Blackmagicdesign URSA Mini 4K Quick Manual

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QUICK GUIDE
MODEL:
Blackmagic URSA Mini 4K
SPECIFICATIES:
Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1
with film dynamic range at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080.
Apple ProRes 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080
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Mini 4K URSA Mini 4.6K 4K RAW 3:1 120 60 60 4K RAW 4:1 60
2048 x 1080 2K RAW 3:1 120 2K RAW 4:1 120
40 (full frame and windowed mode) ProRes 444 XQ 3840 x 2160 60 40
40 (full frame and windowed mode) ProRes HQ 80 60 60 ProRes 422 120 60 60 ProRes LT 120 60 60 ProRes Proxy 120 60 60
1920 x 1080 ProRes 444 XQ (full 120 60 60 sensor area) ProRes 444 120 60 60 ProRes HQ 120 60 60 ProRes 422 120 60 60 ProRes LT 120 60 60 ProRes Proxy 120 60 60
1920 x 1080 ProRes 444 XQ (windowed 120 80 80sensor area)
ProRes 444 120 80 80 ProRes HQ 150 120 120 ProRes 422 150 120 120 ProRes LT 150 120 120 ProRes Proxy 150 120 120
Super-35mm CMOS Sensor
HD:
23.98 ProRes 444 XQ 76MINS
ProRes 444 113MINS ProRes 422 HQ 169MINS
ProRes 422 252MINS ProRes 422 LT 359MINS ProRes 422 Proxy 783MINS
24.00 ProRes 444 XQ 76MINS
ProRes 444 113MINS ProRes 422 HQ 169MINS
ProRes 422 252MINS ProRes 422 LT 359MINS ProRes 422 Proxy 783MINS
25.00 ProRes 444 XQ 73MINS
ProRes 444 109MINS ProRes 422 HQ 162MINS
ProRes 422 242MINS ProRes 422 LT 345MINS
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ProRes 422 Proxy 753MINS
30.00 ProRes 444 XQ 61MINS
ProRes 444 91MINS ProRes 422 HQ 163MINS
ProRes 422 202MINS ProRes 422 LT 289MINS
ProRes 422 Proxy 633MINS
50.00 ProRes 444 XQ 37MINS
ProRes 444 55MINS ProRes 422 HQ 82MINS
ProRes 422 122MINS ProRes 422 LT 175MINS
ProRes 422 Proxy 387MINS
50.00 ProRes 444 XQ 31MINS
ProRes 444 46MINS ProRes 422 HQ 68MINS
ProRes 422 102MINS ProRes 422 LT 146MINS
ProRes 422 Proxy 324MINS
2K:
23.98 CinemaDNG RAW 72MINS CinemaDNG RAW 3:1 135MINS CinemaDNG RAW 4:1 166MINS
24.00 CinemaDNG RAW 72MINS CinemaDNG RAW 3:1 135MINS CinemaDNG RAW 4:1 166MINS
25.00 CinemaDNG RAW 69MINS CinemaDNG RAW 3:1 130MINS CinemaDNG RAW 4:1 160MINS
30.00 CinemaDNG RAW 58MINS CinemaDNG RAW 3:1 108MINS CinemaDNG RAW 4:1 133MINS
50.00 CinemaDNG RAW 35MINS CinemaDNG RAW 3:1 65MINS CinemaDNG RAW 4:1 80MINS
60.00 CinemaDNG RAW 29MINS CinemaDNG RAW 3:1 55MINS CinemaDNG RAW 4:1 67MINS
Ultra HD:
23.98 CinemaDNG RAW 19MINS CinemaDNG RAW 3:1 35MINS CinemaDNG RAW 4:1 43MINS ProRes 444 XQ 19MINS ProRes 444 29MINS ProRes 422 HQ 43MINS ProRes 422 64MINS ProRes 422 LT 91MINS ProRes 422 Proxy 203MINS
24.00 CinemaDNG RAW 19MINS CinemaDNG RAW 3:1 35MINS CinemaDNG RAW 4:1 43MINS ProRes 444 XQ 19MINS
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ProRes 444 29MINS ProRes 422 HQ 43MINS ProRes 422 64MINS ProRes 422 LT 91MINS ProRes 422 Proxy 203MINS
25.00 CinemaDNG RAW 18MINS CinemaDNG RAW 3:1 34MINS CinemaDNG RAW 4:1 42MINS ProRes 444 XQ 18MINS ProRes 444 27MINS ProRes 422 HQ 41MINS ProRes 422 61MINS ProRes 422 LT 88MINS ProRes 422 Proxy 195MINS
30.00 CinemaDNG RAW 15MINS CinemaDNG RAW 3:1 28MINS CinemaDNG RAW 4:1 35MINS ProRes 444 XQ 15MINS ProRes 444 23MINS ProRes 422 HQ 34MINS ProRes 422 51MINS ProRes 422 LT 73MINS ProRes 422 Proxy 163MINS
