. This allows you to check the content of patterns to be recorded.

The pattern stops playing when you release [SHIFT].

Do Step Recording

With the performance stopped, press [REC].

The DR-670 is put in Step Recording mode, and the REC indicator flashes.

Rotate the TEMPO/VALUE dial to select the pattern.

When you press [ ], the pattern is recorded, and the measure number advances automatically.

pattern is recorded and the measure number advances automatically when you press

[ ] after inputting the number.

[DPP] is pressed and the DPP function is turned on.

After pressing a key pad to select a pattern, press [ ] to set the pattern.

select the fill pattern by pressing [FILL] and then [ ].

fill pattern while a recording of another pattern is in progress.

song’s worth of patterns.

* Pressing [START] without holding down

[SHIFT] starts Realtime Recording.

■

1. With the performance stopped, press [REC]

2. Press [ ] [ ] to select the

3. Select the pattern to be switched.

* When using the numeric keys for input, the

4. Repeat Step 3 as needed.

5. When you have finished recording the

■ Adding Patterns at the

1. With the performance stopped, hold down

2. Press [REC] to start Step Recording.

3. Select a pattern to add.

* When using the numeric keys for input, the

4. Repeat Step 3 as needed.

5. When you have finished recording

Switching Recorded Patterns

to start Step Recording.

The REC indicator flashes.

measure with the pattern to be switched.

Rotate the TEMPO/VALUE dial to select the pattern.

When you press [ ], the pattern is recorded, and the measure number advances automatically.

pattern is recorded and the measure number advances automatically when you press

[ ] after inputting the number.

substitute pattern, press [STOP/CONT] to stop the recording.

End of a Song

[SHIFT] and press [ ].

This lets you jump to the measure following the last measure of the song.

The REC indicator flashes.

Rotate the TEMPO/VALUE dial to select the pattern.

When you press [ ], the pattern is recorded, and the measure number advances automatically.

pattern is recorded and the measure number advances automatically when you press

[ ] after inputting the number.

additional patterns, press [STOP/CONT] to end the recording.

Chapter 4 Recording and Editing Songs (Song Edit Mode)

Adding Patterns In the Song (Insert)

This operation inserts a pattern at a point within the song.

fig.04-08

Pattern 5

AB Insert

Pattern 1

Pattern 2 Pattern 3 Pattern 4

BABABAB

2345678

measure

Pattern 1

Pattern 2 Pattern 5 Pattern 3

ABABABAB 12345678910

measure

Pattern 4

Deleting Patterns (Delete)

This deletes unneeded patterns from songs.

fig.04-09

1. With the performance stopped, press [ ]

2. Hold down [SHIFT] and press [2]

* When the pattern to be inserted is two measures,

you cannot insert only one measure. Furthermore, you cannot insert material between the measures of a two-measure pattern being

* Continue to hold down [SHIFT].

3. While continuing to hold down [SHIFT],

recorded.

1. With the performance stopped, press [ ]

[ ] to specify the measure where the pattern is to be inserted.

Hold down [SHIFT] and press [1] (INSERT).

4. When the deletion is finished, release

* To cancel the deletion, release [SHIFT].

* Continue to hold down [SHIFT].

3. Select the pattern to insert.

Continue holding down [SHIFT] and rotate the TEMPO/VALUE dial to select the

pattern number. Press [ ] to set the number.

* You can also input the pattern number by

holding down [SHIFT] and pressing the numeric keys. When you have decided on the pattern,

press [ ] to set the pattern.

The pattern is inserted, and when it is finished the display will indicate “DONE.”

4. When the insertion is finished, release

[SHIFT].

* To cancel the operation, release [SHIFT].

Delete

Pattern 1

Pattern 2 Pattern 3 Pattern 4 ABABABAB 12345678910

measure

Pattern 1

Pattern 2 Pattern 4 Pattern 5 ABABABAB 12345678

measure

Measure to be specified

Pattern 5

[ ] to specify the measure to be deleted.

(DELETE).

press [ ].

The pattern is deleted, and when it is finished the display will indicate “DONE.”

[SHIFT].

Chapter

Chapter 4 Recording and Editing Songs (Song Edit Mode)

Removing Unneeded Song (Song Clear)

This erases content of the cullently selected Song.

1. Hold down [SHIFT] and press [3] (CLEAR).

* Continue to hold down [SHIFT].

fig.04-12

2. If you are sure you want to clear the song,

while still holding down [SHIFT], press [].

The song is erased, and when it is finished the display will indicate “DONE.”

3. When the song is cleared, release [SHIFT].

* If the selected pattern has not been recorded yet

(has no data recorded to it), “DATA EMPT” is displayed without the clear being executed. If this occurs, first release [SHIFT] and carry out the procedure again from the beginning.

* To cancel the operation, release [SHIFT].

Copying Song

This copies content of the cullently selected Song to other Song.

* Note that when a song is recorded to a copy

destination, the data that was in the copy destination is discarded.

1. Hold down [SHIFT] and press [4] (COPY).

* Continue to hold down [SHIFT].

fig.04-13

2. Select the copy-destination song number.

Hold down [SHIFT] and rotate the TEMPO/ VALUE dial to select the song, then press

[ ] to confirm the selection

* You can also input the song number by pressing

the numeric keys, and select the song by pressing [].

fig.04-14

Copy source Copy destination

3. If you are sure you want to copy the song,

hold down [SHIFT] and press [].

The song is copied, and when it is finished the display will indicate “DONE.”

4. When the copy is completed, release

[SHIFT].

* If the copied song has not been recorded yet (has

no data recorded to it), “DATA EMPT” is displayed without the copy being executed. If this occurs, first release [SHIFT] and carry out the procedure again from the beginning.

* To cancel the operation, release [SHIFT].

Chapter 4 Recording and Editing Songs (Song Edit Mode)

Connecting Multiple Songs Into One Song (Song Chain)

You can have a number of songs performed in one connected sequence. This function is called “Song Chain.”

Each song is assigned the song number of the song that is to follow it—you can chain up to 100 songs this way.

fig.04-15

Song 1

Song Chain: 2

The procedure for making the Song Chain setting for the currently selected song is as follows.

1. Hold down [SHIFT], and press [6]

(CHAIN).

* Continue to hold down [SHIFT].

fig.04-16

2. Select the next song to be played.

Hold down [SHIFT] and rotate the TEMPO/ VALUE dial to select the song number.

* You can also input the song number by holding

down [SHIFT] and pressing the numeric keys, and select the song by pressing [ ].

Set to “OFF” at the last song to be played in the sequence.

3. When you have finished making the

settings, release [SHIFT].

4. Switch the currently selected song to

continue adding to the song chain as needed.

Set the final song to be played in the chain to “OFF.”

Song 2

Song Chain: 3

Song 3

Song Chain: OFF

Creating Songs Featuring Tempo Changes

You can use the Song Chain function to create songs that have changes in tempo.

Create songs to be positioned both before and after the tempo change, making the necessary initial tempo settings for each song.

When you use the Song Chain function to connect the performances of the two songs, it allows you to create a performance in which the tempo changes in the middle of the song.

fig.04-17

Song 1

Initial T empo: 120 Song Chain: 2

Song 2

Initial T empo: 90 Song Chain: 3

Song 3

Initial T empo: 120 Song Chain: OFF

Chapter

Chapter 5 Performing Songs (Song Play Mode)

In Song Play mode, you can play the songs that have been created.

