Behringer RX1602 User Manual

User Manual

EURORACK PRO RX1602

Professional Multi-Purpose 16-Input Ultra-Low Noise Line Mixer

2 EURORACK PRO RX1602 User Manual

Table of Contents

Important Safety Instructions ...................................... 3

Legal Disclaimer ............................................................. 3

Limited Warranty ...........................................................3

1. Introduction ............................................................... 5

1.1 Before you get started ...................................................... 5

1.1.1 Ship ment .......................................................................... 5

1.1.2 Initial operation ............................................................. 5

1.1.3 Warrant y ........................................................................... 5

1.2 The user’s manual ............................................................... 5

2. Control Elements andConnections ......................... 5

2.1 Channel section ................................................................... 5

2.2 Main section ......................................................................... 6

2.3 Mains connection ............................................................... 7

3. Applications ............................................................... 7

3.1 Keyboards sub-mixer ......................................................... 7

3.2 Sub-mix with samplers ..................................................... 8

3.3 Monitoring multi-track recorders ................................. 8

3.4 Small live setup.................................................................... 9

4. Installation ................................................................. 9

4.1 Rack mounting .................................................................... 9

4.2 Audio connections ............................................................. 9

5. AUX Channels Modication ................................... 10

6. Specications ........................................................... 11

3 EURORACK PRO RX1602 User Manual

9. Do not defeat the safety purpose of the polarized

UNDERTAKING OR REPRESENTATION. THIS MANUAL

ce

electronic components of this product to be free of defects

period is mandated by applicable local laws. If the product

Incase MUSICGroup decides to replace the entire product,

Important Safety Instructions

Terminals marked with this symbol carry
electrical current of su cient magnitude

to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. Allother
installation or modi cation should be performed only
by quali edpersonnel.

This symbol, wherever it appears,

alertsyou to the presence of uninsulated

dangerous voltage inside the
enclosure-voltage that may be su cient to constitute a
risk ofshock.

This symbol, wherever it appears,

alertsyou to important operating and

maintenance instructions in the
accompanying literature. Please read the manual.

Caution

To reduce the risk of electric shock, donot

remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
quali ed personnel.

Caution

To reduce the risk of  re or electric shock,

do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects  lled with liquids,
suchas vases, shall be placed on the apparatus.

Caution

These service instructions are for use

by quali ed ser vice personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by quali ed
servicepersonnel.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampli ers) that produce heat.

or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not  t into your outlet, consult an
electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.

11. Use only attachments/accessories speci ed by
themanufacturer.

12. Use only with the
cart, stand, tripod, bracket,
or table speci ed by the
manufacturer, orsold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid

injury from tip-over.

13. Unplug this apparatus during lightning storms or
when unused for long periods of time.

14. Refer all servicing to quali ed service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.

15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.

16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.

LEGAL DISCLAIMER

TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER IS
PART OF THE MUSIC GROUP MUSICGROUP.COM.
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED

IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSICGROUPIPLTD.

ALL RIGHTS RESERVED.
© 2012 MUSICGroupIPLtd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands

LIMITED WARRANTY

§ 1 Warranty

(1) This limited warranty is valid only if you purchased
the product from a MUSIC Group Authorized Reseller in
the country of purchase. A list of authorized resellers can
be found on BEHRINGER’s website behringer. com under
“Where to Buy”, or you can contact the MUSIC Group o
closest to you.

(2) MUSICGroup* warrants the mechanical and

in material and workmanship if used under normal
operating conditions for a period of one (1) year from
the original date of purchase (see the Limited Warranty
terms in §4 below), unless a longer minimum warranty

shows any defects within the speci ed warranty period
and that defect is not excluded under §4, MUSICGroup
shall, at its discretion, either replace or repair the product
using suitable new or reconditioned product or parts.

thislimited warranty shall apply to the replacement
product for the remaining initial warranty period, i.e.,
one (1) year (or otherwise applicable minimum warranty
period) from the date of purchase of the original product.