50.00 CinemaDNG RAW 09MINS CinemaDNG RAW 3:1 17MINS CinemaDNG RAW 4:1 21MINS ProRes 444 XQ 00MINS ProRes 444 00MINS ProRes 422 HQ 21MINS ProRes 422 31MINS ProRes 422 LT 44MINS ProRes 422 Proxy 99MINS
60.00 CinemaDNG RAW 08MINS CinemaDNG RAW 3:1 14MINS CinemaDNG RAW 4:1 18MINS ProRes 444 XQ 00MINS ProRes 444 00MINS ProRes 422 HQ 17MINS ProRes 422 26MINS ProRes 422 LT 37MINS ProRes 422 Proxy 82MINS
4k:
23.98 CinemaDNG RAW 14MINS CinemaDNG RAW 3:1 26MINS CinemaDNG RAW 4:1 32MINS
24.00 CinemaDNG RAW 14MINS CinemaDNG RAW 3:1 26MINS CinemaDNG RAW 4:1 32MINS
25.00 CinemaDNG RAW 13MINS CinemaDNG RAW 3:1 25MINS CinemaDNG RAW 4:1 31MINS
30.00 CinemaDNG RAW 11MINS CinemaDNG RAW 3:1 22MINS CinemaDNG RAW 4:1 26MINS
50.00 CinemaDNG RAW 07MINS CinemaDNG RAW 3:1 13MINS CinemaDNG RAW 4:1 16MINS
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60.00 CinemaDNG RAW 06MINS CinemaDNG RAW 3:1 11MINS CinemaDNG RAW 4:1 13MINS
Dynacore 130Wh Zelfopladende V-mount Accu
180 min
2x XLR
1 x SDI, 1 x SDI Monitoring
To turn on your URSA Mini, open the fold out LCD touchscreen, then press and release the power button on the control panel. Press and hold to turn off.
Blackmagic URSA Mini has two CFast slots for continuous recording.
Focus
When using an EF mount with an EF lens that supports electronic focus adjustments, press the ‘focus’ button to activate auto focus. A white focus square will appear on the fold out monitor. Anything within the square will be correctly focused. When the lens is focussed, the square will disappear.
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Use the balanced XLR inputs to plug in external analog audio from professional equipment such as audio mixers, PA systems or external microphones. The XLR connectors supply phantom power so you can use microphones that aren’t self powered. To enable phantom power select ‘input levels/mic low’ or ‘mic high’ on the ‘audio’ settings touchscreen menu. Scroll the menu to reveal the ‘phantom power’ setting and select ‘on’. To disable phantom power, select ‘off’.Phantom power is active when ‘audio input/inputs’ is selected.
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Premiere Pro:
1 Launch Adobe Premiere Pro CC. In the ‘welcome’ window select ‘create new/new project’. A window will open containing project settings.
2 Name your project. Choose the location for your project by clicking ‘browse’ and selecting your desired folder. Once you’ve selected your location folder click OK in the welcome window.
3 Go to the Adobe Premiere Pro CC ‘menu’ bar, select ‘file/import’ and choose the clips you want to edit. Your clips will appear in the project window.
4 Drag the first clip you wish to edit onto the ‘new item’ icon at the bottom right of the project window. A new sequence will be created matching your clip settings.
You can now drag your clips onto the sequence timeline for editing.
Final Cut:
1 Launch Final Cut Pro X, go to the ‘menu’ bar and select ‘file/new project’. A window will open containing project settings.
2 Name your project and select the ‘custom’ checkbox.
3 Set the ‘video properties’ settings to 1080p HD, 1920x1080 and 25p.
4 Set your ‘audio’ and ‘render properties’ settings to ‘stereo, 48kHz, and Apple ProRes 422 HQ’
5 Click OK.
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