◆ To switch to Song Play mode, hold down

[SHIFT] while the performance is stopped and press Key Pad 1 (SONG PLAY).

fig.05-01

Holding down

Performing Songs

1. Select a song to play.

Turn the TEMPO/VALUE dial to select the song.

* You can also input the number by pressing the

numeric keys, and select the song by pressing [].

fig.05-02

* The following appears in the display if the

selected song contains no data.

fig.05-03

2. Press [START].

The song is played from the beginning. The tempo indicator flashes with each beat,

and the measure currently being played is displayed.

fig.05-04

Pattern Measure

3. Press [STOP/CONT] to stop the song.

When you press [STOP/CONT] once again, the song starts playing again from the point where it was stopped.

* You can change the tempo settings, even while a

song is being played, by holding down [TAP TEMPO] and rotating the TEMPO/VALUE dial or by tapping [TAP TEMPO] in rhythm.

Chapter 5 Performing Songs (Song Play Mode)

Starting a Song From a Point Other Than the Beginning

You can start playing a song from a specified measure. This is convenient when you want to start playing a song containing many measures from some point within the song.

1. With the performance stopped, press [ ]

[ ] to specify the starting measure.

fig.05-05

◆ Hold down [SHIFT] and press [ ] to

jump to the first measure of the song. When a song is set as part of a chain, you can hold down [SHIFT] and press [ ]

to jump to the next song.

2. Press [STOP/CONT].

The song is played from the specified measure.

Repeating Performances of Songs (Song Repeat)

You can have songs be played repeatedly. This function is called “Song Repeat.”

fig.05-06

1. With the performance stopped, hold down

* Continue to hold down [SHIFT].

fig.05-07

2. Hold down [SHIFT] and rotate the TEMPO/

fig.05-08

3. Release [SHIFT].

* Song Repeat settings are not saved when the

Pattern1Pattern2Pattern

[SHIFT] and press [7] (REPEAT).

VALUE dial to set the Song Repeat function to on or off.

“SONG REPEAT” appears in the display when the Song Repeat function is on.

power is turned off. The function is always turned off when the DR-670’s power is turned off.

Pattern15Pattern

Chapter

Chapter 5 Performing Songs (Song Play Mode)

Performing Multiple Songs In One Sequence (Song Chain)

“SONG CHAIN” appears in the display when the currently selected song is specified in “Song Chain” (p. 71).

fig.05-09

■ Checking the Song Chain

Checking a Song’s Initial Tempo

You can check the Initial Tempo (p. 64) setting for a song in Song Play mode.

1. Hold down [SHIFT] and press [VOICE]

(INIT TEMPO).

As you continue to hold down [SHIFT], the following appears in the display.

fig.05-12

Settings

You can confirm the Song Chain settings in Song Play mode.

1. Hold down [SHIFT] and press [6] (CHAIN).

As you continue to hold down [SHIFT], the following appears in the display.

fig.05-10

For instructions on making settings for the Song Chain function, refer to “Connecting Multiple Songs Into One Song (Song Chain)” (p. 71).

Creating Performances Combining the Repeat and Chain Functions

* If you change the tempo settings after selecting a

song, the performance is played at the changed tempo when the song is started. If you want to restore the initial tempo, reselect the song.

Using a Foot Switch to Play Songs

With a foot switch connected, you can then use the foot switch to carry out the [START] and [STOP/CONT] operations.

For more information on setting the functions used with the foot switch, refer to “Assigning Functions to the Foot Switches” (p. 77).

For instructions on making the Initial Tempo settings, refer to “Select the Tempo (Initial Tempo)” (p. 64).

You can repeatedly play performances of multiple songs by setting Song Repeat to “ON” for songs set using the Song Chain function.

fig.05-11

Song Repeat: ON

Song 1

Song Chain: 2

Song 3

Song Chain: OFF

Song 2

Song Chain: 3

Chapter 6 Assigning Patterns to the Key Pads (DPP Assign Mode)

Here, patterns are assigned to the key pads (1–

16) for DPP (Direct Pattern Play).

1. With the performance stopped, hold down

[SHIFT] and press Key Pad 10 (DPP ASSIGN).

The DR-670 switches to DPP Assign mode.

fig.06-01

Holding down

fig.06-02

Pattern Number

Key Pad assigned to pattern

2. Press a key pad to which you wish to assign

a pattern.

3. Rotate the TEMPO/VALUE dial to select

the pattern.

* You can also enter the pattern number with the

numeric keys. When the number is entered, press [ ] to set the number.

* You cannot assign the fill pattern.

4. Repeat Steps 2 and 3 as needed.

5. Hold down [SHIFT] and press Key Pad 5

(PATTERN PLAY).

The DR-670 switches to Pattern Play mode. The DPP function turns on automatically,

allowing you to use Direct Pattern Play.

You can also check the DPP Assign settings in Pattern Play mode.

1. While in Pattern Play mode, press [DPP] to

turn on the DPP function.

2. Press [VOICE]; the DPP assignment is

displayed while [VOICE] is held down.

fig.06-05

Pad Number

Pattern Number

3. To check another pad, continue to hold

down [VOICE] and press the pad you want to check.

Chapter

Chapter 7 Customizing Your Setup (Utility Mode)

You can make the following settings in Utility mode.

● Switch the sounding/muting of drum parts

and bass parts (Output Part)

● Assign functions to the foot switches

● Change the roll interval (Roll Type)

● Change the flam settings

(Flam Interval, Flam Ratio)

● Adjust the key pad sensitivity (Pad Sens)

● Change the metronome settings

(Click Level, Click Beat)

● Tune the bass part (Master Tune)

Procedure

1. With the performance stopped, hold down

[SHIFT] and press Key Pad 13 (UTILITY).

The DR-670 switches to Utility mode.

fig.07-02

2. Press [ ] [ ] to select the

parameter with the settings you want to change.

fig.07-03

(Output Part) (Foot Switch 1) (Foot Switch 2) (Roll T ype) (Flam Interval) (Flam Ratio) (Pad Sensitivity) (Click Level) (Click Beat)

Switching the Sounding/ Muting of Drum Parts and Bass Parts (Output Part)

fig.07-04

ALL: Both the drum part and the bass part

are played

DRUM: The drum part is played, and the bass

part is muted

BASS: The bass part is played, and the drum

part is muted

* Output Part settings are not saved. The function

always reverts to “ALL” when the DR-670’s power is turned off.

* The Output Part settings are effective only with

respect to the playback of patterns. The Output Part settings have no effect on the output when you perform by playing the pads.

(Master T une)

3. Rotate the TEMPO/VALUE dial to change

the value of the setting.

4. Repeat Steps 2 and 3 as needed.

Chapter 7 Customizing Your Setup (Utility Mode)

Assigning Functions to the Foot Switches

Settings for the functions controlled with the foot switches 1 and 2.

fig.07-05

Foot Switch 1

Foot Switch 2

STRT:

Used for starting the pattern or song from the beginning and stopping the pattern or song.

Same operations achieved by pressing [START] and [STOP/CONT].

FILL:

Switches to the fill pattern. Same operation achieved by pressing [FILL].

CONT:

Controls Continue Start/Stop. Same operation achieved by pressing

[STOP/CONT].

RSET:

Resets the song or pattern (jumps to the beginning).

Same operation achieved by holding down [SHIFT] and pressing [ ].

REC:

Starts Realtime Recording. Same operation achieved by holding down

[REC] and pressing [START].