(3) Upon validation of the warranty claim, the repaired
or replacement product will be returned to the user
freight prepaid by MUSICGroup.

(4) Warranty claims other than those indicated above
are expressly excluded.

PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF
OF PURCHASE COVERING YOUR LIMITED WARRANTY.
THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF
OFPURCHASE.

§ 2 Online registration

Please do remember to register your new BEHRINGER
equipment right after your purchase at behringer. com
under “Support” and kindly read the terms and conditions
of our limited warranty carefully. Registeringyour
purchase and equipment with us helps us process
your repair claims quicker and more e ciently.
Thankyouforyour cooperation!

§ 3 Return materials authorization

(1) To obtain warranty service, please contact the
retailer from whom the equipment was purchased.
Should your MUSIC Group Authorized Reseller not be
located in your vicinity, you may contact the MUSICGroup
Authorized Ful ller for your country listed under

4 EURORACK PRO RX1602 User Manual

“Support” at behringer. com. Ifyour country is not

• connection or operation of the unit in any way

This warranty does not detract from the seller’s

Warranty service conditions are subject to change without

listed, please check if your problem can be dealt with
by our “OnlineSupport” which may also be found under
“Support” at behringer. com. Alternatively,please submit
an online warranty claim at behringer. com BEFORE
returning the product. All inquiries must be accompanied
by a description of the problem and the serial number
of the product. Afterverifying the product’s warranty
eligibility with the original sales receipt, MUSICGroup
will then issue a ReturnMaterials Authorization
(“RMA”)number.

(2) Subsequently, the product must be returned in
its original shipping carton, together with the return
authorization number to the address indicated by
MUSICGroup.

(3) Shipments without freight prepaid will not
beaccepted.

§ 4 Warranty Exclusions

(1) This limited warranty does not cover consumable
parts including, but not limited to, fuses and batteries.
Where applicable, MUSICGroup warrants the valves or
meters contained in the product to be free from defects
in material and workmanship for a period of ninety (90)
days from date of purchase.

(2) This limited warranty does not cover the product
if it has been electronically or mechanically modi ed
in any way. If the product needs to be modi ed or
adapted in order to comply with applicable technical
or safety standards on a national or local level, inany
country which is not the country for which the
product was originally developed and manufactured,
thismodi cation/adaptation shall not be considered a
defect in materials or workmanship. Thislimited warranty
does not cover any such modi cation/adaptation,
regardless of whether it was carried out properly or not.
Under the terms of this limited warranty, MUSICGroup
shall not be held responsible for any cost resulting from
such a modi cation/adaptation.

(3) This limited warranty covers only the product
hardware. It does not cover technical assistance for
hardware or software usage and it does not cover
any software products whether or not contained in
the product. Any such software is provided “AS IS”
unless expressly provided for in any enclosed software
limitedwarranty.

(4) This limited warranty is invalid if the
factory- appliedserial number has been altered or
removed from theproduct.

(5) Free inspections and maintenance/repair work
are expressly excluded from this limited warranty,
inparticular, if caused by improper handling of the
product by the user. This also applies to defects caused
by normal wear and tear, in particular, of faders,
crossfaders, potentiometers, keys/buttons, guitar strings,
illuminantsand similar parts.

(6) Damage/defects caused by the following conditions
are not covered by this limited warranty:

• improper handling, neglect or failure to operate the
unit in compliance with the instructions given in
BEHRINGER user or service manuals;

that does not comply with the technical or safety
regulations applicable in the country where the
product is used;

• damage/defects caused by acts of God/Nature
(accident,  re,  ood, etc) or any other condition that
is beyond the control of MUSICGroup.

(7) Any repair or opening of the unit carried out by
unauthorized personnel (user included) will void the
limitedwarranty.

(8) If an inspection of the product by MUSICGroup
shows that the defect in question is not covered by the
limited warranty, the inspection costs are payable by
thecustomer.