* This is enabled in Pattern Edit mode and Song

Edit mode.

CHAS:

When the DPP function is off, this function selects the pattern with the number one greater than the currently selected pattern number. If Pattern Number 400 is currently selected, then Pattern Number 1 is the next pattern selected.

When the DPP function is on, this function selects the pad with the number one higher than the currently selected pad. If Pad Number 16 is currently selected, then Pad Number 1 is selected next.

* This is enabled in Pattern Play mode and Song

Edit mode.

PD 1–PD16, PD G, PD D, PD A, PD E:

Performs the same operations achieved by pressing the pads with the specified numbers (1–16, G, D, A, E).

Functions according to the currently selected pad function (DRUM A, DRUM B, BASS, DPP).

Changing the Roll Settings (Roll Type)

Sets the note length for rolls.

fig.07-05a

fig.07-05b

(32nd note) (16th note triplets) (16th note) (8th note triplets) (8th note)

Chapter

Chapter 7 Customizing Your Setup (Utility Mode)

Changing the Flam Settings

By changing the flam interval and flam ratio settings, you can change the way the flam sounds.

* Changing the flam settings only changes the way

flams are played in patterns that have already been recorded.

fig.07-06

Velocity

(Grace note)

(Main note)

Flam Interval

When Flam Ratio is set to “10”

Time

Valid Settings:0–10

fig.07-09

Changing the Metronome Settings

Click Level (0–15)

Adjusts the volume of the metronome during Realtime Recording of patterns.

fig.07-10

Flam Interval (0–31)

Sets the difference in time of the two sounds making up the flam. When set to 0, no flam is produced.

fig.07-07

Flam Ratio (0–10)

Sets the relative force (velocity) of the first and second strikes. No grace note is played when this is set to 0.

fig.07-08

Click Beat

Sets the beat of the metronome during Realtime Recording of patterns.

fig.07-11

8: 8th note 4: 4th note

Tuning the Bass Part

Adjusting the Key Pad Sensitivity (Pad Sens)

The lower the value you select, the lower the sensitivity becomes. While this means that strong accents are unobtainable unless the pads are hit with a considerable amount of force, it does make it easier to produce subtle changes.

Sensitivity increases as the settings value is raised. Although this lets you add strong accents even if the pads are tapped lightly, it becomes more difficult to get subtle changes.

Sets the basic pitch for the bass part.

* The drum parts (Includes Instruments BS1–

BS5) cannot be changed.

Valid Settings:438–445

fig.07-12

* The pitch of the sound being played does not

change. This goes into effect from the sound played after the settings are made.

Chapter 8 Creating Your Own Favorite Drum Kits (Drum Kit Edit Mode)

In Drum Kit Edit mode, you can select drum and bass instruments, change the way they sound, and make other changes to drum kit settings to create up to 64 original User drum kits.

◆ To switch to Drum Kit Edit mode, hold

down [SHIFT] while the performance is stopped and press Key Pad 9 (DRUM KIT EDIT).

fig.08-00

Holding down

fig.08-01

Before Changing the Settings (Editing)

Use the procedure below to change (edit) the drum kit settings.

fig.08-02

Select the Drum Kit to Edit

Editing the )

(

Drum Parts

Specify the Key Pads

Change the Settings

(Parameters)

User Drum Kit Finished

* When the unit left the factory, the User drum

kits (65–128) contained the same settings as the Preset drum kits (1–64).

Editing the )

(

Bass Part

Change the Settings

(Parameters)

■

Select the Drum Kit to Edit

You cannot edit the Preset drum kits.

If you want to base a new kit on a Preset drum kit, you can copy the Preset to a User drum kit first, then edit it to your liking.

For instructions on copying drum kits, refer to “Copying Drum Kits” (p. 84).

1. Hold down [SHIFT] and press [DRUM A/

B] (DRUM KIT).

* Continue to hold down [SHIFT].

2. While holding down [SHIFT], rotate the

TEMPO/VALUE dial to select the drum kit to be edited.

3. Release [SHIFT].

Chapter

Chapter 8 Creating Your Own Favorite Drum Kits (Drum Kit Edit Mode)

■ Editing Procedure

1. If editing a drum part, press [DRUM A/B]

then specify Drum Bank A or B. If editing a bass part, press [BASS] to specify the bass part.

2. If editing a drum part, specify the key pad

to be edited by pressing that key pad.

This step is not required if you are editing a bass part.

* You cannot edit individual key pads for the bass

part.

3. Press [ ] [ ] to specify the

setting (parameter) you want to change.

fig.08-04

4. Rotate the TEMPO/VALUE dial to change

the value of the setting.

5. Repeat Steps 3 and 4 as needed.

When editing drum parts, start from Step 2 if you are editing other key pads.

Editing the Drum Parts

■

Selecting the Sounds Assigned to the Key Pads (Instrument)

This selects the instruments to be assigned to the key pads.

For more on the instruments that can be selected, refer to the “Instrument/Bass Tone List” (p. 99).

fig.08-05

* You cannot select bass tones for the drum parts.

■

Setting the Volume (Level)

This sets the volume (the level) for each instrument. The velocity when you actually tap the key pads is changed within the level range set here.

Valid Settings: 0–15

fig.08-06

■ Setting the Pitch (Pitch)

This sets the pitch of each instrument in units of 10 cents.

Valid Settings: -1200– +1200

fig.08-07

Positive (+) Values:

The pitch is raised as the value increases; an increase of 100 cents raises the pitch a half step (semitone).

0: The original pitch is used. Negative (-) Values:

The pitch is lowered as the value increases; an increase of 100 cents lowers the pitch a half step (semitone).

* With some instruments, the pitch may not

change properly when the value is positive (set to “+”).

Chapter 8 Creating Your Own Favorite Drum Kits (Drum Kit Edit Mode)

■

Lengthening and Shortening the Reverberation (Decay)

This lengthens and shortens the reverberation of the sound (the decay) for each instrument.

Valid Settings: -32– +31

fig.08-08

Positive (+) Values:

decay is lengthened relative to the original decay.

0: The original decay time is used. Negative (-) Values:

decay is shortened relative to the original decay.

fig.08-09

Level

* With some instruments, it may seem that the amount

of change when using a positive setting is slight.

■

Obtaining Tonal Changes Relative

Decay

As the value increases, the

Time

to Strike Position (Nuance)

When playing percussion, the tone changes depending on where you hit the instrument. For example, when playing a cymbal, the tone around the center differs from the tone at the edge.

With the instruments in the “Instrument/Bass Tone List” (p. 99) that have * or ** added to the name, you can change the Nuance settings, which allow you to obtain tonal changes relative to the position the instrument is struck.

Settings Values: -7– +7

fig.08-10

Negative (-) Values:

low frequency components of the sound decrease (sound from striking the outside part).

fig.08-11

Instruments Appended with a Double Asterisk (**) (Hi-Hat, Ride Cymbal, Etc.)

Positive (+) Values:

sound appears to come more from the interior (sound from striking the interior part).

0: Original nuance Negative (-) Values:

sound appears to come more from the outside (sound from striking the outside part).

fig.08-12

The Nuance settings are disabled on instruments that are not marked with a single or double asterisk (*, **).

As the value increases, the

■ Setting the Position of

the Sound (Pan)

This sets the placement (Pan) of each instrument, with seven degrees of adjustment.

Settings Values: L3–CNTR–R3

fig.08-13

fig.08-14

Chapter

Instruments Appended with an Asterisk (*)

Positive (+) Values:

low frequency components of the sound increase (sound from striking closer to the center).

0: Original nuance

As the value increases, the

CNTR

* The Pan settings of instruments in the

“Instrument/Bass Tone List” (p. 99) that are marked with three asterisks (***) are disabled.

R3L3 L1 R1

Chapter 8 Creating Your Own Favorite Drum Kits (Drum Kit Edit Mode)

■

Determining Whether Or Not Sounds Overlap (Assign Type)

This sets the way each instrument sounds (the assign type) when one or more instruments continue to be played.

Settings Values: POLY, EX1P–EX7P, MONO,

fig.08-15

POLY

When one instrument continues playing, the new sound overlaps the previously sounded instrument without that earlier instrument’s sound being stopped. This is effective with cymbals and other instruments with long decay times.

fig.08-16

Level

EX1P (POLY EXC1)–EX7P (POLY EXC7)

The sounds of the same instrument are allowed to overlap, but the sound of another instrument sharing the same number (EX*M, EX*P) is not allowed to overlap. This is effective with sounds that normally are not heard at the same time (such as the open and closed hi-hat sounds), but which do produce overlapping sounds when one of them is being sounded consecutively.

fig.08-17

Level

EX1M–EX7M

Mixed

Time

MONO

When one instrument sound is played consecutively, the previous sound is stopped when a new sound is played.

fig.08-18

Level

Not Mixed

Time

EX1M (MONO EXC1)–EX7M (MONO EXC7)

The sounds of instruments with the same number (EX*M, EX*P) are not layered. Furthermore, instrument sounds with the same number are not layered even when played continuously. This is effective with sounds that normally are not played simultaneously, such as Guiro short and Guiro long sounds.

fig.08-19

Level

Time

MixedNot mixed

Time

Level

EXC1

Not mixed

EXC1 EXC2

Level

EXC1

Mixed

EXC1 EXC2

Not mixed

Mixed

Time

Chapter 8 Creating Your Own Favorite Drum Kits (Drum Kit Edit Mode)

Editing the Bass Part

■

Selecting the Tone (Bass Tone)

This selects the tone for the bass part (the bass tone).

For more on the bass tones you can select, refer to the “Instrument/Bass Tone List” (p. 99).

fig.08-20

* You cannot select drum instruments for use in

bass parts.

■

Setting the Volume (Level)

This sets the volume (level). The velocity when you actually tap the key pads is changed within the level range set here.

Valid Settings: 0–15

fig.08-21

■ Adjusting the Envelope

(Attack, Decay, Release)

This adjusts the envelope of the bass sound.

fig.08-22

Level

Attack

Decay

Note On

Release

Time

Note Off

Sharpness in the Rise of the Sound (Attack)

Valid Settings: 0–15

fig.08-23

0: Original nuance 1–15: The attack gets duller as the value

increases.

fig.08-23a

Level

Note On Note Off

Time

Decay Time for the Sound (Decay)

Valid Settings: -31– +31

fig.08-24

Positive (+) Values:

The more the value is increased, the more the decay slows relative to the original decay.

0: Original nuance Negative (-) Values:

The more the value is decreased, the more the decay quickens relative to the original decay.

fig.08-24a

Level

Chapter

–

Note On Note Off

Time

Chapter 8 Creating Your Own Favorite Drum Kits (Drum Kit Edit Mode)

Decay Time After Note Off (Release)

Valid Settings: -7– +7

fig.08-25

Positive (+) Values:

The release gets longer than the original as the value increases.

0: Original nuance Negative (-) Values:

The release gets shorter than the original as the value increases.

fig.08-25a

Level

+–

Time

Note On Note Off

■

Positioning the Sound (Pan)

This sets the placement of the sound, with seven degrees of adjustment.

Valid Settings: L3–CNTR–R3

fig.08-26

fig.08-14

Copying Drum Kits

This copies the currently selected drum kit to one of the User drum kits (65–128).

* If the drum kit you want to copy is not the one

that is currently selected, first select the drum kit that you do want to copy before continuing.

1. Hold down [SHIFT] and press [4] (COPY).

* Continue to hold down [SHIFT].

fig.08-27

Copy source Copy destination

2. While holding down [SHIFT], rotate the

TEMPO/VALUE dial to select the copydestination drum kit.

* You cannot select 1–64 (the Preset drum kits).

3. If you are sure you want to copy the drum

kit, hold down [SHIFT] and press [].

The drum kit copying process starts.

* To cancel the operation, release [SHIFT].

4. Once the copy has been completed, release

your finger from [SHIFT].

CNTR

R3L3 L1 R1

Chapter 9 Connecting and Using External MIDI Devices (MIDI Mode)

What is MIDI?

MIDI (Musical Instrument Digital Interface) is a universal standard that allows for the exchange of performance data and other information among electronic musical instruments and computers. Once MIDI cables are used to connect together devices equipped with MIDI connectors, each device can send data to, or receive data from any of the others.

MIDI Connectors

The DR-670 is equipped with a MIDI IN connector and MIDI OUT connector.

fig.09-01

MIDI OUT Connector

MIDI IN Connector

MIDI IN

Receives data from an external MIDI device. Connect to the MIDI OUT connector on the external MIDI device.

MIDI Implementation Chart

In order to exchange MIDI data, the data transmitted by the MIDI devices must be common to both. The owner’s manuals for a MIDI device always includes a MIDI Implementation Chart, which allows you to quickly check the compatibility of that device with other devices. By comparing the MIDI Implementation Charts of each device you are using, you can confirm which kinds of data can be exchanged.

* A separate publication titled “MIDI

Implementation” is also available. It provides complete details concerning the way MIDI has been implemented on this unit. If you should require this publication (such as when you intend to carry out bytelevel programming), please contact the nearest Roland Service Center or authorized Roland distributor.

MIDI OUT

Transmits the DR-670’s data. Connect to the MIDI IN connector on the external MIDI device.

* Do not connect the MIDI IN connector directly

to the own MIDI OUT connector.

* When making a looped connection with other

MIDI devices, do not set the connected devices to THRU (SOFT THRU). Otherwise, malfunction could result.

Chapter

Chapter 9 Connecting and Using External MIDI Devices (MIDI Mode)

About MIDI Mode

With the DR-670, you can use MIDI data to do the following.

● Synchronize performances with a digital

recorder or MIDI sequencer

● Use an external MIDI device to play the DR-

670, and use the DR-670 to play an external MIDI device

● Transmit data from the DR-670 to an

external MIDI device and return the transmitted data to the DR-670

In MIDI mode, you can make the necessary parameter settings for handling MIDI data.

You can also transmit data in MIDI mode.

◆ To switch to MIDI mode, hold down

[SHIFT] while the performance is stopped and press Key Pad 14 (MIDI).

fig.09-02a

Holding down

fig.09-03

■ Procedure

1. Switch to MIDI mode.

2. Press [ ] [ ] to select the

parameter to be set.

fig.09-04

(Sync Mode)

Synchronizing Performances with a Digital Recorder or MIDI Sequencer (Sync Mode)

You can synchronize the DR-670’s performances with digital recorders, MIDI sequencers, rhythm machines, and other such devices.

Master and Slave

When synchronizing two or more devices, one is made the “master” device and all others “slaves.”

fig.09-05

MIDI OUT

Master

When the master device is started or stopped, a MIDI message for that operation is transmitted. The slave or slaves then start or stop in accordance with the transmitted MIDI message.