(9) Products which do not meet the terms of this
limited warranty will be repaired exclusively at the buyer’s
expense. MUSICGroup or its authorized service center will
inform the buyer of any such circumstance. If the buyer
fails to submit a written repair order within 6 weeks after
noti cation, MUSICGroup will return the unit C.O.D. with
a separate invoice for freight and packing. Such costs will
also be invoiced separately when the buyer has sent in a
written repair order.

(10) MUSIC Group Authorized Resellers do not sell new
products directly in online auctions. Purchasesmade
through an online auction are on a “buyer beware” basis.
Online auction con rmations or sales receipts are not
accepted for warranty veri cation and MUSICGroup will
not repair or replace any product purchased through an
online auction.

§ 5 Warranty transferability

This limited warranty is extended exclusively to the
original buyer (customer of authorized reseller) andis
not transferable to anyone who may subsequently
purchase this product. No other person (reseller,etc.)
shallbe entitled to give any warranty promise on behalf
of MUSICGroup.

§ 6 Claim for damage

Subject only to the operation of mandatory applicable
local laws, MUSICGroup shall have no liability to the buyer
under this warranty for any consequential or indirect
loss or damage of any kind. In no event shall the liability
of MUSICGroup under this limited warranty exceed the
invoiced value of the product.

§ 7 Limitation of liability

This limited warranty is the complete and exclusive
warranty between you and MUSICGroup. It supersedes
all other written or oral communications related to this
product. MUSICGroup provides no other warranties for
this product.

§ 8 Other warranty rights and
nationallaw

(1) This limited warranty does not exclude or limit the
buyer’s statutory rights as a consumer in any way.

(2) The limited warranty regulations mentioned herein
are applicable unless they constitute an infringement of
applicable mandatory local laws.

(3)

obligations in regard to any lack of conformity of the
product and any hidden defect.

§ 9 Amendment

notice. For the latest warranty terms and conditions
and additional information regarding MUSICGroup’s
limited warranty, please see complete details online at
behringer. com.

* MUSICGroup Macao Commercial O shore Limited of
RuedePequim No. 202-A, Macau Finance Centre 9/J, Macau,
including all MUSICGroup companies

5 EURORACK PRO RX1602 User Manual

1. Introduction

Congratulations! With the EURORACK PRO RX1602, you have purchased a
multifarious “problem-solver” for signal distribution. This piece of equipment
was developed for those among you with the highest expectations, who are in
the business of professional recording, radio and TV broadcast studios, PA and
home recording situations, etc. The RX1602’s extensive range of possibilities
make it ideal for routing separate signals to a single stereo output (mixer),
orfor signal level adjustment of individual signals (level translator)—all these
functions can be achieved by using the EURORACK PRO RX1602.

Future-oriented BEHRINGER technology

Our rack mixer’s technology is based on experience and insights spanning many
years, delving into the elds of audio technology already used worldwide in
countless studios as well as radio and TV applications.

To allow for the highest possible level of operational safety, we manufacture our
equipment under the highest quality standards in the industry. Your RX1602 has
been manufactured under ISO9000 certied management system.

Balanced inputs

The BEHRINGER RX1602 features electronically servo-balanced inputs.
Theautomatic servo function detects when unbalanced jacks are connected,
andinternally adjusts the signal level so that no level dierence between input
and output signals occurs (6 dB correction).

◊ The following user’s manual is intended to familiarize you with the

unit’s control elements, so that you can master all the functions.
After having thoroughly read the user’s manual, store it at a safe place
for future reference.

1.1 Before you get started

1.1.1 Shipment

Power is delivered via the cable enclosed with the unit. All requiered safety
precautions have been adhered to.

◊ Please make sure that the unit is grounded at all times. For your own

protection, you should never tamper with the grounding of the cable or
the unit itself.

1.1.3 Warranty

Please take a few minutes and send us the completely lled out warranty
card within 14 days of the date of purchase. You may also register online at
behringer.com. The serial number needed for the registration is located at the top
of the unit. Failure to register your product may void future warranty claims.