Furthermore, timing clock data corresponding to the tempo is transmitted by the master device. Slave devices synchronize their performances to this timing clock.

Other data transmitted from the master device to slave devices includes song numbers (Song Select) and the position of song performances (Song Position Pointer).

MIDI IN

Slave (DR-670)

(MIDI Channel: Drum)

(MIDI Channel: Bass)

(Device ID) (Bulk Dump) (Bulk Load)

Change values in the Sync Mode, MIDI Channel (Drum), and Device ID settings screens by rotating the TEMPO/VALUE dial.

Chapter 9 Connecting and Using External MIDI Devices (MIDI Mode)

Data Synchronized with the DR-670

The following MIDI messages are handled during synchronization with the DR-670.

● Start

● Timing Clock

● Continue

● Song Select

● Stop

● Song Position Pointer

* Song Select and Song Position Pointer data are

not output in Song Edit mode.

* For more information on the MIDI messages

handled by the devices you are connecting, refer to the owner’s manual for each device.

■ Setting Sync Mode

Select whether the DR-670 is to be the master or slave in Sync mode.

fig.09-06

AUTO:

Master and slave are switched automatically.

While the DR-670 normally functions as the master, when the performance is stopped and a Start message is input from an external MIDI device, the DR-670 automatically switches to slave.

INT:

The DR-670 functions as the master. Operating the DR-670 starts and stops

performances, and performances play at the tempo set in the DR-670.

MIDI:

The DR-670 functions as a slave device. The DR-670 starts and stops according to the

messages input from an external MIDI device, and performances are synchronized to the timing clock transmitted by the external MIDI device.

* Sync mode settings are not saved. The function is

always set to “AUTO” when the DR-670’s power is turned off.

Tempo Display with the DR-670 as Slave

When the DR-670 is functioning as a slave device, the tempo appears in the display as shown below, and the tempo cannot be controlled from the DR-670.

fig.09-07

If no timing clock is being transmitted by the external source when [START] is pressed, then the tempo indicator lights and remains lit, and the start of the performance is put on hold until the timing clock arrives.

* You cannot switch modes while the DR-670 is in

this state. To switch modes, press [STOP/ CONT], then proceed to switch the mode after the tempo indicator has gone out.

Chapter

Chapter 9 Connecting and Using External MIDI Devices (MIDI Mode)

Using An External MIDI Device to Play the DR-670/

◆ This correspondence of the DR-670’s key

fig.09-08b

Using the DR-670 to Play An External MIDI Device

You can use performance data transmitted from an external MIDI device to play the DR-670, or operate the DR-670 to control performances of external MIDI devices.

fig.09-08a

Pad Controller

MIDI OUT

MIDI IN MIDI OUT

MIDI Sound Module

MIDI IN

DR-670

MIDI Channels

In order to exchange performance data between an external MIDI device and the DR-670, the MIDI channel settings must be the same for both devices. Performance data can be exchanged successfully only when the MIDI channels match.

When you tap one of the DR-670’s key pads, the Note Number for that key pad is transmitted.

When a Note Number is received from an external MIDI device, the instrument or bass tone assigned to the key pad corresponding to that Note Number is played.

* Note Numbers that do not correspond to any of

Program Change

This message switches the drum kit.

* Program Change messages are not output in

* For more information on the messages that can be

■ Setting the MIDI Channel

In order to have the performance data be transmitted and received correctly, the transmitting and receiving devices must be set to the same channel.

Settings Values: 1–16, OFF

fig.09-09

pads to Note Number as shown below.

the key pads are disregarded if received.

Song Edit mode.

handled by the devices you are connecting, refer to the owner’s manual for each device.

Performance Data Handled by the DR-670

Note Messages

These are messages that convey the performance status of drum parts and bass parts. These are equivalent to the performance data for keys on a keyboard. The different kinds of Note messages are shown below.

Note Number: Key pad number to which an

instrument or bass tone is assigned

Note On: Key pad is tapped Note Off: Key pad is released Velocity: Force used to tap the key pad

When set to “OFF,” Note and Program Change messages are not transmitted or received.

* Program Change messages are transmitted and

received on the drum part MIDI channel.

Chapter 9 Connecting and Using External MIDI Devices (MIDI Mode)

Transmitting the DR-670’s Data to an External MIDI Device/

1. Press [ ] [ ] to select “TX

BULK.”

fig.09-12

Returning Transmitted Data to the DR-670

Transmitting the DR-670’s data to a MIDI sequencer or another DR-670 is known as “Bulk Dump.”

Conversely, returning data saved to a MIDI sequencer back to the DR-670, or receiving data transmitted from another DR-670 is referred to as “Bulk Load.”

■ Setting the Device ID

Although patterns, drum kits, and other devicespecific data are transmitted and received in “Bulk Dump” and “Bulk Load” as “Exclusive messages,” the number used by the devices to recognize each other (the Device ID number) must match.

fig.09-10

Settings Values: 17–32

■

Transmitting the DR-670’s Data (Bulk Dump)

fig.09-11

2. Rotate the TEMPO/VALUE dial to select

the data to be transmitted.

ALL: All of the DR-670’s data SEQ: Data recorded in the User patterns

UTIL: Utility mode, MIDI mode and DPP

KIT: All of the User drum kits

3. Press [START].

Bulk Dump starts, and the tempo indicator lights up.

After a few moments, the tempo indicator goes out, and the Bulk Dump is completed.

* If you do inadvertently start Bulk Dump, you

can cancel transmission by pressing [STOP/ CONT]. Do not use the data from the cancelled operation.

* When executing Bulk Dump with “ALL”

selected, the memory of the receiving device may become filled, and any data following that will not be received. If this occurs, change the setting for the transmitted data to “SEQ,” “UTIL,” or “KIT,” then execute Bulk Dump.

and songs

assign settings data

MIDI OUT

Transmit device

(DR-670)

Use the following procedure in MIDI mode when carrying out Bulk Dump.

Receive device

(MIDI Sequencer etc.)

MIDI IN

Chapter

Chapter 9 Connecting and Using External MIDI Devices (MIDI Mode)

Returning Transmitted Data to the DR-670 (Bulk Load)

fig.09-13

MIDI OUT

Transmit device

(MIDI Sequencer etc.)

To carry out Bulk Load, perform the following procedure from MIDI mode.

1. Press [ ] [ ] to select “RX

BULK.”

fig.09-14

2. Transmit the data from the connected MIDI

device.

Bulk Load starts, and the REC indicator lights up.

After a few moments, the REC indicator goes out, and the Bulk Load is completed.

Receive device

MIDI IN

(DR-670)

Using in Combination with the BR-8

The following is an introduction to using the DR-670 in combination with the BR-8.

Connecting

fig.09-15

■

This synchronizes the performances of the DR670’s songs and patterns to songs recorded on the BR-8.

In this case, the BR-8 is the master, and the DR670 is the slave.

Synching the DR-670’s Patterns and Songs with the BR-8

Making the BR-8 Settings

Use the following procedure to make the settings for the BR-8.

1. Press [UTILITY].

2. Press CURSOR [ ] [ ] to select the Sync

icon, then press [ENTER].

3. Use [CURSOR] and the TIME/VALUE dial

to set “Gen.” to “MIDI CLOCK.”

4. Press [EXIT] enough times to return to the

Level Meter screen.

Chapter 9 Connecting and Using External MIDI Devices (MIDI Mode)

Making the DR-670 Settings

On the DR-670, select the song (Song Play mode) or pattern (Pattern Play mode) to use.

* You can use the DR-670’s MIDI settings with

the power left on. If you mistakenly make changes to the Sync mode settings (p. 87), set the DR-670 to “AUTO” or “MIDI.”

Performing

When you have finished making the settings, start the performance of the song on the BR-8 from the beginning of the song.

The performance of the DR-670 is synchronized to the song.

■

Playing the BR-8’s Rhythm Guide Sound as a DR-670 Drum Sound

When playing the BR-8’s internal Rhythm Guide sound, you can have the guide sound converted to a DR-670 drum sound.

Making the BR-8 Settings

Use the following procedure to make the settings for the BR-8.

1. Press [UTILITY].

2. Press CURSOR [ ] [ ] to select the

MIDI icon, then press [ENTER].

fig.09-16

Press CURSOR [ ] to move the cursor to “Rhythm MIDI ch.,” then rotate the TIME/ VALUE dial to select the MIDI channel (1–16).

Set this to 10 here.

4. Press [EXIT] enough times to return to the

Level Meter screen.

Making the DR-670 Settings

Use the following procedure to make the settings for the BR-8.

1. Hold down [SHIFT] and press key pad 14

(MIDI).

The DR-670 switches to MIDI mode.

2. Confirm that you have switched to the Sync

mode settings screen, then rotate the TEMPO/VALUE dial to set the Sync mode to “INT.”

fig.09-15a

3. Press [ ] to select “CH DRUM.”

The drum part’s MIDI channel selection screen appears in the display.

fig.09-18

4. Rotate the TEMPO/VALUE dial to set the

MIDI channel.

Set this to 10 here.

5. Hold down [SHIFT] and press key pad 5

(PATTERN PLAY).

The DR-670 switches to Pattern Play mode.

6. Hold down [SHIFT] and press [DRUM A/

B] (DRUM KIT). Then, while continuing to hold down [SHIFT], rotate the TEMPO/ VALUE dial to select the drum kit you want to use.

7. Release [SHIFT].

Performing

When you have finished making the settings, start the performance of the song on the BR-8 from the beginning.

The BR-8’s Rhythm Guide pattern is played using a DR-670 sound.

Chapter

Error Message List

Error messages are displayed when there is an error in an operation or when an operation cannot be executed properly. Take the actions suggested in the error messages that are displayed.

fig.10-01

● The DR-670’s batteries are running low. ❍Use the AC adapter, or change the batteries

promptly. Press [STOP/CONT] to clear the message. Sounds may become distorted, or the DR670 may not operate correctly if you continue to use it in this condition.

fig.10-02

● The DR-670’s memory backup battery is

nearly depleted (this message appears when the power is turned on).

❍Have the battery replaced as soon as

possible. For information on replacing the battery, consult Roland Service. Although you can press [STOP/CONT] to clear the message and continue using the DR-670, the recorded pattern and song data may be lost if the power is turned off.

fig.10-03

● Data stored in the DR-670 is corrupted;

resetting the data is necessary (this message appears when the power is turned on).

❍

Press [ ] to restore the factory settings.

fig.10-04

● Memory is full. No more patterns or songs

can be recorded.

❍Press [STOP/CONT].

To continue recording, first delete unneeded patterns or songs (p. 60, 70).

fig.1fig.10-04a

● The number of patterns recorded in the song

exceeded 250.

❍Press [STOP/CONT].

You cannot record any further to the song currently being edited. To continue, create a new song, then use Song Chain (p. 71).

0-05

● Copy source and cleared patterns and song

data are not being recorded during copying and clearing of the pattern or song.

❍Confirm the pattern numbers and song

numbers of the copy source, or the data to be cleared.

fig.10-05a

● A MIDI Active Sensing error has occurred.

A abnormality has been detected in the device or cable connected to MIDI IN.

❍Check the device or cable connected to MIDI

IN.

fig.10-06

● Too many MIDI messages were received all

at once, and the DR-670 was unable to process all of them.

❍Press [STOP/CONT].

Reduce the volume of the MIDI messages being sent by the transmitting device.

fig.10-07

● MIDI Exclusive messages could not be

received correctly.

❍Press [STOP/CONT], then try the operation

again.

fig.10-07c

● Reception of data during Bulk Load was

cancelled before the operation was completed.

❍Press [STOP/CONT], then try carrying out

Bulk Load again.

fig.10-07a

● The system attempted to concurrently

process abnormally large amounts of data, but was unable to succeed.

❍Press [STOP/CONT]. Make sure that the

unit is not being forced to handle an overly large amount of data (in patterns, or received MIDI messages) all at once, and try to reduce the amount of data.

Error Message List

fig.10-07b

● An unknown error has occurred in the

system.

❍Immediately stop using the unit, and consult

your dealer or nearest Roland Service Center.

Appendices

Troubleshooting

If you find the DR-670 is not operating correctly, check the items listed below. If the DR-670 still does not work properly after you check these points, consult your local Roland

Service or your dealer.

No Sound

❏ Is the volume turned down (p. 18)? ❏ Is the output part set to “DRUM” or “BASS”

(p. 76)?

❏ Is the instrument’s level set to “0” (p. 80)? ❏ Have you selected a pattern or song

containing no performance data?

Sounds Drop Out

❏ Are you playing too many sounds

simultaneously? The DR-670 has a maximum polyphony of

20 sounds (voices). Some instruments use two voices each time they are played, so using such instruments results in reducing polyphony to fewer than 20 voices.

With some kinds of patterns, you can reduce the number of voices that sound simultaneously by setting the Assign Type to MONO. This would be effective, for example, in a pattern where a lengthy cymbal sound is triggered on every beat.

❏ Could there be a mistake in the Assign Type

settings (p. 82)?

Can’t Play Rolls/Flams

❏ Could there be a mistake in the Flam

Interval or Flam Ratio settings (p. 78)?

❏ Are you trying to play a roll or flam with a

bass part?

REC Indicator Does Not Flash When [REC] Is Pressed

Performance Does Not Start When [START] Is Pressed

❏ Is “MIDI” selected in Sync mode (p. 87)? ❏ Have you selected a pattern or song

containing no performance data?