1.2 The user’s manual

The user’s manual is designed to give you both an overview of the control
elements, as well as detailed information on how to use them. In order to help
you understand the links between the controls, we have arranged them in groups
according to their function. If you need to know more about specic issues,
please visit our website at www.behringer.com, where you’ll nd additional
information on mixing consoles, eects units and dynamic processors.

2. Control Elements
andConnections

In this chapter we go about describing all control elements of your EURORACK
PRO RX1602. All controls and connectors will be explained in full detail. You will
also receive useful information about possible applications.

2.1 Channel section

(1)

(2) (5)

The RX1602 was carefully packed at the factory to assure secure transport.
Shouldthe condition of the cardboard box suggest that damage may have taken
place, please inspect the unit immediately and look for physical indications
ofdamage.

◊ Damaged units should NEVER be sent directly to us. Please inform the

dealer from whom you acquired the unit immediately as well as the
transportation company from which you took delivery of the unit.
Otherwise, all claims for replacement/repair may be rendered invalid.

1.1.2 Initial operation

Please make sure the unit is provided with sucient ventilation, and never place
the EURORACK on top of an amplier or in the vicinity of a heater to avoid the risk
of overheating.

◊ Before plugging the unit into a power socket, please make sure you

have selected the correct voltage:

The fuse compartment near the power plug socket contains three triangular
markings. Two of these triangles are opposite one another. The voltage
indicated adjacent to these markings is the voltage to which your unit has
been set up, and can be altered by rotating the fuse compartment by 180°.

ATTENTION: Thisdoes not apply to export models that were for example
manufactured only for use with 120 V!

◊ If you alter the unit’s voltage, you must change the fuse accordingly.

The correct value of the fuse needed can be found in the
chapter “Specifications”.

◊ Faulty fuses must be replaced with fuses of appropriate rating without

exception! The correct value of the fuses needed can be found in the
chapter “Specifications”.

Front Rear

(3) (4) (4)

Fig. 2.1: Control elemen ts of the channel se ction

(1) Use the MON/FX control to set the signal level of the respective channel

for monitoring or eects purposes. You can take the MON/FX signal at the
MONOUT SEND connector (14). The MON/FX SEND control (7) of the main
section governs the overall MON/FX SEND signal level.

This aux send path is fac tory set to pre fader and post mute. It means that
the respective channels’ monitor signal or eects send signal is still present
at the MON OUT SEND-connec tor when the LEVEL control (4) is turned to
its left-most position. If the MUTE switch (3) is in its depressed position,
thesignal is muted totally. The LEVEL control is equivalent to channel faders
on conventional mixing consoles.

◊ You have the option to retroactively make the monitor channel perform

dependently from the setting of the LEVEL control (“post fader”).
This modification can be done individually for each channel.

This modication makes sense when you for example wish to frequently use
certain channels for eect applications.

How necessary actions are taken is explained in ch. 5:
“AuxChannels Modication”.

6 EURORACK PRO RX1602 User Manual

(2) By using the BALANCE control, you can

• set up the position of mono signals in the stereo image, and

• regulate the ratio of left/right channel signals when processing

stereo signals

(3) The MUTE switch is used to interrupt the signal path, thus muting the

respective channel. When pressed (signal muted) the switch is lit red.

When the MUTE switch is not depressed, the red light functions as CLIP
display, indicating when the input signal level is too high (>+17 dBu).
Toavoid distortion, please reduce the signal level using the LEVEL control

(4) in case the CLIP indicator is frequently or permanently lit.

(4) To increase or reduce the input signal level, use the LEVEL control

(increaseup to +15 dB, reduce all the way down to -oo).

Similarly, use the LEVEL controls of the channel sections to regulate the
channel’s signal level present in the main mix.

(5) Use the OPERATING LEVEL switch located on the rear of your RX1602

to individually adjust each channel to the output signal level of your
equipment. When the switch is depressed (-10 dBV), the inputs are
moresensitive.