Operation List

Operations Common to All Modes

Operation Purpose

[START] Start/Stop Performances [STOP/CONT] Stop Performance/Continue Play [TAP TEMPO] + [TEMPO/VALUE] Adjust Tempo [REC] Step Recording [REC] + [START] Realtime Recording [TAP TEMPO] Tap Tempo [FILL] Fill-In [DPP] Direct Pattern Play On [DRUM A/B] Switch Drum Banks A/B [BASS] Play Bass Tone with the key pads [SHIFT] + [DRUM A/B] (DRUM KIT) Switch Drum Kit [SHIFT] + [BASS] (FRET SHIFT) Fret Shift Settings [VOICE] Confirm Instrument/Bass Tone [SHIFT] + [8] (SCALE) Scale/Quantize Settings

[ ] Move/Select Parameter [ ] Move/Select Parameter/Set Value [SHIFT] + [ ] Jump to Beginning

Key Pad Pad Performances/Direct Pattern Play [ROLL] + Key Pad Play Roll [FLAM] + Key Pad Play Flam

Song Play Mode

Operation Purpose

[TEMPO/VALUE] Select Song Numeric Keys ➔ [ ] Select Song

[SHIFT] + [6] (CHAIN) Confirm Song Chain Settings [SHIFT] + [7] (REPEAT) Song Repeat [SHIFT] + [VOICE] (INIT TEMPO) Confirm Initial Tempo

Appendices

Operation List

Song Edit Mode

Operation Purpose

[SHIFT] + (Key Pad 2 (SONG EDIT)

➔ [TEMPO/VALUE]) Select Song

[SHIFT] + (Key Pad 2 (SONG EDIT)

➔ Numeric Keys ➔ [ ]) Select Song

[SHIFT] + [6] (CHAIN) Song Chain [SHIFT] + [7] (REPEAT) Song Repeat [SHIFT] + [VOICE] (INIT TEMPO) Initial Tempo [SHIFT] + [1] (INSERT) Insert Pattern [SHIFT] + [2] (DELETE) Delete Pattern [SHIFT] + [3] (CLEAR) Clear Song [SHIFT] + [4] (COPY) Copy Song [SHIFT] + [START] Start Performance

Pattern Play Mode

Operation Purpose

[TEMPO/VALUE] Select Pattern Numeric Keys ➔ [ ] Select Pattern

[SHIFT] + [5] (KEY TRANS) Confirm Key Transpose Settings [SHIFT] + [9] (BEAT) Confirm Beat [SHIFT] + [0] (MEASURE) Confirm Measures

Pattern Edit Mode

Operation Purpose

[TEMPO/VALUE] Select Pattern/Change Values Numeric Keys ➔ [ ] Select Pattern

[SHIFT] + [5] (KEY TRANS) Key Transpose Settings [SHIFT] + [9] (BEAT) Beat Settings [SHIFT] + [0] (MEASURE) Measure Settings [SHIFT] + [2] (DELETE) Delete Instrument [SHIFT] + [3] (CLEAR) Clear Pattern [SHIFT] + [4] (COPY) Copy Pattern

DPP Assign Mode

Operation Purpose

[TEMPO/VALUE] Select Pattern

Parameter List

Parameters marked with an asterisk (*) are not saved. These are reset each time the DR-670’s power is turned on.

Parameter Display Value

System

Mode*

Pattern Number* 1–400 1 Song Beat* RPT OFF, ON OFF Drum Kit KIT 1–128 9 Pad* DRUM A, DRUM B, BASSS, DPP DRUM A

Scale* Quantize*

Fred Shift* FRET -5– +16 0

Song

Song Chain CHN OFF, 1–100 OFF Initial Tempo INIT OFF, 20–260 OFF

Pattern

Beat BEAT 2/4–8/4, 4/8–16/8 4/4 Measure MEAS 1, 2 2 Drum Kit KIT 1–128 Key Transpose KEY -12– +12 0

Drum Kit (Drum Part)

Instrument INST Refer to Instrument List (p. 99) Level LVL 0–15 Pitch PTCH -1200– +1200 (step:10) Decay DCAY -31– + 31 Nuance NUAN -7– + 7 Pan PAN L3–CNTR–R3 Assign ASGN POLY, EX1P–EX7P, MONO,

Drum Kit (Bass Part)

Tone TONE Refer to Bass Tone List (p. 101) Level LVL 0–15 Attack ATCK 0–15 Decay DCAY -31– +31 Release RELS -7– +7 Pan PAN L3–CNTR–R3

SCAL 32, 16 (triplets), 16, 8 (triplets), 8 16 QNTZ OFF, 32, 16 (triplets), 16, 8 (triplets), 8 16

SONG PLAY, SONG EDIT, PATTERN PLAY, PATTERN EDIT, DRUM KIT EDIT, DPP ASSIGN, UTILITY, MIDI, DEMO

EX1M–EX7M

Reset Value

PATTERN PLAY

Appendices

Parameter List

DPP Assign (Pads 1–16)

Pattern Number 1–400

Utility

Output Part* OUT PART ALL, DRUM, BASS ALL Foot Switch 1 FT SW 1 STRT, FILL, CONT, RSET, REC, CHAS,

PD 1–PD16, PDG, PDD, PDA, PDE

Foot Switch 2 FT SW 2 STRT, FILL, CONT, REC, RSET, CHAS,

PD 1–PD16, PDG, PDD, PDA, PDE Roll Type ROL TYPE 32, 16 (triplets), 16, 8 (triplets), 8 32 Flam Interval FLM INT 0–31 16 Flam Ratio FLM RATI 0–10 5 Pad Sensitivity PAD SENS 0–10 5 Clock Level CLK LVL 0–15 15 Click Beat* CLK BEAT 8, 4 4 Master Tune MST TUNE 438–445 440

MIDI

Sync Mode* SYNC AUTO, INT, MIDI AUTO Drum Part MIDI Channel CH DRUM 1–16, OFF OFF Bass Part MIDI Channel CH BASS 1–16, OFF OFF Device ID DEV ID 17–32 17 Bulk Damp TX BLK ALL, SEQ, UTIL, KIT Bulk Road RX BLK

STRT

FILL

Instrument/Bass Tone List

Instrument

Display Instrument Voice Display Instrument Voice

* KC1 attack kick 2

KC2 real dry kick 1 * KC3 dry kick 2 * KC4 dry medium kick 2 * KC5 dry hard kick 2 * KC6 heavy kick 2 * KC7 pillow kick 2 * KC8 vintage kick 1 2 * KC9 vintage kick 2 2 * KC10 jazz kick 1 2 * KC11 jazz kick 2 2 * KC12 maple kick 2 * KC13 maple pillow kick 2 * KC14 maple reverb kick 2 * KC15 real kick 2 * KC16 26" deep kick 2

KC17 medium kick 1 1 * KC18 medium kick 2 2 * KC19 big low kick 2 * KC20 wood beater kick 2 * KC21 hybrid kick 1 2

KC22 hybrid kick 2 1 * KC23 ambient kick 2

KC24 boomer kick 1

KC25 comp kick 1 1

KC26 comp kick 2 1 * KC27 deep kick 2

KC28 reverb kick 1 1 * KC29 reverb kick 2 2 * KC30 room kick 2 * KC31 deep room kick 2 * KC32 mondo reverb kick 2 * KC33 mondo deep kick 2 * KC34 easy kick 2 * KC35 soft acoustic kick 2 * KC36 solid kick 2 * KC37 electronic kick 1 2 * KC38 electronic kick 2 2 * KC39 house kick 2 * KC40 dance kick 2 * KC41 rap kick 1 2 * KC42 rap kick 2 2

KC43 plastic kick 1 * KC44 gubba kick 2

KC45 jungle kick 1 * KC46 TR-808 kick 1 2

* KC47 TR-808 kick 2 2 * KC48 808 electronic kick 2 * KC49 808 boom kick 2 * KC50 TR-909 kick 1 2

KC51 TR-909 kick 2 1 * KC52 909 hard kick 2 * SN1 medium snare soft 2 * SN2 medium snare rim shot 2 * SN3 steel snare hard 2 * SN4 steel snare rim shot 2 * SN5 beech snare soft 2 * SN6 beech snare rim shot 2 * SN7 piccolo snare soft 2 * SN8 piccolo snare Hard 2 * SN9 high piccolo snare 2 * SN10 open rim shot snare 2 * SN11 slam dry snare soft 2