(6) These are the inputs of the channel sections on balanced ¼" TRS connectors.

Of course, you can connect mono jacks (unbalanced operation). To use a
channel for a mono signal, please connect the signal source to the lef t input.

2.2 Main section

(7) (8) (9)

Gain setting:

To correctly set the input gain of a channel, please press the MUTE switch

(3) of the remaining channels.

When recording with digital multi-channel recorders, the peak meter on the
recorder should not reach over 0 dB. This is because unlike with digital recordings,
even the smallest amount of distortion can lead to unpleasant-sounding
endresult.

With analog recorders, the VU meters of the recording device should read roughly
up to +3 dB in case of low-frequency signals (e.g. bass drum). Because of their
inherent inertia, VU meters tend to display levels of signals with frequencies
of above 1kHz too low. Therefore, when using instruments such as a hi-hat,
youshould set the input gain only up to -10 dB. Snaredrums should be set up to
roughly 0 dB.

◊ The peak meters of your EURORACK PRO display the level virtually

frequency-independent. A re-cording level of 0 dB is recommended for
all kinds of signals.

(10) The TO PHONES switch gives you the option to feed the signals routed to the

monitor/eects bus into your headphones for control purposes.

Attention!

◊ We would like to bring your attention to the fact that high volume

levels may damage your hearing and/or your headphones. Please turn
the MAIN LEFT and MAIN RIGHT controls as well as the PHONES control
in the main section all the way to the left before powering up the unit.
Please always pay keen attention to an appropriate volume level.

(11) The LEVEL control in the MAIN section governs the volume level of

yourheadphones.

(3)

Fig. 2.2: Main section

(7) Use the MON/FX SEND control to set the signal level of those signals

that are routed to the MON OUT SEND connec tor (14) for monitoring or
eectsapplications.

(8) The left signal portion of the mix created using the LEVEL and BALANCE

controls of each channel is set using the MAIN LEFT control.

The right signal portion of the mix is correspondingly adjusted using
theMAIN RIGHT control. Amplication of up to +15 dB is possible
onbothcontrols.

(9) You can easily get a readout of both channels by observing the

highly acurate 7-digit level meters labeled LEFT OUTPUT LEVEL
andRIGHTOUTPUT LEVEL.

Please connect your headphones to the PHONES connector. It is a standard
¼" TRS stereo connector.

(11)

Fig. 2.3: POWER sw itch, LEVEL contro l and PHONES connec tor

(12) Use the POWER switch to power up your RX1602. The POWER switch should

always be in the “O” position when you are about to connect your unit to
the mains.

◊ Attention: The POWER switch does not fully disconnect the unit from

the mains. Unplug the power cord completely when the unit is not used
for prolonged periods of time.

7 EURORACK PRO RX1602 User Manual

(14)(13)

(14)(13)

Fig. 2.4: MAIN OUT an d MON OUT SEND connect ors

(13) The MAIN OUT connectors come as ¼" TRS jacks. The main mix signal

(derived from all channels) is present here. You can set the output signal
level by using the MAIN LEFT and MAIN RIGHT controls (8) (reducing all the
way down to -oo , increasing up to +15 dB). The main mix signal can be used
to feed your mixing console or stereo amplier, among others.

(14) The monitor signal can be taken at the MON OUT SEND connector

(¼" TRS connector). It is just as well-suited for being used with
eectsapplications.

3. Applications

3.1 Keyboards sub-mixer

Very often, keyborards feature a stereo design, their signals are already
pre-amplied and require no sound processing. To avoid using valuable channels
of your main mixer for a purpose other than processing mic signals, you can
instead use your RX1602 as a sub-mixer.

In this case, the output signals of keyboards, samplers or similar sound sources
are connected to the inputs (6) of the RX1602. You can route the MAIN OUTs of
your RX1602 into your main mixer via the aux returns or a stereo channel.

Keyboard

Channel inputs

2.3 Mains connection

(15)

Fig. 2.5: Mains connector with integrated fuse compartment

(15) The mains connection is achieved via the standard IEC connector. A matching

power cord is included.

FUSE COMPARTMENT/VOLTAGE SELECTION: Before plugging the unit into
a power socket, please make sure you have selected the correct voltage.
Faulty fuses must be replaced with fuses of appropriate rating without
exception. Some units feature a fuse compartment that can be operated
in two dierent positions, allowing alternating between 230 V and 120V.
Attention: when using the unit outside of Europe (running on 120 V),
youhave to implement a fuse with a higher rating.

SERIAL NUMBER. The serial number is located on the top of the
unit. Pleasetake a few minutes and send to us a completely lled
out warranty card within 14 days of the original date of purchase.
Otherwise, warrantyclaims may be rendered invalid. Or ll out the
warrantyinformation online at behringer.com.

EURORACK PRO RX1602

XENYX X2222FX USB

Fig. 3.1: Keyboard sub- mix using the RX1602

Stereo input channels/
stereo aux returns

Main outputs

L R

8 EURORACK PRO RX1602 User Manual

3.2 Sub-mix with samplers

Those of you who work with hardware samplers in studio environments, and who
combine many outputs of these units on a single RX1602, can save yourselves
a lot of frequent plugging in and out of cables. At the same time, you get a
practical way to adjust the signal level to various recording equipment inputs.
Last but not least, you also get an extra eects bus.

Hardware sampler

VIRTUALIZER PRO DSP2024P

Channel inputs

EURORACK PRO RX1602

PC with
recording
software

Sound
card

Monitor output

L R

Monitor o
utput

3.3 Monitoring multi-track recorders

Professional sound cards and multi-track recorders can replay several tracks
simultaneously. For this purpose, your RX1602 can be ideally used as a space­saving monitor mixer.

PC with recording software

8-channel
sound card

Multi-track recorder

EURORACK PRO RX1602

Main out left

HPS3000

Main out right

Fig. 3.2: Sampler/PC application

Active studio monitors TRUTH B2031A

Fig. 3.3: Monitoring multi-track recorders or multi-channel sound cards

XENYX X2222USB

9 EURORACK PRO RX1602 User Manual

3.4 Small live setup

Compact and powerful, feature-rich equipment is optimal for musicians who
spend a lot of their time on the road. Fig. 3.4 shows an example of a compact
solution for keyboard and vocal amplication, whereby a singing guitar player or
an additional musician can easily be integrated into the mix.

B-2 PRO

ULTRAGAIN PRO MIC2200

COMPOSER PRO-XL MDX2600

EURORACK PRO RX1602

Keyboard

Main
outputs

L R

4. Installation

4.1 Rack mounting

The BEHRINGER EURORACK PRO RX1602 requires one height unit (1 HU) forbeing
installed into a 19" rack. Please allow at least an extra 4" of space for the
connectors on the rear panel.

Also, please make sure that sucient ventilation of the unit is provided
for, andnever put the rack mixer onto an amp or similar equipment to
avoidoverheating.

Please use M6 machine screws and nuts to install your RX1602 into a rack.

4.2 Audio connections

You will require several types of cables for the various kinds of connections
possible. The following illustrations show you how to wire dierent cables.
Always use high-quality cables.

The audio inputs of the RX1602 are electronically balanced to avoid
humproblems.

Of course, you can also connect equipment featuring un-balanced outputs.
Tothis end, use either mono jacks or connect ring and sleeve of the stereo jack
(bridge pin 1 and pin 3 when using XLR connectors).

Unbalanced ¼" TS connector

strain relief clamp

sleeve

Fig. 3.4: Expan dable small live setu p

EUROPOWER EP2000

Fig. 4.1: ¼" TS connector

tip

sleeve

(ground/shield)

tip

(signal)

10 EURORACK PRO RX1602 User Manual

Balanced ¼" TRS connector

strain relief clamp

sleeve
ring
tip

sleeve

ground/shield

ring

cold (-ve)

tip

hot (+ve)

For connection of balanced and unbalanced plugs,
ring and sleeve have to be bridged at the stereo plug.