*** SN12 slam dry snare hard 2 *** SN13 slam room snare soft 2 *** SN14 slam room snare hard 2 *** SN15 dry hard snare 2 *** SN16 ring hard snare 2 *** SN17 rock-on snare 2 *** SN18 funk snare 2

SN19 sharp snare 1

*** SN20 warm hard snare 2

SN21 dry fat snare 1

SN22 snappy snare 1

SN23 dry snare soft 1

SN24 dry snare hard 1

*** SN25 wet snare 2

* SN26 L.A.fat snare 2 * SN27 acoustic rim shot snare 2 * SN28 ambient snare 2 * SN29 attack snare 2 * SN30 big shot snare 2 * SN31 hall snare 2 * SN32 hard snare 2 * SN33 light maple snare 2 * SN34 loose snare 2

SN35 natural snare 1

SN36 power snare 1 * SN37 rockin’ snare 2 * SN38 rock rim shot snare 2 * SN39 real snare 2

*** SN40 rock snare 1 2

Appendices

Instrument/Bass Tone List

Display Instrument Voice Display Instrument Voice

* SN41 rock snare 2 2 * SN42 ring maple snare 2

SN43 brush roll snare 1 1 * SN44 brush roll snare 2 2 * SN45 brush slap snare 1 2 * SN46 brush slap snare 2 2 * SN47 brush slap snare 3 2 * SN48 brush swish snare 2 * SN49 reggae snare 2 * SN50 swing snare 2 * SN51 90’s snare 2 * SN52 dance snare 2 * SN53 dopin’ snare 2 * SN54 house snare 2 * SN55 house dopin’ snare 2

SN56 jungle tiny snare 1 * SN57 electronic snare 1 2 * SN58 electronic snare 2 2 * SN59 TR-808 snare 1 2

SN60 TR-808 snare 2 1 * SN61 TR-909 snare 2

STK1 ambient cross stick 1

*** STK2 hall cross stick 2

STK3 natural cross stick 1

STK4 metal cross stick 1

STK5 TR-808 cross stick 1

STK6 TR-909 cross stick 1 * TM1 studio tom 1 soft 2 * TM2 studio tom 1 hard 2 * TM3 studio tom 2 soft 2 * TM4 studio tom 2 hard 2 * TM5 vintage tom 1 2 * TM6 vintage tom 2 2 * TM7 jazz tom 1 2 * TM8 jazz tom 2 2 * TM9 fusion tom 1 2 * TM10 fusion tom 2 2 * TM11 bowl tom 1 2 * TM12 bowl tom 2 2 * TM13 ambient tom 1 2 * TM14 ambient tom 2 2 * TM15 brush slap tom 1 2 * TM16 brush slap tom 2 2 * TM17 double head tom 1 2 * TM18 double head tom 2 2 * TM19 light tom 1 2 * TM20 light tom 2 2 * TM21 real tom 1 2

* TM22 real tom 2 2 * TM23 ring tom1 2 * TM24 ring tom2 2 * TM25 room tom 1 2 * TM26 room tom 2 2 * TM27 rock tom 1 2 * TM28 rock tom 2 2 * TM29 electronic tom 1 2 * TM30 electronic tom 2 2 * TM31 TR-808 tom 2

* TM32 TR-909 tom 2 ** HH1 pure closed hi-hat 2 ** HH2 pure open hi-hat 2 ** HH3 pedal closed hi-hat 2 ** HH4 16" closed hi-hat 2 ** HH5 16" half open hi-hat 2

HH6 16" open hi-hat 1

HH7 16" pedal closed hi-hat 1 ** HH8 pop closed hi-hat 2 ** HH9 pop open hi-hat 2 ** HH10 real closed hi-hat 2 ** HH11 real open hi-hat 2

HH12 brush closed hi-hat 1

HH13 brush open hi-hat 1 ** HH14 TR-808 closed hi-hat 2 ** HH15 TR-808 open hi-hat 2

HH16 TR-909 closed hi-hat 1

HH17 TR-909 open hi-hat 1

HH18 CR-78 closed hi-hat 1

HH19 CR-78 open hi-hat 1

CY1 crash cymbal 1 1

CY2 crash cymbal 2 1

CY3 crash cymbal 3 1

CY4 soft crash cymbal 1 ** CY5 pgy crash cymbal 2

CY6 splash cymbal 1

CY7 chinese cymbal 1 ** CY8 ride cymbal 1 2 ** CY9 ride cymbal 2 2 ** CY10 sizzle ride cymbal 2 ** CY11 ride bell cymbal 1 2 ** CY12 ride bell cymbal 2 2

CY13 brush crash cymbal 1

CY14 brush ride cymbal 1

CY15 large gong 1

CY16 TR-808 cymbal 1

CY17 TR-606 cymbal 1 ** PC1 cowbell 2

100

Boss Audio Systems DR-670 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

USING THE UNIT SAFELY

Main Features

IMPORTANT NOTES

Panel Descriptions

Front Panel

Rear Panel

Quick Start

Install batteries

Making Connections

Turning On the Power

■ Turning Off the Power

Reset to Default Factory Settings (Factory Reset)

Listen to the Demo Song

Using the Key Pads to Play Sounds

■ Specialized Performance Techniques (Roll)

■ Adding Character to Performances (Flam)

■ Playing Different Sounds (Switching Pad Drum Banks)

■ Playing Bass Sounds

Performing Rhythm Patterns

■ Selecting and Performing Patterns

■ Selecting and Performing Patterns (DPP Function)

■ Adjusting the Tempo

■ Changing the tempo using the Tap Tempo function

■ Inserting Fill-Ins

■ Using the Foot Switches

Chapter 1 Before Composing Rhythm Patterns and Songs

How the Work Progresses

About Operational Modes

Drum Kits and Pad Performances

Drum Kits

■ Pad Performances

How to View the Scale/Pattern Display

■ Pattern Display

■ Switching the Instrument

■ Scale Display

■ Changing the Scale

Using [SHIFT]

Chapter 2 Playing Patterns (Pattern Play Mode)

Playing Sounds with the Key Pads

■ Selecting a Drum Kit

■ Selecting the Drum Bank

■ Playing the Bass Sounds

Playing with Special Performance Techniques

■ Playing Rolls

■ Playing Flams

Playing Patterns

Adjusting the Tempo

Adjusting the Tempo with the Tap Tempo Function

Inserting Fill-Ins

Chapter 3 Recording and Editing Patterns (Pattern Edit Mode)

Before You Start Recording

<2> Select the Beat

<4> Select the Drum Kit

■ (6-1B) Do Step Recording

■ (7-2B) Do Step Recording

■ (7-3) Confirm the Fill-In

Erasing Patterns (Pattern Clear)

Copying Patterns

Replacing Drum Kits

Changing the Key of the Bass Part (Key Transpose)

Chapter 4 Recording and Editing Songs (Song Edit Mode)

Before You Start Recording

Switching Recorded Patterns

Switching Recorded Patterns

Adding Patterns In the Song (Insert)

Deleting Patterns (Delete)

Removing Unneeded Song (Song Clear)

Copying Song

Connecting Multiple Songs Into One Song (Song Chain)

Chapter 5 Performing Songs (Song Play Mode)

Performing Songs

Starting a Song From a Point Other Than the Beginning

Repeating Performances of Songs (Song Repeat)

Performing Multiple Songs In One Sequence (Song Chain)

Checking a Song’s Initial Tempo

Creating Performances Combining the Repeat and Chain Functions