Fig. 4.2: ¼" TRS conn ector

¼" TRS headphones connector

strain relief clamp

sleeve

ring

tip

sleeve

ground/shield

ring

right signal

tip

left signal

5. AUX Channels Modication

All monitor and eects signals are tapped into post mute and pre fader,
whichresembles the function of a pre fader aux channel on conventional mixing
consoles. If you prefer to use the aux channels mainly for eect applications,
we suggest to alter them to post Fader. The dierence is that you extract
the respective channels’ signal from the eect mix, too, when you turn the
LEVEL-control to minimum. You can do this modication for each channel
individually, the choice is yours.

◊ The following modifications put your soldering skills to the test.

Only attempt to implement them if you feel you have enough
past experience. Consider hiring professional help. Regardless of
who implements these modifications, they effec tively void all
warranty claims.

◊ A piece of advice for the brave: bridge endings that are to be soldered

should not be put into the drill holes. Instead, bridge endings should
be soldered above the drill holes in a flat fashion! A bridge should be
somewhat upwardly curved between both of the bases.

1. Power down the unit and unplug the power cord before you remove the
cover from the rest of the housing!

2. The positions in question are found on the part of the circuit board located
perpendicular to the front side. Please observe gure 5.1.

◊ Hold the unit so that you can read the FX/MON insignia on the circuit

board. Soldering points should match those in the illustration.

3. Separate the “pre fader” conductor path.

4. Solder a “post fader” bridge.

5. Repeat this step on as many channels as desired.

Fig. 4.3: ¼" TRS connector for headphones operation

cut “pre Fader”

add “post Fader” link

Fig. 5.1: Modication M ON/FX “pre fader ” > “post fader”0

11 EURORACK PRO RX1602 User Manual

6. Specications

Audio Inputs

Input L/R

Type ¼" TRS connector,

electronically balanced

Impedance approx. 20 kΩ balanced,

10 kΩ unbalanced

Gain range -∞ to +15 dB

Operating level variable, +4 dBu/-10 dBV (switchable)

Max. input level +22 dBu

Common-mode rejection typ. 44 dB
CMRR @ 1 kHz

Audio Outputs

Main Out L/R

Type ¼" TRS connector, unbalanced

Gain range -∞ to +15 dB

Impedance approx. 120 Ω

Max. output level +22 dBu

Mon Out

Power Supply

Voltage

USA/Canada 120 V~, 60 Hz

Europe/U.K./Australia 230 V~, 50 Hz

Japan 100 V~, 50 - 60 Hz

General export model 120/230 V~, 50 - 60 Hz

Power consumption max. 14 W

Fuse 100 - 120 V~: T 630 mA H

200 - 240 V~: T 315 mA H

Mains connection Standard IEC connector

Dimensions/Weight

Dimensions approx. 1 ¾ x 19 x 8 ½"

approx. 44.5 x 483 x 217 mm

Weight approx. 5.46 lbs / 2.48 kg

Shipping weight approx. 7.30 lbs / 3.32 kg

BEHRINGER i s constantly str iving to maintain the h ighest profess ional standards. A s a result of these e ffort s,

modific ations may be made f rom time to time to exi sting product s without prio r notice. Specif ications and

appearance m ay differ fro m those listed or illus trated.

Type ¼" TRS connector, unbalanced, mono

Impedance approx.120 Ω

Max. output level +22 dBu

Phones Output

Type ¼" TRS connector, stereo

Minimum load impedance 100 Ω

System Specications

Bandwidth 20 Hz - 20 kHz +/-0.2 dB

Frequency range 20 Hz - 200 kHz +0/-3 dB

Signal-to-noise ratio < -97 dB

THD 0.0025% @ +4 dB input 1 kHz gain 1

Crosstalk < -70 dB

We Hear You